Jascha Horenstein

conductor, vocal, violin

Top collaborators

Artist name Roles Recordings
Holzweg (Anton Oshchepkov)
Joseph Haydn
Robotix (Polish rockabilly band)
Sioux 66
Auto vs. Pedestrian

Work on other artists' recordings

Artist name Roles Recordings
Holzweg conductor Symphony No. 3 in D minor: I. Kräftig. Entschieden, Symphony No. 3 in D minor: II. Tempo di menuetto. Sehr mässig, Symphony No. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony No. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden, Symphony no. 1, in C minor, op. 68: I. Un poco sostenuto - allegro, Symphony no. 1, in C minor, op. 68: II. Andante sostenuto, Symphony no. 1, in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1, in C minor, op. 68: IV. Adagio - più andante - allegro non troppo, Symphony no. 8 in C minor: I. Allegro moderato, Symphony no. 8 in C minor: II. Scherzo. Allegro moderato - Trio. Langsam, Symphony no. 8 in C minor: III. Adagio. Feierlich langsam, doch nicht schleppend, Symphony no. 8 in C minor: IV. Finale. Feierlich, nicht schnell, Symphony no. 8: Part I. "Accende lumen sensibus", Symphony no. 8: Part I. "Gloria Patri Domino", Symphony no. 8: Part I. "Imple superna gratia", Symphony no. 8: Part I. "Infirma nostri corporis", Symphony no. 8: Part I. "Qui Paraclitus diceris", Symphony no. 8: Part I. "Tempo I. (Allegro, etwashastig), Symphony no. 8: Part I. "Veni, creator spiritus!", Symphony no. 8: Part II. "Alles Vergängliche", Symphony no. 8: Part II. "Bei der Liebe, die den Füßen" / "Bei dem Bronn zu dem schon weiland" / "Bei dem hochgeweihten Orte" / "Die du großen Sünderinnen" / "Neige, neige, du Ohnegleiche", Symphony no. 8: Part II. "Blicket auf, alle reuig Zarten", Symphony no. 8: Part II. "Er überwächst uns schon" / "Vom edlen Geirsterchor umgeben" / "Komm! Komm! Hebe dich zu höhern Sphären!", Symphony no. 8: Part II. "Ewiger Wonnebrand", Symphony no. 8: Part II. "Gerettet ist das edle Glied", Symphony no. 8: Part II. "Ich spür' soeben" / "Hier ist die Aussicht frei" / "Freudig empfangen wir" / "Höchste Herrscherin der Welt" / "Jungfrau, rein im schönsten Sinne", Symphony no. 8: Part II. "Jene Rosen, aus den Händen", Symphony no. 8: Part II. "Uns bleibt ein Erdenrest", Symphony no. 8: Part II. "Waldung, sie schwankheran", Symphony no. 8: Part II. "Wie Felsenabgrund mir zur Fußen", Symphony no. 8: Part II. Poco adagio, Symphony no. 8: Part II. Äußerst langsam. Adagissimo "Dir, der Unberürbaren" / "Du schwebst zu Höhen", Symphony no. 9: Adagio. Sehr langsam und noch zurückhaltend, Symphony no. 9: I. Andante comodo, Symphony no. 9: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb, Symphony no. 9: III. Rondo-Burleske. Allegro assai. Sehr trotzig
Joseph Haydn conductor The Creation: Part I, I. Introduction "Chaos", The Creation: Part I, II. Recitative with Chorus (Raphael), The Creation: Part I, III. Aria with Chorus (Uriel), The Creation: Part I, IV. Recitative (Raphael), The Creation: Part I, IX. Aria (Gabriel), The Creation: Part I, V. Chorus with solo (Gabriel), The Creation: Part I, VI. Recitative (Raphael), The Creation: Part I, VII. Aria (Raphael), The Creation: Part I, VIII. Recitative (Gabriel), The Creation: Part I, X. Recitative, Chorus (Uriel), The Creation: Part I, XI. Recitative (Uriel), The Creation: Part I, XII. Recitative (Uriel), The Creation: Part I, XIII. Chorus with soloists, The Creation: Part II, I. Recitative (Gabriel), The Creation: Part II, II. Aria (Gabriel), The Creation: Part II, III. Recitative (Raphael), The Creation: Part II, IV. Recitative (Raphael), The Creation: Part II, IX. Recitative (Uriel), The Creation: Part II, V. Trio (chorus), The Creation: Part II, VI. Recitative (Raphael), The Creation: Part II, VII. Recitative (Raphael), The Creation: Part II, VIII. Aria (Raphael), The Creation: Part II, X. Aria (Uriel), The Creation: Part II, XI. Recitative (Raphael), The Creation: Part II, XII. Chorus - Trio - Chorus, The Creation: Part III, I. Recitative (Uriel), The Creation: Part III, II. Adam and Eve with chorus, The Creation: Part III, III. Recitative (Adam), The Creation: Part III, IV. Recitative (Uriel), The Creation: Part III, V. Recitative (Uriel), The Creation: Part III, VI. Chorus with soloists
Robotix conductor Piano Concerto no. 1 in F-sharp minor, op. 1: I. Vivace, Piano Concerto no. 1 in F-sharp minor, op. 1: II. Andante, Piano Concerto no. 1 in F-sharp minor, op. 1: III. Allegro vivace, Piano Concerto no. 2 in C minor, op. 18: I. Moderato, Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto, Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando, Piano Concerto no. 3 in D minor, op. 30: I. Allegro, Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo. Adagio -, Piano Concerto no. 3 in D minor, op. 30: III. Finale. Allegro, Piano Concerto no. 4 in G minor, op. 40: I. Allegro, Piano Concerto no. 4 in G minor, op. 40: II. Largo, Piano Concerto no. 4 in G minor, op. 40: III. Allegro vivace, Rhapsody on a Theme of Paganini, op. 43
Sioux 66 conductor "Faust" Symphony: I. Faust, "Faust" Symphony: II. Gretchen, "Faust" Symphony: III. Mephisto: Choral Finale, A Faust Overture, Mephisto-Waltz from "Faust", Symphony No. 1 in C minor, Op. 68: IV. Finale. Adagio, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Allegro non troppo ma con brio
Auto vs. Pedestrian conductor Violin Concerto in D minor, op. 47: I. Allegro moderato, Violin Concerto in D minor, op. 47: II. Adagio di molto, Violin Concerto in D minor, op. 47: III. Allegro ma non tanto, Violin Concerto no. 1 in G minor, op. 26: I. Allegro moderato, Violin Concerto no. 1 in G minor, op. 26: II. Adagio, Violin Concerto no. 1 in G minor, op. 26: III. Finale. Allegro energico, Violin Concerto no. 2, Sz. 112 (1938): I. Allegro non troppo, Violin Concerto no. 2, Sz. 112 (1938): II. Andante tranquillo, Violin Concerto no. 2, Sz. 112 (1938): III. Allegro molto
Atomik Locator conductor Symphony No. 101 in D major, "Clock": I. Adagio - Presto, Symphony No. 101 in D major, "Clock": II. Andante, Symphony No. 101 in D major, "Clock": III. Menuet, Symphony No. 101 in D major, "Clock": IV. Finale. Vivace, Symphony No. 104 in D major "London": I. Adagio - Allegro, Symphony No. 104 in D major "London": II. Andante, Symphony No. 104 in D major "London": III. Menuetto, Symphony No. 104 in D major "London": IV. Allegro spiritoso
Gustav Mahler conductor Symphony No. 1 in D major: I. Langsam, schleppend - Wie ein Naturlaut, Symphony No. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony No. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony No. 1 in D major: IV. Stürmisch bewegt, Symphony No. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich, Symphony No. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony No. 4 in G major: III. Ruhevoll (Poco adagio), Symphony No. 4 in G major: IV. Sehr behaglich
于世才 conductor Symphony No. 1 in F minor, Op. 10: I. Allegretto, Symphony No. 1 in F minor, Op. 10: II. Allegro, Symphony No. 1 in F minor, Op. 10: III. Lento, Symphony No. 1 in F minor, Op. 10: IV. Allegro, Tanwalzer, op. 53, The Isle of the Dead, op. 29
Danny Hillis vocal Jascha Horenstein in Conversation With Alan Byth: First Encounters With Mahler's Suci, Jascha Horenstein in Conversation With Alan Byth: Introduction: Highlights of His Career, Jascha Horenstein in Conversation With Alan Byth: On Bartók, Janáček, Nielsen and Furtwängler, Jascha Horenstein in Conversation With Alan Byth: On Richard Strauss, Jascha Horenstein in Conversation With Alan Byth: On Schoenberg, Berg and Webern
Johann Strauss conductor Blue Danube Waltz, Roses From the South, Thunder and Lightning Polka, Wine, Women and Song
Arsinist conductor Piano Concerto No. 1 in F-sharp minor, Op. 1: I. Vivace, Piano Concerto No. 1 in F-sharp minor, Op. 1: II. Andante, Piano Concerto No. 1 in F-sharp minor, Op. 1: III. Allegro vivace, Piano Concerto no. 4 in G minor, op. 40: II. Largo / III. Allegro vivace
Eugène Sauzay conductor Symphony no. 1 in D major “Titan”: I. Langsam, schleppend, Symphony no. 1 in D major “Titan”: II. Kraftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major “Titan”: IV. Sturmisch bewegt
Anton Bruckner conductor Symphony No. 7 in E major: I. Allegro moderato, Symphony No. 7 in E major: II. Adagio (Sehr feierlich und sehr langsam), Symphony No. 7 in E major: III. Scherzo (Sehr schnell), Symphony No. 7 in E major: IV. Finale (Bewegt, doch nicht schnell)
Tino Ahlgren conductor Piano Concerto No. 4 in G minor, Op. 40: III. Allegro vivace, Piano Concerto no. 2 in C minor, op. 18
منوچهر ریاحی conductor First Part: The Adoration of the Earth, Second Part: The Sacrifice
Franz Liszt conductor Mephisto Waltz (after Lenau's Faust)
Uncle Jon conductor Isle of the Dead, Op. 39
Сергей Рахманинов conductor Piano Concerto No. 2 in C minor: III. Allegro scherzando (Royal Philharmonic Orchestra feat. piano: Earl Wild)
Antonín Dvořák conductor Symphony No.9 "From the New World", Largo
崔玉坤 conductor Till Eulenspiegel, Op. 28
Håkan Streng conductor Concerto no. 2 in C minor For Piano and Orchestra, op. 18: Moderato