MUSICAL BACON
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Bob Garrett
Top collaborators
Artist name
Roles
Recordings
Graham Johnson (pianist)
piano
An Silvia „Gesang an Silvia“, D. 891, Après un rêve, op. 7 no. 1, Au cimetière, op. 51 no. 2, Barcarolle, op. 7 no. 3, Bonjour, Suzon !, Chanson du berger, Comment, disaient-ils, Danse indienne, Das Mädchen von Inistore, D. 281, Der Morgenstern, D. 172, Der Morgenstern, D172, Der Zufriedene, D. 320, Die erste Liebe, D. 182, Départ, Five Songs: How blest are Shepherds, Five Songs: Take not a woman's anger ill, Fleur jetée, op. 39 no. 1, Geheimes, D. 719, Guitare, Herbst, D. 945, How Blest Are Shepherds, Huldigung, D. 240, Ici-bas, Johanna Sebus, D. 728, L'Invitation au voyage, La Chanson des blondes, La Chauve-Souris et les deux belettes, La Cigale et la fourmi, Ladslove, Le Spectre de la rose, Les Papillons, Love Is a Sickness Full of Woes, Madrid, Mahomets Gesang, D. 549, Noël, op. 43 no. 1, O Solitude, Oh! quand je dors, Poème d'un jour, op. 21: I. Rencontre, Poème d'un jour, op. 21: II. Toujours, Poème d'un jour, op. 21: III. Adieu, Psyché, Puisque j'ai mis ma lèvre, Rastlose Liebe, D. 138, Regrets !, Remember, Schwanengesang, D. 957: I. Liebesbotschaft, Schwanengesang, D. 957: II. Kriegers Ahnung, Schwanengesang, D. 957: III. Frühlingssehnsucht, Schwanengesang, D. 957: IV. Ständchen, Schwanengesang, D. 957: V. Aufenthalt, Schwanengesang, D. 957: VI. In der Ferne, Schwanengesang, D. 957: VII. Abschied, Schäfers Klagelied, D. 121, Seven Songs: If music be the food of love, Seven Songs: Turn then thine eyes, Si mes vers avaient des ailes, Songs Sacred and Profane: Hymn for a Child, Songs Sacred and Profane: My Fair, Songs Sacred and Profane: The Advent, Songs Sacred and Profane: The Salley Gardens, Songs Sacred and Profane: The Scapegoat, Songs Sacred and Profane: The Soldier’s Return, Soupir, Sylvie, op. 6 no. 3, Sérénade, Sérénade toscane, op. 3 no. 2, Sérénade: Le bourgeois gentilhomme, The Heart’s Desire, The Sacred Flame, Two Songs: My True Love Hath My Heart, Two Songs: The Trellis, Versunken, D. 715, Viens !, Wer nie sein Brot mit Tränen ass, D. 478 no. 2 (first version), Wer nie sein Brot mit Tränen ass, D. 478 no. 2 (second version), We’ll to the Woods No More: In Boyhood, We’ll to the Woods No More: We’ll to the Woods No More, Wiegenlied, D. 304, Willkommen und Abschied, D. 767
John Mark Ainsley
vocal
An Silvia „Gesang an Silvia“, D. 891, Après un rêve, op. 7 no. 1, Au cimetière, op. 51 no. 2, Barcarolle, op. 7 no. 3, Bonjour, Suzon !, Chanson du berger, Comment, disaient-ils, Danse indienne, Das Mädchen von Inistore, D. 281, Der Morgenstern, D. 172, Der Morgenstern, D172, Der Zufriedene, D. 320, Die erste Liebe, D. 182, Départ, Five Songs: How blest are Shepherds, Five Songs: Take not a woman's anger ill, Fleur jetée, op. 39 no. 1, Geheimes, D. 719, Guitare, Herbst, D. 945, How Blest Are Shepherds, Huldigung, D. 240, Ici-bas, Johanna Sebus, D. 728, L'Invitation au voyage, La Chanson des blondes, La Chauve-Souris et les deux belettes, La Cigale et la fourmi, Ladslove, Le Spectre de la rose, Les Papillons, Love Is a Sickness Full of Woes, Madrid, Mahomets Gesang, D. 549, Noël, op. 43 no. 1, O Solitude, Oh! quand je dors, Poème d'un jour, op. 21: I. Rencontre, Poème d'un jour, op. 21: II. Toujours, Poème d'un jour, op. 21: III. Adieu, Psyché, Puisque j'ai mis ma lèvre, Rastlose Liebe, D. 138, Regrets !, Remember, Schwanengesang, D. 957: I. Liebesbotschaft, Schwanengesang, D. 957: II. Kriegers Ahnung, Schwanengesang, D. 957: III. Frühlingssehnsucht, Schwanengesang, D. 957: IV. Ständchen, Schwanengesang, D. 957: V. Aufenthalt, Schwanengesang, D. 957: VI. In der Ferne, Schwanengesang, D. 957: VII. Abschied, Schäfers Klagelied, D. 121, Seven Songs: If music be the food of love, Seven Songs: Turn then thine eyes, Si mes vers avaient des ailes, Songs Sacred and Profane: Hymn for a Child, Songs Sacred and Profane: My Fair, Songs Sacred and Profane: The Advent, Songs Sacred and Profane: The Salley Gardens, Songs Sacred and Profane: The Scapegoat, Songs Sacred and Profane: The Soldier’s Return, Soupir, Sylvie, op. 6 no. 3, Sérénade, Sérénade toscane, op. 3 no. 2, Sérénade: Le bourgeois gentilhomme, The Heart’s Desire, The Sacred Flame, Two Songs: My True Love Hath My Heart, Two Songs: The Trellis, Versunken, D. 715, Viens !, Wer nie sein Brot mit Tränen ass, D. 478 no. 2 (first version), Wer nie sein Brot mit Tränen ass, D. 478 no. 2 (second version), We’ll to the Woods No More: In Boyhood, We’ll to the Woods No More: We’ll to the Woods No More, Wiegenlied, D. 304, Willkommen und Abschied, D. 767
Arthur Johnson (Producer)
producer
Ladslove, Love Is a Sickness Full of Woes, Remember, Songs Sacred and Profane: Hymn for a Child, Songs Sacred and Profane: My Fair, Songs Sacred and Profane: The Advent, Songs Sacred and Profane: The Salley Gardens, Songs Sacred and Profane: The Scapegoat, Songs Sacred and Profane: The Soldier’s Return, The Heart’s Desire, The Sacred Flame, Two Songs: My True Love Hath My Heart, Two Songs: The Trellis, We’ll to the Woods No More: In Boyhood, We’ll to the Woods No More: We’ll to the Woods No More
Mike Clements (engineer)
engineer
Ladslove, Love Is a Sickness Full of Woes, Remember, Songs Sacred and Profane: Hymn for a Child, Songs Sacred and Profane: My Fair, Songs Sacred and Profane: The Advent, Songs Sacred and Profane: The Salley Gardens, Songs Sacred and Profane: The Scapegoat, Songs Sacred and Profane: The Soldier’s Return, The Heart’s Desire, The Sacred Flame, Two Songs: My True Love Hath My Heart, Two Songs: The Trellis, We’ll to the Woods No More: In Boyhood, We’ll to the Woods No More: We’ll to the Woods No More
Mike Hatch (engineer/editor)
engineer
Ladslove, Love Is a Sickness Full of Woes, Remember, Songs Sacred and Profane: Hymn for a Child, Songs Sacred and Profane: My Fair, Songs Sacred and Profane: The Advent, Songs Sacred and Profane: The Salley Gardens, Songs Sacred and Profane: The Scapegoat, Songs Sacred and Profane: The Soldier’s Return, The Heart’s Desire, The Sacred Flame, Two Songs: My True Love Hath My Heart, Two Songs: The Trellis, We’ll to the Woods No More: In Boyhood, We’ll to the Woods No More: We’ll to the Woods No More
Collaborators on this artist's recordings
Artist name
Roles
Recordings
Graham Johnson (pianist)
piano
An Silvia „Gesang an Silvia“, D. 891, Après un rêve, op. 7 no. 1, Au cimetière, op. 51 no. 2, Barcarolle, op. 7 no. 3, Bonjour, Suzon !, Chanson du berger, Comment, disaient-ils, Danse indienne, Das Mädchen von Inistore, D. 281, Der Morgenstern, D. 172, Der Morgenstern, D172, Der Zufriedene, D. 320, Die erste Liebe, D. 182, Départ, Five Songs: How blest are Shepherds, Five Songs: Take not a woman's anger ill, Fleur jetée, op. 39 no. 1, Geheimes, D. 719, Guitare, Herbst, D. 945, How Blest Are Shepherds, Huldigung, D. 240, Ici-bas, Johanna Sebus, D. 728, L'Invitation au voyage, La Chanson des blondes, La Chauve-Souris et les deux belettes, La Cigale et la fourmi, Ladslove, Le Spectre de la rose, Les Papillons, Love Is a Sickness Full of Woes, Madrid, Mahomets Gesang, D. 549, Noël, op. 43 no. 1, O Solitude, Oh! quand je dors, Poème d'un jour, op. 21: I. Rencontre, Poème d'un jour, op. 21: II. Toujours, Poème d'un jour, op. 21: III. Adieu, Psyché, Puisque j'ai mis ma lèvre, Rastlose Liebe, D. 138, Regrets !, Remember, Schwanengesang, D. 957: I. Liebesbotschaft, Schwanengesang, D. 957: II. Kriegers Ahnung, Schwanengesang, D. 957: III. Frühlingssehnsucht, Schwanengesang, D. 957: IV. Ständchen, Schwanengesang, D. 957: V. Aufenthalt, Schwanengesang, D. 957: VI. In der Ferne, Schwanengesang, D. 957: VII. Abschied, Schäfers Klagelied, D. 121, Seven Songs: If music be the food of love, Seven Songs: Turn then thine eyes, Si mes vers avaient des ailes, Songs Sacred and Profane: Hymn for a Child, Songs Sacred and Profane: My Fair, Songs Sacred and Profane: The Advent, Songs Sacred and Profane: The Salley Gardens, Songs Sacred and Profane: The Scapegoat, Songs Sacred and Profane: The Soldier’s Return, Soupir, Sylvie, op. 6 no. 3, Sérénade, Sérénade toscane, op. 3 no. 2, Sérénade: Le bourgeois gentilhomme, The Heart’s Desire, The Sacred Flame, Two Songs: My True Love Hath My Heart, Two Songs: The Trellis, Versunken, D. 715, Viens !, Wer nie sein Brot mit Tränen ass, D. 478 no. 2 (first version), Wer nie sein Brot mit Tränen ass, D. 478 no. 2 (second version), We’ll to the Woods No More: In Boyhood, We’ll to the Woods No More: We’ll to the Woods No More, Wiegenlied, D. 304, Willkommen und Abschied, D. 767
John Mark Ainsley
vocal
An Silvia „Gesang an Silvia“, D. 891, Après un rêve, op. 7 no. 1, Au cimetière, op. 51 no. 2, Barcarolle, op. 7 no. 3, Bonjour, Suzon !, Chanson du berger, Comment, disaient-ils, Danse indienne, Das Mädchen von Inistore, D. 281, Der Morgenstern, D. 172, Der Morgenstern, D172, Der Zufriedene, D. 320, Die erste Liebe, D. 182, Départ, Five Songs: How blest are Shepherds, Five Songs: Take not a woman's anger ill, Fleur jetée, op. 39 no. 1, Geheimes, D. 719, Guitare, Herbst, D. 945, How Blest Are Shepherds, Huldigung, D. 240, Ici-bas, Johanna Sebus, D. 728, L'Invitation au voyage, La Chanson des blondes, La Chauve-Souris et les deux belettes, La Cigale et la fourmi, Ladslove, Le Spectre de la rose, Les Papillons, Love Is a Sickness Full of Woes, Madrid, Mahomets Gesang, D. 549, Noël, op. 43 no. 1, O Solitude, Oh! quand je dors, Poème d'un jour, op. 21: I. Rencontre, Poème d'un jour, op. 21: II. Toujours, Poème d'un jour, op. 21: III. Adieu, Psyché, Puisque j'ai mis ma lèvre, Rastlose Liebe, D. 138, Regrets !, Remember, Schwanengesang, D. 957: I. Liebesbotschaft, Schwanengesang, D. 957: II. Kriegers Ahnung, Schwanengesang, D. 957: III. Frühlingssehnsucht, Schwanengesang, D. 957: IV. Ständchen, Schwanengesang, D. 957: V. Aufenthalt, Schwanengesang, D. 957: VI. In der Ferne, Schwanengesang, D. 957: VII. Abschied, Schäfers Klagelied, D. 121, Seven Songs: If music be the food of love, Seven Songs: Turn then thine eyes, Si mes vers avaient des ailes, Songs Sacred and Profane: Hymn for a Child, Songs Sacred and Profane: My Fair, Songs Sacred and Profane: The Advent, Songs Sacred and Profane: The Salley Gardens, Songs Sacred and Profane: The Scapegoat, Songs Sacred and Profane: The Soldier’s Return, Soupir, Sylvie, op. 6 no. 3, Sérénade, Sérénade toscane, op. 3 no. 2, Sérénade: Le bourgeois gentilhomme, The Heart’s Desire, The Sacred Flame, Two Songs: My True Love Hath My Heart, Two Songs: The Trellis, Versunken, D. 715, Viens !, Wer nie sein Brot mit Tränen ass, D. 478 no. 2 (first version), Wer nie sein Brot mit Tränen ass, D. 478 no. 2 (second version), We’ll to the Woods No More: In Boyhood, We’ll to the Woods No More: We’ll to the Woods No More, Wiegenlied, D. 304, Willkommen und Abschied, D. 767
Arthur Johnson (Producer)
producer
Ladslove, Love Is a Sickness Full of Woes, Remember, Songs Sacred and Profane: Hymn for a Child, Songs Sacred and Profane: My Fair, Songs Sacred and Profane: The Advent, Songs Sacred and Profane: The Salley Gardens, Songs Sacred and Profane: The Scapegoat, Songs Sacred and Profane: The Soldier’s Return, The Heart’s Desire, The Sacred Flame, Two Songs: My True Love Hath My Heart, Two Songs: The Trellis, We’ll to the Woods No More: In Boyhood, We’ll to the Woods No More: We’ll to the Woods No More
Mike Clements (engineer)
engineer
Ladslove, Love Is a Sickness Full of Woes, Remember, Songs Sacred and Profane: Hymn for a Child, Songs Sacred and Profane: My Fair, Songs Sacred and Profane: The Advent, Songs Sacred and Profane: The Salley Gardens, Songs Sacred and Profane: The Scapegoat, Songs Sacred and Profane: The Soldier’s Return, The Heart’s Desire, The Sacred Flame, Two Songs: My True Love Hath My Heart, Two Songs: The Trellis, We’ll to the Woods No More: In Boyhood, We’ll to the Woods No More: We’ll to the Woods No More
Mike Hatch (engineer/editor)
engineer
Ladslove, Love Is a Sickness Full of Woes, Remember, Songs Sacred and Profane: Hymn for a Child, Songs Sacred and Profane: My Fair, Songs Sacred and Profane: The Advent, Songs Sacred and Profane: The Salley Gardens, Songs Sacred and Profane: The Scapegoat, Songs Sacred and Profane: The Soldier’s Return, The Heart’s Desire, The Sacred Flame, Two Songs: My True Love Hath My Heart, Two Songs: The Trellis, We’ll to the Woods No More: In Boyhood, We’ll to the Woods No More: We’ll to the Woods No More
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