MUSICAL BACON
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Yan Pascal Tortelier
conductor, violin, vocal, performer
Wikipedia
Top collaborators
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Roles
Recordings
MC Bob Nielsen
Haartland
Kevin Mukiri
Art Carlson (singer)
Extreme Hate (Indonesian grindcore)
Work on other artists' recordings
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Roles
Recordings
MC Bob Nielsen
conductor, vocal
An American in Paris, Capriccio espagnol, Op. 34: I. Alborada, Capriccio espagnol, Op. 34: II. Variazioni, Capriccio espagnol, Op. 34: III. Alborada, Capriccio espagnol, Op. 34: IV. Scena e canto gitano, Capriccio espagnol, Op. 34: V. Fandango asturiano, Concert Music for Strings and Bass: First Part. Mäßig schnell, mit Kraft - Sehr breit, aber stets fließend, Concert Music for Strings and Bass: Second Part. Lebhaft - Langsam - Im ersten Zeitmaß, Dances from Das Nusch-Nuschi, Dolly Suite, Op. 56: I. Berceuse, Dolly Suite, Op. 56: II. Mi-a-ou, Dolly Suite, Op. 56: III. Le jardin de Dolly, Dolly Suite, Op. 56: IV. Kitty-valse, Dolly Suite, Op. 56: V. Tendresse, Dolly Suite, Op. 56: VI. Le pas Espagnol, D’un matin de printemps, D’un soir triste, Girl Crazy: Overture, Jupiter, the Bringer of Jollity, La tempête, op. 18: Air de danse, La tempête, op. 18: Danse rustique, Mars, the Bringer of War, Masques and bergamasques, Op. 112: I. Ouverture, Masques and bergamasques, Op. 112: II. Menuet, Masques and bergamasques, Op. 112: III. Gavotte, Masques and bergamasques, Op. 112: IV. Pastorale, Mercury, the Winged Messenger, Mystère de l'instant (grande formation): I. Appels -, Mystère de l'instant (grande formation): II. Echos -, Mystère de l'instant (grande formation): III. Prismes -, Mystère de l'instant (grande formation): IV. Espaces lointains -, Mystère de l'instant (grande formation): IX. Mètamorphoses (sur le nom Sacher) -, Mystère de l'instant (grande formation): V. Litanies -, Mystère de l'instant (grande formation): VI. Choral -, Mystère de l'instant (grande formation): VII. Rumeurs -, Mystère de l'instant (grande formation): VIII. Soliloques -, Mystère de l'instant (grande formation): X. Embrasement, Métaboles: I. Incantatoires -, Métaboles: II. Lineaire -, Métaboles: III. Obsessionnel -, Métaboles: IV. Torpide -, Métaboles: V. Flamboyant, Neptune, the Mystic, Neues vom Tage: Overture, Nobilissima visione: I. Einleitung und Rondo, Nobilissima visione: II. Marsch und Pastorale, Nobilissima visione: III. Passacaglia, Pavane, Op. 50: Andante molto moderato, Pavane, op. 50, Pictures at an Exhibition: Ballet of the Unhatched Chicks, Pictures at an Exhibition: Bydlo, Pictures at an Exhibition: Catacombae, Pictures at an Exhibition: Cum mortuis in lingua mortua, Pictures at an Exhibition: Gnomus, Pictures at an Exhibition: Il vecchio castello, Pictures at an Exhibition: Limoges - Le marché, Pictures at an Exhibition: Promenade, Pictures at an Exhibition: Samuel Goldenberg and Schmuyle, Pictures at an Exhibition: The Great Gate of Kiev, Pictures at an Exhibition: The Hut on Fowl's Legs, Pictures at an Exhibition: Tuileries, Polyeucte Overture, Psaume 130: Du Fond de l’Abîme: (extract) C’est Lui Qui Délivera Israël, Saturn, the Bringer of Old Age, Soir de fête, op. 32, Strike Up the Band: Overture, Suite from Tuttifäntchen : X. Wiegenlied, Suite from Tuttifäntchen : XI. Schlußlied, Suite from Tuttifäntchen: I. Vorspiel -, Suite from Tuttifäntchen: II. Lied -, Suite from Tuttifäntchen: III. Intermezzo -, Suite from Tuttifäntchen: IV. Lied, Suite from Tuttifäntchen: IX. Melodram, Suite from Tuttifäntchen: V. Marsch -, Suite from Tuttifäntchen: VI. Musik zum Kaspertheater -, Suite from Tuttifäntchen: VII. Tanz der Holzpuppen -, Suite from Tuttifäntchen: VIII. Lied -, Symphonic Metamorphoses on Themes of Carl Maria Von Weber: 1. Allegro, Symphonic Metamorphoses on Themes of Carl Maria Von Weber: 2.Turandot, Scherzo. Moderato - Lebhaft, Symphonic Metamorphoses on Themes of Carl Maria Von Weber: 3. Andantino, Symphonic Metamorphoses on Themes of Carl Maria Von Weber: 4. Marsch, Symphonie, op. 20: I. Lent, Symphonie, op. 20: II. Très lent, Symphonie, op. 20: III. Animé, Symphony in C major: I. Allegro non troppo vivace, ma con fuoco, Symphony in C major: II. Andante espressivo e sostenuto, Symphony in C major: III. Allegro spiritoso, Symphony in E-flat: II. Sehr langsam, Symphony in E-flat: III. Lebhaft, Symphony in E-flat: IV. Mäßig schnelle Halbe, Symphony no. 1: I. Passacaille. Andante, Symphony no. 1: II. Scherzo. Molto vivace, Symphony no. 1: III. Intermezzo. Lento, Symphony no. 1: IV. Finale, con variazioni. Largamente - Allegro - Scherzo - Lento, Symphony no. 2 "Double": Animato, ma misterioso (excerpt), Symphony no. 2 "Le Double": I. Animato, ma misterioso, Symphony no. 2 "Le Double": II. Andantino sostenuto, Symphony no. 2 "Le Double": III. Allegro fuocoso - Calmato, Symphony no. 2, “Le Double”: Allegro fuocoso - Calmato (extract), Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantablie, con alcuna licenza, Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Andante maestoso - Allegro vivace, The Golden Cockerel: Introduction, The Golden Cockerel: Wedding March, The Shadows of Time: I. Les Heures -, The Shadows of Time: II. Ariel malefique -, The Shadows of Time: III. Memoire des ombres -, The Shadows of Time: IV. Vagues de lumiere -, The Shadows of Time: Interlude -, The Shadows of Time: V. Dominante bleue? -, The Young Person's Guide to the Orchestra: Bassoons, The Young Person's Guide to the Orchestra: Brass, The Young Person's Guide to the Orchestra: Cellos, The Young Person's Guide to the Orchestra: Clarinets, The Young Person's Guide to the Orchestra: Double basses, The Young Person's Guide to the Orchestra: Flutes and piccolo, The Young Person's Guide to the Orchestra: Fugue, The Young Person's Guide to the Orchestra: Full orchestra, The Young Person's Guide to the Orchestra: Harp, The Young Person's Guide to the Orchestra: Horns, The Young Person's Guide to the Orchestra: Introduction, The Young Person's Guide to the Orchestra: Oboes, The Young Person's Guide to the Orchestra: Percussion, The Young Person's Guide to the Orchestra: Strings, The Young Person's Guide to the Orchestra: Theme, The Young Person's Guide to the Orchestra: Trombones and bass tuba, The Young Person's Guide to the Orchestra: Trumpets, The Young Person's Guide to the Orchestra: Violas, The Young Person's Guide to the Orchestra: Violins, The Young Person's Guide to the Orchestra: Woodwind, Till eulenspiegels lustige Streiche, Timbres, espaces, mouvement avec interlude: I. (♩ = 72 environ), Timbres, espaces, mouvement avec interlude: II. (♩ = 56 environ), Timbres, espaces, mouvement avec interlude: Interlude -, Uranus, the Magician, Venus, the Bringer of Peace, Viviane, op. 5
Haartland
conductor
Petrouchka: First Part. The Shrove-tide Fair. Danse russe. Allegro giusto - Meno mosso - Tempo I -, Petrouchka: First Part. The Shrove-tide Fair. Lento - Poco più mosso (Cadenza) - A tempo -, Petrouchka: First Part. The Shrove-tide Fair. Vivace - Meno mosso - Tempo I - Meno mosso -, Petrouchka: Fourth Part. The Shrove-tide Fair and the Death of Pétrouchka. Apparition of Pétrouchka's Double. [ ], Petrouchka: Fourth Part. The Shrove-tide Fair and the Death of Pétrouchka. Dance of the Coachmen. Allegro moderato -, Petrouchka: Fourth Part. The Shrove-tide Fair and the Death of Pétrouchka. Death of Pétrouchka. Lento, lamentoso, Petrouchka: Fourth Part. The Shrove-tide Fair and the Death of Pétrouchka. Gypsies and a Rake Vendor. [Tempo giusto] - [ ] -, Petrouchka: Fourth Part. The Shrove-tide Fair and the Death of Pétrouchka. Masqueraders. L'istesso tempo ma poco a poco agitato -, Petrouchka: Fourth Part. The Shrove-tide Fair and the Death of Pétrouchka. Peasant with Bear. Poco accelerando - Tempo giusto -, Petrouchka: Fourth Part. The Shrove-tide Fair and the Death of Pétrouchka. Police and the Juggler. Più mosso - Lento - L'istesso tempo -, Petrouchka: Fourth Part. The Shrove-tide Fair and the Death of Pétrouchka. Tempo giusto -, Petrouchka: Fourth Part. The Shrove-tide Fair and the Death of Pétrouchka. The Scuffle. Blackamoor and Pétrouchka. [ ] - Meno mosso -, Petrouchka: Fourth Part. The Shrove-tide Fair and the Death of Pétrouchka. Wet-nurses' Dance. Allegretto -, Petrouchka: Second Part. Pétrouchka. Impetuoso - Doppio valore - Più mosso - Andantino -, Petrouchka: Third Part. The Blackamoor. L'istesso tempo - Sostenuto - Doppio movimento - Con furore -, Petrouchka: Third Part. The Blackamoor. Valse. Lento cantabile - Allegretto - Con furore -
Kevin Mukiri
conductor
Capriccio for Piano and Orchestra: I. Presto - Doppio movimento - Presto - Doppio movimento -, Capriccio for Piano and Orchestra: II. Andante rapsodico - Più mosso - Tempo I -, Capriccio for Piano and Orchestra: III. Allegro capriccioso ma tempo giusto, Concerto for Piano and Wind Instruments: I. Largo - Allegro - Più mosso - Maestoso (Largo del principio), Concerto for Piano and Wind Instruments: II. Largo - L'istesso tempo ma poco rubato. Cadenza (poco rubato) -, Concerto for Piano and Wind Instruments: III. Allegro - [ ] - Tempo I - Agitato - Lento - Stringendo, Movements for Piano and Orchestra: I. Semi-quaver=110 - Meno mosso, semi-quaver=72 - Crotchet=52, Movements for Piano and Orchestra: II. Crotchet=52 - Crotchet=72, Movements for Piano and Orchestra: III. Semi-quaver=72 - Semi-quaver=80, Movements for Piano and Orchestra: IV. Semi-quaver=80 - Crotchet=52 -, Movements for Piano and Orchestra: V. Semi-quaver=104
Art Carlson
conductor
Concerto for Organ, Strings and Timpani, Symphony no. 1 for Organ and Orchestra, op. 42: I. Introduction and Allegro. Largo e maestoso - Allegro - Tempo primo, Symphony no. 1 for Organ and Orchestra, op. 42: II. Pastorale. Andante quasi allegretto, Symphony no. 1 for Organ and Orchestra, op. 42: III. Finale. Allegro assai - Andante maestoso - Tempo primo, Symphony no. 2 for Organ and Orchestra, op. 91: I. Introduction et Allegro risoluto, Symphony no. 2 for Organ and Orchestra, op. 91: II. Adagio con affetto, Symphony no. 2 for Organ and Orchestra, op. 91: III. Scherzo: Allegro vivace, Symphony no. 2 for Organ and Orchestra, op. 91: IV. Andante sostenuto, Symphony no. 2 for Organ and Orchestra, op. 91: V. Intermède et Allegro con brio, Symphony no. 3 for Organ and Orchestra, op. 69: I. Adagio - Andante - Allegro, Symphony no. 3 for Organ and Orchestra, op. 69: II. Vivace - Tranquillamente - Allegro - Largo
Extreme Hate
conductor
Fontane di Roma, P 106: I. La fontana di Valle Giulia all’alba -, Fontane di Roma, P 106: II. La fontana del Tritone al mattino -, Fontane di Roma, P 106: III. La fontana di Trevi al meriggio -, Fontane di Roma, P 106: IV. La fontana di Villa Medici al tramonto, Iberia: El Puerto, Pini di Roma, P 141: I. I pini di Villa Borghese -, Pini di Roma, P 141: II. Pini presso una catacomba -, Pini di Roma, P 141: III. I pini del Gianicolo -, Pini di Roma, P 141: IV. I pini della via Appia, Pini di Roma: III. Pini del Gaincolo, The Three-Cornered Hat: Miller’s Dance
Afrostatic
conductor, violin
Berceuse, Op. 16, Introduction et Rondo capriccioso in A Minor, Op. 28, Prelude and Allegro, Romanze in F Minor, Rondo in A Major, D. 438, Salut d'amour, Schön Rosmarin, Your Grey-Blue Eyes
Muno
conductor
Pezzo capriccioso, op. 62, Variations on a Rococo Theme, op. 33: Introduction (Moderato quasi andante) - Theme (Moderato semplice) - Variation I (Tempo del Tema), Variations on a Rococo Theme, op. 33: Variation II (Tempo del Tema), Variations on a Rococo Theme, op. 33: Variation III (Andante sostenuto), Variations on a Rococo Theme, op. 33: Variation IV (Andante grazioso), Variations on a Rococo Theme, op. 33: Variation V (Allegro moderato), Variations on a Rococo Theme, op. 33: Variation VI (Andante), Variations on a Rococo Theme, op. 33: Variation VII (Allegro vivo)
Manuel de Falla
conductor
The Three Cornered Hat: Afternoon. Allegretto mosso, The Three Cornered Hat: Dance of the Miller's Wife (Fandango). Allegro ma non troppo / The Corregidor. Moderato / The Miller's Wife. Poco più mosso, The Three Cornered Hat: Final Dance (Jota). Poco mosso, The Three Cornered Hat: Introduction. Allegretto ma non troppo — Poco meno mosso, The Three Cornered Hat: The Corregidor's Dance. Allegretto, The Three Cornered Hat: The Grapes. Vivo, The Three Cornered Hat: The Miller's Dance (Farruca). Poco vivo, The Three Cornered Hat: The Neighbour's Dance (Seguidillas). Allegro ma non troppo
Пётр Ильич Чайковский
conductor
Variations on a Rococo Theme: II. Tempo della Thema (Northern Sinfonia Orchestra feat. conductor: Yan Pascal Tortelier, cello: Paul Tortelier), Variations on a Rococo Theme: III. Andante sostenuto (Northern Sinfonia Orchestra feat. conductor: Yan Pascal Tortelier, cello: Paul Tortelier), Variations on a Rococo Theme: IV. Andante grazioso (Northern Sinfonia Orchestra feat. conductor: Yan Pascal Tortelier, cello: Paul Tortelier), Variations on a Rococo Theme: Moderato assai quasi Andante - Thema: Moderato semplice and I. Tempo della Thema (Northern Sinfonia Orchestra feat. conductor: Yan Pascal Tortelier, cello: Paul Tortelier), Variations on a Rococo Theme: V. Allegro moderato (Northern Sinfonia Orchestra feat. conductor: Yan Pascal Tortelier, cello: Paul Tortelier), Variations on a Rococo Theme: VI. Andante (Northern Sinfonia Orchestra feat. conductor: Yan Pascal Tortelier, cello: Paul Tortelier), Variations on a Rococo Theme: VII. Allegro vivo (Northern Sinfonia Orchestra feat. conductor: Yan Pascal Tortelier, cello: Paul Tortelier)
FOTN
conductor
Cello Concerto in A minor, op. 129: I. Nicht zu schnell, Cello Concerto in A minor, op. 129: II. Langsam, Cello Concerto in A minor, op. 129: III. Sehr lebhaft, Kol Nidrei, op. 47, Symphonic Variations, op. 23: A tempo andantino -, Symphonic Variations, op. 23: Moderato maestoso -, Symphonic Variations, op. 23: Un peu plus vite
LHI
conductor
Concerto for the Left Hand, Concerto in G: I. Allegramente - Meno vivo - Tempo I - Meno vivo, Concerto in G: II. Adagio assai, Concerto in G: III. Presto, Fantaisie: I. Andante ma non troppo - Allegro giusto - Fièrement - Modéré, Fantaisie: II. Lent (très expressif) - Animez (très peu) - Più mosso poco a poco, Fantaisie: III. Allegro molto - Très rythmé - Le double moins vite - A tempo I
Chocolate MC
conductor
Peter and the Wolf: And now, imagine the triumphant procession, Peter and the Wolf: And now, this is how things stood, Peter and the Wolf: Early one morning, Peter and the Wolf: Introduction, Peter and the Wolf: Just then, hunters came, Peter and the Wolf: No sooner had peter gone
Valentine
conductor
La Tragédie de Salomé, op. 50: I. Danse des perles. Assez vif – Un peu moins vif – Plus calme – Animez – Un peu moins vif – Avec éclat – Animez peu à peu – Très vif, toutefois sans exagération, La Tragédie de Salomé, op. 50: I. Prélude. Lent – Animez un peu – Animez encore – Un peu plus lent (Mouvement initial) – Calme [Animez un peu] – Plus lent –, La Tragédie de Salomé, op. 50: II. Danse de l’effroi. Animé – Très élargi – Accélérez graduellement jusqu’à la fin, La Tragédie de Salomé, op. 50: II. Danse des éclairs. Animé, sans exagération – Avec frénésie – Lent – Animé – Lent – Animé – Lent –, La Tragédie de Salomé, op. 50: II. Lent – Les Enchantements sur la mer. Un peu moins lent (Mouvement du Prélude) – Animez un peu – Cédez un peu – Un peu plus lent – Plus lent – Animez peu à peu – Animez toujours –, Le Palais hanté, op. 49
ASAF 3.0
conductor
Tout un mode lointain: I. Enigme -, Tout un mode lointain: II. Regard -, Tout un mode lointain: III. Houles -, Tout un mode lointain: IV. Miroirs -, Tout un mode lointain: V. Hymne
Adrian Glatt
conductor
Concerto No. 1 in F minor, Op. 73: I. Allegro, Concerto No. 1 in F minor, Op. 73: II. Adagio ma non troppo, Concerto No. 1 in F minor, Op. 73: III. Rondo, allegretto, Introduction, Theme and Variations on a Swedish Air, Premiere Rapsodie
Mia Grijp
conductor
Boléro, Romance from Suite "Gadfly", Romeo & Juliet Ballet: Suite 2 No. 1: Introduction: Montagues and Capulets / Suite 2 No. 4: Dance / Suite 1 No. 6: Romeo & Juliet / Suite 1 No. 7: Death of Tybalt / Suite 2 No. 7: Romeo at Juliet's Tomb: Death of Juliet, Romeo & Juliet: Introduction, Montagues and Capulets, Song of India from the "Opera Sadako"
Isaac Albéniz
conductor
Iberia Suite: El Albaicín. Allegro, Iberia Suite: El Puerto. Allegro comodo, Iberia Suite: Evocation. Allegretto espressivo, Iberia Suite: La Fête Dieu à Séville (El Corpus en Sevilla). Allegro grazioso, Iberia Suite: Triana. Allegretto
brent hosier
conductor
Symphonic Suite "Catfish Row": I. Catfish Row, Symphonic Suite "Catfish Row": III. Fugue, Symphonic Suite "Catfish Row": IV. Hurricane, Symphonic Suite "Catfish Row": V. Good Mornin', Sistuh, Variations on "I Got Rhythm"
House of Discipline
conductor
L'Arbre des songes: I. Librement -, L'Arbre des songes: II. Vif -, L'Arbre des songes: III. Lent -, L'Arbre des songes: IV. Large et anime, L'Arbre des songes: Interlude -
Murat Coşkun
conductor
Cello Concerto in E minor, op. 85: I. Adagio - Moderato, Cello Concerto in E minor, op. 85: II. Lento - Allegro molto, Cello Concerto in E minor, op. 85: III. Adagio, Cello Concerto in E minor, op. 85: IV. Allegro - Moderato - Allegro ma non troppo
Giuseppe Tartini
conductor
Concertino for Clarinet: I. Grave, Concertino for Clarinet: II. Allegro molto, Concertino for Clarinet: III. Adagio, Concertino for Clarinet: IV. Allegro risoluto
Oureboros
conductor
Feste romane, P 157: I. Circenses -, Feste romane, P 157: II. Il giubileo -, Feste romane, P 157: III. L’ottobrata -, Feste romane, P 157: IV. La befana
Beatowski
conductor
Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto, Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo, Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo (Molto vivace), Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco
Giordano Bruno Martelli
conductor
Oboe Concerto: I. Allegro Moderato, Oboe Concerto: II. Andante, Oboe Concerto: III. Vivace -- Allegro
Carl Maria von Weber
conductor
Clarinet Concerto No. 1 in F minor, Op. 73: I. Allegro, Clarinet Concerto No. 1 in F minor, Op. 73: II. Adagio ma non troppo, Clarinet Concerto No. 1 in F minor, Op. 73: III. Rondo (Allegretto)
Momo Ferreira
conductor
Fantaisie: I. Andante ma non troppo - Allegro giusto, Fantaisie: II. Lento e molto espressivo -, Fantaisie: III. Allegro molto
Mercan Özkan
conductor
Psaume XLVII, op. 38: Animé. ‘Gloire au Seigneur!’ – Même mouvement. ‘Frappez des mains!’ – Large. ‘Parce que le Seigneur est très élevé…’ – Premier Mouvement. ‘Gloire au Seigneur!’ –, Psaume XLVII, op. 38: Même mouvement. ‘Dieu est monté au milieu des chants de joie!’ – Mouvement initial (Animé). ‘Nations, frappez des mains!’ – Même mouvement. ‘Parce que le Seigneur est très élevé…’, Psaume XLVII, op. 38: Un peu moins vite. ‘Parce que le Seigneur est très élevé…’ – Un peu plus animé. ‘Frappez des mains toutes ensemble!’ – Large, mais sans emphase. ‘Il nous a assujetti les peuples…’ – Même mouvement. ‘Gloire au Seigneur!’ –
Chekov
conductor
Danses: Danse profane: Modéré, Danses: Danse sacrée: Très modéré
Evelyn McClure
conductor
Allegro appassionato for Cello and Orchestra, op. 43, Cello Concerto no. 1 in A minor, op. 33
Gabriel Fauré
conductor
Prelude to Penelope: Andante moderato, Requiem: Agnus Dei
Trio Magneto
conductor
Deux Sonnets de Jean Cassou: Il n'y avait que des troncs déchirés. Vehement et agite, Deux Sonnets de Jean Cassou: J'ai rêvé que je vous portais entre mes bras
Paul Hindemith
conductor
Symphony in E flat: I. Sehr lebhaft
Jeff Neiblum
conductor, violin
Meditation
Hero & Leander
conductor
Rhapsody in Blue
Curt Allen
conductor
Catfish Row: Porgy Sings
My Golden Calf
violin
Berceuse, op. 16
Nikki Menzies
conductor
Première rapsodie
Mahalia Sibanda
conductor
Psaume 24
Gerard Antonio Coatti
conductor
Jehan Alain: Prière pour nous autres charnels
Jan Lund
conductor
Shéhérazade: La Flûte enchantée
Sardini Moupsi
conductor
Psaume XLVII, op. 38: Calme. ‘Il a choisi dans son héritage la beauté de Jacob…’ – Large. ‘La beauté de Jacob!’ –
Sedat Bider
violin
Choses vues à droite et à gauche (Sans Lunettes)
The Gift
performer
Variations rococo (Extr.)
Loopoets
conductor
La plus que lente
English Chamber Orchestra
conductor
Première Rapsodie
Viola Martinsson
conductor
Faust et Hélène
DJ Jihell
conductor
Rapsodie for Alto Saxophone and Orchestra
Otis Harris
conductor
Psaume 130 “Du fond de l’abîme”
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