Musical Bacon: Benny Greb

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Artist name	Roles	Recordings
City of Birmingham Symphony Orchestra	performing orchestra	5 Orchesterstücke, op. 16: I. Vorgefühle: Sehr rasch, 5 Orchesterstücke, op. 16: II. Vergangenes: Mässige Viertel, 5 Orchesterstücke, op. 16: III. Farben: Mässige Viertel, 5 Orchesterstücke, op. 16: V. Das obligate Rezitativ: Bewegte Achtel, 5 Orchesterstücke, op.16: IV. Peripetie, sehr rasch, 6 Orchesterstücke, op. 6: I. Langsam, 6 Orchesterstücke, op. 6: II. Bewegt, 6 Orchesterstücke, op. 6: III. Mässig, 6 Orchesterstücke, op. 6: IV. Sehr mässig, 6 Orchesterstücke, op. 6: V. Sehr langsam, 6 Orchesterstücke, op. 6: VI. Langsam, A Celebration of some 100 x 150 notes, Ad Lib on Nippon, Alborada del gracioso, An American Overture, op. 27, Apollo: Premiere Tableau (prologue). Naissance d'Apollon, Apollo: Second Tableau. Apothéose, Apollo: Second Tableau. Coda (Apollon et les Muses), Apollo: Second Tableau. Pas d'action (Apollon et les Muses: Calliope, Polymnie et Terpsichore), Apollo: Second Tableau. Pas de deux (Apollon et Terpsichore), Apollo: Second Tableau. Variation d'Apollon, Apollo: Second Tableau. Variation d'Apollon (Apollon et les Muses), Apollo: Second Tableau. Variation de Calliope (L'Alexandrin), Apollo: Second Tableau. Variation de Polymnie, Apollo: Second Tableau. Variation de Tepsichore, Asyla, op. 17: I, Asyla, op. 17: II, Asyla, op. 17: III. Ecstasio, Asyla, op. 17: IV, Ballet "The Firebird": Dance of Kashchey's retinue under Firebird's spell, Ballet "The Firebird": Dance of the Firebird, Ballet "The Firebird": Disappearance of the palace, Ballet "The Firebird": Introduction, Ballet "The Firebird": Lullaby, Ballet "The Firebird": Sudden appearance of Ivan Tsarevich, Ballet "The Firebird": The princesses' game with the golden apples, Barcarola per grande orchestra, Bluebeard's Castle - The Lake of Tears, Boléro, Chamber Symphony no. 1: First Movement [excerpt], Ciaccona sinfonica: I. Allegro, Ciaccona sinfonica: II. Andante sostenuto, Ciaccona sinfonica: III. Gigue, Come Sunday, Concerto for Orchestra (Sz. 116): Elegia (Andante non troppo), Concerto for Orchestra (Sz. 116): Finale (Pesante - Presto), Concerto for Orchestra (Sz. 116): Giuoco delle coppie (Allegretto scherzando), Concerto for Orchestra (Sz. 116): Intermezzo interrotto (Allegretto), Concerto for Orchestra (Sz. 116): Introduzione (Andante non troppo - Allegro vivace), Country Gardens, Daphnis et Chloé: Deuxiéme Partie. Bryaxis ordonne d'amener la captive. Chloé est traînée par deux pirates / Danse suppliante de Chloé, Daphnis et Chloé: Deuxiéme Partie. Bryaxis veut l'entraîner / Le chef l'emporte, triomphant / Soudain l'atmosphère semble chargée d'éléments insolites / La terre s'entr'ouvre. Formidable, l'ombre de Pan se profile sur les montagnes du fond. Tous fuient éperdus, Daphnis et Chloé: Première Partie. Danse grotesque de Dorcon, Daphnis et Chloé: Première Partie. Danse légère et gracieuse de Daphnis, Daphnis et Chloé: Première Partie. Interlude, Daphnis et Chloé: Première Partie. Introduction et Danse religieuse, Daphnis et Chloé: Première Partie. L'on perçoit des bruits d'armes, des cries de guerre qui se rapprochent / Fou de désespoir, il maudit les divinités qui n'ont su protéger la jeune fille Chloé et tombe évanoui, à l'entrée de la grotte, Daphnis et Chloé: Première Partie. Les jeunes filles, Daphnis et Chloé: Première Partie. Tous invitent Daphnis à recevoir la récompense / Danse de Lyceion, Daphnis et Chloé: Première Partie. Une lumière iréelle enveloppe le paysage / Danse lente et mystérieuse / Elles invoquent le dieu Pan / Daphnis se prosterne suppliant. Tout s'éteint, Daphnis et Chloé: Troisiéme Partie. Devant l'autel des Nymphes, il jure sa foi sur deux brebis / Entre un groupe de jeunes filles costumées en bacchantes / Daphnis et Chloé s'enlacent tendrement / Joyeux tumulte / Danse générale, Daphnis et Chloé: Troisiéme Partie. Le vieux berger Lammon explique que, si Pan a suavé Chloé / Daphnis et Chloé miment l'aventure de Pan et de Syrinx, Daphnis et Chloé: Troisiéme Partie. Lever du jour, Das Lied von der Erde: VI. Der Abschied (extract), Das klagende Lied: I. Waldmärchen (Forest Legend), Das klagende Lied: II. Der Spielmann (The Minstrel), Das klagende Lied: III. Hochzeitsstück (Wedding Piece), Decoration Day (conclusion), Dream/Window, Drowned Out, Drowned Out (excerpt), End Title, Enigma Variations: VIII. W.N. (Winifred Norbury), Estampes - Pagodes, Et exspecto ressurrectionem mortuorum (4th movement opening), Fanfare pour "L'Éventail de Jeanne", Flourish with Fireworks, op. 22, Four Studies (1952 version): I. Danse, Four Studies (1952 version): II. Excentrique, Four Studies (1952 version): III. Cantique, Four Studies (1952 version): IV. Madrid, Fünf Stücke für Orchester (nos. 3 - 5), Glagolitic Mass: I. Uvod (Introduction), Glagolitic Mass: VIII. Intrada, Harlem (A Tone Parallel to Harlem), From "Far East Suite", Harmonielehre: Part I, Harmonielehre: Part II: The Anfortas Wound, Harmonielehre: Part III: Meister Eckhardt and Quackie, Harnasie: Tableau I, In the mountain pasture, No. 1: Driving the Sheep, Harnasie: Tableau I, In the mountain pasture, No. 2: Mimed Scene (Courtship), Harnasie: Tableau I, In the mountain pasture, No. 4: Mimed Scene (The Harnaś and the girl), Harnasie: Tableau I, In the mountain pasture, No. 5: The Tatra Robbers' Dance. Finale, Henry V Theme / The Boar’s Head, Holidays Symphony: Decoration Day (conclusion), In a Nutshell: I. Arrival Platform Humlet, In a Nutshell: II. Gay but Wistful, In a Nutshell: III. Pastoral, In a Nutshell: IV. The Gum-Suckers March, Isfahan, Jeux, Jeux (conclusion), Joie du sang des étoiles (Turangalîla-symphonie - 5th movement), Kai, Klavierkonzert a-moll, op. 16: III. Allegro moderato molto e marcato, La Valse, Le Sacre du printemps: Première Partie: L'adoration de la terre. Cercles mystérieux des adolescentes, Le Sacre du printemps: Première Partie: L'adoration de la terre. Danse sacrale (L'èlue), Le Sacre du printemps: Première Partie: L'adoration de la terre. Glorification de l'èlue - Évocation des ancêtres - Action rituelle des ancêtres, Le Sacre du printemps: Première Partie: L'adoration de la terre. Introduction, Le Sacre du printemps: Première Partie: L'adoration de la terre. Introduction - Les augures printaniers - Danses des adolescentes - Jeu du rapt, Le Sacre du printemps: Première Partie: L'adoration de la terre. Le sage - Danse de la terre, Le Sacre du printemps: Première Partie: L'adoration de la terre. Ronder printanières - Jeux des cités rivales - Cortège du sage, Lincolnshire Posy: I. Lisbon (Sailor's Song), Lincolnshire Posy: II. Horkstow Grange (The Miser and His Man - A Local Tragedy), Lincolnshire Posy: III. Rufford Park Poachers (Poaching Song), Lincolnshire Posy: IV. The Brisk Young Sailor (Who Returned to Wed His True Love), Lincolnshire Posy: V. Lord Melbourne (War Song), Lincolnshire Posy: VI. The Lost Lady Found (Dance Song), Lulu-Suite: I. Rondo: Andante und Hymne, Lulu-Suite: II. Ostinato: Allegro, Lulu-Suite: IV. Variationen: Moderato, Ma Mère l'Oye: (Interlude) - Laideronnette, Impératrice des Pagodes -, Ma Mère l'Oye: (Interlude) - Les Entretiens de la Belle et de la Bête -, Ma Mère l'Oye: (Interlude) - Petit poucet -, Ma Mère l'Oye: Danse du Rouet et Scène -, Ma Mère l'Oye: Le Jardin Féerique, Ma Mère l'Oye: Pavane de la Belle au bois dormant -, Ma Mère l'Oye: Prélude -, Maybe, Miroirs - La Vallée des cloches, Miroirs: La vallée des cloches (Très lent), Momentum, Music for Strings, Percussion and Celesta: II. Allegro, Music for strings, percussion and celesta (2nd movement - opening), Musique pour Le Roi Lear: Fanfare, Musique pour Le Roi Lear: Le Sommeil de Lear, Opening Title / ‘O! For a Muse of Fire’, Pagodes from Estampes, Pan and Syrinx: Pastorale, op. 49, Passacaglia, op. 4, Petrushka: I. Fete populaire de la semaine grasse, Petrushka: I. Le tour de passe-passe - Danse russe, Petrushka: II. Chez Petrushka, Petrushka: III. Chez le maure - Danse de la ballerine, Petrushka: III. Valse - La ballerine et le maure, Petrushka: IV. Bohemien et marchand malhonnete, Petrushka: IV. Danse des cochers et des palefreniers, Petrushka: IV. Danse des nounous, Petrushka: IV. Fete populaire de la semaine grasse, Petrushka: IV. Le rixe - Le maure et Petrushka, Petrushka: IV. Les deguises, Petrushka: IV. Mort de Petrushka, Petrushka: IV. Paysan et l'ours, Petrushka: IV. Police et l'enchanteur - Vociferation du double de Petrushka, Piano Quartet no. 1 in G minor, op. 25: I. Allegro, Piano Quartet no. 1 in G minor, op. 25: II. Intermezzo: Allegro, ma non troppo, Piano Quartet no. 1 in G minor, op. 25: III. Andante con moto, Rhapsody in Blue (opening), Scherzo à la Russe, Scherzo à la Russe (for jazz band), Scythian Suite, op. 20 "Ala and Lolli": I. The Adoration of Veles and Ala: Allegro feroce, Scythian Suite, op. 20 "Ala and Lolli": II. The Alien God and the Dance of the Evil Spirits: Allegro sostenuto, Scythian Suite, op. 20 "Ala and Lolli": III. Night: Andantino, Scythian Suite, op. 20 "Ala and Lolli": IV. Lolli's March and the Cortege of the Sun: Tempostoso, Sinfonia da Requiem, op. 20: I. Lacrymosa: Andante ben misurato -, Sinfonia da Requiem, op. 20: II. Dies irae: Allegro con fuoco -, Sinfonia da Requiem, op. 20: III. Requiem aeternam: Andante molto tranquillo, Solitude in Transblucency, Something to Live For, Sophisticated Lady, St. Crispin’s Day / The Battle of Agincourt, Suite on English Folk Tunes, op. 90 "A time there was...": I. Cakes and Ale, Suite on English Folk Tunes, op. 90 "A time there was...": II. The Bitter Withy, Suite on English Folk Tunes, op. 90 "A time there was...": III. Hankin Booby, Suite on English Folk Tunes, op. 90 "A time there was...": IV. Hunt the Squirrel, Suite on English Folk Tunes, op. 90 "A time there was...": V. Lord Melbourne (feat. cor anglais: Peter Walden), Symphonic Dances From West Side Story (excerpt), Symphonic Dances, op. 45: I. Non allegro, Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse), Symphonic Dances, op. 45: III. Lento assai - Allegro vivace, Symphonie Nr. 102: I. Largo - Vivace, Symphonie Nr. 102: II. Adagio, Symphonie Nr. 102: III. Menuet (Allegro) & Trio, Symphonie Nr. 102: IV. Finale (Presto), Symphonie Nr. 22 "Der Philosoph": I. Adagio, Symphonie Nr. 22 "Der Philosoph": II. Presto, Symphonie Nr. 22 "Der Philosoph": III. Menuetto & Trio, Symphonie Nr. 22 "Der Philosoph": IV. Finale (Presto), Symphonie Nr. 7: I. Tanz - Lebhaft und beseelt, Symphonie Nr. 7: II. Ruhig bewegt, Symphonie Nr. 7: III. Unablässig in Bewegung, Symphonie Nr. 7: IV. Ruhig, verhalten, Symphonie Nr. 86: I. Adagio - Allegro spiritoso, Symphonie Nr. 86: II. Capriccio (Largo), Symphonie Nr. 86: III. Menuet (Allegretto) & Trio, Symphonie Nr. 86: IV. Finale (Allegro con spirito), Symphonie no. 3 "Lied der Nacht": Beginn des 1. Satzes, Symphony In Three Movements: I., Symphony In Three Movements: II. - Andante - Interlude, Symphony No. 1 in D major: Blumine (original discarded movement), Symphony No. 1 in D major: I. Langsam. Schleppend - Im Anfang sehr gemächlich, Symphony No. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony No. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony No. 1 in D major: IV. Stürmisch bewegt, Symphony in Three Movements: III. Con moto, Symphony no. 1 in B-flat minor: I: Allegro assai, Symphony no. 1 in B-flat minor: II: Presto, con malizia, Symphony no. 1 in B-flat minor: III: Andante con malinconia, Symphony no. 1 in B-flat minor: IV: Maestoso - Brioso ed ardentemente - Vivacissimo - Maestoso, Symphony no. 1 in E minor, op. 39: I. Allegro, ma non troppo - Allegro energico (excerpt), Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso, Symphony no. 2 in C minor “Resurrection”: II. Andante moderato, Symphony no. 2 in C minor “Resurrection”: III. In ruhig fließender Bewegung, Symphony no. 2 in C minor “Resurrection”: IV. Urlicht. Sehr feierlich, aber schlicht, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Etwas bewegter -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Langsam. Misterioso -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Mit Aufschwung aber nicht eilen -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Ritardando...Maestoso -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wieder sehr breit -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wieder zurückhaltend -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wild herausfahrend -, Symphony no. 3 in C, op. 52: II. Andantino con moto, quasi allegretto (opening), Symphony no. 3 in D minor: I. Kräftig. Entschieden, Symphony no. 4 in C minor, op. 43: I. Allegretto poco moderato - Presto - (Tempo I), Symphony no. 4 in C minor, op. 43: II. Moderato con moto, Symphony no. 4 in C minor, op. 43: III. Largo - Allegro, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - recht gemächlich, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll, Symphony no. 4 in G major: IV. Sehr behaglich, Symphony no. 4, op. 29: Allegro, Symphony no. 4, op. 29: Poco adagio quasi andante, Symphony no. 4, op. 29: Poco allegretto, Symphony no. 5 in B-flat, op. 100: I. Andante, Symphony no. 5 in B-flat, op. 100: II. Allegro marcato, Symphony no. 5 in B-flat, op. 100: III. Adagio, Symphony no. 5 in B-flat, op. 100: IV. Allegro giocoso, Symphony no. 5 in E-flat, op. 82: III. Allegro molto (opening), Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Andante moderato, Symphony no. 6 in A minor: III. Scherzo: Wuchtig, Symphony no. 6 in A minor: IV. Finale: Allegro moderato, Symphony no. 6 in D minor: III. Poco vivace, Symphony no. 60 in C, Hob. I:60 "The Distracted": I. Adagio - Allegro di molto, Symphony no. 60 in C, Hob. I:60 "The Distracted": II. Andante, Symphony no. 60 in C, Hob. I:60 "The Distracted": III. Menuetto & Trio, Symphony no. 60 in C, Hob. I:60 "The Distracted": IV. Presto, Symphony no. 60 in C, Hob. I:60 "The Distracted": V. Adagio (di Lamentatione), Symphony no. 60 in C, Hob. I:60 "The Distracted": VI. Finale (Prestissimo), Symphony no. 7 in E minor "Lied der Nacht": I. Langsam, Symphony no. 7 in E minor "Lied der Nacht": II. Nachtmusik: Allegro Moderato, Symphony no. 7 in E minor "Lied der Nacht": III. Scherzo: Schattenhaft - Trio, Symphony no. 7 in E minor "Lied der Nacht": IV. Nachtmusik: Andante Amoroso, Symphony no. 7 in E minor "Lied der Nacht": V. Rondo-Finale: Tempo 1 (Allegro Ordinario), Symphony no. 7 in E minor “Song of the Night”: III. Scherzo. Schattenhaft, fließend aber nicht schnell (excerpt), Symphony no. 7 in E: I. Allegro moderato, Symphony no. 7 in E: II. Adagio (Sehr feierlich und sehr langsam), Symphony no. 7 in E: III. Scherzo: Sehr schnell - Trio (Etwas langsamer) - Scherzo da capo, Symphony no. 7 in E: IV. Finale: Bewegt, doch nicht schnell, Symphony no. 70 in D, Hob. I:70: I. Vivace con brio, Symphony no. 70 in D, Hob. I:70: II. Specie d'un canone in contrapunto doppio (Andante), Symphony no. 70 in D, Hob. I:70: III. Menuet (Allegretto) & Trio, Symphony no. 70 in D, Hob. I:70: IV. Finale (Allegro con brio), Symphony no. 7: 3rd Movement (opening), Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": a. Veni, creator spiritus, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": b. Imple superna gratia, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": c. Infirma nostri corporis, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": d. Tempo I (Allegro, etwas hastig), Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": e. Infirma nostri corporis, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": f. Accende lumen sensibus, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": g. Qui paraclitus diceris, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": h. Gloria patri domino, Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": a. Poco adagio, Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": b. Più mosso (Allegro moderato), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": c. Waldung, sie schwankt heran (Chor und Echo), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": d. Ewiger Wonnebrand (Pater Ecstaticus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": e. Wie Felsenabgrund mir zu Füssen (Pater Profundus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": f. Gerettet ist das edle Glied (Engel), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": g. Uns bleibt ein Erdenrest (Engel), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": h. Ich spür' soeben (Die jüngeren Engel), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": i. Höchste Herrscherin der Welt (Doctor Marianus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": j. Dir, der Unberührbaren (Chor), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": k. Bei der Liebe, die den Füssen (Magna Peccatrix), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": l. Neige, neige, du Ohnegleiche (Una Poenitentium), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": m. Er überwächst uns schon (Chor seliger Knaben), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": o. Blicket auf zum Retterblick (Doctor Marianus und Chor), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": p. Alles Vergängliche (Chorus mysticus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": q. Alles Vergängliche (Chorus mysticus), Symphony no. 8: 2nd Movement (conclusion), Symphony no. 90 in C, Hob. I:90: I. Adagio - Allegro assai, Symphony no. 90 in C, Hob. I:90: II. Andante, Symphony no. 90 in C, Hob. I:90: III. Menuet & Trio, Symphony no. 90 in C, Hob. I:90: IV. Finale, Take the "A" Train, That Doo-Wah Thing, The Chairman Dances - Foxtrot for Orchestra, The Chairman Dances: Foxtrot for Orchestra, The Death of Bardolph, The Death of Falstaff, The Dream of Gerontius: (Andantino), The Dream of Gerontius: And now on the threshold (Angel), The Dream of Gerontius: Another marvel, The Dream of Gerontius: Be merciful, be gracious (semi-chorus, chorus), The Dream of Gerontius: But hark! Upon my senses (Soul), The Dream of Gerontius: But hark! a grand mysterious harmony (Soul, Angel, chorus), The Dream of Gerontius: Dispossessed, aside thrust (chorus), The Dream of Gerontius: Glory to Him (semi-chorus, chorus), The Dream of Gerontius: Go forth upon thy Journey (chorus, Priest, semi-chorus), The Dream of Gerontius: Go in the name of Angels (chorus, Priest, semi-chorus), The Dream of Gerontius: I can no more (Gerontius), The Dream of Gerontius: I see not those false spirits (Soul), The Dream of Gerontius: I went to sleep (Soul of Gerontius), The Dream of Gerontius: It is a member of that family... A presage falls upon thee (Angel, Soul), The Dream of Gerontius: Jesu! by that shuddering dread (Angel of the Agony, Soul), The Dream of Gerontius: Jesu! by that shuddering dread (Angel of the Agony, Soul, semi-chorus, chorus), The Dream of Gerontius: Jesu, Maria - I am near to death (Gerontius), The Dream of Gerontius: Lord, Thou hast been our refuge (chorus), The Dream of Gerontius: Low-born clods of brute earth (chorus), The Dream of Gerontius: My work is done (Angel, Soul), The Dream of Gerontius: Novissima hora est (semi-chorus, chorus, Gerontius), The Dream of Gerontius: Praise to His Name! (Angel), The Dream of Gerontius: Praise to His Name!... Take me away (Angel, Soul, chorus), The Dream of Gerontius: Praise to the Holiest (chorus), The Dream of Gerontius: Praise to the Holiest (semi-chorus, chorus, Angel), The Dream of Gerontius: Prelude, The Dream of Gerontius: Proficiscere, anima Christiana (Priest), The Dream of Gerontius: Rescue him, O Lord (chorus), The Dream of Gerontius: Rouse thee, my fainting soul... Be merciful (Gerontius, chorus), The Dream of Gerontius: Sanctus fortis, Sanctus Deus (Gerontius), The Dream of Gerontius: So pray for me... Kyrie eleison... Holy Mary, pray for him (Gerontius, semi-chorus, chorus), The Dream of Gerontius: Softly and gently (Angel, chorus, semi-chorus), The Dream of Gerontius: Take me away (Soul), The Dream of Gerontius: The Sound is like the rushing of the wind (Soul), The Dream of Gerontius: The mind bold and independent (chorus), The Dream of Gerontius: There was a mortal (Angel), The Dream of Gerontius: There was a mortal... Praise to the holiest (Angel, semi-chorus, chorus, Soul), The Dream of Gerontius: They sing of thy approaching agony (Soul, Angel, chorus), The Dream of Gerontius: Thy judgment now is near (Angel, Soul), The Firebird (conclusion), The Miraculous Mandarin, op. 19 (Sz. 73): Dance of the Girl, The Miraculous Mandarin, op. 19 (Sz. 73): First Seduction Game, The Miraculous Mandarin, op. 19 (Sz. 73): Second Seduction Game, The Miraculous Mandarin, op. 19 (Sz. 73): The Beginning, the Curtain Rises, The Miraculous Mandarin, op. 19 (Sz. 73): The Chase, the Tramps Leap Out, The Miraculous Mandarin, op. 19 (Sz. 73): The Mandarin Falls to the Floor, The Miraculous Mandarin, op. 19 (Sz. 73): Third Seduction Game, the Mandarin Enters, The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity (conclusion), The Rite of Spring, Part II (The Sacrifice): Sacrificial Dance, The Rite of Spring: Part 2: The Sacrifice: Introduction, The Rite of Spring: Part 2: The Sacrifice: Mystic Circles of the Young Girls, The Threat to the Governor of Harfleur / Katherine of France / The March to Calais, The Three Traitors, The Warriors, The Wooing of Katherine, Things Ain't What They Used to Be, Three Occasions for Orchestra: A Celebration of Some 100 X 150 Notes, Three Screaming Popes, Train Music, Trois Images pour orchestre: I. Gigues, Trois Images pour orchestre: II. Ibéria: a) Par les rues et par les chemins, Trois Images pour orchestre: II. Ibéria: b) Les Parfums de la nuit, Trois Images pour orchestre: II. Ibéria: c) Le Matin d'un jour de fête, Trois Images pour orchestre: III. Rondes de printemps, Two Fanfares: 2. Short Ride in a Fast Machine, Variations for Orchestra, op. 31: Finale, Variations for Orchestra, op. 31: Introduction & Theme, Variations for Orchestra, op. 31: Variation 1, Variations for Orchestra, op. 31: Variation 2, Variations for Orchestra, op. 31: Variation 3, Variations for Orchestra, op. 31: Variation 4, Variations for Orchestra, op. 31: Variation 5, Variations for Orchestra, op. 31: Variation 6, Variations for Orchestra, op. 31: Variation 7, Variations for Orchestra, op. 31: Variation 8, Variations for Orchestra, op. 31: Variation 9, West Side Story: Symphonic Dances, You're the One, Young Person´s Guide to the Orchestra: Fugue (Allegro molto), Zeitgestalten: III ♩ = 80, ‘Let This Acceptance Take’, ‘Non Nobis, Domine’, ‘Now, Lords, for France!’, ‘Once More Unto the Breach’, ‘The Day Is Yours’, ‘Upon the King’
Sir Simon Rattle	conductor	5 Orchesterstücke, op. 16: I. Vorgefühle: Sehr rasch, 5 Orchesterstücke, op. 16: II. Vergangenes: Mässige Viertel, 5 Orchesterstücke, op. 16: III. Farben: Mässige Viertel, 5 Orchesterstücke, op. 16: V. Das obligate Rezitativ: Bewegte Achtel, 5 Orchesterstücke, op.16: IV. Peripetie, sehr rasch, 6 Orchesterstücke, op. 6: I. Langsam, 6 Orchesterstücke, op. 6: II. Bewegt, 6 Orchesterstücke, op. 6: III. Mässig, 6 Orchesterstücke, op. 6: IV. Sehr mässig, 6 Orchesterstücke, op. 6: V. Sehr langsam, 6 Orchesterstücke, op. 6: VI. Langsam, A Celebration of some 100 x 150 notes, Ad Lib on Nippon, Alborada del gracioso, An American Overture, op. 27, Apollo: Premiere Tableau (prologue). Naissance d'Apollon, Apollo: Second Tableau. Apothéose, Apollo: Second Tableau. Coda (Apollon et les Muses), Apollo: Second Tableau. Pas d'action (Apollon et les Muses: Calliope, Polymnie et Terpsichore), Apollo: Second Tableau. Pas de deux (Apollon et Terpsichore), Apollo: Second Tableau. Variation d'Apollon, Apollo: Second Tableau. Variation d'Apollon (Apollon et les Muses), Apollo: Second Tableau. Variation de Calliope (L'Alexandrin), Apollo: Second Tableau. Variation de Polymnie, Apollo: Second Tableau. Variation de Tepsichore, Asyla, op. 17: I, Asyla, op. 17: II, Asyla, op. 17: III. Ecstasio, Asyla, op. 17: IV, Ballet "The Firebird": Dance of Kashchey's retinue under Firebird's spell, Ballet "The Firebird": Dance of the Firebird, Ballet "The Firebird": Disappearance of the palace, Ballet "The Firebird": Introduction, Ballet "The Firebird": Lullaby, Ballet "The Firebird": Sudden appearance of Ivan Tsarevich, Ballet "The Firebird": The princesses' game with the golden apples, Barcarola per grande orchestra, Bluebeard's Castle - The Lake of Tears, Boléro, Chamber Symphony no. 1: First Movement [excerpt], Ciaccona sinfonica: I. Allegro, Ciaccona sinfonica: II. Andante sostenuto, Ciaccona sinfonica: III. Gigue, Come Sunday, Concerto for Orchestra (Sz. 116): Elegia (Andante non troppo), Concerto for Orchestra (Sz. 116): Finale (Pesante - Presto), Concerto for Orchestra (Sz. 116): Giuoco delle coppie (Allegretto scherzando), Concerto for Orchestra (Sz. 116): Intermezzo interrotto (Allegretto), Concerto for Orchestra (Sz. 116): Introduzione (Andante non troppo - Allegro vivace), Country Gardens, Daphnis et Chloé: Deuxiéme Partie. Bryaxis ordonne d'amener la captive. Chloé est traînée par deux pirates / Danse suppliante de Chloé, Daphnis et Chloé: Deuxiéme Partie. Bryaxis veut l'entraîner / Le chef l'emporte, triomphant / Soudain l'atmosphère semble chargée d'éléments insolites / La terre s'entr'ouvre. Formidable, l'ombre de Pan se profile sur les montagnes du fond. Tous fuient éperdus, Daphnis et Chloé: Première Partie. Danse grotesque de Dorcon, Daphnis et Chloé: Première Partie. Danse légère et gracieuse de Daphnis, Daphnis et Chloé: Première Partie. Interlude, Daphnis et Chloé: Première Partie. Introduction et Danse religieuse, Daphnis et Chloé: Première Partie. L'on perçoit des bruits d'armes, des cries de guerre qui se rapprochent / Fou de désespoir, il maudit les divinités qui n'ont su protéger la jeune fille Chloé et tombe évanoui, à l'entrée de la grotte, Daphnis et Chloé: Première Partie. Les jeunes filles, Daphnis et Chloé: Première Partie. Tous invitent Daphnis à recevoir la récompense / Danse de Lyceion, Daphnis et Chloé: Première Partie. Une lumière iréelle enveloppe le paysage / Danse lente et mystérieuse / Elles invoquent le dieu Pan / Daphnis se prosterne suppliant. Tout s'éteint, Daphnis et Chloé: Troisiéme Partie. Devant l'autel des Nymphes, il jure sa foi sur deux brebis / Entre un groupe de jeunes filles costumées en bacchantes / Daphnis et Chloé s'enlacent tendrement / Joyeux tumulte / Danse générale, Daphnis et Chloé: Troisiéme Partie. Le vieux berger Lammon explique que, si Pan a suavé Chloé / Daphnis et Chloé miment l'aventure de Pan et de Syrinx, Daphnis et Chloé: Troisiéme Partie. Lever du jour, Das Lied von der Erde: VI. Der Abschied (extract), Das klagende Lied: I. Waldmärchen (Forest Legend), Das klagende Lied: II. Der Spielmann (The Minstrel), Das klagende Lied: III. Hochzeitsstück (Wedding Piece), Decoration Day (conclusion), Dream/Window, Drowned Out, Drowned Out (excerpt), End Title, Enigma Variations: VIII. W.N. (Winifred Norbury), Estampes - Pagodes, Et exspecto ressurrectionem mortuorum (4th movement opening), Fanfare pour "L'Éventail de Jeanne", Flourish with Fireworks, op. 22, Four Studies (1952 version): I. Danse, Four Studies (1952 version): II. Excentrique, Four Studies (1952 version): III. Cantique, Four Studies (1952 version): IV. Madrid, Fünf Stücke für Orchester (nos. 3 - 5), Glagolitic Mass: I. Uvod (Introduction), Glagolitic Mass: VIII. Intrada, Harlem (A Tone Parallel to Harlem), From "Far East Suite", Harmonielehre: Part I, Harmonielehre: Part II: The Anfortas Wound, Harmonielehre: Part III: Meister Eckhardt and Quackie, Harnasie: Tableau I, In the mountain pasture, No. 1: Driving the Sheep, Harnasie: Tableau I, In the mountain pasture, No. 2: Mimed Scene (Courtship), Harnasie: Tableau I, In the mountain pasture, No. 4: Mimed Scene (The Harnaś and the girl), Harnasie: Tableau I, In the mountain pasture, No. 5: The Tatra Robbers' Dance. Finale, Henry V Theme / The Boar’s Head, Holidays Symphony: Decoration Day (conclusion), In a Nutshell: I. Arrival Platform Humlet, In a Nutshell: II. Gay but Wistful, In a Nutshell: III. Pastoral, In a Nutshell: IV. The Gum-Suckers March, Isfahan, Jeux, Jeux (conclusion), Joie du sang des étoiles (Turangalîla-symphonie - 5th movement), Kai, Klavierkonzert a-moll, op. 16: III. Allegro moderato molto e marcato, La Valse, Le Sacre du printemps: Première Partie: L'adoration de la terre. Cercles mystérieux des adolescentes, Le Sacre du printemps: Première Partie: L'adoration de la terre. Danse sacrale (L'èlue), Le Sacre du printemps: Première Partie: L'adoration de la terre. Glorification de l'èlue - Évocation des ancêtres - Action rituelle des ancêtres, Le Sacre du printemps: Première Partie: L'adoration de la terre. Introduction, Le Sacre du printemps: Première Partie: L'adoration de la terre. Introduction - Les augures printaniers - Danses des adolescentes - Jeu du rapt, Le Sacre du printemps: Première Partie: L'adoration de la terre. Le sage - Danse de la terre, Le Sacre du printemps: Première Partie: L'adoration de la terre. Ronder printanières - Jeux des cités rivales - Cortège du sage, Lincolnshire Posy: I. Lisbon (Sailor's Song), Lincolnshire Posy: II. Horkstow Grange (The Miser and His Man - A Local Tragedy), Lincolnshire Posy: III. Rufford Park Poachers (Poaching Song), Lincolnshire Posy: IV. The Brisk Young Sailor (Who Returned to Wed His True Love), Lincolnshire Posy: V. Lord Melbourne (War Song), Lincolnshire Posy: VI. The Lost Lady Found (Dance Song), Lulu-Suite: I. Rondo: Andante und Hymne, Lulu-Suite: II. Ostinato: Allegro, Lulu-Suite: IV. Variationen: Moderato, Ma Mère l'Oye: (Interlude) - Laideronnette, Impératrice des Pagodes -, Ma Mère l'Oye: (Interlude) - Les Entretiens de la Belle et de la Bête -, Ma Mère l'Oye: (Interlude) - Petit poucet -, Ma Mère l'Oye: Danse du Rouet et Scène -, Ma Mère l'Oye: Le Jardin Féerique, Ma Mère l'Oye: Pavane de la Belle au bois dormant -, Ma Mère l'Oye: Prélude -, Maybe, Miroirs - La Vallée des cloches, Miroirs: La vallée des cloches (Très lent), Momentum, Music for Strings, Percussion and Celesta: II. Allegro, Music for strings, percussion and celesta (2nd movement - opening), Musique pour Le Roi Lear: Fanfare, Musique pour Le Roi Lear: Le Sommeil de Lear, Opening Title / ‘O! For a Muse of Fire’, Pagodes from Estampes, Pan and Syrinx: Pastorale, op. 49, Passacaglia, op. 4, Petrushka: I. Fete populaire de la semaine grasse, Petrushka: I. Le tour de passe-passe - Danse russe, Petrushka: II. Chez Petrushka, Petrushka: III. Chez le maure - Danse de la ballerine, Petrushka: III. Valse - La ballerine et le maure, Petrushka: IV. Bohemien et marchand malhonnete, Petrushka: IV. Danse des cochers et des palefreniers, Petrushka: IV. Danse des nounous, Petrushka: IV. Fete populaire de la semaine grasse, Petrushka: IV. Le rixe - Le maure et Petrushka, Petrushka: IV. Les deguises, Petrushka: IV. Mort de Petrushka, Petrushka: IV. Paysan et l'ours, Petrushka: IV. Police et l'enchanteur - Vociferation du double de Petrushka, Piano Quartet no. 1 in G minor, op. 25: I. Allegro, Piano Quartet no. 1 in G minor, op. 25: II. Intermezzo: Allegro, ma non troppo, Piano Quartet no. 1 in G minor, op. 25: III. Andante con moto, Rhapsody in Blue (opening), Scherzo à la Russe, Scherzo à la Russe (for jazz band), Scythian Suite, op. 20 "Ala and Lolli": I. The Adoration of Veles and Ala: Allegro feroce, Scythian Suite, op. 20 "Ala and Lolli": II. The Alien God and the Dance of the Evil Spirits: Allegro sostenuto, Scythian Suite, op. 20 "Ala and Lolli": III. Night: Andantino, Scythian Suite, op. 20 "Ala and Lolli": IV. Lolli's March and the Cortege of the Sun: Tempostoso, Sinfonia da Requiem, op. 20: I. Lacrymosa: Andante ben misurato -, Sinfonia da Requiem, op. 20: II. Dies irae: Allegro con fuoco -, Sinfonia da Requiem, op. 20: III. Requiem aeternam: Andante molto tranquillo, Solitude in Transblucency, Something to Live For, Sophisticated Lady, St. Crispin’s Day / The Battle of Agincourt, Suite on English Folk Tunes, op. 90 "A time there was...": I. Cakes and Ale, Suite on English Folk Tunes, op. 90 "A time there was...": II. The Bitter Withy, Suite on English Folk Tunes, op. 90 "A time there was...": III. Hankin Booby, Suite on English Folk Tunes, op. 90 "A time there was...": IV. Hunt the Squirrel, Suite on English Folk Tunes, op. 90 "A time there was...": V. Lord Melbourne (feat. cor anglais: Peter Walden), Symphonic Dances From West Side Story (excerpt), Symphonic Dances, op. 45: I. Non allegro, Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse), Symphonic Dances, op. 45: III. Lento assai - Allegro vivace, Symphonie Nr. 102: I. Largo - Vivace, Symphonie Nr. 102: II. Adagio, Symphonie Nr. 102: III. Menuet (Allegro) & Trio, Symphonie Nr. 102: IV. Finale (Presto), Symphonie Nr. 22 "Der Philosoph": I. Adagio, Symphonie Nr. 22 "Der Philosoph": II. Presto, Symphonie Nr. 22 "Der Philosoph": III. Menuetto & Trio, Symphonie Nr. 22 "Der Philosoph": IV. Finale (Presto), Symphonie Nr. 7: I. Tanz - Lebhaft und beseelt, Symphonie Nr. 7: II. Ruhig bewegt, Symphonie Nr. 7: III. Unablässig in Bewegung, Symphonie Nr. 7: IV. Ruhig, verhalten, Symphonie Nr. 86: I. Adagio - Allegro spiritoso, Symphonie Nr. 86: II. Capriccio (Largo), Symphonie Nr. 86: III. Menuet (Allegretto) & Trio, Symphonie Nr. 86: IV. Finale (Allegro con spirito), Symphonie no. 3 "Lied der Nacht": Beginn des 1. Satzes, Symphony In Three Movements: I., Symphony In Three Movements: II. - Andante - Interlude, Symphony No. 1 in D major: Blumine (original discarded movement), Symphony No. 1 in D major: I. Langsam. Schleppend - Im Anfang sehr gemächlich, Symphony No. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony No. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony No. 1 in D major: IV. Stürmisch bewegt, Symphony in Three Movements: III. Con moto, Symphony no. 1 in B-flat minor: I: Allegro assai, Symphony no. 1 in B-flat minor: II: Presto, con malizia, Symphony no. 1 in B-flat minor: III: Andante con malinconia, Symphony no. 1 in B-flat minor: IV: Maestoso - Brioso ed ardentemente - Vivacissimo - Maestoso, Symphony no. 1 in E minor, op. 39: I. Allegro, ma non troppo - Allegro energico (excerpt), Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso, Symphony no. 2 in C minor “Resurrection”: II. Andante moderato, Symphony no. 2 in C minor “Resurrection”: III. In ruhig fließender Bewegung, Symphony no. 2 in C minor “Resurrection”: IV. Urlicht. Sehr feierlich, aber schlicht, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Etwas bewegter -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Langsam. Misterioso -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Mit Aufschwung aber nicht eilen -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Ritardando...Maestoso -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wieder sehr breit -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wieder zurückhaltend -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wild herausfahrend -, Symphony no. 3 in C, op. 52: II. Andantino con moto, quasi allegretto (opening), Symphony no. 3 in D minor: I. Kräftig. Entschieden, Symphony no. 4 in C minor, op. 43: I. Allegretto poco moderato - Presto - (Tempo I), Symphony no. 4 in C minor, op. 43: II. Moderato con moto, Symphony no. 4 in C minor, op. 43: III. Largo - Allegro, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - recht gemächlich, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll, Symphony no. 4 in G major: IV. Sehr behaglich, Symphony no. 4, op. 29: Allegro, Symphony no. 4, op. 29: Poco adagio quasi andante, Symphony no. 4, op. 29: Poco allegretto, Symphony no. 5 in B-flat, op. 100: I. Andante, Symphony no. 5 in B-flat, op. 100: II. Allegro marcato, Symphony no. 5 in B-flat, op. 100: III. Adagio, Symphony no. 5 in B-flat, op. 100: IV. Allegro giocoso, Symphony no. 5 in E-flat, op. 82: III. Allegro molto (opening), Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Andante moderato, Symphony no. 6 in A minor: III. Scherzo: Wuchtig, Symphony no. 6 in A minor: IV. Finale: Allegro moderato, Symphony no. 6 in D minor: III. Poco vivace, Symphony no. 60 in C, Hob. I:60 "The Distracted": I. Adagio - Allegro di molto, Symphony no. 60 in C, Hob. I:60 "The Distracted": II. Andante, Symphony no. 60 in C, Hob. I:60 "The Distracted": III. Menuetto & Trio, Symphony no. 60 in C, Hob. I:60 "The Distracted": IV. Presto, Symphony no. 60 in C, Hob. I:60 "The Distracted": V. Adagio (di Lamentatione), Symphony no. 60 in C, Hob. I:60 "The Distracted": VI. Finale (Prestissimo), Symphony no. 7 in E minor "Lied der Nacht": I. Langsam, Symphony no. 7 in E minor "Lied der Nacht": II. Nachtmusik: Allegro Moderato, Symphony no. 7 in E minor "Lied der Nacht": III. Scherzo: Schattenhaft - Trio, Symphony no. 7 in E minor "Lied der Nacht": IV. Nachtmusik: Andante Amoroso, Symphony no. 7 in E minor "Lied der Nacht": V. Rondo-Finale: Tempo 1 (Allegro Ordinario), Symphony no. 7 in E minor “Song of the Night”: III. Scherzo. Schattenhaft, fließend aber nicht schnell (excerpt), Symphony no. 7 in E: I. Allegro moderato, Symphony no. 7 in E: II. Adagio (Sehr feierlich und sehr langsam), Symphony no. 7 in E: III. Scherzo: Sehr schnell - Trio (Etwas langsamer) - Scherzo da capo, Symphony no. 7 in E: IV. Finale: Bewegt, doch nicht schnell, Symphony no. 70 in D, Hob. I:70: I. Vivace con brio, Symphony no. 70 in D, Hob. I:70: II. Specie d'un canone in contrapunto doppio (Andante), Symphony no. 70 in D, Hob. I:70: III. Menuet (Allegretto) & Trio, Symphony no. 70 in D, Hob. I:70: IV. Finale (Allegro con brio), Symphony no. 7: 3rd Movement (opening), Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": a. Veni, creator spiritus, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": b. Imple superna gratia, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": c. Infirma nostri corporis, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": d. Tempo I (Allegro, etwas hastig), Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": e. Infirma nostri corporis, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": f. Accende lumen sensibus, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": g. Qui paraclitus diceris, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": h. Gloria patri domino, Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": a. Poco adagio, Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": b. Più mosso (Allegro moderato), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": c. Waldung, sie schwankt heran (Chor und Echo), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": d. Ewiger Wonnebrand (Pater Ecstaticus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": e. Wie Felsenabgrund mir zu Füssen (Pater Profundus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": f. Gerettet ist das edle Glied (Engel), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": g. Uns bleibt ein Erdenrest (Engel), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": h. Ich spür' soeben (Die jüngeren Engel), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": i. Höchste Herrscherin der Welt (Doctor Marianus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": j. Dir, der Unberührbaren (Chor), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": k. Bei der Liebe, die den Füssen (Magna Peccatrix), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": l. Neige, neige, du Ohnegleiche (Una Poenitentium), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": m. Er überwächst uns schon (Chor seliger Knaben), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": o. Blicket auf zum Retterblick (Doctor Marianus und Chor), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": p. Alles Vergängliche (Chorus mysticus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": q. Alles Vergängliche (Chorus mysticus), Symphony no. 8: 2nd Movement (conclusion), Symphony no. 90 in C, Hob. I:90: I. Adagio - Allegro assai, Symphony no. 90 in C, Hob. I:90: II. Andante, Symphony no. 90 in C, Hob. I:90: III. Menuet & Trio, Symphony no. 90 in C, Hob. I:90: IV. Finale, Take the "A" Train, That Doo-Wah Thing, The Chairman Dances - Foxtrot for Orchestra, The Chairman Dances: Foxtrot for Orchestra, The Death of Bardolph, The Death of Falstaff, The Dream of Gerontius: (Andantino), The Dream of Gerontius: And now on the threshold (Angel), The Dream of Gerontius: Another marvel, The Dream of Gerontius: Be merciful, be gracious (semi-chorus, chorus), The Dream of Gerontius: But hark! Upon my senses (Soul), The Dream of Gerontius: But hark! a grand mysterious harmony (Soul, Angel, chorus), The Dream of Gerontius: Dispossessed, aside thrust (chorus), The Dream of Gerontius: Glory to Him (semi-chorus, chorus), The Dream of Gerontius: Go forth upon thy Journey (chorus, Priest, semi-chorus), The Dream of Gerontius: Go in the name of Angels (chorus, Priest, semi-chorus), The Dream of Gerontius: I can no more (Gerontius), The Dream of Gerontius: I see not those false spirits (Soul), The Dream of Gerontius: I went to sleep (Soul of Gerontius), The Dream of Gerontius: It is a member of that family... A presage falls upon thee (Angel, Soul), The Dream of Gerontius: Jesu! by that shuddering dread (Angel of the Agony, Soul), The Dream of Gerontius: Jesu! by that shuddering dread (Angel of the Agony, Soul, semi-chorus, chorus), The Dream of Gerontius: Jesu, Maria - I am near to death (Gerontius), The Dream of Gerontius: Lord, Thou hast been our refuge (chorus), The Dream of Gerontius: Low-born clods of brute earth (chorus), The Dream of Gerontius: My work is done (Angel, Soul), The Dream of Gerontius: Novissima hora est (semi-chorus, chorus, Gerontius), The Dream of Gerontius: Praise to His Name! (Angel), The Dream of Gerontius: Praise to His Name!... Take me away (Angel, Soul, chorus), The Dream of Gerontius: Praise to the Holiest (chorus), The Dream of Gerontius: Praise to the Holiest (semi-chorus, chorus, Angel), The Dream of Gerontius: Prelude, The Dream of Gerontius: Proficiscere, anima Christiana (Priest), The Dream of Gerontius: Rescue him, O Lord (chorus), The Dream of Gerontius: Rouse thee, my fainting soul... Be merciful (Gerontius, chorus), The Dream of Gerontius: Sanctus fortis, Sanctus Deus (Gerontius), The Dream of Gerontius: So pray for me... Kyrie eleison... Holy Mary, pray for him (Gerontius, semi-chorus, chorus), The Dream of Gerontius: Softly and gently (Angel, chorus, semi-chorus), The Dream of Gerontius: Take me away (Soul), The Dream of Gerontius: The Sound is like the rushing of the wind (Soul), The Dream of Gerontius: The mind bold and independent (chorus), The Dream of Gerontius: There was a mortal (Angel), The Dream of Gerontius: There was a mortal... Praise to the holiest (Angel, semi-chorus, chorus, Soul), The Dream of Gerontius: They sing of thy approaching agony (Soul, Angel, chorus), The Dream of Gerontius: Thy judgment now is near (Angel, Soul), The Firebird (conclusion), The Miraculous Mandarin, op. 19 (Sz. 73): Dance of the Girl, The Miraculous Mandarin, op. 19 (Sz. 73): First Seduction Game, The Miraculous Mandarin, op. 19 (Sz. 73): Second Seduction Game, The Miraculous Mandarin, op. 19 (Sz. 73): The Beginning, the Curtain Rises, The Miraculous Mandarin, op. 19 (Sz. 73): The Chase, the Tramps Leap Out, The Miraculous Mandarin, op. 19 (Sz. 73): The Mandarin Falls to the Floor, The Miraculous Mandarin, op. 19 (Sz. 73): Third Seduction Game, the Mandarin Enters, The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity (conclusion), The Rite of Spring, Part II (The Sacrifice): Sacrificial Dance, The Rite of Spring: Part 2: The Sacrifice: Introduction, The Rite of Spring: Part 2: The Sacrifice: Mystic Circles of the Young Girls, The Threat to the Governor of Harfleur / Katherine of France / The March to Calais, The Three Traitors, The Warriors, The Wooing of Katherine, Things Ain't What They Used to Be, Three Occasions for Orchestra: A Celebration of Some 100 X 150 Notes, Three Screaming Popes, Train Music, Trois Images pour orchestre: I. Gigues, Trois Images pour orchestre: II. Ibéria: a) Par les rues et par les chemins, Trois Images pour orchestre: II. Ibéria: b) Les Parfums de la nuit, Trois Images pour orchestre: II. Ibéria: c) Le Matin d'un jour de fête, Trois Images pour orchestre: III. Rondes de printemps, Two Fanfares: 2. Short Ride in a Fast Machine, Variations for Orchestra, op. 31: Finale, Variations for Orchestra, op. 31: Introduction & Theme, Variations for Orchestra, op. 31: Variation 1, Variations for Orchestra, op. 31: Variation 2, Variations for Orchestra, op. 31: Variation 3, Variations for Orchestra, op. 31: Variation 4, Variations for Orchestra, op. 31: Variation 5, Variations for Orchestra, op. 31: Variation 6, Variations for Orchestra, op. 31: Variation 7, Variations for Orchestra, op. 31: Variation 8, Variations for Orchestra, op. 31: Variation 9, West Side Story: Symphonic Dances, You're the One, Young Person´s Guide to the Orchestra: Fugue (Allegro molto), Zeitgestalten: III ♩ = 80, ‘Let This Acceptance Take’, ‘Non Nobis, Domine’, ‘Now, Lords, for France!’, ‘Once More Unto the Breach’, ‘The Day Is Yours’, ‘Upon the King’
David R. Murray	engineer, producer	5 Orchesterstücke, op. 16: I. Vorgefühle: Sehr rasch, 5 Orchesterstücke, op. 16: II. Vergangenes: Mässige Viertel, 5 Orchesterstücke, op. 16: III. Farben: Mässige Viertel, 5 Orchesterstücke, op. 16: V. Das obligate Rezitativ: Bewegte Achtel, 5 Orchesterstücke, op.16: IV. Peripetie, sehr rasch, 6 Orchesterstücke, op. 6: I. Langsam, 6 Orchesterstücke, op. 6: II. Bewegt, 6 Orchesterstücke, op. 6: III. Mässig, 6 Orchesterstücke, op. 6: IV. Sehr mässig, 6 Orchesterstücke, op. 6: V. Sehr langsam, 6 Orchesterstücke, op. 6: VI. Langsam, Alborada del gracioso, Apollo: Premiere Tableau (prologue). Naissance d'Apollon, Apollo: Second Tableau. Apothéose, Apollo: Second Tableau. Coda (Apollon et les Muses), Apollo: Second Tableau. Pas d'action (Apollon et les Muses: Calliope, Polymnie et Terpsichore), Apollo: Second Tableau. Pas de deux (Apollon et Terpsichore), Apollo: Second Tableau. Variation d'Apollon, Apollo: Second Tableau. Variation d'Apollon (Apollon et les Muses), Apollo: Second Tableau. Variation de Calliope (L'Alexandrin), Apollo: Second Tableau. Variation de Polymnie, Apollo: Second Tableau. Variation de Tepsichore, Ballet "The Firebird": Dance of Kashchey's retinue under Firebird's spell, Ballet "The Firebird": Dance of the Firebird, Ballet "The Firebird": Disappearance of the palace, Ballet "The Firebird": Introduction, Ballet "The Firebird": Lullaby, Ballet "The Firebird": Sudden appearance of Ivan Tsarevich, Ballet "The Firebird": The princesses' game with the golden apples, Barcarola per grande orchestra, Boléro, Concerto for Orchestra (Sz. 116): Elegia (Andante non troppo), Concerto for Orchestra (Sz. 116): Finale (Pesante - Presto), Concerto for Orchestra (Sz. 116): Giuoco delle coppie (Allegretto scherzando), Concerto for Orchestra (Sz. 116): Intermezzo interrotto (Allegretto), Concerto for Orchestra (Sz. 116): Introduzione (Andante non troppo - Allegro vivace), Country Gardens, Daphnis et Chloé: Deuxiéme Partie. Bryaxis ordonne d'amener la captive. Chloé est traînée par deux pirates / Danse suppliante de Chloé, Daphnis et Chloé: Deuxiéme Partie. Bryaxis veut l'entraîner / Le chef l'emporte, triomphant / Soudain l'atmosphère semble chargée d'éléments insolites / La terre s'entr'ouvre. Formidable, l'ombre de Pan se profile sur les montagnes du fond. Tous fuient éperdus, Daphnis et Chloé: Première Partie. Danse grotesque de Dorcon, Daphnis et Chloé: Première Partie. Danse légère et gracieuse de Daphnis, Daphnis et Chloé: Première Partie. Interlude, Daphnis et Chloé: Première Partie. Introduction et Danse religieuse, Daphnis et Chloé: Première Partie. L'on perçoit des bruits d'armes, des cries de guerre qui se rapprochent / Fou de désespoir, il maudit les divinités qui n'ont su protéger la jeune fille Chloé et tombe évanoui, à l'entrée de la grotte, Daphnis et Chloé: Première Partie. Les jeunes filles, Daphnis et Chloé: Première Partie. Tous invitent Daphnis à recevoir la récompense / Danse de Lyceion, Daphnis et Chloé: Première Partie. Une lumière iréelle enveloppe le paysage / Danse lente et mystérieuse / Elles invoquent le dieu Pan / Daphnis se prosterne suppliant. Tout s'éteint, Daphnis et Chloé: Troisiéme Partie. Devant l'autel des Nymphes, il jure sa foi sur deux brebis / Entre un groupe de jeunes filles costumées en bacchantes / Daphnis et Chloé s'enlacent tendrement / Joyeux tumulte / Danse générale, Daphnis et Chloé: Troisiéme Partie. Le vieux berger Lammon explique que, si Pan a suavé Chloé / Daphnis et Chloé miment l'aventure de Pan et de Syrinx, Daphnis et Chloé: Troisiéme Partie. Lever du jour, Drowned Out, Enigma Variations: VIII. W.N. (Winifred Norbury), Estampes - Pagodes, Fanfare pour "L'Éventail de Jeanne", Four Studies (1952 version): I. Danse, Four Studies (1952 version): II. Excentrique, Four Studies (1952 version): III. Cantique, Four Studies (1952 version): IV. Madrid, Harmonielehre: Part I, Harmonielehre: Part II: The Anfortas Wound, Harmonielehre: Part III: Meister Eckhardt and Quackie, In a Nutshell: I. Arrival Platform Humlet, In a Nutshell: II. Gay but Wistful, In a Nutshell: III. Pastoral, In a Nutshell: IV. The Gum-Suckers March, Jeux, La Valse, Le Sacre du printemps: Première Partie: L'adoration de la terre. Cercles mystérieux des adolescentes, Le Sacre du printemps: Première Partie: L'adoration de la terre. Danse sacrale (L'èlue), Le Sacre du printemps: Première Partie: L'adoration de la terre. Glorification de l'èlue - Évocation des ancêtres - Action rituelle des ancêtres, Le Sacre du printemps: Première Partie: L'adoration de la terre. Introduction, Le Sacre du printemps: Première Partie: L'adoration de la terre. Introduction - Les augures printaniers - Danses des adolescentes - Jeu du rapt, Le Sacre du printemps: Première Partie: L'adoration de la terre. Le sage - Danse de la terre, Le Sacre du printemps: Première Partie: L'adoration de la terre. Ronder printanières - Jeux des cités rivales - Cortège du sage, Lincolnshire Posy: I. Lisbon (Sailor's Song), Lincolnshire Posy: II. Horkstow Grange (The Miser and His Man - A Local Tragedy), Lincolnshire Posy: III. Rufford Park Poachers (Poaching Song), Lincolnshire Posy: IV. The Brisk Young Sailor (Who Returned to Wed His True Love), Lincolnshire Posy: V. Lord Melbourne (War Song), Lincolnshire Posy: VI. The Lost Lady Found (Dance Song), Lulu-Suite: I. Rondo: Andante und Hymne, Lulu-Suite: II. Ostinato: Allegro, Lulu-Suite: IV. Variationen: Moderato, Ma Mère l'Oye: (Interlude) - Laideronnette, Impératrice des Pagodes -, Ma Mère l'Oye: (Interlude) - Les Entretiens de la Belle et de la Bête -, Ma Mère l'Oye: (Interlude) - Petit poucet -, Ma Mère l'Oye: Danse du Rouet et Scène -, Ma Mère l'Oye: Le Jardin Féerique, Ma Mère l'Oye: Pavane de la Belle au bois dormant -, Ma Mère l'Oye: Prélude -, Miroirs - La Vallée des cloches, Miroirs: La vallée des cloches (Très lent), Momentum, Musique pour Le Roi Lear: Fanfare, Musique pour Le Roi Lear: Le Sommeil de Lear, Pagodes from Estampes, Petrushka: I. Fete populaire de la semaine grasse, Petrushka: I. Le tour de passe-passe - Danse russe, Petrushka: II. Chez Petrushka, Petrushka: III. Chez le maure - Danse de la ballerine, Petrushka: III. Valse - La ballerine et le maure, Petrushka: IV. Bohemien et marchand malhonnete, Petrushka: IV. Danse des cochers et des palefreniers, Petrushka: IV. Danse des nounous, Petrushka: IV. Fete populaire de la semaine grasse, Petrushka: IV. Le rixe - Le maure et Petrushka, Petrushka: IV. Les deguises, Petrushka: IV. Mort de Petrushka, Petrushka: IV. Paysan et l'ours, Petrushka: IV. Police et l'enchanteur - Vociferation du double de Petrushka, Scherzo à la Russe, Scherzo à la Russe (for jazz band), Scythian Suite, op. 20 "Ala and Lolli": I. The Adoration of Veles and Ala: Allegro feroce, Scythian Suite, op. 20 "Ala and Lolli": II. The Alien God and the Dance of the Evil Spirits: Allegro sostenuto, Scythian Suite, op. 20 "Ala and Lolli": III. Night: Andantino, Scythian Suite, op. 20 "Ala and Lolli": IV. Lolli's March and the Cortege of the Sun: Tempostoso, Symphonie Nr. 102: I. Largo - Vivace, Symphonie Nr. 102: II. Adagio, Symphonie Nr. 102: III. Menuet (Allegro) & Trio, Symphonie Nr. 102: IV. Finale (Presto), Symphonie Nr. 22 "Der Philosoph": I. Adagio, Symphonie Nr. 22 "Der Philosoph": II. Presto, Symphonie Nr. 22 "Der Philosoph": III. Menuetto & Trio, Symphonie Nr. 22 "Der Philosoph": IV. Finale (Presto), Symphonie Nr. 7: I. Tanz - Lebhaft und beseelt, Symphonie Nr. 7: II. Ruhig bewegt, Symphonie Nr. 7: III. Unablässig in Bewegung, Symphonie Nr. 7: IV. Ruhig, verhalten, Symphonie Nr. 86: I. Adagio - Allegro spiritoso, Symphonie Nr. 86: II. Capriccio (Largo), Symphonie Nr. 86: III. Menuet (Allegretto) & Trio, Symphonie Nr. 86: IV. Finale (Allegro con spirito), Symphony In Three Movements: I., Symphony In Three Movements: II. - Andante - Interlude, Symphony No. 1 in D major: Blumine (original discarded movement), Symphony No. 1 in D major: I. Langsam. Schleppend - Im Anfang sehr gemächlich, Symphony No. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony No. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony No. 1 in D major: IV. Stürmisch bewegt, Symphony in Three Movements: III. Con moto, Symphony no. 1 in B-flat minor: I: Allegro assai, Symphony no. 1 in B-flat minor: II: Presto, con malizia, Symphony no. 1 in B-flat minor: III: Andante con malinconia, Symphony no. 1 in B-flat minor: IV: Maestoso - Brioso ed ardentemente - Vivacissimo - Maestoso, Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso, Symphony no. 2 in C minor “Resurrection”: II. Andante moderato, Symphony no. 2 in C minor “Resurrection”: III. In ruhig fließender Bewegung, Symphony no. 2 in C minor “Resurrection”: IV. Urlicht. Sehr feierlich, aber schlicht, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Etwas bewegter -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Langsam. Misterioso -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Mit Aufschwung aber nicht eilen -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Ritardando...Maestoso -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wieder sehr breit -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wieder zurückhaltend -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wild herausfahrend -, Symphony no. 3 in C, op. 52: II. Andantino con moto, quasi allegretto (opening), Symphony no. 3 in D minor: I. Kräftig. Entschieden, Symphony no. 4 in C minor, op. 43: I. Allegretto poco moderato - Presto - (Tempo I), Symphony no. 4 in C minor, op. 43: II. Moderato con moto, Symphony no. 4 in C minor, op. 43: III. Largo - Allegro, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - recht gemächlich, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll, Symphony no. 4 in G major: IV. Sehr behaglich, Symphony no. 5 in B-flat, op. 100: I. Andante, Symphony no. 5 in B-flat, op. 100: II. Allegro marcato, Symphony no. 5 in B-flat, op. 100: III. Adagio, Symphony no. 5 in B-flat, op. 100: IV. Allegro giocoso, Symphony no. 5 in E-flat, op. 82: III. Allegro molto (opening), Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Andante moderato, Symphony no. 6 in A minor: III. Scherzo: Wuchtig, Symphony no. 6 in A minor: IV. Finale: Allegro moderato, Symphony no. 7 in E minor "Lied der Nacht": I. Langsam, Symphony no. 7 in E minor "Lied der Nacht": II. Nachtmusik: Allegro Moderato, Symphony no. 7 in E minor "Lied der Nacht": III. Scherzo: Schattenhaft - Trio, Symphony no. 7 in E minor "Lied der Nacht": IV. Nachtmusik: Andante Amoroso, Symphony no. 7 in E minor "Lied der Nacht": V. Rondo-Finale: Tempo 1 (Allegro Ordinario), Symphony no. 7 in E: I. Allegro moderato, Symphony no. 7 in E: II. Adagio (Sehr feierlich und sehr langsam), Symphony no. 7 in E: III. Scherzo: Sehr schnell - Trio (Etwas langsamer) - Scherzo da capo, Symphony no. 7 in E: IV. Finale: Bewegt, doch nicht schnell, The Chairman Dances - Foxtrot for Orchestra, The Chairman Dances: Foxtrot for Orchestra, The Dream of Gerontius: (Andantino), The Dream of Gerontius: And now on the threshold (Angel), The Dream of Gerontius: Another marvel, The Dream of Gerontius: Be merciful, be gracious (semi-chorus, chorus), The Dream of Gerontius: But hark! Upon my senses (Soul), The Dream of Gerontius: But hark! a grand mysterious harmony (Soul, Angel, chorus), The Dream of Gerontius: Dispossessed, aside thrust (chorus), The Dream of Gerontius: Glory to Him (semi-chorus, chorus), The Dream of Gerontius: Go forth upon thy Journey (chorus, Priest, semi-chorus), The Dream of Gerontius: Go in the name of Angels (chorus, Priest, semi-chorus), The Dream of Gerontius: I can no more (Gerontius), The Dream of Gerontius: I see not those false spirits (Soul), The Dream of Gerontius: I went to sleep (Soul of Gerontius), The Dream of Gerontius: It is a member of that family... A presage falls upon thee (Angel, Soul), The Dream of Gerontius: Jesu! by that shuddering dread (Angel of the Agony, Soul), The Dream of Gerontius: Jesu, Maria - I am near to death (Gerontius), The Dream of Gerontius: Lord, Thou hast been our refuge (chorus), The Dream of Gerontius: Low-born clods of brute earth (chorus), The Dream of Gerontius: My work is done (Angel, Soul), The Dream of Gerontius: Novissima hora est (semi-chorus, chorus, Gerontius), The Dream of Gerontius: Praise to His Name! (Angel), The Dream of Gerontius: Praise to the Holiest (chorus), The Dream of Gerontius: Praise to the Holiest (semi-chorus, chorus, Angel), The Dream of Gerontius: Prelude, The Dream of Gerontius: Proficiscere, anima Christiana (Priest), The Dream of Gerontius: Rescue him, O Lord (chorus), The Dream of Gerontius: Rouse thee, my fainting soul... Be merciful (Gerontius, chorus), The Dream of Gerontius: Sanctus fortis, Sanctus Deus (Gerontius), The Dream of Gerontius: So pray for me... Kyrie eleison... Holy Mary, pray for him (Gerontius, semi-chorus, chorus), The Dream of Gerontius: Softly and gently (Angel, chorus, semi-chorus), The Dream of Gerontius: Take me away (Soul), The Dream of Gerontius: The Sound is like the rushing of the wind (Soul), The Dream of Gerontius: The mind bold and independent (chorus), The Dream of Gerontius: There was a mortal (Angel), The Dream of Gerontius: They sing of thy approaching agony (Soul, Angel, chorus), The Dream of Gerontius: Thy judgment now is near (Angel, Soul), The Miraculous Mandarin, op. 19 (Sz. 73): Dance of the Girl, The Miraculous Mandarin, op. 19 (Sz. 73): First Seduction Game, The Miraculous Mandarin, op. 19 (Sz. 73): Second Seduction Game, The Miraculous Mandarin, op. 19 (Sz. 73): The Beginning, the Curtain Rises, The Miraculous Mandarin, op. 19 (Sz. 73): The Chase, the Tramps Leap Out, The Miraculous Mandarin, op. 19 (Sz. 73): The Mandarin Falls to the Floor, The Miraculous Mandarin, op. 19 (Sz. 73): Third Seduction Game, the Mandarin Enters, The Rite of Spring: Part 2: The Sacrifice: Introduction, The Rite of Spring: Part 2: The Sacrifice: Mystic Circles of the Young Girls, The Warriors, Three Screaming Popes, Train Music, Trois Images pour orchestre: I. Gigues, Trois Images pour orchestre: II. Ibéria: a) Par les rues et par les chemins, Trois Images pour orchestre: II. Ibéria: b) Les Parfums de la nuit, Trois Images pour orchestre: II. Ibéria: c) Le Matin d'un jour de fête, Trois Images pour orchestre: III. Rondes de printemps, Two Fanfares: 2. Short Ride in a Fast Machine, Variations for Orchestra, op. 31: Finale, Variations for Orchestra, op. 31: Introduction & Theme, Variations for Orchestra, op. 31: Variation 1, Variations for Orchestra, op. 31: Variation 2, Variations for Orchestra, op. 31: Variation 3, Variations for Orchestra, op. 31: Variation 4, Variations for Orchestra, op. 31: Variation 5, Variations for Orchestra, op. 31: Variation 6, Variations for Orchestra, op. 31: Variation 7, Variations for Orchestra, op. 31: Variation 8, Variations for Orchestra, op. 31: Variation 9, Zeitgestalten: III ♩ = 80
Michael Sheady	balance	5 Orchesterstücke, op. 16: I. Vorgefühle: Sehr rasch, 5 Orchesterstücke, op. 16: II. Vergangenes: Mässige Viertel, 5 Orchesterstücke, op. 16: III. Farben: Mässige Viertel, 5 Orchesterstücke, op. 16: V. Das obligate Rezitativ: Bewegte Achtel, 5 Orchesterstücke, op.16: IV. Peripetie, sehr rasch, 6 Orchesterstücke, op. 6: I. Langsam, 6 Orchesterstücke, op. 6: II. Bewegt, 6 Orchesterstücke, op. 6: III. Mässig, 6 Orchesterstücke, op. 6: IV. Sehr mässig, 6 Orchesterstücke, op. 6: V. Sehr langsam, 6 Orchesterstücke, op. 6: VI. Langsam, Alborada del gracioso, An American Overture, op. 27, Apollo: Premiere Tableau (prologue). Naissance d'Apollon, Apollo: Second Tableau. Apothéose, Apollo: Second Tableau. Coda (Apollon et les Muses), Apollo: Second Tableau. Pas d'action (Apollon et les Muses: Calliope, Polymnie et Terpsichore), Apollo: Second Tableau. Pas de deux (Apollon et Terpsichore), Apollo: Second Tableau. Variation d'Apollon, Apollo: Second Tableau. Variation d'Apollon (Apollon et les Muses), Apollo: Second Tableau. Variation de Calliope (L'Alexandrin), Apollo: Second Tableau. Variation de Polymnie, Apollo: Second Tableau. Variation de Tepsichore, Ballet "The Firebird": Dance of Kashchey's retinue under Firebird's spell, Ballet "The Firebird": Dance of the Firebird, Ballet "The Firebird": Disappearance of the palace, Ballet "The Firebird": Introduction, Ballet "The Firebird": Lullaby, Ballet "The Firebird": Sudden appearance of Ivan Tsarevich, Ballet "The Firebird": The princesses' game with the golden apples, Fanfare pour "L'Éventail de Jeanne", Four Studies (1952 version): I. Danse, Four Studies (1952 version): II. Excentrique, Four Studies (1952 version): III. Cantique, Four Studies (1952 version): IV. Madrid, Glagolitic Mass: I. Uvod (Introduction), Glagolitic Mass: VIII. Intrada, La Valse, Le Sacre du printemps: Première Partie: L'adoration de la terre. Cercles mystérieux des adolescentes, Le Sacre du printemps: Première Partie: L'adoration de la terre. Danse sacrale (L'èlue), Le Sacre du printemps: Première Partie: L'adoration de la terre. Glorification de l'èlue - Évocation des ancêtres - Action rituelle des ancêtres, Le Sacre du printemps: Première Partie: L'adoration de la terre. Introduction, Le Sacre du printemps: Première Partie: L'adoration de la terre. Introduction - Les augures printaniers - Danses des adolescentes - Jeu du rapt, Le Sacre du printemps: Première Partie: L'adoration de la terre. Le sage - Danse de la terre, Le Sacre du printemps: Première Partie: L'adoration de la terre. Ronder printanières - Jeux des cités rivales - Cortège du sage, Lulu-Suite: I. Rondo: Andante und Hymne, Lulu-Suite: II. Ostinato: Allegro, Lulu-Suite: IV. Variationen: Moderato, Ma Mère l'Oye: (Interlude) - Laideronnette, Impératrice des Pagodes -, Ma Mère l'Oye: (Interlude) - Les Entretiens de la Belle et de la Bête -, Ma Mère l'Oye: (Interlude) - Petit poucet -, Ma Mère l'Oye: Danse du Rouet et Scène -, Ma Mère l'Oye: Le Jardin Féerique, Ma Mère l'Oye: Pavane de la Belle au bois dormant -, Ma Mère l'Oye: Prélude -, Miroirs - La Vallée des cloches, Miroirs: La vallée des cloches (Très lent), Pan and Syrinx: Pastorale, op. 49, Petrushka: I. Fete populaire de la semaine grasse, Petrushka: I. Le tour de passe-passe - Danse russe, Petrushka: II. Chez Petrushka, Petrushka: III. Chez le maure - Danse de la ballerine, Petrushka: III. Valse - La ballerine et le maure, Petrushka: IV. Bohemien et marchand malhonnete, Petrushka: IV. Danse des cochers et des palefreniers, Petrushka: IV. Danse des nounous, Petrushka: IV. Fete populaire de la semaine grasse, Petrushka: IV. Le rixe - Le maure et Petrushka, Petrushka: IV. Les deguises, Petrushka: IV. Mort de Petrushka, Petrushka: IV. Paysan et l'ours, Petrushka: IV. Police et l'enchanteur - Vociferation du double de Petrushka, Scherzo à la Russe, Scherzo à la Russe (for jazz band), Sinfonia da Requiem, op. 20: I. Lacrymosa: Andante ben misurato -, Sinfonia da Requiem, op. 20: II. Dies irae: Allegro con fuoco -, Sinfonia da Requiem, op. 20: III. Requiem aeternam: Andante molto tranquillo, Suite on English Folk Tunes, op. 90 "A time there was...": I. Cakes and Ale, Suite on English Folk Tunes, op. 90 "A time there was...": II. The Bitter Withy, Suite on English Folk Tunes, op. 90 "A time there was...": III. Hankin Booby, Suite on English Folk Tunes, op. 90 "A time there was...": IV. Hunt the Squirrel, Suite on English Folk Tunes, op. 90 "A time there was...": V. Lord Melbourne (feat. cor anglais: Peter Walden), Symphony In Three Movements: I., Symphony In Three Movements: II. - Andante - Interlude, Symphony in Three Movements: III. Con moto, Symphony no. 1 in E minor, op. 39: I. Allegro, ma non troppo - Allegro energico (excerpt), Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso, Symphony no. 2 in C minor “Resurrection”: II. Andante moderato, Symphony no. 2 in C minor “Resurrection”: III. In ruhig fließender Bewegung, Symphony no. 2 in C minor “Resurrection”: IV. Urlicht. Sehr feierlich, aber schlicht, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Etwas bewegter -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Langsam. Misterioso -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Mit Aufschwung aber nicht eilen -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Ritardando...Maestoso -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wieder sehr breit -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wieder zurückhaltend -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wild herausfahrend -, Symphony no. 4, op. 29: Allegro, Symphony no. 4, op. 29: Poco adagio quasi andante, Symphony no. 4, op. 29: Poco allegretto, Symphony no. 5 in E-flat, op. 82: III. Allegro molto (opening), The Dream of Gerontius: (Andantino), The Dream of Gerontius: And now on the threshold (Angel), The Dream of Gerontius: Another marvel, The Dream of Gerontius: Be merciful, be gracious (semi-chorus, chorus), The Dream of Gerontius: But hark! Upon my senses (Soul), The Dream of Gerontius: But hark! a grand mysterious harmony (Soul, Angel, chorus), The Dream of Gerontius: Dispossessed, aside thrust (chorus), The Dream of Gerontius: Glory to Him (semi-chorus, chorus), The Dream of Gerontius: Go forth upon thy Journey (chorus, Priest, semi-chorus), The Dream of Gerontius: Go in the name of Angels (chorus, Priest, semi-chorus), The Dream of Gerontius: I can no more (Gerontius), The Dream of Gerontius: I see not those false spirits (Soul), The Dream of Gerontius: I went to sleep (Soul of Gerontius), The Dream of Gerontius: It is a member of that family... A presage falls upon thee (Angel, Soul), The Dream of Gerontius: Jesu! by that shuddering dread (Angel of the Agony, Soul), The Dream of Gerontius: Jesu, Maria - I am near to death (Gerontius), The Dream of Gerontius: Lord, Thou hast been our refuge (chorus), The Dream of Gerontius: Low-born clods of brute earth (chorus), The Dream of Gerontius: My work is done (Angel, Soul), The Dream of Gerontius: Novissima hora est (semi-chorus, chorus, Gerontius), The Dream of Gerontius: Praise to His Name! (Angel), The Dream of Gerontius: Praise to the Holiest (chorus), The Dream of Gerontius: Praise to the Holiest (semi-chorus, chorus, Angel), The Dream of Gerontius: Prelude, The Dream of Gerontius: Proficiscere, anima Christiana (Priest), The Dream of Gerontius: Rescue him, O Lord (chorus), The Dream of Gerontius: Rouse thee, my fainting soul... Be merciful (Gerontius, chorus), The Dream of Gerontius: Sanctus fortis, Sanctus Deus (Gerontius), The Dream of Gerontius: So pray for me... Kyrie eleison... Holy Mary, pray for him (Gerontius, semi-chorus, chorus), The Dream of Gerontius: Softly and gently (Angel, chorus, semi-chorus), The Dream of Gerontius: Take me away (Soul), The Dream of Gerontius: The Sound is like the rushing of the wind (Soul), The Dream of Gerontius: The mind bold and independent (chorus), The Dream of Gerontius: There was a mortal (Angel), The Dream of Gerontius: They sing of thy approaching agony (Soul, Angel, chorus), The Dream of Gerontius: Thy judgment now is near (Angel, Soul), The Rite of Spring: Part 2: The Sacrifice: Introduction, The Rite of Spring: Part 2: The Sacrifice: Mystic Circles of the Young Girls
Mike Clements (engineer)	balance	Asyla, op. 17: I, Asyla, op. 17: II, Asyla, op. 17: III. Ecstasio, Asyla, op. 17: IV, Barcarola per grande orchestra, Boléro, Concerto for Orchestra (Sz. 116): Elegia (Andante non troppo), Concerto for Orchestra (Sz. 116): Finale (Pesante - Presto), Concerto for Orchestra (Sz. 116): Giuoco delle coppie (Allegretto scherzando), Concerto for Orchestra (Sz. 116): Intermezzo interrotto (Allegretto), Concerto for Orchestra (Sz. 116): Introduzione (Andante non troppo - Allegro vivace), Country Gardens, Daphnis et Chloé: Deuxiéme Partie. Bryaxis ordonne d'amener la captive. Chloé est traînée par deux pirates / Danse suppliante de Chloé, Daphnis et Chloé: Deuxiéme Partie. Bryaxis veut l'entraîner / Le chef l'emporte, triomphant / Soudain l'atmosphère semble chargée d'éléments insolites / La terre s'entr'ouvre. Formidable, l'ombre de Pan se profile sur les montagnes du fond. Tous fuient éperdus, Daphnis et Chloé: Première Partie. Danse grotesque de Dorcon, Daphnis et Chloé: Première Partie. Danse légère et gracieuse de Daphnis, Daphnis et Chloé: Première Partie. Interlude, Daphnis et Chloé: Première Partie. Introduction et Danse religieuse, Daphnis et Chloé: Première Partie. L'on perçoit des bruits d'armes, des cries de guerre qui se rapprochent / Fou de désespoir, il maudit les divinités qui n'ont su protéger la jeune fille Chloé et tombe évanoui, à l'entrée de la grotte, Daphnis et Chloé: Première Partie. Les jeunes filles, Daphnis et Chloé: Première Partie. Tous invitent Daphnis à recevoir la récompense / Danse de Lyceion, Daphnis et Chloé: Première Partie. Une lumière iréelle enveloppe le paysage / Danse lente et mystérieuse / Elles invoquent le dieu Pan / Daphnis se prosterne suppliant. Tout s'éteint, Daphnis et Chloé: Troisiéme Partie. Devant l'autel des Nymphes, il jure sa foi sur deux brebis / Entre un groupe de jeunes filles costumées en bacchantes / Daphnis et Chloé s'enlacent tendrement / Joyeux tumulte / Danse générale, Daphnis et Chloé: Troisiéme Partie. Le vieux berger Lammon explique que, si Pan a suavé Chloé / Daphnis et Chloé miment l'aventure de Pan et de Syrinx, Daphnis et Chloé: Troisiéme Partie. Lever du jour, Drowned Out, Enigma Variations: VIII. W.N. (Winifred Norbury), Estampes - Pagodes, Flourish with Fireworks, op. 22, Harnasie: Tableau I, In the mountain pasture, No. 1: Driving the Sheep, Harnasie: Tableau I, In the mountain pasture, No. 2: Mimed Scene (Courtship), Harnasie: Tableau I, In the mountain pasture, No. 4: Mimed Scene (The Harnaś and the girl), Harnasie: Tableau I, In the mountain pasture, No. 5: The Tatra Robbers' Dance. Finale, In a Nutshell: I. Arrival Platform Humlet, In a Nutshell: II. Gay but Wistful, In a Nutshell: III. Pastoral, In a Nutshell: IV. The Gum-Suckers March, Jeux, Lincolnshire Posy: I. Lisbon (Sailor's Song), Lincolnshire Posy: II. Horkstow Grange (The Miser and His Man - A Local Tragedy), Lincolnshire Posy: III. Rufford Park Poachers (Poaching Song), Lincolnshire Posy: IV. The Brisk Young Sailor (Who Returned to Wed His True Love), Lincolnshire Posy: V. Lord Melbourne (War Song), Lincolnshire Posy: VI. The Lost Lady Found (Dance Song), Momentum, Musique pour Le Roi Lear: Fanfare, Musique pour Le Roi Lear: Le Sommeil de Lear, Pagodes from Estampes, Scythian Suite, op. 20 "Ala and Lolli": I. The Adoration of Veles and Ala: Allegro feroce, Scythian Suite, op. 20 "Ala and Lolli": II. The Alien God and the Dance of the Evil Spirits: Allegro sostenuto, Scythian Suite, op. 20 "Ala and Lolli": III. Night: Andantino, Scythian Suite, op. 20 "Ala and Lolli": IV. Lolli's March and the Cortege of the Sun: Tempostoso, Symphonie Nr. 102: I. Largo - Vivace, Symphonie Nr. 102: II. Adagio, Symphonie Nr. 102: III. Menuet (Allegro) & Trio, Symphonie Nr. 102: IV. Finale (Presto), Symphonie Nr. 22 "Der Philosoph": I. Adagio, Symphonie Nr. 22 "Der Philosoph": II. Presto, Symphonie Nr. 22 "Der Philosoph": III. Menuetto & Trio, Symphonie Nr. 22 "Der Philosoph": IV. Finale (Presto), Symphonie Nr. 86: I. Adagio - Allegro spiritoso, Symphonie Nr. 86: II. Capriccio (Largo), Symphonie Nr. 86: III. Menuet (Allegretto) & Trio, Symphonie Nr. 86: IV. Finale (Allegro con spirito), Symphony No. 1 in D major: Blumine (original discarded movement), Symphony No. 1 in D major: I. Langsam. Schleppend - Im Anfang sehr gemächlich, Symphony No. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony No. 1 in D major: IV. Stürmisch bewegt, Symphony no. 1 in B-flat minor: I: Allegro assai, Symphony no. 1 in B-flat minor: II: Presto, con malizia, Symphony no. 1 in B-flat minor: III: Andante con malinconia, Symphony no. 1 in B-flat minor: IV: Maestoso - Brioso ed ardentemente - Vivacissimo - Maestoso, Symphony no. 3 in D minor: I. Kräftig. Entschieden, Symphony no. 4 in C minor, op. 43: I. Allegretto poco moderato - Presto - (Tempo I), Symphony no. 4 in C minor, op. 43: II. Moderato con moto, Symphony no. 4 in C minor, op. 43: III. Largo - Allegro, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - recht gemächlich, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll, Symphony no. 4 in G major: IV. Sehr behaglich, Symphony no. 5 in B-flat, op. 100: I. Andante, Symphony no. 5 in B-flat, op. 100: II. Allegro marcato, Symphony no. 5 in B-flat, op. 100: III. Adagio, Symphony no. 5 in B-flat, op. 100: IV. Allegro giocoso, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Andante moderato, Symphony no. 6 in A minor: III. Scherzo: Wuchtig, Symphony no. 6 in A minor: IV. Finale: Allegro moderato, Symphony no. 7 in E minor "Lied der Nacht": I. Langsam, Symphony no. 7 in E minor "Lied der Nacht": II. Nachtmusik: Allegro Moderato, Symphony no. 7 in E minor "Lied der Nacht": III. Scherzo: Schattenhaft - Trio, Symphony no. 7 in E minor "Lied der Nacht": IV. Nachtmusik: Andante Amoroso, Symphony no. 7 in E minor "Lied der Nacht": V. Rondo-Finale: Tempo 1 (Allegro Ordinario), Symphony no. 7 in E: I. Allegro moderato, Symphony no. 7 in E: II. Adagio (Sehr feierlich und sehr langsam), Symphony no. 7 in E: III. Scherzo: Sehr schnell - Trio (Etwas langsamer) - Scherzo da capo, Symphony no. 7 in E: IV. Finale: Bewegt, doch nicht schnell, The Miraculous Mandarin, op. 19 (Sz. 73): Dance of the Girl, The Miraculous Mandarin, op. 19 (Sz. 73): First Seduction Game, The Miraculous Mandarin, op. 19 (Sz. 73): Second Seduction Game, The Miraculous Mandarin, op. 19 (Sz. 73): The Beginning, the Curtain Rises, The Miraculous Mandarin, op. 19 (Sz. 73): The Chase, the Tramps Leap Out, The Miraculous Mandarin, op. 19 (Sz. 73): The Mandarin Falls to the Floor, The Miraculous Mandarin, op. 19 (Sz. 73): Third Seduction Game, the Mandarin Enters, The Warriors, Three Screaming Popes, Train Music, Trois Images pour orchestre: I. Gigues, Trois Images pour orchestre: II. Ibéria: a) Par les rues et par les chemins, Trois Images pour orchestre: II. Ibéria: b) Les Parfums de la nuit, Trois Images pour orchestre: II. Ibéria: c) Le Matin d'un jour de fête, Trois Images pour orchestre: III. Rondes de printemps, Variations for Orchestra, op. 31: Finale, Variations for Orchestra, op. 31: Introduction & Theme, Variations for Orchestra, op. 31: Variation 1, Variations for Orchestra, op. 31: Variation 2, Variations for Orchestra, op. 31: Variation 3, Variations for Orchestra, op. 31: Variation 4, Variations for Orchestra, op. 31: Variation 5, Variations for Orchestra, op. 31: Variation 6, Variations for Orchestra, op. 31: Variation 7, Variations for Orchestra, op. 31: Variation 8, Variations for Orchestra, op. 31: Variation 9, Zeitgestalten: III ♩ = 80

Collaborators on this artist's recordings

Artist name	Roles	Recordings
City of Birmingham Symphony Orchestra	performing orchestra	5 Orchesterstücke, op. 16: I. Vorgefühle: Sehr rasch, 5 Orchesterstücke, op. 16: II. Vergangenes: Mässige Viertel, 5 Orchesterstücke, op. 16: III. Farben: Mässige Viertel, 5 Orchesterstücke, op. 16: V. Das obligate Rezitativ: Bewegte Achtel, 5 Orchesterstücke, op.16: IV. Peripetie, sehr rasch, 6 Orchesterstücke, op. 6: I. Langsam, 6 Orchesterstücke, op. 6: II. Bewegt, 6 Orchesterstücke, op. 6: III. Mässig, 6 Orchesterstücke, op. 6: IV. Sehr mässig, 6 Orchesterstücke, op. 6: V. Sehr langsam, 6 Orchesterstücke, op. 6: VI. Langsam, A Celebration of some 100 x 150 notes, Ad Lib on Nippon, Alborada del gracioso, An American Overture, op. 27, Apollo: Premiere Tableau (prologue). Naissance d'Apollon, Apollo: Second Tableau. Apothéose, Apollo: Second Tableau. Coda (Apollon et les Muses), Apollo: Second Tableau. Pas d'action (Apollon et les Muses: Calliope, Polymnie et Terpsichore), Apollo: Second Tableau. Pas de deux (Apollon et Terpsichore), Apollo: Second Tableau. Variation d'Apollon, Apollo: Second Tableau. Variation d'Apollon (Apollon et les Muses), Apollo: Second Tableau. Variation de Calliope (L'Alexandrin), Apollo: Second Tableau. Variation de Polymnie, Apollo: Second Tableau. Variation de Tepsichore, Asyla, op. 17: I, Asyla, op. 17: II, Asyla, op. 17: III. Ecstasio, Asyla, op. 17: IV, Ballet "The Firebird": Dance of Kashchey's retinue under Firebird's spell, Ballet "The Firebird": Dance of the Firebird, Ballet "The Firebird": Disappearance of the palace, Ballet "The Firebird": Introduction, Ballet "The Firebird": Lullaby, Ballet "The Firebird": Sudden appearance of Ivan Tsarevich, Ballet "The Firebird": The princesses' game with the golden apples, Barcarola per grande orchestra, Bluebeard's Castle - The Lake of Tears, Boléro, Chamber Symphony no. 1: First Movement [excerpt], Ciaccona sinfonica: I. Allegro, Ciaccona sinfonica: II. Andante sostenuto, Ciaccona sinfonica: III. Gigue, Come Sunday, Concerto for Orchestra (Sz. 116): Elegia (Andante non troppo), Concerto for Orchestra (Sz. 116): Finale (Pesante - Presto), Concerto for Orchestra (Sz. 116): Giuoco delle coppie (Allegretto scherzando), Concerto for Orchestra (Sz. 116): Intermezzo interrotto (Allegretto), Concerto for Orchestra (Sz. 116): Introduzione (Andante non troppo - Allegro vivace), Country Gardens, Daphnis et Chloé: Deuxiéme Partie. Bryaxis ordonne d'amener la captive. Chloé est traînée par deux pirates / Danse suppliante de Chloé, Daphnis et Chloé: Deuxiéme Partie. Bryaxis veut l'entraîner / Le chef l'emporte, triomphant / Soudain l'atmosphère semble chargée d'éléments insolites / La terre s'entr'ouvre. Formidable, l'ombre de Pan se profile sur les montagnes du fond. Tous fuient éperdus, Daphnis et Chloé: Première Partie. Danse grotesque de Dorcon, Daphnis et Chloé: Première Partie. Danse légère et gracieuse de Daphnis, Daphnis et Chloé: Première Partie. Interlude, Daphnis et Chloé: Première Partie. Introduction et Danse religieuse, Daphnis et Chloé: Première Partie. L'on perçoit des bruits d'armes, des cries de guerre qui se rapprochent / Fou de désespoir, il maudit les divinités qui n'ont su protéger la jeune fille Chloé et tombe évanoui, à l'entrée de la grotte, Daphnis et Chloé: Première Partie. Les jeunes filles, Daphnis et Chloé: Première Partie. Tous invitent Daphnis à recevoir la récompense / Danse de Lyceion, Daphnis et Chloé: Première Partie. Une lumière iréelle enveloppe le paysage / Danse lente et mystérieuse / Elles invoquent le dieu Pan / Daphnis se prosterne suppliant. Tout s'éteint, Daphnis et Chloé: Troisiéme Partie. Devant l'autel des Nymphes, il jure sa foi sur deux brebis / Entre un groupe de jeunes filles costumées en bacchantes / Daphnis et Chloé s'enlacent tendrement / Joyeux tumulte / Danse générale, Daphnis et Chloé: Troisiéme Partie. Le vieux berger Lammon explique que, si Pan a suavé Chloé / Daphnis et Chloé miment l'aventure de Pan et de Syrinx, Daphnis et Chloé: Troisiéme Partie. Lever du jour, Das Lied von der Erde: VI. Der Abschied (extract), Das klagende Lied: I. Waldmärchen (Forest Legend), Das klagende Lied: II. Der Spielmann (The Minstrel), Das klagende Lied: III. Hochzeitsstück (Wedding Piece), Decoration Day (conclusion), Dream/Window, Drowned Out, Drowned Out (excerpt), End Title, Enigma Variations: VIII. W.N. (Winifred Norbury), Estampes - Pagodes, Et exspecto ressurrectionem mortuorum (4th movement opening), Fanfare pour "L'Éventail de Jeanne", Flourish with Fireworks, op. 22, Four Studies (1952 version): I. Danse, Four Studies (1952 version): II. Excentrique, Four Studies (1952 version): III. Cantique, Four Studies (1952 version): IV. Madrid, Fünf Stücke für Orchester (nos. 3 - 5), Glagolitic Mass: I. Uvod (Introduction), Glagolitic Mass: VIII. Intrada, Harlem (A Tone Parallel to Harlem), From "Far East Suite", Harmonielehre: Part I, Harmonielehre: Part II: The Anfortas Wound, Harmonielehre: Part III: Meister Eckhardt and Quackie, Harnasie: Tableau I, In the mountain pasture, No. 1: Driving the Sheep, Harnasie: Tableau I, In the mountain pasture, No. 2: Mimed Scene (Courtship), Harnasie: Tableau I, In the mountain pasture, No. 4: Mimed Scene (The Harnaś and the girl), Harnasie: Tableau I, In the mountain pasture, No. 5: The Tatra Robbers' Dance. Finale, Henry V Theme / The Boar’s Head, Holidays Symphony: Decoration Day (conclusion), In a Nutshell: I. Arrival Platform Humlet, In a Nutshell: II. Gay but Wistful, In a Nutshell: III. Pastoral, In a Nutshell: IV. The Gum-Suckers March, Isfahan, Jeux, Jeux (conclusion), Joie du sang des étoiles (Turangalîla-symphonie - 5th movement), Kai, Klavierkonzert a-moll, op. 16: III. Allegro moderato molto e marcato, La Valse, Le Sacre du printemps: Première Partie: L'adoration de la terre. Cercles mystérieux des adolescentes, Le Sacre du printemps: Première Partie: L'adoration de la terre. Danse sacrale (L'èlue), Le Sacre du printemps: Première Partie: L'adoration de la terre. Glorification de l'èlue - Évocation des ancêtres - Action rituelle des ancêtres, Le Sacre du printemps: Première Partie: L'adoration de la terre. Introduction, Le Sacre du printemps: Première Partie: L'adoration de la terre. Introduction - Les augures printaniers - Danses des adolescentes - Jeu du rapt, Le Sacre du printemps: Première Partie: L'adoration de la terre. Le sage - Danse de la terre, Le Sacre du printemps: Première Partie: L'adoration de la terre. Ronder printanières - Jeux des cités rivales - Cortège du sage, Lincolnshire Posy: I. Lisbon (Sailor's Song), Lincolnshire Posy: II. Horkstow Grange (The Miser and His Man - A Local Tragedy), Lincolnshire Posy: III. Rufford Park Poachers (Poaching Song), Lincolnshire Posy: IV. The Brisk Young Sailor (Who Returned to Wed His True Love), Lincolnshire Posy: V. Lord Melbourne (War Song), Lincolnshire Posy: VI. The Lost Lady Found (Dance Song), Lulu-Suite: I. Rondo: Andante und Hymne, Lulu-Suite: II. Ostinato: Allegro, Lulu-Suite: IV. Variationen: Moderato, Ma Mère l'Oye: (Interlude) - Laideronnette, Impératrice des Pagodes -, Ma Mère l'Oye: (Interlude) - Les Entretiens de la Belle et de la Bête -, Ma Mère l'Oye: (Interlude) - Petit poucet -, Ma Mère l'Oye: Danse du Rouet et Scène -, Ma Mère l'Oye: Le Jardin Féerique, Ma Mère l'Oye: Pavane de la Belle au bois dormant -, Ma Mère l'Oye: Prélude -, Maybe, Miroirs - La Vallée des cloches, Miroirs: La vallée des cloches (Très lent), Momentum, Music for Strings, Percussion and Celesta: II. Allegro, Music for strings, percussion and celesta (2nd movement - opening), Musique pour Le Roi Lear: Fanfare, Musique pour Le Roi Lear: Le Sommeil de Lear, Opening Title / ‘O! For a Muse of Fire’, Pagodes from Estampes, Pan and Syrinx: Pastorale, op. 49, Passacaglia, op. 4, Petrushka: I. Fete populaire de la semaine grasse, Petrushka: I. Le tour de passe-passe - Danse russe, Petrushka: II. Chez Petrushka, Petrushka: III. Chez le maure - Danse de la ballerine, Petrushka: III. Valse - La ballerine et le maure, Petrushka: IV. Bohemien et marchand malhonnete, Petrushka: IV. Danse des cochers et des palefreniers, Petrushka: IV. Danse des nounous, Petrushka: IV. Fete populaire de la semaine grasse, Petrushka: IV. Le rixe - Le maure et Petrushka, Petrushka: IV. Les deguises, Petrushka: IV. Mort de Petrushka, Petrushka: IV. Paysan et l'ours, Petrushka: IV. Police et l'enchanteur - Vociferation du double de Petrushka, Piano Quartet no. 1 in G minor, op. 25: I. Allegro, Piano Quartet no. 1 in G minor, op. 25: II. Intermezzo: Allegro, ma non troppo, Piano Quartet no. 1 in G minor, op. 25: III. Andante con moto, Rhapsody in Blue (opening), Scherzo à la Russe, Scherzo à la Russe (for jazz band), Scythian Suite, op. 20 "Ala and Lolli": I. The Adoration of Veles and Ala: Allegro feroce, Scythian Suite, op. 20 "Ala and Lolli": II. The Alien God and the Dance of the Evil Spirits: Allegro sostenuto, Scythian Suite, op. 20 "Ala and Lolli": III. Night: Andantino, Scythian Suite, op. 20 "Ala and Lolli": IV. Lolli's March and the Cortege of the Sun: Tempostoso, Sinfonia da Requiem, op. 20: I. Lacrymosa: Andante ben misurato -, Sinfonia da Requiem, op. 20: II. Dies irae: Allegro con fuoco -, Sinfonia da Requiem, op. 20: III. Requiem aeternam: Andante molto tranquillo, Solitude in Transblucency, Something to Live For, Sophisticated Lady, St. Crispin’s Day / The Battle of Agincourt, Suite on English Folk Tunes, op. 90 "A time there was...": I. Cakes and Ale, Suite on English Folk Tunes, op. 90 "A time there was...": II. The Bitter Withy, Suite on English Folk Tunes, op. 90 "A time there was...": III. Hankin Booby, Suite on English Folk Tunes, op. 90 "A time there was...": IV. Hunt the Squirrel, Suite on English Folk Tunes, op. 90 "A time there was...": V. Lord Melbourne (feat. cor anglais: Peter Walden), Symphonic Dances From West Side Story (excerpt), Symphonic Dances, op. 45: I. Non allegro, Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse), Symphonic Dances, op. 45: III. Lento assai - Allegro vivace, Symphonie Nr. 102: I. Largo - Vivace, Symphonie Nr. 102: II. Adagio, Symphonie Nr. 102: III. Menuet (Allegro) & Trio, Symphonie Nr. 102: IV. Finale (Presto), Symphonie Nr. 22 "Der Philosoph": I. Adagio, Symphonie Nr. 22 "Der Philosoph": II. Presto, Symphonie Nr. 22 "Der Philosoph": III. Menuetto & Trio, Symphonie Nr. 22 "Der Philosoph": IV. Finale (Presto), Symphonie Nr. 7: I. Tanz - Lebhaft und beseelt, Symphonie Nr. 7: II. Ruhig bewegt, Symphonie Nr. 7: III. Unablässig in Bewegung, Symphonie Nr. 7: IV. Ruhig, verhalten, Symphonie Nr. 86: I. Adagio - Allegro spiritoso, Symphonie Nr. 86: II. Capriccio (Largo), Symphonie Nr. 86: III. Menuet (Allegretto) & Trio, Symphonie Nr. 86: IV. Finale (Allegro con spirito), Symphonie no. 3 "Lied der Nacht": Beginn des 1. Satzes, Symphony In Three Movements: I., Symphony In Three Movements: II. - Andante - Interlude, Symphony No. 1 in D major: Blumine (original discarded movement), Symphony No. 1 in D major: I. Langsam. Schleppend - Im Anfang sehr gemächlich, Symphony No. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony No. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony No. 1 in D major: IV. Stürmisch bewegt, Symphony in Three Movements: III. Con moto, Symphony no. 1 in B-flat minor: I: Allegro assai, Symphony no. 1 in B-flat minor: II: Presto, con malizia, Symphony no. 1 in B-flat minor: III: Andante con malinconia, Symphony no. 1 in B-flat minor: IV: Maestoso - Brioso ed ardentemente - Vivacissimo - Maestoso, Symphony no. 1 in E minor, op. 39: I. Allegro, ma non troppo - Allegro energico (excerpt), Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso, Symphony no. 2 in C minor “Resurrection”: II. Andante moderato, Symphony no. 2 in C minor “Resurrection”: III. In ruhig fließender Bewegung, Symphony no. 2 in C minor “Resurrection”: IV. Urlicht. Sehr feierlich, aber schlicht, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Etwas bewegter -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Langsam. Misterioso -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Mit Aufschwung aber nicht eilen -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Ritardando...Maestoso -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wieder sehr breit -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wieder zurückhaltend -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wild herausfahrend -, Symphony no. 3 in C, op. 52: II. Andantino con moto, quasi allegretto (opening), Symphony no. 3 in D minor: I. Kräftig. Entschieden, Symphony no. 4 in C minor, op. 43: I. Allegretto poco moderato - Presto - (Tempo I), Symphony no. 4 in C minor, op. 43: II. Moderato con moto, Symphony no. 4 in C minor, op. 43: III. Largo - Allegro, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - recht gemächlich, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll, Symphony no. 4 in G major: IV. Sehr behaglich, Symphony no. 4, op. 29: Allegro, Symphony no. 4, op. 29: Poco adagio quasi andante, Symphony no. 4, op. 29: Poco allegretto, Symphony no. 5 in B-flat, op. 100: I. Andante, Symphony no. 5 in B-flat, op. 100: II. Allegro marcato, Symphony no. 5 in B-flat, op. 100: III. Adagio, Symphony no. 5 in B-flat, op. 100: IV. Allegro giocoso, Symphony no. 5 in E-flat, op. 82: III. Allegro molto (opening), Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Andante moderato, Symphony no. 6 in A minor: III. Scherzo: Wuchtig, Symphony no. 6 in A minor: IV. Finale: Allegro moderato, Symphony no. 6 in D minor: III. Poco vivace, Symphony no. 60 in C, Hob. I:60 "The Distracted": I. Adagio - Allegro di molto, Symphony no. 60 in C, Hob. I:60 "The Distracted": II. Andante, Symphony no. 60 in C, Hob. I:60 "The Distracted": III. Menuetto & Trio, Symphony no. 60 in C, Hob. I:60 "The Distracted": IV. Presto, Symphony no. 60 in C, Hob. I:60 "The Distracted": V. Adagio (di Lamentatione), Symphony no. 60 in C, Hob. I:60 "The Distracted": VI. Finale (Prestissimo), Symphony no. 7 in E minor "Lied der Nacht": I. Langsam, Symphony no. 7 in E minor "Lied der Nacht": II. Nachtmusik: Allegro Moderato, Symphony no. 7 in E minor "Lied der Nacht": III. Scherzo: Schattenhaft - Trio, Symphony no. 7 in E minor "Lied der Nacht": IV. Nachtmusik: Andante Amoroso, Symphony no. 7 in E minor "Lied der Nacht": V. Rondo-Finale: Tempo 1 (Allegro Ordinario), Symphony no. 7 in E minor “Song of the Night”: III. Scherzo. Schattenhaft, fließend aber nicht schnell (excerpt), Symphony no. 7 in E: I. Allegro moderato, Symphony no. 7 in E: II. Adagio (Sehr feierlich und sehr langsam), Symphony no. 7 in E: III. Scherzo: Sehr schnell - Trio (Etwas langsamer) - Scherzo da capo, Symphony no. 7 in E: IV. Finale: Bewegt, doch nicht schnell, Symphony no. 70 in D, Hob. I:70: I. Vivace con brio, Symphony no. 70 in D, Hob. I:70: II. Specie d'un canone in contrapunto doppio (Andante), Symphony no. 70 in D, Hob. I:70: III. Menuet (Allegretto) & Trio, Symphony no. 70 in D, Hob. I:70: IV. Finale (Allegro con brio), Symphony no. 7: 3rd Movement (opening), Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": a. Veni, creator spiritus, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": b. Imple superna gratia, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": c. Infirma nostri corporis, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": d. Tempo I (Allegro, etwas hastig), Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": e. Infirma nostri corporis, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": f. Accende lumen sensibus, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": g. Qui paraclitus diceris, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": h. Gloria patri domino, Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": a. Poco adagio, Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": b. Più mosso (Allegro moderato), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": c. Waldung, sie schwankt heran (Chor und Echo), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": d. Ewiger Wonnebrand (Pater Ecstaticus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": e. Wie Felsenabgrund mir zu Füssen (Pater Profundus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": f. Gerettet ist das edle Glied (Engel), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": g. Uns bleibt ein Erdenrest (Engel), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": h. Ich spür' soeben (Die jüngeren Engel), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": i. Höchste Herrscherin der Welt (Doctor Marianus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": j. Dir, der Unberührbaren (Chor), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": k. Bei der Liebe, die den Füssen (Magna Peccatrix), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": l. Neige, neige, du Ohnegleiche (Una Poenitentium), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": m. Er überwächst uns schon (Chor seliger Knaben), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": o. Blicket auf zum Retterblick (Doctor Marianus und Chor), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": p. Alles Vergängliche (Chorus mysticus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": q. Alles Vergängliche (Chorus mysticus), Symphony no. 8: 2nd Movement (conclusion), Symphony no. 90 in C, Hob. I:90: I. Adagio - Allegro assai, Symphony no. 90 in C, Hob. I:90: II. Andante, Symphony no. 90 in C, Hob. I:90: III. Menuet & Trio, Symphony no. 90 in C, Hob. I:90: IV. Finale, Take the "A" Train, That Doo-Wah Thing, The Chairman Dances - Foxtrot for Orchestra, The Chairman Dances: Foxtrot for Orchestra, The Death of Bardolph, The Death of Falstaff, The Dream of Gerontius: (Andantino), The Dream of Gerontius: And now on the threshold (Angel), The Dream of Gerontius: Another marvel, The Dream of Gerontius: Be merciful, be gracious (semi-chorus, chorus), The Dream of Gerontius: But hark! Upon my senses (Soul), The Dream of Gerontius: But hark! a grand mysterious harmony (Soul, Angel, chorus), The Dream of Gerontius: Dispossessed, aside thrust (chorus), The Dream of Gerontius: Glory to Him (semi-chorus, chorus), The Dream of Gerontius: Go forth upon thy Journey (chorus, Priest, semi-chorus), The Dream of Gerontius: Go in the name of Angels (chorus, Priest, semi-chorus), The Dream of Gerontius: I can no more (Gerontius), The Dream of Gerontius: I see not those false spirits (Soul), The Dream of Gerontius: I went to sleep (Soul of Gerontius), The Dream of Gerontius: It is a member of that family... A presage falls upon thee (Angel, Soul), The Dream of Gerontius: Jesu! by that shuddering dread (Angel of the Agony, Soul), The Dream of Gerontius: Jesu! by that shuddering dread (Angel of the Agony, Soul, semi-chorus, chorus), The Dream of Gerontius: Jesu, Maria - I am near to death (Gerontius), The Dream of Gerontius: Lord, Thou hast been our refuge (chorus), The Dream of Gerontius: Low-born clods of brute earth (chorus), The Dream of Gerontius: My work is done (Angel, Soul), The Dream of Gerontius: Novissima hora est (semi-chorus, chorus, Gerontius), The Dream of Gerontius: Praise to His Name! (Angel), The Dream of Gerontius: Praise to His Name!... Take me away (Angel, Soul, chorus), The Dream of Gerontius: Praise to the Holiest (chorus), The Dream of Gerontius: Praise to the Holiest (semi-chorus, chorus, Angel), The Dream of Gerontius: Prelude, The Dream of Gerontius: Proficiscere, anima Christiana (Priest), The Dream of Gerontius: Rescue him, O Lord (chorus), The Dream of Gerontius: Rouse thee, my fainting soul... Be merciful (Gerontius, chorus), The Dream of Gerontius: Sanctus fortis, Sanctus Deus (Gerontius), The Dream of Gerontius: So pray for me... Kyrie eleison... Holy Mary, pray for him (Gerontius, semi-chorus, chorus), The Dream of Gerontius: Softly and gently (Angel, chorus, semi-chorus), The Dream of Gerontius: Take me away (Soul), The Dream of Gerontius: The Sound is like the rushing of the wind (Soul), The Dream of Gerontius: The mind bold and independent (chorus), The Dream of Gerontius: There was a mortal (Angel), The Dream of Gerontius: There was a mortal... Praise to the holiest (Angel, semi-chorus, chorus, Soul), The Dream of Gerontius: They sing of thy approaching agony (Soul, Angel, chorus), The Dream of Gerontius: Thy judgment now is near (Angel, Soul), The Firebird (conclusion), The Miraculous Mandarin, op. 19 (Sz. 73): Dance of the Girl, The Miraculous Mandarin, op. 19 (Sz. 73): First Seduction Game, The Miraculous Mandarin, op. 19 (Sz. 73): Second Seduction Game, The Miraculous Mandarin, op. 19 (Sz. 73): The Beginning, the Curtain Rises, The Miraculous Mandarin, op. 19 (Sz. 73): The Chase, the Tramps Leap Out, The Miraculous Mandarin, op. 19 (Sz. 73): The Mandarin Falls to the Floor, The Miraculous Mandarin, op. 19 (Sz. 73): Third Seduction Game, the Mandarin Enters, The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity (conclusion), The Rite of Spring, Part II (The Sacrifice): Sacrificial Dance, The Rite of Spring: Part 2: The Sacrifice: Introduction, The Rite of Spring: Part 2: The Sacrifice: Mystic Circles of the Young Girls, The Threat to the Governor of Harfleur / Katherine of France / The March to Calais, The Three Traitors, The Warriors, The Wooing of Katherine, Things Ain't What They Used to Be, Three Occasions for Orchestra: A Celebration of Some 100 X 150 Notes, Three Screaming Popes, Train Music, Trois Images pour orchestre: I. Gigues, Trois Images pour orchestre: II. Ibéria: a) Par les rues et par les chemins, Trois Images pour orchestre: II. Ibéria: b) Les Parfums de la nuit, Trois Images pour orchestre: II. Ibéria: c) Le Matin d'un jour de fête, Trois Images pour orchestre: III. Rondes de printemps, Two Fanfares: 2. Short Ride in a Fast Machine, Variations for Orchestra, op. 31: Finale, Variations for Orchestra, op. 31: Introduction & Theme, Variations for Orchestra, op. 31: Variation 1, Variations for Orchestra, op. 31: Variation 2, Variations for Orchestra, op. 31: Variation 3, Variations for Orchestra, op. 31: Variation 4, Variations for Orchestra, op. 31: Variation 5, Variations for Orchestra, op. 31: Variation 6, Variations for Orchestra, op. 31: Variation 7, Variations for Orchestra, op. 31: Variation 8, Variations for Orchestra, op. 31: Variation 9, West Side Story: Symphonic Dances, You're the One, Young Person´s Guide to the Orchestra: Fugue (Allegro molto), Zeitgestalten: III ♩ = 80, ‘Let This Acceptance Take’, ‘Non Nobis, Domine’, ‘Now, Lords, for France!’, ‘Once More Unto the Breach’, ‘The Day Is Yours’, ‘Upon the King’
Sir Simon Rattle	conductor	5 Orchesterstücke, op. 16: I. Vorgefühle: Sehr rasch, 5 Orchesterstücke, op. 16: II. Vergangenes: Mässige Viertel, 5 Orchesterstücke, op. 16: III. Farben: Mässige Viertel, 5 Orchesterstücke, op. 16: V. Das obligate Rezitativ: Bewegte Achtel, 5 Orchesterstücke, op.16: IV. Peripetie, sehr rasch, 6 Orchesterstücke, op. 6: I. Langsam, 6 Orchesterstücke, op. 6: II. Bewegt, 6 Orchesterstücke, op. 6: III. Mässig, 6 Orchesterstücke, op. 6: IV. Sehr mässig, 6 Orchesterstücke, op. 6: V. Sehr langsam, 6 Orchesterstücke, op. 6: VI. Langsam, A Celebration of some 100 x 150 notes, Ad Lib on Nippon, Alborada del gracioso, An American Overture, op. 27, Apollo: Premiere Tableau (prologue). Naissance d'Apollon, Apollo: Second Tableau. Apothéose, Apollo: Second Tableau. Coda (Apollon et les Muses), Apollo: Second Tableau. Pas d'action (Apollon et les Muses: Calliope, Polymnie et Terpsichore), Apollo: Second Tableau. Pas de deux (Apollon et Terpsichore), Apollo: Second Tableau. Variation d'Apollon, Apollo: Second Tableau. Variation d'Apollon (Apollon et les Muses), Apollo: Second Tableau. Variation de Calliope (L'Alexandrin), Apollo: Second Tableau. Variation de Polymnie, Apollo: Second Tableau. Variation de Tepsichore, Asyla, op. 17: I, Asyla, op. 17: II, Asyla, op. 17: III. Ecstasio, Asyla, op. 17: IV, Ballet "The Firebird": Dance of Kashchey's retinue under Firebird's spell, Ballet "The Firebird": Dance of the Firebird, Ballet "The Firebird": Disappearance of the palace, Ballet "The Firebird": Introduction, Ballet "The Firebird": Lullaby, Ballet "The Firebird": Sudden appearance of Ivan Tsarevich, Ballet "The Firebird": The princesses' game with the golden apples, Barcarola per grande orchestra, Bluebeard's Castle - The Lake of Tears, Boléro, Chamber Symphony no. 1: First Movement [excerpt], Ciaccona sinfonica: I. Allegro, Ciaccona sinfonica: II. Andante sostenuto, Ciaccona sinfonica: III. Gigue, Come Sunday, Concerto for Orchestra (Sz. 116): Elegia (Andante non troppo), Concerto for Orchestra (Sz. 116): Finale (Pesante - Presto), Concerto for Orchestra (Sz. 116): Giuoco delle coppie (Allegretto scherzando), Concerto for Orchestra (Sz. 116): Intermezzo interrotto (Allegretto), Concerto for Orchestra (Sz. 116): Introduzione (Andante non troppo - Allegro vivace), Country Gardens, Daphnis et Chloé: Deuxiéme Partie. Bryaxis ordonne d'amener la captive. Chloé est traînée par deux pirates / Danse suppliante de Chloé, Daphnis et Chloé: Deuxiéme Partie. Bryaxis veut l'entraîner / Le chef l'emporte, triomphant / Soudain l'atmosphère semble chargée d'éléments insolites / La terre s'entr'ouvre. Formidable, l'ombre de Pan se profile sur les montagnes du fond. Tous fuient éperdus, Daphnis et Chloé: Première Partie. Danse grotesque de Dorcon, Daphnis et Chloé: Première Partie. Danse légère et gracieuse de Daphnis, Daphnis et Chloé: Première Partie. Interlude, Daphnis et Chloé: Première Partie. Introduction et Danse religieuse, Daphnis et Chloé: Première Partie. L'on perçoit des bruits d'armes, des cries de guerre qui se rapprochent / Fou de désespoir, il maudit les divinités qui n'ont su protéger la jeune fille Chloé et tombe évanoui, à l'entrée de la grotte, Daphnis et Chloé: Première Partie. Les jeunes filles, Daphnis et Chloé: Première Partie. Tous invitent Daphnis à recevoir la récompense / Danse de Lyceion, Daphnis et Chloé: Première Partie. Une lumière iréelle enveloppe le paysage / Danse lente et mystérieuse / Elles invoquent le dieu Pan / Daphnis se prosterne suppliant. Tout s'éteint, Daphnis et Chloé: Troisiéme Partie. Devant l'autel des Nymphes, il jure sa foi sur deux brebis / Entre un groupe de jeunes filles costumées en bacchantes / Daphnis et Chloé s'enlacent tendrement / Joyeux tumulte / Danse générale, Daphnis et Chloé: Troisiéme Partie. Le vieux berger Lammon explique que, si Pan a suavé Chloé / Daphnis et Chloé miment l'aventure de Pan et de Syrinx, Daphnis et Chloé: Troisiéme Partie. Lever du jour, Das Lied von der Erde: VI. Der Abschied (extract), Das klagende Lied: I. Waldmärchen (Forest Legend), Das klagende Lied: II. Der Spielmann (The Minstrel), Das klagende Lied: III. Hochzeitsstück (Wedding Piece), Decoration Day (conclusion), Dream/Window, Drowned Out, Drowned Out (excerpt), End Title, Enigma Variations: VIII. W.N. (Winifred Norbury), Estampes - Pagodes, Et exspecto ressurrectionem mortuorum (4th movement opening), Fanfare pour "L'Éventail de Jeanne", Flourish with Fireworks, op. 22, Four Studies (1952 version): I. Danse, Four Studies (1952 version): II. Excentrique, Four Studies (1952 version): III. Cantique, Four Studies (1952 version): IV. Madrid, Fünf Stücke für Orchester (nos. 3 - 5), Glagolitic Mass: I. Uvod (Introduction), Glagolitic Mass: VIII. Intrada, Harlem (A Tone Parallel to Harlem), From "Far East Suite", Harmonielehre: Part I, Harmonielehre: Part II: The Anfortas Wound, Harmonielehre: Part III: Meister Eckhardt and Quackie, Harnasie: Tableau I, In the mountain pasture, No. 1: Driving the Sheep, Harnasie: Tableau I, In the mountain pasture, No. 2: Mimed Scene (Courtship), Harnasie: Tableau I, In the mountain pasture, No. 4: Mimed Scene (The Harnaś and the girl), Harnasie: Tableau I, In the mountain pasture, No. 5: The Tatra Robbers' Dance. Finale, Henry V Theme / The Boar’s Head, Holidays Symphony: Decoration Day (conclusion), In a Nutshell: I. Arrival Platform Humlet, In a Nutshell: II. Gay but Wistful, In a Nutshell: III. Pastoral, In a Nutshell: IV. The Gum-Suckers March, Isfahan, Jeux, Jeux (conclusion), Joie du sang des étoiles (Turangalîla-symphonie - 5th movement), Kai, Klavierkonzert a-moll, op. 16: III. Allegro moderato molto e marcato, La Valse, Le Sacre du printemps: Première Partie: L'adoration de la terre. Cercles mystérieux des adolescentes, Le Sacre du printemps: Première Partie: L'adoration de la terre. Danse sacrale (L'èlue), Le Sacre du printemps: Première Partie: L'adoration de la terre. Glorification de l'èlue - Évocation des ancêtres - Action rituelle des ancêtres, Le Sacre du printemps: Première Partie: L'adoration de la terre. Introduction, Le Sacre du printemps: Première Partie: L'adoration de la terre. Introduction - Les augures printaniers - Danses des adolescentes - Jeu du rapt, Le Sacre du printemps: Première Partie: L'adoration de la terre. Le sage - Danse de la terre, Le Sacre du printemps: Première Partie: L'adoration de la terre. Ronder printanières - Jeux des cités rivales - Cortège du sage, Lincolnshire Posy: I. Lisbon (Sailor's Song), Lincolnshire Posy: II. Horkstow Grange (The Miser and His Man - A Local Tragedy), Lincolnshire Posy: III. Rufford Park Poachers (Poaching Song), Lincolnshire Posy: IV. The Brisk Young Sailor (Who Returned to Wed His True Love), Lincolnshire Posy: V. Lord Melbourne (War Song), Lincolnshire Posy: VI. The Lost Lady Found (Dance Song), Lulu-Suite: I. Rondo: Andante und Hymne, Lulu-Suite: II. Ostinato: Allegro, Lulu-Suite: IV. Variationen: Moderato, Ma Mère l'Oye: (Interlude) - Laideronnette, Impératrice des Pagodes -, Ma Mère l'Oye: (Interlude) - Les Entretiens de la Belle et de la Bête -, Ma Mère l'Oye: (Interlude) - Petit poucet -, Ma Mère l'Oye: Danse du Rouet et Scène -, Ma Mère l'Oye: Le Jardin Féerique, Ma Mère l'Oye: Pavane de la Belle au bois dormant -, Ma Mère l'Oye: Prélude -, Maybe, Miroirs - La Vallée des cloches, Miroirs: La vallée des cloches (Très lent), Momentum, Music for Strings, Percussion and Celesta: II. Allegro, Music for strings, percussion and celesta (2nd movement - opening), Musique pour Le Roi Lear: Fanfare, Musique pour Le Roi Lear: Le Sommeil de Lear, Opening Title / ‘O! For a Muse of Fire’, Pagodes from Estampes, Pan and Syrinx: Pastorale, op. 49, Passacaglia, op. 4, Petrushka: I. Fete populaire de la semaine grasse, Petrushka: I. Le tour de passe-passe - Danse russe, Petrushka: II. Chez Petrushka, Petrushka: III. Chez le maure - Danse de la ballerine, Petrushka: III. Valse - La ballerine et le maure, Petrushka: IV. Bohemien et marchand malhonnete, Petrushka: IV. Danse des cochers et des palefreniers, Petrushka: IV. Danse des nounous, Petrushka: IV. Fete populaire de la semaine grasse, Petrushka: IV. Le rixe - Le maure et Petrushka, Petrushka: IV. Les deguises, Petrushka: IV. Mort de Petrushka, Petrushka: IV. Paysan et l'ours, Petrushka: IV. Police et l'enchanteur - Vociferation du double de Petrushka, Piano Quartet no. 1 in G minor, op. 25: I. Allegro, Piano Quartet no. 1 in G minor, op. 25: II. Intermezzo: Allegro, ma non troppo, Piano Quartet no. 1 in G minor, op. 25: III. Andante con moto, Rhapsody in Blue (opening), Scherzo à la Russe, Scherzo à la Russe (for jazz band), Scythian Suite, op. 20 "Ala and Lolli": I. The Adoration of Veles and Ala: Allegro feroce, Scythian Suite, op. 20 "Ala and Lolli": II. The Alien God and the Dance of the Evil Spirits: Allegro sostenuto, Scythian Suite, op. 20 "Ala and Lolli": III. Night: Andantino, Scythian Suite, op. 20 "Ala and Lolli": IV. Lolli's March and the Cortege of the Sun: Tempostoso, Sinfonia da Requiem, op. 20: I. Lacrymosa: Andante ben misurato -, Sinfonia da Requiem, op. 20: II. Dies irae: Allegro con fuoco -, Sinfonia da Requiem, op. 20: III. Requiem aeternam: Andante molto tranquillo, Solitude in Transblucency, Something to Live For, Sophisticated Lady, St. Crispin’s Day / The Battle of Agincourt, Suite on English Folk Tunes, op. 90 "A time there was...": I. Cakes and Ale, Suite on English Folk Tunes, op. 90 "A time there was...": II. The Bitter Withy, Suite on English Folk Tunes, op. 90 "A time there was...": III. Hankin Booby, Suite on English Folk Tunes, op. 90 "A time there was...": IV. Hunt the Squirrel, Suite on English Folk Tunes, op. 90 "A time there was...": V. Lord Melbourne (feat. cor anglais: Peter Walden), Symphonic Dances From West Side Story (excerpt), Symphonic Dances, op. 45: I. Non allegro, Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse), Symphonic Dances, op. 45: III. Lento assai - Allegro vivace, Symphonie Nr. 102: I. Largo - Vivace, Symphonie Nr. 102: II. Adagio, Symphonie Nr. 102: III. Menuet (Allegro) & Trio, Symphonie Nr. 102: IV. Finale (Presto), Symphonie Nr. 22 "Der Philosoph": I. Adagio, Symphonie Nr. 22 "Der Philosoph": II. Presto, Symphonie Nr. 22 "Der Philosoph": III. Menuetto & Trio, Symphonie Nr. 22 "Der Philosoph": IV. Finale (Presto), Symphonie Nr. 7: I. Tanz - Lebhaft und beseelt, Symphonie Nr. 7: II. Ruhig bewegt, Symphonie Nr. 7: III. Unablässig in Bewegung, Symphonie Nr. 7: IV. Ruhig, verhalten, Symphonie Nr. 86: I. Adagio - Allegro spiritoso, Symphonie Nr. 86: II. Capriccio (Largo), Symphonie Nr. 86: III. Menuet (Allegretto) & Trio, Symphonie Nr. 86: IV. Finale (Allegro con spirito), Symphonie no. 3 "Lied der Nacht": Beginn des 1. Satzes, Symphony In Three Movements: I., Symphony In Three Movements: II. - Andante - Interlude, Symphony No. 1 in D major: Blumine (original discarded movement), Symphony No. 1 in D major: I. Langsam. Schleppend - Im Anfang sehr gemächlich, Symphony No. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony No. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony No. 1 in D major: IV. Stürmisch bewegt, Symphony in Three Movements: III. Con moto, Symphony no. 1 in B-flat minor: I: Allegro assai, Symphony no. 1 in B-flat minor: II: Presto, con malizia, Symphony no. 1 in B-flat minor: III: Andante con malinconia, Symphony no. 1 in B-flat minor: IV: Maestoso - Brioso ed ardentemente - Vivacissimo - Maestoso, Symphony no. 1 in E minor, op. 39: I. Allegro, ma non troppo - Allegro energico (excerpt), Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso, Symphony no. 2 in C minor “Resurrection”: II. Andante moderato, Symphony no. 2 in C minor “Resurrection”: III. In ruhig fließender Bewegung, Symphony no. 2 in C minor “Resurrection”: IV. Urlicht. Sehr feierlich, aber schlicht, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Etwas bewegter -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Langsam. Misterioso -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Mit Aufschwung aber nicht eilen -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Ritardando...Maestoso -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wieder sehr breit -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wieder zurückhaltend -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wild herausfahrend -, Symphony no. 3 in C, op. 52: II. Andantino con moto, quasi allegretto (opening), Symphony no. 3 in D minor: I. Kräftig. Entschieden, Symphony no. 4 in C minor, op. 43: I. Allegretto poco moderato - Presto - (Tempo I), Symphony no. 4 in C minor, op. 43: II. Moderato con moto, Symphony no. 4 in C minor, op. 43: III. Largo - Allegro, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - recht gemächlich, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll, Symphony no. 4 in G major: IV. Sehr behaglich, Symphony no. 4, op. 29: Allegro, Symphony no. 4, op. 29: Poco adagio quasi andante, Symphony no. 4, op. 29: Poco allegretto, Symphony no. 5 in B-flat, op. 100: I. Andante, Symphony no. 5 in B-flat, op. 100: II. Allegro marcato, Symphony no. 5 in B-flat, op. 100: III. Adagio, Symphony no. 5 in B-flat, op. 100: IV. Allegro giocoso, Symphony no. 5 in E-flat, op. 82: III. Allegro molto (opening), Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Andante moderato, Symphony no. 6 in A minor: III. Scherzo: Wuchtig, Symphony no. 6 in A minor: IV. Finale: Allegro moderato, Symphony no. 6 in D minor: III. Poco vivace, Symphony no. 60 in C, Hob. I:60 "The Distracted": I. Adagio - Allegro di molto, Symphony no. 60 in C, Hob. I:60 "The Distracted": II. Andante, Symphony no. 60 in C, Hob. I:60 "The Distracted": III. Menuetto & Trio, Symphony no. 60 in C, Hob. I:60 "The Distracted": IV. Presto, Symphony no. 60 in C, Hob. I:60 "The Distracted": V. Adagio (di Lamentatione), Symphony no. 60 in C, Hob. I:60 "The Distracted": VI. Finale (Prestissimo), Symphony no. 7 in E minor "Lied der Nacht": I. Langsam, Symphony no. 7 in E minor "Lied der Nacht": II. Nachtmusik: Allegro Moderato, Symphony no. 7 in E minor "Lied der Nacht": III. Scherzo: Schattenhaft - Trio, Symphony no. 7 in E minor "Lied der Nacht": IV. Nachtmusik: Andante Amoroso, Symphony no. 7 in E minor "Lied der Nacht": V. Rondo-Finale: Tempo 1 (Allegro Ordinario), Symphony no. 7 in E minor “Song of the Night”: III. Scherzo. Schattenhaft, fließend aber nicht schnell (excerpt), Symphony no. 7 in E: I. Allegro moderato, Symphony no. 7 in E: II. Adagio (Sehr feierlich und sehr langsam), Symphony no. 7 in E: III. Scherzo: Sehr schnell - Trio (Etwas langsamer) - Scherzo da capo, Symphony no. 7 in E: IV. Finale: Bewegt, doch nicht schnell, Symphony no. 70 in D, Hob. I:70: I. Vivace con brio, Symphony no. 70 in D, Hob. I:70: II. Specie d'un canone in contrapunto doppio (Andante), Symphony no. 70 in D, Hob. I:70: III. Menuet (Allegretto) & Trio, Symphony no. 70 in D, Hob. I:70: IV. Finale (Allegro con brio), Symphony no. 7: 3rd Movement (opening), Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": a. Veni, creator spiritus, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": b. Imple superna gratia, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": c. Infirma nostri corporis, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": d. Tempo I (Allegro, etwas hastig), Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": e. Infirma nostri corporis, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": f. Accende lumen sensibus, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": g. Qui paraclitus diceris, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": h. Gloria patri domino, Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": a. Poco adagio, Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": b. Più mosso (Allegro moderato), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": c. Waldung, sie schwankt heran (Chor und Echo), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": d. Ewiger Wonnebrand (Pater Ecstaticus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": e. Wie Felsenabgrund mir zu Füssen (Pater Profundus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": f. Gerettet ist das edle Glied (Engel), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": g. Uns bleibt ein Erdenrest (Engel), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": h. Ich spür' soeben (Die jüngeren Engel), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": i. Höchste Herrscherin der Welt (Doctor Marianus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": j. Dir, der Unberührbaren (Chor), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": k. Bei der Liebe, die den Füssen (Magna Peccatrix), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": l. Neige, neige, du Ohnegleiche (Una Poenitentium), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": m. Er überwächst uns schon (Chor seliger Knaben), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": o. Blicket auf zum Retterblick (Doctor Marianus und Chor), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": p. Alles Vergängliche (Chorus mysticus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": q. Alles Vergängliche (Chorus mysticus), Symphony no. 8: 2nd Movement (conclusion), Symphony no. 90 in C, Hob. I:90: I. Adagio - Allegro assai, Symphony no. 90 in C, Hob. I:90: II. Andante, Symphony no. 90 in C, Hob. I:90: III. Menuet & Trio, Symphony no. 90 in C, Hob. I:90: IV. Finale, Take the "A" Train, That Doo-Wah Thing, The Chairman Dances - Foxtrot for Orchestra, The Chairman Dances: Foxtrot for Orchestra, The Death of Bardolph, The Death of Falstaff, The Dream of Gerontius: (Andantino), The Dream of Gerontius: And now on the threshold (Angel), The Dream of Gerontius: Another marvel, The Dream of Gerontius: Be merciful, be gracious (semi-chorus, chorus), The Dream of Gerontius: But hark! Upon my senses (Soul), The Dream of Gerontius: But hark! a grand mysterious harmony (Soul, Angel, chorus), The Dream of Gerontius: Dispossessed, aside thrust (chorus), The Dream of Gerontius: Glory to Him (semi-chorus, chorus), The Dream of Gerontius: Go forth upon thy Journey (chorus, Priest, semi-chorus), The Dream of Gerontius: Go in the name of Angels (chorus, Priest, semi-chorus), The Dream of Gerontius: I can no more (Gerontius), The Dream of Gerontius: I see not those false spirits (Soul), The Dream of Gerontius: I went to sleep (Soul of Gerontius), The Dream of Gerontius: It is a member of that family... A presage falls upon thee (Angel, Soul), The Dream of Gerontius: Jesu! by that shuddering dread (Angel of the Agony, Soul), The Dream of Gerontius: Jesu! by that shuddering dread (Angel of the Agony, Soul, semi-chorus, chorus), The Dream of Gerontius: Jesu, Maria - I am near to death (Gerontius), The Dream of Gerontius: Lord, Thou hast been our refuge (chorus), The Dream of Gerontius: Low-born clods of brute earth (chorus), The Dream of Gerontius: My work is done (Angel, Soul), The Dream of Gerontius: Novissima hora est (semi-chorus, chorus, Gerontius), The Dream of Gerontius: Praise to His Name! (Angel), The Dream of Gerontius: Praise to His Name!... Take me away (Angel, Soul, chorus), The Dream of Gerontius: Praise to the Holiest (chorus), The Dream of Gerontius: Praise to the Holiest (semi-chorus, chorus, Angel), The Dream of Gerontius: Prelude, The Dream of Gerontius: Proficiscere, anima Christiana (Priest), The Dream of Gerontius: Rescue him, O Lord (chorus), The Dream of Gerontius: Rouse thee, my fainting soul... Be merciful (Gerontius, chorus), The Dream of Gerontius: Sanctus fortis, Sanctus Deus (Gerontius), The Dream of Gerontius: So pray for me... Kyrie eleison... Holy Mary, pray for him (Gerontius, semi-chorus, chorus), The Dream of Gerontius: Softly and gently (Angel, chorus, semi-chorus), The Dream of Gerontius: Take me away (Soul), The Dream of Gerontius: The Sound is like the rushing of the wind (Soul), The Dream of Gerontius: The mind bold and independent (chorus), The Dream of Gerontius: There was a mortal (Angel), The Dream of Gerontius: There was a mortal... Praise to the holiest (Angel, semi-chorus, chorus, Soul), The Dream of Gerontius: They sing of thy approaching agony (Soul, Angel, chorus), The Dream of Gerontius: Thy judgment now is near (Angel, Soul), The Firebird (conclusion), The Miraculous Mandarin, op. 19 (Sz. 73): Dance of the Girl, The Miraculous Mandarin, op. 19 (Sz. 73): First Seduction Game, The Miraculous Mandarin, op. 19 (Sz. 73): Second Seduction Game, The Miraculous Mandarin, op. 19 (Sz. 73): The Beginning, the Curtain Rises, The Miraculous Mandarin, op. 19 (Sz. 73): The Chase, the Tramps Leap Out, The Miraculous Mandarin, op. 19 (Sz. 73): The Mandarin Falls to the Floor, The Miraculous Mandarin, op. 19 (Sz. 73): Third Seduction Game, the Mandarin Enters, The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity (conclusion), The Rite of Spring, Part II (The Sacrifice): Sacrificial Dance, The Rite of Spring: Part 2: The Sacrifice: Introduction, The Rite of Spring: Part 2: The Sacrifice: Mystic Circles of the Young Girls, The Threat to the Governor of Harfleur / Katherine of France / The March to Calais, The Three Traitors, The Warriors, The Wooing of Katherine, Things Ain't What They Used to Be, Three Occasions for Orchestra: A Celebration of Some 100 X 150 Notes, Three Screaming Popes, Train Music, Trois Images pour orchestre: I. Gigues, Trois Images pour orchestre: II. Ibéria: a) Par les rues et par les chemins, Trois Images pour orchestre: II. Ibéria: b) Les Parfums de la nuit, Trois Images pour orchestre: II. Ibéria: c) Le Matin d'un jour de fête, Trois Images pour orchestre: III. Rondes de printemps, Two Fanfares: 2. Short Ride in a Fast Machine, Variations for Orchestra, op. 31: Finale, Variations for Orchestra, op. 31: Introduction & Theme, Variations for Orchestra, op. 31: Variation 1, Variations for Orchestra, op. 31: Variation 2, Variations for Orchestra, op. 31: Variation 3, Variations for Orchestra, op. 31: Variation 4, Variations for Orchestra, op. 31: Variation 5, Variations for Orchestra, op. 31: Variation 6, Variations for Orchestra, op. 31: Variation 7, Variations for Orchestra, op. 31: Variation 8, Variations for Orchestra, op. 31: Variation 9, West Side Story: Symphonic Dances, You're the One, Young Person´s Guide to the Orchestra: Fugue (Allegro molto), Zeitgestalten: III ♩ = 80, ‘Let This Acceptance Take’, ‘Non Nobis, Domine’, ‘Now, Lords, for France!’, ‘Once More Unto the Breach’, ‘The Day Is Yours’, ‘Upon the King’
David R. Murray	engineer, producer	5 Orchesterstücke, op. 16: I. Vorgefühle: Sehr rasch, 5 Orchesterstücke, op. 16: II. Vergangenes: Mässige Viertel, 5 Orchesterstücke, op. 16: III. Farben: Mässige Viertel, 5 Orchesterstücke, op. 16: V. Das obligate Rezitativ: Bewegte Achtel, 5 Orchesterstücke, op.16: IV. Peripetie, sehr rasch, 6 Orchesterstücke, op. 6: I. Langsam, 6 Orchesterstücke, op. 6: II. Bewegt, 6 Orchesterstücke, op. 6: III. Mässig, 6 Orchesterstücke, op. 6: IV. Sehr mässig, 6 Orchesterstücke, op. 6: V. Sehr langsam, 6 Orchesterstücke, op. 6: VI. Langsam, Alborada del gracioso, Apollo: Premiere Tableau (prologue). Naissance d'Apollon, Apollo: Second Tableau. Apothéose, Apollo: Second Tableau. Coda (Apollon et les Muses), Apollo: Second Tableau. Pas d'action (Apollon et les Muses: Calliope, Polymnie et Terpsichore), Apollo: Second Tableau. Pas de deux (Apollon et Terpsichore), Apollo: Second Tableau. Variation d'Apollon, Apollo: Second Tableau. Variation d'Apollon (Apollon et les Muses), Apollo: Second Tableau. Variation de Calliope (L'Alexandrin), Apollo: Second Tableau. Variation de Polymnie, Apollo: Second Tableau. Variation de Tepsichore, Ballet "The Firebird": Dance of Kashchey's retinue under Firebird's spell, Ballet "The Firebird": Dance of the Firebird, Ballet "The Firebird": Disappearance of the palace, Ballet "The Firebird": Introduction, Ballet "The Firebird": Lullaby, Ballet "The Firebird": Sudden appearance of Ivan Tsarevich, Ballet "The Firebird": The princesses' game with the golden apples, Barcarola per grande orchestra, Boléro, Concerto for Orchestra (Sz. 116): Elegia (Andante non troppo), Concerto for Orchestra (Sz. 116): Finale (Pesante - Presto), Concerto for Orchestra (Sz. 116): Giuoco delle coppie (Allegretto scherzando), Concerto for Orchestra (Sz. 116): Intermezzo interrotto (Allegretto), Concerto for Orchestra (Sz. 116): Introduzione (Andante non troppo - Allegro vivace), Country Gardens, Daphnis et Chloé: Deuxiéme Partie. Bryaxis ordonne d'amener la captive. Chloé est traînée par deux pirates / Danse suppliante de Chloé, Daphnis et Chloé: Deuxiéme Partie. Bryaxis veut l'entraîner / Le chef l'emporte, triomphant / Soudain l'atmosphère semble chargée d'éléments insolites / La terre s'entr'ouvre. Formidable, l'ombre de Pan se profile sur les montagnes du fond. Tous fuient éperdus, Daphnis et Chloé: Première Partie. Danse grotesque de Dorcon, Daphnis et Chloé: Première Partie. Danse légère et gracieuse de Daphnis, Daphnis et Chloé: Première Partie. Interlude, Daphnis et Chloé: Première Partie. Introduction et Danse religieuse, Daphnis et Chloé: Première Partie. L'on perçoit des bruits d'armes, des cries de guerre qui se rapprochent / Fou de désespoir, il maudit les divinités qui n'ont su protéger la jeune fille Chloé et tombe évanoui, à l'entrée de la grotte, Daphnis et Chloé: Première Partie. Les jeunes filles, Daphnis et Chloé: Première Partie. Tous invitent Daphnis à recevoir la récompense / Danse de Lyceion, Daphnis et Chloé: Première Partie. Une lumière iréelle enveloppe le paysage / Danse lente et mystérieuse / Elles invoquent le dieu Pan / Daphnis se prosterne suppliant. Tout s'éteint, Daphnis et Chloé: Troisiéme Partie. Devant l'autel des Nymphes, il jure sa foi sur deux brebis / Entre un groupe de jeunes filles costumées en bacchantes / Daphnis et Chloé s'enlacent tendrement / Joyeux tumulte / Danse générale, Daphnis et Chloé: Troisiéme Partie. Le vieux berger Lammon explique que, si Pan a suavé Chloé / Daphnis et Chloé miment l'aventure de Pan et de Syrinx, Daphnis et Chloé: Troisiéme Partie. Lever du jour, Drowned Out, Enigma Variations: VIII. W.N. (Winifred Norbury), Estampes - Pagodes, Fanfare pour "L'Éventail de Jeanne", Four Studies (1952 version): I. Danse, Four Studies (1952 version): II. Excentrique, Four Studies (1952 version): III. Cantique, Four Studies (1952 version): IV. Madrid, Harmonielehre: Part I, Harmonielehre: Part II: The Anfortas Wound, Harmonielehre: Part III: Meister Eckhardt and Quackie, In a Nutshell: I. Arrival Platform Humlet, In a Nutshell: II. Gay but Wistful, In a Nutshell: III. Pastoral, In a Nutshell: IV. The Gum-Suckers March, Jeux, La Valse, Le Sacre du printemps: Première Partie: L'adoration de la terre. Cercles mystérieux des adolescentes, Le Sacre du printemps: Première Partie: L'adoration de la terre. Danse sacrale (L'èlue), Le Sacre du printemps: Première Partie: L'adoration de la terre. Glorification de l'èlue - Évocation des ancêtres - Action rituelle des ancêtres, Le Sacre du printemps: Première Partie: L'adoration de la terre. Introduction, Le Sacre du printemps: Première Partie: L'adoration de la terre. Introduction - Les augures printaniers - Danses des adolescentes - Jeu du rapt, Le Sacre du printemps: Première Partie: L'adoration de la terre. Le sage - Danse de la terre, Le Sacre du printemps: Première Partie: L'adoration de la terre. Ronder printanières - Jeux des cités rivales - Cortège du sage, Lincolnshire Posy: I. Lisbon (Sailor's Song), Lincolnshire Posy: II. Horkstow Grange (The Miser and His Man - A Local Tragedy), Lincolnshire Posy: III. Rufford Park Poachers (Poaching Song), Lincolnshire Posy: IV. The Brisk Young Sailor (Who Returned to Wed His True Love), Lincolnshire Posy: V. Lord Melbourne (War Song), Lincolnshire Posy: VI. The Lost Lady Found (Dance Song), Lulu-Suite: I. Rondo: Andante und Hymne, Lulu-Suite: II. Ostinato: Allegro, Lulu-Suite: IV. Variationen: Moderato, Ma Mère l'Oye: (Interlude) - Laideronnette, Impératrice des Pagodes -, Ma Mère l'Oye: (Interlude) - Les Entretiens de la Belle et de la Bête -, Ma Mère l'Oye: (Interlude) - Petit poucet -, Ma Mère l'Oye: Danse du Rouet et Scène -, Ma Mère l'Oye: Le Jardin Féerique, Ma Mère l'Oye: Pavane de la Belle au bois dormant -, Ma Mère l'Oye: Prélude -, Miroirs - La Vallée des cloches, Miroirs: La vallée des cloches (Très lent), Momentum, Musique pour Le Roi Lear: Fanfare, Musique pour Le Roi Lear: Le Sommeil de Lear, Pagodes from Estampes, Petrushka: I. Fete populaire de la semaine grasse, Petrushka: I. Le tour de passe-passe - Danse russe, Petrushka: II. Chez Petrushka, Petrushka: III. Chez le maure - Danse de la ballerine, Petrushka: III. Valse - La ballerine et le maure, Petrushka: IV. Bohemien et marchand malhonnete, Petrushka: IV. Danse des cochers et des palefreniers, Petrushka: IV. Danse des nounous, Petrushka: IV. Fete populaire de la semaine grasse, Petrushka: IV. Le rixe - Le maure et Petrushka, Petrushka: IV. Les deguises, Petrushka: IV. Mort de Petrushka, Petrushka: IV. Paysan et l'ours, Petrushka: IV. Police et l'enchanteur - Vociferation du double de Petrushka, Scherzo à la Russe, Scherzo à la Russe (for jazz band), Scythian Suite, op. 20 "Ala and Lolli": I. The Adoration of Veles and Ala: Allegro feroce, Scythian Suite, op. 20 "Ala and Lolli": II. The Alien God and the Dance of the Evil Spirits: Allegro sostenuto, Scythian Suite, op. 20 "Ala and Lolli": III. Night: Andantino, Scythian Suite, op. 20 "Ala and Lolli": IV. Lolli's March and the Cortege of the Sun: Tempostoso, Symphonie Nr. 102: I. Largo - Vivace, Symphonie Nr. 102: II. Adagio, Symphonie Nr. 102: III. Menuet (Allegro) & Trio, Symphonie Nr. 102: IV. Finale (Presto), Symphonie Nr. 22 "Der Philosoph": I. Adagio, Symphonie Nr. 22 "Der Philosoph": II. Presto, Symphonie Nr. 22 "Der Philosoph": III. Menuetto & Trio, Symphonie Nr. 22 "Der Philosoph": IV. Finale (Presto), Symphonie Nr. 7: I. Tanz - Lebhaft und beseelt, Symphonie Nr. 7: II. Ruhig bewegt, Symphonie Nr. 7: III. Unablässig in Bewegung, Symphonie Nr. 7: IV. Ruhig, verhalten, Symphonie Nr. 86: I. Adagio - Allegro spiritoso, Symphonie Nr. 86: II. Capriccio (Largo), Symphonie Nr. 86: III. Menuet (Allegretto) & Trio, Symphonie Nr. 86: IV. Finale (Allegro con spirito), Symphony In Three Movements: I., Symphony In Three Movements: II. - Andante - Interlude, Symphony No. 1 in D major: Blumine (original discarded movement), Symphony No. 1 in D major: I. Langsam. Schleppend - Im Anfang sehr gemächlich, Symphony No. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony No. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony No. 1 in D major: IV. Stürmisch bewegt, Symphony in Three Movements: III. Con moto, Symphony no. 1 in B-flat minor: I: Allegro assai, Symphony no. 1 in B-flat minor: II: Presto, con malizia, Symphony no. 1 in B-flat minor: III: Andante con malinconia, Symphony no. 1 in B-flat minor: IV: Maestoso - Brioso ed ardentemente - Vivacissimo - Maestoso, Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso, Symphony no. 2 in C minor “Resurrection”: II. Andante moderato, Symphony no. 2 in C minor “Resurrection”: III. In ruhig fließender Bewegung, Symphony no. 2 in C minor “Resurrection”: IV. Urlicht. Sehr feierlich, aber schlicht, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Etwas bewegter -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Langsam. Misterioso -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Mit Aufschwung aber nicht eilen -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Ritardando...Maestoso -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wieder sehr breit -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wieder zurückhaltend -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wild herausfahrend -, Symphony no. 3 in C, op. 52: II. Andantino con moto, quasi allegretto (opening), Symphony no. 3 in D minor: I. Kräftig. Entschieden, Symphony no. 4 in C minor, op. 43: I. Allegretto poco moderato - Presto - (Tempo I), Symphony no. 4 in C minor, op. 43: II. Moderato con moto, Symphony no. 4 in C minor, op. 43: III. Largo - Allegro, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - recht gemächlich, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll, Symphony no. 4 in G major: IV. Sehr behaglich, Symphony no. 5 in B-flat, op. 100: I. Andante, Symphony no. 5 in B-flat, op. 100: II. Allegro marcato, Symphony no. 5 in B-flat, op. 100: III. Adagio, Symphony no. 5 in B-flat, op. 100: IV. Allegro giocoso, Symphony no. 5 in E-flat, op. 82: III. Allegro molto (opening), Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Andante moderato, Symphony no. 6 in A minor: III. Scherzo: Wuchtig, Symphony no. 6 in A minor: IV. Finale: Allegro moderato, Symphony no. 7 in E minor "Lied der Nacht": I. Langsam, Symphony no. 7 in E minor "Lied der Nacht": II. Nachtmusik: Allegro Moderato, Symphony no. 7 in E minor "Lied der Nacht": III. Scherzo: Schattenhaft - Trio, Symphony no. 7 in E minor "Lied der Nacht": IV. Nachtmusik: Andante Amoroso, Symphony no. 7 in E minor "Lied der Nacht": V. Rondo-Finale: Tempo 1 (Allegro Ordinario), Symphony no. 7 in E: I. Allegro moderato, Symphony no. 7 in E: II. Adagio (Sehr feierlich und sehr langsam), Symphony no. 7 in E: III. Scherzo: Sehr schnell - Trio (Etwas langsamer) - Scherzo da capo, Symphony no. 7 in E: IV. Finale: Bewegt, doch nicht schnell, The Chairman Dances - Foxtrot for Orchestra, The Chairman Dances: Foxtrot for Orchestra, The Dream of Gerontius: (Andantino), The Dream of Gerontius: And now on the threshold (Angel), The Dream of Gerontius: Another marvel, The Dream of Gerontius: Be merciful, be gracious (semi-chorus, chorus), The Dream of Gerontius: But hark! Upon my senses (Soul), The Dream of Gerontius: But hark! a grand mysterious harmony (Soul, Angel, chorus), The Dream of Gerontius: Dispossessed, aside thrust (chorus), The Dream of Gerontius: Glory to Him (semi-chorus, chorus), The Dream of Gerontius: Go forth upon thy Journey (chorus, Priest, semi-chorus), The Dream of Gerontius: Go in the name of Angels (chorus, Priest, semi-chorus), The Dream of Gerontius: I can no more (Gerontius), The Dream of Gerontius: I see not those false spirits (Soul), The Dream of Gerontius: I went to sleep (Soul of Gerontius), The Dream of Gerontius: It is a member of that family... A presage falls upon thee (Angel, Soul), The Dream of Gerontius: Jesu! by that shuddering dread (Angel of the Agony, Soul), The Dream of Gerontius: Jesu, Maria - I am near to death (Gerontius), The Dream of Gerontius: Lord, Thou hast been our refuge (chorus), The Dream of Gerontius: Low-born clods of brute earth (chorus), The Dream of Gerontius: My work is done (Angel, Soul), The Dream of Gerontius: Novissima hora est (semi-chorus, chorus, Gerontius), The Dream of Gerontius: Praise to His Name! (Angel), The Dream of Gerontius: Praise to the Holiest (chorus), The Dream of Gerontius: Praise to the Holiest (semi-chorus, chorus, Angel), The Dream of Gerontius: Prelude, The Dream of Gerontius: Proficiscere, anima Christiana (Priest), The Dream of Gerontius: Rescue him, O Lord (chorus), The Dream of Gerontius: Rouse thee, my fainting soul... Be merciful (Gerontius, chorus), The Dream of Gerontius: Sanctus fortis, Sanctus Deus (Gerontius), The Dream of Gerontius: So pray for me... Kyrie eleison... Holy Mary, pray for him (Gerontius, semi-chorus, chorus), The Dream of Gerontius: Softly and gently (Angel, chorus, semi-chorus), The Dream of Gerontius: Take me away (Soul), The Dream of Gerontius: The Sound is like the rushing of the wind (Soul), The Dream of Gerontius: The mind bold and independent (chorus), The Dream of Gerontius: There was a mortal (Angel), The Dream of Gerontius: They sing of thy approaching agony (Soul, Angel, chorus), The Dream of Gerontius: Thy judgment now is near (Angel, Soul), The Miraculous Mandarin, op. 19 (Sz. 73): Dance of the Girl, The Miraculous Mandarin, op. 19 (Sz. 73): First Seduction Game, The Miraculous Mandarin, op. 19 (Sz. 73): Second Seduction Game, The Miraculous Mandarin, op. 19 (Sz. 73): The Beginning, the Curtain Rises, The Miraculous Mandarin, op. 19 (Sz. 73): The Chase, the Tramps Leap Out, The Miraculous Mandarin, op. 19 (Sz. 73): The Mandarin Falls to the Floor, The Miraculous Mandarin, op. 19 (Sz. 73): Third Seduction Game, the Mandarin Enters, The Rite of Spring: Part 2: The Sacrifice: Introduction, The Rite of Spring: Part 2: The Sacrifice: Mystic Circles of the Young Girls, The Warriors, Three Screaming Popes, Train Music, Trois Images pour orchestre: I. Gigues, Trois Images pour orchestre: II. Ibéria: a) Par les rues et par les chemins, Trois Images pour orchestre: II. Ibéria: b) Les Parfums de la nuit, Trois Images pour orchestre: II. Ibéria: c) Le Matin d'un jour de fête, Trois Images pour orchestre: III. Rondes de printemps, Two Fanfares: 2. Short Ride in a Fast Machine, Variations for Orchestra, op. 31: Finale, Variations for Orchestra, op. 31: Introduction & Theme, Variations for Orchestra, op. 31: Variation 1, Variations for Orchestra, op. 31: Variation 2, Variations for Orchestra, op. 31: Variation 3, Variations for Orchestra, op. 31: Variation 4, Variations for Orchestra, op. 31: Variation 5, Variations for Orchestra, op. 31: Variation 6, Variations for Orchestra, op. 31: Variation 7, Variations for Orchestra, op. 31: Variation 8, Variations for Orchestra, op. 31: Variation 9, Zeitgestalten: III ♩ = 80
Michael Sheady	balance	5 Orchesterstücke, op. 16: I. Vorgefühle: Sehr rasch, 5 Orchesterstücke, op. 16: II. Vergangenes: Mässige Viertel, 5 Orchesterstücke, op. 16: III. Farben: Mässige Viertel, 5 Orchesterstücke, op. 16: V. Das obligate Rezitativ: Bewegte Achtel, 5 Orchesterstücke, op.16: IV. Peripetie, sehr rasch, 6 Orchesterstücke, op. 6: I. Langsam, 6 Orchesterstücke, op. 6: II. Bewegt, 6 Orchesterstücke, op. 6: III. Mässig, 6 Orchesterstücke, op. 6: IV. Sehr mässig, 6 Orchesterstücke, op. 6: V. Sehr langsam, 6 Orchesterstücke, op. 6: VI. Langsam, Alborada del gracioso, An American Overture, op. 27, Apollo: Premiere Tableau (prologue). Naissance d'Apollon, Apollo: Second Tableau. Apothéose, Apollo: Second Tableau. Coda (Apollon et les Muses), Apollo: Second Tableau. Pas d'action (Apollon et les Muses: Calliope, Polymnie et Terpsichore), Apollo: Second Tableau. Pas de deux (Apollon et Terpsichore), Apollo: Second Tableau. Variation d'Apollon, Apollo: Second Tableau. Variation d'Apollon (Apollon et les Muses), Apollo: Second Tableau. Variation de Calliope (L'Alexandrin), Apollo: Second Tableau. Variation de Polymnie, Apollo: Second Tableau. Variation de Tepsichore, Ballet "The Firebird": Dance of Kashchey's retinue under Firebird's spell, Ballet "The Firebird": Dance of the Firebird, Ballet "The Firebird": Disappearance of the palace, Ballet "The Firebird": Introduction, Ballet "The Firebird": Lullaby, Ballet "The Firebird": Sudden appearance of Ivan Tsarevich, Ballet "The Firebird": The princesses' game with the golden apples, Fanfare pour "L'Éventail de Jeanne", Four Studies (1952 version): I. Danse, Four Studies (1952 version): II. Excentrique, Four Studies (1952 version): III. Cantique, Four Studies (1952 version): IV. Madrid, Glagolitic Mass: I. Uvod (Introduction), Glagolitic Mass: VIII. Intrada, La Valse, Le Sacre du printemps: Première Partie: L'adoration de la terre. Cercles mystérieux des adolescentes, Le Sacre du printemps: Première Partie: L'adoration de la terre. Danse sacrale (L'èlue), Le Sacre du printemps: Première Partie: L'adoration de la terre. Glorification de l'èlue - Évocation des ancêtres - Action rituelle des ancêtres, Le Sacre du printemps: Première Partie: L'adoration de la terre. Introduction, Le Sacre du printemps: Première Partie: L'adoration de la terre. Introduction - Les augures printaniers - Danses des adolescentes - Jeu du rapt, Le Sacre du printemps: Première Partie: L'adoration de la terre. Le sage - Danse de la terre, Le Sacre du printemps: Première Partie: L'adoration de la terre. Ronder printanières - Jeux des cités rivales - Cortège du sage, Lulu-Suite: I. Rondo: Andante und Hymne, Lulu-Suite: II. Ostinato: Allegro, Lulu-Suite: IV. Variationen: Moderato, Ma Mère l'Oye: (Interlude) - Laideronnette, Impératrice des Pagodes -, Ma Mère l'Oye: (Interlude) - Les Entretiens de la Belle et de la Bête -, Ma Mère l'Oye: (Interlude) - Petit poucet -, Ma Mère l'Oye: Danse du Rouet et Scène -, Ma Mère l'Oye: Le Jardin Féerique, Ma Mère l'Oye: Pavane de la Belle au bois dormant -, Ma Mère l'Oye: Prélude -, Miroirs - La Vallée des cloches, Miroirs: La vallée des cloches (Très lent), Pan and Syrinx: Pastorale, op. 49, Petrushka: I. Fete populaire de la semaine grasse, Petrushka: I. Le tour de passe-passe - Danse russe, Petrushka: II. Chez Petrushka, Petrushka: III. Chez le maure - Danse de la ballerine, Petrushka: III. Valse - La ballerine et le maure, Petrushka: IV. Bohemien et marchand malhonnete, Petrushka: IV. Danse des cochers et des palefreniers, Petrushka: IV. Danse des nounous, Petrushka: IV. Fete populaire de la semaine grasse, Petrushka: IV. Le rixe - Le maure et Petrushka, Petrushka: IV. Les deguises, Petrushka: IV. Mort de Petrushka, Petrushka: IV. Paysan et l'ours, Petrushka: IV. Police et l'enchanteur - Vociferation du double de Petrushka, Scherzo à la Russe, Scherzo à la Russe (for jazz band), Sinfonia da Requiem, op. 20: I. Lacrymosa: Andante ben misurato -, Sinfonia da Requiem, op. 20: II. Dies irae: Allegro con fuoco -, Sinfonia da Requiem, op. 20: III. Requiem aeternam: Andante molto tranquillo, Suite on English Folk Tunes, op. 90 "A time there was...": I. Cakes and Ale, Suite on English Folk Tunes, op. 90 "A time there was...": II. The Bitter Withy, Suite on English Folk Tunes, op. 90 "A time there was...": III. Hankin Booby, Suite on English Folk Tunes, op. 90 "A time there was...": IV. Hunt the Squirrel, Suite on English Folk Tunes, op. 90 "A time there was...": V. Lord Melbourne (feat. cor anglais: Peter Walden), Symphony In Three Movements: I., Symphony In Three Movements: II. - Andante - Interlude, Symphony in Three Movements: III. Con moto, Symphony no. 1 in E minor, op. 39: I. Allegro, ma non troppo - Allegro energico (excerpt), Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso, Symphony no. 2 in C minor “Resurrection”: II. Andante moderato, Symphony no. 2 in C minor “Resurrection”: III. In ruhig fließender Bewegung, Symphony no. 2 in C minor “Resurrection”: IV. Urlicht. Sehr feierlich, aber schlicht, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Etwas bewegter -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Langsam. Misterioso -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Mit Aufschwung aber nicht eilen -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Ritardando...Maestoso -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wieder sehr breit -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wieder zurückhaltend -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wild herausfahrend -, Symphony no. 4, op. 29: Allegro, Symphony no. 4, op. 29: Poco adagio quasi andante, Symphony no. 4, op. 29: Poco allegretto, Symphony no. 5 in E-flat, op. 82: III. Allegro molto (opening), The Dream of Gerontius: (Andantino), The Dream of Gerontius: And now on the threshold (Angel), The Dream of Gerontius: Another marvel, The Dream of Gerontius: Be merciful, be gracious (semi-chorus, chorus), The Dream of Gerontius: But hark! Upon my senses (Soul), The Dream of Gerontius: But hark! a grand mysterious harmony (Soul, Angel, chorus), The Dream of Gerontius: Dispossessed, aside thrust (chorus), The Dream of Gerontius: Glory to Him (semi-chorus, chorus), The Dream of Gerontius: Go forth upon thy Journey (chorus, Priest, semi-chorus), The Dream of Gerontius: Go in the name of Angels (chorus, Priest, semi-chorus), The Dream of Gerontius: I can no more (Gerontius), The Dream of Gerontius: I see not those false spirits (Soul), The Dream of Gerontius: I went to sleep (Soul of Gerontius), The Dream of Gerontius: It is a member of that family... A presage falls upon thee (Angel, Soul), The Dream of Gerontius: Jesu! by that shuddering dread (Angel of the Agony, Soul), The Dream of Gerontius: Jesu, Maria - I am near to death (Gerontius), The Dream of Gerontius: Lord, Thou hast been our refuge (chorus), The Dream of Gerontius: Low-born clods of brute earth (chorus), The Dream of Gerontius: My work is done (Angel, Soul), The Dream of Gerontius: Novissima hora est (semi-chorus, chorus, Gerontius), The Dream of Gerontius: Praise to His Name! (Angel), The Dream of Gerontius: Praise to the Holiest (chorus), The Dream of Gerontius: Praise to the Holiest (semi-chorus, chorus, Angel), The Dream of Gerontius: Prelude, The Dream of Gerontius: Proficiscere, anima Christiana (Priest), The Dream of Gerontius: Rescue him, O Lord (chorus), The Dream of Gerontius: Rouse thee, my fainting soul... Be merciful (Gerontius, chorus), The Dream of Gerontius: Sanctus fortis, Sanctus Deus (Gerontius), The Dream of Gerontius: So pray for me... Kyrie eleison... Holy Mary, pray for him (Gerontius, semi-chorus, chorus), The Dream of Gerontius: Softly and gently (Angel, chorus, semi-chorus), The Dream of Gerontius: Take me away (Soul), The Dream of Gerontius: The Sound is like the rushing of the wind (Soul), The Dream of Gerontius: The mind bold and independent (chorus), The Dream of Gerontius: There was a mortal (Angel), The Dream of Gerontius: They sing of thy approaching agony (Soul, Angel, chorus), The Dream of Gerontius: Thy judgment now is near (Angel, Soul), The Rite of Spring: Part 2: The Sacrifice: Introduction, The Rite of Spring: Part 2: The Sacrifice: Mystic Circles of the Young Girls
Mike Clements (engineer)	balance	Asyla, op. 17: I, Asyla, op. 17: II, Asyla, op. 17: III. Ecstasio, Asyla, op. 17: IV, Barcarola per grande orchestra, Boléro, Concerto for Orchestra (Sz. 116): Elegia (Andante non troppo), Concerto for Orchestra (Sz. 116): Finale (Pesante - Presto), Concerto for Orchestra (Sz. 116): Giuoco delle coppie (Allegretto scherzando), Concerto for Orchestra (Sz. 116): Intermezzo interrotto (Allegretto), Concerto for Orchestra (Sz. 116): Introduzione (Andante non troppo - Allegro vivace), Country Gardens, Daphnis et Chloé: Deuxiéme Partie. Bryaxis ordonne d'amener la captive. Chloé est traînée par deux pirates / Danse suppliante de Chloé, Daphnis et Chloé: Deuxiéme Partie. Bryaxis veut l'entraîner / Le chef l'emporte, triomphant / Soudain l'atmosphère semble chargée d'éléments insolites / La terre s'entr'ouvre. Formidable, l'ombre de Pan se profile sur les montagnes du fond. Tous fuient éperdus, Daphnis et Chloé: Première Partie. Danse grotesque de Dorcon, Daphnis et Chloé: Première Partie. Danse légère et gracieuse de Daphnis, Daphnis et Chloé: Première Partie. Interlude, Daphnis et Chloé: Première Partie. Introduction et Danse religieuse, Daphnis et Chloé: Première Partie. L'on perçoit des bruits d'armes, des cries de guerre qui se rapprochent / Fou de désespoir, il maudit les divinités qui n'ont su protéger la jeune fille Chloé et tombe évanoui, à l'entrée de la grotte, Daphnis et Chloé: Première Partie. Les jeunes filles, Daphnis et Chloé: Première Partie. Tous invitent Daphnis à recevoir la récompense / Danse de Lyceion, Daphnis et Chloé: Première Partie. Une lumière iréelle enveloppe le paysage / Danse lente et mystérieuse / Elles invoquent le dieu Pan / Daphnis se prosterne suppliant. Tout s'éteint, Daphnis et Chloé: Troisiéme Partie. Devant l'autel des Nymphes, il jure sa foi sur deux brebis / Entre un groupe de jeunes filles costumées en bacchantes / Daphnis et Chloé s'enlacent tendrement / Joyeux tumulte / Danse générale, Daphnis et Chloé: Troisiéme Partie. Le vieux berger Lammon explique que, si Pan a suavé Chloé / Daphnis et Chloé miment l'aventure de Pan et de Syrinx, Daphnis et Chloé: Troisiéme Partie. Lever du jour, Drowned Out, Enigma Variations: VIII. W.N. (Winifred Norbury), Estampes - Pagodes, Flourish with Fireworks, op. 22, Harnasie: Tableau I, In the mountain pasture, No. 1: Driving the Sheep, Harnasie: Tableau I, In the mountain pasture, No. 2: Mimed Scene (Courtship), Harnasie: Tableau I, In the mountain pasture, No. 4: Mimed Scene (The Harnaś and the girl), Harnasie: Tableau I, In the mountain pasture, No. 5: The Tatra Robbers' Dance. Finale, In a Nutshell: I. Arrival Platform Humlet, In a Nutshell: II. Gay but Wistful, In a Nutshell: III. Pastoral, In a Nutshell: IV. The Gum-Suckers March, Jeux, Lincolnshire Posy: I. Lisbon (Sailor's Song), Lincolnshire Posy: II. Horkstow Grange (The Miser and His Man - A Local Tragedy), Lincolnshire Posy: III. Rufford Park Poachers (Poaching Song), Lincolnshire Posy: IV. The Brisk Young Sailor (Who Returned to Wed His True Love), Lincolnshire Posy: V. Lord Melbourne (War Song), Lincolnshire Posy: VI. The Lost Lady Found (Dance Song), Momentum, Musique pour Le Roi Lear: Fanfare, Musique pour Le Roi Lear: Le Sommeil de Lear, Pagodes from Estampes, Scythian Suite, op. 20 "Ala and Lolli": I. The Adoration of Veles and Ala: Allegro feroce, Scythian Suite, op. 20 "Ala and Lolli": II. The Alien God and the Dance of the Evil Spirits: Allegro sostenuto, Scythian Suite, op. 20 "Ala and Lolli": III. Night: Andantino, Scythian Suite, op. 20 "Ala and Lolli": IV. Lolli's March and the Cortege of the Sun: Tempostoso, Symphonie Nr. 102: I. Largo - Vivace, Symphonie Nr. 102: II. Adagio, Symphonie Nr. 102: III. Menuet (Allegro) & Trio, Symphonie Nr. 102: IV. Finale (Presto), Symphonie Nr. 22 "Der Philosoph": I. Adagio, Symphonie Nr. 22 "Der Philosoph": II. Presto, Symphonie Nr. 22 "Der Philosoph": III. Menuetto & Trio, Symphonie Nr. 22 "Der Philosoph": IV. Finale (Presto), Symphonie Nr. 86: I. Adagio - Allegro spiritoso, Symphonie Nr. 86: II. Capriccio (Largo), Symphonie Nr. 86: III. Menuet (Allegretto) & Trio, Symphonie Nr. 86: IV. Finale (Allegro con spirito), Symphony No. 1 in D major: Blumine (original discarded movement), Symphony No. 1 in D major: I. Langsam. Schleppend - Im Anfang sehr gemächlich, Symphony No. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony No. 1 in D major: IV. Stürmisch bewegt, Symphony no. 1 in B-flat minor: I: Allegro assai, Symphony no. 1 in B-flat minor: II: Presto, con malizia, Symphony no. 1 in B-flat minor: III: Andante con malinconia, Symphony no. 1 in B-flat minor: IV: Maestoso - Brioso ed ardentemente - Vivacissimo - Maestoso, Symphony no. 3 in D minor: I. Kräftig. Entschieden, Symphony no. 4 in C minor, op. 43: I. Allegretto poco moderato - Presto - (Tempo I), Symphony no. 4 in C minor, op. 43: II. Moderato con moto, Symphony no. 4 in C minor, op. 43: III. Largo - Allegro, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - recht gemächlich, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll, Symphony no. 4 in G major: IV. Sehr behaglich, Symphony no. 5 in B-flat, op. 100: I. Andante, Symphony no. 5 in B-flat, op. 100: II. Allegro marcato, Symphony no. 5 in B-flat, op. 100: III. Adagio, Symphony no. 5 in B-flat, op. 100: IV. Allegro giocoso, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Andante moderato, Symphony no. 6 in A minor: III. Scherzo: Wuchtig, Symphony no. 6 in A minor: IV. Finale: Allegro moderato, Symphony no. 7 in E minor "Lied der Nacht": I. Langsam, Symphony no. 7 in E minor "Lied der Nacht": II. Nachtmusik: Allegro Moderato, Symphony no. 7 in E minor "Lied der Nacht": III. Scherzo: Schattenhaft - Trio, Symphony no. 7 in E minor "Lied der Nacht": IV. Nachtmusik: Andante Amoroso, Symphony no. 7 in E minor "Lied der Nacht": V. Rondo-Finale: Tempo 1 (Allegro Ordinario), Symphony no. 7 in E: I. Allegro moderato, Symphony no. 7 in E: II. Adagio (Sehr feierlich und sehr langsam), Symphony no. 7 in E: III. Scherzo: Sehr schnell - Trio (Etwas langsamer) - Scherzo da capo, Symphony no. 7 in E: IV. Finale: Bewegt, doch nicht schnell, The Miraculous Mandarin, op. 19 (Sz. 73): Dance of the Girl, The Miraculous Mandarin, op. 19 (Sz. 73): First Seduction Game, The Miraculous Mandarin, op. 19 (Sz. 73): Second Seduction Game, The Miraculous Mandarin, op. 19 (Sz. 73): The Beginning, the Curtain Rises, The Miraculous Mandarin, op. 19 (Sz. 73): The Chase, the Tramps Leap Out, The Miraculous Mandarin, op. 19 (Sz. 73): The Mandarin Falls to the Floor, The Miraculous Mandarin, op. 19 (Sz. 73): Third Seduction Game, the Mandarin Enters, The Warriors, Three Screaming Popes, Train Music, Trois Images pour orchestre: I. Gigues, Trois Images pour orchestre: II. Ibéria: a) Par les rues et par les chemins, Trois Images pour orchestre: II. Ibéria: b) Les Parfums de la nuit, Trois Images pour orchestre: II. Ibéria: c) Le Matin d'un jour de fête, Trois Images pour orchestre: III. Rondes de printemps, Variations for Orchestra, op. 31: Finale, Variations for Orchestra, op. 31: Introduction & Theme, Variations for Orchestra, op. 31: Variation 1, Variations for Orchestra, op. 31: Variation 2, Variations for Orchestra, op. 31: Variation 3, Variations for Orchestra, op. 31: Variation 4, Variations for Orchestra, op. 31: Variation 5, Variations for Orchestra, op. 31: Variation 6, Variations for Orchestra, op. 31: Variation 7, Variations for Orchestra, op. 31: Variation 8, Variations for Orchestra, op. 31: Variation 9, Zeitgestalten: III ♩ = 80
City of Birmingham Symphony Orchestra Chorus	vocal	Das Lied von der Erde: VI. Der Abschied (extract), Das klagende Lied: I. Waldmärchen (Forest Legend), Das klagende Lied: II. Der Spielmann (The Minstrel), Das klagende Lied: III. Hochzeitsstück (Wedding Piece), Glagolitic Mass: I. Uvod (Introduction), Glagolitic Mass: VIII. Intrada, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Etwas bewegter -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Langsam. Misterioso -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Mit Aufschwung aber nicht eilen -, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": a. Veni, creator spiritus, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": b. Imple superna gratia, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": c. Infirma nostri corporis, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": d. Tempo I (Allegro, etwas hastig), Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": e. Infirma nostri corporis, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": f. Accende lumen sensibus, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": g. Qui paraclitus diceris, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": h. Gloria patri domino, Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": a. Poco adagio, Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": b. Più mosso (Allegro moderato), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": c. Waldung, sie schwankt heran (Chor und Echo), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": d. Ewiger Wonnebrand (Pater Ecstaticus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": e. Wie Felsenabgrund mir zu Füssen (Pater Profundus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": f. Gerettet ist das edle Glied (Engel), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": g. Uns bleibt ein Erdenrest (Engel), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": h. Ich spür' soeben (Die jüngeren Engel), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": i. Höchste Herrscherin der Welt (Doctor Marianus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": j. Dir, der Unberührbaren (Chor), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": k. Bei der Liebe, die den Füssen (Magna Peccatrix), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": l. Neige, neige, du Ohnegleiche (Una Poenitentium), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": m. Er überwächst uns schon (Chor seliger Knaben), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": o. Blicket auf zum Retterblick (Doctor Marianus und Chor), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": p. Alles Vergängliche (Chorus mysticus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": q. Alles Vergängliche (Chorus mysticus)
Stephen Frost	editor, producer	Boléro, Daphnis et Chloé: Deuxiéme Partie. Bryaxis ordonne d'amener la captive. Chloé est traînée par deux pirates / Danse suppliante de Chloé, Daphnis et Chloé: Deuxiéme Partie. Bryaxis veut l'entraîner / Le chef l'emporte, triomphant / Soudain l'atmosphère semble chargée d'éléments insolites / La terre s'entr'ouvre. Formidable, l'ombre de Pan se profile sur les montagnes du fond. Tous fuient éperdus, Daphnis et Chloé: Première Partie. Danse grotesque de Dorcon, Daphnis et Chloé: Première Partie. Danse légère et gracieuse de Daphnis, Daphnis et Chloé: Première Partie. Interlude, Daphnis et Chloé: Première Partie. Introduction et Danse religieuse, Daphnis et Chloé: Première Partie. L'on perçoit des bruits d'armes, des cries de guerre qui se rapprochent / Fou de désespoir, il maudit les divinités qui n'ont su protéger la jeune fille Chloé et tombe évanoui, à l'entrée de la grotte, Daphnis et Chloé: Première Partie. Les jeunes filles, Daphnis et Chloé: Première Partie. Tous invitent Daphnis à recevoir la récompense / Danse de Lyceion, Daphnis et Chloé: Première Partie. Une lumière iréelle enveloppe le paysage / Danse lente et mystérieuse / Elles invoquent le dieu Pan / Daphnis se prosterne suppliant. Tout s'éteint, Daphnis et Chloé: Troisiéme Partie. Devant l'autel des Nymphes, il jure sa foi sur deux brebis / Entre un groupe de jeunes filles costumées en bacchantes / Daphnis et Chloé s'enlacent tendrement / Joyeux tumulte / Danse générale, Daphnis et Chloé: Troisiéme Partie. Le vieux berger Lammon explique que, si Pan a suavé Chloé / Daphnis et Chloé miment l'aventure de Pan et de Syrinx, Daphnis et Chloé: Troisiéme Partie. Lever du jour, Estampes - Pagodes, Flourish with Fireworks, op. 22, La Valse, Ma Mère l'Oye: (Interlude) - Laideronnette, Impératrice des Pagodes -, Ma Mère l'Oye: (Interlude) - Les Entretiens de la Belle et de la Bête -, Ma Mère l'Oye: (Interlude) - Petit poucet -, Ma Mère l'Oye: Danse du Rouet et Scène -, Ma Mère l'Oye: Le Jardin Féerique, Ma Mère l'Oye: Pavane de la Belle au bois dormant -, Ma Mère l'Oye: Prélude -, Miroirs - La Vallée des cloches, Zeitgestalten: III ♩ = 80
Mike Hatch (engineer/editor)	balance	Barcarola per grande orchestra, Harmonielehre: Part I, Harmonielehre: Part II: The Anfortas Wound, Harmonielehre: Part III: Meister Eckhardt and Quackie, Kai, Symphonie Nr. 7: I. Tanz - Lebhaft und beseelt, Symphonie Nr. 7: II. Ruhig bewegt, Symphonie Nr. 7: III. Unablässig in Bewegung, Symphonie Nr. 7: IV. Ruhig, verhalten, Symphony no. 60 in C, Hob. I:60 "The Distracted": I. Adagio - Allegro di molto, Symphony no. 60 in C, Hob. I:60 "The Distracted": II. Andante, Symphony no. 60 in C, Hob. I:60 "The Distracted": III. Menuetto & Trio, Symphony no. 60 in C, Hob. I:60 "The Distracted": IV. Presto, Symphony no. 60 in C, Hob. I:60 "The Distracted": V. Adagio (di Lamentatione), Symphony no. 60 in C, Hob. I:60 "The Distracted": VI. Finale (Prestissimo), Symphony no. 70 in D, Hob. I:70: I. Vivace con brio, Symphony no. 70 in D, Hob. I:70: II. Specie d'un canone in contrapunto doppio (Andante), Symphony no. 70 in D, Hob. I:70: III. Menuet (Allegretto) & Trio, Symphony no. 70 in D, Hob. I:70: IV. Finale (Allegro con brio), Symphony no. 90 in C, Hob. I:90: I. Adagio - Allegro assai, Symphony no. 90 in C, Hob. I:90: II. Andante, Symphony no. 90 in C, Hob. I:90: III. Menuet & Trio, Symphony no. 90 in C, Hob. I:90: IV. Finale, The Chairman Dances - Foxtrot for Orchestra, The Chairman Dances: Foxtrot for Orchestra, Two Fanfares: 2. Short Ride in a Fast Machine
London Symphony Chorus	vocal	Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": a. Veni, creator spiritus, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": b. Imple superna gratia, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": c. Infirma nostri corporis, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": d. Tempo I (Allegro, etwas hastig), Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": e. Infirma nostri corporis, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": f. Accende lumen sensibus, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": g. Qui paraclitus diceris, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": h. Gloria patri domino, Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": a. Poco adagio, Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": b. Più mosso (Allegro moderato), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": c. Waldung, sie schwankt heran (Chor und Echo), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": d. Ewiger Wonnebrand (Pater Ecstaticus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": e. Wie Felsenabgrund mir zu Füssen (Pater Profundus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": f. Gerettet ist das edle Glied (Engel), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": g. Uns bleibt ein Erdenrest (Engel), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": h. Ich spür' soeben (Die jüngeren Engel), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": i. Höchste Herrscherin der Welt (Doctor Marianus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": j. Dir, der Unberührbaren (Chor), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": k. Bei der Liebe, die den Füssen (Magna Peccatrix), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": l. Neige, neige, du Ohnegleiche (Una Poenitentium), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": m. Er überwächst uns schon (Chor seliger Knaben), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": o. Blicket auf zum Retterblick (Doctor Marianus und Chor), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": p. Alles Vergängliche (Chorus mysticus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": q. Alles Vergängliche (Chorus mysticus)
Toronto Children's Chorus	vocal	Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": a. Veni, creator spiritus, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": b. Imple superna gratia, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": c. Infirma nostri corporis, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": d. Tempo I (Allegro, etwas hastig), Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": e. Infirma nostri corporis, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": f. Accende lumen sensibus, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": g. Qui paraclitus diceris, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": h. Gloria patri domino, Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": a. Poco adagio, Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": b. Più mosso (Allegro moderato), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": c. Waldung, sie schwankt heran (Chor und Echo), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": d. Ewiger Wonnebrand (Pater Ecstaticus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": e. Wie Felsenabgrund mir zu Füssen (Pater Profundus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": f. Gerettet ist das edle Glied (Engel), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": g. Uns bleibt ein Erdenrest (Engel), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": h. Ich spür' soeben (Die jüngeren Engel), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": i. Höchste Herrscherin der Welt (Doctor Marianus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": j. Dir, der Unberührbaren (Chor), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": k. Bei der Liebe, die den Füssen (Magna Peccatrix), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": l. Neige, neige, du Ohnegleiche (Una Poenitentium), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": m. Er überwächst uns schon (Chor seliger Knaben), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": o. Blicket auf zum Retterblick (Doctor Marianus und Chor), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": p. Alles Vergängliche (Chorus mysticus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": q. Alles Vergängliche (Chorus mysticus)
John Willan (producer)	producer	An American Overture, op. 27, Glagolitic Mass: I. Uvod (Introduction), Glagolitic Mass: VIII. Intrada, Pan and Syrinx: Pastorale, op. 49, Piano Quartet no. 1 in G minor, op. 25: I. Allegro, Piano Quartet no. 1 in G minor, op. 25: II. Intermezzo: Allegro, ma non troppo, Piano Quartet no. 1 in G minor, op. 25: III. Andante con moto, Sinfonia da Requiem, op. 20: I. Lacrymosa: Andante ben misurato -, Sinfonia da Requiem, op. 20: II. Dies irae: Allegro con fuoco -, Sinfonia da Requiem, op. 20: III. Requiem aeternam: Andante molto tranquillo, Suite on English Folk Tunes, op. 90 "A time there was...": I. Cakes and Ale, Suite on English Folk Tunes, op. 90 "A time there was...": II. The Bitter Withy, Suite on English Folk Tunes, op. 90 "A time there was...": III. Hankin Booby, Suite on English Folk Tunes, op. 90 "A time there was...": IV. Hunt the Squirrel, Suite on English Folk Tunes, op. 90 "A time there was...": V. Lord Melbourne (feat. cor anglais: Peter Walden), Symphonic Dances, op. 45: I. Non allegro, Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse), Symphonic Dances, op. 45: III. Lento assai - Allegro vivace, Symphony no. 4, op. 29: Allegro, Symphony no. 4, op. 29: Poco adagio quasi andante, Symphony no. 4, op. 29: Poco allegretto
Simon Woods (producer)	producer	Kai, Symphony no. 60 in C, Hob. I:60 "The Distracted": I. Adagio - Allegro di molto, Symphony no. 60 in C, Hob. I:60 "The Distracted": II. Andante, Symphony no. 60 in C, Hob. I:60 "The Distracted": III. Menuetto & Trio, Symphony no. 60 in C, Hob. I:60 "The Distracted": IV. Presto, Symphony no. 60 in C, Hob. I:60 "The Distracted": V. Adagio (di Lamentatione), Symphony no. 60 in C, Hob. I:60 "The Distracted": VI. Finale (Prestissimo), Symphony no. 70 in D, Hob. I:70: I. Vivace con brio, Symphony no. 70 in D, Hob. I:70: II. Specie d'un canone in contrapunto doppio (Andante), Symphony no. 70 in D, Hob. I:70: III. Menuet (Allegretto) & Trio, Symphony no. 70 in D, Hob. I:70: IV. Finale (Allegro con brio), Symphony no. 90 in C, Hob. I:90: I. Adagio - Allegro assai, Symphony no. 90 in C, Hob. I:90: II. Andante, Symphony no. 90 in C, Hob. I:90: III. Menuet & Trio, Symphony no. 90 in C, Hob. I:90: IV. Finale
Tony Harrison (producer)	editor, producer	Asyla, op. 17: I, Asyla, op. 17: II, Asyla, op. 17: III. Ecstasio, Asyla, op. 17: IV, Jeux, Musique pour Le Roi Lear: Fanfare, Musique pour Le Roi Lear: Le Sommeil de Lear, Trois Images pour orchestre: I. Gigues, Trois Images pour orchestre: II. Ibéria: a) Par les rues et par les chemins, Trois Images pour orchestre: II. Ibéria: b) Les Parfums de la nuit, Trois Images pour orchestre: II. Ibéria: c) Le Matin d'un jour de fête, Trois Images pour orchestre: III. Rondes de printemps
Annette Isserlis	producer	Variations for Orchestra, op. 31: Finale, Variations for Orchestra, op. 31: Introduction & Theme, Variations for Orchestra, op. 31: Variation 1, Variations for Orchestra, op. 31: Variation 2, Variations for Orchestra, op. 31: Variation 3, Variations for Orchestra, op. 31: Variation 4, Variations for Orchestra, op. 31: Variation 5, Variations for Orchestra, op. 31: Variation 6, Variations for Orchestra, op. 31: Variation 7, Variations for Orchestra, op. 31: Variation 8, Variations for Orchestra, op. 31: Variation 9
Mark Vigars	balance	Piano Quartet no. 1 in G minor, op. 25: I. Allegro, Piano Quartet no. 1 in G minor, op. 25: II. Intermezzo: Allegro, ma non troppo, Piano Quartet no. 1 in G minor, op. 25: III. Andante con moto, Symphonic Dances, op. 45: I. Non allegro, Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse), Symphonic Dances, op. 45: III. Lento assai - Allegro vivace
Simon Halsey	chorus master	Das klagende Lied: I. Waldmärchen (Forest Legend), Das klagende Lied: II. Der Spielmann (The Minstrel), Das klagende Lied: III. Hochzeitsstück (Wedding Piece), Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Etwas bewegter -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Langsam. Misterioso -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Mit Aufschwung aber nicht eilen -
Stephen Johns (producer)	producer	Harnasie: Tableau I, In the mountain pasture, No. 1: Driving the Sheep, Harnasie: Tableau I, In the mountain pasture, No. 2: Mimed Scene (Courtship), Harnasie: Tableau I, In the mountain pasture, No. 4: Mimed Scene (The Harnaś and the girl), Harnasie: Tableau I, In the mountain pasture, No. 5: The Tatra Robbers' Dance. Finale
Alfreda Hodgson	vocal	Das Lied von der Erde: VI. Der Abschied (extract), Das klagende Lied: I. Waldmärchen (Forest Legend), Das klagende Lied: II. Der Spielmann (The Minstrel), Das klagende Lied: III. Hochzeitsstück (Wedding Piece)
John Dunkerley (engineer)	balance	Ciaccona sinfonica: I. Allegro, Ciaccona sinfonica: II. Andante sostenuto, Ciaccona sinfonica: III. Gigue, Passacaglia, op. 4
Helena Döse	vocal	Das Lied von der Erde: VI. Der Abschied (extract), Das klagende Lied: I. Waldmärchen (Forest Legend), Das klagende Lied: II. Der Spielmann (The Minstrel), Das klagende Lied: III. Hochzeitsstück (Wedding Piece)
Dame Janet Baker	vocal	Symphony no. 2 in C minor “Resurrection”: IV. Urlicht. Sehr feierlich, aber schlicht, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Etwas bewegter -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Mit Aufschwung aber nicht eilen -, The Dream of Gerontius: Thy judgment now is near (Angel, Soul)
Michael Haas (classical music producer)	producer	Ciaccona sinfonica: I. Allegro, Ciaccona sinfonica: II. Andante sostenuto, Ciaccona sinfonica: III. Gigue, Passacaglia, op. 4
Robert Tear	vocal	Das Lied von der Erde: VI. Der Abschied (extract), Das klagende Lied: I. Waldmärchen (Forest Legend), Das klagende Lied: II. Der Spielmann (The Minstrel), Das klagende Lied: III. Hochzeitsstück (Wedding Piece)
Sally Drew	editor	Ciaccona sinfonica: I. Allegro, Ciaccona sinfonica: II. Andante sostenuto, Ciaccona sinfonica: III. Gigue, Passacaglia, op. 4
Sean Rae	vocal	Das klagende Lied: I. Waldmärchen (Forest Legend), Das klagende Lied: II. Der Spielmann (The Minstrel), Das klagende Lied: III. Hochzeitsstück (Wedding Piece)
Arleen Augér	vocal	Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Etwas bewegter -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Langsam. Misterioso -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Mit Aufschwung aber nicht eilen -
John Mitchinson	vocal	Glagolitic Mass: I. Uvod (Introduction), Glagolitic Mass: VIII. Intrada, The Dream of Gerontius: Thy judgment now is near (Angel, Soul)
Ameral Gunson (mezzo-soprano)	vocal	Glagolitic Mass: I. Uvod (Introduction), Glagolitic Mass: VIII. Intrada
Malcolm King (operatic bass)	vocal	Glagolitic Mass: I. Uvod (Introduction), Glagolitic Mass: VIII. Intrada
Felicity Palmer (mezzo-soprano)	vocal	Glagolitic Mass: I. Uvod (Introduction), Glagolitic Mass: VIII. Intrada
John Parker-Smith	organ	Glagolitic Mass: I. Uvod (Introduction), Glagolitic Mass: VIII. Intrada
Matthew Cocker (editor)	editor	Alborada del gracioso, Fanfare pour "L'Éventail de Jeanne"
Sean Rea (classical singer)	vocal	Das Lied von der Erde: VI. Der Abschied (extract)
Peter Donohoe	piano	Petrushka: I. Le tour de passe-passe - Danse russe
David Groves	producer	Symphony no. 1 in E minor, op. 39: I. Allegro, ma non troppo - Allegro energico (excerpt)
Christopher Parker (engineer)	balance	Symphony no. 3 in C, op. 52: II. Andantino con moto, quasi allegretto (opening)
Anne Sofie von Otter	vocal	Bluebeard's Castle - The Lake of Tears
Amanda Roocroft	vocal	Symphony no. 4 in G major: IV. Sehr behaglich
Ulrich Heinen	cello	Kai
Wayne Marshall (British pianist and conductor)	grand piano	Rhapsody in Blue (opening)
Willard White	vocal	Bluebeard's Castle - The Lake of Tears

Work on other artists' recordings

Artist name	Roles	Recordings
Nils Wülker	drums, percussion	A Fine Line, All We Need, Confluence, Farewell, Goodbye Sorrow, High and Rising, Homeless Diamond, I Just Want to Play, Itchy Feet, Just Here, Just Now, Keeps on Walking, Lakeside, Prism, Season, September Skies, Three Grains of Safron, Today's Gravity, Walking on Air
Potsch Potschka	drums	Active Shadow, Black Sun, Dead Man's Suit, Did I Find Love, Gun In My Pocket, Lifeboat, Love's a Dinosaur, Midnight Train to China, Patience, Sweet Honey-Hive, When the World Was New, Yesterday