MUSICAL BACON
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Auburn
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Artist name
Roles
Recordings
New York Philharmonic
performing orchestra
Also sprach Zarathustra: "Sunrise", Also sprach Zarathustra: Anfang, Concerto Grosso 1985, I, Part 1, Concerto Grosso 1985, I, Part 2, Concerto Grosso 1985: I. Maestoso, Concerto Grosso 1985: II. Presto, Concerto Grosso 1985: III. Largo, Concerto Grosso 1985: IV. Presto, Concerto Grosso 1985: V. Maestoso, Concerto Grosso: IV., Concerto Grosso: V., Das Rheingold: Entrance of the Gods into Valhalla, Death in Venice: Symphony No. 5: Adagietto (excerpt), Die Walküre: The Ride of the Valkyries, Ein Heldenleben, Ein Heldenleben, Op. 40: I - Der Held, Ein Heldenleben, Op. 40: II - Des Helden Widersacher, Ein Helderleben, Op. 40: IV - Des Helden Walstatt, Ein Helderleben, Op. 40: V - Des Helden Friedenswerke, Ein Helderleben, Op. 40: VI - Des Helden Weltflucht und Vollendung, Finlandia, op. 26, Götterdämmerung: Dawn and Siegfried's Rhine Journey, Götterdämmerung: Siegfried's Funeral Music, Mars - The Bringer of War, Overture in A major, Op. 92 "Carnival", Parsifal: Vorspiel zum 1. Aufzug, Pictures at an Exhibition (Kartinki s vïstavski): Prelude (Promenade), Prism: After Francesco Cavalli, Prism: After Luigi Cherubini, Prism: After Marc-Antoine Charpentier, Siegfried: Forest Murmurs, Sinfonie Nr. 9 “Choral”: II. Molto vivace, Symbolon, Symphonie fantastique, op. 14: I. Rêveries, passions, Symphonie fantastique, op. 14: II. Un bal, Symphonie fantastique, op. 14: III. Scène aux champs, Symphonie fantastique, op. 14: IV. Marche au supplice, Symphonie fantastique, op. 14: V. Songe d'une nuit de sabbat, Symphony No. 1 in C minor, Op. 68: IV. Adagio - Più andante - Allegro non troppo, ma con brio - Più allegro, Symphony No. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt), Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz, Symphony No. 5 in C-sharp minor: III. Scherzo (Kräftig, nicht zu schnell), Symphony No. 5 in C-sharp minor: IV. Adagietto (Sehr langsam), Symphony No. 5 in C-sharp minor: V. Rondo-Finale (Allegro), Symphony No. 9 "Choral": Concl., Symphony no. 1 "Titan": I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemachlich, Symphony no. 1 "Titan": II. Kraftig bewegt, doch nicht zu schnell, Symphony no. 1 "Titan": III. Feierlich und gemessen, ohne zu shleppen, Symphony no. 1 "Titan": IV. Sturmisch bewegt - Energisch, Symphony no. 2 in D major, op. 43: I. Allegretto, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato, Symphony no. 2 in D major, op. 43: III. Vivacissimo / IV. Finale. Allegro moderato, Symphony no. 9 in D minor (“Choral”) op. 125: Molto vivace, The Planets, Op. 32: I. Mars, the Bringer of War, The Planets, Op. 32: II. Venus, the Bringer of Peace, The Planets, Op. 32: III. Mercury, the Winged Messenger, The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity, The Planets, Op. 32: V. Saturn, the Bringer of Old Age, The Planets, Op. 32: VI. Uranus, the Magician, The Planets: Uranus, the Magician, The Planets: Venus, the Bringer of Peace, The Rite of Spring: Adoration of the Earth: Adoration of the Earth (The Wise Elder), The Rite of Spring: Adoration of the Earth: Dance of the Earth, The Rite of Spring: Adoration of the Earth: Games of the Rival Tribes, The Rite of Spring: Adoration of the Earth: Introduction: Lento, The Rite of Spring: Adoration of the Earth: Mock Abduction, The Rite of Spring: Adoration of the Earth: Procession of the Wise Elder, The Rite of Spring: Adoration of the Earth: Spring Round Dances, The Rite of Spring: Adoration of the Earth:The Augurs of Spring (Dance of the Young Girls), The Rite of Spring: The Sacrifice: Glorification of the Chosen Victim, The Rite of Spring: The Sacrifice: Introduction: Largo, The Rite of Spring: The Sacrifice: Mystical Circles of the Young Girls, The Rite of Spring: The Sacrifice: Ritual of the Ancestors, The Rite of Spring: The Sacrifice: Sacrificial Dance (The Chosen Victim), The Rite of Spring: The Sacrifice: Summoning of the Ancestors
Zubin Mehta (conductor)
conductor
Also sprach Zarathustra: "Sunrise", Also sprach Zarathustra: Anfang, Concerto Grosso 1985, I, Part 1, Concerto Grosso 1985, I, Part 2, Concerto Grosso 1985: I. Maestoso, Concerto Grosso 1985: II. Presto, Concerto Grosso 1985: III. Largo, Concerto Grosso 1985: IV. Presto, Concerto Grosso 1985: V. Maestoso, Concerto Grosso: IV., Concerto Grosso: V., Das Rheingold: Entrance of the Gods into Valhalla, Death in Venice: Symphony No. 5: Adagietto (excerpt), Die Walküre: The Ride of the Valkyries, Ein Heldenleben, Ein Heldenleben, Op. 40: I - Der Held, Ein Heldenleben, Op. 40: II - Des Helden Widersacher, Ein Helderleben, Op. 40: IV - Des Helden Walstatt, Ein Helderleben, Op. 40: V - Des Helden Friedenswerke, Ein Helderleben, Op. 40: VI - Des Helden Weltflucht und Vollendung, Finlandia, op. 26, Götterdämmerung: Dawn and Siegfried's Rhine Journey, Götterdämmerung: Siegfried's Funeral Music, Mars - The Bringer of War, Overture in A major, Op. 92 "Carnival", Parsifal: Vorspiel zum 1. Aufzug, Pictures at an Exhibition (Kartinki s vïstavski): Prelude (Promenade), Prism: After Francesco Cavalli, Prism: After Luigi Cherubini, Prism: After Marc-Antoine Charpentier, Siegfried: Forest Murmurs, Sinfonie Nr. 9 “Choral”: II. Molto vivace, Symbolon, Symphonie fantastique, op. 14: I. Rêveries, passions, Symphonie fantastique, op. 14: II. Un bal, Symphonie fantastique, op. 14: III. Scène aux champs, Symphonie fantastique, op. 14: IV. Marche au supplice, Symphonie fantastique, op. 14: V. Songe d'une nuit de sabbat, Symphony No. 1 in C minor, Op. 68: IV. Adagio - Più andante - Allegro non troppo, ma con brio - Più allegro, Symphony No. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt), Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz, Symphony No. 5 in C-sharp minor: III. Scherzo (Kräftig, nicht zu schnell), Symphony No. 5 in C-sharp minor: IV. Adagietto (Sehr langsam), Symphony No. 5 in C-sharp minor: V. Rondo-Finale (Allegro), Symphony No. 9 "Choral": Concl., Symphony no. 1 "Titan": I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemachlich, Symphony no. 1 "Titan": II. Kraftig bewegt, doch nicht zu schnell, Symphony no. 1 "Titan": III. Feierlich und gemessen, ohne zu shleppen, Symphony no. 1 "Titan": IV. Sturmisch bewegt - Energisch, Symphony no. 2 in D major, op. 43: I. Allegretto, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato, Symphony no. 2 in D major, op. 43: III. Vivacissimo / IV. Finale. Allegro moderato, Symphony no. 9 in D minor (“Choral”) op. 125: Molto vivace, The Planets, Op. 32: I. Mars, the Bringer of War, The Planets, Op. 32: II. Venus, the Bringer of Peace, The Planets, Op. 32: III. Mercury, the Winged Messenger, The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity, The Planets, Op. 32: V. Saturn, the Bringer of Old Age, The Planets, Op. 32: VI. Uranus, the Magician, The Planets: Uranus, the Magician, The Planets: Venus, the Bringer of Peace, The Rite of Spring: Adoration of the Earth: Adoration of the Earth (The Wise Elder), The Rite of Spring: Adoration of the Earth: Dance of the Earth, The Rite of Spring: Adoration of the Earth: Games of the Rival Tribes, The Rite of Spring: Adoration of the Earth: Introduction: Lento, The Rite of Spring: Adoration of the Earth: Mock Abduction, The Rite of Spring: Adoration of the Earth: Procession of the Wise Elder, The Rite of Spring: Adoration of the Earth: Spring Round Dances, The Rite of Spring: Adoration of the Earth:The Augurs of Spring (Dance of the Young Girls), The Rite of Spring: The Sacrifice: Glorification of the Chosen Victim, The Rite of Spring: The Sacrifice: Introduction: Largo, The Rite of Spring: The Sacrifice: Mystical Circles of the Young Girls, The Rite of Spring: The Sacrifice: Ritual of the Ancestors, The Rite of Spring: The Sacrifice: Sacrificial Dance (The Chosen Victim), The Rite of Spring: The Sacrifice: Summoning of the Ancestors
Charles Harbutt
engineer
Symphony No. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt), Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz, Symphony No. 5 in C-sharp minor: III. Scherzo (Kräftig, nicht zu schnell), Symphony No. 5 in C-sharp minor: IV. Adagietto (Sehr langsam), Symphony No. 5 in C-sharp minor: V. Rondo-Finale (Allegro)
Max Wilcox (engineer/editor/producer)
producer
Symphony No. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt), Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz, Symphony No. 5 in C-sharp minor: III. Scherzo (Kräftig, nicht zu schnell), Symphony No. 5 in C-sharp minor: IV. Adagietto (Sehr langsam), Symphony No. 5 in C-sharp minor: V. Rondo-Finale (Allegro)
Nelson Wong
engineer
Symphony No. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt), Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz, Symphony No. 5 in C-sharp minor: III. Scherzo (Kräftig, nicht zu schnell), Symphony No. 5 in C-sharp minor: IV. Adagietto (Sehr langsam), Symphony No. 5 in C-sharp minor: V. Rondo-Finale (Allegro)
Collaborators on this artist's recordings
Artist name
Roles
Recordings
New York Philharmonic
performing orchestra
Also sprach Zarathustra: "Sunrise", Also sprach Zarathustra: Anfang, Concerto Grosso 1985, I, Part 1, Concerto Grosso 1985, I, Part 2, Concerto Grosso 1985: I. Maestoso, Concerto Grosso 1985: II. Presto, Concerto Grosso 1985: III. Largo, Concerto Grosso 1985: IV. Presto, Concerto Grosso 1985: V. Maestoso, Concerto Grosso: IV., Concerto Grosso: V., Das Rheingold: Entrance of the Gods into Valhalla, Death in Venice: Symphony No. 5: Adagietto (excerpt), Die Walküre: The Ride of the Valkyries, Ein Heldenleben, Ein Heldenleben, Op. 40: I - Der Held, Ein Heldenleben, Op. 40: II - Des Helden Widersacher, Ein Helderleben, Op. 40: IV - Des Helden Walstatt, Ein Helderleben, Op. 40: V - Des Helden Friedenswerke, Ein Helderleben, Op. 40: VI - Des Helden Weltflucht und Vollendung, Finlandia, op. 26, Götterdämmerung: Dawn and Siegfried's Rhine Journey, Götterdämmerung: Siegfried's Funeral Music, Mars - The Bringer of War, Overture in A major, Op. 92 "Carnival", Parsifal: Vorspiel zum 1. Aufzug, Pictures at an Exhibition (Kartinki s vïstavski): Prelude (Promenade), Prism: After Francesco Cavalli, Prism: After Luigi Cherubini, Prism: After Marc-Antoine Charpentier, Siegfried: Forest Murmurs, Sinfonie Nr. 9 “Choral”: II. Molto vivace, Symbolon, Symphonie fantastique, op. 14: I. Rêveries, passions, Symphonie fantastique, op. 14: II. Un bal, Symphonie fantastique, op. 14: III. Scène aux champs, Symphonie fantastique, op. 14: IV. Marche au supplice, Symphonie fantastique, op. 14: V. Songe d'une nuit de sabbat, Symphony No. 1 in C minor, Op. 68: IV. Adagio - Più andante - Allegro non troppo, ma con brio - Più allegro, Symphony No. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt), Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz, Symphony No. 5 in C-sharp minor: III. Scherzo (Kräftig, nicht zu schnell), Symphony No. 5 in C-sharp minor: IV. Adagietto (Sehr langsam), Symphony No. 5 in C-sharp minor: V. Rondo-Finale (Allegro), Symphony No. 9 "Choral": Concl., Symphony no. 1 "Titan": I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemachlich, Symphony no. 1 "Titan": II. Kraftig bewegt, doch nicht zu schnell, Symphony no. 1 "Titan": III. Feierlich und gemessen, ohne zu shleppen, Symphony no. 1 "Titan": IV. Sturmisch bewegt - Energisch, Symphony no. 2 in D major, op. 43: I. Allegretto, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato, Symphony no. 2 in D major, op. 43: III. Vivacissimo / IV. Finale. Allegro moderato, Symphony no. 9 in D minor (“Choral”) op. 125: Molto vivace, The Planets, Op. 32: I. Mars, the Bringer of War, The Planets, Op. 32: II. Venus, the Bringer of Peace, The Planets, Op. 32: III. Mercury, the Winged Messenger, The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity, The Planets, Op. 32: V. Saturn, the Bringer of Old Age, The Planets, Op. 32: VI. Uranus, the Magician, The Planets: Uranus, the Magician, The Planets: Venus, the Bringer of Peace, The Rite of Spring: Adoration of the Earth: Adoration of the Earth (The Wise Elder), The Rite of Spring: Adoration of the Earth: Dance of the Earth, The Rite of Spring: Adoration of the Earth: Games of the Rival Tribes, The Rite of Spring: Adoration of the Earth: Introduction: Lento, The Rite of Spring: Adoration of the Earth: Mock Abduction, The Rite of Spring: Adoration of the Earth: Procession of the Wise Elder, The Rite of Spring: Adoration of the Earth: Spring Round Dances, The Rite of Spring: Adoration of the Earth:The Augurs of Spring (Dance of the Young Girls), The Rite of Spring: The Sacrifice: Glorification of the Chosen Victim, The Rite of Spring: The Sacrifice: Introduction: Largo, The Rite of Spring: The Sacrifice: Mystical Circles of the Young Girls, The Rite of Spring: The Sacrifice: Ritual of the Ancestors, The Rite of Spring: The Sacrifice: Sacrificial Dance (The Chosen Victim), The Rite of Spring: The Sacrifice: Summoning of the Ancestors
Zubin Mehta (conductor)
conductor
Also sprach Zarathustra: "Sunrise", Also sprach Zarathustra: Anfang, Concerto Grosso 1985, I, Part 1, Concerto Grosso 1985, I, Part 2, Concerto Grosso 1985: I. Maestoso, Concerto Grosso 1985: II. Presto, Concerto Grosso 1985: III. Largo, Concerto Grosso 1985: IV. Presto, Concerto Grosso 1985: V. Maestoso, Concerto Grosso: IV., Concerto Grosso: V., Das Rheingold: Entrance of the Gods into Valhalla, Death in Venice: Symphony No. 5: Adagietto (excerpt), Die Walküre: The Ride of the Valkyries, Ein Heldenleben, Ein Heldenleben, Op. 40: I - Der Held, Ein Heldenleben, Op. 40: II - Des Helden Widersacher, Ein Helderleben, Op. 40: IV - Des Helden Walstatt, Ein Helderleben, Op. 40: V - Des Helden Friedenswerke, Ein Helderleben, Op. 40: VI - Des Helden Weltflucht und Vollendung, Finlandia, op. 26, Götterdämmerung: Dawn and Siegfried's Rhine Journey, Götterdämmerung: Siegfried's Funeral Music, Mars - The Bringer of War, Overture in A major, Op. 92 "Carnival", Parsifal: Vorspiel zum 1. Aufzug, Pictures at an Exhibition (Kartinki s vïstavski): Prelude (Promenade), Prism: After Francesco Cavalli, Prism: After Luigi Cherubini, Prism: After Marc-Antoine Charpentier, Siegfried: Forest Murmurs, Sinfonie Nr. 9 “Choral”: II. Molto vivace, Symbolon, Symphonie fantastique, op. 14: I. Rêveries, passions, Symphonie fantastique, op. 14: II. Un bal, Symphonie fantastique, op. 14: III. Scène aux champs, Symphonie fantastique, op. 14: IV. Marche au supplice, Symphonie fantastique, op. 14: V. Songe d'une nuit de sabbat, Symphony No. 1 in C minor, Op. 68: IV. Adagio - Più andante - Allegro non troppo, ma con brio - Più allegro, Symphony No. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt), Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz, Symphony No. 5 in C-sharp minor: III. Scherzo (Kräftig, nicht zu schnell), Symphony No. 5 in C-sharp minor: IV. Adagietto (Sehr langsam), Symphony No. 5 in C-sharp minor: V. Rondo-Finale (Allegro), Symphony No. 9 "Choral": Concl., Symphony no. 1 "Titan": I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemachlich, Symphony no. 1 "Titan": II. Kraftig bewegt, doch nicht zu schnell, Symphony no. 1 "Titan": III. Feierlich und gemessen, ohne zu shleppen, Symphony no. 1 "Titan": IV. Sturmisch bewegt - Energisch, Symphony no. 2 in D major, op. 43: I. Allegretto, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato, Symphony no. 2 in D major, op. 43: III. Vivacissimo / IV. Finale. Allegro moderato, Symphony no. 9 in D minor (“Choral”) op. 125: Molto vivace, The Planets, Op. 32: I. Mars, the Bringer of War, The Planets, Op. 32: II. Venus, the Bringer of Peace, The Planets, Op. 32: III. Mercury, the Winged Messenger, The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity, The Planets, Op. 32: V. Saturn, the Bringer of Old Age, The Planets, Op. 32: VI. Uranus, the Magician, The Planets: Uranus, the Magician, The Planets: Venus, the Bringer of Peace, The Rite of Spring: Adoration of the Earth: Adoration of the Earth (The Wise Elder), The Rite of Spring: Adoration of the Earth: Dance of the Earth, The Rite of Spring: Adoration of the Earth: Games of the Rival Tribes, The Rite of Spring: Adoration of the Earth: Introduction: Lento, The Rite of Spring: Adoration of the Earth: Mock Abduction, The Rite of Spring: Adoration of the Earth: Procession of the Wise Elder, The Rite of Spring: Adoration of the Earth: Spring Round Dances, The Rite of Spring: Adoration of the Earth:The Augurs of Spring (Dance of the Young Girls), The Rite of Spring: The Sacrifice: Glorification of the Chosen Victim, The Rite of Spring: The Sacrifice: Introduction: Largo, The Rite of Spring: The Sacrifice: Mystical Circles of the Young Girls, The Rite of Spring: The Sacrifice: Ritual of the Ancestors, The Rite of Spring: The Sacrifice: Sacrificial Dance (The Chosen Victim), The Rite of Spring: The Sacrifice: Summoning of the Ancestors
Charles Harbutt
engineer
Symphony No. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt), Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz, Symphony No. 5 in C-sharp minor: III. Scherzo (Kräftig, nicht zu schnell), Symphony No. 5 in C-sharp minor: IV. Adagietto (Sehr langsam), Symphony No. 5 in C-sharp minor: V. Rondo-Finale (Allegro)
Max Wilcox (engineer/editor/producer)
producer
Symphony No. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt), Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz, Symphony No. 5 in C-sharp minor: III. Scherzo (Kräftig, nicht zu schnell), Symphony No. 5 in C-sharp minor: IV. Adagietto (Sehr langsam), Symphony No. 5 in C-sharp minor: V. Rondo-Finale (Allegro)
Nelson Wong
engineer
Symphony No. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt), Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz, Symphony No. 5 in C-sharp minor: III. Scherzo (Kräftig, nicht zu schnell), Symphony No. 5 in C-sharp minor: IV. Adagietto (Sehr langsam), Symphony No. 5 in C-sharp minor: V. Rondo-Finale (Allegro)
Paul Zinman (engineer)
sound
Symphony No. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt), Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz, Symphony No. 5 in C-sharp minor: III. Scherzo (Kräftig, nicht zu schnell), Symphony No. 5 in C-sharp minor: IV. Adagietto (Sehr langsam), Symphony No. 5 in C-sharp minor: V. Rondo-Finale (Allegro)
Wolfgang Mohr
producer
Symphony No. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt), Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz, Symphony No. 5 in C-sharp minor: III. Scherzo (Kräftig, nicht zu schnell), Symphony No. 5 in C-sharp minor: IV. Adagietto (Sehr langsam), Symphony No. 5 in C-sharp minor: V. Rondo-Finale (Allegro)
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