MUSICAL BACON
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Janet Hill
strings
Bernard Haitink
Koninklijk Concertgebouworkest
Andrew Cornall
Alice Coltrane
Colin Moorfoot
Jaap van Ginneken
Volker Straus
Groot Omroepkoor
Maureen Forrester
Rae Woodland
Women's Chorus of the Netherlands Radio
Boy's Choir of the St. Willisbrorduskerk
Helen Watts
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Bernard Haitink
conductor
A Midsummer Night's Dream: Incidental Music, Op. 61: Finale: "Tro' This House", A Midsummer Night's Dream: Incidental Music, Op. 61: I. Scherzo. Allegro vivace, A Midsummer Night's Dream: Incidental Music, Op. 61: II. Fairies' March, A Midsummer Night's Dream: Incidental Music, Op. 61: III. Song with Chorus: "You Spotted Snakes", A Midsummer Night's Dream: Incidental Music, Op. 61: IX. Wedding March, A Midsummer Night's Dream: Incidental Music, Op. 61: V. Intermezzo, A Midsummer Night's Dream: Incidental Music, Op. 61: VII. Notturno, A Midsummer Night's Dream: Incidental Music, Op. 61: X. Marcia funebre, A Midsummer Night's Dream: Incidental Music, Op. 61: XI. A Dance of Clowns, A Midsummer Night's Dream: Overture, Op. 21, Academic Festival Overture for Orchestra in C minor, op. 80, Capriccio Italien, Op. 45, Capriccio Italien, op. 45, Egmont, op. 84: Overture. Sostenuto, ma non troppo – Allegro, Eine Alpensinfonie: Am Wasserfall, Eine Alpensinfonie: Auf blumigen Wiesen, Eine Alpensinfonie: Auf dem Gipfel, Eine Alpensinfonie: Auf dem Gletscher, Eine Alpensinfonie: Auf der Alm, Eine Alpensinfonie: Ausklang, Eine Alpensinfonie: Der Anstieg, Eine Alpensinfonie: Die Sonne verdustert sich allmahlich, Eine Alpensinfonie: Durch Dickicht und Gestrupp auf Irrwegen, Eine Alpensinfonie: Eintritt in den Wald, Eine Alpensinfonie: Elegie, Eine Alpensinfonie: Ersheinung, Eine Alpensinfonie: Gefahrvolle Augenblicke, Eine Alpensinfonie: Gewitter und Sturm, Abstieg, Eine Alpensinfonie: Nacht, Eine Alpensinfonie: Nebel steigen auf, Eine Alpensinfonie: Sonnenaufgang, Eine Alpensinfonie: Sonnenuntergang, Eine Alpensinfonie: Stille vor dem Sturm, Eine Alpensinfonie: Vision, Et exspecto resurrectionem mortuorum: I. Des profondeurs de l'abîme, je crie vers toi, Seigneur: Écoute ma voix!, Et exspecto resurrectionem mortuorum: II. Le Christ, ressuscité des morts, ne meurt plus; la mort n'a plus sur lui d'empire, Et exspecto resurrectionem mortuorum: III. L'heure vient où les morts entendront la voix du Fils de Dieu, Et exspecto resurrectionem mortuorum: IV. Ils ressusciteront, glorieux, avec un nom nouveau - dans le concert joyeux des étoiles et les acclamations des fils du ciel, Et exspecto resurrectionem mortuorum: V. Et j'entendis la voix d'une foule immense..., Francesca da Rimini, Op. 32, Francesca da Rimini, op. 32, Genoveva, Op. 81: Overture, Hungarian Dance for Orchestra in A minor, WoO 1 No. 8 (Robert Schollum orchestration): Presto, Hungarian Dance for Orchestra in D minor, WoO 1 No. 2 (Johan Andreas Hallén orchestration): Allegro non assai - Vivo, Hungarian Dance for Orchestra in D-flat major, WoO 1 No. 6 (Albert Parlow orchestration): Vivace - Molto sostenuto, Hungarian Dance for Orchestra in E minor, WoO 1 No. 9 (Robert Schollum orchestration): Allegro non troppo - Poco sostenuto, Hungarian Dance for Orchestra in F major, WoO 1 No. 10: Presto, Hungarian Dance for Orchestra in F major, WoO 1 No. 7 (Johan Andreas Hallén orchestration): Allegretto, Hungarian Dance for Orchestra in F minor, WoO 1 No. 4 (Paul Juon orchestration): Poco sostenuto - Vivace - Molto Allegro, Hungarian Dance for Orchestra in G minor, WoO 1 No. 5 (Albert Parlow orchestration): Allegro - Vivace, Images pour orchestre, L 122: I. Gigues, Images pour orchestre, L 122: II. Ibéria: No. 1. Par les rues et par les chemins, Images pour orchestre, L 122: II. Ibéria: No. 2. Les Parfums de la nuit, Images pour orchestre, L 122: II. Ibéria: No. 3. Le Matin d'un jour de fête, Images pour orchestre, L 122: III. Rondes de printemps, Jeux "Poeme danse", Jeux, L 126, Kindertotenlieder: I. Nun will die Sonn' so hell aufgeh'n, Kindertotenlieder: II. Nun seh ich wohl, warum so dunkle Flammen, Kindertotenlieder: III. Wenn dein Mütterlein, Kindertotenlieder: IV. Oft denk ich, sie sind nur ausgegangen, Kindertotenlieder: V. In diesem Wetter, La Mer, L 109: I. De l'aube à midi sur la mer, La Mer, L 109: II. Jeux de vagues, La Mer, L 109: III. Dialogue du vent et de la mer, Le Tombeau de Couperin: I. Prélude, Le Tombeau de Couperin: II. Forlane, Le Tombeau de Couperin: III. Menuet, Le Tombeau de Couperin: IV. Rigaudon, Manfred Overture, Op. 115, Manfred Symphony in B minor, op. 58: I. Lento lugubre - Moderato con moto - Andante, Manfred Symphony in B minor, op. 58: II. Vivace con spirito, Manfred Symphony in B minor, op. 58: III. Andante con moto, Manfred Symphony in B minor, op. 58: IV. Allegro con fuoco, Marche slave, op. 31, Marche écossaise sur un thème populaire, Nocturnes, L 91: I. Nuages, Nocturnes, L 91: II. Fêtes, Nocturnes, L 91: III. Sirènes, Nuages, Ouverture solennelle 1812, op. 49, Prélude à l'après-midi d'un faune, L. 86, Romeo and Juliet, Rosamunde D797: Balletmuziek no. 1, Rosamunde D797: Entr’acte no. 3, Rosamunde, D. 797: Ballet Music no. 1, Rosamunde, D. 797: Entracte no. 1, Rosamunde, D. 797: Entracte no. 2, Rosamunde, D. 797: Entracte no. 3, Rosamunde, D. 797: Overture, D. 644 "Die Zauberharfe", Rosamunde, D. 797: Shepherd's Melody, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Ballet Music No. 1 - Andante un poco assai, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Ballet Music No. 2, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Huntsmen: "Wie lebt sich's so fröhlich im Grünen", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Shepherds: "Hier auf den Fluren....", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Spirits: "In der Tiefe wohnt das Licht", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 1, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 2, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 3 - Andantino Royal Concertgebouw Orchestra, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Overture (Die Zauberharfe, D.644), Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Romance: "Der Vollmond strahlt auf Bergeshöh'n", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Shepherd's melody, Scherzo from Symphony no. 3 “Rhenish”, Siegfried Idyll, Sinfonía N.º 6 en fa mayor, op. 68 “Pastoral”: Allegro “La Tormenta”, Sirenes, Slavonic March, Op. 31, Symfonie no. 1 in C: Andante (Adagio), Symfonie no. 4 in A, op. 90 “Italiaanse”: Allegro vivace, Symfonie no. 5 in cis kleine terts: Adagietto, Symfonie no. 8 in C kleine terts, op. 108 (versie Robert Haas), Symphonie No. 2 C-moll: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphonie No. 2 C-moll: II. Andante moderato. Sehr gemächlich, Symphonie No. 2 C-moll: III. In ruhig fließender Bewegung, Symphonie No. 2 C-moll: IV. Urlicht: Sehr feierlich, aber schlicht "O Röschen rot!", Symphonie No. 2 C-moll: V. Im Tempo des Scherzos: Wild herausfahrend, Symphonie No. 2 C-moll: Va. Maestoso, Symphonie No. 2 C-moll: Vb. Sehr langsam und gedehnt, Symphonie No. 2 C-moll: Vc. Langsam. Misterioso "Auferstehn, ja auferstehn wirst du", Symphonie No. 2 C-moll: Vd. Etwas bewegter, Symphony No. 0 in D minor: I. Allegro - Poco meno mosso, Symphony No. 0 in D minor: II. Andante sostenuto, Symphony No. 0 in D minor: III. Scherzo. Presto - Trio. Langsamer und ruhiger, Symphony No. 0 in D minor: IV. Finale. Moderato - Allegro vivace, Symphony No. 1 in B-flat major, Op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace, Symphony No. 1 in B-flat major, Op. 38 "Spring": II. Larghetto, Symphony No. 1 in B-flat major, Op. 38 "Spring": III. Scherzo. Molto vivace, Symphony No. 1 in B-flat major, Op. 38 "Spring": IV. Allegro animato e grazioso, Symphony No. 1 in C minor: I. Allegro molto moderato, Symphony No. 1 in C minor: II. Adagio, Symphony No. 1 in C minor: III. Scherzo. Lebhaft, Symphony No. 1 in C minor: IV. Finale: Bewegt und feurig, Symphony No. 12 in D minor, Op. 112 "The Year 1917": I. Revolutionary Petrograd, Symphony No. 12 in D minor, Op. 112 "The Year 1917": II. Razliv, Symphony No. 12 in D minor, Op. 112 "The Year 1917": III. Aurora, Symphony No. 12 in D minor, Op. 112 "The Year 1917": IV. The Dawn of Humanity, Symphony No. 2 in C major, Op. 61: I. Sostenuto assai - Un poco più vivace - Allegro, ma non troppo - Con fuoco, Symphony No. 2 in C major, Op. 61: II. Scherzo. Allegro vivace, Symphony No. 2 in C major, Op. 61: III. Adagio espressivo, Symphony No. 2 in C major, Op. 61: IV. Allegro molto vivace, Symphony No. 2 in C minor: I. Ziemlich schnell, Symphony No. 2 in C minor: II. Adagio. Feierlich, etwas bewegt, Symphony No. 2 in C minor: III. Scherzo. Schnell, Symphony No. 2 in C minor: IV. Finale. Mehr schnell - Sehr schnell, Symphony No. 3 in D minor: I. Gemäßigt, mehr bewegt, misterioso, Symphony No. 3 in D minor: II. Adagio, bewegt, quasi andante, Symphony No. 3 in D minor: III. Scherzo. Ziemlich schnell, Symphony No. 3 in D minor: IV. Finale. Allegro, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": I. Lebhaft, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": II. Scherzo. Sehr mäßig, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": III. Nicht schnell, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": IV. Feierlich, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": V. Lebhaft, Symphony No. 4 in D minor, Op. 120: I. Ziemlich langsam - Lebhaft, Symphony No. 4 in D minor, Op. 120: II. Romanze. Ziemlich langsam, Symphony No. 4 in D minor, Op. 120: III. Scherzo. Lebhaft - Trio, Symphony No. 4 in D minor, Op. 120: IV. Langsam - Lebhaft - Schneller - Presto, Symphony No. 4 in E-flat major "Romantic": I. Bewegt, nicht zu schnell, Symphony No. 4 in E-flat major "Romantic": II. Andante, quasi allegretto, Symphony No. 4 in E-flat major "Romantic": III. Scherzo. Bewegt - Trio. Nicht zu schnell. Keinesfalls schleppend - Scherzo, Symphony No. 4 in E-flat major "Romantic": IV. Finale. Bewegt, doch nicht zu schnell, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 6 in B minor, Op. 54: I. Largo, Symphony No. 6 in B minor, Op. 54: II. Allegro, Symphony No. 6 in B minor, Op. 54: III. Presto, Symphony No. 7 in E major: I. Allegro moderato, Symphony No. 7 in E major: II. Adagio. Sehr feierlich und sehr langsam, Symphony No. 7 in E major: III. Scherzo. Sehr schnell, Symphony No. 7 in E major: IV. Finale. Bewegt, doch nicht zu schnell, Symphony No. 8 in B minor, D 759 "Unfinished": I. Allegro moderato, Symphony No. 8 in B minor, D 759 "Unfinished": II. Andante con moto, Symphony No. 8 in C minor: I. Allegro moderato, Symphony No. 8 in C minor: II. Scherzo. Allegro moderato, Symphony No. 8 in C minor: III. Adagio. Feierlich langsam, aber nicht schleppend, Symphony No. 8 in C minor: IV. Finale. Feierlich, nicht schnell, Symphony No. 9 in D minor: I. Feierlich. Misterioso, Symphony No. 9 in D minor: II. Scherzo. Bewegt, lebhaft - Trio. Schnell - Scherzo, Symphony No. 9 in D minor: III. Adagio. Langsam, feierlich, Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Finale. Adagio - Allegro molto e vivace, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto – Allegro – Meno allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio – Più andante – Allegro non troppo, ma con brio – Più allegro, Symphony no. 1 in D major "Titan": I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich, Symphony no. 1 in D major "Titan": II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt - Energisch, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": I. Dreams of a Winter Journey: Allegro tranquillo, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": II. Land of Desolation, Land of Mists: Andante cantabile ma non tanto, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": III. Scherzo: Allegro scherzando giocoso, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": IV. Finale: Andante lugubre - Allegro maestoso, Symphony no. 10 in F-sharp minor: I. Andante - Adagio, Symphony no. 11 in G minor, op. 103 “The Year 1905”: I. The Palace Square. Adagio, Symphony no. 11 in G minor, op. 103 “The Year 1905”: II. 9 January. Allegro, Symphony no. 11 in G minor, op. 103 “The Year 1905”: III. In Memoriam. Adagio, Symphony no. 11 in G minor, op. 103 “The Year 1905”: IV. Tocsin. Allegro non troppo, Symphony no. 12 in D minor, op. 112 “The Year 1917”: I. Revolutionary Petrograd, Symphony no. 12 in D minor, op. 112 “The Year 1917”: II. Razliv, Symphony no. 12 in D minor, op. 112 “The Year 1917”: III. Aurora, Symphony no. 12 in D minor, op. 112 “The Year 1917”: IV. The Dawn of Humanity, Symphony no. 15, op. 141, Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto - Allegro vivo, Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marciale, quasi moderato, Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo: Allegro molto vivace, Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale: Moderato assai - Allegro vivo, Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 3 in D major, op. 29 "Polish": I. Introduzione e allegro: Moderato assai - Allegro brillante, Symphony no. 3 in D major, op. 29 "Polish": II. Alla tedesca: Allegro moderato e semplice, Symphony no. 3 in D major, op. 29 "Polish": III. Andante elegiaco, Symphony no. 3 in D major, op. 29 "Polish": IV. Scherzo: Allegro vivo, Symphony no. 3 in D major, op. 29 "Polish": V. Finale: Allegro con fuoco, Symphony no. 3 in D minor: I. Kräftig. Entschieden, Symphony no. 3 in D minor: II. Tempo di minuetto. Sehr mässig, Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso. Durchaus "O Mensch! Gib acht!" (aus: Friedrich Nietzsche "Also sprach Zarathustra"), Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm" / "Es sungen drei Engel" (aus: "Des Knaben Wunderhorn"), Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden, Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto, Symphony no. 3 in F major, op. 90: II. Andante, Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace, Symphony no. 4 in B-flat major, op. 60: II. Allegretto scherzando, Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo, Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona, Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato, Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro con fuoco, Symphony no. 4 in G major: I. Bedaechtig. Nicht eilen - Recht gemaechlich, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich, Symphony no. 4 in G major: II. In Gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: II. In gemächlicher Bewegung, Symphony no. 4 in G major: III. Ruhevoll (Poco adagio), Symphony no. 4 in G major: III. Ruhevoll. Poco adagio, Symphony no. 4 in G major: IV. Sehr behaglich "Wir genießen die himmlischen Freuden" (aus: "Des Knaben Wunderhorn"), Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Allegro, Symphony no. 5 in C minor, op. 67: IV. Allegro, Symphony no. 5 in C-sharp minor: I. Part I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I, Symphony no. 5 in C-sharp minor: II. Part I. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I subito, Symphony no. 5 in C-sharp minor: III. Part II. Scherzo. Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: IV. Part III. Adagietto. Sehr langsam, Symphony no. 5 in C-sharp minor: V. Part III. Rondo-Finale. Allegro - Allegro giocoso. Frisch, Symphony no. 5 in D minor, op. 47: I. Moderato, Symphony no. 5 in D minor, op. 47: II. Allegretto, Symphony no. 5 in D minor, op. 47: III. Largo, Symphony no. 5 in D minor, op. 47: III. Largo (Finale), Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza, Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Finale: Andante maestoso - Allegro vivace, Symphony no. 5, op. 47: I. Moderato, Symphony no. 5, op. 47: II. Allegretto, Symphony no. 5, op. 47: III. Largo, Symphony no. 5, op. 47: IV. Allegro non troppo, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 6 in A minor: IV. Finale. Allegro moderato - Allegro energico, Symphony no. 6 in B minor, op. 54: I. Largo, Symphony no. 6 in B minor, op. 54: II. Allegro, Symphony no. 6 in B minor, op. 54: III. Presto, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale: Adagio lamentoso, Symphony no. 6 in F major, op. 68 "Pastorale": I. Allegro, ma non troppo "Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande", Symphony no. 6 in F major, op. 68 "Pastorale": II. Andante molto mosso "Szene am Bach", Symphony no. 6 in F major, op. 68 "Pastorale": III. Allegro "Lustiges Zusammensein der Landleute", Symphony no. 6 in F major, op. 68 "Pastorale": IV. Allegro "Gewitter - Sturm", Symphony no. 6 in F major, op. 68 "Pastorale": V. Allegretto "Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm", Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, Symphony no. 7 in E minor "Lied der Nacht": I. Langsam – Allegro risoluto, ma non troppo, Symphony no. 7 in E minor "Lied der Nacht": II. Nachtmusik I. Allegro moderato, Symphony no. 7 in E minor "Lied der Nacht": III. Scherzo: Schattenhaft – Trio, Symphony no. 7 in E minor "Lied der Nacht": IV. Nachtmusik II. Andante amoroso, Symphony no. 7 in E minor "Lied der Nacht": V. Rondo - Finale, Symphony no. 7 in E minor: I. Langsam. Adagio - Allegro, Symphony no. 7 in E minor: II. Nachtmusik. Allegro moderato, Symphony no. 7 in E minor: III. Scherzo, Symphony no. 7 in E minor: IV. Nachtmusik. Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale. Allegro ordinario - Allegro moderato ma energico, Symphony no. 7: Langsam - Allegro, Symphony no. 7: Nachtmusik. Allegro moderato, Symphony no. 7: Nachtmusik. Andante amoroso, Symphony no. 7: Rondo - Finale (Allegro ordinario) - Allegro moderato ma energico, Symphony no. 7: Scherzo, Symphony no. 8 in C minor: I. Adagio, Symphony no. 8 in C minor: II. Allegretto, Symphony no. 8 in C minor: III. Allegro non troppo, Symphony no. 8 in C minor: IV. Largo, Symphony no. 8 in C minor: V. Allegretto, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: "Qui Paraclitus diceris", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: A tempo - "Gloria sit Patri Domino", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: A tempo - "Imple superna gratia", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Allegro impetuoso - "Veni, Creator Spiritus", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Plötzlich sehr breit und leidenschaftlichen Ausdrucks - Mit plötzlichem Aufschwung - "Accende lumen sensibus", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Sehr fließend - noch einmal so langsam als vorher. Nicht schleppend - "Infirma nostri corporis", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Tempo I - "Infirma nostri corporis", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Alles Vergängliche", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Bei der Liebe, die den Füßen", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Blicket auf zum Retterblick", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Er überwacht uns schon", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Dir, der Unberührbaren - Du schwebst zu Höhen, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Ewiger Wonnebrand, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Gerettet ist das edle Glied - Hände verschlinget euch, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Ich spür' soeben - Freudig empfangen wir - Hier ist die Aussicht frei, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Jene Rosen, aus den Händen, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Più mosso. Allegro moderato, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Poco adagio, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Uns bleibt ein Erdenrest, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Waldung, sie schwankt heran, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Wie Felsenabgrund mir zu Füßen, Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 8 in F major, op. 93: III. Tempo di minuetto, Symphony no. 8 in F major, op. 93: IV. Allegro vivace, Symphony no. 8: I. Allegro moderato, Symphony no. 8: II. Scherzo - Allegro moderato, Symphony no. 8: III. Adagio - Feierlich langsam doch nicht schleppend, Symphony no. 8: IV. Finale - Feierlich, nicht schnell, Symphony no. 9 in D major: I. Andante comodo - Mit Wut. Allegro risoluto - Tempo I, Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb - Poco più mosso subito - Ländler, ganz langsam, Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig - Presto, Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend, Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace, Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125: II. Molto vivace, Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125: IV. (a) Presto, Symphony no. 9 in D minor, op. 125: IV. (b) "O Freunde, nicht diese Töne", Symphony no. 9 in D minor, op. 125: IV. (c) Allegro assai, Symphony no. 9 in D minor, op. 125: IV. (d) Alla marcia. Allegro vivace assai, Symphony no. 9 in D minor, op. 125: IV. (e) Andante maestoso - Adagio non troppo ma divoto, Symphony no. 9 in D minor, op. 125: IV. (f) Allegro energico, sempre ben marcato, Symphony no. 9 in D minor, op. 125: IV. (g) Allegro ma non tanto, The Storm, op. 76, Tragic Overture for Orchestra in D minor, op. 81, Variations on a Theme by Haydn, op. 56a, "St. Antoni Chorale", Variations on a Theme by Joseph Haydn, Op. 56a: Finale. Andante, Variations on a Theme by Joseph Haydn, Op. 56a: Thema. Chorale St. Antoni. Andante, Variations on a Theme by Joseph Haydn, Op. 56a: Variation I. Poco più animato, Variations on a Theme by Joseph Haydn, Op. 56a: Variation II. Più vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation III. Con moto, Variations on a Theme by Joseph Haydn, Op. 56a: Variation IV. Andante con moto, Variations on a Theme by Joseph Haydn, Op. 56a: Variation V. Vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VI. Vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VII. Grazioso, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VIII. Presto non troppo, “Egmont” Ouvertüre f-moll op. 84
Koninklijk Concertgebouworkest
performing orchestra
A Midsummer Night's Dream: Incidental Music, Op. 61: Finale: "Tro' This House", A Midsummer Night's Dream: Incidental Music, Op. 61: I. Scherzo. Allegro vivace, A Midsummer Night's Dream: Incidental Music, Op. 61: II. Fairies' March, A Midsummer Night's Dream: Incidental Music, Op. 61: III. Song with Chorus: "You Spotted Snakes", A Midsummer Night's Dream: Incidental Music, Op. 61: IX. Wedding March, A Midsummer Night's Dream: Incidental Music, Op. 61: V. Intermezzo, A Midsummer Night's Dream: Incidental Music, Op. 61: VII. Notturno, A Midsummer Night's Dream: Incidental Music, Op. 61: X. Marcia funebre, A Midsummer Night's Dream: Incidental Music, Op. 61: XI. A Dance of Clowns, A Midsummer Night's Dream: Overture, Op. 21, Academic Festival Overture for Orchestra in C minor, op. 80, Capriccio Italien, Op. 45, Capriccio Italien, op. 45, Egmont, op. 84: Overture. Sostenuto, ma non troppo – Allegro, Eine Alpensinfonie: Am Wasserfall, Eine Alpensinfonie: Auf blumigen Wiesen, Eine Alpensinfonie: Auf dem Gipfel, Eine Alpensinfonie: Auf dem Gletscher, Eine Alpensinfonie: Auf der Alm, Eine Alpensinfonie: Ausklang, Eine Alpensinfonie: Der Anstieg, Eine Alpensinfonie: Die Sonne verdustert sich allmahlich, Eine Alpensinfonie: Durch Dickicht und Gestrupp auf Irrwegen, Eine Alpensinfonie: Eintritt in den Wald, Eine Alpensinfonie: Elegie, Eine Alpensinfonie: Ersheinung, Eine Alpensinfonie: Gefahrvolle Augenblicke, Eine Alpensinfonie: Gewitter und Sturm, Abstieg, Eine Alpensinfonie: Nacht, Eine Alpensinfonie: Nebel steigen auf, Eine Alpensinfonie: Sonnenaufgang, Eine Alpensinfonie: Sonnenuntergang, Eine Alpensinfonie: Stille vor dem Sturm, Eine Alpensinfonie: Vision, Et exspecto resurrectionem mortuorum: I. Des profondeurs de l'abîme, je crie vers toi, Seigneur: Écoute ma voix!, Et exspecto resurrectionem mortuorum: II. Le Christ, ressuscité des morts, ne meurt plus; la mort n'a plus sur lui d'empire, Et exspecto resurrectionem mortuorum: III. L'heure vient où les morts entendront la voix du Fils de Dieu, Et exspecto resurrectionem mortuorum: IV. Ils ressusciteront, glorieux, avec un nom nouveau - dans le concert joyeux des étoiles et les acclamations des fils du ciel, Et exspecto resurrectionem mortuorum: V. Et j'entendis la voix d'une foule immense..., Francesca da Rimini, Op. 32, Francesca da Rimini, op. 32, Genoveva, Op. 81: Overture, Hungarian Dance for Orchestra in A minor, WoO 1 No. 8 (Robert Schollum orchestration): Presto, Hungarian Dance for Orchestra in D minor, WoO 1 No. 2 (Johan Andreas Hallén orchestration): Allegro non assai - Vivo, Hungarian Dance for Orchestra in D-flat major, WoO 1 No. 6 (Albert Parlow orchestration): Vivace - Molto sostenuto, Hungarian Dance for Orchestra in E minor, WoO 1 No. 9 (Robert Schollum orchestration): Allegro non troppo - Poco sostenuto, Hungarian Dance for Orchestra in F major, WoO 1 No. 10: Presto, Hungarian Dance for Orchestra in F major, WoO 1 No. 7 (Johan Andreas Hallén orchestration): Allegretto, Hungarian Dance for Orchestra in F minor, WoO 1 No. 4 (Paul Juon orchestration): Poco sostenuto - Vivace - Molto Allegro, Hungarian Dance for Orchestra in G minor, WoO 1 No. 5 (Albert Parlow orchestration): Allegro - Vivace, Images pour orchestre, L 122: I. Gigues, Images pour orchestre, L 122: II. Ibéria: No. 1. Par les rues et par les chemins, Images pour orchestre, L 122: II. Ibéria: No. 2. Les Parfums de la nuit, Images pour orchestre, L 122: II. Ibéria: No. 3. Le Matin d'un jour de fête, Images pour orchestre, L 122: III. Rondes de printemps, Jeux "Poeme danse", Jeux, L 126, Kindertotenlieder: I. Nun will die Sonn' so hell aufgeh'n, Kindertotenlieder: II. Nun seh ich wohl, warum so dunkle Flammen, Kindertotenlieder: III. Wenn dein Mütterlein, Kindertotenlieder: IV. Oft denk ich, sie sind nur ausgegangen, Kindertotenlieder: V. In diesem Wetter, La Mer, L 109: I. De l'aube à midi sur la mer, La Mer, L 109: II. Jeux de vagues, La Mer, L 109: III. Dialogue du vent et de la mer, Le Tombeau de Couperin: I. Prélude, Le Tombeau de Couperin: II. Forlane, Le Tombeau de Couperin: III. Menuet, Le Tombeau de Couperin: IV. Rigaudon, Manfred Overture, Op. 115, Manfred Symphony in B minor, op. 58: I. Lento lugubre - Moderato con moto - Andante, Manfred Symphony in B minor, op. 58: II. Vivace con spirito, Manfred Symphony in B minor, op. 58: III. Andante con moto, Manfred Symphony in B minor, op. 58: IV. Allegro con fuoco, Marche slave, op. 31, Marche écossaise sur un thème populaire, Nocturnes, L 91: I. Nuages, Nocturnes, L 91: II. Fêtes, Nocturnes, L 91: III. Sirènes, Nuages, Ouverture solennelle 1812, op. 49, Prélude à l'après-midi d'un faune, L. 86, Romeo and Juliet, Rosamunde D797: Balletmuziek no. 1, Rosamunde D797: Entr’acte no. 3, Rosamunde, D. 797: Ballet Music no. 1, Rosamunde, D. 797: Entracte no. 1, Rosamunde, D. 797: Entracte no. 2, Rosamunde, D. 797: Entracte no. 3, Rosamunde, D. 797: Overture, D. 644 "Die Zauberharfe", Rosamunde, D. 797: Shepherd's Melody, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Ballet Music No. 1 - Andante un poco assai, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Ballet Music No. 2, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Huntsmen: "Wie lebt sich's so fröhlich im Grünen", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Shepherds: "Hier auf den Fluren....", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Spirits: "In der Tiefe wohnt das Licht", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 1, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 2, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 3 - Andantino Royal Concertgebouw Orchestra, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Overture (Die Zauberharfe, D.644), Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Romance: "Der Vollmond strahlt auf Bergeshöh'n", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Shepherd's melody, Scherzo from Symphony no. 3 “Rhenish”, Siegfried Idyll, Sinfonía N.º 6 en fa mayor, op. 68 “Pastoral”: Allegro “La Tormenta”, Sirenes, Slavonic March, Op. 31, Symfonie no. 1 in C: Andante (Adagio), Symfonie no. 4 in A, op. 90 “Italiaanse”: Allegro vivace, Symfonie no. 5 in cis kleine terts: Adagietto, Symfonie no. 8 in C kleine terts, op. 108 (versie Robert Haas), Symphonie No. 2 C-moll: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphonie No. 2 C-moll: II. Andante moderato. Sehr gemächlich, Symphonie No. 2 C-moll: III. In ruhig fließender Bewegung, Symphonie No. 2 C-moll: IV. Urlicht: Sehr feierlich, aber schlicht "O Röschen rot!", Symphonie No. 2 C-moll: V. Im Tempo des Scherzos: Wild herausfahrend, Symphonie No. 2 C-moll: Va. Maestoso, Symphonie No. 2 C-moll: Vb. Sehr langsam und gedehnt, Symphonie No. 2 C-moll: Vc. Langsam. Misterioso "Auferstehn, ja auferstehn wirst du", Symphonie No. 2 C-moll: Vd. Etwas bewegter, Symphony No. 0 in D minor: I. Allegro - Poco meno mosso, Symphony No. 0 in D minor: II. Andante sostenuto, Symphony No. 0 in D minor: III. Scherzo. Presto - Trio. Langsamer und ruhiger, Symphony No. 0 in D minor: IV. Finale. Moderato - Allegro vivace, Symphony No. 1 in B-flat major, Op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace, Symphony No. 1 in B-flat major, Op. 38 "Spring": II. Larghetto, Symphony No. 1 in B-flat major, Op. 38 "Spring": III. Scherzo. Molto vivace, Symphony No. 1 in B-flat major, Op. 38 "Spring": IV. Allegro animato e grazioso, Symphony No. 1 in C minor: I. Allegro molto moderato, Symphony No. 1 in C minor: II. Adagio, Symphony No. 1 in C minor: III. Scherzo. Lebhaft, Symphony No. 1 in C minor: IV. Finale: Bewegt und feurig, Symphony No. 12 in D minor, Op. 112 "The Year 1917": I. Revolutionary Petrograd, Symphony No. 12 in D minor, Op. 112 "The Year 1917": II. Razliv, Symphony No. 12 in D minor, Op. 112 "The Year 1917": III. Aurora, Symphony No. 12 in D minor, Op. 112 "The Year 1917": IV. The Dawn of Humanity, Symphony No. 2 in C major, Op. 61: I. Sostenuto assai - Un poco più vivace - Allegro, ma non troppo - Con fuoco, Symphony No. 2 in C major, Op. 61: II. Scherzo. Allegro vivace, Symphony No. 2 in C major, Op. 61: III. Adagio espressivo, Symphony No. 2 in C major, Op. 61: IV. Allegro molto vivace, Symphony No. 2 in C minor: I. Ziemlich schnell, Symphony No. 2 in C minor: II. Adagio. Feierlich, etwas bewegt, Symphony No. 2 in C minor: III. Scherzo. Schnell, Symphony No. 2 in C minor: IV. Finale. Mehr schnell - Sehr schnell, Symphony No. 3 in D minor: I. Gemäßigt, mehr bewegt, misterioso, Symphony No. 3 in D minor: II. Adagio, bewegt, quasi andante, Symphony No. 3 in D minor: III. Scherzo. Ziemlich schnell, Symphony No. 3 in D minor: IV. Finale. Allegro, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": I. Lebhaft, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": II. Scherzo. Sehr mäßig, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": III. Nicht schnell, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": IV. Feierlich, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": V. Lebhaft, Symphony No. 4 in D minor, Op. 120: I. Ziemlich langsam - Lebhaft, Symphony No. 4 in D minor, Op. 120: II. Romanze. Ziemlich langsam, Symphony No. 4 in D minor, Op. 120: III. Scherzo. Lebhaft - Trio, Symphony No. 4 in D minor, Op. 120: IV. Langsam - Lebhaft - Schneller - Presto, Symphony No. 4 in E-flat major "Romantic": I. Bewegt, nicht zu schnell, Symphony No. 4 in E-flat major "Romantic": II. Andante, quasi allegretto, Symphony No. 4 in E-flat major "Romantic": III. Scherzo. Bewegt - Trio. Nicht zu schnell. Keinesfalls schleppend - Scherzo, Symphony No. 4 in E-flat major "Romantic": IV. Finale. Bewegt, doch nicht zu schnell, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 6 in B minor, Op. 54: I. Largo, Symphony No. 6 in B minor, Op. 54: II. Allegro, Symphony No. 6 in B minor, Op. 54: III. Presto, Symphony No. 7 in E major: I. Allegro moderato, Symphony No. 7 in E major: II. Adagio. Sehr feierlich und sehr langsam, Symphony No. 7 in E major: III. Scherzo. Sehr schnell, Symphony No. 7 in E major: IV. Finale. Bewegt, doch nicht zu schnell, Symphony No. 8 in B minor, D 759 "Unfinished": I. Allegro moderato, Symphony No. 8 in B minor, D 759 "Unfinished": II. Andante con moto, Symphony No. 8 in C minor: I. Allegro moderato, Symphony No. 8 in C minor: II. Scherzo. Allegro moderato, Symphony No. 8 in C minor: III. Adagio. Feierlich langsam, aber nicht schleppend, Symphony No. 8 in C minor: IV. Finale. Feierlich, nicht schnell, Symphony No. 9 in D minor: I. Feierlich. Misterioso, Symphony No. 9 in D minor: II. Scherzo. Bewegt, lebhaft - Trio. Schnell - Scherzo, Symphony No. 9 in D minor: III. Adagio. Langsam, feierlich, Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Finale. Adagio - Allegro molto e vivace, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto – Allegro – Meno allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio – Più andante – Allegro non troppo, ma con brio – Più allegro, Symphony no. 1 in D major "Titan": I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich, Symphony no. 1 in D major "Titan": II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt - Energisch, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": I. Dreams of a Winter Journey: Allegro tranquillo, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": II. Land of Desolation, Land of Mists: Andante cantabile ma non tanto, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": III. Scherzo: Allegro scherzando giocoso, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": IV. Finale: Andante lugubre - Allegro maestoso, Symphony no. 10 in F-sharp minor: I. Andante - Adagio, Symphony no. 11 in G minor, op. 103 “The Year 1905”: I. The Palace Square. Adagio, Symphony no. 11 in G minor, op. 103 “The Year 1905”: II. 9 January. Allegro, Symphony no. 11 in G minor, op. 103 “The Year 1905”: III. In Memoriam. Adagio, Symphony no. 11 in G minor, op. 103 “The Year 1905”: IV. Tocsin. Allegro non troppo, Symphony no. 12 in D minor, op. 112 “The Year 1917”: I. Revolutionary Petrograd, Symphony no. 12 in D minor, op. 112 “The Year 1917”: II. Razliv, Symphony no. 12 in D minor, op. 112 “The Year 1917”: III. Aurora, Symphony no. 12 in D minor, op. 112 “The Year 1917”: IV. The Dawn of Humanity, Symphony no. 15, op. 141, Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto - Allegro vivo, Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marciale, quasi moderato, Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo: Allegro molto vivace, Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale: Moderato assai - Allegro vivo, Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 3 in D major, op. 29 "Polish": I. Introduzione e allegro: Moderato assai - Allegro brillante, Symphony no. 3 in D major, op. 29 "Polish": II. Alla tedesca: Allegro moderato e semplice, Symphony no. 3 in D major, op. 29 "Polish": III. Andante elegiaco, Symphony no. 3 in D major, op. 29 "Polish": IV. Scherzo: Allegro vivo, Symphony no. 3 in D major, op. 29 "Polish": V. Finale: Allegro con fuoco, Symphony no. 3 in D minor: I. Kräftig. Entschieden, Symphony no. 3 in D minor: II. Tempo di minuetto. Sehr mässig, Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso. Durchaus "O Mensch! Gib acht!" (aus: Friedrich Nietzsche "Also sprach Zarathustra"), Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm" / "Es sungen drei Engel" (aus: "Des Knaben Wunderhorn"), Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden, Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto, Symphony no. 3 in F major, op. 90: II. Andante, Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace, Symphony no. 4 in B-flat major, op. 60: II. Allegretto scherzando, Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo, Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona, Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato, Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro con fuoco, Symphony no. 4 in G major: I. Bedaechtig. Nicht eilen - Recht gemaechlich, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich, Symphony no. 4 in G major: II. In Gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: II. In gemächlicher Bewegung, Symphony no. 4 in G major: III. Ruhevoll (Poco adagio), Symphony no. 4 in G major: III. Ruhevoll. Poco adagio, Symphony no. 4 in G major: IV. Sehr behaglich "Wir genießen die himmlischen Freuden" (aus: "Des Knaben Wunderhorn"), Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Allegro, Symphony no. 5 in C minor, op. 67: IV. Allegro, Symphony no. 5 in C-sharp minor: I. Part I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I, Symphony no. 5 in C-sharp minor: II. Part I. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I subito, Symphony no. 5 in C-sharp minor: III. Part II. Scherzo. Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: IV. Part III. Adagietto. Sehr langsam, Symphony no. 5 in C-sharp minor: V. Part III. Rondo-Finale. Allegro - Allegro giocoso. Frisch, Symphony no. 5 in D minor, op. 47: I. Moderato, Symphony no. 5 in D minor, op. 47: II. Allegretto, Symphony no. 5 in D minor, op. 47: III. Largo, Symphony no. 5 in D minor, op. 47: III. Largo (Finale), Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza, Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Finale: Andante maestoso - Allegro vivace, Symphony no. 5, op. 47: I. Moderato, Symphony no. 5, op. 47: II. Allegretto, Symphony no. 5, op. 47: III. Largo, Symphony no. 5, op. 47: IV. Allegro non troppo, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 6 in A minor: IV. Finale. Allegro moderato - Allegro energico, Symphony no. 6 in B minor, op. 54: I. Largo, Symphony no. 6 in B minor, op. 54: II. Allegro, Symphony no. 6 in B minor, op. 54: III. Presto, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale: Adagio lamentoso, Symphony no. 6 in F major, op. 68 "Pastorale": I. Allegro, ma non troppo "Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande", Symphony no. 6 in F major, op. 68 "Pastorale": II. Andante molto mosso "Szene am Bach", Symphony no. 6 in F major, op. 68 "Pastorale": III. Allegro "Lustiges Zusammensein der Landleute", Symphony no. 6 in F major, op. 68 "Pastorale": IV. Allegro "Gewitter - Sturm", Symphony no. 6 in F major, op. 68 "Pastorale": V. Allegretto "Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm", Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, Symphony no. 7 in E minor "Lied der Nacht": I. Langsam – Allegro risoluto, ma non troppo, Symphony no. 7 in E minor "Lied der Nacht": II. Nachtmusik I. Allegro moderato, Symphony no. 7 in E minor "Lied der Nacht": III. Scherzo: Schattenhaft – Trio, Symphony no. 7 in E minor "Lied der Nacht": IV. Nachtmusik II. Andante amoroso, Symphony no. 7 in E minor "Lied der Nacht": V. Rondo - Finale, Symphony no. 7 in E minor: I. Langsam. Adagio - Allegro, Symphony no. 7 in E minor: II. Nachtmusik. Allegro moderato, Symphony no. 7 in E minor: III. Scherzo, Symphony no. 7 in E minor: IV. Nachtmusik. Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale. Allegro ordinario - Allegro moderato ma energico, Symphony no. 7: Langsam - Allegro, Symphony no. 7: Nachtmusik. Allegro moderato, Symphony no. 7: Nachtmusik. Andante amoroso, Symphony no. 7: Rondo - Finale (Allegro ordinario) - Allegro moderato ma energico, Symphony no. 7: Scherzo, Symphony no. 8 in C minor: I. Adagio, Symphony no. 8 in C minor: II. Allegretto, Symphony no. 8 in C minor: III. Allegro non troppo, Symphony no. 8 in C minor: IV. Largo, Symphony no. 8 in C minor: V. Allegretto, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: "Qui Paraclitus diceris", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: A tempo - "Gloria sit Patri Domino", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: A tempo - "Imple superna gratia", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Allegro impetuoso - "Veni, Creator Spiritus", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Plötzlich sehr breit und leidenschaftlichen Ausdrucks - Mit plötzlichem Aufschwung - "Accende lumen sensibus", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Sehr fließend - noch einmal so langsam als vorher. Nicht schleppend - "Infirma nostri corporis", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Tempo I - "Infirma nostri corporis", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Alles Vergängliche", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Bei der Liebe, die den Füßen", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Blicket auf zum Retterblick", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Er überwacht uns schon", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Dir, der Unberührbaren - Du schwebst zu Höhen, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Ewiger Wonnebrand, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Gerettet ist das edle Glied - Hände verschlinget euch, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Ich spür' soeben - Freudig empfangen wir - Hier ist die Aussicht frei, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Jene Rosen, aus den Händen, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Più mosso. Allegro moderato, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Poco adagio, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Uns bleibt ein Erdenrest, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Waldung, sie schwankt heran, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Wie Felsenabgrund mir zu Füßen, Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 8 in F major, op. 93: III. Tempo di minuetto, Symphony no. 8 in F major, op. 93: IV. Allegro vivace, Symphony no. 8: I. Allegro moderato, Symphony no. 8: II. Scherzo - Allegro moderato, Symphony no. 8: III. Adagio - Feierlich langsam doch nicht schleppend, Symphony no. 8: IV. Finale - Feierlich, nicht schnell, Symphony no. 9 in D major: I. Andante comodo - Mit Wut. Allegro risoluto - Tempo I, Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb - Poco più mosso subito - Ländler, ganz langsam, Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig - Presto, Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend, Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace, Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125: II. Molto vivace, Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125: IV. (a) Presto, Symphony no. 9 in D minor, op. 125: IV. (b) "O Freunde, nicht diese Töne", Symphony no. 9 in D minor, op. 125: IV. (c) Allegro assai, Symphony no. 9 in D minor, op. 125: IV. (d) Alla marcia. Allegro vivace assai, Symphony no. 9 in D minor, op. 125: IV. (e) Andante maestoso - Adagio non troppo ma divoto, Symphony no. 9 in D minor, op. 125: IV. (f) Allegro energico, sempre ben marcato, Symphony no. 9 in D minor, op. 125: IV. (g) Allegro ma non tanto, The Storm, op. 76, Tragic Overture for Orchestra in D minor, op. 81, Variations on a Theme by Haydn, op. 56a, "St. Antoni Chorale", Variations on a Theme by Joseph Haydn, Op. 56a: Finale. Andante, Variations on a Theme by Joseph Haydn, Op. 56a: Thema. Chorale St. Antoni. Andante, Variations on a Theme by Joseph Haydn, Op. 56a: Variation I. Poco più animato, Variations on a Theme by Joseph Haydn, Op. 56a: Variation II. Più vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation III. Con moto, Variations on a Theme by Joseph Haydn, Op. 56a: Variation IV. Andante con moto, Variations on a Theme by Joseph Haydn, Op. 56a: Variation V. Vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VI. Vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VII. Grazioso, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VIII. Presto non troppo, “Egmont” Ouvertüre f-moll op. 84
Andrew Cornall
producer
Symphony no. 12 in D minor, op. 112 “The Year 1917”: I. Revolutionary Petrograd, Symphony no. 12 in D minor, op. 112 “The Year 1917”: II. Razliv, Symphony no. 12 in D minor, op. 112 “The Year 1917”: III. Aurora, Symphony no. 12 in D minor, op. 112 “The Year 1917”: IV. The Dawn of Humanity, Symphony no. 5 in D minor, op. 47: I. Moderato, Symphony no. 5 in D minor, op. 47: II. Allegretto, Symphony no. 5 in D minor, op. 47: III. Largo, Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo
Alice Coltrane
Colin Moorfoot
engineer
Symphony no. 5 in D minor, op. 47: I. Moderato, Symphony no. 5 in D minor, op. 47: II. Allegretto, Symphony no. 5 in D minor, op. 47: III. Largo, Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo
Collaborators on this artist's recordings
Artist name
Roles
Recordings
Bernard Haitink
conductor
A Midsummer Night's Dream: Incidental Music, Op. 61: Finale: "Tro' This House", A Midsummer Night's Dream: Incidental Music, Op. 61: I. Scherzo. Allegro vivace, A Midsummer Night's Dream: Incidental Music, Op. 61: II. Fairies' March, A Midsummer Night's Dream: Incidental Music, Op. 61: III. Song with Chorus: "You Spotted Snakes", A Midsummer Night's Dream: Incidental Music, Op. 61: IX. Wedding March, A Midsummer Night's Dream: Incidental Music, Op. 61: V. Intermezzo, A Midsummer Night's Dream: Incidental Music, Op. 61: VII. Notturno, A Midsummer Night's Dream: Incidental Music, Op. 61: X. Marcia funebre, A Midsummer Night's Dream: Incidental Music, Op. 61: XI. A Dance of Clowns, A Midsummer Night's Dream: Overture, Op. 21, Academic Festival Overture for Orchestra in C minor, op. 80, Capriccio Italien, Op. 45, Capriccio Italien, op. 45, Egmont, op. 84: Overture. Sostenuto, ma non troppo – Allegro, Eine Alpensinfonie: Am Wasserfall, Eine Alpensinfonie: Auf blumigen Wiesen, Eine Alpensinfonie: Auf dem Gipfel, Eine Alpensinfonie: Auf dem Gletscher, Eine Alpensinfonie: Auf der Alm, Eine Alpensinfonie: Ausklang, Eine Alpensinfonie: Der Anstieg, Eine Alpensinfonie: Die Sonne verdustert sich allmahlich, Eine Alpensinfonie: Durch Dickicht und Gestrupp auf Irrwegen, Eine Alpensinfonie: Eintritt in den Wald, Eine Alpensinfonie: Elegie, Eine Alpensinfonie: Ersheinung, Eine Alpensinfonie: Gefahrvolle Augenblicke, Eine Alpensinfonie: Gewitter und Sturm, Abstieg, Eine Alpensinfonie: Nacht, Eine Alpensinfonie: Nebel steigen auf, Eine Alpensinfonie: Sonnenaufgang, Eine Alpensinfonie: Sonnenuntergang, Eine Alpensinfonie: Stille vor dem Sturm, Eine Alpensinfonie: Vision, Et exspecto resurrectionem mortuorum: I. Des profondeurs de l'abîme, je crie vers toi, Seigneur: Écoute ma voix!, Et exspecto resurrectionem mortuorum: II. Le Christ, ressuscité des morts, ne meurt plus; la mort n'a plus sur lui d'empire, Et exspecto resurrectionem mortuorum: III. L'heure vient où les morts entendront la voix du Fils de Dieu, Et exspecto resurrectionem mortuorum: IV. Ils ressusciteront, glorieux, avec un nom nouveau - dans le concert joyeux des étoiles et les acclamations des fils du ciel, Et exspecto resurrectionem mortuorum: V. Et j'entendis la voix d'une foule immense..., Francesca da Rimini, Op. 32, Francesca da Rimini, op. 32, Genoveva, Op. 81: Overture, Hungarian Dance for Orchestra in A minor, WoO 1 No. 8 (Robert Schollum orchestration): Presto, Hungarian Dance for Orchestra in D minor, WoO 1 No. 2 (Johan Andreas Hallén orchestration): Allegro non assai - Vivo, Hungarian Dance for Orchestra in D-flat major, WoO 1 No. 6 (Albert Parlow orchestration): Vivace - Molto sostenuto, Hungarian Dance for Orchestra in E minor, WoO 1 No. 9 (Robert Schollum orchestration): Allegro non troppo - Poco sostenuto, Hungarian Dance for Orchestra in F major, WoO 1 No. 10: Presto, Hungarian Dance for Orchestra in F major, WoO 1 No. 7 (Johan Andreas Hallén orchestration): Allegretto, Hungarian Dance for Orchestra in F minor, WoO 1 No. 4 (Paul Juon orchestration): Poco sostenuto - Vivace - Molto Allegro, Hungarian Dance for Orchestra in G minor, WoO 1 No. 5 (Albert Parlow orchestration): Allegro - Vivace, Images pour orchestre, L 122: I. Gigues, Images pour orchestre, L 122: II. Ibéria: No. 1. Par les rues et par les chemins, Images pour orchestre, L 122: II. Ibéria: No. 2. Les Parfums de la nuit, Images pour orchestre, L 122: II. Ibéria: No. 3. Le Matin d'un jour de fête, Images pour orchestre, L 122: III. Rondes de printemps, Jeux "Poeme danse", Jeux, L 126, Kindertotenlieder: I. Nun will die Sonn' so hell aufgeh'n, Kindertotenlieder: II. Nun seh ich wohl, warum so dunkle Flammen, Kindertotenlieder: III. Wenn dein Mütterlein, Kindertotenlieder: IV. Oft denk ich, sie sind nur ausgegangen, Kindertotenlieder: V. In diesem Wetter, La Mer, L 109: I. De l'aube à midi sur la mer, La Mer, L 109: II. Jeux de vagues, La Mer, L 109: III. Dialogue du vent et de la mer, Le Tombeau de Couperin: I. Prélude, Le Tombeau de Couperin: II. Forlane, Le Tombeau de Couperin: III. Menuet, Le Tombeau de Couperin: IV. Rigaudon, Manfred Overture, Op. 115, Manfred Symphony in B minor, op. 58: I. Lento lugubre - Moderato con moto - Andante, Manfred Symphony in B minor, op. 58: II. Vivace con spirito, Manfred Symphony in B minor, op. 58: III. Andante con moto, Manfred Symphony in B minor, op. 58: IV. Allegro con fuoco, Marche slave, op. 31, Marche écossaise sur un thème populaire, Nocturnes, L 91: I. Nuages, Nocturnes, L 91: II. Fêtes, Nocturnes, L 91: III. Sirènes, Nuages, Ouverture solennelle 1812, op. 49, Prélude à l'après-midi d'un faune, L. 86, Romeo and Juliet, Rosamunde D797: Balletmuziek no. 1, Rosamunde D797: Entr’acte no. 3, Rosamunde, D. 797: Ballet Music no. 1, Rosamunde, D. 797: Entracte no. 1, Rosamunde, D. 797: Entracte no. 2, Rosamunde, D. 797: Entracte no. 3, Rosamunde, D. 797: Overture, D. 644 "Die Zauberharfe", Rosamunde, D. 797: Shepherd's Melody, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Ballet Music No. 1 - Andante un poco assai, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Ballet Music No. 2, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Huntsmen: "Wie lebt sich's so fröhlich im Grünen", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Shepherds: "Hier auf den Fluren....", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Spirits: "In der Tiefe wohnt das Licht", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 1, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 2, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 3 - Andantino Royal Concertgebouw Orchestra, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Overture (Die Zauberharfe, D.644), Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Romance: "Der Vollmond strahlt auf Bergeshöh'n", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Shepherd's melody, Scherzo from Symphony no. 3 “Rhenish”, Siegfried Idyll, Sinfonía N.º 6 en fa mayor, op. 68 “Pastoral”: Allegro “La Tormenta”, Sirenes, Slavonic March, Op. 31, Symfonie no. 1 in C: Andante (Adagio), Symfonie no. 4 in A, op. 90 “Italiaanse”: Allegro vivace, Symfonie no. 5 in cis kleine terts: Adagietto, Symfonie no. 8 in C kleine terts, op. 108 (versie Robert Haas), Symphonie No. 2 C-moll: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphonie No. 2 C-moll: II. Andante moderato. Sehr gemächlich, Symphonie No. 2 C-moll: III. In ruhig fließender Bewegung, Symphonie No. 2 C-moll: IV. Urlicht: Sehr feierlich, aber schlicht "O Röschen rot!", Symphonie No. 2 C-moll: V. Im Tempo des Scherzos: Wild herausfahrend, Symphonie No. 2 C-moll: Va. Maestoso, Symphonie No. 2 C-moll: Vb. Sehr langsam und gedehnt, Symphonie No. 2 C-moll: Vc. Langsam. Misterioso "Auferstehn, ja auferstehn wirst du", Symphonie No. 2 C-moll: Vd. Etwas bewegter, Symphony No. 0 in D minor: I. Allegro - Poco meno mosso, Symphony No. 0 in D minor: II. Andante sostenuto, Symphony No. 0 in D minor: III. Scherzo. Presto - Trio. Langsamer und ruhiger, Symphony No. 0 in D minor: IV. Finale. Moderato - Allegro vivace, Symphony No. 1 in B-flat major, Op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace, Symphony No. 1 in B-flat major, Op. 38 "Spring": II. Larghetto, Symphony No. 1 in B-flat major, Op. 38 "Spring": III. Scherzo. Molto vivace, Symphony No. 1 in B-flat major, Op. 38 "Spring": IV. Allegro animato e grazioso, Symphony No. 1 in C minor: I. Allegro molto moderato, Symphony No. 1 in C minor: II. Adagio, Symphony No. 1 in C minor: III. Scherzo. Lebhaft, Symphony No. 1 in C minor: IV. Finale: Bewegt und feurig, Symphony No. 12 in D minor, Op. 112 "The Year 1917": I. Revolutionary Petrograd, Symphony No. 12 in D minor, Op. 112 "The Year 1917": II. Razliv, Symphony No. 12 in D minor, Op. 112 "The Year 1917": III. Aurora, Symphony No. 12 in D minor, Op. 112 "The Year 1917": IV. The Dawn of Humanity, Symphony No. 2 in C major, Op. 61: I. Sostenuto assai - Un poco più vivace - Allegro, ma non troppo - Con fuoco, Symphony No. 2 in C major, Op. 61: II. Scherzo. Allegro vivace, Symphony No. 2 in C major, Op. 61: III. Adagio espressivo, Symphony No. 2 in C major, Op. 61: IV. Allegro molto vivace, Symphony No. 2 in C minor: I. Ziemlich schnell, Symphony No. 2 in C minor: II. Adagio. Feierlich, etwas bewegt, Symphony No. 2 in C minor: III. Scherzo. Schnell, Symphony No. 2 in C minor: IV. Finale. Mehr schnell - Sehr schnell, Symphony No. 3 in D minor: I. Gemäßigt, mehr bewegt, misterioso, Symphony No. 3 in D minor: II. Adagio, bewegt, quasi andante, Symphony No. 3 in D minor: III. Scherzo. Ziemlich schnell, Symphony No. 3 in D minor: IV. Finale. Allegro, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": I. Lebhaft, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": II. Scherzo. Sehr mäßig, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": III. Nicht schnell, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": IV. Feierlich, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": V. Lebhaft, Symphony No. 4 in D minor, Op. 120: I. Ziemlich langsam - Lebhaft, Symphony No. 4 in D minor, Op. 120: II. Romanze. Ziemlich langsam, Symphony No. 4 in D minor, Op. 120: III. Scherzo. Lebhaft - Trio, Symphony No. 4 in D minor, Op. 120: IV. Langsam - Lebhaft - Schneller - Presto, Symphony No. 4 in E-flat major "Romantic": I. Bewegt, nicht zu schnell, Symphony No. 4 in E-flat major "Romantic": II. Andante, quasi allegretto, Symphony No. 4 in E-flat major "Romantic": III. Scherzo. Bewegt - Trio. Nicht zu schnell. Keinesfalls schleppend - Scherzo, Symphony No. 4 in E-flat major "Romantic": IV. Finale. Bewegt, doch nicht zu schnell, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 6 in B minor, Op. 54: I. Largo, Symphony No. 6 in B minor, Op. 54: II. Allegro, Symphony No. 6 in B minor, Op. 54: III. Presto, Symphony No. 7 in E major: I. Allegro moderato, Symphony No. 7 in E major: II. Adagio. Sehr feierlich und sehr langsam, Symphony No. 7 in E major: III. Scherzo. Sehr schnell, Symphony No. 7 in E major: IV. Finale. Bewegt, doch nicht zu schnell, Symphony No. 8 in B minor, D 759 "Unfinished": I. Allegro moderato, Symphony No. 8 in B minor, D 759 "Unfinished": II. Andante con moto, Symphony No. 8 in C minor: I. Allegro moderato, Symphony No. 8 in C minor: II. Scherzo. Allegro moderato, Symphony No. 8 in C minor: III. Adagio. Feierlich langsam, aber nicht schleppend, Symphony No. 8 in C minor: IV. Finale. Feierlich, nicht schnell, Symphony No. 9 in D minor: I. Feierlich. Misterioso, Symphony No. 9 in D minor: II. Scherzo. Bewegt, lebhaft - Trio. Schnell - Scherzo, Symphony No. 9 in D minor: III. Adagio. Langsam, feierlich, Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Finale. Adagio - Allegro molto e vivace, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto – Allegro – Meno allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio – Più andante – Allegro non troppo, ma con brio – Più allegro, Symphony no. 1 in D major "Titan": I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich, Symphony no. 1 in D major "Titan": II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt - Energisch, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": I. Dreams of a Winter Journey: Allegro tranquillo, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": II. Land of Desolation, Land of Mists: Andante cantabile ma non tanto, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": III. Scherzo: Allegro scherzando giocoso, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": IV. Finale: Andante lugubre - Allegro maestoso, Symphony no. 10 in F-sharp minor: I. Andante - Adagio, Symphony no. 11 in G minor, op. 103 “The Year 1905”: I. The Palace Square. Adagio, Symphony no. 11 in G minor, op. 103 “The Year 1905”: II. 9 January. Allegro, Symphony no. 11 in G minor, op. 103 “The Year 1905”: III. In Memoriam. Adagio, Symphony no. 11 in G minor, op. 103 “The Year 1905”: IV. Tocsin. Allegro non troppo, Symphony no. 12 in D minor, op. 112 “The Year 1917”: I. Revolutionary Petrograd, Symphony no. 12 in D minor, op. 112 “The Year 1917”: II. Razliv, Symphony no. 12 in D minor, op. 112 “The Year 1917”: III. Aurora, Symphony no. 12 in D minor, op. 112 “The Year 1917”: IV. The Dawn of Humanity, Symphony no. 15, op. 141, Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto - Allegro vivo, Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marciale, quasi moderato, Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo: Allegro molto vivace, Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale: Moderato assai - Allegro vivo, Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 3 in D major, op. 29 "Polish": I. Introduzione e allegro: Moderato assai - Allegro brillante, Symphony no. 3 in D major, op. 29 "Polish": II. Alla tedesca: Allegro moderato e semplice, Symphony no. 3 in D major, op. 29 "Polish": III. Andante elegiaco, Symphony no. 3 in D major, op. 29 "Polish": IV. Scherzo: Allegro vivo, Symphony no. 3 in D major, op. 29 "Polish": V. Finale: Allegro con fuoco, Symphony no. 3 in D minor: I. Kräftig. Entschieden, Symphony no. 3 in D minor: II. Tempo di minuetto. Sehr mässig, Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso. Durchaus "O Mensch! Gib acht!" (aus: Friedrich Nietzsche "Also sprach Zarathustra"), Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm" / "Es sungen drei Engel" (aus: "Des Knaben Wunderhorn"), Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden, Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto, Symphony no. 3 in F major, op. 90: II. Andante, Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace, Symphony no. 4 in B-flat major, op. 60: II. Allegretto scherzando, Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo, Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona, Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato, Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro con fuoco, Symphony no. 4 in G major: I. Bedaechtig. Nicht eilen - Recht gemaechlich, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich, Symphony no. 4 in G major: II. In Gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: II. In gemächlicher Bewegung, Symphony no. 4 in G major: III. Ruhevoll (Poco adagio), Symphony no. 4 in G major: III. Ruhevoll. Poco adagio, Symphony no. 4 in G major: IV. Sehr behaglich "Wir genießen die himmlischen Freuden" (aus: "Des Knaben Wunderhorn"), Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Allegro, Symphony no. 5 in C minor, op. 67: IV. Allegro, Symphony no. 5 in C-sharp minor: I. Part I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I, Symphony no. 5 in C-sharp minor: II. Part I. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I subito, Symphony no. 5 in C-sharp minor: III. Part II. Scherzo. Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: IV. Part III. Adagietto. Sehr langsam, Symphony no. 5 in C-sharp minor: V. Part III. Rondo-Finale. Allegro - Allegro giocoso. Frisch, Symphony no. 5 in D minor, op. 47: I. Moderato, Symphony no. 5 in D minor, op. 47: II. Allegretto, Symphony no. 5 in D minor, op. 47: III. Largo, Symphony no. 5 in D minor, op. 47: III. Largo (Finale), Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza, Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Finale: Andante maestoso - Allegro vivace, Symphony no. 5, op. 47: I. Moderato, Symphony no. 5, op. 47: II. Allegretto, Symphony no. 5, op. 47: III. Largo, Symphony no. 5, op. 47: IV. Allegro non troppo, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 6 in A minor: IV. Finale. Allegro moderato - Allegro energico, Symphony no. 6 in B minor, op. 54: I. Largo, Symphony no. 6 in B minor, op. 54: II. Allegro, Symphony no. 6 in B minor, op. 54: III. Presto, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale: Adagio lamentoso, Symphony no. 6 in F major, op. 68 "Pastorale": I. Allegro, ma non troppo "Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande", Symphony no. 6 in F major, op. 68 "Pastorale": II. Andante molto mosso "Szene am Bach", Symphony no. 6 in F major, op. 68 "Pastorale": III. Allegro "Lustiges Zusammensein der Landleute", Symphony no. 6 in F major, op. 68 "Pastorale": IV. Allegro "Gewitter - Sturm", Symphony no. 6 in F major, op. 68 "Pastorale": V. Allegretto "Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm", Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, Symphony no. 7 in E minor "Lied der Nacht": I. Langsam – Allegro risoluto, ma non troppo, Symphony no. 7 in E minor "Lied der Nacht": II. Nachtmusik I. Allegro moderato, Symphony no. 7 in E minor "Lied der Nacht": III. Scherzo: Schattenhaft – Trio, Symphony no. 7 in E minor "Lied der Nacht": IV. Nachtmusik II. Andante amoroso, Symphony no. 7 in E minor "Lied der Nacht": V. Rondo - Finale, Symphony no. 7 in E minor: I. Langsam. Adagio - Allegro, Symphony no. 7 in E minor: II. Nachtmusik. Allegro moderato, Symphony no. 7 in E minor: III. Scherzo, Symphony no. 7 in E minor: IV. Nachtmusik. Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale. Allegro ordinario - Allegro moderato ma energico, Symphony no. 7: Langsam - Allegro, Symphony no. 7: Nachtmusik. Allegro moderato, Symphony no. 7: Nachtmusik. Andante amoroso, Symphony no. 7: Rondo - Finale (Allegro ordinario) - Allegro moderato ma energico, Symphony no. 7: Scherzo, Symphony no. 8 in C minor: I. Adagio, Symphony no. 8 in C minor: II. Allegretto, Symphony no. 8 in C minor: III. Allegro non troppo, Symphony no. 8 in C minor: IV. Largo, Symphony no. 8 in C minor: V. Allegretto, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: "Qui Paraclitus diceris", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: A tempo - "Gloria sit Patri Domino", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: A tempo - "Imple superna gratia", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Allegro impetuoso - "Veni, Creator Spiritus", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Plötzlich sehr breit und leidenschaftlichen Ausdrucks - Mit plötzlichem Aufschwung - "Accende lumen sensibus", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Sehr fließend - noch einmal so langsam als vorher. Nicht schleppend - "Infirma nostri corporis", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Tempo I - "Infirma nostri corporis", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Alles Vergängliche", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Bei der Liebe, die den Füßen", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Blicket auf zum Retterblick", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Er überwacht uns schon", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Dir, der Unberührbaren - Du schwebst zu Höhen, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Ewiger Wonnebrand, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Gerettet ist das edle Glied - Hände verschlinget euch, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Ich spür' soeben - Freudig empfangen wir - Hier ist die Aussicht frei, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Jene Rosen, aus den Händen, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Più mosso. Allegro moderato, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Poco adagio, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Uns bleibt ein Erdenrest, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Waldung, sie schwankt heran, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Wie Felsenabgrund mir zu Füßen, Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 8 in F major, op. 93: III. Tempo di minuetto, Symphony no. 8 in F major, op. 93: IV. Allegro vivace, Symphony no. 8: I. Allegro moderato, Symphony no. 8: II. Scherzo - Allegro moderato, Symphony no. 8: III. Adagio - Feierlich langsam doch nicht schleppend, Symphony no. 8: IV. Finale - Feierlich, nicht schnell, Symphony no. 9 in D major: I. Andante comodo - Mit Wut. Allegro risoluto - Tempo I, Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb - Poco più mosso subito - Ländler, ganz langsam, Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig - Presto, Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend, Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace, Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125: II. Molto vivace, Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125: IV. (a) Presto, Symphony no. 9 in D minor, op. 125: IV. (b) "O Freunde, nicht diese Töne", Symphony no. 9 in D minor, op. 125: IV. (c) Allegro assai, Symphony no. 9 in D minor, op. 125: IV. (d) Alla marcia. Allegro vivace assai, Symphony no. 9 in D minor, op. 125: IV. (e) Andante maestoso - Adagio non troppo ma divoto, Symphony no. 9 in D minor, op. 125: IV. (f) Allegro energico, sempre ben marcato, Symphony no. 9 in D minor, op. 125: IV. (g) Allegro ma non tanto, The Storm, op. 76, Tragic Overture for Orchestra in D minor, op. 81, Variations on a Theme by Haydn, op. 56a, "St. Antoni Chorale", Variations on a Theme by Joseph Haydn, Op. 56a: Finale. Andante, Variations on a Theme by Joseph Haydn, Op. 56a: Thema. Chorale St. Antoni. Andante, Variations on a Theme by Joseph Haydn, Op. 56a: Variation I. Poco più animato, Variations on a Theme by Joseph Haydn, Op. 56a: Variation II. Più vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation III. Con moto, Variations on a Theme by Joseph Haydn, Op. 56a: Variation IV. Andante con moto, Variations on a Theme by Joseph Haydn, Op. 56a: Variation V. Vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VI. Vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VII. Grazioso, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VIII. Presto non troppo, “Egmont” Ouvertüre f-moll op. 84
Koninklijk Concertgebouworkest
performing orchestra
A Midsummer Night's Dream: Incidental Music, Op. 61: Finale: "Tro' This House", A Midsummer Night's Dream: Incidental Music, Op. 61: I. Scherzo. Allegro vivace, A Midsummer Night's Dream: Incidental Music, Op. 61: II. Fairies' March, A Midsummer Night's Dream: Incidental Music, Op. 61: III. Song with Chorus: "You Spotted Snakes", A Midsummer Night's Dream: Incidental Music, Op. 61: IX. Wedding March, A Midsummer Night's Dream: Incidental Music, Op. 61: V. Intermezzo, A Midsummer Night's Dream: Incidental Music, Op. 61: VII. Notturno, A Midsummer Night's Dream: Incidental Music, Op. 61: X. Marcia funebre, A Midsummer Night's Dream: Incidental Music, Op. 61: XI. A Dance of Clowns, A Midsummer Night's Dream: Overture, Op. 21, Academic Festival Overture for Orchestra in C minor, op. 80, Capriccio Italien, Op. 45, Capriccio Italien, op. 45, Egmont, op. 84: Overture. Sostenuto, ma non troppo – Allegro, Eine Alpensinfonie: Am Wasserfall, Eine Alpensinfonie: Auf blumigen Wiesen, Eine Alpensinfonie: Auf dem Gipfel, Eine Alpensinfonie: Auf dem Gletscher, Eine Alpensinfonie: Auf der Alm, Eine Alpensinfonie: Ausklang, Eine Alpensinfonie: Der Anstieg, Eine Alpensinfonie: Die Sonne verdustert sich allmahlich, Eine Alpensinfonie: Durch Dickicht und Gestrupp auf Irrwegen, Eine Alpensinfonie: Eintritt in den Wald, Eine Alpensinfonie: Elegie, Eine Alpensinfonie: Ersheinung, Eine Alpensinfonie: Gefahrvolle Augenblicke, Eine Alpensinfonie: Gewitter und Sturm, Abstieg, Eine Alpensinfonie: Nacht, Eine Alpensinfonie: Nebel steigen auf, Eine Alpensinfonie: Sonnenaufgang, Eine Alpensinfonie: Sonnenuntergang, Eine Alpensinfonie: Stille vor dem Sturm, Eine Alpensinfonie: Vision, Et exspecto resurrectionem mortuorum: I. Des profondeurs de l'abîme, je crie vers toi, Seigneur: Écoute ma voix!, Et exspecto resurrectionem mortuorum: II. Le Christ, ressuscité des morts, ne meurt plus; la mort n'a plus sur lui d'empire, Et exspecto resurrectionem mortuorum: III. L'heure vient où les morts entendront la voix du Fils de Dieu, Et exspecto resurrectionem mortuorum: IV. Ils ressusciteront, glorieux, avec un nom nouveau - dans le concert joyeux des étoiles et les acclamations des fils du ciel, Et exspecto resurrectionem mortuorum: V. Et j'entendis la voix d'une foule immense..., Francesca da Rimini, Op. 32, Francesca da Rimini, op. 32, Genoveva, Op. 81: Overture, Hungarian Dance for Orchestra in A minor, WoO 1 No. 8 (Robert Schollum orchestration): Presto, Hungarian Dance for Orchestra in D minor, WoO 1 No. 2 (Johan Andreas Hallén orchestration): Allegro non assai - Vivo, Hungarian Dance for Orchestra in D-flat major, WoO 1 No. 6 (Albert Parlow orchestration): Vivace - Molto sostenuto, Hungarian Dance for Orchestra in E minor, WoO 1 No. 9 (Robert Schollum orchestration): Allegro non troppo - Poco sostenuto, Hungarian Dance for Orchestra in F major, WoO 1 No. 10: Presto, Hungarian Dance for Orchestra in F major, WoO 1 No. 7 (Johan Andreas Hallén orchestration): Allegretto, Hungarian Dance for Orchestra in F minor, WoO 1 No. 4 (Paul Juon orchestration): Poco sostenuto - Vivace - Molto Allegro, Hungarian Dance for Orchestra in G minor, WoO 1 No. 5 (Albert Parlow orchestration): Allegro - Vivace, Images pour orchestre, L 122: I. Gigues, Images pour orchestre, L 122: II. Ibéria: No. 1. Par les rues et par les chemins, Images pour orchestre, L 122: II. Ibéria: No. 2. Les Parfums de la nuit, Images pour orchestre, L 122: II. Ibéria: No. 3. Le Matin d'un jour de fête, Images pour orchestre, L 122: III. Rondes de printemps, Jeux "Poeme danse", Jeux, L 126, Kindertotenlieder: I. Nun will die Sonn' so hell aufgeh'n, Kindertotenlieder: II. Nun seh ich wohl, warum so dunkle Flammen, Kindertotenlieder: III. Wenn dein Mütterlein, Kindertotenlieder: IV. Oft denk ich, sie sind nur ausgegangen, Kindertotenlieder: V. In diesem Wetter, La Mer, L 109: I. De l'aube à midi sur la mer, La Mer, L 109: II. Jeux de vagues, La Mer, L 109: III. Dialogue du vent et de la mer, Le Tombeau de Couperin: I. Prélude, Le Tombeau de Couperin: II. Forlane, Le Tombeau de Couperin: III. Menuet, Le Tombeau de Couperin: IV. Rigaudon, Manfred Overture, Op. 115, Manfred Symphony in B minor, op. 58: I. Lento lugubre - Moderato con moto - Andante, Manfred Symphony in B minor, op. 58: II. Vivace con spirito, Manfred Symphony in B minor, op. 58: III. Andante con moto, Manfred Symphony in B minor, op. 58: IV. Allegro con fuoco, Marche slave, op. 31, Marche écossaise sur un thème populaire, Nocturnes, L 91: I. Nuages, Nocturnes, L 91: II. Fêtes, Nocturnes, L 91: III. Sirènes, Nuages, Ouverture solennelle 1812, op. 49, Prélude à l'après-midi d'un faune, L. 86, Romeo and Juliet, Rosamunde D797: Balletmuziek no. 1, Rosamunde D797: Entr’acte no. 3, Rosamunde, D. 797: Ballet Music no. 1, Rosamunde, D. 797: Entracte no. 1, Rosamunde, D. 797: Entracte no. 2, Rosamunde, D. 797: Entracte no. 3, Rosamunde, D. 797: Overture, D. 644 "Die Zauberharfe", Rosamunde, D. 797: Shepherd's Melody, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Ballet Music No. 1 - Andante un poco assai, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Ballet Music No. 2, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Huntsmen: "Wie lebt sich's so fröhlich im Grünen", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Shepherds: "Hier auf den Fluren....", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Spirits: "In der Tiefe wohnt das Licht", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 1, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 2, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 3 - Andantino Royal Concertgebouw Orchestra, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Overture (Die Zauberharfe, D.644), Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Romance: "Der Vollmond strahlt auf Bergeshöh'n", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Shepherd's melody, Scherzo from Symphony no. 3 “Rhenish”, Siegfried Idyll, Sinfonía N.º 6 en fa mayor, op. 68 “Pastoral”: Allegro “La Tormenta”, Sirenes, Slavonic March, Op. 31, Symfonie no. 1 in C: Andante (Adagio), Symfonie no. 4 in A, op. 90 “Italiaanse”: Allegro vivace, Symfonie no. 5 in cis kleine terts: Adagietto, Symfonie no. 8 in C kleine terts, op. 108 (versie Robert Haas), Symphonie No. 2 C-moll: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphonie No. 2 C-moll: II. Andante moderato. Sehr gemächlich, Symphonie No. 2 C-moll: III. In ruhig fließender Bewegung, Symphonie No. 2 C-moll: IV. Urlicht: Sehr feierlich, aber schlicht "O Röschen rot!", Symphonie No. 2 C-moll: V. Im Tempo des Scherzos: Wild herausfahrend, Symphonie No. 2 C-moll: Va. Maestoso, Symphonie No. 2 C-moll: Vb. Sehr langsam und gedehnt, Symphonie No. 2 C-moll: Vc. Langsam. Misterioso "Auferstehn, ja auferstehn wirst du", Symphonie No. 2 C-moll: Vd. Etwas bewegter, Symphony No. 0 in D minor: I. Allegro - Poco meno mosso, Symphony No. 0 in D minor: II. Andante sostenuto, Symphony No. 0 in D minor: III. Scherzo. Presto - Trio. Langsamer und ruhiger, Symphony No. 0 in D minor: IV. Finale. Moderato - Allegro vivace, Symphony No. 1 in B-flat major, Op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace, Symphony No. 1 in B-flat major, Op. 38 "Spring": II. Larghetto, Symphony No. 1 in B-flat major, Op. 38 "Spring": III. Scherzo. Molto vivace, Symphony No. 1 in B-flat major, Op. 38 "Spring": IV. Allegro animato e grazioso, Symphony No. 1 in C minor: I. Allegro molto moderato, Symphony No. 1 in C minor: II. Adagio, Symphony No. 1 in C minor: III. Scherzo. Lebhaft, Symphony No. 1 in C minor: IV. Finale: Bewegt und feurig, Symphony No. 12 in D minor, Op. 112 "The Year 1917": I. Revolutionary Petrograd, Symphony No. 12 in D minor, Op. 112 "The Year 1917": II. Razliv, Symphony No. 12 in D minor, Op. 112 "The Year 1917": III. Aurora, Symphony No. 12 in D minor, Op. 112 "The Year 1917": IV. The Dawn of Humanity, Symphony No. 2 in C major, Op. 61: I. Sostenuto assai - Un poco più vivace - Allegro, ma non troppo - Con fuoco, Symphony No. 2 in C major, Op. 61: II. Scherzo. Allegro vivace, Symphony No. 2 in C major, Op. 61: III. Adagio espressivo, Symphony No. 2 in C major, Op. 61: IV. Allegro molto vivace, Symphony No. 2 in C minor: I. Ziemlich schnell, Symphony No. 2 in C minor: II. Adagio. Feierlich, etwas bewegt, Symphony No. 2 in C minor: III. Scherzo. Schnell, Symphony No. 2 in C minor: IV. Finale. Mehr schnell - Sehr schnell, Symphony No. 3 in D minor: I. Gemäßigt, mehr bewegt, misterioso, Symphony No. 3 in D minor: II. Adagio, bewegt, quasi andante, Symphony No. 3 in D minor: III. Scherzo. Ziemlich schnell, Symphony No. 3 in D minor: IV. Finale. Allegro, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": I. Lebhaft, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": II. Scherzo. Sehr mäßig, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": III. Nicht schnell, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": IV. Feierlich, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": V. Lebhaft, Symphony No. 4 in D minor, Op. 120: I. Ziemlich langsam - Lebhaft, Symphony No. 4 in D minor, Op. 120: II. Romanze. Ziemlich langsam, Symphony No. 4 in D minor, Op. 120: III. Scherzo. Lebhaft - Trio, Symphony No. 4 in D minor, Op. 120: IV. Langsam - Lebhaft - Schneller - Presto, Symphony No. 4 in E-flat major "Romantic": I. Bewegt, nicht zu schnell, Symphony No. 4 in E-flat major "Romantic": II. Andante, quasi allegretto, Symphony No. 4 in E-flat major "Romantic": III. Scherzo. Bewegt - Trio. Nicht zu schnell. Keinesfalls schleppend - Scherzo, Symphony No. 4 in E-flat major "Romantic": IV. Finale. Bewegt, doch nicht zu schnell, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 6 in B minor, Op. 54: I. Largo, Symphony No. 6 in B minor, Op. 54: II. Allegro, Symphony No. 6 in B minor, Op. 54: III. Presto, Symphony No. 7 in E major: I. Allegro moderato, Symphony No. 7 in E major: II. Adagio. Sehr feierlich und sehr langsam, Symphony No. 7 in E major: III. Scherzo. Sehr schnell, Symphony No. 7 in E major: IV. Finale. Bewegt, doch nicht zu schnell, Symphony No. 8 in B minor, D 759 "Unfinished": I. Allegro moderato, Symphony No. 8 in B minor, D 759 "Unfinished": II. Andante con moto, Symphony No. 8 in C minor: I. Allegro moderato, Symphony No. 8 in C minor: II. Scherzo. Allegro moderato, Symphony No. 8 in C minor: III. Adagio. Feierlich langsam, aber nicht schleppend, Symphony No. 8 in C minor: IV. Finale. Feierlich, nicht schnell, Symphony No. 9 in D minor: I. Feierlich. Misterioso, Symphony No. 9 in D minor: II. Scherzo. Bewegt, lebhaft - Trio. Schnell - Scherzo, Symphony No. 9 in D minor: III. Adagio. Langsam, feierlich, Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Finale. Adagio - Allegro molto e vivace, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto – Allegro – Meno allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio – Più andante – Allegro non troppo, ma con brio – Più allegro, Symphony no. 1 in D major "Titan": I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich, Symphony no. 1 in D major "Titan": II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt - Energisch, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": I. Dreams of a Winter Journey: Allegro tranquillo, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": II. Land of Desolation, Land of Mists: Andante cantabile ma non tanto, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": III. Scherzo: Allegro scherzando giocoso, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": IV. Finale: Andante lugubre - Allegro maestoso, Symphony no. 10 in F-sharp minor: I. Andante - Adagio, Symphony no. 11 in G minor, op. 103 “The Year 1905”: I. The Palace Square. Adagio, Symphony no. 11 in G minor, op. 103 “The Year 1905”: II. 9 January. Allegro, Symphony no. 11 in G minor, op. 103 “The Year 1905”: III. In Memoriam. Adagio, Symphony no. 11 in G minor, op. 103 “The Year 1905”: IV. Tocsin. Allegro non troppo, Symphony no. 12 in D minor, op. 112 “The Year 1917”: I. Revolutionary Petrograd, Symphony no. 12 in D minor, op. 112 “The Year 1917”: II. Razliv, Symphony no. 12 in D minor, op. 112 “The Year 1917”: III. Aurora, Symphony no. 12 in D minor, op. 112 “The Year 1917”: IV. The Dawn of Humanity, Symphony no. 15, op. 141, Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto - Allegro vivo, Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marciale, quasi moderato, Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo: Allegro molto vivace, Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale: Moderato assai - Allegro vivo, Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 3 in D major, op. 29 "Polish": I. Introduzione e allegro: Moderato assai - Allegro brillante, Symphony no. 3 in D major, op. 29 "Polish": II. Alla tedesca: Allegro moderato e semplice, Symphony no. 3 in D major, op. 29 "Polish": III. Andante elegiaco, Symphony no. 3 in D major, op. 29 "Polish": IV. Scherzo: Allegro vivo, Symphony no. 3 in D major, op. 29 "Polish": V. Finale: Allegro con fuoco, Symphony no. 3 in D minor: I. Kräftig. Entschieden, Symphony no. 3 in D minor: II. Tempo di minuetto. Sehr mässig, Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso. Durchaus "O Mensch! Gib acht!" (aus: Friedrich Nietzsche "Also sprach Zarathustra"), Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm" / "Es sungen drei Engel" (aus: "Des Knaben Wunderhorn"), Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden, Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto, Symphony no. 3 in F major, op. 90: II. Andante, Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace, Symphony no. 4 in B-flat major, op. 60: II. Allegretto scherzando, Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo, Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona, Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato, Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro con fuoco, Symphony no. 4 in G major: I. Bedaechtig. Nicht eilen - Recht gemaechlich, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich, Symphony no. 4 in G major: II. In Gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: II. In gemächlicher Bewegung, Symphony no. 4 in G major: III. Ruhevoll (Poco adagio), Symphony no. 4 in G major: III. Ruhevoll. Poco adagio, Symphony no. 4 in G major: IV. Sehr behaglich "Wir genießen die himmlischen Freuden" (aus: "Des Knaben Wunderhorn"), Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Allegro, Symphony no. 5 in C minor, op. 67: IV. Allegro, Symphony no. 5 in C-sharp minor: I. Part I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I, Symphony no. 5 in C-sharp minor: II. Part I. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I subito, Symphony no. 5 in C-sharp minor: III. Part II. Scherzo. Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: IV. Part III. Adagietto. Sehr langsam, Symphony no. 5 in C-sharp minor: V. Part III. Rondo-Finale. Allegro - Allegro giocoso. Frisch, Symphony no. 5 in D minor, op. 47: I. Moderato, Symphony no. 5 in D minor, op. 47: II. Allegretto, Symphony no. 5 in D minor, op. 47: III. Largo, Symphony no. 5 in D minor, op. 47: III. Largo (Finale), Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza, Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Finale: Andante maestoso - Allegro vivace, Symphony no. 5, op. 47: I. Moderato, Symphony no. 5, op. 47: II. Allegretto, Symphony no. 5, op. 47: III. Largo, Symphony no. 5, op. 47: IV. Allegro non troppo, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 6 in A minor: IV. Finale. Allegro moderato - Allegro energico, Symphony no. 6 in B minor, op. 54: I. Largo, Symphony no. 6 in B minor, op. 54: II. Allegro, Symphony no. 6 in B minor, op. 54: III. Presto, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale: Adagio lamentoso, Symphony no. 6 in F major, op. 68 "Pastorale": I. Allegro, ma non troppo "Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande", Symphony no. 6 in F major, op. 68 "Pastorale": II. Andante molto mosso "Szene am Bach", Symphony no. 6 in F major, op. 68 "Pastorale": III. Allegro "Lustiges Zusammensein der Landleute", Symphony no. 6 in F major, op. 68 "Pastorale": IV. Allegro "Gewitter - Sturm", Symphony no. 6 in F major, op. 68 "Pastorale": V. Allegretto "Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm", Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, Symphony no. 7 in E minor "Lied der Nacht": I. Langsam – Allegro risoluto, ma non troppo, Symphony no. 7 in E minor "Lied der Nacht": II. Nachtmusik I. Allegro moderato, Symphony no. 7 in E minor "Lied der Nacht": III. Scherzo: Schattenhaft – Trio, Symphony no. 7 in E minor "Lied der Nacht": IV. Nachtmusik II. Andante amoroso, Symphony no. 7 in E minor "Lied der Nacht": V. Rondo - Finale, Symphony no. 7 in E minor: I. Langsam. Adagio - Allegro, Symphony no. 7 in E minor: II. Nachtmusik. Allegro moderato, Symphony no. 7 in E minor: III. Scherzo, Symphony no. 7 in E minor: IV. Nachtmusik. Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale. Allegro ordinario - Allegro moderato ma energico, Symphony no. 7: Langsam - Allegro, Symphony no. 7: Nachtmusik. Allegro moderato, Symphony no. 7: Nachtmusik. Andante amoroso, Symphony no. 7: Rondo - Finale (Allegro ordinario) - Allegro moderato ma energico, Symphony no. 7: Scherzo, Symphony no. 8 in C minor: I. Adagio, Symphony no. 8 in C minor: II. Allegretto, Symphony no. 8 in C minor: III. Allegro non troppo, Symphony no. 8 in C minor: IV. Largo, Symphony no. 8 in C minor: V. Allegretto, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: "Qui Paraclitus diceris", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: A tempo - "Gloria sit Patri Domino", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: A tempo - "Imple superna gratia", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Allegro impetuoso - "Veni, Creator Spiritus", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Plötzlich sehr breit und leidenschaftlichen Ausdrucks - Mit plötzlichem Aufschwung - "Accende lumen sensibus", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Sehr fließend - noch einmal so langsam als vorher. Nicht schleppend - "Infirma nostri corporis", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Tempo I - "Infirma nostri corporis", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Alles Vergängliche", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Bei der Liebe, die den Füßen", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Blicket auf zum Retterblick", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Er überwacht uns schon", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Dir, der Unberührbaren - Du schwebst zu Höhen, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Ewiger Wonnebrand, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Gerettet ist das edle Glied - Hände verschlinget euch, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Ich spür' soeben - Freudig empfangen wir - Hier ist die Aussicht frei, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Jene Rosen, aus den Händen, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Più mosso. Allegro moderato, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Poco adagio, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Uns bleibt ein Erdenrest, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Waldung, sie schwankt heran, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Wie Felsenabgrund mir zu Füßen, Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 8 in F major, op. 93: III. Tempo di minuetto, Symphony no. 8 in F major, op. 93: IV. Allegro vivace, Symphony no. 8: I. Allegro moderato, Symphony no. 8: II. Scherzo - Allegro moderato, Symphony no. 8: III. Adagio - Feierlich langsam doch nicht schleppend, Symphony no. 8: IV. Finale - Feierlich, nicht schnell, Symphony no. 9 in D major: I. Andante comodo - Mit Wut. Allegro risoluto - Tempo I, Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb - Poco più mosso subito - Ländler, ganz langsam, Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig - Presto, Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend, Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace, Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125: II. Molto vivace, Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125: IV. (a) Presto, Symphony no. 9 in D minor, op. 125: IV. (b) "O Freunde, nicht diese Töne", Symphony no. 9 in D minor, op. 125: IV. (c) Allegro assai, Symphony no. 9 in D minor, op. 125: IV. (d) Alla marcia. Allegro vivace assai, Symphony no. 9 in D minor, op. 125: IV. (e) Andante maestoso - Adagio non troppo ma divoto, Symphony no. 9 in D minor, op. 125: IV. (f) Allegro energico, sempre ben marcato, Symphony no. 9 in D minor, op. 125: IV. (g) Allegro ma non tanto, The Storm, op. 76, Tragic Overture for Orchestra in D minor, op. 81, Variations on a Theme by Haydn, op. 56a, "St. Antoni Chorale", Variations on a Theme by Joseph Haydn, Op. 56a: Finale. Andante, Variations on a Theme by Joseph Haydn, Op. 56a: Thema. Chorale St. Antoni. Andante, Variations on a Theme by Joseph Haydn, Op. 56a: Variation I. Poco più animato, Variations on a Theme by Joseph Haydn, Op. 56a: Variation II. Più vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation III. Con moto, Variations on a Theme by Joseph Haydn, Op. 56a: Variation IV. Andante con moto, Variations on a Theme by Joseph Haydn, Op. 56a: Variation V. Vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VI. Vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VII. Grazioso, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VIII. Presto non troppo, “Egmont” Ouvertüre f-moll op. 84
Andrew Cornall
producer
Symphony no. 12 in D minor, op. 112 “The Year 1917”: I. Revolutionary Petrograd, Symphony no. 12 in D minor, op. 112 “The Year 1917”: II. Razliv, Symphony no. 12 in D minor, op. 112 “The Year 1917”: III. Aurora, Symphony no. 12 in D minor, op. 112 “The Year 1917”: IV. The Dawn of Humanity, Symphony no. 5 in D minor, op. 47: I. Moderato, Symphony no. 5 in D minor, op. 47: II. Allegretto, Symphony no. 5 in D minor, op. 47: III. Largo, Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo
Colin Moorfoot
engineer
Symphony no. 5 in D minor, op. 47: I. Moderato, Symphony no. 5 in D minor, op. 47: II. Allegretto, Symphony no. 5 in D minor, op. 47: III. Largo, Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo
Jaap van Ginneken
producer
Academic Festival Overture for Orchestra in C minor, op. 80, Symphony No. 9 in D minor: I. Feierlich. Misterioso, Symphony No. 9 in D minor: II. Scherzo. Bewegt, lebhaft - Trio. Schnell - Scherzo, Symphony No. 9 in D minor: III. Adagio. Langsam, feierlich
Volker Straus (producer and engineer)
producer
Marche écossaise sur un thème populaire, Prélude à l'après-midi d'un faune, L. 86, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza
Groot Omroepkoor
vocal
A Midsummer Night's Dream: Incidental Music, Op. 61: Finale: "Tro' This House", A Midsummer Night's Dream: Incidental Music, Op. 61: III. Song with Chorus: "You Spotted Snakes"
Maureen Forrester (contralto)
vocal
Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso. Durchaus "O Mensch! Gib acht!" (aus: Friedrich Nietzsche "Also sprach Zarathustra"), Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm" / "Es sungen drei Engel" (aus: "Des Knaben Wunderhorn")
Rae Woodland
vocal
A Midsummer Night's Dream: Incidental Music, Op. 61: Finale: "Tro' This House", A Midsummer Night's Dream: Incidental Music, Op. 61: III. Song with Chorus: "You Spotted Snakes"
Women's Chorus of the Netherlands Radio
vocal
Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm" / "Es sungen drei Engel" (aus: "Des Knaben Wunderhorn")
Boy's Choir of the St. Willisbrorduskerk
vocal
Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm" / "Es sungen drei Engel" (aus: "Des Knaben Wunderhorn")
Helen Watts (contralto)
vocal
A Midsummer Night's Dream: Incidental Music, Op. 61: III. Song with Chorus: "You Spotted Snakes"
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Work on other artists' recordings
Artist name
Roles
Recordings
Alice Coltrane
strings
A Love Supreme, Galaxy Around Olodumare, Galaxy in Satchidananda, Galaxy in Turiya, My Favorite Things
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