Harouna Dembélé

djembe

Top collaborators

Artist name Roles Recordings
Marin Alsop conductor A Hand of Bridge, op. 35, Adagio for Strings, op. 11, Commando March, Die Natali, Op. 37, Fadograph of a Yestern Scene, op. 44, First Essay for Orchestra, op. 12, Intermezzo from "Vanessa", Medea Ballet Suite, op. 23: I. Parodos, Medea Ballet Suite, op. 23: II. Choros. Medea and Jason, Medea Ballet Suite, op. 23: III. The Young Princess. Jason, Medea Ballet Suite, op. 23: IV. Choros, Medea Ballet Suite, op. 23: V. Medea, Medea Ballet Suite, op. 23: VI. Kantikos Agonias, Medea Ballet Suite, op. 23: VII. Exodos, Medea's Meditation and Dance of Vengeance, Op. 29A, Music for a Scene From Shelley, op. 7, Mutations from Bach, Second Essay for Orchestra, op. 17, Serenade for Strings, op. 1: I. Un poco adagio: Allegro con spirito, Serenade for Strings, op. 1: II. Andante con moto, Serenade for Strings, op. 1: III. Dance: Allegro giocoso, Souvenirs (Ballet Suite), op. 28: I. Waltz (The Lobby), Souvenirs (Ballet Suite), op. 28: II. Schottische (Third Floor Hallway), Souvenirs (Ballet Suite), op. 28: III. Pas de Deux (A Corner of the Ballroom), Souvenirs (Ballet Suite), op. 28: IV. Two-Step (Tea in the Palm Court), Souvenirs (Ballet Suite), op. 28: V. Hesitation Tango (A Bedroom Affair), Souvenirs (Ballet Suite), op. 28: VI. Galop (The Next Afternoon), Symphony no. 1, op. 9: Allegro ma non troppo, Symphony no. 1, op. 9: Allegro molto, Symphony no. 1, op. 9: Andante tranquillo, Symphony no. 2, op. 19: I. Allegro ma non troppo, Symphony no. 2, op. 19: II. Andante, un poco mosso, Symphony no. 2, op. 19: III. Presto, senza battuto - Allegro risoluto, The School for Scandal Overture, op. 5, Third Essay for Orchestra, op. 47
Royal Scottish National Orchestra performing orchestra A Hand of Bridge, op. 35, Adagio for Strings, op. 11, Commando March, Die Natali, Op. 37, Fadograph of a Yestern Scene, op. 44, First Essay for Orchestra, op. 12, Intermezzo from "Vanessa", Medea Ballet Suite, op. 23: I. Parodos, Medea Ballet Suite, op. 23: II. Choros. Medea and Jason, Medea Ballet Suite, op. 23: III. The Young Princess. Jason, Medea Ballet Suite, op. 23: IV. Choros, Medea Ballet Suite, op. 23: V. Medea, Medea Ballet Suite, op. 23: VI. Kantikos Agonias, Medea Ballet Suite, op. 23: VII. Exodos, Medea's Meditation and Dance of Vengeance, Op. 29A, Music for a Scene From Shelley, op. 7, Mutations from Bach, Second Essay for Orchestra, op. 17, Serenade for Strings, op. 1: I. Un poco adagio: Allegro con spirito, Serenade for Strings, op. 1: II. Andante con moto, Serenade for Strings, op. 1: III. Dance: Allegro giocoso, Souvenirs (Ballet Suite), op. 28: I. Waltz (The Lobby), Souvenirs (Ballet Suite), op. 28: II. Schottische (Third Floor Hallway), Souvenirs (Ballet Suite), op. 28: III. Pas de Deux (A Corner of the Ballroom), Souvenirs (Ballet Suite), op. 28: IV. Two-Step (Tea in the Palm Court), Souvenirs (Ballet Suite), op. 28: V. Hesitation Tango (A Bedroom Affair), Souvenirs (Ballet Suite), op. 28: VI. Galop (The Next Afternoon), Symphony no. 1, op. 9: Allegro ma non troppo, Symphony no. 1, op. 9: Allegro molto, Symphony no. 1, op. 9: Andante tranquillo, Symphony no. 2, op. 19: I. Allegro ma non troppo, Symphony no. 2, op. 19: II. Andante, un poco mosso, Symphony no. 2, op. 19: III. Presto, senza battuto - Allegro risoluto, The School for Scandal Overture, op. 5, Third Essay for Orchestra, op. 47
Andrew Walton (producer) producer Adagio for Strings, op. 11, Fadograph of a Yestern Scene, op. 44, First Essay for Orchestra, op. 12, Intermezzo from "Vanessa", Medea Ballet Suite, op. 23: I. Parodos, Medea Ballet Suite, op. 23: II. Choros. Medea and Jason, Medea Ballet Suite, op. 23: III. The Young Princess. Jason, Medea Ballet Suite, op. 23: IV. Choros, Medea Ballet Suite, op. 23: V. Medea, Medea Ballet Suite, op. 23: VI. Kantikos Agonias, Medea Ballet Suite, op. 23: VII. Exodos, Music for a Scene From Shelley, op. 7, Second Essay for Orchestra, op. 17, Serenade for Strings, op. 1: I. Un poco adagio: Allegro con spirito, Serenade for Strings, op. 1: II. Andante con moto, Serenade for Strings, op. 1: III. Dance: Allegro giocoso, Souvenirs (Ballet Suite), op. 28: I. Waltz (The Lobby), Souvenirs (Ballet Suite), op. 28: II. Schottische (Third Floor Hallway), Souvenirs (Ballet Suite), op. 28: III. Pas de Deux (A Corner of the Ballroom), Souvenirs (Ballet Suite), op. 28: IV. Two-Step (Tea in the Palm Court), Souvenirs (Ballet Suite), op. 28: V. Hesitation Tango (A Bedroom Affair), Souvenirs (Ballet Suite), op. 28: VI. Galop (The Next Afternoon), Symphony no. 1, op. 9: Allegro ma non troppo, Symphony no. 1, op. 9: Allegro molto, Symphony no. 1, op. 9: Andante tranquillo, Symphony no. 2, op. 19: I. Allegro ma non troppo, Symphony no. 2, op. 19: II. Andante, un poco mosso, Symphony no. 2, op. 19: III. Presto, senza battuto - Allegro risoluto, The School for Scandal Overture, op. 5
Tony Faulkner (recording engineer) engineer, sound Adagio for Strings, op. 11, Fadograph of a Yestern Scene, op. 44, First Essay for Orchestra, op. 12, Medea Ballet Suite, op. 23: I. Parodos, Medea Ballet Suite, op. 23: II. Choros. Medea and Jason, Medea Ballet Suite, op. 23: III. The Young Princess. Jason, Medea Ballet Suite, op. 23: IV. Choros, Medea Ballet Suite, op. 23: V. Medea, Medea Ballet Suite, op. 23: VI. Kantikos Agonias, Medea Ballet Suite, op. 23: VII. Exodos, Music for a Scene From Shelley, op. 7, Second Essay for Orchestra, op. 17, Serenade for Strings, op. 1: I. Un poco adagio: Allegro con spirito, Serenade for Strings, op. 1: II. Andante con moto, Serenade for Strings, op. 1: III. Dance: Allegro giocoso, Souvenirs (Ballet Suite), op. 28: I. Waltz (The Lobby), Souvenirs (Ballet Suite), op. 28: II. Schottische (Third Floor Hallway), Souvenirs (Ballet Suite), op. 28: III. Pas de Deux (A Corner of the Ballroom), Souvenirs (Ballet Suite), op. 28: IV. Two-Step (Tea in the Palm Court), Souvenirs (Ballet Suite), op. 28: V. Hesitation Tango (A Bedroom Affair), Souvenirs (Ballet Suite), op. 28: VI. Galop (The Next Afternoon), Symphony no. 1, op. 9: Allegro ma non troppo, Symphony no. 1, op. 9: Allegro molto, Symphony no. 1, op. 9: Andante tranquillo, Symphony no. 2, op. 19: I. Allegro ma non troppo, Symphony no. 2, op. 19: II. Andante, un poco mosso, Symphony no. 2, op. 19: III. Presto, senza battuto - Allegro risoluto, The School for Scandal Overture, op. 5
Andrew Lang (engineer) engineer First Essay for Orchestra, op. 12, Symphony no. 1, op. 9: Allegro ma non troppo, Symphony no. 1, op. 9: Allegro molto, Symphony no. 1, op. 9: Andante tranquillo, Symphony no. 2, op. 19: I. Allegro ma non troppo, Symphony no. 2, op. 19: II. Andante, un poco mosso, Symphony no. 2, op. 19: III. Presto, senza battuto - Allegro risoluto, The School for Scandal Overture, op. 5

Collaborators on this artist's recordings

Artist name Roles Recordings
Marin Alsop conductor A Hand of Bridge, op. 35, Adagio for Strings, op. 11, Commando March, Die Natali, Op. 37, Fadograph of a Yestern Scene, op. 44, First Essay for Orchestra, op. 12, Intermezzo from "Vanessa", Medea Ballet Suite, op. 23: I. Parodos, Medea Ballet Suite, op. 23: II. Choros. Medea and Jason, Medea Ballet Suite, op. 23: III. The Young Princess. Jason, Medea Ballet Suite, op. 23: IV. Choros, Medea Ballet Suite, op. 23: V. Medea, Medea Ballet Suite, op. 23: VI. Kantikos Agonias, Medea Ballet Suite, op. 23: VII. Exodos, Medea's Meditation and Dance of Vengeance, Op. 29A, Music for a Scene From Shelley, op. 7, Mutations from Bach, Second Essay for Orchestra, op. 17, Serenade for Strings, op. 1: I. Un poco adagio: Allegro con spirito, Serenade for Strings, op. 1: II. Andante con moto, Serenade for Strings, op. 1: III. Dance: Allegro giocoso, Souvenirs (Ballet Suite), op. 28: I. Waltz (The Lobby), Souvenirs (Ballet Suite), op. 28: II. Schottische (Third Floor Hallway), Souvenirs (Ballet Suite), op. 28: III. Pas de Deux (A Corner of the Ballroom), Souvenirs (Ballet Suite), op. 28: IV. Two-Step (Tea in the Palm Court), Souvenirs (Ballet Suite), op. 28: V. Hesitation Tango (A Bedroom Affair), Souvenirs (Ballet Suite), op. 28: VI. Galop (The Next Afternoon), Symphony no. 1, op. 9: Allegro ma non troppo, Symphony no. 1, op. 9: Allegro molto, Symphony no. 1, op. 9: Andante tranquillo, Symphony no. 2, op. 19: I. Allegro ma non troppo, Symphony no. 2, op. 19: II. Andante, un poco mosso, Symphony no. 2, op. 19: III. Presto, senza battuto - Allegro risoluto, The School for Scandal Overture, op. 5, Third Essay for Orchestra, op. 47
Royal Scottish National Orchestra performing orchestra A Hand of Bridge, op. 35, Adagio for Strings, op. 11, Commando March, Die Natali, Op. 37, Fadograph of a Yestern Scene, op. 44, First Essay for Orchestra, op. 12, Intermezzo from "Vanessa", Medea Ballet Suite, op. 23: I. Parodos, Medea Ballet Suite, op. 23: II. Choros. Medea and Jason, Medea Ballet Suite, op. 23: III. The Young Princess. Jason, Medea Ballet Suite, op. 23: IV. Choros, Medea Ballet Suite, op. 23: V. Medea, Medea Ballet Suite, op. 23: VI. Kantikos Agonias, Medea Ballet Suite, op. 23: VII. Exodos, Medea's Meditation and Dance of Vengeance, Op. 29A, Music for a Scene From Shelley, op. 7, Mutations from Bach, Second Essay for Orchestra, op. 17, Serenade for Strings, op. 1: I. Un poco adagio: Allegro con spirito, Serenade for Strings, op. 1: II. Andante con moto, Serenade for Strings, op. 1: III. Dance: Allegro giocoso, Souvenirs (Ballet Suite), op. 28: I. Waltz (The Lobby), Souvenirs (Ballet Suite), op. 28: II. Schottische (Third Floor Hallway), Souvenirs (Ballet Suite), op. 28: III. Pas de Deux (A Corner of the Ballroom), Souvenirs (Ballet Suite), op. 28: IV. Two-Step (Tea in the Palm Court), Souvenirs (Ballet Suite), op. 28: V. Hesitation Tango (A Bedroom Affair), Souvenirs (Ballet Suite), op. 28: VI. Galop (The Next Afternoon), Symphony no. 1, op. 9: Allegro ma non troppo, Symphony no. 1, op. 9: Allegro molto, Symphony no. 1, op. 9: Andante tranquillo, Symphony no. 2, op. 19: I. Allegro ma non troppo, Symphony no. 2, op. 19: II. Andante, un poco mosso, Symphony no. 2, op. 19: III. Presto, senza battuto - Allegro risoluto, The School for Scandal Overture, op. 5, Third Essay for Orchestra, op. 47
Andrew Walton (producer) producer Adagio for Strings, op. 11, Fadograph of a Yestern Scene, op. 44, First Essay for Orchestra, op. 12, Intermezzo from "Vanessa", Medea Ballet Suite, op. 23: I. Parodos, Medea Ballet Suite, op. 23: II. Choros. Medea and Jason, Medea Ballet Suite, op. 23: III. The Young Princess. Jason, Medea Ballet Suite, op. 23: IV. Choros, Medea Ballet Suite, op. 23: V. Medea, Medea Ballet Suite, op. 23: VI. Kantikos Agonias, Medea Ballet Suite, op. 23: VII. Exodos, Music for a Scene From Shelley, op. 7, Second Essay for Orchestra, op. 17, Serenade for Strings, op. 1: I. Un poco adagio: Allegro con spirito, Serenade for Strings, op. 1: II. Andante con moto, Serenade for Strings, op. 1: III. Dance: Allegro giocoso, Souvenirs (Ballet Suite), op. 28: I. Waltz (The Lobby), Souvenirs (Ballet Suite), op. 28: II. Schottische (Third Floor Hallway), Souvenirs (Ballet Suite), op. 28: III. Pas de Deux (A Corner of the Ballroom), Souvenirs (Ballet Suite), op. 28: IV. Two-Step (Tea in the Palm Court), Souvenirs (Ballet Suite), op. 28: V. Hesitation Tango (A Bedroom Affair), Souvenirs (Ballet Suite), op. 28: VI. Galop (The Next Afternoon), Symphony no. 1, op. 9: Allegro ma non troppo, Symphony no. 1, op. 9: Allegro molto, Symphony no. 1, op. 9: Andante tranquillo, Symphony no. 2, op. 19: I. Allegro ma non troppo, Symphony no. 2, op. 19: II. Andante, un poco mosso, Symphony no. 2, op. 19: III. Presto, senza battuto - Allegro risoluto, The School for Scandal Overture, op. 5
Tony Faulkner (recording engineer) engineer, sound Adagio for Strings, op. 11, Fadograph of a Yestern Scene, op. 44, First Essay for Orchestra, op. 12, Medea Ballet Suite, op. 23: I. Parodos, Medea Ballet Suite, op. 23: II. Choros. Medea and Jason, Medea Ballet Suite, op. 23: III. The Young Princess. Jason, Medea Ballet Suite, op. 23: IV. Choros, Medea Ballet Suite, op. 23: V. Medea, Medea Ballet Suite, op. 23: VI. Kantikos Agonias, Medea Ballet Suite, op. 23: VII. Exodos, Music for a Scene From Shelley, op. 7, Second Essay for Orchestra, op. 17, Serenade for Strings, op. 1: I. Un poco adagio: Allegro con spirito, Serenade for Strings, op. 1: II. Andante con moto, Serenade for Strings, op. 1: III. Dance: Allegro giocoso, Souvenirs (Ballet Suite), op. 28: I. Waltz (The Lobby), Souvenirs (Ballet Suite), op. 28: II. Schottische (Third Floor Hallway), Souvenirs (Ballet Suite), op. 28: III. Pas de Deux (A Corner of the Ballroom), Souvenirs (Ballet Suite), op. 28: IV. Two-Step (Tea in the Palm Court), Souvenirs (Ballet Suite), op. 28: V. Hesitation Tango (A Bedroom Affair), Souvenirs (Ballet Suite), op. 28: VI. Galop (The Next Afternoon), Symphony no. 1, op. 9: Allegro ma non troppo, Symphony no. 1, op. 9: Allegro molto, Symphony no. 1, op. 9: Andante tranquillo, Symphony no. 2, op. 19: I. Allegro ma non troppo, Symphony no. 2, op. 19: II. Andante, un poco mosso, Symphony no. 2, op. 19: III. Presto, senza battuto - Allegro risoluto, The School for Scandal Overture, op. 5
Andrew Lang (engineer) engineer First Essay for Orchestra, op. 12, Symphony no. 1, op. 9: Allegro ma non troppo, Symphony no. 1, op. 9: Allegro molto, Symphony no. 1, op. 9: Andante tranquillo, Symphony no. 2, op. 19: I. Allegro ma non troppo, Symphony no. 2, op. 19: II. Andante, un poco mosso, Symphony no. 2, op. 19: III. Presto, senza battuto - Allegro risoluto, The School for Scandal Overture, op. 5
Ben Connellan engineer, producer A Hand of Bridge, op. 35, Mutations from Bach, Third Essay for Orchestra, op. 47
Phil Rowlands (engineer) producer A Hand of Bridge, op. 35, Mutations from Bach
Mike Clements (engineer) engineer Intermezzo from "Vanessa"
Peter Newble producer Third Essay for Orchestra, op. 47

Work on other artists' recordings

Artist name Roles Recordings
Orange Blossom djembe Bendimina, Bendimina / Ayoub