Musical Bacon: Karol Szymanowski

Artist name	Roles	Recordings
Joël Perrot (French sound engineer)	art direction, recording	4 études pour piano, op. 4: Allegro ma non troppo en ut majeur, 4 études pour piano, op. 4: Allegro moderato en mi bémol mineur, 4 études pour piano, op. 4: Allegro molto en sol bémol majeur, 4 études pour piano, op. 4: Andante en si bémol mineur, Préludes pour piano, op. 1: Allegro molto en ré mineur, Préludes pour piano, op. 1: Andante con moto en ré mineur, Préludes pour piano, op. 1: Andante ma non troppo en mi bémol mineur, Préludes pour piano, op. 1: Andante ma non troppo en si mineur, Préludes pour piano, op. 1: Andantino en ré bémol majeur, Préludes pour piano, op. 1: Andantino en si bémol mineur, Préludes pour piano, op. 1: Lento mesto en la mineur, Préludes pour piano, op. 1: Lento mesto en si bémol mineur, Préludes pour piano, op. 1: Moderato en ut mineur, Thème varié en si bémol mineur, op. 3: Tema, Andantino tranquillo e semplice, Thème varié en si bémol mineur, op. 3: Var. 1, L'istesso tempo, Thème varié en si bémol mineur, op. 3: Var. 10, Andantino dolce, Thème varié en si bémol mineur, op. 3: Var. 11, Andantino dolce affettuoso, Thème varié en si bémol mineur, op. 3: Var. 12, Allegro con fuoco, Thème varié en si bémol mineur, op. 3: Var. 2, Agitato, Thème varié en si bémol mineur, op. 3: Var. 3, Andantino, quasi tempo di mazurka, Thème varié en si bémol mineur, op. 3: Var. 4, Con moto, Thème varié en si bémol mineur, op. 3: Var. 5, Lento dolce, Thème varié en si bémol mineur, op. 3: Var. 6, Scherzando, molto vivace, Thème varié en si bémol mineur, op. 3: Var. 7, Allegro agitato e energico, Thème varié en si bémol mineur, op. 3: Var. 8, Meno mosso, mesto, Thème varié en si bémol mineur, op. 3: Var. 9, Maggiore, tempo di valse, grazioso, Variations sur un thème folklorique polonais en si mineur, op. 10: Tema, Andante doloroso rubato, Variations sur un thème folklorique polonais en si mineur, op. 10: Var. 1, Meno mosso, Variations sur un thème folklorique polonais en si mineur, op. 10: Var. 10, Finale, allegro vivo, trionfando, Variations sur un thème folklorique polonais en si mineur, op. 10: Var. 2, Agitato, Variations sur un thème folklorique polonais en si mineur, op. 10: Var. 3, Lento mesto ma poco agitato, Variations sur un thème folklorique polonais en si mineur, op. 10: Var. 4, Allegro molto agitato, Variations sur un thème folklorique polonais en si mineur, op. 10: Var. 5, Andantino, Variations sur un thème folklorique polonais en si mineur, op. 10: Var. 6, Andante dolcissimo, Variations sur un thème folklorique polonais en si mineur, op. 10: Var. 7, Più mosso, Variations sur un thème folklorique polonais en si mineur, op. 10: Var. 8, Marcia funebre, Variations sur un thème folklorique polonais en si mineur, op. 10: Var. 9, Più mosso
Corinne Kloska	piano	4 études pour piano, op. 4: Allegro ma non troppo en ut majeur, 4 études pour piano, op. 4: Allegro moderato en mi bémol mineur, 4 études pour piano, op. 4: Allegro molto en sol bémol majeur, 4 études pour piano, op. 4: Andante en si bémol mineur, Préludes pour piano, op. 1: Allegro molto en ré mineur, Préludes pour piano, op. 1: Andante con moto en ré mineur, Préludes pour piano, op. 1: Andante ma non troppo en mi bémol mineur, Préludes pour piano, op. 1: Andante ma non troppo en si mineur, Préludes pour piano, op. 1: Andantino en ré bémol majeur, Préludes pour piano, op. 1: Andantino en si bémol mineur, Préludes pour piano, op. 1: Lento mesto en la mineur, Préludes pour piano, op. 1: Lento mesto en si bémol mineur, Préludes pour piano, op. 1: Moderato en ut mineur, Thème varié en si bémol mineur, op. 3: Tema, Andantino tranquillo e semplice, Thème varié en si bémol mineur, op. 3: Var. 1, L'istesso tempo, Thème varié en si bémol mineur, op. 3: Var. 10, Andantino dolce, Thème varié en si bémol mineur, op. 3: Var. 11, Andantino dolce affettuoso, Thème varié en si bémol mineur, op. 3: Var. 12, Allegro con fuoco, Thème varié en si bémol mineur, op. 3: Var. 2, Agitato, Thème varié en si bémol mineur, op. 3: Var. 3, Andantino, quasi tempo di mazurka, Thème varié en si bémol mineur, op. 3: Var. 4, Con moto, Thème varié en si bémol mineur, op. 3: Var. 5, Lento dolce, Thème varié en si bémol mineur, op. 3: Var. 6, Scherzando, molto vivace, Thème varié en si bémol mineur, op. 3: Var. 7, Allegro agitato e energico, Thème varié en si bémol mineur, op. 3: Var. 8, Meno mosso, mesto, Thème varié en si bémol mineur, op. 3: Var. 9, Maggiore, tempo di valse, grazioso, Variations sur un thème folklorique polonais en si mineur, op. 10: Tema, Andante doloroso rubato, Variations sur un thème folklorique polonais en si mineur, op. 10: Var. 1, Meno mosso, Variations sur un thème folklorique polonais en si mineur, op. 10: Var. 10, Finale, allegro vivo, trionfando, Variations sur un thème folklorique polonais en si mineur, op. 10: Var. 2, Agitato, Variations sur un thème folklorique polonais en si mineur, op. 10: Var. 3, Lento mesto ma poco agitato, Variations sur un thème folklorique polonais en si mineur, op. 10: Var. 4, Allegro molto agitato, Variations sur un thème folklorique polonais en si mineur, op. 10: Var. 5, Andantino, Variations sur un thème folklorique polonais en si mineur, op. 10: Var. 6, Andante dolcissimo, Variations sur un thème folklorique polonais en si mineur, op. 10: Var. 7, Più mosso, Variations sur un thème folklorique polonais en si mineur, op. 10: Var. 8, Marcia funebre, Variations sur un thème folklorique polonais en si mineur, op. 10: Var. 9, Più mosso
Sir Simon Rattle	conductor	Król Roger: Act I. "Boże pobłogosław Panie praodwieczny", Król Roger: Act I. "Czyś słyszał?", Król Roger: Act I. "Hagios! Hagios!", Król Roger: Act I. "Mój Bóg jest piękny jako ja", Król Roger: Act I. "Niech odejdzie Pasterz", Król Roger: Act I. "Oto bluźnierca!", Król Roger: Act I. "W jego uśmiechu!", Król Roger: Act II. "A ...! Uśpij swój lęk i gniew, Rogerze!", Król Roger: Act II. "A ...!...Roksana! Jej śpiew!", Król Roger: Act II. "Kto śmie mój czar łańcuchem pętać rabów?", Król Roger: Act II. "Ktoś mglisty przeszedł między strażą!", Król Roger: Act II. "Niepokój bladych gwiazd", Król Roger: Act II. "O przychodzę sam, jako kazałeś, Królu", Król Roger: Act II. "Słuchajcie ... W ciszy nocy, słuchajcie", Król Roger: Act II. "Tajemnych głębin życia żar wszechmocną", Król Roger: Act II. (Orchestra), Król Roger: Act II. Dance of the Shepherd's followers, Król Roger: Act II. Roxana's Entrance. "A...! W radosnym tańcu", Król Roger: Act III. "Edrisi, już świt!", Król Roger: Act III. "Na sąd, na sąd staw się Królu", Król Roger: Act III. "Rogerze! Rogerze!", Król Roger: Act III. "Syć ofiarny", Król Roger: Act III. "Słońce! Słońce! Edrisi!", Król Roger: Act III. "Wokół martwota głazów", Król Roger: Act III. (Orchestra), Król Roger: Appendix (Roxana's Aria With Concert Ending). "A ...!...Roksana! Jej śpiew!", Litany to the Virgin Mary, op. 59: I. Dwunastodzwieczna cytaro, Litany to the Virgin Mary, op. 59: II. Jak krzak skarlaly, Stabat Mater, op. 53: I. Stala Matka bolejaca (Stabat Mater dolorosa), Stabat Mater, op. 53: II. I któz widzac tak cierpiaca (Quis est homo qui non fleret), Stabat Mater, op. 53: III. O Matko, zródlo wszechmilosci (Eia Mater, fons amoris), Stabat Mater, op. 53: IV. Spraw, niech placze z Toba razem (Fac me tecum pie flere), Stabat Mater, op. 53: V. Panno slodka racz mozolem (Virgo virginum praeclare), Symphony no. 3 "Song of the Night": I. Moderato assai (O, nie spij, druhu, nocy tej!), Symphony no. 3 "Song of the Night": II. Vivace, scherzando, Symphony no. 3 "Song of the Night": III. Largo (Jak cicho. Inni spia...)
City of Birmingham Symphony Orchestra	performing orchestra	Król Roger: Act I. "Boże pobłogosław Panie praodwieczny", Król Roger: Act I. "Czyś słyszał?", Król Roger: Act I. "Hagios! Hagios!", Król Roger: Act I. "Mój Bóg jest piękny jako ja", Król Roger: Act I. "Niech odejdzie Pasterz", Król Roger: Act I. "Oto bluźnierca!", Król Roger: Act I. "W jego uśmiechu!", Król Roger: Act II. "A ...! Uśpij swój lęk i gniew, Rogerze!", Król Roger: Act II. "A ...!...Roksana! Jej śpiew!", Król Roger: Act II. "Kto śmie mój czar łańcuchem pętać rabów?", Król Roger: Act II. "Ktoś mglisty przeszedł między strażą!", Król Roger: Act II. "Niepokój bladych gwiazd", Król Roger: Act II. "O przychodzę sam, jako kazałeś, Królu", Król Roger: Act II. "Słuchajcie ... W ciszy nocy, słuchajcie", Król Roger: Act II. "Tajemnych głębin życia żar wszechmocną", Król Roger: Act II. (Orchestra), Król Roger: Act II. Dance of the Shepherd's followers, Król Roger: Act II. Roxana's Entrance. "A...! W radosnym tańcu", Król Roger: Act III. "Edrisi, już świt!", Król Roger: Act III. "Na sąd, na sąd staw się Królu", Król Roger: Act III. "Rogerze! Rogerze!", Król Roger: Act III. "Syć ofiarny", Król Roger: Act III. "Słońce! Słońce! Edrisi!", Król Roger: Act III. "Wokół martwota głazów", Król Roger: Act III. (Orchestra), Król Roger: Appendix (Roxana's Aria With Concert Ending). "A ...!...Roksana! Jej śpiew!", Litany to the Virgin Mary, op. 59: I. Dwunastodzwieczna cytaro, Litany to the Virgin Mary, op. 59: II. Jak krzak skarlaly, Stabat Mater, op. 53: I. Stala Matka bolejaca (Stabat Mater dolorosa), Stabat Mater, op. 53: II. I któz widzac tak cierpiaca (Quis est homo qui non fleret), Stabat Mater, op. 53: III. O Matko, zródlo wszechmilosci (Eia Mater, fons amoris), Stabat Mater, op. 53: IV. Spraw, niech placze z Toba razem (Fac me tecum pie flere), Stabat Mater, op. 53: V. Panno slodka racz mozolem (Virgo virginum praeclare), Symphony no. 3 "Song of the Night": I. Moderato assai (O, nie spij, druhu, nocy tej!), Symphony no. 3 "Song of the Night": II. Vivace, scherzando, Symphony no. 3 "Song of the Night": III. Largo (Jak cicho. Inni spia...)
John Fraser	producer	Król Roger: Act I. "Boże pobłogosław Panie praodwieczny", Król Roger: Act I. "Czyś słyszał?", Król Roger: Act I. "Hagios! Hagios!", Król Roger: Act I. "Mój Bóg jest piękny jako ja", Król Roger: Act I. "Niech odejdzie Pasterz", Król Roger: Act I. "Oto bluźnierca!", Król Roger: Act I. "W jego uśmiechu!", Król Roger: Act II. "A ...! Uśpij swój lęk i gniew, Rogerze!", Król Roger: Act II. "A ...!...Roksana! Jej śpiew!", Król Roger: Act II. "Kto śmie mój czar łańcuchem pętać rabów?", Król Roger: Act II. "Ktoś mglisty przeszedł między strażą!", Król Roger: Act II. "Niepokój bladych gwiazd", Król Roger: Act II. "O przychodzę sam, jako kazałeś, Królu", Król Roger: Act II. "Słuchajcie ... W ciszy nocy, słuchajcie", Król Roger: Act II. "Tajemnych głębin życia żar wszechmocną", Król Roger: Act II. (Orchestra), Król Roger: Act II. Dance of the Shepherd's followers, Król Roger: Act II. Roxana's Entrance. "A...! W radosnym tańcu", Król Roger: Act III. "Edrisi, już świt!", Król Roger: Act III. "Na sąd, na sąd staw się Królu", Król Roger: Act III. "Rogerze! Rogerze!", Król Roger: Act III. "Syć ofiarny", Król Roger: Act III. "Słońce! Słońce! Edrisi!", Król Roger: Act III. "Wokół martwota głazów", Król Roger: Act III. (Orchestra), Król Roger: Appendix (Roxana's Aria With Concert Ending). "A ...!...Roksana! Jej śpiew!"
Antoni Wit	conductor	Nocturne and Tarantella, Op. 28: Nocturne: Lento assai, Nocturne and Tarantella, Op. 28: Tarentella: Presto appassionato, Stabat Mater, Op. 53: I. Stabat Mater dolorosa, Stabat Mater, Op. 53: II. Quis est homo qui non fleret, Stabat Mater, Op. 53: III. Eia Mater, fons amoris, Stabat Mater, Op. 53: IV. Fac me tecum pie flere, Stabat Mater, Op. 53: V. Virgo virginum praeclare, Stabat Mater, Op. 53: VI. Christe, cum sit hinc exire, Violin Concerto No. 1, Op. 35: Poco meno - Allegretto, Violin Concerto No. 1, Op. 35: Tempo comodo - Andantino, Violin Concerto No. 1, Op. 35: Vivace (Tempo I), Violin Concerto No. 1, Op. 35: Vivace assai, Violin Concerto No. 1, Op. 35: Vivace scherzando, Violin Concerto No. 2, Op. 61: Allegramente - Molto energico, Violin Concerto No. 2, Op. 61: Andantino - Molto tranquillo, Violin Concerto No. 2, Op. 61: Andantino sostenuto, Violin Concerto No. 2, Op. 61: Molto tranquillo, Violin Concerto No.1, Op.35: I. Vivace assai (Warsaw Philharmonic Orchestra, feat. conductor: Antoni Wit), Violin Concerto No.1, Op.35: II. Tempo comodo - Andantino (Warsaw Philharmonic Orchestra, feat. conductor: Antoni Wit), Violin Concerto No.1, Op.35: III. Vivace scherzando (Warsaw Philharmonic Orchestra, feat. conductor: Antoni Wit), Violin Concerto No.1, Op.35: IV. Poco meno - Allegretto (Warsaw Philharmonic Orchestra, feat. conductor: Antoni Wit), Violin Concerto No.1, Op.35: V. Vivace (Tempo I) (Warsaw Philharmonic Orchestra, feat. conductor: Antoni Wit), Violin Concerto No.2, Op.61: I. Moderato - Molto tranquillo (Warsaw Philharmonic Orchestra, feat. conductor: Antoni Wit), Violin Concerto No.2, Op.61: II. Andantino sostenuto (Warsaw Philharmonic Orchestra, feat. conductor: Antoni Wit), Violin Concerto No.2, Op.61: III. Allegramente, molto energico (Warsaw Philharmonic Orchestra, feat. conductor: Antoni Wit), Violin Concerto No.2, Op.61: IV. Andantino, molto tranquillo (Warsaw Philharmonic Orchestra, feat. conductor: Antoni Wit)
Mike Clements (engineer)	balance	Król Roger: Act I. "Boże pobłogosław Panie praodwieczny", Król Roger: Act I. "Czyś słyszał?", Król Roger: Act I. "Hagios! Hagios!", Król Roger: Act I. "Mój Bóg jest piękny jako ja", Król Roger: Act I. "Niech odejdzie Pasterz", Król Roger: Act I. "Oto bluźnierca!", Król Roger: Act I. "W jego uśmiechu!", Król Roger: Act II. "A ...! Uśpij swój lęk i gniew, Rogerze!", Król Roger: Act II. "A ...!...Roksana! Jej śpiew!", Król Roger: Act II. "Kto śmie mój czar łańcuchem pętać rabów?", Król Roger: Act II. "Ktoś mglisty przeszedł między strażą!", Król Roger: Act II. "Niepokój bladych gwiazd", Król Roger: Act II. "O przychodzę sam, jako kazałeś, Królu", Król Roger: Act II. "Słuchajcie ... W ciszy nocy, słuchajcie", Król Roger: Act II. "Tajemnych głębin życia żar wszechmocną", Król Roger: Act II. (Orchestra), Król Roger: Act II. Dance of the Shepherd's followers, Król Roger: Act II. Roxana's Entrance. "A...! W radosnym tańcu", Król Roger: Act III. "Edrisi, już świt!", Król Roger: Act III. "Na sąd, na sąd staw się Królu", Król Roger: Act III. "Rogerze! Rogerze!", Król Roger: Act III. "Syć ofiarny", Król Roger: Act III. "Słońce! Słońce! Edrisi!", Król Roger: Act III. "Wokół martwota głazów", Król Roger: Act III. (Orchestra), Król Roger: Appendix (Roxana's Aria With Concert Ending). "A ...!...Roksana! Jej śpiew!"
Marie-Claude Werchowska	piano	Mazurkas, Op. 50: VI. Vivace (Junacko), Mazurkas, Op. 50: VII. Poco vivace (Tempo Oberka), Mazurkas, Op. 50: VIII. Moderato (non troppo), Mazurkas, Op. 50: XIV. Animato (zelegancja i grandezza), Mazurkas, Op. 50: XV. Allegretto dolce (Naiwnie i sentymentalinie), Mazurkas, Op. 50: XVI. Allegramente - Vigoroso, Mazurkas, Op. 50: XVII. Moderato, Mazurkas, Op. 50: XVIII. Vivace - Agitato (Tempo Oberka), Nine Préludes, Op. 1 No. 1: Andante ma non troppo, Nine Préludes, Op. 1 No. 2: Andante con moto, Nine Préludes, Op. 1 No. 3: Andantino, Nine Préludes, Op. 1 No. 4: Andantino con moto, Nine Préludes, Op. 1 No. 5: Allegro molto - Impetuoso, Nine Préludes, Op. 1 No. 6: Lento - Mesto, Nine Préludes, Op. 1 No. 7: Moderato, Nine Préludes, Op. 1 No. 8: Andante ma non troppo, Nine Préludes, Op. 1 No. 9: Lento - Mesto, Sonate en ut mineur, Op. 8: I. Allegro moderato, Sonate en ut mineur, Op. 8: II. Adagio molto tranquillo e dolce, Sonate en ut mineur, Op. 8: III. Tempo di Minuetto, Sonate en ut mineur, Op. 8: IV. Finale
Orkiestra Symfoniczna Filharmonii Narodowej	performing orchestra	Nocturne and Tarantella, Op. 28: Nocturne: Lento assai, Nocturne and Tarantella, Op. 28: Tarentella: Presto appassionato, Violin Concerto No. 1, Op. 35: Poco meno - Allegretto, Violin Concerto No. 1, Op. 35: Tempo comodo - Andantino, Violin Concerto No. 1, Op. 35: Vivace (Tempo I), Violin Concerto No. 1, Op. 35: Vivace assai, Violin Concerto No. 1, Op. 35: Vivace scherzando, Violin Concerto No. 2, Op. 61: Allegramente - Molto energico, Violin Concerto No. 2, Op. 61: Andantino - Molto tranquillo, Violin Concerto No. 2, Op. 61: Andantino sostenuto, Violin Concerto No. 2, Op. 61: Molto tranquillo, Violin Concerto No.1, Op.35: I. Vivace assai (Warsaw Philharmonic Orchestra, feat. conductor: Antoni Wit), Violin Concerto No.1, Op.35: II. Tempo comodo - Andantino (Warsaw Philharmonic Orchestra, feat. conductor: Antoni Wit), Violin Concerto No.1, Op.35: III. Vivace scherzando (Warsaw Philharmonic Orchestra, feat. conductor: Antoni Wit), Violin Concerto No.1, Op.35: IV. Poco meno - Allegretto (Warsaw Philharmonic Orchestra, feat. conductor: Antoni Wit), Violin Concerto No.1, Op.35: V. Vivace (Tempo I) (Warsaw Philharmonic Orchestra, feat. conductor: Antoni Wit), Violin Concerto No.2, Op.61: I. Moderato - Molto tranquillo (Warsaw Philharmonic Orchestra, feat. conductor: Antoni Wit), Violin Concerto No.2, Op.61: II. Andantino sostenuto (Warsaw Philharmonic Orchestra, feat. conductor: Antoni Wit), Violin Concerto No.2, Op.61: III. Allegramente, molto energico (Warsaw Philharmonic Orchestra, feat. conductor: Antoni Wit), Violin Concerto No.2, Op.61: IV. Andantino, molto tranquillo (Warsaw Philharmonic Orchestra, feat. conductor: Antoni Wit)
Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach	performing orchestra	Demeter, Op. 37b, Litany to the Virgin Mary, Op. 59, Sinfonie concertante, Op. 60: I. Moderato - tempo comodo, Sinfonie concertante, Op. 60: II. Andante molto sostenuto, Sinfonie concertante, Op. 60: III. Allegro non troppo, ma agitato ed ansioso, Stabat Mater, Op. 53: I. Stabat Mater dolorosa, Stabat Mater, Op. 53: II. Quis est homo qui non fleret, Stabat Mater, Op. 53: III. Eia Mater, fons amoris, Stabat Mater, Op. 53: IV. Fac me tecum pie flere, Stabat Mater, Op. 53: V. Virgo virginum praeclare, Stabat Mater, Op. 53: VI. Christe, cum sit hinc exire, Symphony No. 3, Op. 27 "Song of the Night": I. Moderato assai, Symphony No. 3, Op. 27 "Song of the Night": II. Vivace, scherzando, Symphony No. 3, Op. 27 "Song of the Night": III. Largo, Violin Concerto No. 1, Op. 35: I. Vivace assai - Tempo comodo: andantino - Subito vivace assai -, Violin Concerto No. 1, Op. 35: II. Vivace scherzando (Fig. 52) - Tempo comodo: allegretto - Vivace -, Violin Concerto No. 1, Op. 35: III. Cadenza (Vivace) - Allegro moderato - Lento assai (cadenza: Pawel Kochanski), Violin Concerto No. 2, Op. 61: I. Moderato - Andante sostenuto - Tempo I - Cadenza - (cadenza: Pawel Kochanski), Violin Concerto No. 2, Op. 61: II. Allegramente, molto energico (Fig. 26) -, Violin Concerto No. 2, Op. 61: III. Andantino molto tranquillo (Fig. 40) -Tempo I (Allegramente, animato)
Валерий Кузьмич Полянский	conductor	Kurpian Song, M. 66 no. 1: Hey, My Oxen, Kurpian Song, M. 66 no. 2: Who Is That Knocking?, Kurpian Song, M. 66 no. 3: May Jesus Christ Be Praised, Kurpian Song, M. 66 no. 4: Whip on the Horse, Kurpian Song, M. 66 no. 5: Deck Yourself, My Lass, Kurpian Song, M. 66 no. 6: Master Musician, Please Play a Waltz, Stabat mater, op. 53: "Come then, Mother, fount of love", Stabat mater, op. 53: "Let me sincerely weep with you", Stabat mater, op. 53: "O Christ, when it is time to depart here", Stabat mater, op. 53: "O Virgin, most exalted among virgins", Stabat mater, op. 53: "The sorrowful Mother stood", Stabat mater, op. 53: "Who is he that would not weep…?", Symphony no. 3, op. 27 "The Song of the Night": I. Moderato assai, Symphony no. 3, op. 27 "The Song of the Night": II. Vivace, scherzando, Symphony no. 3, op. 27 "The Song of the Night": III. Largo
Государственная академическая симфоническая капелла России (Polyansky)	vocal	Kurpian Song, M. 66 no. 1: Hey, My Oxen, Kurpian Song, M. 66 no. 2: Who Is That Knocking?, Kurpian Song, M. 66 no. 3: May Jesus Christ Be Praised, Kurpian Song, M. 66 no. 4: Whip on the Horse, Kurpian Song, M. 66 no. 5: Deck Yourself, My Lass, Kurpian Song, M. 66 no. 6: Master Musician, Please Play a Waltz, Stabat mater, op. 53: "Come then, Mother, fount of love", Stabat mater, op. 53: "Let me sincerely weep with you", Stabat mater, op. 53: "O Christ, when it is time to depart here", Stabat mater, op. 53: "O Virgin, most exalted among virgins", Stabat mater, op. 53: "The sorrowful Mother stood", Stabat mater, op. 53: "Who is he that would not weep…?", Symphony no. 3, op. 27 "The Song of the Night": I. Moderato assai, Symphony no. 3, op. 27 "The Song of the Night": II. Vivace, scherzando, Symphony no. 3, op. 27 "The Song of the Night": III. Largo
Arthur Rubinstein (pianist)	piano	20 Mazurkas, Op. 50: No. 1: Sostenuto: Molto rubato, 20 Mazurkas, Op. 50: No. 2: Scherzo: Allegramente - Poco vivace, 20 Mazurkas, Op. 50: No. 3: Moderato, 20 Mazurkas, Op. 50: No. 4: Allegramente, risoluto, 20 Mazurkas, op. 50: no. 1: Sostenuto molto rubato, 20 Mazurkas, op. 50: no. 2: Allegramente. Poco vivace. Rubasznie, 20 Mazurkas, op. 50: no. 3: Moderato, 20 Mazurkas, op. 50: no. 4: Vivace, Symphony No. 4 (Symphonie concertante) for Piano and Orchestra, Op. 60: I. Moderato, Symphony No. 4 (Symphonie concertante) for Piano and Orchestra, Op. 60: II. Andante molto sostenuto, Symphony No. 4 (Symphonie concertante) for Piano and Orchestra, Op. 60: III. Allegro non troppo
Aleksandra Nagórko	editor, producer	Nocturne and Tarantella, Op. 28: Nocturne: Lento assai, Nocturne and Tarantella, Op. 28: Tarentella: Presto appassionato, Violin Concerto No. 1, Op. 35: Poco meno - Allegretto, Violin Concerto No. 1, Op. 35: Tempo comodo - Andantino, Violin Concerto No. 1, Op. 35: Vivace (Tempo I), Violin Concerto No. 1, Op. 35: Vivace assai, Violin Concerto No. 1, Op. 35: Vivace scherzando, Violin Concerto No. 2, Op. 61: Allegramente - Molto energico, Violin Concerto No. 2, Op. 61: Andantino - Molto tranquillo, Violin Concerto No. 2, Op. 61: Andantino sostenuto, Violin Concerto No. 2, Op. 61: Molto tranquillo
Andrzej Sasin	producer	Nocturne and Tarantella, Op. 28: Nocturne: Lento assai, Nocturne and Tarantella, Op. 28: Tarentella: Presto appassionato, Violin Concerto No. 1, Op. 35: Poco meno - Allegretto, Violin Concerto No. 1, Op. 35: Tempo comodo - Andantino, Violin Concerto No. 1, Op. 35: Vivace (Tempo I), Violin Concerto No. 1, Op. 35: Vivace assai, Violin Concerto No. 1, Op. 35: Vivace scherzando, Violin Concerto No. 2, Op. 61: Allegramente - Molto energico, Violin Concerto No. 2, Op. 61: Andantino - Molto tranquillo, Violin Concerto No. 2, Op. 61: Andantino sostenuto, Violin Concerto No. 2, Op. 61: Molto tranquillo
Ilya Kaler	violin	Nocturne and Tarantella, Op. 28: Nocturne: Lento assai, Nocturne and Tarantella, Op. 28: Tarentella: Presto appassionato, Violin Concerto No. 1, Op. 35: Poco meno - Allegretto, Violin Concerto No. 1, Op. 35: Tempo comodo - Andantino, Violin Concerto No. 1, Op. 35: Vivace (Tempo I), Violin Concerto No. 1, Op. 35: Vivace assai, Violin Concerto No. 1, Op. 35: Vivace scherzando, Violin Concerto No. 2, Op. 61: Allegramente - Molto energico, Violin Concerto No. 2, Op. 61: Andantino - Molto tranquillo, Violin Concerto No. 2, Op. 61: Andantino sostenuto, Violin Concerto No. 2, Op. 61: Molto tranquillo
Simon Halsey	chorus master	Litany to the Virgin Mary, op. 59: I. Dwunastodzwieczna cytaro, Litany to the Virgin Mary, op. 59: II. Jak krzak skarlaly, Stabat Mater, op. 53: I. Stala Matka bolejaca (Stabat Mater dolorosa), Stabat Mater, op. 53: II. I któz widzac tak cierpiaca (Quis est homo qui non fleret), Stabat Mater, op. 53: III. O Matko, zródlo wszechmilosci (Eia Mater, fons amoris), Stabat Mater, op. 53: IV. Spraw, niech placze z Toba razem (Fac me tecum pie flere), Stabat Mater, op. 53: V. Panno slodka racz mozolem (Virgo virginum praeclare), Symphony no. 3 "Song of the Night": I. Moderato assai (O, nie spij, druhu, nocy tej!), Symphony no. 3 "Song of the Night": II. Vivace, scherzando, Symphony no. 3 "Song of the Night": III. Largo (Jak cicho. Inni spia...)
City of Birmingham Symphony Orchestra Chorus	vocal	Litany to the Virgin Mary, op. 59: I. Dwunastodzwieczna cytaro, Litany to the Virgin Mary, op. 59: II. Jak krzak skarlaly, Stabat Mater, op. 53: I. Stala Matka bolejaca (Stabat Mater dolorosa), Stabat Mater, op. 53: II. I któz widzac tak cierpiaca (Quis est homo qui non fleret), Stabat Mater, op. 53: III. O Matko, zródlo wszechmilosci (Eia Mater, fons amoris), Stabat Mater, op. 53: IV. Spraw, niech placze z Toba razem (Fac me tecum pie flere), Stabat Mater, op. 53: V. Panno slodka racz mozolem (Virgo virginum praeclare), Symphony no. 3 "Song of the Night": I. Moderato assai (O, nie spij, druhu, nocy tej!), Symphony no. 3 "Song of the Night": II. Vivace, scherzando, Symphony no. 3 "Song of the Night": III. Largo (Jak cicho. Inni spia...)
Мария Юдина (Soviet pianist)	piano	Prelude No.1 in h-moll, Op.1, Prelude No.2 in d-moll, Op.1, Prelude No.3 in Des-dur, Op.1, Prelude No.4 in b-moll, Op.1, Prelude No.5 in d-moll, Op.1, Prelude No.6 in a-moll, Op.1, Prelude No.7 in c-moll, Op.1, Prelude No.8 in es-moll, Op.1, Prelude No.9 in b-moll, Op.1, Variations in b-moll, Op.3
Chór Polskiego Radia w Krakowie	vocal	Stabat Mater, Op. 53: I. Stabat Mater dolorosa, Stabat Mater, Op. 53: II. Quis est homo qui non fleret, Stabat Mater, Op. 53: III. Eia Mater, fons amoris, Stabat Mater, Op. 53: IV. Fac me tecum pie flere, Stabat Mater, Op. 53: V. Virgo virginum praeclare, Stabat Mater, Op. 53: VI. Christe, cum sit hinc exire, Symphony No. 3, Op. 27 "Song of the Night": I. Moderato assai, Symphony No. 3, Op. 27 "Song of the Night": II. Vivace, scherzando, Symphony No. 3, Op. 27 "Song of the Night": III. Largo
Frank Peter Zimmermann	violin	Violin Concerto No.1, Op.35: I. Vivace assai (Warsaw Philharmonic Orchestra, feat. conductor: Antoni Wit), Violin Concerto No.1, Op.35: II. Tempo comodo - Andantino (Warsaw Philharmonic Orchestra, feat. conductor: Antoni Wit), Violin Concerto No.1, Op.35: III. Vivace scherzando (Warsaw Philharmonic Orchestra, feat. conductor: Antoni Wit), Violin Concerto No.1, Op.35: IV. Poco meno - Allegretto (Warsaw Philharmonic Orchestra, feat. conductor: Antoni Wit), Violin Concerto No.1, Op.35: V. Vivace (Tempo I) (Warsaw Philharmonic Orchestra, feat. conductor: Antoni Wit), Violin Concerto No.2, Op.61: I. Moderato - Molto tranquillo (Warsaw Philharmonic Orchestra, feat. conductor: Antoni Wit), Violin Concerto No.2, Op.61: II. Andantino sostenuto (Warsaw Philharmonic Orchestra, feat. conductor: Antoni Wit), Violin Concerto No.2, Op.61: III. Allegramente, molto energico (Warsaw Philharmonic Orchestra, feat. conductor: Antoni Wit), Violin Concerto No.2, Op.61: IV. Andantino, molto tranquillo (Warsaw Philharmonic Orchestra, feat. conductor: Antoni Wit)
Государственный симфонический оркестр "Новая Россия"	performing orchestra	Stabat mater, op. 53: "Come then, Mother, fount of love", Stabat mater, op. 53: "Let me sincerely weep with you", Stabat mater, op. 53: "O Christ, when it is time to depart here", Stabat mater, op. 53: "O Virgin, most exalted among virgins", Stabat mater, op. 53: "The sorrowful Mother stood", Stabat mater, op. 53: "Who is he that would not weep…?", Symphony no. 3, op. 27 "The Song of the Night": I. Moderato assai, Symphony no. 3, op. 27 "The Song of the Night": II. Vivace, scherzando, Symphony no. 3, op. 27 "The Song of the Night": III. Largo
Rafał Blechacz	piano	Prelude And Fugue In C Sharp Minor - Fugue Andante, Prelude And Fugue In C Sharp Minor - Prelude Lento, Ma Non Troppo, Rubato, Sonata In C Minor, Op. 8 - I. Allegro Moderato, Sonata In C Minor, Op. 8 - II. Adagio, Sonata In C Minor, Op. 8 - III. Tempo Di Minuetto, Sonata In C Minor, Op. 8 / IV. Finale - Fuga A Tre Voci, Sonata In C Minor, Op. 8 / IV. Finale - Introduzione
Elzbieta Szmytka	vocal	Litany to the Virgin Mary, op. 59: I. Dwunastodzwieczna cytaro, Litany to the Virgin Mary, op. 59: II. Jak krzak skarlaly, Stabat Mater, op. 53: I. Stala Matka bolejaca (Stabat Mater dolorosa), Stabat Mater, op. 53: II. I któz widzac tak cierpiaca (Quis est homo qui non fleret), Stabat Mater, op. 53: III. O Matko, zródlo wszechmilosci (Eia Mater, fons amoris), Stabat Mater, op. 53: IV. Spraw, niech placze z Toba razem (Fac me tecum pie flere), Stabat Mater, op. 53: V. Panno slodka racz mozolem (Virgo virginum praeclare)
Jadwiga Gadulanka	vocal	Litany to the Virgin Mary, Op. 59, Stabat Mater, Op. 53: I. Stabat Mater dolorosa, Stabat Mater, Op. 53: II. Quis est homo qui non fleret, Stabat Mater, Op. 53: III. Eia Mater, fons amoris, Stabat Mater, Op. 53: IV. Fac me tecum pie flere, Stabat Mater, Op. 53: V. Virgo virginum praeclare, Stabat Mater, Op. 53: VI. Christe, cum sit hinc exire
Jadwiga Rappé	vocal	Demeter, Op. 37b, Stabat Mater, Op. 53: I. Stabat Mater dolorosa, Stabat Mater, Op. 53: II. Quis est homo qui non fleret, Stabat Mater, Op. 53: III. Eia Mater, fons amoris, Stabat Mater, Op. 53: IV. Fac me tecum pie flere, Stabat Mater, Op. 53: V. Virgo virginum praeclare, Stabat Mater, Op. 53: VI. Christe, cum sit hinc exire
Olga Loboda (Mezzo Soprano)	vocal	Kurpian Song, M. 66 no. 1: Hey, My Oxen, Kurpian Song, M. 66 no. 2: Who Is That Knocking?, Kurpian Song, M. 66 no. 3: May Jesus Christ Be Praised, Kurpian Song, M. 66 no. 4: Whip on the Horse, Kurpian Song, M. 66 no. 5: Deck Yourself, My Lass, Kurpian Song, M. 66 no. 6: Master Musician, Please Play a Waltz
Jerzy Maksymiuk	conductor	Violin Concerto No. 1, Op. 35: I. Vivace assai - Tempo comodo: andantino - Subito vivace assai -, Violin Concerto No. 1, Op. 35: II. Vivace scherzando (Fig. 52) - Tempo comodo: allegretto - Vivace -, Violin Concerto No. 1, Op. 35: III. Cadenza (Vivace) - Allegro moderato - Lento assai (cadenza: Pawel Kochanski), Violin Concerto No. 2, Op. 61: I. Moderato - Andante sostenuto - Tempo I - Cadenza - (cadenza: Pawel Kochanski), Violin Concerto No. 2, Op. 61: II. Allegramente, molto energico (Fig. 26) -, Violin Concerto No. 2, Op. 61: III. Andantino molto tranquillo (Fig. 40) -Tempo I (Allegramente, animato)
Konstanty Andrzej Kulka	violin	Violin Concerto No. 1, Op. 35: I. Vivace assai - Tempo comodo: andantino - Subito vivace assai -, Violin Concerto No. 1, Op. 35: II. Vivace scherzando (Fig. 52) - Tempo comodo: allegretto - Vivace -, Violin Concerto No. 1, Op. 35: III. Cadenza (Vivace) - Allegro moderato - Lento assai (cadenza: Pawel Kochanski), Violin Concerto No. 2, Op. 61: I. Moderato - Andante sostenuto - Tempo I - Cadenza - (cadenza: Pawel Kochanski), Violin Concerto No. 2, Op. 61: II. Allegramente, molto energico (Fig. 26) -, Violin Concerto No. 2, Op. 61: III. Andantino molto tranquillo (Fig. 40) -Tempo I (Allegramente, animato)
Larissa Nikitina	vocal	Kurpian Song, M. 66 no. 1: Hey, My Oxen, Kurpian Song, M. 66 no. 2: Who Is That Knocking?, Kurpian Song, M. 66 no. 3: May Jesus Christ Be Praised, Kurpian Song, M. 66 no. 4: Whip on the Horse, Kurpian Song, M. 66 no. 5: Deck Yourself, My Lass, Kurpian Song, M. 66 no. 6: Master Musician, Please Play a Waltz
Andrei Baturkin (Baritone)	vocal	Stabat mater, op. 53: "Come then, Mother, fount of love", Stabat mater, op. 53: "Let me sincerely weep with you", Stabat mater, op. 53: "O Christ, when it is time to depart here", Stabat mater, op. 53: "O Virgin, most exalted among virgins", Stabat mater, op. 53: "The sorrowful Mother stood", Stabat mater, op. 53: "Who is he that would not weep…?"
Vitaliy Sytnik	vocal	Kurpian Song, M. 66 no. 1: Hey, My Oxen, Kurpian Song, M. 66 no. 2: Who Is That Knocking?, Kurpian Song, M. 66 no. 3: May Jesus Christ Be Praised, Kurpian Song, M. 66 no. 4: Whip on the Horse, Kurpian Song, M. 66 no. 5: Deck Yourself, My Lass, Kurpian Song, M. 66 no. 6: Master Musician, Please Play a Waltz
Marietta Simpson	vocal	I. Stala Matka bolejaca, II. I któz widzac tak cierpiaca, III. O Matko, zródlo wszechmilosci, IV. Spaw niech placze z Toba razem, V. Niechaj pod nim razem stoje, VI. Chrystus niech mi bedzie grodem
Christine Goerke	vocal	I. Stala Matka bolejaca, II. I któz widzac tak cierpiaca, III. O Matko, zródlo wszechmilosci, IV. Spaw niech placze z Toba razem, V. Niechaj pod nim razem stoje, VI. Chrystus niech mi bedzie grodem
Victor Ledbetter	vocal	I. Stala Matka bolejaca, II. I któz widzac tak cierpiaca, III. O Matko, zródlo wszechmilosci, IV. Spaw niech placze z Toba razem, V. Niechaj pod nim razem stoje, VI. Chrystus niech mi bedzie grodem
Tatiana Sharova	vocal	Stabat mater, op. 53: "Come then, Mother, fount of love", Stabat mater, op. 53: "Let me sincerely weep with you", Stabat mater, op. 53: "O Christ, when it is time to depart here", Stabat mater, op. 53: "O Virgin, most exalted among virgins", Stabat mater, op. 53: "The sorrowful Mother stood", Stabat mater, op. 53: "Who is he that would not weep…?"
Jerzy Semkow	conductor	Sinfonie concertante, Op. 60: I. Moderato - tempo comodo, Sinfonie concertante, Op. 60: II. Andante molto sostenuto, Sinfonie concertante, Op. 60: III. Allegro non troppo, ma agitato ed ansioso, Symphony No. 3, Op. 27 "Song of the Night": I. Moderato assai, Symphony No. 3, Op. 27 "Song of the Night": II. Vivace, scherzando, Symphony No. 3, Op. 27 "Song of the Night": III. Largo
Andrzej Hiolski	vocal	Stabat Mater, Op. 53: I. Stabat Mater dolorosa, Stabat Mater, Op. 53: II. Quis est homo qui non fleret, Stabat Mater, Op. 53: III. Eia Mater, fons amoris, Stabat Mater, Op. 53: IV. Fac me tecum pie flere, Stabat Mater, Op. 53: V. Virgo virginum praeclare, Stabat Mater, Op. 53: VI. Christe, cum sit hinc exire
Людмила Васильевна Кузнецова	vocal	Stabat mater, op. 53: "Come then, Mother, fount of love", Stabat mater, op. 53: "Let me sincerely weep with you", Stabat mater, op. 53: "O Christ, when it is time to depart here", Stabat mater, op. 53: "O Virgin, most exalted among virgins", Stabat mater, op. 53: "The sorrowful Mother stood", Stabat mater, op. 53: "Who is he that would not weep…?"
Antal Doráti	conductor	Symphony no. 2 in B flat major, op. 19, M24: Movement 1, Symphony no. 2 in B flat major, op. 19, M24: Movement 2, Symphony no. 3 ("The Song of the Night"), op. 27, M36: I. Moderato assai, Symphony no. 3 ("The Song of the Night"), op. 27, M36: II. Vivace scherzando, Symphony no. 3 ("The Song of the Night"), op. 27, M36: III. Largo
Detroit Symphony Orchestra	performing orchestra	Symphony no. 2 in B flat major, op. 19, M24: Movement 1, Symphony no. 2 in B flat major, op. 19, M24: Movement 2, Symphony no. 3 ("The Song of the Night"), op. 27, M36: I. Moderato assai, Symphony no. 3 ("The Song of the Night"), op. 27, M36: II. Vivace scherzando, Symphony no. 3 ("The Song of the Night"), op. 27, M36: III. Largo
Florence Quivar	vocal	Stabat Mater, op. 53: I. Stala Matka bolejaca (Stabat Mater dolorosa), Stabat Mater, op. 53: II. I któz widzac tak cierpiaca (Quis est homo qui non fleret), Stabat Mater, op. 53: III. O Matko, zródlo wszechmilosci (Eia Mater, fons amoris), Stabat Mater, op. 53: IV. Spraw, niech placze z Toba razem (Fac me tecum pie flere), Stabat Mater, op. 53: V. Panno slodka racz mozolem (Virgo virginum praeclare)
John Connell	vocal	Stabat Mater, op. 53: I. Stala Matka bolejaca (Stabat Mater dolorosa), Stabat Mater, op. 53: II. I któz widzac tak cierpiaca (Quis est homo qui non fleret), Stabat Mater, op. 53: III. O Matko, zródlo wszechmilosci (Eia Mater, fons amoris), Stabat Mater, op. 53: IV. Spraw, niech placze z Toba razem (Fac me tecum pie flere), Stabat Mater, op. 53: V. Panno slodka racz mozolem (Virgo virginum praeclare)
Orchestre symphonique de Montréal	performing orchestra	Violin Concerto no. 2, op. 61, M71 : Movement 1, Violin Concerto no. 2, op. 61, M71 : Movement 2, Violin Concerto no. 2, op. 61, M71 : Movement 3, Violin Concerto no. 2, op. 61, M71 : Movement 4
Chantal Juillet	violin	Violin Concerto no. 2, op. 61, M71 : Movement 1, Violin Concerto no. 2, op. 61, M71 : Movement 2, Violin Concerto no. 2, op. 61, M71 : Movement 3, Violin Concerto no. 2, op. 61, M71 : Movement 4
Charles Dutoit	conductor	Violin Concerto no. 2, op. 61, M71 : Movement 1, Violin Concerto no. 2, op. 61, M71 : Movement 2, Violin Concerto no. 2, op. 61, M71 : Movement 3, Violin Concerto no. 2, op. 61, M71 : Movement 4
Ryszard Karczykowski	vocal	Symphony no. 3 ("The Song of the Night"), op. 27, M36: I. Moderato assai, Symphony no. 3 ("The Song of the Night"), op. 27, M36: II. Vivace scherzando, Symphony no. 3 ("The Song of the Night"), op. 27, M36: III. Largo
Eric Freudigan	chorus master	Symphony no. 3 ("The Song of the Night"), op. 27, M36: I. Moderato assai, Symphony no. 3 ("The Song of the Night"), op. 27, M36: II. Vivace scherzando, Symphony no. 3 ("The Song of the Night"), op. 27, M36: III. Largo
Давид Фёдорович Ойстрах	violin	Violin Concerto No. 1, Op. 35: I, Violin Concerto No. 1, Op. 35: II, Violin Concerto no. 1, op. 35
Jon Garrison	vocal	Symphony no. 3 "Song of the Night": I. Moderato assai (O, nie spij, druhu, nocy tej!), Symphony no. 3 "Song of the Night": II. Vivace, scherzando, Symphony no. 3 "Song of the Night": III. Largo (Jak cicho. Inni spia...)
The Kenneth Jewell Chorale	vocal	Symphony no. 3 ("The Song of the Night"), op. 27, M36: I. Moderato assai, Symphony no. 3 ("The Song of the Night"), op. 27, M36: II. Vivace scherzando, Symphony no. 3 ("The Song of the Night"), op. 27, M36: III. Largo
Всеволод Гривнов (tenor)	vocal	Symphony no. 3, op. 27 "The Song of the Night": I. Moderato assai, Symphony no. 3, op. 27 "The Song of the Night": II. Vivace, scherzando, Symphony no. 3, op. 27 "The Song of the Night": III. Largo
Kurt Sanderling	conductor	Violin Concerto No. 1, Op. 35: I, Violin Concerto No. 1, Op. 35: II, Violin Concerto no. 1, op. 35
Piotr Paleczny	piano	Sinfonie concertante, Op. 60: I. Moderato - tempo comodo, Sinfonie concertante, Op. 60: II. Andante molto sostenuto, Sinfonie concertante, Op. 60: III. Allegro non troppo, ma agitato ed ansioso
Wiesław Ochman	vocal	Symphony No. 3, Op. 27 "Song of the Night": I. Moderato assai, Symphony No. 3, Op. 27 "Song of the Night": II. Vivace, scherzando, Symphony No. 3, Op. 27 "Song of the Night": III. Largo
Minetti Quartett	performer	Streichquartett Nr. 2, Op. 56: I. Moderato dolce e tranquillo, Streichquartett Nr. 2, Op. 56: II. Vivace, scherzando, Streichquartett Nr. 2, Op. 56: III. Lento
Государственный Академический Симфонический Оркестр России	performing orchestra	Violin Concerto No. 1, Op. 35: I, Violin Concerto No. 1, Op. 35: II
Jascha Heifetz	violin	Chant De Roxane, Król Roger: Chant de Roxane
Yehudi Menuhin	violin	Notturno e Tarantella, Op. 28
Van Cliburn	piano	Etude, Op. 4, No. 3 in B-flat minor
Martin Roscoe (English classical pianist)	piano	20 Mazurkas for piano, Op. 50, M56 No. 3 (Martin Roscoe)
Marcel Gazelle	piano	Notturno e Tarantella, Op. 28
Alina Ibragimova	violin	Mythes, Op. 30: III. Dryades et Pan (excerpt)
Cédric Tiberghien	piano	Mythes, Op. 30: III. Dryades et Pan (excerpt)
Симфонический оркестр Санкт-Петербургской филармонии	performing orchestra	Violin Concerto no. 1, op. 35

Karol Szymanowski

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