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BBC National Orchestra of WalesRichard HickoxRalph CouzensMike GeorgeRichard SmokerBrian CouzensJonathan CooperRachel SmithPaul JenkinsTim ThorneOnly this artist's recordings

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Artist name Roles Recordings
BBC National Orchestra of Wales performing orchestra A Royal Night of Variety, H 184, A Tribute, op. 56, Academic Festival Overture, Op. 80, Allegro moderato, Berceuse, H 8, Chant d'esperance, H 18ii, Coronation March, Dance Poem, Dance Rhapsody, Enter Spring, Five Entr'actes from "The Two Hunchbacks": I. Prelude to Act I, Five Entr'actes from "The Two Hunchbacks": II. Intermezzo from Act II, Five Entr'actes from "The Two Hunchbacks": III. Intermezzo from Act III, Five Entr'actes from "The Two Hunchbacks": IV. Prelude to Act III, Five Entr'actes from "The Two Hunchbacks": V. Entr'acte between Acts II and III, Isabella, Lament, Mid of the Night, Norse Legend, Rebus, Serenade, H 23, Sir Roger de Coverley (A Christmas Dance), Sir Roger de Coverley (A Christmas Dance), H 155, Sonata for Organ in G major, op. 28: I. Allegro maestoso, Sonata for Organ in G major, op. 28: II. Allegretto – Quasi doppio movimento – Tempo I, Sonata for Organ in G major, op. 28: III. Andante espressivo – Animato poco a poco – Poco più tranquillo – Tranquillo, Sonata for Organ in G major, op. 28: IV. Presto (comodo), Suite for Strings, H 93: I. Prelude, Suite for Strings, H 93: II. Intermezzo, Suite for Strings, H 93: III. Nocturne, Suite for Strings, H 93: IV. Finale, Summer, Symphony no. 1 in A-flat major, op. 55: I. Andante. Nobilmente e semplice – Allegro – Poco meno mosso – Poco più mosso – Tempo I – Poco animato – Grandioso (Tempo I) – Meno mosso – Poco più mosso – Tempo I – Poco meno mosso, Symphony no. 1 in A-flat major, op. 55: II. Allegro molto –, Symphony no. 1 in A-flat major, op. 55: III. Adagio – Molto espressivo e sostenuto, Symphony no. 1 in A-flat major, op. 55: IV. Lento - Allegro - Grandioso (poco largamente), Symphony no. 1, op. 44: I. Allegro moderato e tempestoso, Symphony no. 1, op. 44: II. Perigourdine. Allegro bucolico e giocoso, Symphony no. 1, op. 44: III. Lento, Symphony no. 10, op. 145: I. Lento e liberamente, Symphony no. 10, op. 145: II. Scherzando ma grazioso, Symphony no. 10, op. 145: III. Lento, Symphony no. 10, op. 145: IV. Molto adagio, Symphony no. 11, op. 153, Symphony no. 2, op. 45: I. Lento rubato, Symphony no. 2, op. 45: II. Scherzo: Vivace assai, Symphony no. 2, op. 45: III. Adagio tranquillo, Symphony no. 2, op. 45: IV. Rondo: Allegretto amabile - Coda: Presto, Symphony no. 3, op. 49: I. Moderato, Symphony no. 3, op. 49: II. Allegro, Symphony no. 3, op. 49: III. Molto adagio ma liberamente, Symphony no. 3, op. 49: IV. Tema con 7 variazioni e una fuga, Symphony no. 4, op. 53: I. Con moto, Symphony no. 4, op. 53: II. Intermezzo: Allegretto grazioso, Symphony no. 4, op. 53: IIIa. Introduzione: Grave e molto calmo, Symphony no. 4, op. 53: IIIb. Allegro maestoso, Symphony no. 5, op. 63: I. Adagio, Symphony no. 5, op. 63: II. Allegro moderato, Symphony no. 5, op. 63: III. Grave, Symphony no. 5, op. 63: IV. Allegro vivo, Symphony no. 6, op. 80: I. Lento (Sempre flessibile) - Allegretto, Symphony no. 6, op. 80: II. Canto: Largo e sereno, Symphony no. 6, op. 80: III. Vivace impetuoso, Symphony no. 6, op. 80: IV. Poco andante - Allegro moderato, Symphony no. 7 in C, op. 88: I. Lento e molto espressivo, Symphony no. 7 in C, op. 88: II. Vivace e leggiero, Symphony no. 7 in C, op. 88: III. Passacaglia and Fugue. Lento, Symphony no. 8, Hommage à Teilhard de Chardin: Moderato (excerpt), Symphony no. 8, op. 132: I. Moderato, Symphony no. 8, op. 132: II. Allegretto con brio, Symphony no. 8, op. 132: III. Poco lento, Symphony no. 9, op. 140 "Sinfonia Sacra": Conversation piece, The Ballet from The Perfect Fool, op. 39: Andante -, The Ballet from The Perfect Fool, op. 39: Dance of Spirits of Earth. Moderato - Andante -, The Ballet from The Perfect Fool, op. 39: Dance of Spirits of Water. Allegro -, The Golden Goose, op. 45 no. 1: Dance of the Three Girls, The Golden Goose, op. 45 no. 1: Jack creeps up, unseen by court, The Golden Goose, op. 45 no. 1: The Goose Dance, The Lure, The Pageant of London, H 98: I. Solemn March, The Pageant of London, H 98: II. First Discoveries: 1. Introduction, The Pageant of London, H 98: II. First Discoveries: 2. Pavane, The Pageant of London, H 98: II. First Discoveries: 3. La Romanesca, The Pageant of London, H 98: III. March, The Sea: I. Seascape, The Sea: II. Sea-Foam, The Sea: III. Moonlight, The Sea: IV. Storm, There Is a Willow Grows Aslant a Brook, Todessehnsucht, Two Entr'actes: I. Rosemary, H 68b, Two Entr'actes: II. Canzonetta, H 169, Two Intermezzi from "Threads", H 151: I. Andante molto moderato e tranquillo, Two Intermezzi from "Threads", H 151: II. Tempo di valse - Animato, Two Old English Songs, H 119: Cherry Ripe, Two Old English Songs, H 119: Sally in Our Alley, Two Poems for Orchestra: Allegro con brio, Two Poems for Orchestra: I. Andante moderato e semplice, Two Poems for Orchestra: II. Allegro con brio, Valse Intermezzo à cordes, H 17, Vignettes de danse: I. Nicolette, Vignettes de danse: II. Zoraida, Vignettes de danse: III. Carmelita
Richard Hickox conductor A Royal Night of Variety, H 184, A Tribute, op. 56, Academic Festival Overture, Op. 80, Allegro moderato, Berceuse, H 8, Chant d'esperance, H 18ii, Coronation March, Dance Poem, Dance Rhapsody, Enter Spring, Five Entr'actes from "The Two Hunchbacks": I. Prelude to Act I, Five Entr'actes from "The Two Hunchbacks": II. Intermezzo from Act II, Five Entr'actes from "The Two Hunchbacks": III. Intermezzo from Act III, Five Entr'actes from "The Two Hunchbacks": IV. Prelude to Act III, Five Entr'actes from "The Two Hunchbacks": V. Entr'acte between Acts II and III, Isabella, Lament, Mid of the Night, Norse Legend, Rebus, Serenade, H 23, Sir Roger de Coverley (A Christmas Dance), Sir Roger de Coverley (A Christmas Dance), H 155, Sonata for Organ in G major, op. 28: I. Allegro maestoso, Sonata for Organ in G major, op. 28: II. Allegretto – Quasi doppio movimento – Tempo I, Sonata for Organ in G major, op. 28: III. Andante espressivo – Animato poco a poco – Poco più tranquillo – Tranquillo, Sonata for Organ in G major, op. 28: IV. Presto (comodo), Suite for Strings, H 93: I. Prelude, Suite for Strings, H 93: II. Intermezzo, Suite for Strings, H 93: III. Nocturne, Suite for Strings, H 93: IV. Finale, Summer, Symphony no. 1 in A-flat major, op. 55: I. Andante. Nobilmente e semplice – Allegro – Poco meno mosso – Poco più mosso – Tempo I – Poco animato – Grandioso (Tempo I) – Meno mosso – Poco più mosso – Tempo I – Poco meno mosso, Symphony no. 1 in A-flat major, op. 55: II. Allegro molto –, Symphony no. 1 in A-flat major, op. 55: III. Adagio – Molto espressivo e sostenuto, Symphony no. 1 in A-flat major, op. 55: IV. Lento - Allegro - Grandioso (poco largamente), Symphony no. 1, op. 44: I. Allegro moderato e tempestoso, Symphony no. 1, op. 44: II. Perigourdine. Allegro bucolico e giocoso, Symphony no. 1, op. 44: III. Lento, Symphony no. 10, op. 145: I. Lento e liberamente, Symphony no. 10, op. 145: II. Scherzando ma grazioso, Symphony no. 10, op. 145: III. Lento, Symphony no. 10, op. 145: IV. Molto adagio, Symphony no. 11, op. 153, Symphony no. 2, op. 45: I. Lento rubato, Symphony no. 2, op. 45: II. Scherzo: Vivace assai, Symphony no. 2, op. 45: III. Adagio tranquillo, Symphony no. 2, op. 45: IV. Rondo: Allegretto amabile - Coda: Presto, Symphony no. 3, op. 49: I. Moderato, Symphony no. 3, op. 49: II. Allegro, Symphony no. 3, op. 49: III. Molto adagio ma liberamente, Symphony no. 3, op. 49: IV. Tema con 7 variazioni e una fuga, Symphony no. 4, op. 53: I. Con moto, Symphony no. 4, op. 53: II. Intermezzo: Allegretto grazioso, Symphony no. 4, op. 53: IIIa. Introduzione: Grave e molto calmo, Symphony no. 4, op. 53: IIIb. Allegro maestoso, Symphony no. 5, op. 63: I. Adagio, Symphony no. 5, op. 63: II. Allegro moderato, Symphony no. 5, op. 63: III. Grave, Symphony no. 5, op. 63: IV. Allegro vivo, Symphony no. 6, op. 80: I. Lento (Sempre flessibile) - Allegretto, Symphony no. 6, op. 80: II. Canto: Largo e sereno, Symphony no. 6, op. 80: III. Vivace impetuoso, Symphony no. 6, op. 80: IV. Poco andante - Allegro moderato, Symphony no. 7 in C, op. 88: I. Lento e molto espressivo, Symphony no. 7 in C, op. 88: II. Vivace e leggiero, Symphony no. 7 in C, op. 88: III. Passacaglia and Fugue. Lento, Symphony no. 8, Hommage à Teilhard de Chardin: Moderato (excerpt), Symphony no. 8, op. 132: I. Moderato, Symphony no. 8, op. 132: II. Allegretto con brio, Symphony no. 8, op. 132: III. Poco lento, Symphony no. 9, op. 140 "Sinfonia Sacra": Conversation piece, The Ballet from The Perfect Fool, op. 39: Andante -, The Ballet from The Perfect Fool, op. 39: Dance of Spirits of Earth. Moderato - Andante -, The Ballet from The Perfect Fool, op. 39: Dance of Spirits of Water. Allegro -, The Golden Goose, op. 45 no. 1: Dance of the Three Girls, The Golden Goose, op. 45 no. 1: Jack creeps up, unseen by court, The Golden Goose, op. 45 no. 1: The Goose Dance, The Lure, The Pageant of London, H 98: I. Solemn March, The Pageant of London, H 98: II. First Discoveries: 1. Introduction, The Pageant of London, H 98: II. First Discoveries: 2. Pavane, The Pageant of London, H 98: II. First Discoveries: 3. La Romanesca, The Pageant of London, H 98: III. March, The Sea: I. Seascape, The Sea: II. Sea-Foam, The Sea: III. Moonlight, The Sea: IV. Storm, There Is a Willow Grows Aslant a Brook, Todessehnsucht, Two Entr'actes: I. Rosemary, H 68b, Two Entr'actes: II. Canzonetta, H 169, Two Intermezzi from "Threads", H 151: I. Andante molto moderato e tranquillo, Two Intermezzi from "Threads", H 151: II. Tempo di valse - Animato, Two Old English Songs, H 119: Cherry Ripe, Two Old English Songs, H 119: Sally in Our Alley, Two Poems for Orchestra: Allegro con brio, Two Poems for Orchestra: I. Andante moderato e semplice, Two Poems for Orchestra: II. Allegro con brio, Valse Intermezzo à cordes, H 17, Vignettes de danse: I. Nicolette, Vignettes de danse: II. Zoraida, Vignettes de danse: III. Carmelita
Ralph Couzens (engineer/editor/producer) sound Symphony no. 2, op. 45: I. Lento rubato, Symphony no. 2, op. 45: II. Scherzo: Vivace assai, Symphony no. 2, op. 45: III. Adagio tranquillo, Symphony no. 2, op. 45: IV. Rondo: Allegretto amabile - Coda: Presto, Symphony no. 6, op. 80: I. Lento (Sempre flessibile) - Allegretto, Symphony no. 6, op. 80: II. Canto: Largo e sereno, Symphony no. 6, op. 80: III. Vivace impetuoso, Symphony no. 6, op. 80: IV. Poco andante - Allegro moderato, The Ballet from The Perfect Fool, op. 39: Andante -, The Ballet from The Perfect Fool, op. 39: Dance of Spirits of Earth. Moderato - Andante -, The Ballet from The Perfect Fool, op. 39: Dance of Spirits of Water. Allegro -, The Golden Goose, op. 45 no. 1: Dance of the Three Girls, The Golden Goose, op. 45 no. 1: Jack creeps up, unseen by court, The Golden Goose, op. 45 no. 1: The Goose Dance, The Lure
Mike George (classical producer) producer Symphony no. 2, op. 45: I. Lento rubato, Symphony no. 2, op. 45: II. Scherzo: Vivace assai, Symphony no. 2, op. 45: III. Adagio tranquillo, Symphony no. 2, op. 45: IV. Rondo: Allegretto amabile - Coda: Presto, Symphony no. 6, op. 80: I. Lento (Sempre flessibile) - Allegretto, Symphony no. 6, op. 80: II. Canto: Largo e sereno, Symphony no. 6, op. 80: III. Vivace impetuoso, Symphony no. 6, op. 80: IV. Poco andante - Allegro moderato
Richard Smoker engineer Symphony no. 2, op. 45: I. Lento rubato, Symphony no. 2, op. 45: II. Scherzo: Vivace assai, Symphony no. 2, op. 45: III. Adagio tranquillo, Symphony no. 2, op. 45: IV. Rondo: Allegretto amabile - Coda: Presto, Symphony no. 6, op. 80: I. Lento (Sempre flessibile) - Allegretto, Symphony no. 6, op. 80: II. Canto: Largo e sereno, Symphony no. 6, op. 80: III. Vivace impetuoso, Symphony no. 6, op. 80: IV. Poco andante - Allegro moderato

Collaborators on this artist's recordings

Artist name Roles Recordings
BBC National Orchestra of Wales performing orchestra A Royal Night of Variety, H 184, A Tribute, op. 56, Academic Festival Overture, Op. 80, Allegro moderato, Berceuse, H 8, Chant d'esperance, H 18ii, Coronation March, Dance Poem, Dance Rhapsody, Enter Spring, Five Entr'actes from "The Two Hunchbacks": I. Prelude to Act I, Five Entr'actes from "The Two Hunchbacks": II. Intermezzo from Act II, Five Entr'actes from "The Two Hunchbacks": III. Intermezzo from Act III, Five Entr'actes from "The Two Hunchbacks": IV. Prelude to Act III, Five Entr'actes from "The Two Hunchbacks": V. Entr'acte between Acts II and III, Isabella, Lament, Mid of the Night, Norse Legend, Rebus, Serenade, H 23, Sir Roger de Coverley (A Christmas Dance), Sir Roger de Coverley (A Christmas Dance), H 155, Sonata for Organ in G major, op. 28: I. Allegro maestoso, Sonata for Organ in G major, op. 28: II. Allegretto – Quasi doppio movimento – Tempo I, Sonata for Organ in G major, op. 28: III. Andante espressivo – Animato poco a poco – Poco più tranquillo – Tranquillo, Sonata for Organ in G major, op. 28: IV. Presto (comodo), Suite for Strings, H 93: I. Prelude, Suite for Strings, H 93: II. Intermezzo, Suite for Strings, H 93: III. Nocturne, Suite for Strings, H 93: IV. Finale, Summer, Symphony no. 1 in A-flat major, op. 55: I. Andante. Nobilmente e semplice – Allegro – Poco meno mosso – Poco più mosso – Tempo I – Poco animato – Grandioso (Tempo I) – Meno mosso – Poco più mosso – Tempo I – Poco meno mosso, Symphony no. 1 in A-flat major, op. 55: II. Allegro molto –, Symphony no. 1 in A-flat major, op. 55: III. Adagio – Molto espressivo e sostenuto, Symphony no. 1 in A-flat major, op. 55: IV. Lento - Allegro - Grandioso (poco largamente), Symphony no. 1, op. 44: I. Allegro moderato e tempestoso, Symphony no. 1, op. 44: II. Perigourdine. Allegro bucolico e giocoso, Symphony no. 1, op. 44: III. Lento, Symphony no. 10, op. 145: I. Lento e liberamente, Symphony no. 10, op. 145: II. Scherzando ma grazioso, Symphony no. 10, op. 145: III. Lento, Symphony no. 10, op. 145: IV. Molto adagio, Symphony no. 11, op. 153, Symphony no. 2, op. 45: I. Lento rubato, Symphony no. 2, op. 45: II. Scherzo: Vivace assai, Symphony no. 2, op. 45: III. Adagio tranquillo, Symphony no. 2, op. 45: IV. Rondo: Allegretto amabile - Coda: Presto, Symphony no. 3, op. 49: I. Moderato, Symphony no. 3, op. 49: II. Allegro, Symphony no. 3, op. 49: III. Molto adagio ma liberamente, Symphony no. 3, op. 49: IV. Tema con 7 variazioni e una fuga, Symphony no. 4, op. 53: I. Con moto, Symphony no. 4, op. 53: II. Intermezzo: Allegretto grazioso, Symphony no. 4, op. 53: IIIa. Introduzione: Grave e molto calmo, Symphony no. 4, op. 53: IIIb. Allegro maestoso, Symphony no. 5, op. 63: I. Adagio, Symphony no. 5, op. 63: II. Allegro moderato, Symphony no. 5, op. 63: III. Grave, Symphony no. 5, op. 63: IV. Allegro vivo, Symphony no. 6, op. 80: I. Lento (Sempre flessibile) - Allegretto, Symphony no. 6, op. 80: II. Canto: Largo e sereno, Symphony no. 6, op. 80: III. Vivace impetuoso, Symphony no. 6, op. 80: IV. Poco andante - Allegro moderato, Symphony no. 7 in C, op. 88: I. Lento e molto espressivo, Symphony no. 7 in C, op. 88: II. Vivace e leggiero, Symphony no. 7 in C, op. 88: III. Passacaglia and Fugue. Lento, Symphony no. 8, Hommage à Teilhard de Chardin: Moderato (excerpt), Symphony no. 8, op. 132: I. Moderato, Symphony no. 8, op. 132: II. Allegretto con brio, Symphony no. 8, op. 132: III. Poco lento, Symphony no. 9, op. 140 "Sinfonia Sacra": Conversation piece, The Ballet from The Perfect Fool, op. 39: Andante -, The Ballet from The Perfect Fool, op. 39: Dance of Spirits of Earth. Moderato - Andante -, The Ballet from The Perfect Fool, op. 39: Dance of Spirits of Water. Allegro -, The Golden Goose, op. 45 no. 1: Dance of the Three Girls, The Golden Goose, op. 45 no. 1: Jack creeps up, unseen by court, The Golden Goose, op. 45 no. 1: The Goose Dance, The Lure, The Pageant of London, H 98: I. Solemn March, The Pageant of London, H 98: II. First Discoveries: 1. Introduction, The Pageant of London, H 98: II. First Discoveries: 2. Pavane, The Pageant of London, H 98: II. First Discoveries: 3. La Romanesca, The Pageant of London, H 98: III. March, The Sea: I. Seascape, The Sea: II. Sea-Foam, The Sea: III. Moonlight, The Sea: IV. Storm, There Is a Willow Grows Aslant a Brook, Todessehnsucht, Two Entr'actes: I. Rosemary, H 68b, Two Entr'actes: II. Canzonetta, H 169, Two Intermezzi from "Threads", H 151: I. Andante molto moderato e tranquillo, Two Intermezzi from "Threads", H 151: II. Tempo di valse - Animato, Two Old English Songs, H 119: Cherry Ripe, Two Old English Songs, H 119: Sally in Our Alley, Two Poems for Orchestra: Allegro con brio, Two Poems for Orchestra: I. Andante moderato e semplice, Two Poems for Orchestra: II. Allegro con brio, Valse Intermezzo à cordes, H 17, Vignettes de danse: I. Nicolette, Vignettes de danse: II. Zoraida, Vignettes de danse: III. Carmelita
Richard Hickox conductor A Royal Night of Variety, H 184, A Tribute, op. 56, Academic Festival Overture, Op. 80, Allegro moderato, Berceuse, H 8, Chant d'esperance, H 18ii, Coronation March, Dance Poem, Dance Rhapsody, Enter Spring, Five Entr'actes from "The Two Hunchbacks": I. Prelude to Act I, Five Entr'actes from "The Two Hunchbacks": II. Intermezzo from Act II, Five Entr'actes from "The Two Hunchbacks": III. Intermezzo from Act III, Five Entr'actes from "The Two Hunchbacks": IV. Prelude to Act III, Five Entr'actes from "The Two Hunchbacks": V. Entr'acte between Acts II and III, Isabella, Lament, Mid of the Night, Norse Legend, Rebus, Serenade, H 23, Sir Roger de Coverley (A Christmas Dance), Sir Roger de Coverley (A Christmas Dance), H 155, Sonata for Organ in G major, op. 28: I. Allegro maestoso, Sonata for Organ in G major, op. 28: II. Allegretto – Quasi doppio movimento – Tempo I, Sonata for Organ in G major, op. 28: III. Andante espressivo – Animato poco a poco – Poco più tranquillo – Tranquillo, Sonata for Organ in G major, op. 28: IV. Presto (comodo), Suite for Strings, H 93: I. Prelude, Suite for Strings, H 93: II. Intermezzo, Suite for Strings, H 93: III. Nocturne, Suite for Strings, H 93: IV. Finale, Summer, Symphony no. 1 in A-flat major, op. 55: I. Andante. Nobilmente e semplice – Allegro – Poco meno mosso – Poco più mosso – Tempo I – Poco animato – Grandioso (Tempo I) – Meno mosso – Poco più mosso – Tempo I – Poco meno mosso, Symphony no. 1 in A-flat major, op. 55: II. Allegro molto –, Symphony no. 1 in A-flat major, op. 55: III. Adagio – Molto espressivo e sostenuto, Symphony no. 1 in A-flat major, op. 55: IV. Lento - Allegro - Grandioso (poco largamente), Symphony no. 1, op. 44: I. Allegro moderato e tempestoso, Symphony no. 1, op. 44: II. Perigourdine. Allegro bucolico e giocoso, Symphony no. 1, op. 44: III. Lento, Symphony no. 10, op. 145: I. Lento e liberamente, Symphony no. 10, op. 145: II. Scherzando ma grazioso, Symphony no. 10, op. 145: III. Lento, Symphony no. 10, op. 145: IV. Molto adagio, Symphony no. 11, op. 153, Symphony no. 2, op. 45: I. Lento rubato, Symphony no. 2, op. 45: II. Scherzo: Vivace assai, Symphony no. 2, op. 45: III. Adagio tranquillo, Symphony no. 2, op. 45: IV. Rondo: Allegretto amabile - Coda: Presto, Symphony no. 3, op. 49: I. Moderato, Symphony no. 3, op. 49: II. Allegro, Symphony no. 3, op. 49: III. Molto adagio ma liberamente, Symphony no. 3, op. 49: IV. Tema con 7 variazioni e una fuga, Symphony no. 4, op. 53: I. Con moto, Symphony no. 4, op. 53: II. Intermezzo: Allegretto grazioso, Symphony no. 4, op. 53: IIIa. Introduzione: Grave e molto calmo, Symphony no. 4, op. 53: IIIb. Allegro maestoso, Symphony no. 5, op. 63: I. Adagio, Symphony no. 5, op. 63: II. Allegro moderato, Symphony no. 5, op. 63: III. Grave, Symphony no. 5, op. 63: IV. Allegro vivo, Symphony no. 6, op. 80: I. Lento (Sempre flessibile) - Allegretto, Symphony no. 6, op. 80: II. Canto: Largo e sereno, Symphony no. 6, op. 80: III. Vivace impetuoso, Symphony no. 6, op. 80: IV. Poco andante - Allegro moderato, Symphony no. 7 in C, op. 88: I. Lento e molto espressivo, Symphony no. 7 in C, op. 88: II. Vivace e leggiero, Symphony no. 7 in C, op. 88: III. Passacaglia and Fugue. Lento, Symphony no. 8, Hommage à Teilhard de Chardin: Moderato (excerpt), Symphony no. 8, op. 132: I. Moderato, Symphony no. 8, op. 132: II. Allegretto con brio, Symphony no. 8, op. 132: III. Poco lento, Symphony no. 9, op. 140 "Sinfonia Sacra": Conversation piece, The Ballet from The Perfect Fool, op. 39: Andante -, The Ballet from The Perfect Fool, op. 39: Dance of Spirits of Earth. Moderato - Andante -, The Ballet from The Perfect Fool, op. 39: Dance of Spirits of Water. Allegro -, The Golden Goose, op. 45 no. 1: Dance of the Three Girls, The Golden Goose, op. 45 no. 1: Jack creeps up, unseen by court, The Golden Goose, op. 45 no. 1: The Goose Dance, The Lure, The Pageant of London, H 98: I. Solemn March, The Pageant of London, H 98: II. First Discoveries: 1. Introduction, The Pageant of London, H 98: II. First Discoveries: 2. Pavane, The Pageant of London, H 98: II. First Discoveries: 3. La Romanesca, The Pageant of London, H 98: III. March, The Sea: I. Seascape, The Sea: II. Sea-Foam, The Sea: III. Moonlight, The Sea: IV. Storm, There Is a Willow Grows Aslant a Brook, Todessehnsucht, Two Entr'actes: I. Rosemary, H 68b, Two Entr'actes: II. Canzonetta, H 169, Two Intermezzi from "Threads", H 151: I. Andante molto moderato e tranquillo, Two Intermezzi from "Threads", H 151: II. Tempo di valse - Animato, Two Old English Songs, H 119: Cherry Ripe, Two Old English Songs, H 119: Sally in Our Alley, Two Poems for Orchestra: Allegro con brio, Two Poems for Orchestra: I. Andante moderato e semplice, Two Poems for Orchestra: II. Allegro con brio, Valse Intermezzo à cordes, H 17, Vignettes de danse: I. Nicolette, Vignettes de danse: II. Zoraida, Vignettes de danse: III. Carmelita
Ralph Couzens (engineer/editor/producer) sound Symphony no. 2, op. 45: I. Lento rubato, Symphony no. 2, op. 45: II. Scherzo: Vivace assai, Symphony no. 2, op. 45: III. Adagio tranquillo, Symphony no. 2, op. 45: IV. Rondo: Allegretto amabile - Coda: Presto, Symphony no. 6, op. 80: I. Lento (Sempre flessibile) - Allegretto, Symphony no. 6, op. 80: II. Canto: Largo e sereno, Symphony no. 6, op. 80: III. Vivace impetuoso, Symphony no. 6, op. 80: IV. Poco andante - Allegro moderato, The Ballet from The Perfect Fool, op. 39: Andante -, The Ballet from The Perfect Fool, op. 39: Dance of Spirits of Earth. Moderato - Andante -, The Ballet from The Perfect Fool, op. 39: Dance of Spirits of Water. Allegro -, The Golden Goose, op. 45 no. 1: Dance of the Three Girls, The Golden Goose, op. 45 no. 1: Jack creeps up, unseen by court, The Golden Goose, op. 45 no. 1: The Goose Dance, The Lure
Mike George (classical producer) producer Symphony no. 2, op. 45: I. Lento rubato, Symphony no. 2, op. 45: II. Scherzo: Vivace assai, Symphony no. 2, op. 45: III. Adagio tranquillo, Symphony no. 2, op. 45: IV. Rondo: Allegretto amabile - Coda: Presto, Symphony no. 6, op. 80: I. Lento (Sempre flessibile) - Allegretto, Symphony no. 6, op. 80: II. Canto: Largo e sereno, Symphony no. 6, op. 80: III. Vivace impetuoso, Symphony no. 6, op. 80: IV. Poco andante - Allegro moderato
Richard Smoker engineer Symphony no. 2, op. 45: I. Lento rubato, Symphony no. 2, op. 45: II. Scherzo: Vivace assai, Symphony no. 2, op. 45: III. Adagio tranquillo, Symphony no. 2, op. 45: IV. Rondo: Allegretto amabile - Coda: Presto, Symphony no. 6, op. 80: I. Lento (Sempre flessibile) - Allegretto, Symphony no. 6, op. 80: II. Canto: Largo e sereno, Symphony no. 6, op. 80: III. Vivace impetuoso, Symphony no. 6, op. 80: IV. Poco andante - Allegro moderato
Brian Couzens (engineer/editor/producer) producer The Ballet from The Perfect Fool, op. 39: Andante -, The Ballet from The Perfect Fool, op. 39: Dance of Spirits of Earth. Moderato - Andante -, The Ballet from The Perfect Fool, op. 39: Dance of Spirits of Water. Allegro -, The Golden Goose, op. 45 no. 1: Dance of the Three Girls, The Golden Goose, op. 45 no. 1: Jack creeps up, unseen by court, The Golden Goose, op. 45 no. 1: The Goose Dance, The Lure
Jonathan Cooper (classical music engineer) engineer The Ballet from The Perfect Fool, op. 39: Andante -, The Ballet from The Perfect Fool, op. 39: Dance of Spirits of Earth. Moderato - Andante -, The Ballet from The Perfect Fool, op. 39: Dance of Spirits of Water. Allegro -, The Golden Goose, op. 45 no. 1: Dance of the Three Girls, The Golden Goose, op. 45 no. 1: Jack creeps up, unseen by court, The Golden Goose, op. 45 no. 1: The Goose Dance, The Lure
Rachel Smith (engineer, editor, producer) editor The Ballet from The Perfect Fool, op. 39: Andante -, The Ballet from The Perfect Fool, op. 39: Dance of Spirits of Earth. Moderato - Andante -, The Ballet from The Perfect Fool, op. 39: Dance of Spirits of Water. Allegro -, The Golden Goose, op. 45 no. 1: Dance of the Three Girls, The Golden Goose, op. 45 no. 1: Jack creeps up, unseen by court, The Golden Goose, op. 45 no. 1: The Goose Dance, The Lure
Paul Jenkins (engineer/editor) recording Academic Festival Overture, Op. 80
Tim Thorne producer Academic Festival Overture, Op. 80
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