Musical Bacon: John Kurlander (engineer)

Artist name	Roles	Recordings
Howard Shore	recording	A Journey in the Dark, A Knife in the Dark, A Storm Is Coming, Amon Hen, Andúril, Arwen’s Song (complete), Ash and Smoke, At the Sign of the Prancing Pony, Cirith Ungol, Concerning Hobbits, Elanor (alternate), Emyn Muil (alternate), Flight to the Ford, Flight to the Ford (alternate), Foundations of Stone, Helm’s Deep, Hope Fails, Hope and Memory, Lothlórien / Lament for Gandalf, Many Meetings, Minas Morgul, Out From Bree (theatrical version & alternate), Prologue: One Ring to Rule Them All (alternate), Sammath Naur (alternate), Samwise the Brave, Shelob’s Lair, Shieldmaiden of Rohan (theatrical version), The Argonath (alternate), The Black Gate Is Closed, The Black Rider, The Breaking of the Fellowship / In Dreams, The Bridge of Khazad‐dûm, The Eaves of Fangorn (alternate), The Fields of the Pelennor, The Fighting Uruk‐hai (alternate), The Forbidden Pool, The Great River, The Hornburg, The King of the Golden Hall, The Leave Taking, The Muster of Rohan (alternate), The Passage of the Marshes, The Prophecy, The Return of the King Trailer, The Ride of the Rohirrim, The Riders of Rohan, The Ring Goes South, The Shadow of the Past, The Siege of Gondor (alternate), The Taming of Sméagol, The Treason of Isengard, The Uruk‐hai, The White Rider, The White Tree, Treebeard
Günter Körber	balance	Swan Lake, op. 20: Act I, no. 1: Scene: Allegro giusto, Swan Lake, op. 20: Act I, no. 2: Valse, Tempo di valse, Swan Lake, op. 20: Act I, no. 3: Scene: Allegro moderato, Swan Lake, op. 20: Act I, no. 4: Pas de trois: I. Intrada: Allegro, Swan Lake, op. 20: Act I, no. 4: Pas de trois: II. Adagio: Andante sostenuto, Swan Lake, op. 20: Act I, no. 4: Pas de trois: III. Allegro semplice, Swan Lake, op. 20: Act I, no. 4: Pas de trois: IV. Moderato, Swan Lake, op. 20: Act I, no. 4: Pas de trois: V. Allegro, Swan Lake, op. 20: Act I, no. 4: Pas de trois: VI. Coda: Allegro vivace, Swan Lake, op. 20: Act I, no. 5: Pas de deux: I. Tempo di valse ma non troppo Vivo, Quasi moderato, Swan Lake, op. 20: Act I, no. 5: Pas de deux: II. Andante - Allegro, Swan Lake, op. 20: Act I, no. 5: Pas de deux: III. Tempo di valse, Swan Lake, op. 20: Act I, no. 5: Pas de deux: IV. Coda: Allegro molto vivace, Swan Lake, op. 20: Act I, no. 6: Pas d'Action: Andantino quasi moderato - Allegro, Swan Lake, op. 20: Act I, no. 7: Sujet, Swan Lake, op. 20: Act I, no. 8: Danse des coupes: Tempo di polacca, Swan Lake, op. 20: Act I, no. 9: Finale: Andante, Swan Lake, op. 20: Act I: Introduction: Moderato assai, Allegro ma non troppo, Swan Lake, op. 20: Act II, no. 10: Scene: Moderato, Swan Lake, op. 20: Act II, no. 11: Scene: Allegro moderato - Allegro vivo, Swan Lake, op. 20: Act II, no. 12: Scene: Allegro, Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: I. Tempo di valse, Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: II. Moderato assai - Molto piu mosso, Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: III. Danses des cygnes: Tempo di valse, Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: IV. Allegro moderato, Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: V. Pas d'action (Odette et le Prince): Andante - Andante non troppo - Allegro, Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: VI. Tempo di valse (Tout le monde danse), Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: VII. Coda: Allegro vivo, Swan Lake, op. 20: Act II, no. 14: Scène: Moderato, Swan Lake, op. 20: Act III, Appendix 1: Pas de deux: Coda: Allegro molto vivace, Swan Lake, op. 20: Act III, Appendix 1: Pas de deux: Moderato: Andante, Swan Lake, op. 20: Act III, Appendix 1: Pas de deux: Variation I: Allegro moderato, Swan Lake, op. 20: Act III, Appendix 1: Pas de deux: Variation II: Allegro, Swan Lake, op. 20: Act III, Appendix 2: Danse russe: Moderato: Andante semplice - Allegro vivo, Swan Lake, op. 20: Act III, no. 15: Scène: Allegro giusto, Swan Lake, op. 20: Act III, no. 16: Danses du corps de ballet et des nains: Moderato assai - Allegro vivo, Swan Lake, op. 20: Act III, no. 17: Scène: La Sortie des invités et Valse, Swan Lake, op. 20: Act III, no. 18: Scène: Allegro: Allegro giusto, Swan Lake, op. 20: Act III, no. 19: Pas de six: Coda: Allegro molto, Swan Lake, op. 20: Act III, no. 19: Pas de six: Intrada: Moderato assai, Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation I: Allegro, Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation II: Andante con moto, Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation III: Moderato, Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation IV: Allegro, Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation V: Moderato - Allegro semplice, Swan Lake, op. 20: Act III, no. 20: Danse hongroise: Czárdás: Moderato assai - Allegro moderato: Vivace, Swan Lake, op. 20: Act III, no. 21: Danse espagnole: Allegro non troppo (Tempo di bolero), Swan Lake, op. 20: Act III, no. 22: Danse napolitaine: Allegro moderato - Andantino quasi moderato: Presto, Swan Lake, op. 20: Act III, no. 23: Mazurka (Solistes et corps de ballet): Tempo di Mazurka, Swan Lake, op. 20: Act III, no. 24: Scène: Allegro: Valse: Allegro vivo, Swan Lake, op. 20: Act IV, no. 25: Entr'acte: Moderato, Swan Lake, op. 20: Act IV, no. 26: Scène: Allegro ma non troppo, Swan Lake, op. 20: Act IV, no. 27: Danse des petits cygnes: Moderato, Swan Lake, op. 20: Act IV, no. 28: Scène: Allegro agitato: Molto meno mosso: Allegro vivace, Swan Lake, op. 20: Act IV, no. 29: Scene finale: Andante - Allegro agitato - Alla breve. Moderato e maestoso
Cole Porter	engineer	"Shrew" Finale: So Kiss Me, Kate / Finale - Dance / Grand Finale, A Woman's Career, Always True to You in My Fashion / Hornpipe Dance, Another Op'nin', Another Show / Another Op'nin', Another Show (dance reprise), Bianca / Dance, Brush Up Your Shakespeare, Finale Act I, I Am Ashamed That Women Are So Simple, I Hate Men, I Sing of Love / Tarantella Dance, I'm Afraid, Sweetheart, I Love You, I've Come to Wive It Wealthily in Padua, If Ever Married I'm, It Was Great Fun the First Time, Padua Street Scene: We Open in Venice / Dance, Pavane (Why Can't You Behave?), Rose Dance, So in Love, So in Love (reprise), Tom, Dick or Harry, Too Darn Hot / Dance, We Shall Never Be Younger, Were Thine That Special Face / Dance, What Does Your Servant Dream About?, Where Is the Life That Late I Led?, Why Can't You Behave?, Wunderbar
Inon Zur	recording	A Gathering Storm, Against the Darkness, Beast Among the Ruins, Before the Citadel Gate, Between Hammer and Anvil, Echoes of Angmar, Ghosts of the Grey Mountains, Halls of Valor, In the Footsteps of Kings, Into the Heart of the Storm, Men of Carn Dûm, Nordinbad, Realm of Ancient Kings, Shadow on the Ettenmoors (reprise), Sons of Forgotten Kings, The Forges of War, The Savage Ettenmoors, The Savage Peaks, Trolls!
Steve Heller	balance	A Dudele, A Song (A Dudele), A Yiddishe Mamme, As der Rebbe Elimelech Is gevoyrn asoi freylach, At the Fireplace (Oif'n Pripetchik Brennt a Feier'l), By the Wayside Stands a Tree (Oif'n Weyg Steyt a Boim), Doyna, Oif'n Pripetchik brennt a feier'l, Oif'n Weyg steyt a Boim, Raisins and Almonds (Rozhinkes mit Mandelen), Reyzele, Rozhinkes mit Mandelen, The Jewish Mother (A Yiddishe Mamme), Vi ahin soll ich geyn?, When the Rebbe Elimelech Becomes So Very Merry... (As Der Rebbe Elimelech Is Gevoyrn Asoi Freylach), Where Shall I Go? (VI Ahin Soll Ich Geyn?)
Olivier Derivière	mix, recording	Chase Through Montmartre, Fragments, Hope, Memorize, Memory Reconstruction, Neo Paris, Nilin the Memory Hunter, Our Parents, Remember Your Childhood, Rise to the Light, Still Human, The Ego Room, The Enforcers, The Fight, The Zorn
Altima	balance	Caprice viennois, op. 2, Estrellita, Guitarre, op. 45 no. 2, La capricieuse, op. 17, Le Carnaval des animaux: XIII. Le Cygne, Mazurka no. 45 in A minor, op. 67 no. 4 (arr. Kreisler), Mélodie (arr. Kreisler), Nocturne no. 16 in E-flat major, op. 55 no. 2, Old Folks at Home, Presto, Schön Rosmarin, Slavonic Dance in E minor, op. 46 no. 2, Songs My Mother Taught Me, op. 55 no. 4 (arr. Kreisler), Tempo di Minuetto (in the Style of Pugnani), Toccata
V.I. Povici	balance	A Pastoral Symphony (Symphony no. 3): I. Molto moderato, A Pastoral Symphony (Symphony no. 3): II. Lento moderato, A Pastoral Symphony (Symphony no. 3): III. Moderato pesante - Presto, A Pastoral Symphony (Symphony no. 3): IV. Lento - Moderato maestoso, Norfolk Rhapsody no. 1 in E minor, Symphony no. 4 in F minor: I. Allegro, Symphony no. 4 in F minor: II. Andante moderato, Symphony no. 4 in F minor: III. Scherzo: Allegro molto, Symphony no. 4 in F minor: IV. Finale con epilogo fugato: Allegro molto, Symphony no. 5 in D: I. Preludio: Moderato, Symphony no. 5 in D: II. Scherzo: Presto, Symphony no. 5 in D: III. Romanza: Lento, Symphony no. 5 in D: IV. Passacaglia: Moderato
Pepe Jaramillo	engineer	Caranta noches, Cordoba Sunset, Don't Cry for Me Argentina, Don't Give Up on Us, Feelings, Fernando, Natalie, Save Your Kisses for Me, Send in the Clowns, South of the Border, The Homecoming, What I Did for Love
Stephen Sondheim	engineer	A Weekend in the Country, It Would Have Been Wonderful, Last Waltz, Later, Liaisons, Now, Overture, Send in the Clowns, Soon, The Glamorous Life, The Miller's Son, You Must Meet My Wife
Manuel Barrueco	balance	J.S. Bach. Sonata En La M. I- Grave., J.S. Bach. Sonata En La M. II Fuga., J.S. Bach. Sonata en Do I- Adagio., J.S. Bach. Sonata en Do. II- Fuga., J.S. Bach. Sonata en Do. III- Largo., J.S. Bach. Sonata en Do. IV- Allegro Assai., J.S. Bach. Sonata en La m. III- Andante., J.S. Bach. Sonata en La m. IV- Allegro., J.S. Bach. Sonata en Sol m. I- Adagio., J.S. Bach. Sonata en Sol m. II- Fuga - Allegro., J.S. Bach. Sonata en Sol m. III- Siciliana., J.S. Bach. Sonata en Sol m. IV- Presto.
Mayda Del Valle	recording	Get Me to the Church on Time, I Could Have Danced All Night, I'm an Ordinary Man, I've Grown Accustomed to Her Face / Finale, Just You Wait, On The Street Where You Live, Overture, Show Me, The Rain in Spain, Why Can't the English, Without You, Wouldn't It Be Loverly
CCS	engineer	Black Dog, Brother, Chaos: Can’t We Ever Get It Back, City, I Want You Back, Maggie’s Song, Misunderstood, Running Out of Sky (Sky Diver), This Is My Life, Whole Lotta Rock ’n’ Roll: a) School Day b) Lucille c) Long Tall Sally d) Whole Lotta Love
Geoff Love & His Orchestra	recording	Blake’s 7, Close Encounters of the Third Kind (main title theme), Flight Fantastic, Princess Leia’s Theme (from Star Wars), Solar Sailor, Space Patrol, Star Wars (main title theme & Cantina Band), The Omega Man, The Time Machine, Theme from Logan’s Run
Gunnar Enqvist	recording	Barbarella, Dr. Who, Main Title from "Star Wars", March from "Things to Come", Princess Leia's Theme from "Star Wars", Space 1999, Theme from "Star Trek", Thunderbirds, U.F.O., When Worlds Collide
Kirwan Brown	balance	Violin Concerto in A minor, op. 82: I. Moderato -, Violin Concerto in A minor, op. 82: II. Andante -, Violin Concerto in A minor, op. 82: III. Cadenza -, Violin Concerto in A minor, op. 82: IV. Animando -, Violin Concerto no. 1 in A minor, op. 99: Cadenza -, Violin Concerto no. 1 in A minor, op. 99: I. Nocturne (Moderato), Violin Concerto no. 1 in A minor, op. 99: II. Scherzo (Allegro), Violin Concerto no. 1 in A minor, op. 99: III. Passacaglia (Andante) -, Violin Concerto no. 1 in A minor, op. 99: IV. Burlesque (Allegro con brio)
Andrew Lloyd Webber	engineer	Requiem: Dies irae, Requiem: Dies irae ... Rex tremendae, Requiem: Hosanna, Requiem: Ingemisco ... Lacrymosa, Requiem: Lux aeterna & Libera me, Requiem: Offertorium, Requiem: Recordare, Requiem: Requiem & Kyrie
Strange Appeal	balance	Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Finale. Adagio - Allegro molto e vivace, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Allegro, Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto
Robert Lockart	engineer	Das Land des Lächelns: Akt II. "Dein ist mein ganzes Herz", Der Vogelhandler: Akt I. "Schenkt man sich Rosen in Tyrol", Der fidele Bauer: Akt II. "O frag mich nicht", Die lustige Witwe: Akt I. "Da geh' ich zu Maxim", Ein Nacht in Venedig: Akt I. "Komm' in die Gondel", Ein Waltzertraum: Akt I. "Leise, ganz leise", Grafin Mariza: Akt I. "Komm Zigany", Paganini: Akt II. "Gem hab' ich die Frau'n gekusst"
Mosez Gunn	audio, engineer	Concerto n° 1 pour piano et orchestre, en si bémol mineur: I. Allegro non troppo e molto maestoso, Concerto n° 1 pour piano et orchestre, en si bémol mineur: II. Andantino semplice - Prestissimo - Tempo primo, Concerto n° 1 pour piano et orchestre, en si bémol mineur: III. Allegro con fuoco, Concerto n° 2 pour piano et orchestre en ut mineur: I. Moderato, Concerto n° 2 pour piano et orchestre en ut mineur: II. Adagio sostenuto, Concerto n° 2 pour piano et orchestre en ut mineur: III. Allegro scherzando
Chikita Ravenska Mamesah	balance	Violin Concerto no. 1 in E minor, op. 64: I. Allegro molto appassionato, Violin Concerto no. 1 in E minor, op. 64: II. Andante - Allegretto non troppo, Violin Concerto no. 1 in E minor, op. 64: III. Allegro molto vivace, Violin Concerto, op. 47: I. Allegro moderato, Violin Concerto, op. 47: II. Adagio di molto, Violin Concerto, op. 47: III. Allegro, ma non tanto
Jorge Guimarães	balance	Concerto no. 1 in D for Violin & Orchestra, op. 6: I Allegro maestoso, Concerto no. 1 in D for Violin & Orchestra, op. 6: II. Adagio espressivo, Concerto no. 1 in D for Violin & Orchestra, op. 6: III. Rondo (Allegro spiritoso), Havanaise for Violin & Orchestra, op. 83, Introduction & Rondo Capriccioso for Violin & Orchestra, op. 28
Anton Bruckner	balance	Symphony No. 5 in B-flat I: Adagio - Allegro, Symphony No. 5 in B-flat II: Adagio, Symphony No. 5 in B-flat III: Scherzo, Symphony No. 5 in B-flat IV: Finale
Angela Easson	engineer	Ernani: Atto II. "No, vendetta più tremenda" (Silva, Ernani, Elvira), Ernani: Atto II. "Oro, quant'oro ogni avido" (Ernani, Elvira, Silva), Ernani: Atto IV. "Ecco il pegno" (Silva, Ernani) / "Ferma crudele, estinguere" (Elvira, Silva, Ernani), Ernani: Atto IV. Finale "Oh, come felici gioscon gli sposi!" (Coro) / "Cessaro i suoni, dispari ogni face" (Ernani, Elvira, Silva)
Renaissance	engineer	Ocean Gypsy, Song of Scheherazade, The Vultures Fly High, Trip to the Fair
Sergio Menegale	mix, recording	Concierto de Aranjuez: I. Allegro con spirito, Concierto de Aranjuez: II. Adagio, Concierto de Aranjuez: III. Allegro gentile
Graeme Revell	recording	I'm Alone on This, LB in Montana, Palladino Montage
Mirella Freni	engineer	Ernani: Atto I. "Ernani! Ernani, involami" (Elvira), Ernani: Atto I. "Surta è la notte" (Elvira), Ernani: Atto I. "Tutto sprezzo che d'Ernani" (Elvira, Coro)
Franziska Staubli	engineer	Violin Concerto in D, op. 35: I. Allegro moderato, Violin Concerto in D, op. 35: II. Canzonetta (Andante), Violin Concerto in D, op. 35: III. Allegro vivacissimo
Marla Lukofsky	balance	Violin Concerto in D, op. 77: I. Allegro non troppo, Violin Concerto in D, op. 77: II. Adagio, Violin Concerto in D, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto
Matt Canham	recording	Balcony Scene, One Hand, One Heart, Somewhere (alternative motion picture version)
Leonard Bernstein	recording	I Feel Pretty, Prologue and Jet Song
Enya	recording	May It Be, The Council of Elrond (feat. “Aníron (Theme for Aragorn and Arwen)”)
Plácido Domingo	engineer	Ernani: Atto I. "Dell 'esiglio nel dolore .... O tu che l'alma adora" (Ernani, Coro), Ernani: Atto I. "Mercè, dilette amici .....Come rugiada al cespite" (Ernani, Coro)
Tamás Sándor	engineer	Ernani: Atto II. "Cugino, a che munito" (Carlo, Silva), Ernani: Atto II. "Lo vedremo, veglio audace" (Carlo, Silva)
하윤	engineer	Ernani: Atto I. "Evviva!...beviamo" (Coro), Ernani: Atto II. "Esultiamo! Letizia nr innondi" (Coro)
Debra Damo Dining Orchestra	engineer	Sweet, Silent Ladies, Vienna, City of My Dreams
Kathleen Mitchell	recording	Maria, Something's Coming
Elton John	engineer	One Horse Town, Tonight
Trisha Cullen	recording	The Black Gate Opens, The Grey Havens
Gábor Drótos	engineer	Ernani: Atto II. "Vieni meco, sol di rose" (Carlo, Elvira, Giovanna, Riccardo, Silva, Coro), Ernani: Atto III. "O sommo Carlo più del tuo nome" (Carlo, Silva, Elvira, Ernani, Giovanna, Jago, Riccardo, Coro)
Stealing	engineer	Ernani: Atto III. "Gran Dio! costor sui sepolcrali marmi" (Carlo), Ernani: Atto III. "Oh, de' verd'anni miei" (Carlo)
Hans Leitner	engineer	Ernani: Atto I. "Tu se', Ernani!" (Carlo, Elvira, Ernani), Ernani: Atto III. "Un patto! Un giuramento! ... Si ridesti" (Tutti) / "Qual rumore?" (Coro, Carlo, Riccardo, Ernani) / "Io son cnte, duce sono" (Ernani, Carlo, Elvira)
Orbit Over Luna	recording	The End of All Things, Twilight and Shadow
Sarah McLachlan	engineer	O Little Town of Bethlehem
Marcelo Pennell	recording	Breath of Life
Michael Dachs	engineer	Ernani: Atto I. "Vedi come il buon vegliardo" (Carlo, Riccardo, Silva, Ernani, Elvira, Jago, Giovanna, Coro)
Allen Salmon	recording	Evenstar
Mont	recording	Gee Officer Krupke
Jane XØ	engineer	Ernani: Atto I. "Da quel dì che t'ho veduta" (Carlo, Elvira)
Innzmouth	recording	Minas Tirith
Hot Shade	engineer	Ernani: Atto II. "Ah, morir, potessi adesso" (Ernani, Elvira)
Paul Fox	recording	Masquerade
Galia Hai	engineer	Greet for Me My Vienna
Ethan Freeman	recording	Music of the Night
Emilíana Torrini	recording	Gollum’s Song
Ric Simenson	engineer	Capriccio Italien, p. 45
Emelie Cyréus	engineer	Ernani: Atto III. "È questo il loco?" (Carlo, Riccardo)
Rusty Varenkamp	recording	Isengard Unleashed
Sam Francisco	engineer	Ernani: Atto I. "Fa che a me venga" (Carlo, Giovanna, Elvira)
Sam Francisco	engineer	Ernani: Atto I. Preludio
Lil Lusie	recording	I Have a Love
Danilo	recording	The Dance at the Gym: Blues / Promenade / Mambo / Cha Cha / Jump
Siegfried Haertel	recording	A Boy Like That
Claire Moore	recording	Wishing You Were Somehow Here Again
Steel Tigers of Death!	engineer	Ernani: Atto I. "Che mai vegg'io!" / "Infelice!... e tuo credevi" (Silva)
Christian Vind	recording	Think of Me
Cemetery	recording	The Steward of Gondor
Carol Maillard	recording	Prima Donna
Sue Kirby	recording	Forth Eorlingas
Sándor Hajnali	engineer	Ernani: Atto II. "A te, scegli, seguimi!"
Borgman	engineer	Francesca da Rimini, op. 32
Tray1 Domingo Migo	recording	All I Ask of You
Bach Choir of Bethlehem	recording	The Phantom of the Opera
Annie Lennox	recording	Into the West
Werner Thärichen	recording	America (alternative motion picture version)
Юрий Морозов	balance	Zigeunerweisen, op. 20
Aleksandrs Žiguličs	recording	The Return of the King

A Journey in the Dark, A Knife in the Dark, A Storm Is Coming, Amon Hen, Andúril, Arwen’s Song (complete), Ash and Smoke, At the Sign of the Prancing Pony, Cirith Ungol, Concerning Hobbits, Elanor (alternate), Emyn Muil (alternate), Flight to the Ford, Flight to the Ford (alternate), Foundations of Stone, Helm’s Deep, Hope Fails, Hope and Memory, Lothlórien / Lament for Gandalf, Many Meetings, Minas Morgul, Out From Bree (theatrical version & alternate), Prologue: One Ring to Rule Them All (alternate), Sammath Naur (alternate), Samwise the Brave, Shelob’s Lair, Shieldmaiden of Rohan (theatrical version), The Argonath (alternate), The Black Gate Is Closed, The Black Rider, The Breaking of the Fellowship / In Dreams, The Bridge of Khazad‐dûm, The Eaves of Fangorn (alternate), The Fields of the Pelennor, The Fighting Uruk‐hai (alternate), The Forbidden Pool, The Great River, The Hornburg, The King of the Golden Hall, The Leave Taking, The Muster of Rohan (alternate), The Passage of the Marshes, The Prophecy, The Return of the King Trailer, The Ride of the Rohirrim, The Riders of Rohan, The Ring Goes South, The Shadow of the Past, The Siege of Gondor (alternate), The Taming of Sméagol, The Treason of Isengard, The Uruk‐hai, The White Rider, The White Tree, Treebeard

Günter Körber

balance

Cole Porter

engineer

"Shrew" Finale: So Kiss Me, Kate / Finale - Dance / Grand Finale, A Woman's Career, Always True to You in My Fashion / Hornpipe Dance, Another Op'nin', Another Show / Another Op'nin', Another Show (dance reprise), Bianca / Dance, Brush Up Your Shakespeare, Finale Act I, I Am Ashamed That Women Are So Simple, I Hate Men, I Sing of Love / Tarantella Dance, I'm Afraid, Sweetheart, I Love You, I've Come to Wive It Wealthily in Padua, If Ever Married I'm, It Was Great Fun the First Time, Padua Street Scene: We Open in Venice / Dance, Pavane (Why Can't You Behave?), Rose Dance, So in Love, So in Love (reprise), Tom, Dick or Harry, Too Darn Hot / Dance, We Shall Never Be Younger, Were Thine That Special Face / Dance, What Does Your Servant Dream About?, Where Is the Life That Late I Led?, Why Can't You Behave?, Wunderbar

Inon Zur

recording

A Gathering Storm, Against the Darkness, Beast Among the Ruins, Before the Citadel Gate, Between Hammer and Anvil, Echoes of Angmar, Ghosts of the Grey Mountains, Halls of Valor, In the Footsteps of Kings, Into the Heart of the Storm, Men of Carn Dûm, Nordinbad, Realm of Ancient Kings, Shadow on the Ettenmoors (reprise), Sons of Forgotten Kings, The Forges of War, The Savage Ettenmoors, The Savage Peaks, Trolls!

Steve Heller

balance

A Dudele, A Song (A Dudele), A Yiddishe Mamme, As der Rebbe Elimelech Is gevoyrn asoi freylach, At the Fireplace (Oif'n Pripetchik Brennt a Feier'l), By the Wayside Stands a Tree (Oif'n Weyg Steyt a Boim), Doyna, Oif'n Pripetchik brennt a feier'l, Oif'n Weyg steyt a Boim, Raisins and Almonds (Rozhinkes mit Mandelen), Reyzele, Rozhinkes mit Mandelen, The Jewish Mother (A Yiddishe Mamme), Vi ahin soll ich geyn?, When the Rebbe Elimelech Becomes So Very Merry... (As Der Rebbe Elimelech Is Gevoyrn Asoi Freylach), Where Shall I Go? (VI Ahin Soll Ich Geyn?)