Bob Auger

engineer, recording, balance, producer

Top collaborators

Artist name Roles Recordings
Tiare Helberg
Emily R
Bernard Herrmann (composer)
Dialog Dini Hari
Chris Barber (British jazz trombonist)

Work on other artists' recordings

Artist name Roles Recordings
Tiare Helberg engineer Aurora's Wedding: Act II: Farandole – Danse – Tempo di mazurka, Aurora's Wedding: Act II: Scène – Danse des duchesses – Danse des marquises, Aurora's Wedding: Act III: Coda – Les Trois Ivan, Aurora's Wedding: Act III: Pas de caractère – Le Chaperon Rouge et le Loup, Aurora's Wedding: Act III: Pas de deux, Aurora's Wedding: Act III: Pas de quatre, Aurora's Wedding: Act III: Polacca, Aurora's Wedding: Act III: Tempo di Mazurka – Apothéose, Aurora's Wedding: Introduction (Prologue), Aurora's Wedding: Pas de six (Prologue), Carmen Suite No. 1: Aragonaise. Allegro vivo (Prelude to Act IV), Carmen Suite No. 1: Intermezzo. Andantino quasi Allegretto (Prelude to Act III), Carmen Suite No. 1: Les Dragons d'Alcala. Allegro moderato (Prelude to Act II), Carmen Suite No. 1: Les Toréadors. Allegro giocoso (Introduction to Act I), Carmen Suite No. 1: Prélude. Andante moderato (Prelude to Act I), Carmen Suite No. 1: Séguédille. Allegretto (Act I), Carmen Suite No. 2: Danse bohème. Andatino quasi Allegretto (Act II), Carmen Suite No. 2: Habanera. Allegretto quasi Andantino (Act I), Carmen Suite No. 2: La Garde montante. Allegro (Act I), Carmen Suite No. 2: Marche des contrebandiers. Allegro moderato (Act III), Clair de Lune, Flight of the Bumblebee, Fête-Dieu à Séville, Humoresque, Ivan the Terrible: Prelude to Act III, L'Arlésienne Suite No. 1: I. Prélude. Allegro deciso (Tempo di Marcia) – Andantino, L'Arlésienne Suite No. 1: II. Minuetto. Allegro giocoso, L'Arlésienne Suite No. 1: III. Adagietto. Adagio, L'Arlésienne Suite No. 1: IV. Carillon. Allegro moderato – Andantino – Tempo I, L'Arlésienne Suite No. 2: I. Pastorale. Adante sostenuto assai – Andantino – Tempo I, L'Arlésienne Suite No. 2: III. Menuet. Andantino quasi Allegretto, L'Arlésienne Suite No. 2: IV. Farandole. Allegro deciso (Tempo di Marcia) – Allegro vivo e deciso, La Soirée dans Grenade, Mazurka in B-flat minor, op. 24/4, Perpetuum mobile, Prelude in D minor, op. 28/24, Prelude in E-flat minor, op. 87/14, Symphony No. 1 in E minor, op. 39: I. Andante, ma non troppo – Allegro energico, Symphony No. 1 in E minor, op. 39: II. Andante (ma non troppo lento), Symphony No. 1 in E minor, op. 39: III. Scherzo. Allegro, Symphony No. 1 in E minor, op. 39: IV. Finale (Quasi una Fantasia) – Andante, The Swan of Tuonela, op. 22/3
Emily R engineer String Quartet No. 22 in B-flat major K. 589 "Quartetti Prussian": I. Allegro, String Quartet No. 22 in B-flat major K. 589 "Quartetti Prussian": IV. Allegro assai, String Quartet No. 22 in B-flat major K. 589 Quartetti Prussian": II. Larghetto, String Quartet No. 22 in B-flat major K. 589 Quartetti Prussian": III. Menuetto, String Quartet No. 23 in F major K. 590 "Quartetti Prussian": I. Allegro moderato, String Quartet No. 23 in F major K. 590 "Quartetti Prussian": II. Andante, String Quartet No. 23 in F major K. 590 "Quartetti Prussian": III. Menuetto, String Quartet No. 23 in F major K. 590 "Quartetti Prussian": IV. Allegro, String Quartet in A major, K. 464: I. Allegro, String Quartet in A major, K. 464: II. Menuetto, String Quartet in A major, K. 464: III. Andante, String Quartet in A major, K. 464: IV. Allegro non troppo, String Quartet in B-flat major, K. 458 "Hunt": I. Allegro vivace assai, String Quartet in B-flat major, K. 458 "Hunt": II. Menuetto. Moderato, String Quartet in B-flat major, K. 458 "Hunt": III. Adagio, String Quartet in B-flat major, K. 458 "Hunt": IV. Allegro assai, String Quartet in C major, K. 465 "Dissonance": I. Adagio - Allegro, String Quartet in C major, K. 465 "Dissonance": II. Andante cantabile, String Quartet in C major, K. 465 "Dissonance": III. Menuetto. Allegretto, String Quartet in C major, K. 465 "Dissonance": IV. Allegro molto, String Quartet in D major, K. 499 "Hoffmeister": I. Allegretto, String Quartet in D major, K. 499 "Hoffmeister": II. Menuetto, String Quartet in D major, K. 499 "Hoffmeister": III. Adagio, String Quartet in D major, K. 499 "Hoffmeister": IV. Allegro, String Quartet in D major, K. 575: I. Allegretto, String Quartet in D major, K. 575: II. Andante, String Quartet in D major, K. 575: III. Menuetto, String Quartet in D major, K. 575: IV. Allegretto, String Quartet in D minor, K. 421: I. Allegro, String Quartet in D minor, K. 421: II. Andante, String Quartet in D minor, K. 421: III. Menuetto. Allegretto, String Quartet in D minor, K. 421: IV. Allegretto ma non troppo, String Quartet in E-flat major, K. 428: I. Allegro non troppo, String Quartet in E-flat major, K. 428: II. Andante con moto, String Quartet in E-flat major, K. 428: III. Menuetto. Allegretto, String Quartet in E-flat major, K. 428: IV. Allegro vivace, String Quartet in G major, K. 387: I. Allegro vivace assai, String Quartet in G major, K. 387: II. Menuetto. Allegretto, String Quartet in G major, K. 387: III. Andante cantabile, String Quartet in G major, K. 387: IV. Molto allegro
Bernard Herrmann engineer Cabin 1, Cabin 10, Discovery, Finale, Flight, Hotel Room, Marion, Marion and Sam, Phone Booth, Prelude, Temptation, The Bathroom, The Bedroom, The Body, The Car, The Car Lot, The Cellar, The City, The Curtain, The First Floor, The Hill, The Knife, The Madhouse, The Murder, The Office, The Package, The Parlour, The Patrol Car, The Peephole, The Porch, The Rainstorm, The Search, The Shadow, The Stairs, The Swamp, The Toys, The Water, The Window
Dialog Dini Hari engineer Brandenburg Concerto no. 1 in F, BWV 1046: I. Allegro, Brandenburg Concerto no. 1 in F, BWV 1046: II. Adagio, Brandenburg Concerto no. 1 in F, BWV 1046: III. Allegro, Brandenburg Concerto no. 1 in F, BWV 1046: IV. Menuetto and Trio 1, Polacca, Menuetto and Trio 2, Brandenburg Concerto no. 2 in F, BWV 1047: I. Allegro, Brandenburg Concerto no. 2 in F, BWV 1047: II. Andante, Brandenburg Concerto no. 2 in F, BWV 1047: III. Allegro assai, Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro moderato, Brandenburg Concerto no. 3 in G, BWV 1048: II. Cadenza - Allegro, Brandenburg Concerto no. 4 in G, BWV 1049: I. Allegro, Brandenburg Concerto no. 4 in G, BWV 1049: II. Andante, Brandenburg Concerto no. 4 in G, BWV 1049: III. Presto, Brandenburg Concerto no. 5 in D, BWV 1050: I. Allegro, Brandenburg Concerto no. 5 in D, BWV 1050: II. Affettuoso, Brandenburg Concerto no. 5 in D, BWV 1050: III. Allegro, Brandenburg Concerto no. 6 in B-flat, BWV 1051: I. Allegro, Brandenburg Concerto no. 6 in B-flat, BWV 1051: II. Adagio ma non tanto, Brandenburg Concerto no. 6 in B-flat, BWV 1051: III. Allegro
Chris Barber recording Bobby Shaftoe, Bourbon Street Parade, Bury My Body, Chimes Blues, Fairfield Re-Union Blues, Hushabye, It's Tight Like That, Jazz Me Blues, Jenny's Ball, Just a Sittin' and a Rockin', Long Gone Lost John, On a Monday, Saturday Night Function, Stevedore Stomp, The Isle of Capri, The Martinique, Whistlin' Rufus
The Cairo Free Jazz Ensemble balance, producer Boléro, Pictures at an Exhibition: Ballet of the Chicks in Their Shells, Pictures at an Exhibition: Bydlo, Pictures at an Exhibition: Catacombs: Speaking to the Dead, Pictures at an Exhibition: Gnomus, Pictures at an Exhibition: Limoges: The Market Place, Pictures at an Exhibition: Promenade, Pictures at an Exhibition: Samuel Goldenberg and Schmuÿle, Pictures at an Exhibition: The Great Gate at Kiev, Pictures at an Exhibition: The Hut of Baba Yaga, Pictures at an Exhibition: The Old Castle, Pictures at an Exhibition: Tuileries
Noam Dishon engineer Dr. Jazz, I Want a Little Girl, If You're a Viper, Nobody Knows You When You're Down and Out, Nuts, Sam Jones' Blues, Sugar, T'aint Nobody's Business, There'll Be Some Changes Made, Viper Mad
RadioEditAV engineer Cello Concerto in B minor, RV 424: I. Allegro non molto - II. Largo - III. Allegro, Flute Concerto in D major, RV 429: I. Allegro - II. Andante - III. Allegro, Violin Concerto No. 10 in B-flat major, Op. 8 RV 362: I. Allegro - II. Adagio - III. Allegro, Violin Concerto No. 11 in D major, Op. 8 RV 210: I. Allegro - II. Largo - III. Allegro, Violin Concerto No. 12 in C major, Op. 8 RV 178: I. Allegro - II. Largo - III. Allegro, Violin Concerto No. 5 in E-flat major, Op. 8 RV 253 "La tempesta di mare": I. Presto - II. Largo - III. Presto, Violin Concerto No. 6 in C major, Op. 8 RV 180 "Il piacere": I. Allegro - II. Largo e cantabile - III. Allegro, Violin Concerto No. 7 in D minor, Op. 8 RV 242: I. Allegro - II. Largo - III. Allegro, Violin Concerto No. 8 in G minor, Op. 8 RV 332: I. Allegro - II. Largo - III. Allegro, Violin Concerto No. 9 in D minor, Op. 8 RV 236: I. Allegro - II. Largo - III. Allegro
Johann Sebastian Bach engineer Concerto in A minor, BWV 1041: I. (Allegro), Concerto in A minor, BWV 1041: II. Andante, Concerto in A minor, BWV 1041: III. Allegro assai, Concerto in D minor, BWV 1052: I. Allegro, Concerto in D minor, BWV 1052: II. Adagio, Concerto in D minor, BWV 1052: III. Allegro, Concerto in E major, BWV 1042: I. Allegro, Concerto in E major, BWV 1042: II. Adagio, Concerto in E major, BWV 1042: III. Allegro assai
Graham Collier engineer Finale, Introduction, Part 3, Part 4, Part 7, Part 8, Parts 1 & 2, Parts 5 & 6
Hufschlag & Braun balance Symphony no. 1 in B-flat major: Allegro - Moderato e dolce - Allegro, Symphony no. 2 in A major: Allegro assai - Vivace - Presto (allegro), Symphony no. 3 in C major: Allegro - Vivace - Tempo di Minuetto, Symphony no. 4 in F major: Allegro - Vivace ma non troppo - Gavor (Allegro), Symphony no. 5 in D major: Allegro ma non troppo - Allegro assai - Tempi di Gavotta - Tempo di Minuetto, Symphony no. 6 in F major: Largo - Allegro - Larghetto, Symphony no. 7 in B-flat major: Andante - Spirituoso - Moderato - Jigg (allegro assai), Symphony no. 8 in D minor: Pomposo - Allegro - Largo (andante) - Tempo di Gavotta (Risoluto)
John Ogdon engineer Piano Sonata no. 1 in D minor, op. 28: I. Allegro moderato, Piano Sonata no. 1 in D minor, op. 28: II. Lento, Piano Sonata no. 1 in D minor, op. 28: III. Allegro molto, Piano Sonata no. 2 in B-flat minor, op. 36: I. Allegro agitato, Piano Sonata no. 2 in B-flat minor, op. 36: II. Non allegro - Lento - attacca, Piano Sonata no. 2 in B-flat minor, op. 36: III. L'istesso tempo - Allegro molto
Beverly Sills recording De Opernball: "Im Chambre séparée" (Hortense), Die lustige Witwe: "Es lebt' eine Vilja" (Hanna), Die tote Stadt: "Glück, das mir verblieb" (Marietta), Maria Stuarda: "O nube" (Maria), Maria Stuarda: Atto III. "La perfida insultarmi anchi volea" (Maria)
Guy Eden recording Maria Stuarda: Atto II. "Allenta il piè, Regina" (Maria, Anna), Maria Stuarda: Atto II. "O nube che lieve per l'aria" / "Nella pace del mestro riposa" (Maria, Anna, Coro), Maria Stuarda: Atto III. "Anna! ... Qui più sommessi favellate...Io vi rivedo alfin" (Maria, Anna, Coro), Maria Stuarda: Atto III. "Deh! Tu di un umile preghiera il suono" (Maria, Anna, Coro)
George Doggette engineer Cello Sonata in A minor, op. 36: Allegro - Allegro molto e marcato, Cello Sonata in A minor, op. 36: Allegro agitato, Cello Sonata in A minor, op. 36: Andante molto tranquillo
Desolate Horizons engineer Piano Concerto: I. Allegro ma non troppo e maestoso, Piano Concerto: II. Andante con anima, Piano Concerto: III. Allegro brillante
Joaquín Turina recording Fandanguillo, Homenaje a Tárrega, Op. 69: I. Garrotín, Homenaje a Tárrega, Op. 69: II. Soleares
Beth Brittle recording Maria Stuarda: Atto III. "Oh colpo!... E' già vicino del tuo morrir l'istante" / "D'un cor che muore reca il perdono" (Maria, Anna, Talbot, Cecil, Coro), Maria Stuarda: Atto III. "Oh, mio buon Talbot!" / "Delle miei colpe lo squallido" (Maria, Talbot), Maria Stuarda: Atto III. "Quando di luce rosea" / "Lascia contento al carcere" (Maria, Talbot)
Bentley Anderson engineer Piano Concerto: I. Allegro appassionato, Piano Concerto: II. Moderato, Piano Concerto: III. Allegro molto
Roch Poliszczuk recording Maria Stuarda: Atto I. "Ah! quando all'ara scorgemi" / "In tal giono di contento" / "Ah! dal cielo discenda un raggio" (Elisabetta, Tabot, Cecil, Coro), Maria Stuarda: Atto III. "Quella vita a me funesta" (Elisabetta, Cecil)
Isaac Albéniz recording Suite española, Op. 47: I. Granada, Suite española, Op. 47: I. Leyenda
Jackie Hell engineer Adagio for Strings, Medea: Meditation & Dance of Vengence
The John Alldis Choir recording Maria Stuarda: Atto I. "Qui si attenda" (Coro), Maria Stuarda: Atto III. "Vedeste?... Vedemmo. O truce apparato!" (Coro)
Vidal Garcia recording Maria Stuarda: Atto I. Preludio, Maria Stuarda: Overture
Andro Manzoni recording Maria Stuarda: Atto II, Scena III. "Deh! l'accogli!" ... "Morta al mondo, e morta al trono" (Leicester, Maria), Maria Stuarda: Atto II, Scena III. "Va, preparati, furente" (Elisabetta)
Staal recording Maria Stuarda: Atto II. "Deh! l'accogli!..Morta al mondo, e morta al trono" (Maria, Elisabetta, Anna, Leicester, Talbot, Cecil), Maria Stuarda: Atto II. "Va, preparati, furente" (Maria, Elisabetta, Anna, Leicester, Cecil, Talbot, Coro)
Kenny Shane recording Maria Stuarda: Atto I. "Hai nelle giostre, o Talbot, chiesto di me?" (Leicester, Talbot), Maria Stuarda: Atto I. "Questa immago, questo foglio" (Talbot, Leicester)
Karl Flaster recording Maria Stuarda: Atto I. "Quali sensi! - Ella è commessa" / "Si! Era d'amor l'immagine" / "Sul crin la rivale a man mi stendea" (Elisabetta, Leicester), Maria Stuarda: Atto I. "Sei tu confuso?" (Elisabetta, Leicester)
南極 recording Maria Stuarda: Atto II. "Ah! non m'inganna la gioia!" (Maria, Leicester), Maria Stuarda: Atto II. "Da tutti abbandonata" / "Ah! Se il mio cor tremò giammai" (Maria, Leicester)
Julian Sanders recording Maria Stuarda: Atto I, Scena I & II
Leanne Tennant recording Maria Stuarda: Atto III. "Ah! se un giorno da queste ritorte" (Maria, Anna, Leicester, Talbot, Cecil, Coro)
Los Violines de Lima recording Maria Stuarda: Atto III, Scena VII, VIII, IX, Finale
Mac Wall recording Maria Stuarda: Atto I. "Fra voi perchè non veggo Leicester?" (Elisabetta, Cecil, Leicester)
Manuel de Falla recording Homenaje (Pour le tombeau de Debussy)
John Garth III recording Maria Stuarda: Atto III. "D'una sorella, o barbara" / "Vanne indegno; t'appare sul volto" (Elisabetta, Cecil, Leicester)
Nowan recording Maria Stuarda: Atto III. "Giunge il Conte" (Maria, Leicester, Cecil, Talbot, Coro)
Paul Laurence Dunbar recording Maria Stuarda: Atto III. "Regina!...A lei s'affretta il supplizio" / "Deh! per pietà sospendi" (Leicester, Elisabetta, Cecil)
Qim Isle recording Maria Stuarda: Atto III, Scena I, II
Guy Brook recording Maria Stuarda: Atto II, Scena I, II, III, IV (Beginning)
Julian Bream recording Canciones populares catalanas: El testament d’Amelia
Rezonate recording Maria Stuarda: Atto II, Scena IV (Concluded)
Federico Moreno Torroba recording Madroños
Shanaia T. recording Maria Stuarda: Atto III, Scena III, IV, V, VI
Emir recording Der Zarewitsch: Akt I. "Einer wird kommen"
TIRRI TARRA recording Maria Stuarda: Atto III. "E pensi? e tardi?" (Cecil, Elisabetta)
Eileen Farrell recording Maria Stuarda: Atto I. "Si, vuol di Francia il Rege" (Elisabetta)
Dissonance In Design recording Maria Stuarda: Atto III. "Che vuoi?" (Maria, Cecil)
Dave Latchaw recording Maria Stuarda: Atto II. "Qual loco è questo?" (Maria, Elisabetta, Leicester, Cecil, Talbot)
DJ Stamy recording Maria Stuarda: Overture
William Crighton recording Maria Stuarda: Atto II. "E' sempre la stessa" (Elisabetta, Maria, Anna, Talbot, Cecil, Leicester)
Rafael Cancian recording Maria Stuarda: Atto I (Concluded), Scena II, IV, V