Janet Hill

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Artist name Roles Recordings
Bernard Haitink conductor A Midsummer Night's Dream: Incidental Music, Op. 61: Finale: "Tro' This House", A Midsummer Night's Dream: Incidental Music, Op. 61: I. Scherzo. Allegro vivace, A Midsummer Night's Dream: Incidental Music, Op. 61: II. Fairies' March, A Midsummer Night's Dream: Incidental Music, Op. 61: III. Song with Chorus: "You Spotted Snakes", A Midsummer Night's Dream: Incidental Music, Op. 61: IX. Wedding March, A Midsummer Night's Dream: Incidental Music, Op. 61: V. Intermezzo, A Midsummer Night's Dream: Incidental Music, Op. 61: VII. Notturno, A Midsummer Night's Dream: Incidental Music, Op. 61: X. Marcia funebre, A Midsummer Night's Dream: Incidental Music, Op. 61: XI. A Dance of Clowns, A Midsummer Night's Dream: Overture, Op. 21, Academic Festival Overture for Orchestra in C minor, op. 80, Capriccio Italien, Op. 45, Capriccio Italien, op. 45, Egmont, op. 84: Overture. Sostenuto, ma non troppo – Allegro, Eine Alpensinfonie: Am Wasserfall, Eine Alpensinfonie: Auf blumigen Wiesen, Eine Alpensinfonie: Auf dem Gipfel, Eine Alpensinfonie: Auf dem Gletscher, Eine Alpensinfonie: Auf der Alm, Eine Alpensinfonie: Ausklang, Eine Alpensinfonie: Der Anstieg, Eine Alpensinfonie: Die Sonne verdustert sich allmahlich, Eine Alpensinfonie: Durch Dickicht und Gestrupp auf Irrwegen, Eine Alpensinfonie: Eintritt in den Wald, Eine Alpensinfonie: Elegie, Eine Alpensinfonie: Ersheinung, Eine Alpensinfonie: Gefahrvolle Augenblicke, Eine Alpensinfonie: Gewitter und Sturm, Abstieg, Eine Alpensinfonie: Nacht, Eine Alpensinfonie: Nebel steigen auf, Eine Alpensinfonie: Sonnenaufgang, Eine Alpensinfonie: Sonnenuntergang, Eine Alpensinfonie: Stille vor dem Sturm, Eine Alpensinfonie: Vision, Et exspecto resurrectionem mortuorum: I. Des profondeurs de l'abîme, je crie vers toi, Seigneur: Écoute ma voix!, Et exspecto resurrectionem mortuorum: II. Le Christ, ressuscité des morts, ne meurt plus; la mort n'a plus sur lui d'empire, Et exspecto resurrectionem mortuorum: III. L'heure vient où les morts entendront la voix du Fils de Dieu, Et exspecto resurrectionem mortuorum: IV. Ils ressusciteront, glorieux, avec un nom nouveau - dans le concert joyeux des étoiles et les acclamations des fils du ciel, Et exspecto resurrectionem mortuorum: V. Et j'entendis la voix d'une foule immense..., Francesca da Rimini, Op. 32, Francesca da Rimini, op. 32, Genoveva, Op. 81: Overture, Hungarian Dance for Orchestra in A minor, WoO 1 No. 8 (Robert Schollum orchestration): Presto, Hungarian Dance for Orchestra in D minor, WoO 1 No. 2 (Johan Andreas Hallén orchestration): Allegro non assai - Vivo, Hungarian Dance for Orchestra in D-flat major, WoO 1 No. 6 (Albert Parlow orchestration): Vivace - Molto sostenuto, Hungarian Dance for Orchestra in E minor, WoO 1 No. 9 (Robert Schollum orchestration): Allegro non troppo - Poco sostenuto, Hungarian Dance for Orchestra in F major, WoO 1 No. 10: Presto, Hungarian Dance for Orchestra in F major, WoO 1 No. 7 (Johan Andreas Hallén orchestration): Allegretto, Hungarian Dance for Orchestra in F minor, WoO 1 No. 4 (Paul Juon orchestration): Poco sostenuto - Vivace - Molto Allegro, Hungarian Dance for Orchestra in G minor, WoO 1 No. 5 (Albert Parlow orchestration): Allegro - Vivace, Images pour orchestre, L 122: I. Gigues, Images pour orchestre, L 122: II. Ibéria: No. 1. Par les rues et par les chemins, Images pour orchestre, L 122: II. Ibéria: No. 2. Les Parfums de la nuit, Images pour orchestre, L 122: II. Ibéria: No. 3. Le Matin d'un jour de fête, Images pour orchestre, L 122: III. Rondes de printemps, Jeux "Poeme danse", Jeux, L 126, Kindertotenlieder: I. Nun will die Sonn' so hell aufgeh'n, Kindertotenlieder: II. Nun seh ich wohl, warum so dunkle Flammen, Kindertotenlieder: III. Wenn dein Mütterlein, Kindertotenlieder: IV. Oft denk ich, sie sind nur ausgegangen, Kindertotenlieder: V. In diesem Wetter, La Mer, L 109: I. De l'aube à midi sur la mer, La Mer, L 109: II. Jeux de vagues, La Mer, L 109: III. Dialogue du vent et de la mer, Le Tombeau de Couperin: I. Prélude, Le Tombeau de Couperin: II. Forlane, Le Tombeau de Couperin: III. Menuet, Le Tombeau de Couperin: IV. Rigaudon, Manfred Overture, Op. 115, Manfred Symphony in B minor, op. 58: I. Lento lugubre - Moderato con moto - Andante, Manfred Symphony in B minor, op. 58: II. Vivace con spirito, Manfred Symphony in B minor, op. 58: III. Andante con moto, Manfred Symphony in B minor, op. 58: IV. Allegro con fuoco, Marche slave, op. 31, Marche écossaise sur un thème populaire, Nocturnes, L 91: I. Nuages, Nocturnes, L 91: II. Fêtes, Nocturnes, L 91: III. Sirènes, Nuages, Ouverture solennelle 1812, op. 49, Prélude à l'après-midi d'un faune, L. 86, Romeo and Juliet, Rosamunde D797: Balletmuziek no. 1, Rosamunde D797: Entr’acte no. 3, Rosamunde, D. 797: Ballet Music no. 1, Rosamunde, D. 797: Entracte no. 1, Rosamunde, D. 797: Entracte no. 2, Rosamunde, D. 797: Entracte no. 3, Rosamunde, D. 797: Overture, D. 644 "Die Zauberharfe", Rosamunde, D. 797: Shepherd's Melody, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Ballet Music No. 1 - Andante un poco assai, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Ballet Music No. 2, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Huntsmen: "Wie lebt sich's so fröhlich im Grünen", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Shepherds: "Hier auf den Fluren....", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Spirits: "In der Tiefe wohnt das Licht", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 1, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 2, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 3 - Andantino Royal Concertgebouw Orchestra, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Overture (Die Zauberharfe, D.644), Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Romance: "Der Vollmond strahlt auf Bergeshöh'n", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Shepherd's melody, Scherzo from Symphony no. 3 “Rhenish”, Siegfried Idyll, Sinfonía N.º 6 en fa mayor, op. 68 “Pastoral”: Allegro “La Tormenta”, Sirenes, Slavonic March, Op. 31, Symfonie no. 1 in C: Andante (Adagio), Symfonie no. 4 in A, op. 90 “Italiaanse”: Allegro vivace, Symfonie no. 5 in cis kleine terts: Adagietto, Symfonie no. 8 in C kleine terts, op. 108 (versie Robert Haas), Symphonie No. 2 C-moll: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphonie No. 2 C-moll: II. Andante moderato. Sehr gemächlich, Symphonie No. 2 C-moll: III. In ruhig fließender Bewegung, Symphonie No. 2 C-moll: IV. Urlicht: Sehr feierlich, aber schlicht "O Röschen rot!", Symphonie No. 2 C-moll: V. Im Tempo des Scherzos: Wild herausfahrend, Symphonie No. 2 C-moll: Va. Maestoso, Symphonie No. 2 C-moll: Vb. Sehr langsam und gedehnt, Symphonie No. 2 C-moll: Vc. Langsam. Misterioso "Auferstehn, ja auferstehn wirst du", Symphonie No. 2 C-moll: Vd. Etwas bewegter, Symphony No. 0 in D minor: I. Allegro - Poco meno mosso, Symphony No. 0 in D minor: II. Andante sostenuto, Symphony No. 0 in D minor: III. Scherzo. Presto - Trio. Langsamer und ruhiger, Symphony No. 0 in D minor: IV. Finale. Moderato - Allegro vivace, Symphony No. 1 in B-flat major, Op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace, Symphony No. 1 in B-flat major, Op. 38 "Spring": II. Larghetto, Symphony No. 1 in B-flat major, Op. 38 "Spring": III. Scherzo. Molto vivace, Symphony No. 1 in B-flat major, Op. 38 "Spring": IV. Allegro animato e grazioso, Symphony No. 1 in C minor: I. Allegro molto moderato, Symphony No. 1 in C minor: II. Adagio, Symphony No. 1 in C minor: III. Scherzo. Lebhaft, Symphony No. 1 in C minor: IV. Finale: Bewegt und feurig, Symphony No. 12 in D minor, Op. 112 "The Year 1917": I. Revolutionary Petrograd, Symphony No. 12 in D minor, Op. 112 "The Year 1917": II. Razliv, Symphony No. 12 in D minor, Op. 112 "The Year 1917": III. Aurora, Symphony No. 12 in D minor, Op. 112 "The Year 1917": IV. The Dawn of Humanity, Symphony No. 2 in C major, Op. 61: I. Sostenuto assai - Un poco più vivace - Allegro, ma non troppo - Con fuoco, Symphony No. 2 in C major, Op. 61: II. Scherzo. Allegro vivace, Symphony No. 2 in C major, Op. 61: III. Adagio espressivo, Symphony No. 2 in C major, Op. 61: IV. Allegro molto vivace, Symphony No. 2 in C minor: I. Ziemlich schnell, Symphony No. 2 in C minor: II. Adagio. Feierlich, etwas bewegt, Symphony No. 2 in C minor: III. Scherzo. Schnell, Symphony No. 2 in C minor: IV. Finale. Mehr schnell - Sehr schnell, Symphony No. 3 in D minor: I. Gemäßigt, mehr bewegt, misterioso, Symphony No. 3 in D minor: II. Adagio, bewegt, quasi andante, Symphony No. 3 in D minor: III. Scherzo. Ziemlich schnell, Symphony No. 3 in D minor: IV. Finale. Allegro, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": I. Lebhaft, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": II. Scherzo. Sehr mäßig, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": III. Nicht schnell, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": IV. Feierlich, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": V. Lebhaft, Symphony No. 4 in D minor, Op. 120: I. Ziemlich langsam - Lebhaft, Symphony No. 4 in D minor, Op. 120: II. Romanze. Ziemlich langsam, Symphony No. 4 in D minor, Op. 120: III. Scherzo. Lebhaft - Trio, Symphony No. 4 in D minor, Op. 120: IV. Langsam - Lebhaft - Schneller - Presto, Symphony No. 4 in E-flat major "Romantic": I. Bewegt, nicht zu schnell, Symphony No. 4 in E-flat major "Romantic": II. Andante, quasi allegretto, Symphony No. 4 in E-flat major "Romantic": III. Scherzo. Bewegt - Trio. Nicht zu schnell. Keinesfalls schleppend - Scherzo, Symphony No. 4 in E-flat major "Romantic": IV. Finale. Bewegt, doch nicht zu schnell, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 6 in B minor, Op. 54: I. Largo, Symphony No. 6 in B minor, Op. 54: II. Allegro, Symphony No. 6 in B minor, Op. 54: III. Presto, Symphony No. 7 in E major: I. Allegro moderato, Symphony No. 7 in E major: II. Adagio. Sehr feierlich und sehr langsam, Symphony No. 7 in E major: III. Scherzo. Sehr schnell, Symphony No. 7 in E major: IV. Finale. Bewegt, doch nicht zu schnell, Symphony No. 8 in B minor, D 759 "Unfinished": I. Allegro moderato, Symphony No. 8 in B minor, D 759 "Unfinished": II. Andante con moto, Symphony No. 8 in C minor: I. Allegro moderato, Symphony No. 8 in C minor: II. Scherzo. Allegro moderato, Symphony No. 8 in C minor: III. Adagio. Feierlich langsam, aber nicht schleppend, Symphony No. 8 in C minor: IV. Finale. Feierlich, nicht schnell, Symphony No. 9 in D minor: I. Feierlich. Misterioso, Symphony No. 9 in D minor: II. Scherzo. Bewegt, lebhaft - Trio. Schnell - Scherzo, Symphony No. 9 in D minor: III. Adagio. Langsam, feierlich, Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Finale. Adagio - Allegro molto e vivace, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto – Allegro – Meno allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio – Più andante – Allegro non troppo, ma con brio – Più allegro, Symphony no. 1 in D major "Titan": I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich, Symphony no. 1 in D major "Titan": II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt - Energisch, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": I. Dreams of a Winter Journey: Allegro tranquillo, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": II. Land of Desolation, Land of Mists: Andante cantabile ma non tanto, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": III. Scherzo: Allegro scherzando giocoso, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": IV. Finale: Andante lugubre - Allegro maestoso, Symphony no. 10 in F-sharp minor: I. Andante - Adagio, Symphony no. 11 in G minor, op. 103 “The Year 1905”: I. The Palace Square. Adagio, Symphony no. 11 in G minor, op. 103 “The Year 1905”: II. 9 January. Allegro, Symphony no. 11 in G minor, op. 103 “The Year 1905”: III. In Memoriam. Adagio, Symphony no. 11 in G minor, op. 103 “The Year 1905”: IV. Tocsin. Allegro non troppo, Symphony no. 12 in D minor, op. 112 “The Year 1917”: I. Revolutionary Petrograd, Symphony no. 12 in D minor, op. 112 “The Year 1917”: II. Razliv, Symphony no. 12 in D minor, op. 112 “The Year 1917”: III. Aurora, Symphony no. 12 in D minor, op. 112 “The Year 1917”: IV. The Dawn of Humanity, Symphony no. 15, op. 141, Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto - Allegro vivo, Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marciale, quasi moderato, Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo: Allegro molto vivace, Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale: Moderato assai - Allegro vivo, Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 3 in D major, op. 29 "Polish": I. Introduzione e allegro: Moderato assai - Allegro brillante, Symphony no. 3 in D major, op. 29 "Polish": II. Alla tedesca: Allegro moderato e semplice, Symphony no. 3 in D major, op. 29 "Polish": III. Andante elegiaco, Symphony no. 3 in D major, op. 29 "Polish": IV. Scherzo: Allegro vivo, Symphony no. 3 in D major, op. 29 "Polish": V. Finale: Allegro con fuoco, Symphony no. 3 in D minor: I. Kräftig. Entschieden, Symphony no. 3 in D minor: II. Tempo di minuetto. Sehr mässig, Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso. Durchaus "O Mensch! Gib acht!" (aus: Friedrich Nietzsche "Also sprach Zarathustra"), Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm" / "Es sungen drei Engel" (aus: "Des Knaben Wunderhorn"), Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden, Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto, Symphony no. 3 in F major, op. 90: II. Andante, Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace, Symphony no. 4 in B-flat major, op. 60: II. Allegretto scherzando, Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo, Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona, Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato, Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro con fuoco, Symphony no. 4 in G major: I. Bedaechtig. Nicht eilen - Recht gemaechlich, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich, Symphony no. 4 in G major: II. In Gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: II. In gemächlicher Bewegung, Symphony no. 4 in G major: III. Ruhevoll (Poco adagio), Symphony no. 4 in G major: III. Ruhevoll. Poco adagio, Symphony no. 4 in G major: IV. Sehr behaglich "Wir genießen die himmlischen Freuden" (aus: "Des Knaben Wunderhorn"), Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Allegro, Symphony no. 5 in C minor, op. 67: IV. Allegro, Symphony no. 5 in C-sharp minor: I. Part I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I, Symphony no. 5 in C-sharp minor: II. Part I. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I subito, Symphony no. 5 in C-sharp minor: III. Part II. Scherzo. Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: IV. Part III. Adagietto. Sehr langsam, Symphony no. 5 in C-sharp minor: V. Part III. Rondo-Finale. Allegro - Allegro giocoso. Frisch, Symphony no. 5 in D minor, op. 47: I. Moderato, Symphony no. 5 in D minor, op. 47: II. Allegretto, Symphony no. 5 in D minor, op. 47: III. Largo, Symphony no. 5 in D minor, op. 47: III. Largo (Finale), Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza, Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Finale: Andante maestoso - Allegro vivace, Symphony no. 5, op. 47: I. Moderato, Symphony no. 5, op. 47: II. Allegretto, Symphony no. 5, op. 47: III. Largo, Symphony no. 5, op. 47: IV. Allegro non troppo, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 6 in A minor: IV. Finale. Allegro moderato - Allegro energico, Symphony no. 6 in B minor, op. 54: I. Largo, Symphony no. 6 in B minor, op. 54: II. Allegro, Symphony no. 6 in B minor, op. 54: III. Presto, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale: Adagio lamentoso, Symphony no. 6 in F major, op. 68 "Pastorale": I. Allegro, ma non troppo "Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande", Symphony no. 6 in F major, op. 68 "Pastorale": II. Andante molto mosso "Szene am Bach", Symphony no. 6 in F major, op. 68 "Pastorale": III. Allegro "Lustiges Zusammensein der Landleute", Symphony no. 6 in F major, op. 68 "Pastorale": IV. Allegro "Gewitter - Sturm", Symphony no. 6 in F major, op. 68 "Pastorale": V. Allegretto "Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm", Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, Symphony no. 7 in E minor "Lied der Nacht": I. Langsam – Allegro risoluto, ma non troppo, Symphony no. 7 in E minor "Lied der Nacht": II. Nachtmusik I. Allegro moderato, Symphony no. 7 in E minor "Lied der Nacht": III. Scherzo: Schattenhaft – Trio, Symphony no. 7 in E minor "Lied der Nacht": IV. Nachtmusik II. Andante amoroso, Symphony no. 7 in E minor "Lied der Nacht": V. Rondo - Finale, Symphony no. 7 in E minor: I. Langsam. Adagio - Allegro, Symphony no. 7 in E minor: II. Nachtmusik. Allegro moderato, Symphony no. 7 in E minor: III. Scherzo, Symphony no. 7 in E minor: IV. Nachtmusik. Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale. Allegro ordinario - Allegro moderato ma energico, Symphony no. 7: Langsam - Allegro, Symphony no. 7: Nachtmusik. Allegro moderato, Symphony no. 7: Nachtmusik. Andante amoroso, Symphony no. 7: Rondo - Finale (Allegro ordinario) - Allegro moderato ma energico, Symphony no. 7: Scherzo, Symphony no. 8 in C minor: I. Adagio, Symphony no. 8 in C minor: II. Allegretto, Symphony no. 8 in C minor: III. Allegro non troppo, Symphony no. 8 in C minor: IV. Largo, Symphony no. 8 in C minor: V. Allegretto, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: "Qui Paraclitus diceris", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: A tempo - "Gloria sit Patri Domino", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: A tempo - "Imple superna gratia", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Allegro impetuoso - "Veni, Creator Spiritus", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Plötzlich sehr breit und leidenschaftlichen Ausdrucks - Mit plötzlichem Aufschwung - "Accende lumen sensibus", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Sehr fließend - noch einmal so langsam als vorher. Nicht schleppend - "Infirma nostri corporis", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Tempo I - "Infirma nostri corporis", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Alles Vergängliche", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Bei der Liebe, die den Füßen", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Blicket auf zum Retterblick", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Er überwacht uns schon", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Dir, der Unberührbaren - Du schwebst zu Höhen, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Ewiger Wonnebrand, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Gerettet ist das edle Glied - Hände verschlinget euch, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Ich spür' soeben - Freudig empfangen wir - Hier ist die Aussicht frei, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Jene Rosen, aus den Händen, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Più mosso. Allegro moderato, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Poco adagio, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Uns bleibt ein Erdenrest, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Waldung, sie schwankt heran, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Wie Felsenabgrund mir zu Füßen, Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 8 in F major, op. 93: III. Tempo di minuetto, Symphony no. 8 in F major, op. 93: IV. Allegro vivace, Symphony no. 8: I. Allegro moderato, Symphony no. 8: II. Scherzo - Allegro moderato, Symphony no. 8: III. Adagio - Feierlich langsam doch nicht schleppend, Symphony no. 8: IV. Finale - Feierlich, nicht schnell, Symphony no. 9 in D major: I. Andante comodo - Mit Wut. Allegro risoluto - Tempo I, Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb - Poco più mosso subito - Ländler, ganz langsam, Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig - Presto, Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend, Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace, Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125: II. Molto vivace, Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125: IV. (a) Presto, Symphony no. 9 in D minor, op. 125: IV. (b) "O Freunde, nicht diese Töne", Symphony no. 9 in D minor, op. 125: IV. (c) Allegro assai, Symphony no. 9 in D minor, op. 125: IV. (d) Alla marcia. Allegro vivace assai, Symphony no. 9 in D minor, op. 125: IV. (e) Andante maestoso - Adagio non troppo ma divoto, Symphony no. 9 in D minor, op. 125: IV. (f) Allegro energico, sempre ben marcato, Symphony no. 9 in D minor, op. 125: IV. (g) Allegro ma non tanto, The Storm, op. 76, Tragic Overture for Orchestra in D minor, op. 81, Variations on a Theme by Haydn, op. 56a, "St. Antoni Chorale", Variations on a Theme by Joseph Haydn, Op. 56a: Finale. Andante, Variations on a Theme by Joseph Haydn, Op. 56a: Thema. Chorale St. Antoni. Andante, Variations on a Theme by Joseph Haydn, Op. 56a: Variation I. Poco più animato, Variations on a Theme by Joseph Haydn, Op. 56a: Variation II. Più vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation III. Con moto, Variations on a Theme by Joseph Haydn, Op. 56a: Variation IV. Andante con moto, Variations on a Theme by Joseph Haydn, Op. 56a: Variation V. Vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VI. Vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VII. Grazioso, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VIII. Presto non troppo, “Egmont” Ouvertüre f-moll op. 84
Koninklijk Concertgebouworkest performing orchestra A Midsummer Night's Dream: Incidental Music, Op. 61: Finale: "Tro' This House", A Midsummer Night's Dream: Incidental Music, Op. 61: I. Scherzo. Allegro vivace, A Midsummer Night's Dream: Incidental Music, Op. 61: II. Fairies' March, A Midsummer Night's Dream: Incidental Music, Op. 61: III. Song with Chorus: "You Spotted Snakes", A Midsummer Night's Dream: Incidental Music, Op. 61: IX. Wedding March, A Midsummer Night's Dream: Incidental Music, Op. 61: V. Intermezzo, A Midsummer Night's Dream: Incidental Music, Op. 61: VII. Notturno, A Midsummer Night's Dream: Incidental Music, Op. 61: X. Marcia funebre, A Midsummer Night's Dream: Incidental Music, Op. 61: XI. A Dance of Clowns, A Midsummer Night's Dream: Overture, Op. 21, Academic Festival Overture for Orchestra in C minor, op. 80, Capriccio Italien, Op. 45, Capriccio Italien, op. 45, Egmont, op. 84: Overture. Sostenuto, ma non troppo – Allegro, Eine Alpensinfonie: Am Wasserfall, Eine Alpensinfonie: Auf blumigen Wiesen, Eine Alpensinfonie: Auf dem Gipfel, Eine Alpensinfonie: Auf dem Gletscher, Eine Alpensinfonie: Auf der Alm, Eine Alpensinfonie: Ausklang, Eine Alpensinfonie: Der Anstieg, Eine Alpensinfonie: Die Sonne verdustert sich allmahlich, Eine Alpensinfonie: Durch Dickicht und Gestrupp auf Irrwegen, Eine Alpensinfonie: Eintritt in den Wald, Eine Alpensinfonie: Elegie, Eine Alpensinfonie: Ersheinung, Eine Alpensinfonie: Gefahrvolle Augenblicke, Eine Alpensinfonie: Gewitter und Sturm, Abstieg, Eine Alpensinfonie: Nacht, Eine Alpensinfonie: Nebel steigen auf, Eine Alpensinfonie: Sonnenaufgang, Eine Alpensinfonie: Sonnenuntergang, Eine Alpensinfonie: Stille vor dem Sturm, Eine Alpensinfonie: Vision, Et exspecto resurrectionem mortuorum: I. Des profondeurs de l'abîme, je crie vers toi, Seigneur: Écoute ma voix!, Et exspecto resurrectionem mortuorum: II. Le Christ, ressuscité des morts, ne meurt plus; la mort n'a plus sur lui d'empire, Et exspecto resurrectionem mortuorum: III. L'heure vient où les morts entendront la voix du Fils de Dieu, Et exspecto resurrectionem mortuorum: IV. Ils ressusciteront, glorieux, avec un nom nouveau - dans le concert joyeux des étoiles et les acclamations des fils du ciel, Et exspecto resurrectionem mortuorum: V. Et j'entendis la voix d'une foule immense..., Francesca da Rimini, Op. 32, Francesca da Rimini, op. 32, Genoveva, Op. 81: Overture, Hungarian Dance for Orchestra in A minor, WoO 1 No. 8 (Robert Schollum orchestration): Presto, Hungarian Dance for Orchestra in D minor, WoO 1 No. 2 (Johan Andreas Hallén orchestration): Allegro non assai - Vivo, Hungarian Dance for Orchestra in D-flat major, WoO 1 No. 6 (Albert Parlow orchestration): Vivace - Molto sostenuto, Hungarian Dance for Orchestra in E minor, WoO 1 No. 9 (Robert Schollum orchestration): Allegro non troppo - Poco sostenuto, Hungarian Dance for Orchestra in F major, WoO 1 No. 10: Presto, Hungarian Dance for Orchestra in F major, WoO 1 No. 7 (Johan Andreas Hallén orchestration): Allegretto, Hungarian Dance for Orchestra in F minor, WoO 1 No. 4 (Paul Juon orchestration): Poco sostenuto - Vivace - Molto Allegro, Hungarian Dance for Orchestra in G minor, WoO 1 No. 5 (Albert Parlow orchestration): Allegro - Vivace, Images pour orchestre, L 122: I. Gigues, Images pour orchestre, L 122: II. Ibéria: No. 1. Par les rues et par les chemins, Images pour orchestre, L 122: II. Ibéria: No. 2. Les Parfums de la nuit, Images pour orchestre, L 122: II. Ibéria: No. 3. Le Matin d'un jour de fête, Images pour orchestre, L 122: III. Rondes de printemps, Jeux "Poeme danse", Jeux, L 126, Kindertotenlieder: I. Nun will die Sonn' so hell aufgeh'n, Kindertotenlieder: II. Nun seh ich wohl, warum so dunkle Flammen, Kindertotenlieder: III. Wenn dein Mütterlein, Kindertotenlieder: IV. Oft denk ich, sie sind nur ausgegangen, Kindertotenlieder: V. In diesem Wetter, La Mer, L 109: I. De l'aube à midi sur la mer, La Mer, L 109: II. Jeux de vagues, La Mer, L 109: III. Dialogue du vent et de la mer, Le Tombeau de Couperin: I. Prélude, Le Tombeau de Couperin: II. Forlane, Le Tombeau de Couperin: III. Menuet, Le Tombeau de Couperin: IV. Rigaudon, Manfred Overture, Op. 115, Manfred Symphony in B minor, op. 58: I. Lento lugubre - Moderato con moto - Andante, Manfred Symphony in B minor, op. 58: II. Vivace con spirito, Manfred Symphony in B minor, op. 58: III. Andante con moto, Manfred Symphony in B minor, op. 58: IV. Allegro con fuoco, Marche slave, op. 31, Marche écossaise sur un thème populaire, Nocturnes, L 91: I. Nuages, Nocturnes, L 91: II. Fêtes, Nocturnes, L 91: III. Sirènes, Nuages, Ouverture solennelle 1812, op. 49, Prélude à l'après-midi d'un faune, L. 86, Romeo and Juliet, Rosamunde D797: Balletmuziek no. 1, Rosamunde D797: Entr’acte no. 3, Rosamunde, D. 797: Ballet Music no. 1, Rosamunde, D. 797: Entracte no. 1, Rosamunde, D. 797: Entracte no. 2, Rosamunde, D. 797: Entracte no. 3, Rosamunde, D. 797: Overture, D. 644 "Die Zauberharfe", Rosamunde, D. 797: Shepherd's Melody, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Ballet Music No. 1 - Andante un poco assai, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Ballet Music No. 2, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Huntsmen: "Wie lebt sich's so fröhlich im Grünen", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Shepherds: "Hier auf den Fluren....", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Spirits: "In der Tiefe wohnt das Licht", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 1, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 2, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 3 - Andantino Royal Concertgebouw Orchestra, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Overture (Die Zauberharfe, D.644), Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Romance: "Der Vollmond strahlt auf Bergeshöh'n", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Shepherd's melody, Scherzo from Symphony no. 3 “Rhenish”, Siegfried Idyll, Sinfonía N.º 6 en fa mayor, op. 68 “Pastoral”: Allegro “La Tormenta”, Sirenes, Slavonic March, Op. 31, Symfonie no. 1 in C: Andante (Adagio), Symfonie no. 4 in A, op. 90 “Italiaanse”: Allegro vivace, Symfonie no. 5 in cis kleine terts: Adagietto, Symfonie no. 8 in C kleine terts, op. 108 (versie Robert Haas), Symphonie No. 2 C-moll: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphonie No. 2 C-moll: II. Andante moderato. Sehr gemächlich, Symphonie No. 2 C-moll: III. In ruhig fließender Bewegung, Symphonie No. 2 C-moll: IV. Urlicht: Sehr feierlich, aber schlicht "O Röschen rot!", Symphonie No. 2 C-moll: V. Im Tempo des Scherzos: Wild herausfahrend, Symphonie No. 2 C-moll: Va. Maestoso, Symphonie No. 2 C-moll: Vb. Sehr langsam und gedehnt, Symphonie No. 2 C-moll: Vc. Langsam. Misterioso "Auferstehn, ja auferstehn wirst du", Symphonie No. 2 C-moll: Vd. Etwas bewegter, Symphony No. 0 in D minor: I. Allegro - Poco meno mosso, Symphony No. 0 in D minor: II. Andante sostenuto, Symphony No. 0 in D minor: III. Scherzo. Presto - Trio. Langsamer und ruhiger, Symphony No. 0 in D minor: IV. Finale. Moderato - Allegro vivace, Symphony No. 1 in B-flat major, Op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace, Symphony No. 1 in B-flat major, Op. 38 "Spring": II. Larghetto, Symphony No. 1 in B-flat major, Op. 38 "Spring": III. Scherzo. Molto vivace, Symphony No. 1 in B-flat major, Op. 38 "Spring": IV. Allegro animato e grazioso, Symphony No. 1 in C minor: I. Allegro molto moderato, Symphony No. 1 in C minor: II. Adagio, Symphony No. 1 in C minor: III. Scherzo. Lebhaft, Symphony No. 1 in C minor: IV. Finale: Bewegt und feurig, Symphony No. 12 in D minor, Op. 112 "The Year 1917": I. Revolutionary Petrograd, Symphony No. 12 in D minor, Op. 112 "The Year 1917": II. Razliv, Symphony No. 12 in D minor, Op. 112 "The Year 1917": III. Aurora, Symphony No. 12 in D minor, Op. 112 "The Year 1917": IV. The Dawn of Humanity, Symphony No. 2 in C major, Op. 61: I. Sostenuto assai - Un poco più vivace - Allegro, ma non troppo - Con fuoco, Symphony No. 2 in C major, Op. 61: II. Scherzo. Allegro vivace, Symphony No. 2 in C major, Op. 61: III. Adagio espressivo, Symphony No. 2 in C major, Op. 61: IV. Allegro molto vivace, Symphony No. 2 in C minor: I. Ziemlich schnell, Symphony No. 2 in C minor: II. Adagio. Feierlich, etwas bewegt, Symphony No. 2 in C minor: III. Scherzo. Schnell, Symphony No. 2 in C minor: IV. Finale. Mehr schnell - Sehr schnell, Symphony No. 3 in D minor: I. Gemäßigt, mehr bewegt, misterioso, Symphony No. 3 in D minor: II. Adagio, bewegt, quasi andante, Symphony No. 3 in D minor: III. Scherzo. Ziemlich schnell, Symphony No. 3 in D minor: IV. Finale. Allegro, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": I. Lebhaft, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": II. Scherzo. Sehr mäßig, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": III. Nicht schnell, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": IV. Feierlich, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": V. Lebhaft, Symphony No. 4 in D minor, Op. 120: I. Ziemlich langsam - Lebhaft, Symphony No. 4 in D minor, Op. 120: II. Romanze. Ziemlich langsam, Symphony No. 4 in D minor, Op. 120: III. Scherzo. Lebhaft - Trio, Symphony No. 4 in D minor, Op. 120: IV. Langsam - Lebhaft - Schneller - Presto, Symphony No. 4 in E-flat major "Romantic": I. Bewegt, nicht zu schnell, Symphony No. 4 in E-flat major "Romantic": II. Andante, quasi allegretto, Symphony No. 4 in E-flat major "Romantic": III. Scherzo. Bewegt - Trio. Nicht zu schnell. Keinesfalls schleppend - Scherzo, Symphony No. 4 in E-flat major "Romantic": IV. Finale. Bewegt, doch nicht zu schnell, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 6 in B minor, Op. 54: I. Largo, Symphony No. 6 in B minor, Op. 54: II. Allegro, Symphony No. 6 in B minor, Op. 54: III. Presto, Symphony No. 7 in E major: I. Allegro moderato, Symphony No. 7 in E major: II. Adagio. Sehr feierlich und sehr langsam, Symphony No. 7 in E major: III. Scherzo. Sehr schnell, Symphony No. 7 in E major: IV. Finale. Bewegt, doch nicht zu schnell, Symphony No. 8 in B minor, D 759 "Unfinished": I. Allegro moderato, Symphony No. 8 in B minor, D 759 "Unfinished": II. Andante con moto, Symphony No. 8 in C minor: I. Allegro moderato, Symphony No. 8 in C minor: II. Scherzo. Allegro moderato, Symphony No. 8 in C minor: III. Adagio. Feierlich langsam, aber nicht schleppend, Symphony No. 8 in C minor: IV. Finale. Feierlich, nicht schnell, Symphony No. 9 in D minor: I. Feierlich. Misterioso, Symphony No. 9 in D minor: II. Scherzo. Bewegt, lebhaft - Trio. Schnell - Scherzo, Symphony No. 9 in D minor: III. Adagio. Langsam, feierlich, Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Finale. Adagio - Allegro molto e vivace, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto – Allegro – Meno allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio – Più andante – Allegro non troppo, ma con brio – Più allegro, Symphony no. 1 in D major "Titan": I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich, Symphony no. 1 in D major "Titan": II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt - Energisch, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": I. Dreams of a Winter Journey: Allegro tranquillo, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": II. Land of Desolation, Land of Mists: Andante cantabile ma non tanto, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": III. Scherzo: Allegro scherzando giocoso, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": IV. Finale: Andante lugubre - Allegro maestoso, Symphony no. 10 in F-sharp minor: I. Andante - Adagio, Symphony no. 11 in G minor, op. 103 “The Year 1905”: I. The Palace Square. Adagio, Symphony no. 11 in G minor, op. 103 “The Year 1905”: II. 9 January. Allegro, Symphony no. 11 in G minor, op. 103 “The Year 1905”: III. In Memoriam. Adagio, Symphony no. 11 in G minor, op. 103 “The Year 1905”: IV. Tocsin. Allegro non troppo, Symphony no. 12 in D minor, op. 112 “The Year 1917”: I. Revolutionary Petrograd, Symphony no. 12 in D minor, op. 112 “The Year 1917”: II. Razliv, Symphony no. 12 in D minor, op. 112 “The Year 1917”: III. Aurora, Symphony no. 12 in D minor, op. 112 “The Year 1917”: IV. The Dawn of Humanity, Symphony no. 15, op. 141, Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto - Allegro vivo, Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marciale, quasi moderato, Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo: Allegro molto vivace, Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale: Moderato assai - Allegro vivo, Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 3 in D major, op. 29 "Polish": I. Introduzione e allegro: Moderato assai - Allegro brillante, Symphony no. 3 in D major, op. 29 "Polish": II. Alla tedesca: Allegro moderato e semplice, Symphony no. 3 in D major, op. 29 "Polish": III. Andante elegiaco, Symphony no. 3 in D major, op. 29 "Polish": IV. Scherzo: Allegro vivo, Symphony no. 3 in D major, op. 29 "Polish": V. Finale: Allegro con fuoco, Symphony no. 3 in D minor: I. Kräftig. Entschieden, Symphony no. 3 in D minor: II. Tempo di minuetto. Sehr mässig, Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso. Durchaus "O Mensch! Gib acht!" (aus: Friedrich Nietzsche "Also sprach Zarathustra"), Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm" / "Es sungen drei Engel" (aus: "Des Knaben Wunderhorn"), Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden, Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto, Symphony no. 3 in F major, op. 90: II. Andante, Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace, Symphony no. 4 in B-flat major, op. 60: II. Allegretto scherzando, Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo, Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona, Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato, Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro con fuoco, Symphony no. 4 in G major: I. Bedaechtig. Nicht eilen - Recht gemaechlich, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich, Symphony no. 4 in G major: II. In Gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: II. In gemächlicher Bewegung, Symphony no. 4 in G major: III. Ruhevoll (Poco adagio), Symphony no. 4 in G major: III. Ruhevoll. Poco adagio, Symphony no. 4 in G major: IV. Sehr behaglich "Wir genießen die himmlischen Freuden" (aus: "Des Knaben Wunderhorn"), Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Allegro, Symphony no. 5 in C minor, op. 67: IV. Allegro, Symphony no. 5 in C-sharp minor: I. Part I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I, Symphony no. 5 in C-sharp minor: II. Part I. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I subito, Symphony no. 5 in C-sharp minor: III. Part II. Scherzo. Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: IV. Part III. Adagietto. Sehr langsam, Symphony no. 5 in C-sharp minor: V. Part III. Rondo-Finale. Allegro - Allegro giocoso. Frisch, Symphony no. 5 in D minor, op. 47: I. Moderato, Symphony no. 5 in D minor, op. 47: II. Allegretto, Symphony no. 5 in D minor, op. 47: III. Largo, Symphony no. 5 in D minor, op. 47: III. Largo (Finale), Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza, Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Finale: Andante maestoso - Allegro vivace, Symphony no. 5, op. 47: I. Moderato, Symphony no. 5, op. 47: II. Allegretto, Symphony no. 5, op. 47: III. Largo, Symphony no. 5, op. 47: IV. Allegro non troppo, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 6 in A minor: IV. Finale. Allegro moderato - Allegro energico, Symphony no. 6 in B minor, op. 54: I. Largo, Symphony no. 6 in B minor, op. 54: II. Allegro, Symphony no. 6 in B minor, op. 54: III. Presto, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale: Adagio lamentoso, Symphony no. 6 in F major, op. 68 "Pastorale": I. Allegro, ma non troppo "Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande", Symphony no. 6 in F major, op. 68 "Pastorale": II. Andante molto mosso "Szene am Bach", Symphony no. 6 in F major, op. 68 "Pastorale": III. Allegro "Lustiges Zusammensein der Landleute", Symphony no. 6 in F major, op. 68 "Pastorale": IV. Allegro "Gewitter - Sturm", Symphony no. 6 in F major, op. 68 "Pastorale": V. Allegretto "Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm", Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, Symphony no. 7 in E minor "Lied der Nacht": I. Langsam – Allegro risoluto, ma non troppo, Symphony no. 7 in E minor "Lied der Nacht": II. Nachtmusik I. Allegro moderato, Symphony no. 7 in E minor "Lied der Nacht": III. Scherzo: Schattenhaft – Trio, Symphony no. 7 in E minor "Lied der Nacht": IV. Nachtmusik II. Andante amoroso, Symphony no. 7 in E minor "Lied der Nacht": V. Rondo - Finale, Symphony no. 7 in E minor: I. Langsam. Adagio - Allegro, Symphony no. 7 in E minor: II. Nachtmusik. Allegro moderato, Symphony no. 7 in E minor: III. Scherzo, Symphony no. 7 in E minor: IV. Nachtmusik. Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale. Allegro ordinario - Allegro moderato ma energico, Symphony no. 7: Langsam - Allegro, Symphony no. 7: Nachtmusik. Allegro moderato, Symphony no. 7: Nachtmusik. Andante amoroso, Symphony no. 7: Rondo - Finale (Allegro ordinario) - Allegro moderato ma energico, Symphony no. 7: Scherzo, Symphony no. 8 in C minor: I. Adagio, Symphony no. 8 in C minor: II. Allegretto, Symphony no. 8 in C minor: III. Allegro non troppo, Symphony no. 8 in C minor: IV. Largo, Symphony no. 8 in C minor: V. Allegretto, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: "Qui Paraclitus diceris", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: A tempo - "Gloria sit Patri Domino", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: A tempo - "Imple superna gratia", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Allegro impetuoso - "Veni, Creator Spiritus", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Plötzlich sehr breit und leidenschaftlichen Ausdrucks - Mit plötzlichem Aufschwung - "Accende lumen sensibus", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Sehr fließend - noch einmal so langsam als vorher. Nicht schleppend - "Infirma nostri corporis", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Tempo I - "Infirma nostri corporis", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Alles Vergängliche", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Bei der Liebe, die den Füßen", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Blicket auf zum Retterblick", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Er überwacht uns schon", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Dir, der Unberührbaren - Du schwebst zu Höhen, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Ewiger Wonnebrand, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Gerettet ist das edle Glied - Hände verschlinget euch, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Ich spür' soeben - Freudig empfangen wir - Hier ist die Aussicht frei, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Jene Rosen, aus den Händen, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Più mosso. Allegro moderato, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Poco adagio, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Uns bleibt ein Erdenrest, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Waldung, sie schwankt heran, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Wie Felsenabgrund mir zu Füßen, Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 8 in F major, op. 93: III. Tempo di minuetto, Symphony no. 8 in F major, op. 93: IV. Allegro vivace, Symphony no. 8: I. Allegro moderato, Symphony no. 8: II. Scherzo - Allegro moderato, Symphony no. 8: III. Adagio - Feierlich langsam doch nicht schleppend, Symphony no. 8: IV. Finale - Feierlich, nicht schnell, Symphony no. 9 in D major: I. Andante comodo - Mit Wut. Allegro risoluto - Tempo I, Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb - Poco più mosso subito - Ländler, ganz langsam, Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig - Presto, Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend, Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace, Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125: II. Molto vivace, Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125: IV. (a) Presto, Symphony no. 9 in D minor, op. 125: IV. (b) "O Freunde, nicht diese Töne", Symphony no. 9 in D minor, op. 125: IV. (c) Allegro assai, Symphony no. 9 in D minor, op. 125: IV. (d) Alla marcia. Allegro vivace assai, Symphony no. 9 in D minor, op. 125: IV. (e) Andante maestoso - Adagio non troppo ma divoto, Symphony no. 9 in D minor, op. 125: IV. (f) Allegro energico, sempre ben marcato, Symphony no. 9 in D minor, op. 125: IV. (g) Allegro ma non tanto, The Storm, op. 76, Tragic Overture for Orchestra in D minor, op. 81, Variations on a Theme by Haydn, op. 56a, "St. Antoni Chorale", Variations on a Theme by Joseph Haydn, Op. 56a: Finale. Andante, Variations on a Theme by Joseph Haydn, Op. 56a: Thema. Chorale St. Antoni. Andante, Variations on a Theme by Joseph Haydn, Op. 56a: Variation I. Poco più animato, Variations on a Theme by Joseph Haydn, Op. 56a: Variation II. Più vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation III. Con moto, Variations on a Theme by Joseph Haydn, Op. 56a: Variation IV. Andante con moto, Variations on a Theme by Joseph Haydn, Op. 56a: Variation V. Vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VI. Vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VII. Grazioso, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VIII. Presto non troppo, “Egmont” Ouvertüre f-moll op. 84
Andrew Cornall producer Symphony no. 12 in D minor, op. 112 “The Year 1917”: I. Revolutionary Petrograd, Symphony no. 12 in D minor, op. 112 “The Year 1917”: II. Razliv, Symphony no. 12 in D minor, op. 112 “The Year 1917”: III. Aurora, Symphony no. 12 in D minor, op. 112 “The Year 1917”: IV. The Dawn of Humanity, Symphony no. 5 in D minor, op. 47: I. Moderato, Symphony no. 5 in D minor, op. 47: II. Allegretto, Symphony no. 5 in D minor, op. 47: III. Largo, Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo
Alice Coltrane
Colin Moorfoot engineer Symphony no. 5 in D minor, op. 47: I. Moderato, Symphony no. 5 in D minor, op. 47: II. Allegretto, Symphony no. 5 in D minor, op. 47: III. Largo, Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo

Collaborators on this artist's recordings

Artist name Roles Recordings
Bernard Haitink conductor A Midsummer Night's Dream: Incidental Music, Op. 61: Finale: "Tro' This House", A Midsummer Night's Dream: Incidental Music, Op. 61: I. Scherzo. Allegro vivace, A Midsummer Night's Dream: Incidental Music, Op. 61: II. Fairies' March, A Midsummer Night's Dream: Incidental Music, Op. 61: III. Song with Chorus: "You Spotted Snakes", A Midsummer Night's Dream: Incidental Music, Op. 61: IX. Wedding March, A Midsummer Night's Dream: Incidental Music, Op. 61: V. Intermezzo, A Midsummer Night's Dream: Incidental Music, Op. 61: VII. Notturno, A Midsummer Night's Dream: Incidental Music, Op. 61: X. Marcia funebre, A Midsummer Night's Dream: Incidental Music, Op. 61: XI. A Dance of Clowns, A Midsummer Night's Dream: Overture, Op. 21, Academic Festival Overture for Orchestra in C minor, op. 80, Capriccio Italien, Op. 45, Capriccio Italien, op. 45, Egmont, op. 84: Overture. Sostenuto, ma non troppo – Allegro, Eine Alpensinfonie: Am Wasserfall, Eine Alpensinfonie: Auf blumigen Wiesen, Eine Alpensinfonie: Auf dem Gipfel, Eine Alpensinfonie: Auf dem Gletscher, Eine Alpensinfonie: Auf der Alm, Eine Alpensinfonie: Ausklang, Eine Alpensinfonie: Der Anstieg, Eine Alpensinfonie: Die Sonne verdustert sich allmahlich, Eine Alpensinfonie: Durch Dickicht und Gestrupp auf Irrwegen, Eine Alpensinfonie: Eintritt in den Wald, Eine Alpensinfonie: Elegie, Eine Alpensinfonie: Ersheinung, Eine Alpensinfonie: Gefahrvolle Augenblicke, Eine Alpensinfonie: Gewitter und Sturm, Abstieg, Eine Alpensinfonie: Nacht, Eine Alpensinfonie: Nebel steigen auf, Eine Alpensinfonie: Sonnenaufgang, Eine Alpensinfonie: Sonnenuntergang, Eine Alpensinfonie: Stille vor dem Sturm, Eine Alpensinfonie: Vision, Et exspecto resurrectionem mortuorum: I. Des profondeurs de l'abîme, je crie vers toi, Seigneur: Écoute ma voix!, Et exspecto resurrectionem mortuorum: II. Le Christ, ressuscité des morts, ne meurt plus; la mort n'a plus sur lui d'empire, Et exspecto resurrectionem mortuorum: III. L'heure vient où les morts entendront la voix du Fils de Dieu, Et exspecto resurrectionem mortuorum: IV. Ils ressusciteront, glorieux, avec un nom nouveau - dans le concert joyeux des étoiles et les acclamations des fils du ciel, Et exspecto resurrectionem mortuorum: V. Et j'entendis la voix d'une foule immense..., Francesca da Rimini, Op. 32, Francesca da Rimini, op. 32, Genoveva, Op. 81: Overture, Hungarian Dance for Orchestra in A minor, WoO 1 No. 8 (Robert Schollum orchestration): Presto, Hungarian Dance for Orchestra in D minor, WoO 1 No. 2 (Johan Andreas Hallén orchestration): Allegro non assai - Vivo, Hungarian Dance for Orchestra in D-flat major, WoO 1 No. 6 (Albert Parlow orchestration): Vivace - Molto sostenuto, Hungarian Dance for Orchestra in E minor, WoO 1 No. 9 (Robert Schollum orchestration): Allegro non troppo - Poco sostenuto, Hungarian Dance for Orchestra in F major, WoO 1 No. 10: Presto, Hungarian Dance for Orchestra in F major, WoO 1 No. 7 (Johan Andreas Hallén orchestration): Allegretto, Hungarian Dance for Orchestra in F minor, WoO 1 No. 4 (Paul Juon orchestration): Poco sostenuto - Vivace - Molto Allegro, Hungarian Dance for Orchestra in G minor, WoO 1 No. 5 (Albert Parlow orchestration): Allegro - Vivace, Images pour orchestre, L 122: I. Gigues, Images pour orchestre, L 122: II. Ibéria: No. 1. Par les rues et par les chemins, Images pour orchestre, L 122: II. Ibéria: No. 2. Les Parfums de la nuit, Images pour orchestre, L 122: II. Ibéria: No. 3. Le Matin d'un jour de fête, Images pour orchestre, L 122: III. Rondes de printemps, Jeux "Poeme danse", Jeux, L 126, Kindertotenlieder: I. Nun will die Sonn' so hell aufgeh'n, Kindertotenlieder: II. Nun seh ich wohl, warum so dunkle Flammen, Kindertotenlieder: III. Wenn dein Mütterlein, Kindertotenlieder: IV. Oft denk ich, sie sind nur ausgegangen, Kindertotenlieder: V. In diesem Wetter, La Mer, L 109: I. De l'aube à midi sur la mer, La Mer, L 109: II. Jeux de vagues, La Mer, L 109: III. Dialogue du vent et de la mer, Le Tombeau de Couperin: I. Prélude, Le Tombeau de Couperin: II. Forlane, Le Tombeau de Couperin: III. Menuet, Le Tombeau de Couperin: IV. Rigaudon, Manfred Overture, Op. 115, Manfred Symphony in B minor, op. 58: I. Lento lugubre - Moderato con moto - Andante, Manfred Symphony in B minor, op. 58: II. Vivace con spirito, Manfred Symphony in B minor, op. 58: III. Andante con moto, Manfred Symphony in B minor, op. 58: IV. Allegro con fuoco, Marche slave, op. 31, Marche écossaise sur un thème populaire, Nocturnes, L 91: I. Nuages, Nocturnes, L 91: II. Fêtes, Nocturnes, L 91: III. Sirènes, Nuages, Ouverture solennelle 1812, op. 49, Prélude à l'après-midi d'un faune, L. 86, Romeo and Juliet, Rosamunde D797: Balletmuziek no. 1, Rosamunde D797: Entr’acte no. 3, Rosamunde, D. 797: Ballet Music no. 1, Rosamunde, D. 797: Entracte no. 1, Rosamunde, D. 797: Entracte no. 2, Rosamunde, D. 797: Entracte no. 3, Rosamunde, D. 797: Overture, D. 644 "Die Zauberharfe", Rosamunde, D. 797: Shepherd's Melody, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Ballet Music No. 1 - Andante un poco assai, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Ballet Music No. 2, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Huntsmen: "Wie lebt sich's so fröhlich im Grünen", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Shepherds: "Hier auf den Fluren....", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Spirits: "In der Tiefe wohnt das Licht", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 1, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 2, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 3 - Andantino Royal Concertgebouw Orchestra, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Overture (Die Zauberharfe, D.644), Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Romance: "Der Vollmond strahlt auf Bergeshöh'n", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Shepherd's melody, Scherzo from Symphony no. 3 “Rhenish”, Siegfried Idyll, Sinfonía N.º 6 en fa mayor, op. 68 “Pastoral”: Allegro “La Tormenta”, Sirenes, Slavonic March, Op. 31, Symfonie no. 1 in C: Andante (Adagio), Symfonie no. 4 in A, op. 90 “Italiaanse”: Allegro vivace, Symfonie no. 5 in cis kleine terts: Adagietto, Symfonie no. 8 in C kleine terts, op. 108 (versie Robert Haas), Symphonie No. 2 C-moll: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphonie No. 2 C-moll: II. Andante moderato. Sehr gemächlich, Symphonie No. 2 C-moll: III. In ruhig fließender Bewegung, Symphonie No. 2 C-moll: IV. Urlicht: Sehr feierlich, aber schlicht "O Röschen rot!", Symphonie No. 2 C-moll: V. Im Tempo des Scherzos: Wild herausfahrend, Symphonie No. 2 C-moll: Va. Maestoso, Symphonie No. 2 C-moll: Vb. Sehr langsam und gedehnt, Symphonie No. 2 C-moll: Vc. Langsam. Misterioso "Auferstehn, ja auferstehn wirst du", Symphonie No. 2 C-moll: Vd. Etwas bewegter, Symphony No. 0 in D minor: I. Allegro - Poco meno mosso, Symphony No. 0 in D minor: II. Andante sostenuto, Symphony No. 0 in D minor: III. Scherzo. Presto - Trio. Langsamer und ruhiger, Symphony No. 0 in D minor: IV. Finale. Moderato - Allegro vivace, Symphony No. 1 in B-flat major, Op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace, Symphony No. 1 in B-flat major, Op. 38 "Spring": II. Larghetto, Symphony No. 1 in B-flat major, Op. 38 "Spring": III. Scherzo. Molto vivace, Symphony No. 1 in B-flat major, Op. 38 "Spring": IV. Allegro animato e grazioso, Symphony No. 1 in C minor: I. Allegro molto moderato, Symphony No. 1 in C minor: II. Adagio, Symphony No. 1 in C minor: III. Scherzo. Lebhaft, Symphony No. 1 in C minor: IV. Finale: Bewegt und feurig, Symphony No. 12 in D minor, Op. 112 "The Year 1917": I. Revolutionary Petrograd, Symphony No. 12 in D minor, Op. 112 "The Year 1917": II. Razliv, Symphony No. 12 in D minor, Op. 112 "The Year 1917": III. Aurora, Symphony No. 12 in D minor, Op. 112 "The Year 1917": IV. The Dawn of Humanity, Symphony No. 2 in C major, Op. 61: I. Sostenuto assai - Un poco più vivace - Allegro, ma non troppo - Con fuoco, Symphony No. 2 in C major, Op. 61: II. Scherzo. Allegro vivace, Symphony No. 2 in C major, Op. 61: III. Adagio espressivo, Symphony No. 2 in C major, Op. 61: IV. Allegro molto vivace, Symphony No. 2 in C minor: I. Ziemlich schnell, Symphony No. 2 in C minor: II. Adagio. Feierlich, etwas bewegt, Symphony No. 2 in C minor: III. Scherzo. Schnell, Symphony No. 2 in C minor: IV. Finale. Mehr schnell - Sehr schnell, Symphony No. 3 in D minor: I. Gemäßigt, mehr bewegt, misterioso, Symphony No. 3 in D minor: II. Adagio, bewegt, quasi andante, Symphony No. 3 in D minor: III. Scherzo. Ziemlich schnell, Symphony No. 3 in D minor: IV. Finale. Allegro, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": I. Lebhaft, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": II. Scherzo. Sehr mäßig, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": III. Nicht schnell, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": IV. Feierlich, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": V. Lebhaft, Symphony No. 4 in D minor, Op. 120: I. Ziemlich langsam - Lebhaft, Symphony No. 4 in D minor, Op. 120: II. Romanze. Ziemlich langsam, Symphony No. 4 in D minor, Op. 120: III. Scherzo. Lebhaft - Trio, Symphony No. 4 in D minor, Op. 120: IV. Langsam - Lebhaft - Schneller - Presto, Symphony No. 4 in E-flat major "Romantic": I. Bewegt, nicht zu schnell, Symphony No. 4 in E-flat major "Romantic": II. Andante, quasi allegretto, Symphony No. 4 in E-flat major "Romantic": III. Scherzo. Bewegt - Trio. Nicht zu schnell. Keinesfalls schleppend - Scherzo, Symphony No. 4 in E-flat major "Romantic": IV. Finale. Bewegt, doch nicht zu schnell, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 6 in B minor, Op. 54: I. Largo, Symphony No. 6 in B minor, Op. 54: II. Allegro, Symphony No. 6 in B minor, Op. 54: III. Presto, Symphony No. 7 in E major: I. Allegro moderato, Symphony No. 7 in E major: II. Adagio. Sehr feierlich und sehr langsam, Symphony No. 7 in E major: III. Scherzo. Sehr schnell, Symphony No. 7 in E major: IV. Finale. Bewegt, doch nicht zu schnell, Symphony No. 8 in B minor, D 759 "Unfinished": I. Allegro moderato, Symphony No. 8 in B minor, D 759 "Unfinished": II. Andante con moto, Symphony No. 8 in C minor: I. Allegro moderato, Symphony No. 8 in C minor: II. Scherzo. Allegro moderato, Symphony No. 8 in C minor: III. Adagio. Feierlich langsam, aber nicht schleppend, Symphony No. 8 in C minor: IV. Finale. Feierlich, nicht schnell, Symphony No. 9 in D minor: I. Feierlich. Misterioso, Symphony No. 9 in D minor: II. Scherzo. Bewegt, lebhaft - Trio. Schnell - Scherzo, Symphony No. 9 in D minor: III. Adagio. Langsam, feierlich, Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Finale. Adagio - Allegro molto e vivace, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto – Allegro – Meno allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio – Più andante – Allegro non troppo, ma con brio – Più allegro, Symphony no. 1 in D major "Titan": I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich, Symphony no. 1 in D major "Titan": II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt - Energisch, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": I. Dreams of a Winter Journey: Allegro tranquillo, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": II. Land of Desolation, Land of Mists: Andante cantabile ma non tanto, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": III. Scherzo: Allegro scherzando giocoso, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": IV. Finale: Andante lugubre - Allegro maestoso, Symphony no. 10 in F-sharp minor: I. Andante - Adagio, Symphony no. 11 in G minor, op. 103 “The Year 1905”: I. The Palace Square. Adagio, Symphony no. 11 in G minor, op. 103 “The Year 1905”: II. 9 January. Allegro, Symphony no. 11 in G minor, op. 103 “The Year 1905”: III. In Memoriam. Adagio, Symphony no. 11 in G minor, op. 103 “The Year 1905”: IV. Tocsin. Allegro non troppo, Symphony no. 12 in D minor, op. 112 “The Year 1917”: I. Revolutionary Petrograd, Symphony no. 12 in D minor, op. 112 “The Year 1917”: II. Razliv, Symphony no. 12 in D minor, op. 112 “The Year 1917”: III. Aurora, Symphony no. 12 in D minor, op. 112 “The Year 1917”: IV. The Dawn of Humanity, Symphony no. 15, op. 141, Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto - Allegro vivo, Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marciale, quasi moderato, Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo: Allegro molto vivace, Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale: Moderato assai - Allegro vivo, Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 3 in D major, op. 29 "Polish": I. Introduzione e allegro: Moderato assai - Allegro brillante, Symphony no. 3 in D major, op. 29 "Polish": II. Alla tedesca: Allegro moderato e semplice, Symphony no. 3 in D major, op. 29 "Polish": III. Andante elegiaco, Symphony no. 3 in D major, op. 29 "Polish": IV. Scherzo: Allegro vivo, Symphony no. 3 in D major, op. 29 "Polish": V. Finale: Allegro con fuoco, Symphony no. 3 in D minor: I. Kräftig. Entschieden, Symphony no. 3 in D minor: II. Tempo di minuetto. Sehr mässig, Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso. Durchaus "O Mensch! Gib acht!" (aus: Friedrich Nietzsche "Also sprach Zarathustra"), Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm" / "Es sungen drei Engel" (aus: "Des Knaben Wunderhorn"), Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden, Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto, Symphony no. 3 in F major, op. 90: II. Andante, Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace, Symphony no. 4 in B-flat major, op. 60: II. Allegretto scherzando, Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo, Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona, Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato, Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro con fuoco, Symphony no. 4 in G major: I. Bedaechtig. Nicht eilen - Recht gemaechlich, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich, Symphony no. 4 in G major: II. In Gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: II. In gemächlicher Bewegung, Symphony no. 4 in G major: III. Ruhevoll (Poco adagio), Symphony no. 4 in G major: III. Ruhevoll. Poco adagio, Symphony no. 4 in G major: IV. Sehr behaglich "Wir genießen die himmlischen Freuden" (aus: "Des Knaben Wunderhorn"), Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Allegro, Symphony no. 5 in C minor, op. 67: IV. Allegro, Symphony no. 5 in C-sharp minor: I. Part I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I, Symphony no. 5 in C-sharp minor: II. Part I. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I subito, Symphony no. 5 in C-sharp minor: III. Part II. Scherzo. Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: IV. Part III. Adagietto. Sehr langsam, Symphony no. 5 in C-sharp minor: V. Part III. Rondo-Finale. Allegro - Allegro giocoso. Frisch, Symphony no. 5 in D minor, op. 47: I. Moderato, Symphony no. 5 in D minor, op. 47: II. Allegretto, Symphony no. 5 in D minor, op. 47: III. Largo, Symphony no. 5 in D minor, op. 47: III. Largo (Finale), Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza, Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Finale: Andante maestoso - Allegro vivace, Symphony no. 5, op. 47: I. Moderato, Symphony no. 5, op. 47: II. Allegretto, Symphony no. 5, op. 47: III. Largo, Symphony no. 5, op. 47: IV. Allegro non troppo, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 6 in A minor: IV. Finale. Allegro moderato - Allegro energico, Symphony no. 6 in B minor, op. 54: I. Largo, Symphony no. 6 in B minor, op. 54: II. Allegro, Symphony no. 6 in B minor, op. 54: III. Presto, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale: Adagio lamentoso, Symphony no. 6 in F major, op. 68 "Pastorale": I. Allegro, ma non troppo "Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande", Symphony no. 6 in F major, op. 68 "Pastorale": II. Andante molto mosso "Szene am Bach", Symphony no. 6 in F major, op. 68 "Pastorale": III. Allegro "Lustiges Zusammensein der Landleute", Symphony no. 6 in F major, op. 68 "Pastorale": IV. Allegro "Gewitter - Sturm", Symphony no. 6 in F major, op. 68 "Pastorale": V. Allegretto "Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm", Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, Symphony no. 7 in E minor "Lied der Nacht": I. Langsam – Allegro risoluto, ma non troppo, Symphony no. 7 in E minor "Lied der Nacht": II. Nachtmusik I. Allegro moderato, Symphony no. 7 in E minor "Lied der Nacht": III. Scherzo: Schattenhaft – Trio, Symphony no. 7 in E minor "Lied der Nacht": IV. Nachtmusik II. Andante amoroso, Symphony no. 7 in E minor "Lied der Nacht": V. Rondo - Finale, Symphony no. 7 in E minor: I. Langsam. Adagio - Allegro, Symphony no. 7 in E minor: II. Nachtmusik. Allegro moderato, Symphony no. 7 in E minor: III. Scherzo, Symphony no. 7 in E minor: IV. Nachtmusik. Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale. Allegro ordinario - Allegro moderato ma energico, Symphony no. 7: Langsam - Allegro, Symphony no. 7: Nachtmusik. Allegro moderato, Symphony no. 7: Nachtmusik. Andante amoroso, Symphony no. 7: Rondo - Finale (Allegro ordinario) - Allegro moderato ma energico, Symphony no. 7: Scherzo, Symphony no. 8 in C minor: I. Adagio, Symphony no. 8 in C minor: II. Allegretto, Symphony no. 8 in C minor: III. Allegro non troppo, Symphony no. 8 in C minor: IV. Largo, Symphony no. 8 in C minor: V. Allegretto, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: "Qui Paraclitus diceris", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: A tempo - "Gloria sit Patri Domino", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: A tempo - "Imple superna gratia", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Allegro impetuoso - "Veni, Creator Spiritus", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Plötzlich sehr breit und leidenschaftlichen Ausdrucks - Mit plötzlichem Aufschwung - "Accende lumen sensibus", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Sehr fließend - noch einmal so langsam als vorher. Nicht schleppend - "Infirma nostri corporis", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Tempo I - "Infirma nostri corporis", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Alles Vergängliche", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Bei der Liebe, die den Füßen", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Blicket auf zum Retterblick", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Er überwacht uns schon", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Dir, der Unberührbaren - Du schwebst zu Höhen, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Ewiger Wonnebrand, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Gerettet ist das edle Glied - Hände verschlinget euch, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Ich spür' soeben - Freudig empfangen wir - Hier ist die Aussicht frei, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Jene Rosen, aus den Händen, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Più mosso. Allegro moderato, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Poco adagio, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Uns bleibt ein Erdenrest, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Waldung, sie schwankt heran, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Wie Felsenabgrund mir zu Füßen, Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 8 in F major, op. 93: III. Tempo di minuetto, Symphony no. 8 in F major, op. 93: IV. Allegro vivace, Symphony no. 8: I. Allegro moderato, Symphony no. 8: II. Scherzo - Allegro moderato, Symphony no. 8: III. Adagio - Feierlich langsam doch nicht schleppend, Symphony no. 8: IV. Finale - Feierlich, nicht schnell, Symphony no. 9 in D major: I. Andante comodo - Mit Wut. Allegro risoluto - Tempo I, Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb - Poco più mosso subito - Ländler, ganz langsam, Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig - Presto, Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend, Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace, Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125: II. Molto vivace, Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125: IV. (a) Presto, Symphony no. 9 in D minor, op. 125: IV. (b) "O Freunde, nicht diese Töne", Symphony no. 9 in D minor, op. 125: IV. (c) Allegro assai, Symphony no. 9 in D minor, op. 125: IV. (d) Alla marcia. Allegro vivace assai, Symphony no. 9 in D minor, op. 125: IV. (e) Andante maestoso - Adagio non troppo ma divoto, Symphony no. 9 in D minor, op. 125: IV. (f) Allegro energico, sempre ben marcato, Symphony no. 9 in D minor, op. 125: IV. (g) Allegro ma non tanto, The Storm, op. 76, Tragic Overture for Orchestra in D minor, op. 81, Variations on a Theme by Haydn, op. 56a, "St. Antoni Chorale", Variations on a Theme by Joseph Haydn, Op. 56a: Finale. Andante, Variations on a Theme by Joseph Haydn, Op. 56a: Thema. Chorale St. Antoni. Andante, Variations on a Theme by Joseph Haydn, Op. 56a: Variation I. Poco più animato, Variations on a Theme by Joseph Haydn, Op. 56a: Variation II. Più vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation III. Con moto, Variations on a Theme by Joseph Haydn, Op. 56a: Variation IV. Andante con moto, Variations on a Theme by Joseph Haydn, Op. 56a: Variation V. Vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VI. Vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VII. Grazioso, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VIII. Presto non troppo, “Egmont” Ouvertüre f-moll op. 84
Koninklijk Concertgebouworkest performing orchestra A Midsummer Night's Dream: Incidental Music, Op. 61: Finale: "Tro' This House", A Midsummer Night's Dream: Incidental Music, Op. 61: I. Scherzo. Allegro vivace, A Midsummer Night's Dream: Incidental Music, Op. 61: II. Fairies' March, A Midsummer Night's Dream: Incidental Music, Op. 61: III. Song with Chorus: "You Spotted Snakes", A Midsummer Night's Dream: Incidental Music, Op. 61: IX. Wedding March, A Midsummer Night's Dream: Incidental Music, Op. 61: V. Intermezzo, A Midsummer Night's Dream: Incidental Music, Op. 61: VII. Notturno, A Midsummer Night's Dream: Incidental Music, Op. 61: X. Marcia funebre, A Midsummer Night's Dream: Incidental Music, Op. 61: XI. A Dance of Clowns, A Midsummer Night's Dream: Overture, Op. 21, Academic Festival Overture for Orchestra in C minor, op. 80, Capriccio Italien, Op. 45, Capriccio Italien, op. 45, Egmont, op. 84: Overture. Sostenuto, ma non troppo – Allegro, Eine Alpensinfonie: Am Wasserfall, Eine Alpensinfonie: Auf blumigen Wiesen, Eine Alpensinfonie: Auf dem Gipfel, Eine Alpensinfonie: Auf dem Gletscher, Eine Alpensinfonie: Auf der Alm, Eine Alpensinfonie: Ausklang, Eine Alpensinfonie: Der Anstieg, Eine Alpensinfonie: Die Sonne verdustert sich allmahlich, Eine Alpensinfonie: Durch Dickicht und Gestrupp auf Irrwegen, Eine Alpensinfonie: Eintritt in den Wald, Eine Alpensinfonie: Elegie, Eine Alpensinfonie: Ersheinung, Eine Alpensinfonie: Gefahrvolle Augenblicke, Eine Alpensinfonie: Gewitter und Sturm, Abstieg, Eine Alpensinfonie: Nacht, Eine Alpensinfonie: Nebel steigen auf, Eine Alpensinfonie: Sonnenaufgang, Eine Alpensinfonie: Sonnenuntergang, Eine Alpensinfonie: Stille vor dem Sturm, Eine Alpensinfonie: Vision, Et exspecto resurrectionem mortuorum: I. Des profondeurs de l'abîme, je crie vers toi, Seigneur: Écoute ma voix!, Et exspecto resurrectionem mortuorum: II. Le Christ, ressuscité des morts, ne meurt plus; la mort n'a plus sur lui d'empire, Et exspecto resurrectionem mortuorum: III. L'heure vient où les morts entendront la voix du Fils de Dieu, Et exspecto resurrectionem mortuorum: IV. Ils ressusciteront, glorieux, avec un nom nouveau - dans le concert joyeux des étoiles et les acclamations des fils du ciel, Et exspecto resurrectionem mortuorum: V. Et j'entendis la voix d'une foule immense..., Francesca da Rimini, Op. 32, Francesca da Rimini, op. 32, Genoveva, Op. 81: Overture, Hungarian Dance for Orchestra in A minor, WoO 1 No. 8 (Robert Schollum orchestration): Presto, Hungarian Dance for Orchestra in D minor, WoO 1 No. 2 (Johan Andreas Hallén orchestration): Allegro non assai - Vivo, Hungarian Dance for Orchestra in D-flat major, WoO 1 No. 6 (Albert Parlow orchestration): Vivace - Molto sostenuto, Hungarian Dance for Orchestra in E minor, WoO 1 No. 9 (Robert Schollum orchestration): Allegro non troppo - Poco sostenuto, Hungarian Dance for Orchestra in F major, WoO 1 No. 10: Presto, Hungarian Dance for Orchestra in F major, WoO 1 No. 7 (Johan Andreas Hallén orchestration): Allegretto, Hungarian Dance for Orchestra in F minor, WoO 1 No. 4 (Paul Juon orchestration): Poco sostenuto - Vivace - Molto Allegro, Hungarian Dance for Orchestra in G minor, WoO 1 No. 5 (Albert Parlow orchestration): Allegro - Vivace, Images pour orchestre, L 122: I. Gigues, Images pour orchestre, L 122: II. Ibéria: No. 1. Par les rues et par les chemins, Images pour orchestre, L 122: II. Ibéria: No. 2. Les Parfums de la nuit, Images pour orchestre, L 122: II. Ibéria: No. 3. Le Matin d'un jour de fête, Images pour orchestre, L 122: III. Rondes de printemps, Jeux "Poeme danse", Jeux, L 126, Kindertotenlieder: I. Nun will die Sonn' so hell aufgeh'n, Kindertotenlieder: II. Nun seh ich wohl, warum so dunkle Flammen, Kindertotenlieder: III. Wenn dein Mütterlein, Kindertotenlieder: IV. Oft denk ich, sie sind nur ausgegangen, Kindertotenlieder: V. In diesem Wetter, La Mer, L 109: I. De l'aube à midi sur la mer, La Mer, L 109: II. Jeux de vagues, La Mer, L 109: III. Dialogue du vent et de la mer, Le Tombeau de Couperin: I. Prélude, Le Tombeau de Couperin: II. Forlane, Le Tombeau de Couperin: III. Menuet, Le Tombeau de Couperin: IV. Rigaudon, Manfred Overture, Op. 115, Manfred Symphony in B minor, op. 58: I. Lento lugubre - Moderato con moto - Andante, Manfred Symphony in B minor, op. 58: II. Vivace con spirito, Manfred Symphony in B minor, op. 58: III. Andante con moto, Manfred Symphony in B minor, op. 58: IV. Allegro con fuoco, Marche slave, op. 31, Marche écossaise sur un thème populaire, Nocturnes, L 91: I. Nuages, Nocturnes, L 91: II. Fêtes, Nocturnes, L 91: III. Sirènes, Nuages, Ouverture solennelle 1812, op. 49, Prélude à l'après-midi d'un faune, L. 86, Romeo and Juliet, Rosamunde D797: Balletmuziek no. 1, Rosamunde D797: Entr’acte no. 3, Rosamunde, D. 797: Ballet Music no. 1, Rosamunde, D. 797: Entracte no. 1, Rosamunde, D. 797: Entracte no. 2, Rosamunde, D. 797: Entracte no. 3, Rosamunde, D. 797: Overture, D. 644 "Die Zauberharfe", Rosamunde, D. 797: Shepherd's Melody, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Ballet Music No. 1 - Andante un poco assai, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Ballet Music No. 2, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Huntsmen: "Wie lebt sich's so fröhlich im Grünen", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Shepherds: "Hier auf den Fluren....", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Spirits: "In der Tiefe wohnt das Licht", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 1, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 2, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 3 - Andantino Royal Concertgebouw Orchestra, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Overture (Die Zauberharfe, D.644), Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Romance: "Der Vollmond strahlt auf Bergeshöh'n", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Shepherd's melody, Scherzo from Symphony no. 3 “Rhenish”, Siegfried Idyll, Sinfonía N.º 6 en fa mayor, op. 68 “Pastoral”: Allegro “La Tormenta”, Sirenes, Slavonic March, Op. 31, Symfonie no. 1 in C: Andante (Adagio), Symfonie no. 4 in A, op. 90 “Italiaanse”: Allegro vivace, Symfonie no. 5 in cis kleine terts: Adagietto, Symfonie no. 8 in C kleine terts, op. 108 (versie Robert Haas), Symphonie No. 2 C-moll: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphonie No. 2 C-moll: II. Andante moderato. Sehr gemächlich, Symphonie No. 2 C-moll: III. In ruhig fließender Bewegung, Symphonie No. 2 C-moll: IV. Urlicht: Sehr feierlich, aber schlicht "O Röschen rot!", Symphonie No. 2 C-moll: V. Im Tempo des Scherzos: Wild herausfahrend, Symphonie No. 2 C-moll: Va. Maestoso, Symphonie No. 2 C-moll: Vb. Sehr langsam und gedehnt, Symphonie No. 2 C-moll: Vc. Langsam. Misterioso "Auferstehn, ja auferstehn wirst du", Symphonie No. 2 C-moll: Vd. Etwas bewegter, Symphony No. 0 in D minor: I. Allegro - Poco meno mosso, Symphony No. 0 in D minor: II. Andante sostenuto, Symphony No. 0 in D minor: III. Scherzo. Presto - Trio. Langsamer und ruhiger, Symphony No. 0 in D minor: IV. Finale. Moderato - Allegro vivace, Symphony No. 1 in B-flat major, Op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace, Symphony No. 1 in B-flat major, Op. 38 "Spring": II. Larghetto, Symphony No. 1 in B-flat major, Op. 38 "Spring": III. Scherzo. Molto vivace, Symphony No. 1 in B-flat major, Op. 38 "Spring": IV. Allegro animato e grazioso, Symphony No. 1 in C minor: I. Allegro molto moderato, Symphony No. 1 in C minor: II. Adagio, Symphony No. 1 in C minor: III. Scherzo. Lebhaft, Symphony No. 1 in C minor: IV. Finale: Bewegt und feurig, Symphony No. 12 in D minor, Op. 112 "The Year 1917": I. Revolutionary Petrograd, Symphony No. 12 in D minor, Op. 112 "The Year 1917": II. Razliv, Symphony No. 12 in D minor, Op. 112 "The Year 1917": III. Aurora, Symphony No. 12 in D minor, Op. 112 "The Year 1917": IV. The Dawn of Humanity, Symphony No. 2 in C major, Op. 61: I. Sostenuto assai - Un poco più vivace - Allegro, ma non troppo - Con fuoco, Symphony No. 2 in C major, Op. 61: II. Scherzo. Allegro vivace, Symphony No. 2 in C major, Op. 61: III. Adagio espressivo, Symphony No. 2 in C major, Op. 61: IV. Allegro molto vivace, Symphony No. 2 in C minor: I. Ziemlich schnell, Symphony No. 2 in C minor: II. Adagio. Feierlich, etwas bewegt, Symphony No. 2 in C minor: III. Scherzo. Schnell, Symphony No. 2 in C minor: IV. Finale. Mehr schnell - Sehr schnell, Symphony No. 3 in D minor: I. Gemäßigt, mehr bewegt, misterioso, Symphony No. 3 in D minor: II. Adagio, bewegt, quasi andante, Symphony No. 3 in D minor: III. Scherzo. Ziemlich schnell, Symphony No. 3 in D minor: IV. Finale. Allegro, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": I. Lebhaft, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": II. Scherzo. Sehr mäßig, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": III. Nicht schnell, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": IV. Feierlich, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": V. Lebhaft, Symphony No. 4 in D minor, Op. 120: I. Ziemlich langsam - Lebhaft, Symphony No. 4 in D minor, Op. 120: II. Romanze. Ziemlich langsam, Symphony No. 4 in D minor, Op. 120: III. Scherzo. Lebhaft - Trio, Symphony No. 4 in D minor, Op. 120: IV. Langsam - Lebhaft - Schneller - Presto, Symphony No. 4 in E-flat major "Romantic": I. Bewegt, nicht zu schnell, Symphony No. 4 in E-flat major "Romantic": II. Andante, quasi allegretto, Symphony No. 4 in E-flat major "Romantic": III. Scherzo. Bewegt - Trio. Nicht zu schnell. Keinesfalls schleppend - Scherzo, Symphony No. 4 in E-flat major "Romantic": IV. Finale. Bewegt, doch nicht zu schnell, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 6 in B minor, Op. 54: I. Largo, Symphony No. 6 in B minor, Op. 54: II. Allegro, Symphony No. 6 in B minor, Op. 54: III. Presto, Symphony No. 7 in E major: I. Allegro moderato, Symphony No. 7 in E major: II. Adagio. Sehr feierlich und sehr langsam, Symphony No. 7 in E major: III. Scherzo. Sehr schnell, Symphony No. 7 in E major: IV. Finale. Bewegt, doch nicht zu schnell, Symphony No. 8 in B minor, D 759 "Unfinished": I. Allegro moderato, Symphony No. 8 in B minor, D 759 "Unfinished": II. Andante con moto, Symphony No. 8 in C minor: I. Allegro moderato, Symphony No. 8 in C minor: II. Scherzo. Allegro moderato, Symphony No. 8 in C minor: III. Adagio. Feierlich langsam, aber nicht schleppend, Symphony No. 8 in C minor: IV. Finale. Feierlich, nicht schnell, Symphony No. 9 in D minor: I. Feierlich. Misterioso, Symphony No. 9 in D minor: II. Scherzo. Bewegt, lebhaft - Trio. Schnell - Scherzo, Symphony No. 9 in D minor: III. Adagio. Langsam, feierlich, Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Finale. Adagio - Allegro molto e vivace, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto – Allegro – Meno allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio – Più andante – Allegro non troppo, ma con brio – Più allegro, Symphony no. 1 in D major "Titan": I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich, Symphony no. 1 in D major "Titan": II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt - Energisch, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": I. Dreams of a Winter Journey: Allegro tranquillo, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": II. Land of Desolation, Land of Mists: Andante cantabile ma non tanto, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": III. Scherzo: Allegro scherzando giocoso, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": IV. Finale: Andante lugubre - Allegro maestoso, Symphony no. 10 in F-sharp minor: I. Andante - Adagio, Symphony no. 11 in G minor, op. 103 “The Year 1905”: I. The Palace Square. Adagio, Symphony no. 11 in G minor, op. 103 “The Year 1905”: II. 9 January. Allegro, Symphony no. 11 in G minor, op. 103 “The Year 1905”: III. In Memoriam. Adagio, Symphony no. 11 in G minor, op. 103 “The Year 1905”: IV. Tocsin. Allegro non troppo, Symphony no. 12 in D minor, op. 112 “The Year 1917”: I. Revolutionary Petrograd, Symphony no. 12 in D minor, op. 112 “The Year 1917”: II. Razliv, Symphony no. 12 in D minor, op. 112 “The Year 1917”: III. Aurora, Symphony no. 12 in D minor, op. 112 “The Year 1917”: IV. The Dawn of Humanity, Symphony no. 15, op. 141, Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto - Allegro vivo, Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marciale, quasi moderato, Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo: Allegro molto vivace, Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale: Moderato assai - Allegro vivo, Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 3 in D major, op. 29 "Polish": I. Introduzione e allegro: Moderato assai - Allegro brillante, Symphony no. 3 in D major, op. 29 "Polish": II. Alla tedesca: Allegro moderato e semplice, Symphony no. 3 in D major, op. 29 "Polish": III. Andante elegiaco, Symphony no. 3 in D major, op. 29 "Polish": IV. Scherzo: Allegro vivo, Symphony no. 3 in D major, op. 29 "Polish": V. Finale: Allegro con fuoco, Symphony no. 3 in D minor: I. Kräftig. Entschieden, Symphony no. 3 in D minor: II. Tempo di minuetto. Sehr mässig, Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso. Durchaus "O Mensch! Gib acht!" (aus: Friedrich Nietzsche "Also sprach Zarathustra"), Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm" / "Es sungen drei Engel" (aus: "Des Knaben Wunderhorn"), Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden, Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto, Symphony no. 3 in F major, op. 90: II. Andante, Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace, Symphony no. 4 in B-flat major, op. 60: II. Allegretto scherzando, Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo, Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona, Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato, Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro con fuoco, Symphony no. 4 in G major: I. Bedaechtig. Nicht eilen - Recht gemaechlich, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich, Symphony no. 4 in G major: II. In Gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: II. In gemächlicher Bewegung, Symphony no. 4 in G major: III. Ruhevoll (Poco adagio), Symphony no. 4 in G major: III. Ruhevoll. Poco adagio, Symphony no. 4 in G major: IV. Sehr behaglich "Wir genießen die himmlischen Freuden" (aus: "Des Knaben Wunderhorn"), Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Allegro, Symphony no. 5 in C minor, op. 67: IV. Allegro, Symphony no. 5 in C-sharp minor: I. Part I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I, Symphony no. 5 in C-sharp minor: II. Part I. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I subito, Symphony no. 5 in C-sharp minor: III. Part II. Scherzo. Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: IV. Part III. Adagietto. Sehr langsam, Symphony no. 5 in C-sharp minor: V. Part III. Rondo-Finale. Allegro - Allegro giocoso. Frisch, Symphony no. 5 in D minor, op. 47: I. Moderato, Symphony no. 5 in D minor, op. 47: II. Allegretto, Symphony no. 5 in D minor, op. 47: III. Largo, Symphony no. 5 in D minor, op. 47: III. Largo (Finale), Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza, Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Finale: Andante maestoso - Allegro vivace, Symphony no. 5, op. 47: I. Moderato, Symphony no. 5, op. 47: II. Allegretto, Symphony no. 5, op. 47: III. Largo, Symphony no. 5, op. 47: IV. Allegro non troppo, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 6 in A minor: IV. Finale. Allegro moderato - Allegro energico, Symphony no. 6 in B minor, op. 54: I. Largo, Symphony no. 6 in B minor, op. 54: II. Allegro, Symphony no. 6 in B minor, op. 54: III. Presto, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale: Adagio lamentoso, Symphony no. 6 in F major, op. 68 "Pastorale": I. Allegro, ma non troppo "Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande", Symphony no. 6 in F major, op. 68 "Pastorale": II. Andante molto mosso "Szene am Bach", Symphony no. 6 in F major, op. 68 "Pastorale": III. Allegro "Lustiges Zusammensein der Landleute", Symphony no. 6 in F major, op. 68 "Pastorale": IV. Allegro "Gewitter - Sturm", Symphony no. 6 in F major, op. 68 "Pastorale": V. Allegretto "Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm", Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, Symphony no. 7 in E minor "Lied der Nacht": I. Langsam – Allegro risoluto, ma non troppo, Symphony no. 7 in E minor "Lied der Nacht": II. Nachtmusik I. Allegro moderato, Symphony no. 7 in E minor "Lied der Nacht": III. Scherzo: Schattenhaft – Trio, Symphony no. 7 in E minor "Lied der Nacht": IV. Nachtmusik II. Andante amoroso, Symphony no. 7 in E minor "Lied der Nacht": V. Rondo - Finale, Symphony no. 7 in E minor: I. Langsam. Adagio - Allegro, Symphony no. 7 in E minor: II. Nachtmusik. Allegro moderato, Symphony no. 7 in E minor: III. Scherzo, Symphony no. 7 in E minor: IV. Nachtmusik. Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale. Allegro ordinario - Allegro moderato ma energico, Symphony no. 7: Langsam - Allegro, Symphony no. 7: Nachtmusik. Allegro moderato, Symphony no. 7: Nachtmusik. Andante amoroso, Symphony no. 7: Rondo - Finale (Allegro ordinario) - Allegro moderato ma energico, Symphony no. 7: Scherzo, Symphony no. 8 in C minor: I. Adagio, Symphony no. 8 in C minor: II. Allegretto, Symphony no. 8 in C minor: III. Allegro non troppo, Symphony no. 8 in C minor: IV. Largo, Symphony no. 8 in C minor: V. Allegretto, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: "Qui Paraclitus diceris", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: A tempo - "Gloria sit Patri Domino", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: A tempo - "Imple superna gratia", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Allegro impetuoso - "Veni, Creator Spiritus", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Plötzlich sehr breit und leidenschaftlichen Ausdrucks - Mit plötzlichem Aufschwung - "Accende lumen sensibus", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Sehr fließend - noch einmal so langsam als vorher. Nicht schleppend - "Infirma nostri corporis", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Tempo I - "Infirma nostri corporis", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Alles Vergängliche", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Bei der Liebe, die den Füßen", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Blicket auf zum Retterblick", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Er überwacht uns schon", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Dir, der Unberührbaren - Du schwebst zu Höhen, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Ewiger Wonnebrand, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Gerettet ist das edle Glied - Hände verschlinget euch, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Ich spür' soeben - Freudig empfangen wir - Hier ist die Aussicht frei, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Jene Rosen, aus den Händen, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Più mosso. Allegro moderato, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Poco adagio, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Uns bleibt ein Erdenrest, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Waldung, sie schwankt heran, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Wie Felsenabgrund mir zu Füßen, Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 8 in F major, op. 93: III. Tempo di minuetto, Symphony no. 8 in F major, op. 93: IV. Allegro vivace, Symphony no. 8: I. Allegro moderato, Symphony no. 8: II. Scherzo - Allegro moderato, Symphony no. 8: III. Adagio - Feierlich langsam doch nicht schleppend, Symphony no. 8: IV. Finale - Feierlich, nicht schnell, Symphony no. 9 in D major: I. Andante comodo - Mit Wut. Allegro risoluto - Tempo I, Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb - Poco più mosso subito - Ländler, ganz langsam, Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig - Presto, Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend, Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace, Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125: II. Molto vivace, Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125: IV. (a) Presto, Symphony no. 9 in D minor, op. 125: IV. (b) "O Freunde, nicht diese Töne", Symphony no. 9 in D minor, op. 125: IV. (c) Allegro assai, Symphony no. 9 in D minor, op. 125: IV. (d) Alla marcia. Allegro vivace assai, Symphony no. 9 in D minor, op. 125: IV. (e) Andante maestoso - Adagio non troppo ma divoto, Symphony no. 9 in D minor, op. 125: IV. (f) Allegro energico, sempre ben marcato, Symphony no. 9 in D minor, op. 125: IV. (g) Allegro ma non tanto, The Storm, op. 76, Tragic Overture for Orchestra in D minor, op. 81, Variations on a Theme by Haydn, op. 56a, "St. Antoni Chorale", Variations on a Theme by Joseph Haydn, Op. 56a: Finale. Andante, Variations on a Theme by Joseph Haydn, Op. 56a: Thema. Chorale St. Antoni. Andante, Variations on a Theme by Joseph Haydn, Op. 56a: Variation I. Poco più animato, Variations on a Theme by Joseph Haydn, Op. 56a: Variation II. Più vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation III. Con moto, Variations on a Theme by Joseph Haydn, Op. 56a: Variation IV. Andante con moto, Variations on a Theme by Joseph Haydn, Op. 56a: Variation V. Vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VI. Vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VII. Grazioso, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VIII. Presto non troppo, “Egmont” Ouvertüre f-moll op. 84
Andrew Cornall producer Symphony no. 12 in D minor, op. 112 “The Year 1917”: I. Revolutionary Petrograd, Symphony no. 12 in D minor, op. 112 “The Year 1917”: II. Razliv, Symphony no. 12 in D minor, op. 112 “The Year 1917”: III. Aurora, Symphony no. 12 in D minor, op. 112 “The Year 1917”: IV. The Dawn of Humanity, Symphony no. 5 in D minor, op. 47: I. Moderato, Symphony no. 5 in D minor, op. 47: II. Allegretto, Symphony no. 5 in D minor, op. 47: III. Largo, Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo
Colin Moorfoot engineer Symphony no. 5 in D minor, op. 47: I. Moderato, Symphony no. 5 in D minor, op. 47: II. Allegretto, Symphony no. 5 in D minor, op. 47: III. Largo, Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo
Jaap van Ginneken producer Academic Festival Overture for Orchestra in C minor, op. 80, Symphony No. 9 in D minor: I. Feierlich. Misterioso, Symphony No. 9 in D minor: II. Scherzo. Bewegt, lebhaft - Trio. Schnell - Scherzo, Symphony No. 9 in D minor: III. Adagio. Langsam, feierlich
Volker Straus (producer and engineer) producer Marche écossaise sur un thème populaire, Prélude à l'après-midi d'un faune, L. 86, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza
Groot Omroepkoor vocal A Midsummer Night's Dream: Incidental Music, Op. 61: Finale: "Tro' This House", A Midsummer Night's Dream: Incidental Music, Op. 61: III. Song with Chorus: "You Spotted Snakes"
Maureen Forrester (contralto) vocal Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso. Durchaus "O Mensch! Gib acht!" (aus: Friedrich Nietzsche "Also sprach Zarathustra"), Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm" / "Es sungen drei Engel" (aus: "Des Knaben Wunderhorn")
Rae Woodland vocal A Midsummer Night's Dream: Incidental Music, Op. 61: Finale: "Tro' This House", A Midsummer Night's Dream: Incidental Music, Op. 61: III. Song with Chorus: "You Spotted Snakes"
Women's Chorus of the Netherlands Radio vocal Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm" / "Es sungen drei Engel" (aus: "Des Knaben Wunderhorn")
Boy's Choir of the St. Willisbrorduskerk vocal Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm" / "Es sungen drei Engel" (aus: "Des Knaben Wunderhorn")
Helen Watts (contralto) vocal A Midsummer Night's Dream: Incidental Music, Op. 61: III. Song with Chorus: "You Spotted Snakes"

Work on other artists' recordings

Artist name Roles Recordings
Alice Coltrane strings A Love Supreme, Galaxy Around Olodumare, Galaxy in Satchidananda, Galaxy in Turiya, My Favorite Things