MUSICAL BACON
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川村ケン
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Koninklijk Concertgebouworkest
performing orchestra
Alone, op. 26 (excerpts): Altai, Alone, op. 26 (excerpts): Barrel organ, Alone, op. 26 (excerpts): Calm after the storm, Alone, op. 26 (excerpts): Galop, Alone, op. 26 (excerpts): In Kuzmina's hut, Alone, op. 26 (excerpts): March, Alone, op. 26 (excerpts): March. The street, Alone, op. 26 (excerpts): School children, Storm scene, Alone, op. 26 (excerpts): Snow storm, Amériques (original version), Arcana, Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo - Allegro vivace, Concerto for Orchestra, Sz. 116: II. Giuoco della coppie. Allegretto scherzando, Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo, Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto, Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: I. Allegretto, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: II. Lento, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: III. Moderato, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: IV. Allegro con brio, Formazioni, Fuga ricercata à 6 from The Musical Offering, BWV 1079, Hamlet, op. 116 (excerpts): Ball, Hamlet, op. 116 (excerpts): Ball at the castle, Hamlet, op. 116 (excerpts): In the garden, Hamlet, op. 116 (excerpts): Introduction, Hamlet, op. 116 (excerpts): Military music, Hamlet, op. 116 (excerpts): Palace music, Hamlet, op. 116 (excerpts): Scene of the poisoning, Pirogov, op. 76a: Finale, Pirogov, op. 76a: Scherzo, Sofia Perovskaya, op. 132: Waltz, Suite for Jazz Orchestra no. 1, op. 38: I. Waltz. Moderato, Suite for Jazz Orchestra no. 1, op. 38: II. Polka. Allegretto, Suite for Jazz Orchestra no. 1, op. 38: III. Foxtrot (Blues). Moderato, Suite for Variety Orchestra: I. March. Giocoso. Alla marcia, Suite for Variety Orchestra: II. Dance 1. Presto, Suite for Variety Orchestra: III. Dance 2. Allegretto scherzando, Suite for Variety Orchestra: IV. Little Polka. Allegretto, Suite for Variety Orchestra: V. Lyric Waltz. Allegretto, Suite for Variety Orchestra: VI. Waltz 1. Sostenuto, Suite for Variety Orchestra: VII. Waltz 2. Allegretto poco moderato, Suite for Variety Orchestra: VIII. Finale. Allegro moderato, Symphony no. 1 in D major: I. Langsam Schleppend im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 1 in D: II. Kräftig bewegt, doch nicht du schnell, Symphony no. 2 in C minor: I. Resurrection - Allegro maestoso. Mit durchaus ernsten und feierlichem Ausdruck, Symphony no. 2 in C minor: II. Andante moderato. Sehr gemächlich, Symphony no. 2 in C minor: III. In ruhig fließender Bewegung, Symphony no. 2 in C minor: V-i. Im Tempo des Scherzos. Wild herausfahrend, Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm... Es sungen drei Engel", Symphony no. 3 in F major, op. 90: III. Poco allegretto, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll, Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz, Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam, Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: II. Scherzo: Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 6 in A minor: IV. Finale. Allegro moderato, Symphony no. 6 in A minor: IV. Finale: Allegro moderato, Symphony no. 7 in E minor: I. Langsam - Allegro, Symphony no. 7 in E minor: II. Nachtmusik. Allegro moderato, Symphony no. 7 in E minor: III. Scherzo. Schattenhaft, Symphony no. 7 in E minor: IV. Nachtmusik. Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale. Allegro ordinario - Allegro moderato ma energico, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: IX. Wie Felsenabgrund mir zu Füßen, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Accende lumen sensibus, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Gloria sit Patri Domino, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Imple superna gratia, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Infirma nostri corporis, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Veni creator spiritus, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Veni, Creator... Da gaudiorum praemia, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: VII. Poco adagio: Waldung, sie schwankt heran, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: VIII. Ewiger Wonnebrand, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: X. Gerettet ist das edle Glied, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XI. Uns bleibt ein Erdenrest, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XII. Höchste Herrscherin der Welt, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XIII. Dir, der Unberührbaren - Du schwebst zu Höhen, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XIV. Bei der Liebe, die den Füßen, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XV. Neige, neige, du Ohnegleiche, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XVI. Komm! Komm!, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XVIII. Alles Vergängliche, Symphony no. 9 in D major: I. Andante comodo, Symphony no. 9 in D major: III. Rondo - Burleske. Allegro assai. Sehr trotzig, Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend, Tahiti Trot (Tea for Two), Op. 16, Tahiti Trot (Tea for Two), op. 16, The Counterplan, op. 33 (excerpts): Presto, The Counterplan, op. 33 (excerpts): The song of the counterplan, The Great Citizen, op. 55: Funeral March, The Miraculous Mandarin, BB 82, Sz. 73, op. 19: "We must kill him"... (Maestoso), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 1st Decoy game (Moderato), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 2nd Decoy game, The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 3rd Decoy game (Sostenuto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At her insistence... (Più mosso), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At last she overcomes her reluctance... (Meno vivo), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At last the three tramps... (Allegro molto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: General consternation... (Non troppo vivo), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Horrified, they see a weird figure... (Agitato), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Introduction: A bustling city street (Allegro), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: She flees from him... (Sempre vivace), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Suddenly he draws himself up... (Lento), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin catches the girl... (Sempre vivace), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin enters... (Maestoso), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin's longing... (Lento), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The body of the Mandarin begins to glow (Moderato), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The curtain rises..., The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The girl sinks down... (Allegro), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The shabby old rake enters... (Con moto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The shy young man... (Sostenuto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The tramps leap out... (Sempre vivo), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: They drag the resisting Mandarin... (Grave), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: They think he is dead... (Adagio), The Story of the Silly Little Mouse, Tuning Up
Riccardo Chailly
conductor
Alone, op. 26 (excerpts): Altai, Alone, op. 26 (excerpts): Barrel organ, Alone, op. 26 (excerpts): Calm after the storm, Alone, op. 26 (excerpts): Galop, Alone, op. 26 (excerpts): In Kuzmina's hut, Alone, op. 26 (excerpts): March, Alone, op. 26 (excerpts): March. The street, Alone, op. 26 (excerpts): School children, Storm scene, Alone, op. 26 (excerpts): Snow storm, Amériques (original version), Arcana, Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo - Allegro vivace, Concerto for Orchestra, Sz. 116: II. Giuoco della coppie. Allegretto scherzando, Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo, Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto, Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: I. Allegretto, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: II. Lento, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: III. Moderato, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: IV. Allegro con brio, Formazioni, Fuga ricercata à 6 from The Musical Offering, BWV 1079, Hamlet, op. 116 (excerpts): Ball, Hamlet, op. 116 (excerpts): Ball at the castle, Hamlet, op. 116 (excerpts): In the garden, Hamlet, op. 116 (excerpts): Introduction, Hamlet, op. 116 (excerpts): Military music, Hamlet, op. 116 (excerpts): Palace music, Hamlet, op. 116 (excerpts): Scene of the poisoning, Pirogov, op. 76a: Finale, Pirogov, op. 76a: Scherzo, Sofia Perovskaya, op. 132: Waltz, Suite for Jazz Orchestra no. 1, op. 38: I. Waltz. Moderato, Suite for Jazz Orchestra no. 1, op. 38: II. Polka. Allegretto, Suite for Jazz Orchestra no. 1, op. 38: III. Foxtrot (Blues). Moderato, Suite for Variety Orchestra: I. March. Giocoso. Alla marcia, Suite for Variety Orchestra: II. Dance 1. Presto, Suite for Variety Orchestra: III. Dance 2. Allegretto scherzando, Suite for Variety Orchestra: IV. Little Polka. Allegretto, Suite for Variety Orchestra: V. Lyric Waltz. Allegretto, Suite for Variety Orchestra: VI. Waltz 1. Sostenuto, Suite for Variety Orchestra: VII. Waltz 2. Allegretto poco moderato, Suite for Variety Orchestra: VIII. Finale. Allegro moderato, Symphony no. 1 in D major: I. Langsam Schleppend im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 1 in D: II. Kräftig bewegt, doch nicht du schnell, Symphony no. 2 in C minor: I. Resurrection - Allegro maestoso. Mit durchaus ernsten und feierlichem Ausdruck, Symphony no. 2 in C minor: II. Andante moderato. Sehr gemächlich, Symphony no. 2 in C minor: III. In ruhig fließender Bewegung, Symphony no. 2 in C minor: V-i. Im Tempo des Scherzos. Wild herausfahrend, Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm... Es sungen drei Engel", Symphony no. 3 in F major, op. 90: III. Poco allegretto, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll, Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz, Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam, Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: II. Scherzo: Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 6 in A minor: IV. Finale. Allegro moderato, Symphony no. 6 in A minor: IV. Finale: Allegro moderato, Symphony no. 7 in E minor: I. Langsam - Allegro, Symphony no. 7 in E minor: II. Nachtmusik. Allegro moderato, Symphony no. 7 in E minor: III. Scherzo. Schattenhaft, Symphony no. 7 in E minor: IV. Nachtmusik. Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale. Allegro ordinario - Allegro moderato ma energico, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: IX. Wie Felsenabgrund mir zu Füßen, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Accende lumen sensibus, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Gloria sit Patri Domino, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Imple superna gratia, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Infirma nostri corporis, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Veni creator spiritus, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Veni, Creator... Da gaudiorum praemia, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: VII. Poco adagio: Waldung, sie schwankt heran, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: VIII. Ewiger Wonnebrand, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: X. Gerettet ist das edle Glied, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XI. Uns bleibt ein Erdenrest, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XII. Höchste Herrscherin der Welt, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XIII. Dir, der Unberührbaren - Du schwebst zu Höhen, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XIV. Bei der Liebe, die den Füßen, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XV. Neige, neige, du Ohnegleiche, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XVI. Komm! Komm!, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XVIII. Alles Vergängliche, Symphony no. 9 in D major: I. Andante comodo, Symphony no. 9 in D major: III. Rondo - Burleske. Allegro assai. Sehr trotzig, Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend, Tahiti Trot (Tea for Two), Op. 16, Tahiti Trot (Tea for Two), op. 16, The Counterplan, op. 33 (excerpts): Presto, The Counterplan, op. 33 (excerpts): The song of the counterplan, The Great Citizen, op. 55: Funeral March, The Miraculous Mandarin, BB 82, Sz. 73, op. 19: "We must kill him"... (Maestoso), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 1st Decoy game (Moderato), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 2nd Decoy game, The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 3rd Decoy game (Sostenuto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At her insistence... (Più mosso), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At last she overcomes her reluctance... (Meno vivo), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At last the three tramps... (Allegro molto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: General consternation... (Non troppo vivo), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Horrified, they see a weird figure... (Agitato), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Introduction: A bustling city street (Allegro), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: She flees from him... (Sempre vivace), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Suddenly he draws himself up... (Lento), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin catches the girl... (Sempre vivace), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin enters... (Maestoso), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin's longing... (Lento), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The body of the Mandarin begins to glow (Moderato), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The curtain rises..., The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The girl sinks down... (Allegro), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The shabby old rake enters... (Con moto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The shy young man... (Sostenuto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The tramps leap out... (Sempre vivo), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: They drag the resisting Mandarin... (Grave), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: They think he is dead... (Adagio), The Story of the Silly Little Mouse, Tuning Up
Andrew Cornall
producer
Amériques (original version), Arcana, Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo - Allegro vivace, Concerto for Orchestra, Sz. 116: II. Giuoco della coppie. Allegretto scherzando, Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo, Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto, Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: I. Allegretto, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: II. Lento, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: III. Moderato, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: IV. Allegro con brio, Suite for Jazz Orchestra no. 1, op. 38: I. Waltz. Moderato, Suite for Jazz Orchestra no. 1, op. 38: II. Polka. Allegretto, Suite for Jazz Orchestra no. 1, op. 38: III. Foxtrot (Blues). Moderato, Suite for Variety Orchestra: I. March. Giocoso. Alla marcia, Suite for Variety Orchestra: II. Dance 1. Presto, Suite for Variety Orchestra: III. Dance 2. Allegretto scherzando, Suite for Variety Orchestra: IV. Little Polka. Allegretto, Suite for Variety Orchestra: V. Lyric Waltz. Allegretto, Suite for Variety Orchestra: VI. Waltz 1. Sostenuto, Suite for Variety Orchestra: VII. Waltz 2. Allegretto poco moderato, Suite for Variety Orchestra: VIII. Finale. Allegro moderato, Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm... Es sungen drei Engel", Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo, Symphony no. 6 in A minor: II. Scherzo: Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 6 in A minor: IV. Finale: Allegro moderato, Symphony no. 9 in D major: I. Andante comodo, Symphony no. 9 in D major: III. Rondo - Burleske. Allegro assai. Sehr trotzig, Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend, Tahiti Trot (Tea for Two), Op. 16, The Miraculous Mandarin, BB 82, Sz. 73, op. 19: "We must kill him"... (Maestoso), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 1st Decoy game (Moderato), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 2nd Decoy game, The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 3rd Decoy game (Sostenuto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At her insistence... (Più mosso), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At last she overcomes her reluctance... (Meno vivo), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At last the three tramps... (Allegro molto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: General consternation... (Non troppo vivo), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Horrified, they see a weird figure... (Agitato), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Introduction: A bustling city street (Allegro), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: She flees from him... (Sempre vivace), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Suddenly he draws himself up... (Lento), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin catches the girl... (Sempre vivace), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin enters... (Maestoso), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin's longing... (Lento), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The body of the Mandarin begins to glow (Moderato), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The curtain rises..., The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The girl sinks down... (Allegro), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The shabby old rake enters... (Con moto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The shy young man... (Sostenuto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The tramps leap out... (Sempre vivo), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: They drag the resisting Mandarin... (Grave), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: They think he is dead... (Adagio), Tuning Up
John Dunkerley (engineer)
balance, engineer
Amériques (original version), Arcana, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: II. Scherzo: Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 6 in A minor: IV. Finale. Allegro moderato, Symphony no. 6 in A minor: IV. Finale: Allegro moderato, Symphony no. 7 in E minor: I. Langsam - Allegro, Symphony no. 7 in E minor: II. Nachtmusik. Allegro moderato, Symphony no. 7 in E minor: III. Scherzo. Schattenhaft, Symphony no. 7 in E minor: IV. Nachtmusik. Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale. Allegro ordinario - Allegro moderato ma energico, The Miraculous Mandarin, BB 82, Sz. 73, op. 19: "We must kill him"... (Maestoso), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 1st Decoy game (Moderato), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 2nd Decoy game, The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 3rd Decoy game (Sostenuto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At her insistence... (Più mosso), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At last she overcomes her reluctance... (Meno vivo), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At last the three tramps... (Allegro molto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: General consternation... (Non troppo vivo), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Horrified, they see a weird figure... (Agitato), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Introduction: A bustling city street (Allegro), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: She flees from him... (Sempre vivace), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Suddenly he draws himself up... (Lento), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin catches the girl... (Sempre vivace), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin enters... (Maestoso), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin's longing... (Lento), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The body of the Mandarin begins to glow (Moderato), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The curtain rises..., The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The girl sinks down... (Allegro), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The shabby old rake enters... (Con moto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The shy young man... (Sostenuto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The tramps leap out... (Sempre vivo), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: They drag the resisting Mandarin... (Grave), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: They think he is dead... (Adagio), Tuning Up
Jürgen Bulgrin
recording
Symphony no. 1 in D major: I. Langsam Schleppend im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 2 in C minor: I. Resurrection - Allegro maestoso. Mit durchaus ernsten und feierlichem Ausdruck, Symphony no. 2 in C minor: II. Andante moderato. Sehr gemächlich, Symphony no. 2 in C minor: III. In ruhig fließender Bewegung, Symphony no. 2 in C minor: V-i. Im Tempo des Scherzos. Wild herausfahrend, Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm... Es sungen drei Engel", Symphony no. 4 in G major: I. Bedächtig. Nicht eilen, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll, Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz, Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam, Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 6 in A minor: IV. Finale. Allegro moderato, Symphony no. 7 in E minor: I. Langsam - Allegro, Symphony no. 7 in E minor: II. Nachtmusik. Allegro moderato, Symphony no. 7 in E minor: III. Scherzo. Schattenhaft, Symphony no. 7 in E minor: IV. Nachtmusik. Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale. Allegro ordinario - Allegro moderato ma energico, Symphony no. 9 in D major: I. Andante comodo, Symphony no. 9 in D major: III. Rondo - Burleske. Allegro assai. Sehr trotzig, Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend
Collaborators on this artist's recordings
Artist name
Roles
Recordings
Koninklijk Concertgebouworkest
performing orchestra
Alone, op. 26 (excerpts): Altai, Alone, op. 26 (excerpts): Barrel organ, Alone, op. 26 (excerpts): Calm after the storm, Alone, op. 26 (excerpts): Galop, Alone, op. 26 (excerpts): In Kuzmina's hut, Alone, op. 26 (excerpts): March, Alone, op. 26 (excerpts): March. The street, Alone, op. 26 (excerpts): School children, Storm scene, Alone, op. 26 (excerpts): Snow storm, Amériques (original version), Arcana, Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo - Allegro vivace, Concerto for Orchestra, Sz. 116: II. Giuoco della coppie. Allegretto scherzando, Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo, Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto, Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: I. Allegretto, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: II. Lento, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: III. Moderato, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: IV. Allegro con brio, Formazioni, Fuga ricercata à 6 from The Musical Offering, BWV 1079, Hamlet, op. 116 (excerpts): Ball, Hamlet, op. 116 (excerpts): Ball at the castle, Hamlet, op. 116 (excerpts): In the garden, Hamlet, op. 116 (excerpts): Introduction, Hamlet, op. 116 (excerpts): Military music, Hamlet, op. 116 (excerpts): Palace music, Hamlet, op. 116 (excerpts): Scene of the poisoning, Pirogov, op. 76a: Finale, Pirogov, op. 76a: Scherzo, Sofia Perovskaya, op. 132: Waltz, Suite for Jazz Orchestra no. 1, op. 38: I. Waltz. Moderato, Suite for Jazz Orchestra no. 1, op. 38: II. Polka. Allegretto, Suite for Jazz Orchestra no. 1, op. 38: III. Foxtrot (Blues). Moderato, Suite for Variety Orchestra: I. March. Giocoso. Alla marcia, Suite for Variety Orchestra: II. Dance 1. Presto, Suite for Variety Orchestra: III. Dance 2. Allegretto scherzando, Suite for Variety Orchestra: IV. Little Polka. Allegretto, Suite for Variety Orchestra: V. Lyric Waltz. Allegretto, Suite for Variety Orchestra: VI. Waltz 1. Sostenuto, Suite for Variety Orchestra: VII. Waltz 2. Allegretto poco moderato, Suite for Variety Orchestra: VIII. Finale. Allegro moderato, Symphony no. 1 in D major: I. Langsam Schleppend im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 1 in D: II. Kräftig bewegt, doch nicht du schnell, Symphony no. 2 in C minor: I. Resurrection - Allegro maestoso. Mit durchaus ernsten und feierlichem Ausdruck, Symphony no. 2 in C minor: II. Andante moderato. Sehr gemächlich, Symphony no. 2 in C minor: III. In ruhig fließender Bewegung, Symphony no. 2 in C minor: V-i. Im Tempo des Scherzos. Wild herausfahrend, Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm... Es sungen drei Engel", Symphony no. 3 in F major, op. 90: III. Poco allegretto, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll, Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz, Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam, Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: II. Scherzo: Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 6 in A minor: IV. Finale. Allegro moderato, Symphony no. 6 in A minor: IV. Finale: Allegro moderato, Symphony no. 7 in E minor: I. Langsam - Allegro, Symphony no. 7 in E minor: II. Nachtmusik. Allegro moderato, Symphony no. 7 in E minor: III. Scherzo. Schattenhaft, Symphony no. 7 in E minor: IV. Nachtmusik. Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale. Allegro ordinario - Allegro moderato ma energico, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: IX. Wie Felsenabgrund mir zu Füßen, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Accende lumen sensibus, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Gloria sit Patri Domino, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Imple superna gratia, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Infirma nostri corporis, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Veni creator spiritus, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Veni, Creator... Da gaudiorum praemia, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: VII. Poco adagio: Waldung, sie schwankt heran, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: VIII. Ewiger Wonnebrand, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: X. Gerettet ist das edle Glied, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XI. Uns bleibt ein Erdenrest, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XII. Höchste Herrscherin der Welt, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XIII. Dir, der Unberührbaren - Du schwebst zu Höhen, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XIV. Bei der Liebe, die den Füßen, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XV. Neige, neige, du Ohnegleiche, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XVI. Komm! Komm!, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XVIII. Alles Vergängliche, Symphony no. 9 in D major: I. Andante comodo, Symphony no. 9 in D major: III. Rondo - Burleske. Allegro assai. Sehr trotzig, Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend, Tahiti Trot (Tea for Two), Op. 16, Tahiti Trot (Tea for Two), op. 16, The Counterplan, op. 33 (excerpts): Presto, The Counterplan, op. 33 (excerpts): The song of the counterplan, The Great Citizen, op. 55: Funeral March, The Miraculous Mandarin, BB 82, Sz. 73, op. 19: "We must kill him"... (Maestoso), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 1st Decoy game (Moderato), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 2nd Decoy game, The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 3rd Decoy game (Sostenuto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At her insistence... (Più mosso), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At last she overcomes her reluctance... (Meno vivo), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At last the three tramps... (Allegro molto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: General consternation... (Non troppo vivo), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Horrified, they see a weird figure... (Agitato), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Introduction: A bustling city street (Allegro), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: She flees from him... (Sempre vivace), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Suddenly he draws himself up... (Lento), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin catches the girl... (Sempre vivace), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin enters... (Maestoso), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin's longing... (Lento), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The body of the Mandarin begins to glow (Moderato), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The curtain rises..., The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The girl sinks down... (Allegro), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The shabby old rake enters... (Con moto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The shy young man... (Sostenuto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The tramps leap out... (Sempre vivo), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: They drag the resisting Mandarin... (Grave), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: They think he is dead... (Adagio), The Story of the Silly Little Mouse, Tuning Up
Riccardo Chailly
conductor
Alone, op. 26 (excerpts): Altai, Alone, op. 26 (excerpts): Barrel organ, Alone, op. 26 (excerpts): Calm after the storm, Alone, op. 26 (excerpts): Galop, Alone, op. 26 (excerpts): In Kuzmina's hut, Alone, op. 26 (excerpts): March, Alone, op. 26 (excerpts): March. The street, Alone, op. 26 (excerpts): School children, Storm scene, Alone, op. 26 (excerpts): Snow storm, Amériques (original version), Arcana, Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo - Allegro vivace, Concerto for Orchestra, Sz. 116: II. Giuoco della coppie. Allegretto scherzando, Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo, Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto, Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: I. Allegretto, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: II. Lento, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: III. Moderato, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: IV. Allegro con brio, Formazioni, Fuga ricercata à 6 from The Musical Offering, BWV 1079, Hamlet, op. 116 (excerpts): Ball, Hamlet, op. 116 (excerpts): Ball at the castle, Hamlet, op. 116 (excerpts): In the garden, Hamlet, op. 116 (excerpts): Introduction, Hamlet, op. 116 (excerpts): Military music, Hamlet, op. 116 (excerpts): Palace music, Hamlet, op. 116 (excerpts): Scene of the poisoning, Pirogov, op. 76a: Finale, Pirogov, op. 76a: Scherzo, Sofia Perovskaya, op. 132: Waltz, Suite for Jazz Orchestra no. 1, op. 38: I. Waltz. Moderato, Suite for Jazz Orchestra no. 1, op. 38: II. Polka. Allegretto, Suite for Jazz Orchestra no. 1, op. 38: III. Foxtrot (Blues). Moderato, Suite for Variety Orchestra: I. March. Giocoso. Alla marcia, Suite for Variety Orchestra: II. Dance 1. Presto, Suite for Variety Orchestra: III. Dance 2. Allegretto scherzando, Suite for Variety Orchestra: IV. Little Polka. Allegretto, Suite for Variety Orchestra: V. Lyric Waltz. Allegretto, Suite for Variety Orchestra: VI. Waltz 1. Sostenuto, Suite for Variety Orchestra: VII. Waltz 2. Allegretto poco moderato, Suite for Variety Orchestra: VIII. Finale. Allegro moderato, Symphony no. 1 in D major: I. Langsam Schleppend im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 1 in D: II. Kräftig bewegt, doch nicht du schnell, Symphony no. 2 in C minor: I. Resurrection - Allegro maestoso. Mit durchaus ernsten und feierlichem Ausdruck, Symphony no. 2 in C minor: II. Andante moderato. Sehr gemächlich, Symphony no. 2 in C minor: III. In ruhig fließender Bewegung, Symphony no. 2 in C minor: V-i. Im Tempo des Scherzos. Wild herausfahrend, Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm... Es sungen drei Engel", Symphony no. 3 in F major, op. 90: III. Poco allegretto, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll, Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz, Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam, Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: II. Scherzo: Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 6 in A minor: IV. Finale. Allegro moderato, Symphony no. 6 in A minor: IV. Finale: Allegro moderato, Symphony no. 7 in E minor: I. Langsam - Allegro, Symphony no. 7 in E minor: II. Nachtmusik. Allegro moderato, Symphony no. 7 in E minor: III. Scherzo. Schattenhaft, Symphony no. 7 in E minor: IV. Nachtmusik. Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale. Allegro ordinario - Allegro moderato ma energico, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: IX. Wie Felsenabgrund mir zu Füßen, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Accende lumen sensibus, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Gloria sit Patri Domino, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Imple superna gratia, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Infirma nostri corporis, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Veni creator spiritus, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Veni, Creator... Da gaudiorum praemia, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: VII. Poco adagio: Waldung, sie schwankt heran, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: VIII. Ewiger Wonnebrand, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: X. Gerettet ist das edle Glied, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XI. Uns bleibt ein Erdenrest, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XII. Höchste Herrscherin der Welt, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XIII. Dir, der Unberührbaren - Du schwebst zu Höhen, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XIV. Bei der Liebe, die den Füßen, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XV. Neige, neige, du Ohnegleiche, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XVI. Komm! Komm!, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XVIII. Alles Vergängliche, Symphony no. 9 in D major: I. Andante comodo, Symphony no. 9 in D major: III. Rondo - Burleske. Allegro assai. Sehr trotzig, Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend, Tahiti Trot (Tea for Two), Op. 16, Tahiti Trot (Tea for Two), op. 16, The Counterplan, op. 33 (excerpts): Presto, The Counterplan, op. 33 (excerpts): The song of the counterplan, The Great Citizen, op. 55: Funeral March, The Miraculous Mandarin, BB 82, Sz. 73, op. 19: "We must kill him"... (Maestoso), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 1st Decoy game (Moderato), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 2nd Decoy game, The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 3rd Decoy game (Sostenuto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At her insistence... (Più mosso), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At last she overcomes her reluctance... (Meno vivo), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At last the three tramps... (Allegro molto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: General consternation... (Non troppo vivo), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Horrified, they see a weird figure... (Agitato), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Introduction: A bustling city street (Allegro), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: She flees from him... (Sempre vivace), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Suddenly he draws himself up... (Lento), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin catches the girl... (Sempre vivace), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin enters... (Maestoso), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin's longing... (Lento), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The body of the Mandarin begins to glow (Moderato), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The curtain rises..., The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The girl sinks down... (Allegro), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The shabby old rake enters... (Con moto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The shy young man... (Sostenuto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The tramps leap out... (Sempre vivo), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: They drag the resisting Mandarin... (Grave), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: They think he is dead... (Adagio), The Story of the Silly Little Mouse, Tuning Up
Andrew Cornall
producer
Amériques (original version), Arcana, Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo - Allegro vivace, Concerto for Orchestra, Sz. 116: II. Giuoco della coppie. Allegretto scherzando, Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo, Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto, Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: I. Allegretto, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: II. Lento, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: III. Moderato, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: IV. Allegro con brio, Suite for Jazz Orchestra no. 1, op. 38: I. Waltz. Moderato, Suite for Jazz Orchestra no. 1, op. 38: II. Polka. Allegretto, Suite for Jazz Orchestra no. 1, op. 38: III. Foxtrot (Blues). Moderato, Suite for Variety Orchestra: I. March. Giocoso. Alla marcia, Suite for Variety Orchestra: II. Dance 1. Presto, Suite for Variety Orchestra: III. Dance 2. Allegretto scherzando, Suite for Variety Orchestra: IV. Little Polka. Allegretto, Suite for Variety Orchestra: V. Lyric Waltz. Allegretto, Suite for Variety Orchestra: VI. Waltz 1. Sostenuto, Suite for Variety Orchestra: VII. Waltz 2. Allegretto poco moderato, Suite for Variety Orchestra: VIII. Finale. Allegro moderato, Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm... Es sungen drei Engel", Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo, Symphony no. 6 in A minor: II. Scherzo: Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 6 in A minor: IV. Finale: Allegro moderato, Symphony no. 9 in D major: I. Andante comodo, Symphony no. 9 in D major: III. Rondo - Burleske. Allegro assai. Sehr trotzig, Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend, Tahiti Trot (Tea for Two), Op. 16, The Miraculous Mandarin, BB 82, Sz. 73, op. 19: "We must kill him"... (Maestoso), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 1st Decoy game (Moderato), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 2nd Decoy game, The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 3rd Decoy game (Sostenuto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At her insistence... (Più mosso), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At last she overcomes her reluctance... (Meno vivo), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At last the three tramps... (Allegro molto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: General consternation... (Non troppo vivo), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Horrified, they see a weird figure... (Agitato), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Introduction: A bustling city street (Allegro), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: She flees from him... (Sempre vivace), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Suddenly he draws himself up... (Lento), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin catches the girl... (Sempre vivace), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin enters... (Maestoso), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin's longing... (Lento), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The body of the Mandarin begins to glow (Moderato), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The curtain rises..., The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The girl sinks down... (Allegro), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The shabby old rake enters... (Con moto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The shy young man... (Sostenuto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The tramps leap out... (Sempre vivo), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: They drag the resisting Mandarin... (Grave), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: They think he is dead... (Adagio), Tuning Up
John Dunkerley (engineer)
balance, engineer
Amériques (original version), Arcana, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: II. Scherzo: Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 6 in A minor: IV. Finale. Allegro moderato, Symphony no. 6 in A minor: IV. Finale: Allegro moderato, Symphony no. 7 in E minor: I. Langsam - Allegro, Symphony no. 7 in E minor: II. Nachtmusik. Allegro moderato, Symphony no. 7 in E minor: III. Scherzo. Schattenhaft, Symphony no. 7 in E minor: IV. Nachtmusik. Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale. Allegro ordinario - Allegro moderato ma energico, The Miraculous Mandarin, BB 82, Sz. 73, op. 19: "We must kill him"... (Maestoso), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 1st Decoy game (Moderato), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 2nd Decoy game, The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 3rd Decoy game (Sostenuto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At her insistence... (Più mosso), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At last she overcomes her reluctance... (Meno vivo), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At last the three tramps... (Allegro molto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: General consternation... (Non troppo vivo), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Horrified, they see a weird figure... (Agitato), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Introduction: A bustling city street (Allegro), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: She flees from him... (Sempre vivace), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Suddenly he draws himself up... (Lento), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin catches the girl... (Sempre vivace), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin enters... (Maestoso), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin's longing... (Lento), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The body of the Mandarin begins to glow (Moderato), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The curtain rises..., The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The girl sinks down... (Allegro), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The shabby old rake enters... (Con moto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The shy young man... (Sostenuto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The tramps leap out... (Sempre vivo), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: They drag the resisting Mandarin... (Grave), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: They think he is dead... (Adagio), Tuning Up
Jürgen Bulgrin
recording
Symphony no. 1 in D major: I. Langsam Schleppend im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 2 in C minor: I. Resurrection - Allegro maestoso. Mit durchaus ernsten und feierlichem Ausdruck, Symphony no. 2 in C minor: II. Andante moderato. Sehr gemächlich, Symphony no. 2 in C minor: III. In ruhig fließender Bewegung, Symphony no. 2 in C minor: V-i. Im Tempo des Scherzos. Wild herausfahrend, Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm... Es sungen drei Engel", Symphony no. 4 in G major: I. Bedächtig. Nicht eilen, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll, Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz, Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam, Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 6 in A minor: IV. Finale. Allegro moderato, Symphony no. 7 in E minor: I. Langsam - Allegro, Symphony no. 7 in E minor: II. Nachtmusik. Allegro moderato, Symphony no. 7 in E minor: III. Scherzo. Schattenhaft, Symphony no. 7 in E minor: IV. Nachtmusik. Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale. Allegro ordinario - Allegro moderato ma energico, Symphony no. 9 in D major: I. Andante comodo, Symphony no. 9 in D major: III. Rondo - Burleske. Allegro assai. Sehr trotzig, Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend
Wolf-Dieter Karwatky
recording
Symphony no. 1 in D major: I. Langsam Schleppend im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 2 in C minor: I. Resurrection - Allegro maestoso. Mit durchaus ernsten und feierlichem Ausdruck, Symphony no. 2 in C minor: II. Andante moderato. Sehr gemächlich, Symphony no. 2 in C minor: III. In ruhig fließender Bewegung, Symphony no. 2 in C minor: V-i. Im Tempo des Scherzos. Wild herausfahrend, Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm... Es sungen drei Engel", Symphony no. 4 in G major: I. Bedächtig. Nicht eilen, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll, Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz, Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam, Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 6 in A minor: IV. Finale. Allegro moderato, Symphony no. 7 in E minor: I. Langsam - Allegro, Symphony no. 7 in E minor: II. Nachtmusik. Allegro moderato, Symphony no. 7 in E minor: III. Scherzo. Schattenhaft, Symphony no. 7 in E minor: IV. Nachtmusik. Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale. Allegro ordinario - Allegro moderato ma energico, Symphony no. 9 in D major: I. Andante comodo, Symphony no. 9 in D major: III. Rondo - Burleske. Allegro assai. Sehr trotzig, Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend
Dagmar Birwe
editor
Symphony no. 1 in D major: I. Langsam Schleppend im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 2 in C minor: I. Resurrection - Allegro maestoso. Mit durchaus ernsten und feierlichem Ausdruck, Symphony no. 2 in C minor: II. Andante moderato. Sehr gemächlich, Symphony no. 2 in C minor: III. In ruhig fließender Bewegung, Symphony no. 2 in C minor: V-i. Im Tempo des Scherzos. Wild herausfahrend, Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm... Es sungen drei Engel", Symphony no. 4 in G major: I. Bedächtig. Nicht eilen, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll, Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz, Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam, Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 6 in A minor: IV. Finale. Allegro moderato, Symphony no. 7 in E minor: I. Langsam - Allegro, Symphony no. 7 in E minor: II. Nachtmusik. Allegro moderato, Symphony no. 7 in E minor: III. Scherzo. Schattenhaft, Symphony no. 7 in E minor: IV. Nachtmusik. Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale. Allegro ordinario - Allegro moderato ma energico, Symphony no. 9 in D major: I. Andante comodo, Symphony no. 9 in D major: III. Rondo - Burleske. Allegro assai. Sehr trotzig, Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend
Ingmar Haas
editor
Symphony no. 1 in D major: I. Langsam Schleppend im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 2 in C minor: I. Resurrection - Allegro maestoso. Mit durchaus ernsten und feierlichem Ausdruck, Symphony no. 2 in C minor: II. Andante moderato. Sehr gemächlich, Symphony no. 2 in C minor: III. In ruhig fließender Bewegung, Symphony no. 2 in C minor: V-i. Im Tempo des Scherzos. Wild herausfahrend, Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm... Es sungen drei Engel", Symphony no. 4 in G major: I. Bedächtig. Nicht eilen, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll, Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz, Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam, Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 6 in A minor: IV. Finale. Allegro moderato, Symphony no. 7 in E minor: I. Langsam - Allegro, Symphony no. 7 in E minor: II. Nachtmusik. Allegro moderato, Symphony no. 7 in E minor: III. Scherzo. Schattenhaft, Symphony no. 7 in E minor: IV. Nachtmusik. Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale. Allegro ordinario - Allegro moderato ma energico, Symphony no. 9 in D major: I. Andante comodo, Symphony no. 9 in D major: III. Rondo - Burleske. Allegro assai. Sehr trotzig, Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend
Jenni Whiteside
editor
Symphony no. 1 in D major: I. Langsam Schleppend im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm... Es sungen drei Engel", Symphony no. 6 in A minor: I. Allegro energico, ma non troppo, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: II. Scherzo: Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 6 in A minor: IV. Finale. Allegro moderato, Symphony no. 6 in A minor: IV. Finale: Allegro moderato, Symphony no. 9 in D major: I. Andante comodo, Symphony no. 9 in D major: III. Rondo - Burleske. Allegro assai. Sehr trotzig, Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend
Groot Omroepkoor
vocal
Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Accende lumen sensibus, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Gloria sit Patri Domino, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Imple superna gratia, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Infirma nostri corporis, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Veni creator spiritus, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Veni, Creator... Da gaudiorum praemia, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: VII. Poco adagio: Waldung, sie schwankt heran, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: X. Gerettet ist das edle Glied, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XI. Uns bleibt ein Erdenrest, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XII. Höchste Herrscherin der Welt, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XIII. Dir, der Unberührbaren - Du schwebst zu Höhen, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XV. Neige, neige, du Ohnegleiche, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XVI. Komm! Komm!
Stanley Goodall (engineer)
recording
Symphony no. 2 in C minor: I. Resurrection - Allegro maestoso. Mit durchaus ernsten und feierlichem Ausdruck, Symphony no. 2 in C minor: II. Andante moderato. Sehr gemächlich, Symphony no. 2 in C minor: III. In ruhig fließender Bewegung, Symphony no. 2 in C minor: V-i. Im Tempo des Scherzos. Wild herausfahrend, Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm... Es sungen drei Engel", Symphony no. 4 in G major: I. Bedächtig. Nicht eilen, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll, Symphony no. 9 in D major: I. Andante comodo, Symphony no. 9 in D major: III. Rondo - Burleske. Allegro assai. Sehr trotzig, Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend
Philip Siney
balance, engineer, recording
Symphony no. 2 in C minor: I. Resurrection - Allegro maestoso. Mit durchaus ernsten und feierlichem Ausdruck, Symphony no. 2 in C minor: II. Andante moderato. Sehr gemächlich, Symphony no. 2 in C minor: III. In ruhig fließender Bewegung, Symphony no. 2 in C minor: V-i. Im Tempo des Scherzos. Wild herausfahrend, Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm... Es sungen drei Engel", Symphony no. 4 in G major: I. Bedächtig. Nicht eilen, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll, Symphony no. 9 in D major: I. Andante comodo, Symphony no. 9 in D major: III. Rondo - Burleske. Allegro assai. Sehr trotzig, Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend
Pražský filharmonický sbor (Prague Philharmonic Choir)
vocal
Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Accende lumen sensibus, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Gloria sit Patri Domino, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Imple superna gratia, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Infirma nostri corporis, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Veni creator spiritus, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Veni, Creator... Da gaudiorum praemia, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: VII. Poco adagio: Waldung, sie schwankt heran, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: X. Gerettet ist das edle Glied, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XI. Uns bleibt ein Erdenrest, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XII. Höchste Herrscherin der Welt, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XIII. Dir, der Unberührbaren - Du schwebst zu Höhen, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XVIII. Alles Vergängliche
Jonathan Stokes (engineer)
balance
Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm... Es sungen drei Engel", Symphony no. 4 in G major: I. Bedächtig. Nicht eilen, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll, Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz, Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam, Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro, Symphony no. 9 in D major: I. Andante comodo, Symphony no. 9 in D major: III. Rondo - Burleske. Allegro assai. Sehr trotzig, Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend
Ben Heppner
vocal
Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Accende lumen sensibus, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Gloria sit Patri Domino, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Imple superna gratia, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Infirma nostri corporis, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Veni creator spiritus, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Veni, Creator... Da gaudiorum praemia, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: X. Gerettet ist das edle Glied, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XI. Uns bleibt ein Erdenrest, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XII. Höchste Herrscherin der Welt, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XVIII. Alles Vergängliche
Anne Schwanewilms
vocal
Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Accende lumen sensibus, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Gloria sit Patri Domino, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Imple superna gratia, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Infirma nostri corporis, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Veni creator spiritus, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Veni, Creator... Da gaudiorum praemia, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: X. Gerettet ist das edle Glied, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XIII. Dir, der Unberührbaren - Du schwebst zu Höhen, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XV. Neige, neige, du Ohnegleiche, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XVIII. Alles Vergängliche
John Pellowe
balance
Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo - Allegro vivace, Concerto for Orchestra, Sz. 116: II. Giuoco della coppie. Allegretto scherzando, Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo, Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto, Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto, Symphony no. 1 in D major: I. Langsam Schleppend im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt
Sara Fulgoni
vocal
Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Accende lumen sensibus, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Gloria sit Patri Domino, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Imple superna gratia, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Infirma nostri corporis, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Veni creator spiritus, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Veni, Creator... Da gaudiorum praemia, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XI. Uns bleibt ein Erdenrest, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XIV. Bei der Liebe, die den Füßen, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XVIII. Alles Vergängliche
Ruth Ziesak
vocal
Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Accende lumen sensibus, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Gloria sit Patri Domino, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Imple superna gratia, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Infirma nostri corporis, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Veni creator spiritus, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Veni, Creator... Da gaudiorum praemia, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XV. Neige, neige, du Ohnegleiche, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XVI. Komm! Komm!, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XVIII. Alles Vergängliche
Peter Mattei
vocal
Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Accende lumen sensibus, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Gloria sit Patri Domino, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Imple superna gratia, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Infirma nostri corporis, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Veni creator spiritus, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Veni, Creator... Da gaudiorum praemia, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: VIII. Ewiger Wonnebrand, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XVIII. Alles Vergängliche
Ian Watson (Editor)
editor
Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm... Es sungen drei Engel", Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz, Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam, Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro, Symphony no. 9 in D major: I. Andante comodo, Symphony no. 9 in D major: III. Rondo - Burleske. Allegro assai. Sehr trotzig, Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend
Jane Eaglen (soprano)
vocal
Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Accende lumen sensibus, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Gloria sit Patri Domino, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Imple superna gratia, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Infirma nostri corporis, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Veni creator spiritus, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Veni, Creator... Da gaudiorum praemia, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XIV. Bei der Liebe, die den Füßen, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XVIII. Alles Vergängliche
Jan-Hendrik Rootering
vocal
Symphony no. 8 in E-flat major, “Symphony of a Thousand”: IX. Wie Felsenabgrund mir zu Füßen, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Accende lumen sensibus, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Gloria sit Patri Domino, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Imple superna gratia, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Infirma nostri corporis, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Veni creator spiritus, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Veni, Creator... Da gaudiorum praemia, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XVIII. Alles Vergängliche
Anna Larsson (opera singer (contralto))
vocal
Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Accende lumen sensibus, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Gloria sit Patri Domino, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Imple superna gratia, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Infirma nostri corporis, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Veni creator spiritus, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Veni, Creator... Da gaudiorum praemia, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XIV. Bei der Liebe, die den Füßen, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XVIII. Alles Vergängliche
Graham Meek
engineer, recording
Symphony no. 2 in C minor: I. Resurrection - Allegro maestoso. Mit durchaus ernsten und feierlichem Ausdruck, Symphony no. 2 in C minor: II. Andante moderato. Sehr gemächlich, Symphony no. 2 in C minor: III. In ruhig fließender Bewegung, Symphony no. 2 in C minor: V-i. Im Tempo des Scherzos. Wild herausfahrend, Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz, Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam, Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro
Andrew Halifax
recording
Symphony no. 2 in C minor: I. Resurrection - Allegro maestoso. Mit durchaus ernsten und feierlichem Ausdruck, Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm... Es sungen drei Engel", Symphony no. 4 in G major: I. Bedächtig. Nicht eilen, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll
Kathedrale Koor St. Bavo
vocal
Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Accende lumen sensibus, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Gloria sit Patri Domino, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Veni, Creator... Da gaudiorum praemia, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: X. Gerettet ist das edle Glied, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XV. Neige, neige, du Ohnegleiche, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XVIII. Alles Vergängliche
Sacramentskoor Breda
vocal
Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Accende lumen sensibus, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Gloria sit Patri Domino, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Veni, Creator... Da gaudiorum praemia, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: X. Gerettet ist das edle Glied, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XV. Neige, neige, du Ohnegleiche, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XVIII. Alles Vergängliche
Веско Ешкенази
violin
Symphony no. 8 in E-flat major, “Symphony of a Thousand”: X. Gerettet ist das edle Glied, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XI. Uns bleibt ein Erdenrest, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XII. Höchste Herrscherin der Welt, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XIII. Dir, der Unberührbaren - Du schwebst zu Höhen, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XIV. Bei der Liebe, die den Füßen
Sally Drew
editor
Symphony no. 7 in E minor: I. Langsam - Allegro, Symphony no. 7 in E minor: II. Nachtmusik. Allegro moderato, Symphony no. 7 in E minor: III. Scherzo. Schattenhaft, Symphony no. 7 in E minor: IV. Nachtmusik. Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale. Allegro ordinario - Allegro moderato ma energico
Ronald Brautigam
piano
Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: I. Allegretto, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: II. Lento, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: III. Moderato, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: IV. Allegro con brio
Peter Masseurs
trumpet
Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: I. Allegretto, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: II. Lento, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: III. Moderato, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: IV. Allegro con brio
Michael Miles (Engineer)
engineer
Symphony no. 1 in D major: I. Langsam Schleppend im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt
Joanne Baines
artists and repertoire
Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm... Es sungen drei Engel", Symphony no. 9 in D major: III. Rondo - Burleske. Allegro assai. Sehr trotzig, Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend
Colin Moorfoot
engineer
Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: I. Allegretto, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: II. Lento, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: III. Moderato, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: IV. Allegro con brio
Mark Buecker
editor
Symphony no. 2 in C minor: I. Resurrection - Allegro maestoso. Mit durchaus ernsten und feierlichem Ausdruck, Symphony no. 2 in C minor: II. Andante moderato. Sehr gemächlich, Symphony no. 2 in C minor: III. In ruhig fließender Bewegung, Symphony no. 2 in C minor: V-i. Im Tempo des Scherzos. Wild herausfahrend
Simon Eadon
engineer
Suite for Jazz Orchestra no. 1, op. 38: I. Waltz. Moderato, Suite for Jazz Orchestra no. 1, op. 38: II. Polka. Allegretto, Suite for Jazz Orchestra no. 1, op. 38: III. Foxtrot (Blues). Moderato
Petra Lang (Mezzo-soprano)
vocal
Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm... Es sungen drei Engel"
Neil Hutchinson
balance
Tuning Up
Nederlands Kamerkoor
vocal
Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XVIII. Alles Vergängliche
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