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Top collaborators

Artist name Roles Recordings
Andrew Wedman (producer and engineer) balance Much Ado about Nothing, op. 11: I. The Maiden in the Bridal Chamber: Lento - Molto moderato, with charm and grace, Much Ado about Nothing, op. 11: II. Dogbery and Verges. March of the Watch: In the tempo of a grotesque funeral march, Much Ado about Nothing, op. 11: III. Scene in the Garden: Molto espressivo (broad, but not too slow), Much Ado about Nothing, op. 11: IV. Masquerade: Hornpipe: Animato
André Previn piano Much Ado about Nothing, op. 11: I. The Maiden in the Bridal Chamber: Lento - Molto moderato, with charm and grace, Much Ado about Nothing, op. 11: II. Dogbery and Verges. March of the Watch: In the tempo of a grotesque funeral march, Much Ado about Nothing, op. 11: III. Scene in the Garden: Molto espressivo (broad, but not too slow), Much Ado about Nothing, op. 11: IV. Masquerade: Hornpipe: Animato
Gil Shaham (violinist) violin Much Ado about Nothing, op. 11: I. The Maiden in the Bridal Chamber: Lento - Molto moderato, with charm and grace, Much Ado about Nothing, op. 11: II. Dogbery and Verges. March of the Watch: In the tempo of a grotesque funeral march, Much Ado about Nothing, op. 11: III. Scene in the Garden: Molto espressivo (broad, but not too slow), Much Ado about Nothing, op. 11: IV. Masquerade: Hornpipe: Animato
Hans-Peter Schweigmann balance Much Ado about Nothing, op. 11: I. The Maiden in the Bridal Chamber: Lento - Molto moderato, with charm and grace, Much Ado about Nothing, op. 11: II. Dogbery and Verges. March of the Watch: In the tempo of a grotesque funeral march, Much Ado about Nothing, op. 11: III. Scene in the Garden: Molto espressivo (broad, but not too slow), Much Ado about Nothing, op. 11: IV. Masquerade: Hornpipe: Animato
Tayo (Afro-German vocalist Tayo Awosusi)

Collaborators on this artist's recordings

Artist name Roles Recordings
Andrew Wedman (producer and engineer) balance Much Ado about Nothing, op. 11: I. The Maiden in the Bridal Chamber: Lento - Molto moderato, with charm and grace, Much Ado about Nothing, op. 11: II. Dogbery and Verges. March of the Watch: In the tempo of a grotesque funeral march, Much Ado about Nothing, op. 11: III. Scene in the Garden: Molto espressivo (broad, but not too slow), Much Ado about Nothing, op. 11: IV. Masquerade: Hornpipe: Animato
André Previn piano Much Ado about Nothing, op. 11: I. The Maiden in the Bridal Chamber: Lento - Molto moderato, with charm and grace, Much Ado about Nothing, op. 11: II. Dogbery and Verges. March of the Watch: In the tempo of a grotesque funeral march, Much Ado about Nothing, op. 11: III. Scene in the Garden: Molto espressivo (broad, but not too slow), Much Ado about Nothing, op. 11: IV. Masquerade: Hornpipe: Animato
Gil Shaham (violinist) violin Much Ado about Nothing, op. 11: I. The Maiden in the Bridal Chamber: Lento - Molto moderato, with charm and grace, Much Ado about Nothing, op. 11: II. Dogbery and Verges. March of the Watch: In the tempo of a grotesque funeral march, Much Ado about Nothing, op. 11: III. Scene in the Garden: Molto espressivo (broad, but not too slow), Much Ado about Nothing, op. 11: IV. Masquerade: Hornpipe: Animato
Hans-Peter Schweigmann balance Much Ado about Nothing, op. 11: I. The Maiden in the Bridal Chamber: Lento - Molto moderato, with charm and grace, Much Ado about Nothing, op. 11: II. Dogbery and Verges. March of the Watch: In the tempo of a grotesque funeral march, Much Ado about Nothing, op. 11: III. Scene in the Garden: Molto espressivo (broad, but not too slow), Much Ado about Nothing, op. 11: IV. Masquerade: Hornpipe: Animato

Work on other artists' recordings

Artist name Roles Recordings
Tayo vocal Come Back, Really Love