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Hel Lennart
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Chicago Symphony Orchestra
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"New World" Symphony: II. Largo (excerpt), 1812 Overture, Academic Festival Overture in C minor, Op. 80, Academic Festival Overture, Op. 80, Adagietto From Symphony no. 5 in C-sharp minor, Akademische Festouvertüre, Op. 80, Bilder einer Austellung: 1. Promenade / Gnomus, Bilder einer Austellung: 10. La Grande Porte De Kiev, Bilder einer Austellung: 2. Promenade / Il Vecchio Castello, Bilder einer Austellung: 3. Promenade / Tuileries, Bilder einer Austellung: 4. Bydlo / Promenade, Bilder einer Austellung: 5. Ballet Des Poussins Dans Leurs Coques, Bilder einer Austellung: 6. Sameul Goldenberg Und Schmuyle, Bilder einer Austellung: 7. Le Marché, Bilder einer Austellung: 8. Cum Mortuis in Lingua Mortua, Bilder einer Austellung: 9. La Cabane Sur Des Pattes De Poule, Boléro, Boléro, M. 81, Concerto for Orchestra, Sz. 116: I. Introduzione: Andante non troppo - Allegro vivace, Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie: Allegretto scherzando, Concerto for Orchestra, Sz. 116: III. Elegia: Andante, non troppo, Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto: Allegretto, Concerto for Orchestra, Sz. 116: V. Finale: Pesante - Presto, Coriolan, Op. 62: Overture. Allegro con brio, Dance Suite, Sz. 77: I. Moderato, Dance Suite, Sz. 77: II. Allegro molto, Dance Suite, Sz. 77: III. Allegro vivace, Dance Suite, Sz. 77: IV. Molto tranquillo, Dance Suite, Sz. 77: V. Comodo, Dance Suite, Sz. 77: VI. Finale: Allegro, Der fliegende Holländer: Overture, Die Meistersinger von Nürnberg: I. Akt. "'Fanget an!' So rief der Lenz in den Wald", Die Meistersinger von Nürnberg: I. Akt. "Aller End ist doch David der Allergescheit'st'", Die Meistersinger von Nürnberg: I. Akt. "Am stillen Herd in Winterszeit", Die Meistersinger von Nürnberg: I. Akt. "Da zu dir der Heiland kam", Die Meistersinger von Nürnberg: I. Akt. "David! Was stehst?", Die Meistersinger von Nürnberg: I. Akt. "Der Meister Tön und Weisen", Die Meistersinger von Nürnberg: I. Akt. "Gott grüß euch, Meister!", Die Meistersinger von Nürnberg: I. Akt. "Halt, Meister! Nicht so geeilt!", Die Meistersinger von Nürnberg: I. Akt. "Mein Herr! Der Singer Meisterschlag", Die Meistersinger von Nürnberg: I. Akt. "Nun, Meister! Wenn's gefällt", Die Meistersinger von Nürnberg: I. Akt. "Seid Ihr nun fertig?", Die Meistersinger von Nürnberg: I. Akt. "Seid meiner Treue wohl versehen", Die Meistersinger von Nürnberg: I. Akt. "Verweilt! Ein Wort - ein einzig Wort!", Die Meistersinger von Nürnberg: I. Akt. "Verzeiht, vielleicht schon ginget ihr zu weit", Die Meistersinger von Nürnberg: I. Akt. Vorspiel, Die Meistersinger von Nürnberg: II. Akt. "'Den Tag seh' ich erscheinen'", Die Meistersinger von Nürnberg: II. Akt. "Da ist er!", Die Meistersinger von Nürnberg: II. Akt. "Gut'n Abend, Meister! Noch so fleißig?", Die Meistersinger von Nürnberg: II. Akt. "Jerum! Jerum! Hallahalohe!", Die Meistersinger von Nürnberg: II. Akt. "Johannistag! Johannistag!", Die Meistersinger von Nürnberg: II. Akt. "Was duftet doch der Flieder so mild", Die Meistersinger von Nürnberg: III. Akt, 1. Bild. "'Morgenlich leuchtend in rosigem Schein'", Die Meistersinger von Nürnberg: III. Akt, 1. Bild. "Das Gedicht? ... hier ließ ich's", Die Meistersinger von Nürnberg: III. Akt, 1. Bild. "Die 'selige Morgentraum-Deutweise'", Die Meistersinger von Nürnberg: III. Akt, 1. Bild. "Ein Werbelied! Von Sachs!", Die Meistersinger von Nürnberg: III. Akt, 1. Bild. "Gleich, Meister! Hier", Die Meistersinger von Nürnberg: III. Akt, 1. Bild. "Grüß Gott, mein Junker", Die Meistersinger von Nürnberg: III. Akt, 1. Bild. "Hat man mit dem Schuhwerk nicht seine Not!", Die Meistersinger von Nürnberg: III. Akt, 1. Bild. "Mein Freund, in holder Jugendzeit", Die Meistersinger von Nürnberg: III. Akt, 1. Bild. "Wahn! Wahn! Überall Wahn!", Die Meistersinger von Nürnberg: III. Akt, 2. Bild. "'Morgen ich leuchte in rosigem Schein'", Die Meistersinger von Nürnberg: III. Akt, 2. Bild. "'Morgenlich leuchtend im rosigen Schein'", Die Meistersinger von Nürnberg: III. Akt, 2. Bild. "'Wach' auf, es nahet gen den Tag'", Die Meistersinger von Nürnberg: III. Akt, 2. Bild. "Euch macht ihr's leicht, mir macht ihr's schwer", Die Meistersinger von Nürnberg: III. Akt, 2. Bild. "Ihr tanzt? Was werden die Meister sagen?", Die Meistersinger von Nürnberg: III. Akt, 2. Bild. "Sankt Krispin, lobet ihn!", Die Meistersinger von Nürnberg: III. Akt, 2. Bild. "Verachtet mir die Meister nicht", Die Meistersinger von Nürnberg: III. Akt. Vorspiel, Die Meistersinger von Nürnberg: Prelude, Die Meistersinger von Nürnberg: Prelude, Act I, Don Juan, Don Juan, Op. 20, Egmont, Op. 84: Overture, Egmont, Op. 84: Overture. Sostenuto, ma non troppo, Egmont: Overture, Enigma Variations, op. 36: Theme, Enigma Variations, op. 36: Variation I. C.A.E., Enigma Variations, op. 36: Variation II. H.D.S., Enigma Variations, op. 36: Variation III. R.B.T., Enigma Variations, op. 36: Variation IV. W.M.B., Enigma Variations, op. 36: Variation IX. Nimrod, Enigma Variations, op. 36: Variation V. R.P.A., Enigma Variations, op. 36: Variation VI. Ysobel, Enigma Variations, op. 36: Variation VII. Troyte, Enigma Variations, op. 36: Variation VIII. W.N., Enigma Variations, op. 36: Variation X. (Intermezzo) Dorabella, Enigma Variations, op. 36: Variation XI. G.R.S., Enigma Variations, op. 36: Variation XII. B.G.N., Enigma Variations, op. 36: Variation XIII. (Romanza), Enigma Variations, op. 36: Variation XIV. (Finale) E.D.U., Hungarian Sketches, Sz 97: I. Este a székelyeknél (evening in the village), Hungarian Sketches, Sz 97: II. Medvetanc (bear dance), Hungarian Sketches, Sz 97: III. Melodia (melody), Hungarian Sketches, Sz 97: IV. Kicsit azottan (slightly tipsy), Hungarian Sketches, Sz 97: V. Ürögi kanasztanc (swineherd's dance), II basbiere di Siviglia: Overture, La Mer : De l'aube à midi sur la mer, La Mer : I. De l'aube à midi sur la mer, La Mer : II. Jeux de vagues, La Mer : III. Dialogue du vent et de la mer, La Mer : Jeux de vagues, La Mer : dialogue du vent et de la mer, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 1. Introduction, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 2. Les Augures printaniers, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 3. Jeu du rapt, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 4. Rondes printanières, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 5. Jeux des cités rivales, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 6a. Cortège du sage, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 6b. Le sage, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 7. Danse de la terre, Le Sacre du Printemps, Part 2: Le Sacrifice: 1. Introduction, Le Sacre du Printemps, Part 2: Le Sacrifice: 2. Cercles mystérieux des adolescentes, Le Sacre du Printemps, Part 2: Le Sacrifice: 3. Glorification de l'élue, Le Sacre du Printemps, Part 2: Le Sacrifice: 4. Évocation des ancêtres, Le Sacre du Printemps, Part 2: Le Sacrifice: 5. Action rituelle des ancêtres, Le Sacre du Printemps, Part 2: Le Sacrifice: 6. Danse sacrale: L'Élue, Le Sacre du printemps: I. L’Adoration de la terre, Le Sacre du printemps: II. Le Sacrifice, Leonore Overture No. 3 in C major, Op. 72b, Leonore Overture No. 3 in C major, Op. 72c, Les Francs-Juges, Mass in B Minor, BWV 232: Agnus Dei: Agnus Dei, Mass in B Minor, BWV 232: Agnus Dei: Dona nobis pacem, Mass in B Minor, BWV 232: Benedictus, Mass in B Minor, BWV 232: Christe eleison, Mass in B Minor, BWV 232: Credo: Confiteor unum baptisma, Mass in B Minor, BWV 232: Credo: Credo in unum Deum, Mass in B Minor, BWV 232: Credo: Crucifixus, Mass in B Minor, BWV 232: Credo: Et expecto, Mass in B Minor, BWV 232: Credo: Et in Spiritum sanctum, Mass in B Minor, BWV 232: Credo: Et in unum Dominum, Mass in B Minor, BWV 232: Credo: Et incarnatus est, Mass in B Minor, BWV 232: Credo: Et resurrexit, Mass in B Minor, BWV 232: Credo: Patrem omnipotentem, Mass in B Minor, BWV 232: Cum Sancto Spiritu, Mass in B Minor, BWV 232: Domine Deus, Mass in B Minor, BWV 232: Et in terra pax, Mass in B Minor, BWV 232: Gloria in excelsis Deo, Mass in B Minor, BWV 232: Gratias agimus tibi, Mass in B Minor, BWV 232: Kyrie eleison, Mass in B Minor, BWV 232: Laudamus te, Mass in B Minor, BWV 232: Osanna, Mass in B Minor, BWV 232: Osanna #2, Mass in B Minor, BWV 232: Qui sedes ad dextram Patris, Mass in B Minor, BWV 232: Qui tollis peccata mundi, Mass in B Minor, BWV 232: Quoniam tu solus sanctus, Mass in B Minor, BWV 232: Sanctus, Matthäus-Passion: Er hat uns allen wohlgetan (Soprano recitative), Matthäus-Passion: Ich will bei meinem jesu wachen (Tenor aria and chorus), Matthäus-Passion: O haupt voll blut und wunden (Chorale), Music for Strings, Percussion and Celesta, Sz. 106: I. Andante tranquillo, Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro, Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio, Music for Strings, Percussion and Celesta, Sz. 106: IV. Allegro molto, Nocturnes : Fêtes, Nocturnes : I. Nuages, Nocturnes : II. Fêtes, Nocturnes : Nuages, Nocturnes : Sirènes, Oberon: Overture, Otello: Fuoco di Gioia, Prelude to the Afternoon of a Faun, Prélude à láprès-midi dún faune, Romanian Folk Dances, Sz 68: I. Bot tanc - Jocul cu bâta (stick dance), Romanian Folk Dances, Sz 68: II. Brâul (sash dance), Romanian Folk Dances, Sz 68: III. To pogo - Pe loc (in one spot), Romanian Folk Dances, Sz 68: IV. Bucsumi tanc - Buciumeana (horn dance), Romanian Folk Dances, Sz 68: V. Roman polka - Poarga româneasca (Romanian polka), Romanian Folk Dances, Sz 68: VI. Aprozo - Maruntelul (fast dance), Romanian Folk Dances, Sz 68: VII. Aprozo - Maruntelul, Romeo and Juliet - Fantasy Overture, Romeo and Juliet, op. 64 (selection): Act I. nos. 2, 3, 4, 10, 13, 14, 19, 20, 21, Romeo and Juliet, op. 64 (selection): Act II. nos. 33-36, Romeo and Juliet, op. 64 (selection): Act III. nos. 37, 38, Romeo and Juliet, op. 64 (selection): Act IV. no. 52, Romeo and Juliet, op. 64 (selection): Introduction, Romeo and Juliet, op. 64: Act 1, I. Introduction, Romeo and Juliet, op. 64: Act 1, II. Romeo / III.The Street Awakens / IV. Morning Dance, Romeo and Juliet, op. 64: Act 1, X. Juliet as a Young Girl, Romeo and Juliet, op. 64: Act 1, XIII. Dance of the Knights, Romeo and Juliet, op. 64: Act 1, XIV. Juliet's Variation, Romeo and Juliet, op. 64: Act 1, XIX. Balcony Scene / XX. Romeo's Variation, Romeo and Juliet, op. 64: Act 1, XXI. Love Dance, Romeo and Juliet, op. 64: Act 2, XXXIII. Tybalt and Mercutio Fight / XXXIV. Mercutio Dies, Romeo and Juliet, op. 64: Act 2, XXXV. Romeo Decides to Avenge Mercutio's Death, Romeo and Juliet, op. 64: Act 3, XXXVII. Introduction / XXXVIII. Romeo and Juliet (Juliet's Bedroom), Romeo and Juliet, op. 64: Epilogue, LII. Death of Juliet, Sinfonie Nr. 5 in c-Moll, Op. 67: III. Scherzo. Allegro / IV. Allegro, Sinfonie Nr. 6 in F-Dur, Op. 68 "Pastorale": III. Allegro "Lustiges Zusammensein der Landleute" / IV. Allegro "Gewitter und Sturm" / V. Allegretto "Hirtengesänge-Frohe und dankbare Gefühle nach dem Sturm", Swan Lake Suite, op. 20: I. Scene - Swan Theme, Swan Lake Suite, op. 20: II. Valse in A, Swan Lake Suite, op. 20: III. Danse des petits cygnes, Swan Lake Suite, op. 20: IV. Scene, Swan Lake Suite, op. 20: V. Danse Hongroise, Swan Lake Suite, op. 20: VI. Danse Espagnole, Swan Lake Suite, op. 20: VII. Danse Napolitaine, Symphonie fantastique, Op. 14: IV. Marche au supplice, Symphony No. 1 in C major, Op. 21: I. Adagio molto – Allegro con brio, Symphony No. 1 in C major, Op. 21: II. Andante cantabile con moto, Symphony No. 1 in C major, Op. 21: III. Menuetto. Allegro molto e vivace, Symphony No. 1 in C major, Op. 21: IV. Adagio – Allegro molto e vivace, Symphony No. 1 in C minor, Op. 68: I. Un poco sostenuto - Allegro, Symphony No. 1 in C minor, Op. 68: II. Andante sostenuto, Symphony No. 1 in C minor, Op. 68: III. Un poco allegretto e grazioso, Symphony No. 1 in C minor, Op. 68: IV. Adagio - Più andante - Allegro non troppo, Symphony No. 1 in D major: IV. Stürmisch bewegt, Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso, Symphony No. 2 in C minor "Resurrection": II. Andante moderato, Symphony No. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung, Symphony No. 2 in C minor "Resurrection": V. In Tempo des Scherzo, Symphony No. 2 in D major, Op. 36: I. Adagio molto - Allegro con brio, Symphony No. 2 in D major, Op. 36: I. Adagio molto – Allegro con brio, Symphony No. 2 in D major, Op. 36: II. Larghetto, Symphony No. 2 in D major, Op. 36: III. Scherzo. Allegro, Symphony No. 2 in D major, Op. 36: IV. Allegro molto, Symphony No. 2 in D major, Op. 73: I. Allegro non troppo, Symphony No. 2 in D major, Op. 73: II. Adagio non troppo, Symphony No. 2 in D major, Op. 73: III. Allegretto grazioso (quasi andantino) - Presto ma non assai, Symphony No. 2 in D major, Op. 73: IV. Allegro con spirito, Symphony No. 3 in A minor, Op. 56 "Scottish": II. Vivace non troppo, Symphony No. 3 in A minor, Op. 56 "Scottish": III. Adagio, Symphony No. 3 in A minor, Op. 56 "Scottish": IVa. Allegro vivacissimo, Symphony No. 3 in A minor, Op. 56 "Scottish": IVb. Allegro maestoso assai, Symphony No. 3 in A minor, Op. 56 "Scottish": Ia. Andante con moto, Symphony No. 3 in A minor, Op. 56 "Scottish": Ib. Allegro un poco agitato, Symphony No. 3 in D minor: I. Kräftig - Entschieden, Symphony No. 3 in D minor: II. Tempo di Menuetto. Sehr mässig, Symphony No. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony No. 3 in D minor: IV. Sehr langsam. Misterioso, Symphony No. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck, Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre: Adagio assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo: Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale: Allegro molto, Symphony No. 3 in F major, Op. 90: I. Allegro con brio, Symphony No. 3 in F major, Op. 90: II. Andante, Symphony No. 3 in F major, Op. 90: III. Poco allegretto, Symphony No. 3 in F major, Op. 90: IV. Allegro, Symphony No. 4 in A major, Op. 90 "Italian": I. Allegro vivace, Symphony No. 4 in A major, Op. 90 "Italian": II. Andante con moto, Symphony No. 4 in A major, Op. 90 "Italian": III. Con moto moderato, Symphony No. 4 in A major, Op. 90 "Italian": IV. Saltarello: Presto, Symphony No. 4 in B-flat major, Op. 60: I. Adagio - Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: II. Adagio, Symphony No. 4 in B-flat major, Op. 60: III. Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: IV. Allegro ma non troppo, Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo, Symphony No. 4 in E minor, Op. 98: II. Andante moderato, Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso, Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato, Symphony No. 4 in G major: IV. Sehr behaglich, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro, Symphony No. 5: V. Rondo-Finale: Allegro, Symphony No. 6 in A minor: I. Allegro energico, ma non troppo, Symphony No. 6 in A minor: II. Scherzo: Wuchtig, Symphony No. 6 in A minor: IV. Finale: Allegro moderato, Symphony No. 6 in F major, Op. 68 "Pastoral": I. Allegro ma non troppo, Symphony No. 6 in F major, Op. 68 "Pastoral": II. Andante molto mosso, Symphony No. 6 in F major, Op. 68 "Pastoral": III. Allegro, Symphony No. 6 in F major, Op. 68 "Pastoral": IV. Allegro, Symphony No. 6 in F major, Op. 68 "Pastoral": V. Allegretto, Symphony No. 6 in F major, Op. 68 "Pastorale": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country", Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook", Symphony No. 6 in F major, Op. 68 "Pastorale": III. Allegro "Happy gathering of country folk", Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Allegro "Thunderstorm", Symphony No. 6 in F major, Op. 68 "Pastorale": V. Allegretto "Shepherds' song: Cheerful and thankful feelings after the storm", Symphony No. 7 in A major, Op. 92: I. Poco sostenuto – Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio, Symphony No. 7: I. Langsam - Allegro, Symphony No. 7: II. Nachtmusik I: Allegro moderato, Symphony No. 7: III. Scherzo, Symphony No. 7: IV. Nachtmusik II: Andante amoroso, Symphony No. 7: V. Rondo-Finale, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: a. Veni creator spiritus, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: b. Imple superna gratia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: c. Infirma nostri corporis, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: d. Accende lumen sensibus, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: e. Veni, creator… da gaudiorum praemia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: f. Gloria sit patri domino”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": "Ewiger Wonnebrand”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": Poco Adagio: “Waldung, sie schwankt heran”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Bei der Liebe, die den Fussen”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Gerettet ist das edle Glied”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Höchste Herrscherin der Welt”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Neige, neige, du Ohnegleiche”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Uns bleibt ein Erdenrest”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Wie Felsenabgrund mir zu Füßen”, Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Alles Vergängliche, Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Blicket auf zum Retterblick, Symphony No. 8 in F major, Op. 93: I. Allegro vivace e con brio, Symphony No. 8 in F major, Op. 93: II. Allegretto scherzando, Symphony No. 8 in F major, Op. 93: III. Tempo di menuetto, Symphony No. 8 in F major, Op. 93: IV. Allegro vivace, Symphony No. 9 in D minor, Op. 125: I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125: II. Molto vivace, Symphony No. 9 in D minor, Op. 125: III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125: IV. Presto - Allegro assai - Andante maestoso - Allegro energico, sempre ben marcato, Symphony No. 9: I. Andante comodo, Symphony No. 9: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb, Symphony No. 9: III. Rondo-Burleske. Allegro assai. Sehr trotzig, Symphony no. 0 in D minor, WAB 100: I. Allegro, Symphony no. 0 in D minor, WAB 100: II. Andante, Symphony no. 0 in D minor, WAB 100: III. Scherzo: Presto, Symphony no. 0 in D minor, WAB 100: IV. Finale: Moderato, Symphony no. 1 in C major, op. 21: I. Adagio molto - allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Adagio - allegro molto e vivace, Symphony no. 1 in C minor, WAB 101 (Linz version): I. Allegro, Symphony no. 1 in C minor, WAB 101 (Linz version): II. Adagio, Symphony no. 1 in C minor, WAB 101 (Linz version): III. Scherzo: Schnell - Trio: Langsamer, Symphony no. 1 in C minor, WAB 101 (Linz version): IV. Finale: Bewegt, feurig, Symphony no. 1 in D major: I. Langsam. Schleppend. Wie ein Naturlaut, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1, op. 25 "Classical": I. Allegro, Symphony no. 1, op. 25 "Classical": II. Larghetto, Symphony no. 1, op. 25 "Classical": III. Gavotta. Non troppo allegro, Symphony no. 1, op. 25 "Classical": IV. Finale. Molto vivace, Symphony no. 10 in E minor, Op. 93: I. Moderato, Symphony no. 10 in E minor, Op. 93: II. Allegro, Symphony no. 10 in E minor, Op. 93: III. Allegretto, Symphony no. 10 in E minor, Op. 93: IV. Andante - Allegro, Symphony no. 2 in C minor, WAB 102: I. Moderato, Symphony no. 2 in C minor, WAB 102: II. Andante: Feierlich, etwas bewegt, Symphony no. 2 in C minor, WAB 102: III. Scherzo: Mäßig schnell, Symphony no. 2 in C minor, WAB 102: IV. Finale: Mehr schnell, Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden, Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai, Symphony no. 4 in B-flat major, op. 60: II. Adagio, Symphony no. 4 in E-flat major "Romantic", WAB 104: I. Bewegt, nicht zu schnell, Symphony no. 4 in E-flat major "Romantic", WAB 104: II. Andante quasi allegretto, Symphony no. 4 in E-flat major "Romantic", WAB 104: III. Scherzo. Bewegt, Symphony no. 4 in E-flat major "Romantic", WAB 104: IV. Finale. Bewegt, doch nicht zu schnell, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll, Symphony no. 5 in B-flat major, WAB 105: I. Adagio - Allegro, Symphony no. 5 in B-flat major, WAB 105: II. Adagio, sehr langsam, Symphony no. 5 in B-flat major, WAB 105: III. Scherzo: Molto vivace (schnell), Symphony no. 5 in B-flat major, WAB 105: IV. Finale: Adagio - Allegro moderato, Symphony no. 5 in C-sharp minor: I. Trauermarsch, Symphony no. 5 in C-sharp minor: II. Stürmisch Bewegt, Mit Größter Vehemenz, Symphony no. 5 in C-sharp minor: III. Scherzo: Kräftig, Nicht Zu Schnell, Symphony no. 5 in C-sharp minor: III. Scherzo: Kräftig, Nicht Zu Schnell (Continuation), Symphony no. 5 in C-sharp minor: IV. Adagietto: Sehr Langsam, Symphony no. 5 in C-sharp minor: V. Rondo - Finale: Allegro, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima, Symphony no. 5 in E minor, op. 64: III. Valse (Allegro moderato), Symphony no. 5 in E minor, op. 64: IV. Finale (Andante maestoso - Allegro vivace), Symphony no. 5: I. Trauermarsch, Symphony no. 5: II. Stürmisch bewegt, mit größter Vehemenz, Symphony no. 5: III. Scherzo. Kräftig, nicht zu schnell, Symphony no. 5: IV. Adagietto. Sehr langsam, Symphony no. 5: IV. Adagietto: Sehr langsam, Symphony no. 6 "Pastoral" : V. Shepherds Thanksgiving, Symphony no. 6 in A major, WAB 106: I. Majestoso, Symphony no. 6 in A major, WAB 106: II. Adagio: Sehr feierlich, Symphony no. 6 in A major, WAB 106: III. Scherzo: Nicht schnell - Trio: Langsam, Symphony no. 6 in A major, WAB 106: IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 6 in A minor: III. Andante, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Adagio lamentoso, Symphony no. 6 in F major, op. 68 “Pastoral”: II. Andante molto mosso “Scene at the brook”, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in E major, WAB 107: I. Allegro moderato, Symphony no. 7 in E major, WAB 107: II. Adagio: Sehr feierlich und sehr langsam, Symphony no. 7 in E major, WAB 107: III. Scherzo: Sehr schnell - Trio: Etwas langsamer, Symphony no. 7 in E major, WAB 107: IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 7: I. Allegro moderato, Symphony no. 7: II. Adagio: Sehr feierlich und sehr langsam, Symphony no. 7: III. Scherzo: Sehr schnell - Trio: Etwas langsamer, Symphony no. 7: IV. Finale: Bewegt, doch nicht schnell, Symphony no. 8 in C minor, WAB 108 (1890 version): I. Allegro moderato, Symphony no. 8 in C minor, WAB 108 (1890 version): II. Scherzo: Allegro moderato - Trio: Langsam, Symphony no. 8 in C minor, WAB 108 (1890 version): III. Adagio: Feierlich langsam, doch nicht schleppend, Symphony no. 8 in C minor, WAB 108 (1890 version): IV. Finale: Feierlich, nicht schnell, Symphony no. 8 in C minor: I. Adagio, Symphony no. 8 in C minor: II. Allegretto, Symphony no. 8 in C minor: III. Allegro non troppo, Symphony no. 8 in C minor: IV. Largo, Symphony no. 8 in C minor: V. Allegretto, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 9 in D minor, WAB 109: I. Feierlich, misterioso, Symphony no. 9 in D minor, WAB 109: II. Scherzo: Bewegt, lebhaft - Trio: Schnell, Symphony no. 9 in D minor, WAB 109: III. Adagio: Langsam, feierlich, Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace, Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro assai - Andante maestoso - Allegro energico, sempre ben marcato, Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto, Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo, Symphony no. 9 in E minor, op. 95 "From the New World": III. Molto vivace, Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco, Symphony no. 9: IV. Adagio. Sehr langsam und noch zurückhaltend, Tannhäuser: Overture, The Damnation of Faust: Hungarian March, The Miraculous Mandarin, The Miraculous Mandarin - Suite, Sz 73, Op; 19, The Nutcracker - Suite: Arabian Dance (Coffee), The Nutcracker - Suite: Chinese Dance (Tea), The Nutcracker - Suite: Dance of the Reed-Pipes, The Nutcracker - Suite: Dance of the Sugar-Plum Fairy, The Nutcracker - Suite: March, The Nutcracker - Suite: Miniature Overture, The Nutcracker - Suite: Russian Dance (Trepak), The Nutcracker - Suite: Waltz of the Flowers, Till Eulenspiegel, Till Eulenspiegels lustige Streiche, Till Eulenspiegels lustige Streiche, Op. 28, Tragic Overture, Op. 81, Tragische Ouvertüre, Op. 81, Tristan und Isolde: Liebestod, Tristan und Isolde: Prelude, Variations on a theme by Haydn, op. 56a, Variations on an Original Theme ('Enigma'), Op. 36: IX. Nimrod (Adagio), Variations, op. 31: Finale. Mäßig schnell, Variations, op. 31: Introduktion. Mäßig, ruhig, Variations, op. 31: Thema. Molto moderato, Variations, op. 31: Variation I. Moderato, Variations, op. 31: Variation II. Langsam, Variations, op. 31: Variation III. Mäßig, Variations, op. 31: Variation IV. Walzertempo, Variations, op. 31: Variation IX. L'istesso tempo; aber etwas langsamer, Variations, op. 31: Variation V. Bewegt, Variations, op. 31: Variation VI. Andante, Variations, op. 31: Variation VII. Langsam, Variations, op. 31: Variation VIII. Sehr rasch
Sir Georg Solti (conductor)
conductor, performing orchestra
"New World" Symphony: II. Largo (excerpt), 1812 Overture, Academic Festival Overture in C minor, Op. 80, Academic Festival Overture, Op. 80, Adagietto From Symphony no. 5 in C-sharp minor, Akademische Festouvertüre, Op. 80, Bilder einer Austellung: 1. Promenade / Gnomus, Bilder einer Austellung: 10. La Grande Porte De Kiev, Bilder einer Austellung: 2. Promenade / Il Vecchio Castello, Bilder einer Austellung: 3. Promenade / Tuileries, Bilder einer Austellung: 4. Bydlo / Promenade, Bilder einer Austellung: 5. Ballet Des Poussins Dans Leurs Coques, Bilder einer Austellung: 6. Sameul Goldenberg Und Schmuyle, Bilder einer Austellung: 7. Le Marché, Bilder einer Austellung: 8. Cum Mortuis in Lingua Mortua, Bilder einer Austellung: 9. La Cabane Sur Des Pattes De Poule, Boléro, Boléro, M. 81, Concerto for Orchestra, Sz. 116: I. Introduzione: Andante non troppo - Allegro vivace, Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie: Allegretto scherzando, Concerto for Orchestra, Sz. 116: III. Elegia: Andante, non troppo, Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto: Allegretto, Concerto for Orchestra, Sz. 116: V. Finale: Pesante - Presto, Coriolan, Op. 62: Overture. Allegro con brio, Dance Suite, Sz. 77: I. Moderato, Dance Suite, Sz. 77: II. Allegro molto, Dance Suite, Sz. 77: III. Allegro vivace, Dance Suite, Sz. 77: IV. Molto tranquillo, Dance Suite, Sz. 77: V. Comodo, Dance Suite, Sz. 77: VI. Finale: Allegro, Der fliegende Holländer: Overture, Die Meistersinger von Nürnberg: I. Akt. "'Fanget an!' So rief der Lenz in den Wald", Die Meistersinger von Nürnberg: I. Akt. "Aller End ist doch David der Allergescheit'st'", Die Meistersinger von Nürnberg: I. Akt. "Am stillen Herd in Winterszeit", Die Meistersinger von Nürnberg: I. Akt. "Da zu dir der Heiland kam", Die Meistersinger von Nürnberg: I. Akt. "David! Was stehst?", Die Meistersinger von Nürnberg: I. Akt. "Der Meister Tön und Weisen", Die Meistersinger von Nürnberg: I. Akt. "Gott grüß euch, Meister!", Die Meistersinger von Nürnberg: I. Akt. "Halt, Meister! Nicht so geeilt!", Die Meistersinger von Nürnberg: I. Akt. "Mein Herr! Der Singer Meisterschlag", Die Meistersinger von Nürnberg: I. Akt. "Nun, Meister! Wenn's gefällt", Die Meistersinger von Nürnberg: I. Akt. "Seid Ihr nun fertig?", Die Meistersinger von Nürnberg: I. Akt. "Seid meiner Treue wohl versehen", Die Meistersinger von Nürnberg: I. Akt. "Verweilt! Ein Wort - ein einzig Wort!", Die Meistersinger von Nürnberg: I. Akt. "Verzeiht, vielleicht schon ginget ihr zu weit", Die Meistersinger von Nürnberg: I. Akt. Vorspiel, Die Meistersinger von Nürnberg: II. Akt. "'Den Tag seh' ich erscheinen'", Die Meistersinger von Nürnberg: II. Akt. "Da ist er!", Die Meistersinger von Nürnberg: II. Akt. "Gut'n Abend, Meister! Noch so fleißig?", Die Meistersinger von Nürnberg: II. Akt. "Jerum! Jerum! Hallahalohe!", Die Meistersinger von Nürnberg: II. Akt. "Johannistag! Johannistag!", Die Meistersinger von Nürnberg: II. Akt. "Was duftet doch der Flieder so mild", Die Meistersinger von Nürnberg: III. Akt, 1. Bild. "'Morgenlich leuchtend in rosigem Schein'", Die Meistersinger von Nürnberg: III. Akt, 1. Bild. "Das Gedicht? ... hier ließ ich's", Die Meistersinger von Nürnberg: III. Akt, 1. Bild. "Die 'selige Morgentraum-Deutweise'", Die Meistersinger von Nürnberg: III. Akt, 1. Bild. "Ein Werbelied! Von Sachs!", Die Meistersinger von Nürnberg: III. Akt, 1. Bild. "Gleich, Meister! Hier", Die Meistersinger von Nürnberg: III. Akt, 1. Bild. "Grüß Gott, mein Junker", Die Meistersinger von Nürnberg: III. Akt, 1. Bild. "Hat man mit dem Schuhwerk nicht seine Not!", Die Meistersinger von Nürnberg: III. Akt, 1. Bild. "Mein Freund, in holder Jugendzeit", Die Meistersinger von Nürnberg: III. Akt, 1. Bild. "Wahn! Wahn! Überall Wahn!", Die Meistersinger von Nürnberg: III. Akt, 2. Bild. "'Morgen ich leuchte in rosigem Schein'", Die Meistersinger von Nürnberg: III. Akt, 2. Bild. "'Morgenlich leuchtend im rosigen Schein'", Die Meistersinger von Nürnberg: III. Akt, 2. Bild. "'Wach' auf, es nahet gen den Tag'", Die Meistersinger von Nürnberg: III. Akt, 2. Bild. "Euch macht ihr's leicht, mir macht ihr's schwer", Die Meistersinger von Nürnberg: III. Akt, 2. Bild. "Ihr tanzt? Was werden die Meister sagen?", Die Meistersinger von Nürnberg: III. Akt, 2. Bild. "Sankt Krispin, lobet ihn!", Die Meistersinger von Nürnberg: III. Akt, 2. Bild. "Verachtet mir die Meister nicht", Die Meistersinger von Nürnberg: III. Akt. Vorspiel, Die Meistersinger von Nürnberg: Prelude, Die Meistersinger von Nürnberg: Prelude, Act I, Don Juan, Don Juan, Op. 20, Egmont, Op. 84: Overture, Egmont, Op. 84: Overture. Sostenuto, ma non troppo, Egmont: Overture, Enigma Variations, op. 36: Theme, Enigma Variations, op. 36: Variation I. C.A.E., Enigma Variations, op. 36: Variation II. H.D.S., Enigma Variations, op. 36: Variation III. R.B.T., Enigma Variations, op. 36: Variation IV. W.M.B., Enigma Variations, op. 36: Variation IX. Nimrod, Enigma Variations, op. 36: Variation V. R.P.A., Enigma Variations, op. 36: Variation VI. Ysobel, Enigma Variations, op. 36: Variation VII. Troyte, Enigma Variations, op. 36: Variation VIII. W.N., Enigma Variations, op. 36: Variation X. (Intermezzo) Dorabella, Enigma Variations, op. 36: Variation XI. G.R.S., Enigma Variations, op. 36: Variation XII. B.G.N., Enigma Variations, op. 36: Variation XIII. (Romanza), Enigma Variations, op. 36: Variation XIV. (Finale) E.D.U., Hungarian Sketches, Sz 97: I. Este a székelyeknél (evening in the village), Hungarian Sketches, Sz 97: II. Medvetanc (bear dance), Hungarian Sketches, Sz 97: III. Melodia (melody), Hungarian Sketches, Sz 97: IV. Kicsit azottan (slightly tipsy), Hungarian Sketches, Sz 97: V. Ürögi kanasztanc (swineherd's dance), II basbiere di Siviglia: Overture, La Mer : De l'aube à midi sur la mer, La Mer : I. De l'aube à midi sur la mer, La Mer : II. Jeux de vagues, La Mer : III. Dialogue du vent et de la mer, La Mer : Jeux de vagues, La Mer : dialogue du vent et de la mer, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 1. Introduction, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 2. Les Augures printaniers, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 3. Jeu du rapt, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 4. Rondes printanières, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 5. Jeux des cités rivales, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 6a. Cortège du sage, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 6b. Le sage, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 7. Danse de la terre, Le Sacre du Printemps, Part 2: Le Sacrifice: 1. Introduction, Le Sacre du Printemps, Part 2: Le Sacrifice: 2. Cercles mystérieux des adolescentes, Le Sacre du Printemps, Part 2: Le Sacrifice: 3. Glorification de l'élue, Le Sacre du Printemps, Part 2: Le Sacrifice: 4. Évocation des ancêtres, Le Sacre du Printemps, Part 2: Le Sacrifice: 5. Action rituelle des ancêtres, Le Sacre du Printemps, Part 2: Le Sacrifice: 6. Danse sacrale: L'Élue, Le Sacre du printemps: I. L’Adoration de la terre, Le Sacre du printemps: II. Le Sacrifice, Leonore Overture No. 3 in C major, Op. 72b, Leonore Overture No. 3 in C major, Op. 72c, Les Francs-Juges, Mass in B Minor, BWV 232: Agnus Dei: Agnus Dei, Mass in B Minor, BWV 232: Agnus Dei: Dona nobis pacem, Mass in B Minor, BWV 232: Benedictus, Mass in B Minor, BWV 232: Christe eleison, Mass in B Minor, BWV 232: Credo: Confiteor unum baptisma, Mass in B Minor, BWV 232: Credo: Credo in unum Deum, Mass in B Minor, BWV 232: Credo: Crucifixus, Mass in B Minor, BWV 232: Credo: Et expecto, Mass in B Minor, BWV 232: Credo: Et in Spiritum sanctum, Mass in B Minor, BWV 232: Credo: Et in unum Dominum, Mass in B Minor, BWV 232: Credo: Et incarnatus est, Mass in B Minor, BWV 232: Credo: Et resurrexit, Mass in B Minor, BWV 232: Credo: Patrem omnipotentem, Mass in B Minor, BWV 232: Cum Sancto Spiritu, Mass in B Minor, BWV 232: Domine Deus, Mass in B Minor, BWV 232: Et in terra pax, Mass in B Minor, BWV 232: Gloria in excelsis Deo, Mass in B Minor, BWV 232: Gratias agimus tibi, Mass in B Minor, BWV 232: Kyrie eleison, Mass in B Minor, BWV 232: Laudamus te, Mass in B Minor, BWV 232: Osanna, Mass in B Minor, BWV 232: Osanna #2, Mass in B Minor, BWV 232: Qui sedes ad dextram Patris, Mass in B Minor, BWV 232: Qui tollis peccata mundi, Mass in B Minor, BWV 232: Quoniam tu solus sanctus, Mass in B Minor, BWV 232: Sanctus, Matthäus-Passion: Er hat uns allen wohlgetan (Soprano recitative), Matthäus-Passion: Ich will bei meinem jesu wachen (Tenor aria and chorus), Matthäus-Passion: O haupt voll blut und wunden (Chorale), Music for Strings, Percussion and Celesta, Sz. 106: I. Andante tranquillo, Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro, Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio, Music for Strings, Percussion and Celesta, Sz. 106: IV. Allegro molto, Nocturnes : Fêtes, Nocturnes : I. Nuages, Nocturnes : II. Fêtes, Nocturnes : Nuages, Nocturnes : Sirènes, Oberon: Overture, Otello: Fuoco di Gioia, Prelude to the Afternoon of a Faun, Prélude à láprès-midi dún faune, Romanian Folk Dances, Sz 68: I. Bot tanc - Jocul cu bâta (stick dance), Romanian Folk Dances, Sz 68: II. Brâul (sash dance), Romanian Folk Dances, Sz 68: III. To pogo - Pe loc (in one spot), Romanian Folk Dances, Sz 68: IV. Bucsumi tanc - Buciumeana (horn dance), Romanian Folk Dances, Sz 68: V. Roman polka - Poarga româneasca (Romanian polka), Romanian Folk Dances, Sz 68: VI. Aprozo - Maruntelul (fast dance), Romanian Folk Dances, Sz 68: VII. Aprozo - Maruntelul, Romeo and Juliet - Fantasy Overture, Romeo and Juliet, op. 64 (selection): Act I. nos. 2, 3, 4, 10, 13, 14, 19, 20, 21, Romeo and Juliet, op. 64 (selection): Act II. nos. 33-36, Romeo and Juliet, op. 64 (selection): Act III. nos. 37, 38, Romeo and Juliet, op. 64 (selection): Act IV. no. 52, Romeo and Juliet, op. 64 (selection): Introduction, Romeo and Juliet, op. 64: Act 1, I. Introduction, Romeo and Juliet, op. 64: Act 1, II. Romeo / III.The Street Awakens / IV. Morning Dance, Romeo and Juliet, op. 64: Act 1, X. Juliet as a Young Girl, Romeo and Juliet, op. 64: Act 1, XIII. Dance of the Knights, Romeo and Juliet, op. 64: Act 1, XIV. Juliet's Variation, Romeo and Juliet, op. 64: Act 1, XIX. Balcony Scene / XX. Romeo's Variation, Romeo and Juliet, op. 64: Act 1, XXI. Love Dance, Romeo and Juliet, op. 64: Act 2, XXXIII. Tybalt and Mercutio Fight / XXXIV. Mercutio Dies, Romeo and Juliet, op. 64: Act 2, XXXV. Romeo Decides to Avenge Mercutio's Death, Romeo and Juliet, op. 64: Act 3, XXXVII. Introduction / XXXVIII. Romeo and Juliet (Juliet's Bedroom), Romeo and Juliet, op. 64: Epilogue, LII. Death of Juliet, Sinfonie Nr. 5 in c-Moll, Op. 67: III. Scherzo. Allegro / IV. Allegro, Sinfonie Nr. 6 in F-Dur, Op. 68 "Pastorale": III. Allegro "Lustiges Zusammensein der Landleute" / IV. Allegro "Gewitter und Sturm" / V. Allegretto "Hirtengesänge-Frohe und dankbare Gefühle nach dem Sturm", Swan Lake Suite, op. 20: I. Scene - Swan Theme, Swan Lake Suite, op. 20: II. Valse in A, Swan Lake Suite, op. 20: III. Danse des petits cygnes, Swan Lake Suite, op. 20: IV. Scene, Swan Lake Suite, op. 20: V. Danse Hongroise, Swan Lake Suite, op. 20: VI. Danse Espagnole, Swan Lake Suite, op. 20: VII. Danse Napolitaine, Symphonie fantastique, Op. 14: IV. Marche au supplice, Symphony No. 1 in C major, Op. 21: I. Adagio molto – Allegro con brio, Symphony No. 1 in C major, Op. 21: II. Andante cantabile con moto, Symphony No. 1 in C major, Op. 21: III. Menuetto. Allegro molto e vivace, Symphony No. 1 in C major, Op. 21: IV. Adagio – Allegro molto e vivace, Symphony No. 1 in C minor, Op. 68: I. Un poco sostenuto - Allegro, Symphony No. 1 in C minor, Op. 68: II. Andante sostenuto, Symphony No. 1 in C minor, Op. 68: III. Un poco allegretto e grazioso, Symphony No. 1 in C minor, Op. 68: IV. Adagio - Più andante - Allegro non troppo, Symphony No. 1 in D major: IV. Stürmisch bewegt, Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso, Symphony No. 2 in C minor "Resurrection": II. Andante moderato, Symphony No. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung, Symphony No. 2 in C minor "Resurrection": V. In Tempo des Scherzo, Symphony No. 2 in D major, Op. 36: I. Adagio molto - Allegro con brio, Symphony No. 2 in D major, Op. 36: I. Adagio molto – Allegro con brio, Symphony No. 2 in D major, Op. 36: II. Larghetto, Symphony No. 2 in D major, Op. 36: III. Scherzo. Allegro, Symphony No. 2 in D major, Op. 36: IV. Allegro molto, Symphony No. 2 in D major, Op. 73: I. Allegro non troppo, Symphony No. 2 in D major, Op. 73: II. Adagio non troppo, Symphony No. 2 in D major, Op. 73: III. Allegretto grazioso (quasi andantino) - Presto ma non assai, Symphony No. 2 in D major, Op. 73: IV. Allegro con spirito, Symphony No. 3 in A minor, Op. 56 "Scottish": II. Vivace non troppo, Symphony No. 3 in A minor, Op. 56 "Scottish": III. Adagio, Symphony No. 3 in A minor, Op. 56 "Scottish": IVa. Allegro vivacissimo, Symphony No. 3 in A minor, Op. 56 "Scottish": IVb. Allegro maestoso assai, Symphony No. 3 in A minor, Op. 56 "Scottish": Ia. Andante con moto, Symphony No. 3 in A minor, Op. 56 "Scottish": Ib. Allegro un poco agitato, Symphony No. 3 in D minor: I. Kräftig - Entschieden, Symphony No. 3 in D minor: II. Tempo di Menuetto. Sehr mässig, Symphony No. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony No. 3 in D minor: IV. Sehr langsam. Misterioso, Symphony No. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck, Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre: Adagio assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo: Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale: Allegro molto, Symphony No. 3 in F major, Op. 90: I. Allegro con brio, Symphony No. 3 in F major, Op. 90: II. Andante, Symphony No. 3 in F major, Op. 90: III. Poco allegretto, Symphony No. 3 in F major, Op. 90: IV. Allegro, Symphony No. 4 in A major, Op. 90 "Italian": I. Allegro vivace, Symphony No. 4 in A major, Op. 90 "Italian": II. Andante con moto, Symphony No. 4 in A major, Op. 90 "Italian": III. Con moto moderato, Symphony No. 4 in A major, Op. 90 "Italian": IV. Saltarello: Presto, Symphony No. 4 in B-flat major, Op. 60: I. Adagio - Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: II. Adagio, Symphony No. 4 in B-flat major, Op. 60: III. Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: IV. Allegro ma non troppo, Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo, Symphony No. 4 in E minor, Op. 98: II. Andante moderato, Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso, Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato, Symphony No. 4 in G major: IV. Sehr behaglich, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro, Symphony No. 5: V. Rondo-Finale: Allegro, Symphony No. 6 in A minor: I. Allegro energico, ma non troppo, Symphony No. 6 in A minor: II. Scherzo: Wuchtig, Symphony No. 6 in A minor: IV. Finale: Allegro moderato, Symphony No. 6 in F major, Op. 68 "Pastoral": I. Allegro ma non troppo, Symphony No. 6 in F major, Op. 68 "Pastoral": II. Andante molto mosso, Symphony No. 6 in F major, Op. 68 "Pastoral": III. Allegro, Symphony No. 6 in F major, Op. 68 "Pastoral": IV. Allegro, Symphony No. 6 in F major, Op. 68 "Pastoral": V. Allegretto, Symphony No. 6 in F major, Op. 68 "Pastorale": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country", Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook", Symphony No. 6 in F major, Op. 68 "Pastorale": III. Allegro "Happy gathering of country folk", Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Allegro "Thunderstorm", Symphony No. 6 in F major, Op. 68 "Pastorale": V. Allegretto "Shepherds' song: Cheerful and thankful feelings after the storm", Symphony No. 7 in A major, Op. 92: I. Poco sostenuto – Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio, Symphony No. 7: I. Langsam - Allegro, Symphony No. 7: II. Nachtmusik I: Allegro moderato, Symphony No. 7: III. Scherzo, Symphony No. 7: IV. Nachtmusik II: Andante amoroso, Symphony No. 7: V. Rondo-Finale, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: a. Veni creator spiritus, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: b. Imple superna gratia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: c. Infirma nostri corporis, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: d. Accende lumen sensibus, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: e. Veni, creator… da gaudiorum praemia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: f. Gloria sit patri domino”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": "Ewiger Wonnebrand”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": Poco Adagio: “Waldung, sie schwankt heran”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Bei der Liebe, die den Fussen”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Gerettet ist das edle Glied”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Höchste Herrscherin der Welt”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Neige, neige, du Ohnegleiche”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Uns bleibt ein Erdenrest”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Wie Felsenabgrund mir zu Füßen”, Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Alles Vergängliche, Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Blicket auf zum Retterblick, Symphony No. 8 in F major, Op. 93: I. Allegro vivace e con brio, Symphony No. 8 in F major, Op. 93: II. Allegretto scherzando, Symphony No. 8 in F major, Op. 93: III. Tempo di menuetto, Symphony No. 8 in F major, Op. 93: IV. Allegro vivace, Symphony No. 9 in D minor, Op. 125: I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125: II. Molto vivace, Symphony No. 9 in D minor, Op. 125: III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125: IV. Presto - Allegro assai - Andante maestoso - Allegro energico, sempre ben marcato, Symphony No. 9: I. Andante comodo, Symphony No. 9: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb, Symphony No. 9: III. Rondo-Burleske. Allegro assai. Sehr trotzig, Symphony no. 0 in D minor, WAB 100: I. Allegro, Symphony no. 0 in D minor, WAB 100: II. Andante, Symphony no. 0 in D minor, WAB 100: III. Scherzo: Presto, Symphony no. 0 in D minor, WAB 100: IV. Finale: Moderato, Symphony no. 1 in C major, op. 21: I. Adagio molto - allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Adagio - allegro molto e vivace, Symphony no. 1 in C minor, WAB 101 (Linz version): I. Allegro, Symphony no. 1 in C minor, WAB 101 (Linz version): II. Adagio, Symphony no. 1 in C minor, WAB 101 (Linz version): III. Scherzo: Schnell - Trio: Langsamer, Symphony no. 1 in C minor, WAB 101 (Linz version): IV. Finale: Bewegt, feurig, Symphony no. 1 in D major: I. Langsam. Schleppend. Wie ein Naturlaut, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1, op. 25 "Classical": I. Allegro, Symphony no. 1, op. 25 "Classical": II. Larghetto, Symphony no. 1, op. 25 "Classical": III. Gavotta. Non troppo allegro, Symphony no. 1, op. 25 "Classical": IV. Finale. Molto vivace, Symphony no. 10 in E minor, Op. 93: I. Moderato, Symphony no. 10 in E minor, Op. 93: II. Allegro, Symphony no. 10 in E minor, Op. 93: III. Allegretto, Symphony no. 10 in E minor, Op. 93: IV. Andante - Allegro, Symphony no. 2 in C minor, WAB 102: I. Moderato, Symphony no. 2 in C minor, WAB 102: II. Andante: Feierlich, etwas bewegt, Symphony no. 2 in C minor, WAB 102: III. Scherzo: Mäßig schnell, Symphony no. 2 in C minor, WAB 102: IV. Finale: Mehr schnell, Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden, Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai, Symphony no. 4 in B-flat major, op. 60: II. Adagio, Symphony no. 4 in E-flat major "Romantic", WAB 104: I. Bewegt, nicht zu schnell, Symphony no. 4 in E-flat major "Romantic", WAB 104: II. Andante quasi allegretto, Symphony no. 4 in E-flat major "Romantic", WAB 104: III. Scherzo. Bewegt, Symphony no. 4 in E-flat major "Romantic", WAB 104: IV. Finale. Bewegt, doch nicht zu schnell, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll, Symphony no. 5 in B-flat major, WAB 105: I. Adagio - Allegro, Symphony no. 5 in B-flat major, WAB 105: II. Adagio, sehr langsam, Symphony no. 5 in B-flat major, WAB 105: III. Scherzo: Molto vivace (schnell), Symphony no. 5 in B-flat major, WAB 105: IV. Finale: Adagio - Allegro moderato, Symphony no. 5 in C-sharp minor: I. Trauermarsch, Symphony no. 5 in C-sharp minor: II. Stürmisch Bewegt, Mit Größter Vehemenz, Symphony no. 5 in C-sharp minor: III. Scherzo: Kräftig, Nicht Zu Schnell, Symphony no. 5 in C-sharp minor: III. Scherzo: Kräftig, Nicht Zu Schnell (Continuation), Symphony no. 5 in C-sharp minor: IV. Adagietto: Sehr Langsam, Symphony no. 5 in C-sharp minor: V. Rondo - Finale: Allegro, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima, Symphony no. 5 in E minor, op. 64: III. Valse (Allegro moderato), Symphony no. 5 in E minor, op. 64: IV. Finale (Andante maestoso - Allegro vivace), Symphony no. 5: I. Trauermarsch, Symphony no. 5: II. Stürmisch bewegt, mit größter Vehemenz, Symphony no. 5: III. Scherzo. Kräftig, nicht zu schnell, Symphony no. 5: IV. Adagietto. Sehr langsam, Symphony no. 5: IV. Adagietto: Sehr langsam, Symphony no. 6 "Pastoral" : V. Shepherds Thanksgiving, Symphony no. 6 in A major, WAB 106: I. Majestoso, Symphony no. 6 in A major, WAB 106: II. Adagio: Sehr feierlich, Symphony no. 6 in A major, WAB 106: III. Scherzo: Nicht schnell - Trio: Langsam, Symphony no. 6 in A major, WAB 106: IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 6 in A minor: III. Andante, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Adagio lamentoso, Symphony no. 6 in F major, op. 68 “Pastoral”: II. Andante molto mosso “Scene at the brook”, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in E major, WAB 107: I. Allegro moderato, Symphony no. 7 in E major, WAB 107: II. Adagio: Sehr feierlich und sehr langsam, Symphony no. 7 in E major, WAB 107: III. Scherzo: Sehr schnell - Trio: Etwas langsamer, Symphony no. 7 in E major, WAB 107: IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 7: I. Allegro moderato, Symphony no. 7: II. Adagio: Sehr feierlich und sehr langsam, Symphony no. 7: III. Scherzo: Sehr schnell - Trio: Etwas langsamer, Symphony no. 7: IV. Finale: Bewegt, doch nicht schnell, Symphony no. 8 in C minor, WAB 108 (1890 version): I. Allegro moderato, Symphony no. 8 in C minor, WAB 108 (1890 version): II. Scherzo: Allegro moderato - Trio: Langsam, Symphony no. 8 in C minor, WAB 108 (1890 version): III. Adagio: Feierlich langsam, doch nicht schleppend, Symphony no. 8 in C minor, WAB 108 (1890 version): IV. Finale: Feierlich, nicht schnell, Symphony no. 8 in C minor: I. Adagio, Symphony no. 8 in C minor: II. Allegretto, Symphony no. 8 in C minor: III. Allegro non troppo, Symphony no. 8 in C minor: IV. Largo, Symphony no. 8 in C minor: V. Allegretto, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 9 in D minor, WAB 109: I. Feierlich, misterioso, Symphony no. 9 in D minor, WAB 109: II. Scherzo: Bewegt, lebhaft - Trio: Schnell, Symphony no. 9 in D minor, WAB 109: III. Adagio: Langsam, feierlich, Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace, Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro assai - Andante maestoso - Allegro energico, sempre ben marcato, Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto, Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo, Symphony no. 9 in E minor, op. 95 "From the New World": III. Molto vivace, Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco, Symphony no. 9: IV. Adagio. Sehr langsam und noch zurückhaltend, Tannhäuser: Overture, The Damnation of Faust: Hungarian March, The Miraculous Mandarin, The Miraculous Mandarin - Suite, Sz 73, Op; 19, The Nutcracker - Suite: Arabian Dance (Coffee), The Nutcracker - Suite: Chinese Dance (Tea), The Nutcracker - Suite: Dance of the Reed-Pipes, The Nutcracker - Suite: Dance of the Sugar-Plum Fairy, The Nutcracker - Suite: March, The Nutcracker - Suite: Miniature Overture, The Nutcracker - Suite: Russian Dance (Trepak), The Nutcracker - Suite: Waltz of the Flowers, Till Eulenspiegel, Till Eulenspiegels lustige Streiche, Till Eulenspiegels lustige Streiche, Op. 28, Tragic Overture, Op. 81, Tragische Ouvertüre, Op. 81, Tristan und Isolde: Liebestod, Tristan und Isolde: Prelude, Variations on a theme by Haydn, op. 56a, Variations on an Original Theme ('Enigma'), Op. 36: IX. Nimrod (Adagio), Variations, op. 31: Finale. Mäßig schnell, Variations, op. 31: Introduktion. Mäßig, ruhig, Variations, op. 31: Thema. Molto moderato, Variations, op. 31: Variation I. Moderato, Variations, op. 31: Variation II. Langsam, Variations, op. 31: Variation III. Mäßig, Variations, op. 31: Variation IV. Walzertempo, Variations, op. 31: Variation IX. L'istesso tempo; aber etwas langsamer, Variations, op. 31: Variation V. Bewegt, Variations, op. 31: Variation VI. Andante, Variations, op. 31: Variation VII. Langsam, Variations, op. 31: Variation VIII. Sehr rasch
Kenneth Wilkinson (engineer)
balance, engineer
Symphony No. 7: I. Langsam - Allegro, Symphony No. 7: II. Nachtmusik I: Allegro moderato, Symphony No. 7: III. Scherzo, Symphony No. 7: IV. Nachtmusik II: Andante amoroso, Symphony No. 7: V. Rondo-Finale, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: a. Veni creator spiritus, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: b. Imple superna gratia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: c. Infirma nostri corporis, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: d. Accende lumen sensibus, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: e. Veni, creator… da gaudiorum praemia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: f. Gloria sit patri domino”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": "Ewiger Wonnebrand”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": Poco Adagio: “Waldung, sie schwankt heran”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Bei der Liebe, die den Fussen”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Gerettet ist das edle Glied”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Höchste Herrscherin der Welt”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Neige, neige, du Ohnegleiche”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Uns bleibt ein Erdenrest”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Wie Felsenabgrund mir zu Füßen”, Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Alles Vergängliche, Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Blicket auf zum Retterblick, Symphony No. 9 in D minor, Op. 125: I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125: II. Molto vivace, Symphony No. 9 in D minor, Op. 125: III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125: IV. Presto - Allegro assai - Andante maestoso - Allegro energico, sempre ben marcato, Symphony no. 6 in A major, WAB 106: I. Majestoso, Symphony no. 6 in A major, WAB 106: II. Adagio: Sehr feierlich, Symphony no. 6 in A major, WAB 106: III. Scherzo: Nicht schnell - Trio: Langsam, Symphony no. 6 in A major, WAB 106: IV. Finale: Bewegt, doch nicht zu schnell, Variations, op. 31: Finale. Mäßig schnell, Variations, op. 31: Introduktion. Mäßig, ruhig, Variations, op. 31: Thema. Molto moderato, Variations, op. 31: Variation I. Moderato, Variations, op. 31: Variation II. Langsam, Variations, op. 31: Variation III. Mäßig, Variations, op. 31: Variation IV. Walzertempo, Variations, op. 31: Variation IX. L'istesso tempo; aber etwas langsamer, Variations, op. 31: Variation V. Bewegt, Variations, op. 31: Variation VI. Andante, Variations, op. 31: Variation VII. Langsam, Variations, op. 31: Variation VIII. Sehr rasch
David Harvey (producer)
producer
Symphony No. 5: V. Rondo-Finale: Allegro, Symphony No. 6 in A minor: I. Allegro energico, ma non troppo, Symphony No. 6 in A minor: II. Scherzo: Wuchtig, Symphony No. 6 in A minor: IV. Finale: Allegro moderato, Symphony No. 7: I. Langsam - Allegro, Symphony No. 7: II. Nachtmusik I: Allegro moderato, Symphony No. 7: III. Scherzo, Symphony No. 7: IV. Nachtmusik II: Andante amoroso, Symphony No. 7: V. Rondo-Finale, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: a. Veni creator spiritus, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: b. Imple superna gratia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: c. Infirma nostri corporis, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: d. Accende lumen sensibus, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: e. Veni, creator… da gaudiorum praemia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: f. Gloria sit patri domino”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": "Ewiger Wonnebrand”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": Poco Adagio: “Waldung, sie schwankt heran”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Bei der Liebe, die den Fussen”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Gerettet ist das edle Glied”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Höchste Herrscherin der Welt”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Neige, neige, du Ohnegleiche”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Uns bleibt ein Erdenrest”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Wie Felsenabgrund mir zu Füßen”, Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Alles Vergängliche, Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Blicket auf zum Retterblick, Symphony No. 9 in D minor, Op. 125: I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125: II. Molto vivace, Symphony No. 9 in D minor, Op. 125: III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125: IV. Presto - Allegro assai - Andante maestoso - Allegro energico, sempre ben marcato, Symphony no. 5: I. Trauermarsch, Symphony no. 5: II. Stürmisch bewegt, mit größter Vehemenz, Symphony no. 5: III. Scherzo. Kräftig, nicht zu schnell, Symphony no. 5: IV. Adagietto: Sehr langsam, Symphony no. 6 in A minor: III. Andante
James Mallinson
producer
Symphony No. 1 in D major: IV. Stürmisch bewegt, Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso, Symphony No. 2 in C minor "Resurrection": II. Andante moderato, Symphony No. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung, Symphony No. 2 in C minor "Resurrection": V. In Tempo des Scherzo, Symphony No. 3 in D minor: I. Kräftig - Entschieden, Symphony No. 3 in D minor: II. Tempo di Menuetto. Sehr mässig, Symphony No. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony No. 3 in D minor: IV. Sehr langsam. Misterioso, Symphony No. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck, Symphony No. 4 in G major: IV. Sehr behaglich, Symphony No. 9: I. Andante comodo, Symphony No. 9: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb, Symphony No. 9: III. Rondo-Burleske. Allegro assai. Sehr trotzig, Symphony no. 1 in D major: I. Langsam. Schleppend. Wie ein Naturlaut, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden, Symphony no. 9: IV. Adagio. Sehr langsam und noch zurückhaltend, Variations, op. 31: Finale. Mäßig schnell, Variations, op. 31: Introduktion. Mäßig, ruhig, Variations, op. 31: Thema. Molto moderato, Variations, op. 31: Variation I. Moderato, Variations, op. 31: Variation II. Langsam, Variations, op. 31: Variation III. Mäßig, Variations, op. 31: Variation IV. Walzertempo, Variations, op. 31: Variation IX. L'istesso tempo; aber etwas langsamer, Variations, op. 31: Variation V. Bewegt, Variations, op. 31: Variation VI. Andante, Variations, op. 31: Variation VII. Langsam, Variations, op. 31: Variation VIII. Sehr rasch
Collaborators on this artist's recordings
Artist name
Roles
Recordings
Chicago Symphony Orchestra
performing orchestra
"New World" Symphony: II. Largo (excerpt), 1812 Overture, Academic Festival Overture in C minor, Op. 80, Academic Festival Overture, Op. 80, Adagietto From Symphony no. 5 in C-sharp minor, Akademische Festouvertüre, Op. 80, Bilder einer Austellung: 1. Promenade / Gnomus, Bilder einer Austellung: 10. La Grande Porte De Kiev, Bilder einer Austellung: 2. Promenade / Il Vecchio Castello, Bilder einer Austellung: 3. Promenade / Tuileries, Bilder einer Austellung: 4. Bydlo / Promenade, Bilder einer Austellung: 5. Ballet Des Poussins Dans Leurs Coques, Bilder einer Austellung: 6. Sameul Goldenberg Und Schmuyle, Bilder einer Austellung: 7. Le Marché, Bilder einer Austellung: 8. Cum Mortuis in Lingua Mortua, Bilder einer Austellung: 9. La Cabane Sur Des Pattes De Poule, Boléro, Boléro, M. 81, Concerto for Orchestra, Sz. 116: I. Introduzione: Andante non troppo - Allegro vivace, Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie: Allegretto scherzando, Concerto for Orchestra, Sz. 116: III. Elegia: Andante, non troppo, Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto: Allegretto, Concerto for Orchestra, Sz. 116: V. Finale: Pesante - Presto, Coriolan, Op. 62: Overture. Allegro con brio, Dance Suite, Sz. 77: I. Moderato, Dance Suite, Sz. 77: II. Allegro molto, Dance Suite, Sz. 77: III. Allegro vivace, Dance Suite, Sz. 77: IV. Molto tranquillo, Dance Suite, Sz. 77: V. Comodo, Dance Suite, Sz. 77: VI. Finale: Allegro, Der fliegende Holländer: Overture, Die Meistersinger von Nürnberg: I. Akt. "'Fanget an!' So rief der Lenz in den Wald", Die Meistersinger von Nürnberg: I. Akt. "Aller End ist doch David der Allergescheit'st'", Die Meistersinger von Nürnberg: I. Akt. "Am stillen Herd in Winterszeit", Die Meistersinger von Nürnberg: I. Akt. "Da zu dir der Heiland kam", Die Meistersinger von Nürnberg: I. Akt. "David! Was stehst?", Die Meistersinger von Nürnberg: I. Akt. "Der Meister Tön und Weisen", Die Meistersinger von Nürnberg: I. Akt. "Gott grüß euch, Meister!", Die Meistersinger von Nürnberg: I. Akt. "Halt, Meister! Nicht so geeilt!", Die Meistersinger von Nürnberg: I. Akt. "Mein Herr! Der Singer Meisterschlag", Die Meistersinger von Nürnberg: I. Akt. "Nun, Meister! Wenn's gefällt", Die Meistersinger von Nürnberg: I. Akt. "Seid Ihr nun fertig?", Die Meistersinger von Nürnberg: I. Akt. "Seid meiner Treue wohl versehen", Die Meistersinger von Nürnberg: I. Akt. "Verweilt! Ein Wort - ein einzig Wort!", Die Meistersinger von Nürnberg: I. Akt. "Verzeiht, vielleicht schon ginget ihr zu weit", Die Meistersinger von Nürnberg: I. Akt. Vorspiel, Die Meistersinger von Nürnberg: II. Akt. "'Den Tag seh' ich erscheinen'", Die Meistersinger von Nürnberg: II. Akt. "Da ist er!", Die Meistersinger von Nürnberg: II. Akt. "Gut'n Abend, Meister! Noch so fleißig?", Die Meistersinger von Nürnberg: II. Akt. "Jerum! Jerum! Hallahalohe!", Die Meistersinger von Nürnberg: II. Akt. "Johannistag! Johannistag!", Die Meistersinger von Nürnberg: II. Akt. "Was duftet doch der Flieder so mild", Die Meistersinger von Nürnberg: III. Akt, 1. Bild. "'Morgenlich leuchtend in rosigem Schein'", Die Meistersinger von Nürnberg: III. Akt, 1. Bild. "Das Gedicht? ... hier ließ ich's", Die Meistersinger von Nürnberg: III. Akt, 1. Bild. "Die 'selige Morgentraum-Deutweise'", Die Meistersinger von Nürnberg: III. Akt, 1. Bild. "Ein Werbelied! Von Sachs!", Die Meistersinger von Nürnberg: III. Akt, 1. Bild. "Gleich, Meister! Hier", Die Meistersinger von Nürnberg: III. Akt, 1. Bild. "Grüß Gott, mein Junker", Die Meistersinger von Nürnberg: III. Akt, 1. Bild. "Hat man mit dem Schuhwerk nicht seine Not!", Die Meistersinger von Nürnberg: III. Akt, 1. Bild. "Mein Freund, in holder Jugendzeit", Die Meistersinger von Nürnberg: III. Akt, 1. Bild. "Wahn! Wahn! Überall Wahn!", Die Meistersinger von Nürnberg: III. Akt, 2. Bild. "'Morgen ich leuchte in rosigem Schein'", Die Meistersinger von Nürnberg: III. Akt, 2. Bild. "'Morgenlich leuchtend im rosigen Schein'", Die Meistersinger von Nürnberg: III. Akt, 2. Bild. "'Wach' auf, es nahet gen den Tag'", Die Meistersinger von Nürnberg: III. Akt, 2. Bild. "Euch macht ihr's leicht, mir macht ihr's schwer", Die Meistersinger von Nürnberg: III. Akt, 2. Bild. "Ihr tanzt? Was werden die Meister sagen?", Die Meistersinger von Nürnberg: III. Akt, 2. Bild. "Sankt Krispin, lobet ihn!", Die Meistersinger von Nürnberg: III. Akt, 2. Bild. "Verachtet mir die Meister nicht", Die Meistersinger von Nürnberg: III. Akt. Vorspiel, Die Meistersinger von Nürnberg: Prelude, Die Meistersinger von Nürnberg: Prelude, Act I, Don Juan, Don Juan, Op. 20, Egmont, Op. 84: Overture, Egmont, Op. 84: Overture. Sostenuto, ma non troppo, Egmont: Overture, Enigma Variations, op. 36: Theme, Enigma Variations, op. 36: Variation I. C.A.E., Enigma Variations, op. 36: Variation II. H.D.S., Enigma Variations, op. 36: Variation III. R.B.T., Enigma Variations, op. 36: Variation IV. W.M.B., Enigma Variations, op. 36: Variation IX. Nimrod, Enigma Variations, op. 36: Variation V. R.P.A., Enigma Variations, op. 36: Variation VI. Ysobel, Enigma Variations, op. 36: Variation VII. Troyte, Enigma Variations, op. 36: Variation VIII. W.N., Enigma Variations, op. 36: Variation X. (Intermezzo) Dorabella, Enigma Variations, op. 36: Variation XI. G.R.S., Enigma Variations, op. 36: Variation XII. B.G.N., Enigma Variations, op. 36: Variation XIII. (Romanza), Enigma Variations, op. 36: Variation XIV. (Finale) E.D.U., Hungarian Sketches, Sz 97: I. Este a székelyeknél (evening in the village), Hungarian Sketches, Sz 97: II. Medvetanc (bear dance), Hungarian Sketches, Sz 97: III. Melodia (melody), Hungarian Sketches, Sz 97: IV. Kicsit azottan (slightly tipsy), Hungarian Sketches, Sz 97: V. Ürögi kanasztanc (swineherd's dance), II basbiere di Siviglia: Overture, La Mer : De l'aube à midi sur la mer, La Mer : I. De l'aube à midi sur la mer, La Mer : II. Jeux de vagues, La Mer : III. Dialogue du vent et de la mer, La Mer : Jeux de vagues, La Mer : dialogue du vent et de la mer, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 1. Introduction, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 2. Les Augures printaniers, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 3. Jeu du rapt, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 4. Rondes printanières, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 5. Jeux des cités rivales, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 6a. Cortège du sage, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 6b. Le sage, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 7. Danse de la terre, Le Sacre du Printemps, Part 2: Le Sacrifice: 1. Introduction, Le Sacre du Printemps, Part 2: Le Sacrifice: 2. Cercles mystérieux des adolescentes, Le Sacre du Printemps, Part 2: Le Sacrifice: 3. Glorification de l'élue, Le Sacre du Printemps, Part 2: Le Sacrifice: 4. Évocation des ancêtres, Le Sacre du Printemps, Part 2: Le Sacrifice: 5. Action rituelle des ancêtres, Le Sacre du Printemps, Part 2: Le Sacrifice: 6. Danse sacrale: L'Élue, Le Sacre du printemps: I. L’Adoration de la terre, Le Sacre du printemps: II. Le Sacrifice, Leonore Overture No. 3 in C major, Op. 72b, Leonore Overture No. 3 in C major, Op. 72c, Les Francs-Juges, Mass in B Minor, BWV 232: Agnus Dei: Agnus Dei, Mass in B Minor, BWV 232: Agnus Dei: Dona nobis pacem, Mass in B Minor, BWV 232: Benedictus, Mass in B Minor, BWV 232: Christe eleison, Mass in B Minor, BWV 232: Credo: Confiteor unum baptisma, Mass in B Minor, BWV 232: Credo: Credo in unum Deum, Mass in B Minor, BWV 232: Credo: Crucifixus, Mass in B Minor, BWV 232: Credo: Et expecto, Mass in B Minor, BWV 232: Credo: Et in Spiritum sanctum, Mass in B Minor, BWV 232: Credo: Et in unum Dominum, Mass in B Minor, BWV 232: Credo: Et incarnatus est, Mass in B Minor, BWV 232: Credo: Et resurrexit, Mass in B Minor, BWV 232: Credo: Patrem omnipotentem, Mass in B Minor, BWV 232: Cum Sancto Spiritu, Mass in B Minor, BWV 232: Domine Deus, Mass in B Minor, BWV 232: Et in terra pax, Mass in B Minor, BWV 232: Gloria in excelsis Deo, Mass in B Minor, BWV 232: Gratias agimus tibi, Mass in B Minor, BWV 232: Kyrie eleison, Mass in B Minor, BWV 232: Laudamus te, Mass in B Minor, BWV 232: Osanna, Mass in B Minor, BWV 232: Osanna #2, Mass in B Minor, BWV 232: Qui sedes ad dextram Patris, Mass in B Minor, BWV 232: Qui tollis peccata mundi, Mass in B Minor, BWV 232: Quoniam tu solus sanctus, Mass in B Minor, BWV 232: Sanctus, Matthäus-Passion: Er hat uns allen wohlgetan (Soprano recitative), Matthäus-Passion: Ich will bei meinem jesu wachen (Tenor aria and chorus), Matthäus-Passion: O haupt voll blut und wunden (Chorale), Music for Strings, Percussion and Celesta, Sz. 106: I. Andante tranquillo, Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro, Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio, Music for Strings, Percussion and Celesta, Sz. 106: IV. Allegro molto, Nocturnes : Fêtes, Nocturnes : I. Nuages, Nocturnes : II. Fêtes, Nocturnes : Nuages, Nocturnes : Sirènes, Oberon: Overture, Otello: Fuoco di Gioia, Prelude to the Afternoon of a Faun, Prélude à láprès-midi dún faune, Romanian Folk Dances, Sz 68: I. Bot tanc - Jocul cu bâta (stick dance), Romanian Folk Dances, Sz 68: II. Brâul (sash dance), Romanian Folk Dances, Sz 68: III. To pogo - Pe loc (in one spot), Romanian Folk Dances, Sz 68: IV. Bucsumi tanc - Buciumeana (horn dance), Romanian Folk Dances, Sz 68: V. Roman polka - Poarga româneasca (Romanian polka), Romanian Folk Dances, Sz 68: VI. Aprozo - Maruntelul (fast dance), Romanian Folk Dances, Sz 68: VII. Aprozo - Maruntelul, Romeo and Juliet - Fantasy Overture, Romeo and Juliet, op. 64 (selection): Act I. nos. 2, 3, 4, 10, 13, 14, 19, 20, 21, Romeo and Juliet, op. 64 (selection): Act II. nos. 33-36, Romeo and Juliet, op. 64 (selection): Act III. nos. 37, 38, Romeo and Juliet, op. 64 (selection): Act IV. no. 52, Romeo and Juliet, op. 64 (selection): Introduction, Romeo and Juliet, op. 64: Act 1, I. Introduction, Romeo and Juliet, op. 64: Act 1, II. Romeo / III.The Street Awakens / IV. Morning Dance, Romeo and Juliet, op. 64: Act 1, X. Juliet as a Young Girl, Romeo and Juliet, op. 64: Act 1, XIII. Dance of the Knights, Romeo and Juliet, op. 64: Act 1, XIV. Juliet's Variation, Romeo and Juliet, op. 64: Act 1, XIX. Balcony Scene / XX. Romeo's Variation, Romeo and Juliet, op. 64: Act 1, XXI. Love Dance, Romeo and Juliet, op. 64: Act 2, XXXIII. Tybalt and Mercutio Fight / XXXIV. Mercutio Dies, Romeo and Juliet, op. 64: Act 2, XXXV. Romeo Decides to Avenge Mercutio's Death, Romeo and Juliet, op. 64: Act 3, XXXVII. Introduction / XXXVIII. Romeo and Juliet (Juliet's Bedroom), Romeo and Juliet, op. 64: Epilogue, LII. Death of Juliet, Sinfonie Nr. 5 in c-Moll, Op. 67: III. Scherzo. Allegro / IV. Allegro, Sinfonie Nr. 6 in F-Dur, Op. 68 "Pastorale": III. Allegro "Lustiges Zusammensein der Landleute" / IV. Allegro "Gewitter und Sturm" / V. Allegretto "Hirtengesänge-Frohe und dankbare Gefühle nach dem Sturm", Swan Lake Suite, op. 20: I. Scene - Swan Theme, Swan Lake Suite, op. 20: II. Valse in A, Swan Lake Suite, op. 20: III. Danse des petits cygnes, Swan Lake Suite, op. 20: IV. Scene, Swan Lake Suite, op. 20: V. Danse Hongroise, Swan Lake Suite, op. 20: VI. Danse Espagnole, Swan Lake Suite, op. 20: VII. Danse Napolitaine, Symphonie fantastique, Op. 14: IV. Marche au supplice, Symphony No. 1 in C major, Op. 21: I. Adagio molto – Allegro con brio, Symphony No. 1 in C major, Op. 21: II. Andante cantabile con moto, Symphony No. 1 in C major, Op. 21: III. Menuetto. Allegro molto e vivace, Symphony No. 1 in C major, Op. 21: IV. Adagio – Allegro molto e vivace, Symphony No. 1 in C minor, Op. 68: I. Un poco sostenuto - Allegro, Symphony No. 1 in C minor, Op. 68: II. Andante sostenuto, Symphony No. 1 in C minor, Op. 68: III. Un poco allegretto e grazioso, Symphony No. 1 in C minor, Op. 68: IV. Adagio - Più andante - Allegro non troppo, Symphony No. 1 in D major: IV. Stürmisch bewegt, Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso, Symphony No. 2 in C minor "Resurrection": II. Andante moderato, Symphony No. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung, Symphony No. 2 in C minor "Resurrection": V. In Tempo des Scherzo, Symphony No. 2 in D major, Op. 36: I. Adagio molto - Allegro con brio, Symphony No. 2 in D major, Op. 36: I. Adagio molto – Allegro con brio, Symphony No. 2 in D major, Op. 36: II. Larghetto, Symphony No. 2 in D major, Op. 36: III. Scherzo. Allegro, Symphony No. 2 in D major, Op. 36: IV. Allegro molto, Symphony No. 2 in D major, Op. 73: I. Allegro non troppo, Symphony No. 2 in D major, Op. 73: II. Adagio non troppo, Symphony No. 2 in D major, Op. 73: III. Allegretto grazioso (quasi andantino) - Presto ma non assai, Symphony No. 2 in D major, Op. 73: IV. Allegro con spirito, Symphony No. 3 in A minor, Op. 56 "Scottish": II. Vivace non troppo, Symphony No. 3 in A minor, Op. 56 "Scottish": III. Adagio, Symphony No. 3 in A minor, Op. 56 "Scottish": IVa. Allegro vivacissimo, Symphony No. 3 in A minor, Op. 56 "Scottish": IVb. Allegro maestoso assai, Symphony No. 3 in A minor, Op. 56 "Scottish": Ia. Andante con moto, Symphony No. 3 in A minor, Op. 56 "Scottish": Ib. Allegro un poco agitato, Symphony No. 3 in D minor: I. Kräftig - Entschieden, Symphony No. 3 in D minor: II. Tempo di Menuetto. Sehr mässig, Symphony No. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony No. 3 in D minor: IV. Sehr langsam. Misterioso, Symphony No. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck, Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre: Adagio assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo: Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale: Allegro molto, Symphony No. 3 in F major, Op. 90: I. Allegro con brio, Symphony No. 3 in F major, Op. 90: II. Andante, Symphony No. 3 in F major, Op. 90: III. Poco allegretto, Symphony No. 3 in F major, Op. 90: IV. Allegro, Symphony No. 4 in A major, Op. 90 "Italian": I. Allegro vivace, Symphony No. 4 in A major, Op. 90 "Italian": II. Andante con moto, Symphony No. 4 in A major, Op. 90 "Italian": III. Con moto moderato, Symphony No. 4 in A major, Op. 90 "Italian": IV. Saltarello: Presto, Symphony No. 4 in B-flat major, Op. 60: I. Adagio - Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: II. Adagio, Symphony No. 4 in B-flat major, Op. 60: III. Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: IV. Allegro ma non troppo, Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo, Symphony No. 4 in E minor, Op. 98: II. Andante moderato, Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso, Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato, Symphony No. 4 in G major: IV. Sehr behaglich, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro, Symphony No. 5: V. Rondo-Finale: Allegro, Symphony No. 6 in A minor: I. Allegro energico, ma non troppo, Symphony No. 6 in A minor: II. Scherzo: Wuchtig, Symphony No. 6 in A minor: IV. Finale: Allegro moderato, Symphony No. 6 in F major, Op. 68 "Pastoral": I. Allegro ma non troppo, Symphony No. 6 in F major, Op. 68 "Pastoral": II. Andante molto mosso, Symphony No. 6 in F major, Op. 68 "Pastoral": III. Allegro, Symphony No. 6 in F major, Op. 68 "Pastoral": IV. Allegro, Symphony No. 6 in F major, Op. 68 "Pastoral": V. Allegretto, Symphony No. 6 in F major, Op. 68 "Pastorale": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country", Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook", Symphony No. 6 in F major, Op. 68 "Pastorale": III. Allegro "Happy gathering of country folk", Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Allegro "Thunderstorm", Symphony No. 6 in F major, Op. 68 "Pastorale": V. Allegretto "Shepherds' song: Cheerful and thankful feelings after the storm", Symphony No. 7 in A major, Op. 92: I. Poco sostenuto – Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio, Symphony No. 7: I. Langsam - Allegro, Symphony No. 7: II. Nachtmusik I: Allegro moderato, Symphony No. 7: III. Scherzo, Symphony No. 7: IV. Nachtmusik II: Andante amoroso, Symphony No. 7: V. Rondo-Finale, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: a. Veni creator spiritus, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: b. Imple superna gratia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: c. Infirma nostri corporis, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: d. Accende lumen sensibus, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: e. Veni, creator… da gaudiorum praemia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: f. Gloria sit patri domino”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": "Ewiger Wonnebrand”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": Poco Adagio: “Waldung, sie schwankt heran”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Bei der Liebe, die den Fussen”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Gerettet ist das edle Glied”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Höchste Herrscherin der Welt”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Neige, neige, du Ohnegleiche”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Uns bleibt ein Erdenrest”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Wie Felsenabgrund mir zu Füßen”, Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Alles Vergängliche, Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Blicket auf zum Retterblick, Symphony No. 8 in F major, Op. 93: I. Allegro vivace e con brio, Symphony No. 8 in F major, Op. 93: II. Allegretto scherzando, Symphony No. 8 in F major, Op. 93: III. Tempo di menuetto, Symphony No. 8 in F major, Op. 93: IV. Allegro vivace, Symphony No. 9 in D minor, Op. 125: I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125: II. Molto vivace, Symphony No. 9 in D minor, Op. 125: III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125: IV. Presto - Allegro assai - Andante maestoso - Allegro energico, sempre ben marcato, Symphony No. 9: I. Andante comodo, Symphony No. 9: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb, Symphony No. 9: III. Rondo-Burleske. Allegro assai. Sehr trotzig, Symphony no. 0 in D minor, WAB 100: I. Allegro, Symphony no. 0 in D minor, WAB 100: II. Andante, Symphony no. 0 in D minor, WAB 100: III. Scherzo: Presto, Symphony no. 0 in D minor, WAB 100: IV. Finale: Moderato, Symphony no. 1 in C major, op. 21: I. Adagio molto - allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Adagio - allegro molto e vivace, Symphony no. 1 in C minor, WAB 101 (Linz version): I. Allegro, Symphony no. 1 in C minor, WAB 101 (Linz version): II. Adagio, Symphony no. 1 in C minor, WAB 101 (Linz version): III. Scherzo: Schnell - Trio: Langsamer, Symphony no. 1 in C minor, WAB 101 (Linz version): IV. Finale: Bewegt, feurig, Symphony no. 1 in D major: I. Langsam. Schleppend. Wie ein Naturlaut, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1, op. 25 "Classical": I. Allegro, Symphony no. 1, op. 25 "Classical": II. Larghetto, Symphony no. 1, op. 25 "Classical": III. Gavotta. Non troppo allegro, Symphony no. 1, op. 25 "Classical": IV. Finale. Molto vivace, Symphony no. 10 in E minor, Op. 93: I. Moderato, Symphony no. 10 in E minor, Op. 93: II. Allegro, Symphony no. 10 in E minor, Op. 93: III. Allegretto, Symphony no. 10 in E minor, Op. 93: IV. Andante - Allegro, Symphony no. 2 in C minor, WAB 102: I. Moderato, Symphony no. 2 in C minor, WAB 102: II. Andante: Feierlich, etwas bewegt, Symphony no. 2 in C minor, WAB 102: III. Scherzo: Mäßig schnell, Symphony no. 2 in C minor, WAB 102: IV. Finale: Mehr schnell, Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden, Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai, Symphony no. 4 in B-flat major, op. 60: II. Adagio, Symphony no. 4 in E-flat major "Romantic", WAB 104: I. Bewegt, nicht zu schnell, Symphony no. 4 in E-flat major "Romantic", WAB 104: II. Andante quasi allegretto, Symphony no. 4 in E-flat major "Romantic", WAB 104: III. Scherzo. Bewegt, Symphony no. 4 in E-flat major "Romantic", WAB 104: IV. Finale. Bewegt, doch nicht zu schnell, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll, Symphony no. 5 in B-flat major, WAB 105: I. Adagio - Allegro, Symphony no. 5 in B-flat major, WAB 105: II. Adagio, sehr langsam, Symphony no. 5 in B-flat major, WAB 105: III. Scherzo: Molto vivace (schnell), Symphony no. 5 in B-flat major, WAB 105: IV. Finale: Adagio - Allegro moderato, Symphony no. 5 in C-sharp minor: I. Trauermarsch, Symphony no. 5 in C-sharp minor: II. Stürmisch Bewegt, Mit Größter Vehemenz, Symphony no. 5 in C-sharp minor: III. Scherzo: Kräftig, Nicht Zu Schnell, Symphony no. 5 in C-sharp minor: III. Scherzo: Kräftig, Nicht Zu Schnell (Continuation), Symphony no. 5 in C-sharp minor: IV. Adagietto: Sehr Langsam, Symphony no. 5 in C-sharp minor: V. Rondo - Finale: Allegro, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima, Symphony no. 5 in E minor, op. 64: III. Valse (Allegro moderato), Symphony no. 5 in E minor, op. 64: IV. Finale (Andante maestoso - Allegro vivace), Symphony no. 5: I. Trauermarsch, Symphony no. 5: II. Stürmisch bewegt, mit größter Vehemenz, Symphony no. 5: III. Scherzo. Kräftig, nicht zu schnell, Symphony no. 5: IV. Adagietto. Sehr langsam, Symphony no. 5: IV. Adagietto: Sehr langsam, Symphony no. 6 "Pastoral" : V. Shepherds Thanksgiving, Symphony no. 6 in A major, WAB 106: I. Majestoso, Symphony no. 6 in A major, WAB 106: II. Adagio: Sehr feierlich, Symphony no. 6 in A major, WAB 106: III. Scherzo: Nicht schnell - Trio: Langsam, Symphony no. 6 in A major, WAB 106: IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 6 in A minor: III. Andante, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Adagio lamentoso, Symphony no. 6 in F major, op. 68 “Pastoral”: II. Andante molto mosso “Scene at the brook”, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in E major, WAB 107: I. Allegro moderato, Symphony no. 7 in E major, WAB 107: II. Adagio: Sehr feierlich und sehr langsam, Symphony no. 7 in E major, WAB 107: III. Scherzo: Sehr schnell - Trio: Etwas langsamer, Symphony no. 7 in E major, WAB 107: IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 7: I. Allegro moderato, Symphony no. 7: II. Adagio: Sehr feierlich und sehr langsam, Symphony no. 7: III. Scherzo: Sehr schnell - Trio: Etwas langsamer, Symphony no. 7: IV. Finale: Bewegt, doch nicht schnell, Symphony no. 8 in C minor, WAB 108 (1890 version): I. Allegro moderato, Symphony no. 8 in C minor, WAB 108 (1890 version): II. Scherzo: Allegro moderato - Trio: Langsam, Symphony no. 8 in C minor, WAB 108 (1890 version): III. Adagio: Feierlich langsam, doch nicht schleppend, Symphony no. 8 in C minor, WAB 108 (1890 version): IV. Finale: Feierlich, nicht schnell, Symphony no. 8 in C minor: I. Adagio, Symphony no. 8 in C minor: II. Allegretto, Symphony no. 8 in C minor: III. Allegro non troppo, Symphony no. 8 in C minor: IV. Largo, Symphony no. 8 in C minor: V. Allegretto, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 9 in D minor, WAB 109: I. Feierlich, misterioso, Symphony no. 9 in D minor, WAB 109: II. Scherzo: Bewegt, lebhaft - Trio: Schnell, Symphony no. 9 in D minor, WAB 109: III. Adagio: Langsam, feierlich, Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace, Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro assai - Andante maestoso - Allegro energico, sempre ben marcato, Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto, Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo, Symphony no. 9 in E minor, op. 95 "From the New World": III. Molto vivace, Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco, Symphony no. 9: IV. Adagio. Sehr langsam und noch zurückhaltend, Tannhäuser: Overture, The Damnation of Faust: Hungarian March, The Miraculous Mandarin, The Miraculous Mandarin - Suite, Sz 73, Op; 19, The Nutcracker - Suite: Arabian Dance (Coffee), The Nutcracker - Suite: Chinese Dance (Tea), The Nutcracker - Suite: Dance of the Reed-Pipes, The Nutcracker - Suite: Dance of the Sugar-Plum Fairy, The Nutcracker - Suite: March, The Nutcracker - Suite: Miniature Overture, The Nutcracker - Suite: Russian Dance (Trepak), The Nutcracker - Suite: Waltz of the Flowers, Till Eulenspiegel, Till Eulenspiegels lustige Streiche, Till Eulenspiegels lustige Streiche, Op. 28, Tragic Overture, Op. 81, Tragische Ouvertüre, Op. 81, Tristan und Isolde: Liebestod, Tristan und Isolde: Prelude, Variations on a theme by Haydn, op. 56a, Variations on an Original Theme ('Enigma'), Op. 36: IX. Nimrod (Adagio), Variations, op. 31: Finale. Mäßig schnell, Variations, op. 31: Introduktion. Mäßig, ruhig, Variations, op. 31: Thema. Molto moderato, Variations, op. 31: Variation I. Moderato, Variations, op. 31: Variation II. Langsam, Variations, op. 31: Variation III. Mäßig, Variations, op. 31: Variation IV. Walzertempo, Variations, op. 31: Variation IX. L'istesso tempo; aber etwas langsamer, Variations, op. 31: Variation V. Bewegt, Variations, op. 31: Variation VI. Andante, Variations, op. 31: Variation VII. Langsam, Variations, op. 31: Variation VIII. Sehr rasch
Sir Georg Solti (conductor)
conductor, performing orchestra
"New World" Symphony: II. Largo (excerpt), 1812 Overture, Academic Festival Overture in C minor, Op. 80, Academic Festival Overture, Op. 80, Adagietto From Symphony no. 5 in C-sharp minor, Akademische Festouvertüre, Op. 80, Bilder einer Austellung: 1. Promenade / Gnomus, Bilder einer Austellung: 10. La Grande Porte De Kiev, Bilder einer Austellung: 2. Promenade / Il Vecchio Castello, Bilder einer Austellung: 3. Promenade / Tuileries, Bilder einer Austellung: 4. Bydlo / Promenade, Bilder einer Austellung: 5. Ballet Des Poussins Dans Leurs Coques, Bilder einer Austellung: 6. Sameul Goldenberg Und Schmuyle, Bilder einer Austellung: 7. Le Marché, Bilder einer Austellung: 8. Cum Mortuis in Lingua Mortua, Bilder einer Austellung: 9. La Cabane Sur Des Pattes De Poule, Boléro, Boléro, M. 81, Concerto for Orchestra, Sz. 116: I. Introduzione: Andante non troppo - Allegro vivace, Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie: Allegretto scherzando, Concerto for Orchestra, Sz. 116: III. Elegia: Andante, non troppo, Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto: Allegretto, Concerto for Orchestra, Sz. 116: V. Finale: Pesante - Presto, Coriolan, Op. 62: Overture. Allegro con brio, Dance Suite, Sz. 77: I. Moderato, Dance Suite, Sz. 77: II. Allegro molto, Dance Suite, Sz. 77: III. Allegro vivace, Dance Suite, Sz. 77: IV. Molto tranquillo, Dance Suite, Sz. 77: V. Comodo, Dance Suite, Sz. 77: VI. Finale: Allegro, Der fliegende Holländer: Overture, Die Meistersinger von Nürnberg: I. Akt. "'Fanget an!' So rief der Lenz in den Wald", Die Meistersinger von Nürnberg: I. Akt. "Aller End ist doch David der Allergescheit'st'", Die Meistersinger von Nürnberg: I. Akt. "Am stillen Herd in Winterszeit", Die Meistersinger von Nürnberg: I. Akt. "Da zu dir der Heiland kam", Die Meistersinger von Nürnberg: I. Akt. "David! Was stehst?", Die Meistersinger von Nürnberg: I. Akt. "Der Meister Tön und Weisen", Die Meistersinger von Nürnberg: I. Akt. "Gott grüß euch, Meister!", Die Meistersinger von Nürnberg: I. Akt. "Halt, Meister! Nicht so geeilt!", Die Meistersinger von Nürnberg: I. Akt. "Mein Herr! Der Singer Meisterschlag", Die Meistersinger von Nürnberg: I. Akt. "Nun, Meister! Wenn's gefällt", Die Meistersinger von Nürnberg: I. Akt. "Seid Ihr nun fertig?", Die Meistersinger von Nürnberg: I. Akt. "Seid meiner Treue wohl versehen", Die Meistersinger von Nürnberg: I. Akt. "Verweilt! Ein Wort - ein einzig Wort!", Die Meistersinger von Nürnberg: I. Akt. "Verzeiht, vielleicht schon ginget ihr zu weit", Die Meistersinger von Nürnberg: I. Akt. Vorspiel, Die Meistersinger von Nürnberg: II. Akt. "'Den Tag seh' ich erscheinen'", Die Meistersinger von Nürnberg: II. Akt. "Da ist er!", Die Meistersinger von Nürnberg: II. Akt. "Gut'n Abend, Meister! Noch so fleißig?", Die Meistersinger von Nürnberg: II. Akt. "Jerum! Jerum! Hallahalohe!", Die Meistersinger von Nürnberg: II. Akt. "Johannistag! Johannistag!", Die Meistersinger von Nürnberg: II. Akt. "Was duftet doch der Flieder so mild", Die Meistersinger von Nürnberg: III. Akt, 1. Bild. "'Morgenlich leuchtend in rosigem Schein'", Die Meistersinger von Nürnberg: III. Akt, 1. Bild. "Das Gedicht? ... hier ließ ich's", Die Meistersinger von Nürnberg: III. Akt, 1. Bild. "Die 'selige Morgentraum-Deutweise'", Die Meistersinger von Nürnberg: III. Akt, 1. Bild. "Ein Werbelied! Von Sachs!", Die Meistersinger von Nürnberg: III. Akt, 1. Bild. "Gleich, Meister! Hier", Die Meistersinger von Nürnberg: III. Akt, 1. Bild. "Grüß Gott, mein Junker", Die Meistersinger von Nürnberg: III. Akt, 1. Bild. "Hat man mit dem Schuhwerk nicht seine Not!", Die Meistersinger von Nürnberg: III. Akt, 1. Bild. "Mein Freund, in holder Jugendzeit", Die Meistersinger von Nürnberg: III. Akt, 1. Bild. "Wahn! Wahn! Überall Wahn!", Die Meistersinger von Nürnberg: III. Akt, 2. Bild. "'Morgen ich leuchte in rosigem Schein'", Die Meistersinger von Nürnberg: III. Akt, 2. Bild. "'Morgenlich leuchtend im rosigen Schein'", Die Meistersinger von Nürnberg: III. Akt, 2. Bild. "'Wach' auf, es nahet gen den Tag'", Die Meistersinger von Nürnberg: III. Akt, 2. Bild. "Euch macht ihr's leicht, mir macht ihr's schwer", Die Meistersinger von Nürnberg: III. Akt, 2. Bild. "Ihr tanzt? Was werden die Meister sagen?", Die Meistersinger von Nürnberg: III. Akt, 2. Bild. "Sankt Krispin, lobet ihn!", Die Meistersinger von Nürnberg: III. Akt, 2. Bild. "Verachtet mir die Meister nicht", Die Meistersinger von Nürnberg: III. Akt. Vorspiel, Die Meistersinger von Nürnberg: Prelude, Die Meistersinger von Nürnberg: Prelude, Act I, Don Juan, Don Juan, Op. 20, Egmont, Op. 84: Overture, Egmont, Op. 84: Overture. Sostenuto, ma non troppo, Egmont: Overture, Enigma Variations, op. 36: Theme, Enigma Variations, op. 36: Variation I. C.A.E., Enigma Variations, op. 36: Variation II. H.D.S., Enigma Variations, op. 36: Variation III. R.B.T., Enigma Variations, op. 36: Variation IV. W.M.B., Enigma Variations, op. 36: Variation IX. Nimrod, Enigma Variations, op. 36: Variation V. R.P.A., Enigma Variations, op. 36: Variation VI. Ysobel, Enigma Variations, op. 36: Variation VII. Troyte, Enigma Variations, op. 36: Variation VIII. W.N., Enigma Variations, op. 36: Variation X. (Intermezzo) Dorabella, Enigma Variations, op. 36: Variation XI. G.R.S., Enigma Variations, op. 36: Variation XII. B.G.N., Enigma Variations, op. 36: Variation XIII. (Romanza), Enigma Variations, op. 36: Variation XIV. (Finale) E.D.U., Hungarian Sketches, Sz 97: I. Este a székelyeknél (evening in the village), Hungarian Sketches, Sz 97: II. Medvetanc (bear dance), Hungarian Sketches, Sz 97: III. Melodia (melody), Hungarian Sketches, Sz 97: IV. Kicsit azottan (slightly tipsy), Hungarian Sketches, Sz 97: V. Ürögi kanasztanc (swineherd's dance), II basbiere di Siviglia: Overture, La Mer : De l'aube à midi sur la mer, La Mer : I. De l'aube à midi sur la mer, La Mer : II. Jeux de vagues, La Mer : III. Dialogue du vent et de la mer, La Mer : Jeux de vagues, La Mer : dialogue du vent et de la mer, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 1. Introduction, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 2. Les Augures printaniers, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 3. Jeu du rapt, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 4. Rondes printanières, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 5. Jeux des cités rivales, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 6a. Cortège du sage, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 6b. Le sage, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 7. Danse de la terre, Le Sacre du Printemps, Part 2: Le Sacrifice: 1. Introduction, Le Sacre du Printemps, Part 2: Le Sacrifice: 2. Cercles mystérieux des adolescentes, Le Sacre du Printemps, Part 2: Le Sacrifice: 3. Glorification de l'élue, Le Sacre du Printemps, Part 2: Le Sacrifice: 4. Évocation des ancêtres, Le Sacre du Printemps, Part 2: Le Sacrifice: 5. Action rituelle des ancêtres, Le Sacre du Printemps, Part 2: Le Sacrifice: 6. Danse sacrale: L'Élue, Le Sacre du printemps: I. L’Adoration de la terre, Le Sacre du printemps: II. Le Sacrifice, Leonore Overture No. 3 in C major, Op. 72b, Leonore Overture No. 3 in C major, Op. 72c, Les Francs-Juges, Mass in B Minor, BWV 232: Agnus Dei: Agnus Dei, Mass in B Minor, BWV 232: Agnus Dei: Dona nobis pacem, Mass in B Minor, BWV 232: Benedictus, Mass in B Minor, BWV 232: Christe eleison, Mass in B Minor, BWV 232: Credo: Confiteor unum baptisma, Mass in B Minor, BWV 232: Credo: Credo in unum Deum, Mass in B Minor, BWV 232: Credo: Crucifixus, Mass in B Minor, BWV 232: Credo: Et expecto, Mass in B Minor, BWV 232: Credo: Et in Spiritum sanctum, Mass in B Minor, BWV 232: Credo: Et in unum Dominum, Mass in B Minor, BWV 232: Credo: Et incarnatus est, Mass in B Minor, BWV 232: Credo: Et resurrexit, Mass in B Minor, BWV 232: Credo: Patrem omnipotentem, Mass in B Minor, BWV 232: Cum Sancto Spiritu, Mass in B Minor, BWV 232: Domine Deus, Mass in B Minor, BWV 232: Et in terra pax, Mass in B Minor, BWV 232: Gloria in excelsis Deo, Mass in B Minor, BWV 232: Gratias agimus tibi, Mass in B Minor, BWV 232: Kyrie eleison, Mass in B Minor, BWV 232: Laudamus te, Mass in B Minor, BWV 232: Osanna, Mass in B Minor, BWV 232: Osanna #2, Mass in B Minor, BWV 232: Qui sedes ad dextram Patris, Mass in B Minor, BWV 232: Qui tollis peccata mundi, Mass in B Minor, BWV 232: Quoniam tu solus sanctus, Mass in B Minor, BWV 232: Sanctus, Matthäus-Passion: Er hat uns allen wohlgetan (Soprano recitative), Matthäus-Passion: Ich will bei meinem jesu wachen (Tenor aria and chorus), Matthäus-Passion: O haupt voll blut und wunden (Chorale), Music for Strings, Percussion and Celesta, Sz. 106: I. Andante tranquillo, Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro, Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio, Music for Strings, Percussion and Celesta, Sz. 106: IV. Allegro molto, Nocturnes : Fêtes, Nocturnes : I. Nuages, Nocturnes : II. Fêtes, Nocturnes : Nuages, Nocturnes : Sirènes, Oberon: Overture, Otello: Fuoco di Gioia, Prelude to the Afternoon of a Faun, Prélude à láprès-midi dún faune, Romanian Folk Dances, Sz 68: I. Bot tanc - Jocul cu bâta (stick dance), Romanian Folk Dances, Sz 68: II. Brâul (sash dance), Romanian Folk Dances, Sz 68: III. To pogo - Pe loc (in one spot), Romanian Folk Dances, Sz 68: IV. Bucsumi tanc - Buciumeana (horn dance), Romanian Folk Dances, Sz 68: V. Roman polka - Poarga româneasca (Romanian polka), Romanian Folk Dances, Sz 68: VI. Aprozo - Maruntelul (fast dance), Romanian Folk Dances, Sz 68: VII. Aprozo - Maruntelul, Romeo and Juliet - Fantasy Overture, Romeo and Juliet, op. 64 (selection): Act I. nos. 2, 3, 4, 10, 13, 14, 19, 20, 21, Romeo and Juliet, op. 64 (selection): Act II. nos. 33-36, Romeo and Juliet, op. 64 (selection): Act III. nos. 37, 38, Romeo and Juliet, op. 64 (selection): Act IV. no. 52, Romeo and Juliet, op. 64 (selection): Introduction, Romeo and Juliet, op. 64: Act 1, I. Introduction, Romeo and Juliet, op. 64: Act 1, II. Romeo / III.The Street Awakens / IV. Morning Dance, Romeo and Juliet, op. 64: Act 1, X. Juliet as a Young Girl, Romeo and Juliet, op. 64: Act 1, XIII. Dance of the Knights, Romeo and Juliet, op. 64: Act 1, XIV. Juliet's Variation, Romeo and Juliet, op. 64: Act 1, XIX. Balcony Scene / XX. Romeo's Variation, Romeo and Juliet, op. 64: Act 1, XXI. Love Dance, Romeo and Juliet, op. 64: Act 2, XXXIII. Tybalt and Mercutio Fight / XXXIV. Mercutio Dies, Romeo and Juliet, op. 64: Act 2, XXXV. Romeo Decides to Avenge Mercutio's Death, Romeo and Juliet, op. 64: Act 3, XXXVII. Introduction / XXXVIII. Romeo and Juliet (Juliet's Bedroom), Romeo and Juliet, op. 64: Epilogue, LII. Death of Juliet, Sinfonie Nr. 5 in c-Moll, Op. 67: III. Scherzo. Allegro / IV. Allegro, Sinfonie Nr. 6 in F-Dur, Op. 68 "Pastorale": III. Allegro "Lustiges Zusammensein der Landleute" / IV. Allegro "Gewitter und Sturm" / V. Allegretto "Hirtengesänge-Frohe und dankbare Gefühle nach dem Sturm", Swan Lake Suite, op. 20: I. Scene - Swan Theme, Swan Lake Suite, op. 20: II. Valse in A, Swan Lake Suite, op. 20: III. Danse des petits cygnes, Swan Lake Suite, op. 20: IV. Scene, Swan Lake Suite, op. 20: V. Danse Hongroise, Swan Lake Suite, op. 20: VI. Danse Espagnole, Swan Lake Suite, op. 20: VII. Danse Napolitaine, Symphonie fantastique, Op. 14: IV. Marche au supplice, Symphony No. 1 in C major, Op. 21: I. Adagio molto – Allegro con brio, Symphony No. 1 in C major, Op. 21: II. Andante cantabile con moto, Symphony No. 1 in C major, Op. 21: III. Menuetto. Allegro molto e vivace, Symphony No. 1 in C major, Op. 21: IV. Adagio – Allegro molto e vivace, Symphony No. 1 in C minor, Op. 68: I. Un poco sostenuto - Allegro, Symphony No. 1 in C minor, Op. 68: II. Andante sostenuto, Symphony No. 1 in C minor, Op. 68: III. Un poco allegretto e grazioso, Symphony No. 1 in C minor, Op. 68: IV. Adagio - Più andante - Allegro non troppo, Symphony No. 1 in D major: IV. Stürmisch bewegt, Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso, Symphony No. 2 in C minor "Resurrection": II. Andante moderato, Symphony No. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung, Symphony No. 2 in C minor "Resurrection": V. In Tempo des Scherzo, Symphony No. 2 in D major, Op. 36: I. Adagio molto - Allegro con brio, Symphony No. 2 in D major, Op. 36: I. Adagio molto – Allegro con brio, Symphony No. 2 in D major, Op. 36: II. Larghetto, Symphony No. 2 in D major, Op. 36: III. Scherzo. Allegro, Symphony No. 2 in D major, Op. 36: IV. Allegro molto, Symphony No. 2 in D major, Op. 73: I. Allegro non troppo, Symphony No. 2 in D major, Op. 73: II. Adagio non troppo, Symphony No. 2 in D major, Op. 73: III. Allegretto grazioso (quasi andantino) - Presto ma non assai, Symphony No. 2 in D major, Op. 73: IV. Allegro con spirito, Symphony No. 3 in A minor, Op. 56 "Scottish": II. Vivace non troppo, Symphony No. 3 in A minor, Op. 56 "Scottish": III. Adagio, Symphony No. 3 in A minor, Op. 56 "Scottish": IVa. Allegro vivacissimo, Symphony No. 3 in A minor, Op. 56 "Scottish": IVb. Allegro maestoso assai, Symphony No. 3 in A minor, Op. 56 "Scottish": Ia. Andante con moto, Symphony No. 3 in A minor, Op. 56 "Scottish": Ib. Allegro un poco agitato, Symphony No. 3 in D minor: I. Kräftig - Entschieden, Symphony No. 3 in D minor: II. Tempo di Menuetto. Sehr mässig, Symphony No. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony No. 3 in D minor: IV. Sehr langsam. Misterioso, Symphony No. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck, Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre: Adagio assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo: Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale: Allegro molto, Symphony No. 3 in F major, Op. 90: I. Allegro con brio, Symphony No. 3 in F major, Op. 90: II. Andante, Symphony No. 3 in F major, Op. 90: III. Poco allegretto, Symphony No. 3 in F major, Op. 90: IV. Allegro, Symphony No. 4 in A major, Op. 90 "Italian": I. Allegro vivace, Symphony No. 4 in A major, Op. 90 "Italian": II. Andante con moto, Symphony No. 4 in A major, Op. 90 "Italian": III. Con moto moderato, Symphony No. 4 in A major, Op. 90 "Italian": IV. Saltarello: Presto, Symphony No. 4 in B-flat major, Op. 60: I. Adagio - Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: II. Adagio, Symphony No. 4 in B-flat major, Op. 60: III. Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: IV. Allegro ma non troppo, Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo, Symphony No. 4 in E minor, Op. 98: II. Andante moderato, Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso, Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato, Symphony No. 4 in G major: IV. Sehr behaglich, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro, Symphony No. 5: V. Rondo-Finale: Allegro, Symphony No. 6 in A minor: I. Allegro energico, ma non troppo, Symphony No. 6 in A minor: II. Scherzo: Wuchtig, Symphony No. 6 in A minor: IV. Finale: Allegro moderato, Symphony No. 6 in F major, Op. 68 "Pastoral": I. Allegro ma non troppo, Symphony No. 6 in F major, Op. 68 "Pastoral": II. Andante molto mosso, Symphony No. 6 in F major, Op. 68 "Pastoral": III. Allegro, Symphony No. 6 in F major, Op. 68 "Pastoral": IV. Allegro, Symphony No. 6 in F major, Op. 68 "Pastoral": V. Allegretto, Symphony No. 6 in F major, Op. 68 "Pastorale": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country", Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook", Symphony No. 6 in F major, Op. 68 "Pastorale": III. Allegro "Happy gathering of country folk", Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Allegro "Thunderstorm", Symphony No. 6 in F major, Op. 68 "Pastorale": V. Allegretto "Shepherds' song: Cheerful and thankful feelings after the storm", Symphony No. 7 in A major, Op. 92: I. Poco sostenuto – Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio, Symphony No. 7: I. Langsam - Allegro, Symphony No. 7: II. Nachtmusik I: Allegro moderato, Symphony No. 7: III. Scherzo, Symphony No. 7: IV. Nachtmusik II: Andante amoroso, Symphony No. 7: V. Rondo-Finale, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: a. Veni creator spiritus, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: b. Imple superna gratia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: c. Infirma nostri corporis, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: d. Accende lumen sensibus, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: e. Veni, creator… da gaudiorum praemia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: f. Gloria sit patri domino”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": "Ewiger Wonnebrand”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": Poco Adagio: “Waldung, sie schwankt heran”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Bei der Liebe, die den Fussen”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Gerettet ist das edle Glied”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Höchste Herrscherin der Welt”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Neige, neige, du Ohnegleiche”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Uns bleibt ein Erdenrest”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Wie Felsenabgrund mir zu Füßen”, Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Alles Vergängliche, Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Blicket auf zum Retterblick, Symphony No. 8 in F major, Op. 93: I. Allegro vivace e con brio, Symphony No. 8 in F major, Op. 93: II. Allegretto scherzando, Symphony No. 8 in F major, Op. 93: III. Tempo di menuetto, Symphony No. 8 in F major, Op. 93: IV. Allegro vivace, Symphony No. 9 in D minor, Op. 125: I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125: II. Molto vivace, Symphony No. 9 in D minor, Op. 125: III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125: IV. Presto - Allegro assai - Andante maestoso - Allegro energico, sempre ben marcato, Symphony No. 9: I. Andante comodo, Symphony No. 9: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb, Symphony No. 9: III. Rondo-Burleske. Allegro assai. Sehr trotzig, Symphony no. 0 in D minor, WAB 100: I. Allegro, Symphony no. 0 in D minor, WAB 100: II. Andante, Symphony no. 0 in D minor, WAB 100: III. Scherzo: Presto, Symphony no. 0 in D minor, WAB 100: IV. Finale: Moderato, Symphony no. 1 in C major, op. 21: I. Adagio molto - allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Adagio - allegro molto e vivace, Symphony no. 1 in C minor, WAB 101 (Linz version): I. Allegro, Symphony no. 1 in C minor, WAB 101 (Linz version): II. Adagio, Symphony no. 1 in C minor, WAB 101 (Linz version): III. Scherzo: Schnell - Trio: Langsamer, Symphony no. 1 in C minor, WAB 101 (Linz version): IV. Finale: Bewegt, feurig, Symphony no. 1 in D major: I. Langsam. Schleppend. Wie ein Naturlaut, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1, op. 25 "Classical": I. Allegro, Symphony no. 1, op. 25 "Classical": II. Larghetto, Symphony no. 1, op. 25 "Classical": III. Gavotta. Non troppo allegro, Symphony no. 1, op. 25 "Classical": IV. Finale. Molto vivace, Symphony no. 10 in E minor, Op. 93: I. Moderato, Symphony no. 10 in E minor, Op. 93: II. Allegro, Symphony no. 10 in E minor, Op. 93: III. Allegretto, Symphony no. 10 in E minor, Op. 93: IV. Andante - Allegro, Symphony no. 2 in C minor, WAB 102: I. Moderato, Symphony no. 2 in C minor, WAB 102: II. Andante: Feierlich, etwas bewegt, Symphony no. 2 in C minor, WAB 102: III. Scherzo: Mäßig schnell, Symphony no. 2 in C minor, WAB 102: IV. Finale: Mehr schnell, Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden, Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai, Symphony no. 4 in B-flat major, op. 60: II. Adagio, Symphony no. 4 in E-flat major "Romantic", WAB 104: I. Bewegt, nicht zu schnell, Symphony no. 4 in E-flat major "Romantic", WAB 104: II. Andante quasi allegretto, Symphony no. 4 in E-flat major "Romantic", WAB 104: III. Scherzo. Bewegt, Symphony no. 4 in E-flat major "Romantic", WAB 104: IV. Finale. Bewegt, doch nicht zu schnell, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll, Symphony no. 5 in B-flat major, WAB 105: I. Adagio - Allegro, Symphony no. 5 in B-flat major, WAB 105: II. Adagio, sehr langsam, Symphony no. 5 in B-flat major, WAB 105: III. Scherzo: Molto vivace (schnell), Symphony no. 5 in B-flat major, WAB 105: IV. Finale: Adagio - Allegro moderato, Symphony no. 5 in C-sharp minor: I. Trauermarsch, Symphony no. 5 in C-sharp minor: II. Stürmisch Bewegt, Mit Größter Vehemenz, Symphony no. 5 in C-sharp minor: III. Scherzo: Kräftig, Nicht Zu Schnell, Symphony no. 5 in C-sharp minor: III. Scherzo: Kräftig, Nicht Zu Schnell (Continuation), Symphony no. 5 in C-sharp minor: IV. Adagietto: Sehr Langsam, Symphony no. 5 in C-sharp minor: V. Rondo - Finale: Allegro, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima, Symphony no. 5 in E minor, op. 64: III. Valse (Allegro moderato), Symphony no. 5 in E minor, op. 64: IV. Finale (Andante maestoso - Allegro vivace), Symphony no. 5: I. Trauermarsch, Symphony no. 5: II. Stürmisch bewegt, mit größter Vehemenz, Symphony no. 5: III. Scherzo. Kräftig, nicht zu schnell, Symphony no. 5: IV. Adagietto. Sehr langsam, Symphony no. 5: IV. Adagietto: Sehr langsam, Symphony no. 6 "Pastoral" : V. Shepherds Thanksgiving, Symphony no. 6 in A major, WAB 106: I. Majestoso, Symphony no. 6 in A major, WAB 106: II. Adagio: Sehr feierlich, Symphony no. 6 in A major, WAB 106: III. Scherzo: Nicht schnell - Trio: Langsam, Symphony no. 6 in A major, WAB 106: IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 6 in A minor: III. Andante, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Adagio lamentoso, Symphony no. 6 in F major, op. 68 “Pastoral”: II. Andante molto mosso “Scene at the brook”, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in E major, WAB 107: I. Allegro moderato, Symphony no. 7 in E major, WAB 107: II. Adagio: Sehr feierlich und sehr langsam, Symphony no. 7 in E major, WAB 107: III. Scherzo: Sehr schnell - Trio: Etwas langsamer, Symphony no. 7 in E major, WAB 107: IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 7: I. Allegro moderato, Symphony no. 7: II. Adagio: Sehr feierlich und sehr langsam, Symphony no. 7: III. Scherzo: Sehr schnell - Trio: Etwas langsamer, Symphony no. 7: IV. Finale: Bewegt, doch nicht schnell, Symphony no. 8 in C minor, WAB 108 (1890 version): I. Allegro moderato, Symphony no. 8 in C minor, WAB 108 (1890 version): II. Scherzo: Allegro moderato - Trio: Langsam, Symphony no. 8 in C minor, WAB 108 (1890 version): III. Adagio: Feierlich langsam, doch nicht schleppend, Symphony no. 8 in C minor, WAB 108 (1890 version): IV. Finale: Feierlich, nicht schnell, Symphony no. 8 in C minor: I. Adagio, Symphony no. 8 in C minor: II. Allegretto, Symphony no. 8 in C minor: III. Allegro non troppo, Symphony no. 8 in C minor: IV. Largo, Symphony no. 8 in C minor: V. Allegretto, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 9 in D minor, WAB 109: I. Feierlich, misterioso, Symphony no. 9 in D minor, WAB 109: II. Scherzo: Bewegt, lebhaft - Trio: Schnell, Symphony no. 9 in D minor, WAB 109: III. Adagio: Langsam, feierlich, Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace, Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro assai - Andante maestoso - Allegro energico, sempre ben marcato, Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto, Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo, Symphony no. 9 in E minor, op. 95 "From the New World": III. Molto vivace, Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco, Symphony no. 9: IV. Adagio. Sehr langsam und noch zurückhaltend, Tannhäuser: Overture, The Damnation of Faust: Hungarian March, The Miraculous Mandarin, The Miraculous Mandarin - Suite, Sz 73, Op; 19, The Nutcracker - Suite: Arabian Dance (Coffee), The Nutcracker - Suite: Chinese Dance (Tea), The Nutcracker - Suite: Dance of the Reed-Pipes, The Nutcracker - Suite: Dance of the Sugar-Plum Fairy, The Nutcracker - Suite: March, The Nutcracker - Suite: Miniature Overture, The Nutcracker - Suite: Russian Dance (Trepak), The Nutcracker - Suite: Waltz of the Flowers, Till Eulenspiegel, Till Eulenspiegels lustige Streiche, Till Eulenspiegels lustige Streiche, Op. 28, Tragic Overture, Op. 81, Tragische Ouvertüre, Op. 81, Tristan und Isolde: Liebestod, Tristan und Isolde: Prelude, Variations on a theme by Haydn, op. 56a, Variations on an Original Theme ('Enigma'), Op. 36: IX. Nimrod (Adagio), Variations, op. 31: Finale. Mäßig schnell, Variations, op. 31: Introduktion. Mäßig, ruhig, Variations, op. 31: Thema. Molto moderato, Variations, op. 31: Variation I. Moderato, Variations, op. 31: Variation II. Langsam, Variations, op. 31: Variation III. Mäßig, Variations, op. 31: Variation IV. Walzertempo, Variations, op. 31: Variation IX. L'istesso tempo; aber etwas langsamer, Variations, op. 31: Variation V. Bewegt, Variations, op. 31: Variation VI. Andante, Variations, op. 31: Variation VII. Langsam, Variations, op. 31: Variation VIII. Sehr rasch
Kenneth Wilkinson (engineer)
balance, engineer
Symphony No. 7: I. Langsam - Allegro, Symphony No. 7: II. Nachtmusik I: Allegro moderato, Symphony No. 7: III. Scherzo, Symphony No. 7: IV. Nachtmusik II: Andante amoroso, Symphony No. 7: V. Rondo-Finale, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: a. Veni creator spiritus, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: b. Imple superna gratia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: c. Infirma nostri corporis, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: d. Accende lumen sensibus, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: e. Veni, creator… da gaudiorum praemia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: f. Gloria sit patri domino”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": "Ewiger Wonnebrand”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": Poco Adagio: “Waldung, sie schwankt heran”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Bei der Liebe, die den Fussen”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Gerettet ist das edle Glied”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Höchste Herrscherin der Welt”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Neige, neige, du Ohnegleiche”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Uns bleibt ein Erdenrest”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Wie Felsenabgrund mir zu Füßen”, Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Alles Vergängliche, Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Blicket auf zum Retterblick, Symphony No. 9 in D minor, Op. 125: I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125: II. Molto vivace, Symphony No. 9 in D minor, Op. 125: III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125: IV. Presto - Allegro assai - Andante maestoso - Allegro energico, sempre ben marcato, Symphony no. 6 in A major, WAB 106: I. Majestoso, Symphony no. 6 in A major, WAB 106: II. Adagio: Sehr feierlich, Symphony no. 6 in A major, WAB 106: III. Scherzo: Nicht schnell - Trio: Langsam, Symphony no. 6 in A major, WAB 106: IV. Finale: Bewegt, doch nicht zu schnell, Variations, op. 31: Finale. Mäßig schnell, Variations, op. 31: Introduktion. Mäßig, ruhig, Variations, op. 31: Thema. Molto moderato, Variations, op. 31: Variation I. Moderato, Variations, op. 31: Variation II. Langsam, Variations, op. 31: Variation III. Mäßig, Variations, op. 31: Variation IV. Walzertempo, Variations, op. 31: Variation IX. L'istesso tempo; aber etwas langsamer, Variations, op. 31: Variation V. Bewegt, Variations, op. 31: Variation VI. Andante, Variations, op. 31: Variation VII. Langsam, Variations, op. 31: Variation VIII. Sehr rasch
David Harvey (producer)
producer
Symphony No. 5: V. Rondo-Finale: Allegro, Symphony No. 6 in A minor: I. Allegro energico, ma non troppo, Symphony No. 6 in A minor: II. Scherzo: Wuchtig, Symphony No. 6 in A minor: IV. Finale: Allegro moderato, Symphony No. 7: I. Langsam - Allegro, Symphony No. 7: II. Nachtmusik I: Allegro moderato, Symphony No. 7: III. Scherzo, Symphony No. 7: IV. Nachtmusik II: Andante amoroso, Symphony No. 7: V. Rondo-Finale, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: a. Veni creator spiritus, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: b. Imple superna gratia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: c. Infirma nostri corporis, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: d. Accende lumen sensibus, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: e. Veni, creator… da gaudiorum praemia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: f. Gloria sit patri domino”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": "Ewiger Wonnebrand”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": Poco Adagio: “Waldung, sie schwankt heran”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Bei der Liebe, die den Fussen”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Gerettet ist das edle Glied”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Höchste Herrscherin der Welt”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Neige, neige, du Ohnegleiche”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Uns bleibt ein Erdenrest”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Wie Felsenabgrund mir zu Füßen”, Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Alles Vergängliche, Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Blicket auf zum Retterblick, Symphony No. 9 in D minor, Op. 125: I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125: II. Molto vivace, Symphony No. 9 in D minor, Op. 125: III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125: IV. Presto - Allegro assai - Andante maestoso - Allegro energico, sempre ben marcato, Symphony no. 5: I. Trauermarsch, Symphony no. 5: II. Stürmisch bewegt, mit größter Vehemenz, Symphony no. 5: III. Scherzo. Kräftig, nicht zu schnell, Symphony no. 5: IV. Adagietto: Sehr langsam, Symphony no. 6 in A minor: III. Andante
James Mallinson
producer
Symphony No. 1 in D major: IV. Stürmisch bewegt, Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso, Symphony No. 2 in C minor "Resurrection": II. Andante moderato, Symphony No. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung, Symphony No. 2 in C minor "Resurrection": V. In Tempo des Scherzo, Symphony No. 3 in D minor: I. Kräftig - Entschieden, Symphony No. 3 in D minor: II. Tempo di Menuetto. Sehr mässig, Symphony No. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony No. 3 in D minor: IV. Sehr langsam. Misterioso, Symphony No. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck, Symphony No. 4 in G major: IV. Sehr behaglich, Symphony No. 9: I. Andante comodo, Symphony No. 9: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb, Symphony No. 9: III. Rondo-Burleske. Allegro assai. Sehr trotzig, Symphony no. 1 in D major: I. Langsam. Schleppend. Wie ein Naturlaut, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden, Symphony no. 9: IV. Adagio. Sehr langsam und noch zurückhaltend, Variations, op. 31: Finale. Mäßig schnell, Variations, op. 31: Introduktion. Mäßig, ruhig, Variations, op. 31: Thema. Molto moderato, Variations, op. 31: Variation I. Moderato, Variations, op. 31: Variation II. Langsam, Variations, op. 31: Variation III. Mäßig, Variations, op. 31: Variation IV. Walzertempo, Variations, op. 31: Variation IX. L'istesso tempo; aber etwas langsamer, Variations, op. 31: Variation V. Bewegt, Variations, op. 31: Variation VI. Andante, Variations, op. 31: Variation VII. Langsam, Variations, op. 31: Variation VIII. Sehr rasch
Michael Haas (classical music producer)
producer
1812 Overture, Romeo and Juliet - Fantasy Overture, Swan Lake Suite, op. 20: I. Scene - Swan Theme, Swan Lake Suite, op. 20: II. Valse in A, Swan Lake Suite, op. 20: III. Danse des petits cygnes, Swan Lake Suite, op. 20: IV. Scene, Swan Lake Suite, op. 20: V. Danse Hongroise, Swan Lake Suite, op. 20: VI. Danse Espagnole, Swan Lake Suite, op. 20: VII. Danse Napolitaine, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima, Symphony no. 5 in E minor, op. 64: III. Valse (Allegro moderato), Symphony no. 5 in E minor, op. 64: IV. Finale (Andante maestoso - Allegro vivace), Symphony no. 5: IV. Adagietto. Sehr langsam, Symphony no. 7 in E major, WAB 107: I. Allegro moderato, Symphony no. 7 in E major, WAB 107: II. Adagio: Sehr feierlich und sehr langsam, Symphony no. 7 in E major, WAB 107: III. Scherzo: Sehr schnell - Trio: Etwas langsamer, Symphony no. 7 in E major, WAB 107: IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 8 in C minor: I. Adagio, Symphony no. 8 in C minor: II. Allegretto, Symphony no. 8 in C minor: III. Allegro non troppo, Symphony no. 8 in C minor: IV. Largo, Symphony no. 8 in C minor: V. Allegretto, The Nutcracker - Suite: Arabian Dance (Coffee), The Nutcracker - Suite: Chinese Dance (Tea), The Nutcracker - Suite: Dance of the Reed-Pipes, The Nutcracker - Suite: Dance of the Sugar-Plum Fairy, The Nutcracker - Suite: March, The Nutcracker - Suite: Miniature Overture, The Nutcracker - Suite: Russian Dance (Trepak), The Nutcracker - Suite: Waltz of the Flowers
James Lock (engineer)
balance, engineer
Swan Lake Suite, op. 20: I. Scene - Swan Theme, Swan Lake Suite, op. 20: II. Valse in A, Swan Lake Suite, op. 20: III. Danse des petits cygnes, Swan Lake Suite, op. 20: IV. Scene, Swan Lake Suite, op. 20: V. Danse Hongroise, Swan Lake Suite, op. 20: VI. Danse Espagnole, Swan Lake Suite, op. 20: VII. Danse Napolitaine, Symphony No. 1 in D major: IV. Stürmisch bewegt, Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso, Symphony No. 2 in C minor "Resurrection": II. Andante moderato, Symphony No. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung, Symphony No. 2 in C minor "Resurrection": V. In Tempo des Scherzo, Symphony No. 3 in D minor: I. Kräftig - Entschieden, Symphony No. 3 in D minor: II. Tempo di Menuetto. Sehr mässig, Symphony No. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony No. 3 in D minor: IV. Sehr langsam. Misterioso, Symphony No. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck, Symphony No. 4 in G major: IV. Sehr behaglich, Symphony No. 9: I. Andante comodo, Symphony No. 9: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb, Symphony No. 9: III. Rondo-Burleske. Allegro assai. Sehr trotzig, Symphony no. 1 in D major: I. Langsam. Schleppend. Wie ein Naturlaut, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima, Symphony no. 5 in E minor, op. 64: III. Valse (Allegro moderato), Symphony no. 5 in E minor, op. 64: IV. Finale (Andante maestoso - Allegro vivace), Symphony no. 9: IV. Adagio. Sehr langsam und noch zurückhaltend
Gordon Parry (engineer)
engineer
Symphony No. 5: V. Rondo-Finale: Allegro, Symphony No. 6 in A minor: I. Allegro energico, ma non troppo, Symphony No. 6 in A minor: II. Scherzo: Wuchtig, Symphony No. 6 in A minor: IV. Finale: Allegro moderato, Symphony No. 7: I. Langsam - Allegro, Symphony No. 7: II. Nachtmusik I: Allegro moderato, Symphony No. 7: III. Scherzo, Symphony No. 7: IV. Nachtmusik II: Andante amoroso, Symphony No. 7: V. Rondo-Finale, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: a. Veni creator spiritus, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: b. Imple superna gratia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: c. Infirma nostri corporis, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: d. Accende lumen sensibus, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: e. Veni, creator… da gaudiorum praemia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: f. Gloria sit patri domino”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": "Ewiger Wonnebrand”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": Poco Adagio: “Waldung, sie schwankt heran”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Bei der Liebe, die den Fussen”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Gerettet ist das edle Glied”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Höchste Herrscherin der Welt”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Neige, neige, du Ohnegleiche”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Uns bleibt ein Erdenrest”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Wie Felsenabgrund mir zu Füßen”, Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Alles Vergängliche, Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Blicket auf zum Retterblick, Symphony no. 5: I. Trauermarsch, Symphony no. 5: II. Stürmisch bewegt, mit größter Vehemenz, Symphony no. 5: III. Scherzo. Kräftig, nicht zu schnell, Symphony no. 5: IV. Adagietto: Sehr langsam, Symphony no. 6 in A minor: III. Andante
Ray Minshull
producer
Boléro, M. 81, Enigma Variations, op. 36: Variation IX. Nimrod, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 1. Introduction, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 2. Les Augures printaniers, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 3. Jeu du rapt, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 4. Rondes printanières, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 5. Jeux des cités rivales, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 6a. Cortège du sage, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 6b. Le sage, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 7. Danse de la terre, Le Sacre du Printemps, Part 2: Le Sacrifice: 1. Introduction, Le Sacre du Printemps, Part 2: Le Sacrifice: 2. Cercles mystérieux des adolescentes, Le Sacre du Printemps, Part 2: Le Sacrifice: 3. Glorification de l'élue, Le Sacre du Printemps, Part 2: Le Sacrifice: 4. Évocation des ancêtres, Le Sacre du Printemps, Part 2: Le Sacrifice: 5. Action rituelle des ancêtres, Le Sacre du Printemps, Part 2: Le Sacrifice: 6. Danse sacrale: L'Élue, Symphony no. 6 in A major, WAB 106: I. Majestoso, Symphony no. 6 in A major, WAB 106: II. Adagio: Sehr feierlich, Symphony no. 6 in A major, WAB 106: III. Scherzo: Nicht schnell - Trio: Langsam, Symphony no. 6 in A major, WAB 106: IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Adagio lamentoso
Chicago Symphony Chorus
vocal
Mass in B Minor, BWV 232: Agnus Dei: Dona nobis pacem, Mass in B Minor, BWV 232: Credo: Confiteor unum baptisma, Mass in B Minor, BWV 232: Credo: Credo in unum Deum, Mass in B Minor, BWV 232: Credo: Crucifixus, Mass in B Minor, BWV 232: Credo: Et expecto, Mass in B Minor, BWV 232: Credo: Et incarnatus est, Mass in B Minor, BWV 232: Credo: Et resurrexit, Mass in B Minor, BWV 232: Credo: Patrem omnipotentem, Mass in B Minor, BWV 232: Cum Sancto Spiritu, Mass in B Minor, BWV 232: Et in terra pax, Mass in B Minor, BWV 232: Gloria in excelsis Deo, Mass in B Minor, BWV 232: Gratias agimus tibi, Mass in B Minor, BWV 232: Kyrie eleison, Mass in B Minor, BWV 232: Osanna, Mass in B Minor, BWV 232: Osanna #2, Mass in B Minor, BWV 232: Qui tollis peccata mundi, Mass in B Minor, BWV 232: Sanctus, Matthäus-Passion: Ich will bei meinem jesu wachen (Tenor aria and chorus), Matthäus-Passion: O haupt voll blut und wunden (Chorale), Symphony No. 2 in C minor "Resurrection": V. In Tempo des Scherzo, Symphony No. 9 in D minor, Op. 125: IV. Presto - Allegro assai - Andante maestoso - Allegro energico, sempre ben marcato, Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro assai - Andante maestoso - Allegro energico, sempre ben marcato
Wiener Singverein
vocal
Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: a. Veni creator spiritus, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: b. Imple superna gratia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: c. Infirma nostri corporis, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: d. Accende lumen sensibus, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: e. Veni, creator… da gaudiorum praemia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: f. Gloria sit patri domino”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": Poco Adagio: “Waldung, sie schwankt heran”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Gerettet ist das edle Glied”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Höchste Herrscherin der Welt”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Neige, neige, du Ohnegleiche”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Uns bleibt ein Erdenrest”, Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Alles Vergängliche, Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Blicket auf zum Retterblick
Chor der Wiener Staatsoper
vocal
Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: a. Veni creator spiritus, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: b. Imple superna gratia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: c. Infirma nostri corporis, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: d. Accende lumen sensibus, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: e. Veni, creator… da gaudiorum praemia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: f. Gloria sit patri domino”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": Poco Adagio: “Waldung, sie schwankt heran”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Gerettet ist das edle Glied”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Höchste Herrscherin der Welt”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Uns bleibt ein Erdenrest”, Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Alles Vergängliche, Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Blicket auf zum Retterblick
Stanley Goodall (engineer)
balance
Swan Lake Suite, op. 20: I. Scene - Swan Theme, Swan Lake Suite, op. 20: II. Valse in A, Swan Lake Suite, op. 20: III. Danse des petits cygnes, Swan Lake Suite, op. 20: IV. Scene, Swan Lake Suite, op. 20: V. Danse Hongroise, Swan Lake Suite, op. 20: VI. Danse Espagnole, Swan Lake Suite, op. 20: VII. Danse Napolitaine, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima, Symphony no. 5 in E minor, op. 64: III. Valse (Allegro moderato), Symphony no. 5 in E minor, op. 64: IV. Finale (Andante maestoso - Allegro vivace), Symphony no. 5: IV. Adagietto. Sehr langsam
John Dunkerley (engineer)
engineer, recording
Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso, Symphony No. 2 in C minor "Resurrection": II. Andante moderato, Symphony No. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung, Symphony No. 2 in C minor "Resurrection": V. In Tempo des Scherzo, Symphony No. 38 in D major, K.504 `Prague`: I. Adagio — Allegro, Symphony No. 38 in D major, K.504 `Prague`: II. Andante, Symphony No. 38 in D major, K.504 `Prague`: III. Presto, Symphony No. 39 in E flat major, K. 543: I. Adagio — Allegro, Symphony No. 39 in E flat major, K. 543: II. Andante con moto, Symphony No. 39 in E flat major, K. 543: III. Menuetto & Trio: Allegretto, Symphony No. 39 in E flat major, K. 543: IV. Allegro assai, Symphony No. 4 in G major: IV. Sehr behaglich
John Pellowe
balance
1812 Overture, Romeo and Juliet - Fantasy Overture, The Nutcracker - Suite: Arabian Dance (Coffee), The Nutcracker - Suite: Chinese Dance (Tea), The Nutcracker - Suite: Dance of the Reed-Pipes, The Nutcracker - Suite: Dance of the Sugar-Plum Fairy, The Nutcracker - Suite: March, The Nutcracker - Suite: Miniature Overture, The Nutcracker - Suite: Russian Dance (Trepak), The Nutcracker - Suite: Waltz of the Flowers
Colin Moorfoot
balance, engineer
Symphony no. 6 in A major, WAB 106: I. Majestoso, Symphony no. 6 in A major, WAB 106: II. Adagio: Sehr feierlich, Symphony no. 6 in A major, WAB 106: III. Scherzo: Nicht schnell - Trio: Langsam, Symphony no. 6 in A major, WAB 106: IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 8 in C minor: I. Adagio, Symphony no. 8 in C minor: II. Allegretto, Symphony no. 8 in C minor: III. Allegro non troppo, Symphony no. 8 in C minor: IV. Largo, Symphony no. 8 in C minor: V. Allegretto
René Kollo
vocal
Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: b. Imple superna gratia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: c. Infirma nostri corporis, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: d. Accende lumen sensibus, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: e. Veni, creator… da gaudiorum praemia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: f. Gloria sit patri domino”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Höchste Herrscherin der Welt”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Uns bleibt ein Erdenrest”, Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Alles Vergängliche, Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Blicket auf zum Retterblick
Yvonne Minton
vocal
Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: b. Imple superna gratia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: c. Infirma nostri corporis, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: d. Accende lumen sensibus, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: e. Veni, creator… da gaudiorum praemia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: f. Gloria sit patri domino”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Bei der Liebe, die den Fussen”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Uns bleibt ein Erdenrest”, Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Alles Vergängliche, Symphony No. 9 in D minor, Op. 125: IV. Presto - Allegro assai - Andante maestoso - Allegro energico, sempre ben marcato
Wiener Sängerknaben
vocal
Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: d. Accende lumen sensibus, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: e. Veni, creator… da gaudiorum praemia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: f. Gloria sit patri domino”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Gerettet ist das edle Glied”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Neige, neige, du Ohnegleiche”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Uns bleibt ein Erdenrest”, Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Alles Vergängliche, Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Blicket auf zum Retterblick
Martti Talvela (bass)
vocal
Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: b. Imple superna gratia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: c. Infirma nostri corporis, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: d. Accende lumen sensibus, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: e. Veni, creator… da gaudiorum praemia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: f. Gloria sit patri domino”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Wie Felsenabgrund mir zu Füßen”, Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Alles Vergängliche, Symphony No. 9 in D minor, Op. 125: IV. Presto - Allegro assai - Andante maestoso - Allegro energico, sempre ben marcato
Lucia Popp (soprano)
vocal
Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: b. Imple superna gratia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: c. Infirma nostri corporis, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: d. Accende lumen sensibus, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: e. Veni, creator… da gaudiorum praemia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: f. Gloria sit patri domino”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Höchste Herrscherin der Welt”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Neige, neige, du Ohnegleiche”, Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Alles Vergängliche
Helen Watts (contralto)
vocal
Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: b. Imple superna gratia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: c. Infirma nostri corporis, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: d. Accende lumen sensibus, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: e. Veni, creator… da gaudiorum praemia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: f. Gloria sit patri domino”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Bei der Liebe, die den Fussen”, Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Alles Vergängliche
Heather Harper
vocal
Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: b. Imple superna gratia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: c. Infirma nostri corporis, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: d. Accende lumen sensibus, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: e. Veni, creator… da gaudiorum praemia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: f. Gloria sit patri domino”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Bei der Liebe, die den Fussen”, Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Alles Vergängliche
Paul Myers (producer)
producer
Symphony No. 38 in D major, K.504 `Prague`: I. Adagio — Allegro, Symphony No. 38 in D major, K.504 `Prague`: II. Andante, Symphony No. 38 in D major, K.504 `Prague`: III. Presto, Symphony No. 39 in E flat major, K. 543: I. Adagio — Allegro, Symphony No. 39 in E flat major, K. 543: II. Andante con moto, Symphony No. 39 in E flat major, K. 543: III. Menuetto & Trio: Allegretto, Symphony No. 39 in E flat major, K. 543: IV. Allegro assai
John Shirley-Quirk (bass-baritone)
vocal
Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: b. Imple superna gratia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: c. Infirma nostri corporis, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: d. Accende lumen sensibus, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: e. Veni, creator… da gaudiorum praemia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: f. Gloria sit patri domino”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": "Ewiger Wonnebrand”, Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Alles Vergängliche
Simon Eadon
engineer
Nocturnes : I. Nuages, Nocturnes : II. Fêtes, Symphony no. 7 in E major, WAB 107: I. Allegro moderato, Symphony no. 7 in E major, WAB 107: II. Adagio: Sehr feierlich und sehr langsam, Symphony no. 7 in E major, WAB 107: III. Scherzo: Sehr schnell - Trio: Etwas langsamer, Symphony no. 7 in E major, WAB 107: IV. Finale: Bewegt, doch nicht zu schnell
Anne Sofie von Otter
vocal
Mass in B Minor, BWV 232: Agnus Dei: Agnus Dei, Mass in B Minor, BWV 232: Christe eleison, Mass in B Minor, BWV 232: Credo: Et in unum Dominum, Mass in B Minor, BWV 232: Laudamus te, Mass in B Minor, BWV 232: Qui sedes ad dextram Patris
Michael Mailes
balance
Symphony no. 6 in A major, WAB 106: I. Majestoso, Symphony no. 6 in A major, WAB 106: II. Adagio: Sehr feierlich, Symphony no. 6 in A major, WAB 106: III. Scherzo: Nicht schnell - Trio: Langsam, Symphony no. 6 in A major, WAB 106: IV. Finale: Bewegt, doch nicht zu schnell
Felicity Lott
vocal
Mass in B Minor, BWV 232: Christe eleison, Mass in B Minor, BWV 232: Credo: Et in unum Dominum, Mass in B Minor, BWV 232: Domine Deus
Jonathan Stokes (engineer)
engineer
La Mer : I. De l'aube à midi sur la mer, La Mer : II. Jeux de vagues, La Mer : III. Dialogue du vent et de la mer
Kiri Te Kanawa
vocal
Matthäus-Passion: Er hat uns allen wohlgetan (Soprano recitative), Symphony No. 4 in G major: IV. Sehr behaglich
Hans Peter Blochwitz
vocal
Mass in B Minor, BWV 232: Benedictus, Mass in B Minor, BWV 232: Domine Deus
Helga Dernesch
vocal
Symphony No. 3 in D minor: IV. Sehr langsam. Misterioso, Symphony No. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck
Gwynne Howell
vocal
Mass in B Minor, BWV 232: Quoniam tu solus sanctus
John Sharp (cellist)
cello
Swan Lake Suite, op. 20: IV. Scene
Anthony Rolfe Johnson
vocal
Matthäus-Passion: Ich will bei meinem jesu wachen (Tenor aria and chorus)
Mira Zakai
vocal
Symphony No. 2 in C minor "Resurrection": V. In Tempo des Scherzo
Jessye Norman
vocal
Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro assai - Andante maestoso - Allegro energico, sempre ben marcato
Pilar Lorengar
vocal
Symphony No. 9 in D minor, Op. 125: IV. Presto - Allegro assai - Andante maestoso - Allegro energico, sempre ben marcato
Margaret Hillis
chorus master
Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro assai - Andante maestoso - Allegro energico, sempre ben marcato
Reinhild Runkel
vocal
Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro assai - Andante maestoso - Allegro energico, sempre ben marcato
Edward Druzinsky
harp
Swan Lake Suite, op. 20: IV. Scene
Robert Schunk (tenor)
vocal
Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro assai - Andante maestoso - Allegro energico, sempre ben marcato
Hans Sotin
vocal
Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro assai - Andante maestoso - Allegro energico, sempre ben marcato
Dale Clevenger
French horn
Symphony no. 5: III. Scherzo. Kräftig, nicht zu schnell
Chicago Symphony Orchestra Womens Chorus
vocal
Symphony No. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck
Stuart Burrows (tenor)
vocal
Symphony No. 9 in D minor, Op. 125: IV. Presto - Allegro assai - Andante maestoso - Allegro energico, sempre ben marcato
Arleen Augér
vocal
Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Neige, neige, du Ohnegleiche”
Isobel Buchanan
vocal
Symphony No. 2 in C minor "Resurrection": V. In Tempo des Scherzo
William Shimell
vocal
Mass in B Minor, BWV 232: Credo: Et in Spiritum sanctum
Glen Ellyn Children's Chorus
vocal
Symphony No. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck
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