Paul Siculiana

Top collaborators

Artist name Roles Recordings
Zubin Mehta (conductor) conductor Capriccio Espagnol, Op. 34, Capriccio Espagnol, op. 34, Capriccio Italien, Op. 45, Concerto for Orchestra - Elegia, Concerto for Orchestra - Finale, Concerto for Orchestra - Giuco delle coppie, Concerto for Orchestra - Intermezzo interrotto, Concerto for Orchestra - Introduzione, Harold in Italy - Harold in the Mountains, Harold in Italy - March of the Piligrims singing their Evening Prayers, Harold in Italy - Orgy of Brigands, Harold in Italy - Serenade of a Mountaineer of the Abruzzi to his Mistress, Hatikvah (Israel's National Anthem), Hungarian Sketches: I. An Evening in the Village - Lento Rubato, Hungarian Sketches: II. Bear Dance - Allegro vivace, Hungarian Sketches: III. Melody - Andante, Hungarian Sketches: IV. Slightly Tipsy - Allegretto Rubato, Hungarian Sketches: V. Swineherd's Dance - Allegro Molto, Introduction & Rondo capriccioso, op.28 for Violin and Orchestra, La Traviata - Prelude to Act 1, La scala di seta: Overture, Overture: Le nozze di Figaro, Overture: Oberon, Pelleas und Melisande, op. 46: Act I, Scene I. Am Schlosstor, Pelleas und Melisande, op. 46: Act I, Scene II. Melisande, Pelleas und Melisande, op. 46: Act II, Scene I. Am Wunderborn im Park, Pelleas und Melisande, op. 46: Act V, Scene II. Melisandes Tod, Pelleas und Melisande, op. 5: Anfang, Pelleas und Melisande, op. 5: Breit, Pelleas und Melisande, op. 5: Ein wenig bewegt, Pelleas und Melisande, op. 5: Ein wenig bewegter, Pelleas und Melisande, op. 5: Heftig, Pelleas und Melisande, op. 5: In gehender Bewegung, Pelleas und Melisande, op. 5: Langsam, Pelleas und Melisande, op. 5: Lebhaft, Pelleas und Melisande, op. 5: Sehr langsam, Pelleas und Melisande, op. 5: Sehr langsam, gedehnt, Pelleas und Melisande, op. 5: Sehr rasch, Pelléas et Mélisande, op. 80: I. Prélude. Quasi Adagio, Pelléas et Mélisande, op. 80: II. La Fileuse. Andantino quasi Allegretto, Pelléas et Mélisande, op. 80: III. Sicilienne. Allegretto molto moderato, Pelléas et Mélisande, op. 80: IV. La mort de Mélisande. Molto Adagio, Russian Easter Overture, Scheherezade: I. Largo e maestoso; Allegro non troppo, Scheherezade: II. Lento; Andantino; Allegro molto, Scheherezade: III. Andantino, quasi allegretto, Scheherezade: IV. Allegro molto; Vivo; Allegro non troppo e maestoso, Sinfonie Nr. 2 in c-Moll : I. Allegro maestoso, Sinfonie Nr. 2 in c-Moll : II. Andante moderato, Sinfonie Nr. 2 in c-Moll : III. (Scherzo) In ruhig fließender Bewegung, Sinfonie Nr. 2 in c-Moll : IV. Urlicht. Sehr feierlich, aber schlicht, Sinfonie Nr. 2 in c-Moll : V. Im Tempo des Scherzo, Swan Lake: Dance of the Swans (Act II), Swan Lake: La Czardas (Act III), Swan Lake: Scene (Act II), Swan Lake: Scene (Act IV), Swan Lake: Valse (Act I), Symphony No. 1: I. Langsam. Schleppend, Symphony No. 1: II. Kräftig bewegt, doch nicht zu schnell, Symphony No. 1: III. Feierlich und gemessen, ohne zu schleppen, Symphony No. 1: IV. Stürmisch bewegt, Symphony No. 4 in G major: I. Bedachtig. Nicht eilen, Symphony No. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony No. 4 in G major: III. Ruhevoll, Symphony No. 4 in G major: IV. Sehr behaglich, Symphony No. 7 in D minor, Op. 70: I. Allegro maestoso, Symphony No. 7 in D minor, Op. 70: II. Poco adagio, Symphony No. 7 in D minor, Op. 70: III. Scherzo. Vivace – Poco meno mosso, Symphony No. 7 in D minor, Op. 70: IV. Finale. Allegro, Symphony No. 9 in C major, D. 944 "Great": I. Andante - Allegro ma non troppo, Symphony No. 9 in C major, D. 944 "Great": II. Andante con moto, Symphony No. 9 in C major, D. 944 "Great": III. Scherzo. Allegro vivace, Symphony No. 9 in C major, D. 944 "Great": IV. Finale. Allegro vivace, Symphony no. 1 in D major, D. 82: I. Adagio – Allegro vivace, Symphony no. 1 in D major, D. 82: II. Andante, Symphony no. 1 in D major, D. 82: III. Allegro, Symphony no. 1 in D major, D. 82: IV. Allegro vivace, Symphony no. 3 in D major, D. 200: Adagio maestoso – Allegro con brio, Symphony no. 3 in D major, D. 200: Allegretto, Symphony no. 3 in D major, D. 200: Menuetto (Vivace), Symphony no. 3 in D major, D. 200: Presto. Vivace, Symphony no. 3 in D major, D.200: I. Adagio maestoso - allegro con brio, Symphony no. 3 in D major, D.200: II. Allegretto, Symphony no. 3 in D major, D.200: III. Menuetto vivace, Symphony no. 3 in D major, D.200: IV. Presto vivace, Symphony no. 4: I. Bedächtig. Nicht eilen, Symphony no. 4: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4: III. Ruhevoll, Symphony no. 4: IV. Sehr behaglich, Symphony no. 5 in B-flat, D.485: I. Allegro, Symphony no. 5 in B-flat, D.485: II. Andante con moto, Symphony no. 5 in B-flat, D.485: III. Menuetto e trio (Allegro molto), Symphony no. 5 in B-flat, D.485: IV. Allegro vivace, Symphony no. 6: I. Allegro energico, ma non troppo, Symphony no. 6: II. Scherzo. Wuchtig, Symphony no. 6: III. Andante moderato, Symphony no. 6: IV. Finale. Allegro moderato, Symphony no. 8 in B minor, D. 759 “Unfinished”: Allegro moderato, Symphony no. 8 in B minor, D. 759 “Unfinished”: Andante con moto, The Nutcracker - Suite - Arab dance (Act 2), The Nutcracker - Suite - Chinese dance (Act 2), The Nutcracker - Suite - Dance of the Sugar-Plum Fairy (Act 2), The Nutcracker - Suite - Dance of the reed pipes (Act 2), The Nutcracker - Suite - Marche (Act 2), The Nutcracker - Suite - Overture miniature, The Nutcracker - Suite - Trepak - Russian dance (Act 2), The Nutcracker - Suite - Waltz of the flowers (Act 2), The Nutcracker: Arabian Dance, The Nutcracker: Chinese Dance, The Nutcracker: Dance of the Mirlitons, The Nutcracker: Dance of the Sugar-Plum Fairy, The Nutcracker: March, The Nutcracker: Miniature overture, The Nutcracker: Russian Dance - Trepak, The Nutcracker: Waltz of the Flowers, The Young Prince and the Young Princess from Sheherazade (Symphonic Suite)
התזמורת הפילהרמונית הישראלית performing orchestra Capriccio Espagnol, Op. 34, Capriccio Espagnol, op. 34, Capriccio Italien, Op. 45, Concerto for Orchestra - Elegia, Concerto for Orchestra - Finale, Concerto for Orchestra - Giuco delle coppie, Concerto for Orchestra - Intermezzo interrotto, Concerto for Orchestra - Introduzione, Harold in Italy - Harold in the Mountains, Harold in Italy - March of the Piligrims singing their Evening Prayers, Harold in Italy - Orgy of Brigands, Harold in Italy - Serenade of a Mountaineer of the Abruzzi to his Mistress, Hatikvah (Israel's National Anthem), Hungarian Sketches: I. An Evening in the Village - Lento Rubato, Hungarian Sketches: II. Bear Dance - Allegro vivace, Hungarian Sketches: III. Melody - Andante, Hungarian Sketches: IV. Slightly Tipsy - Allegretto Rubato, Hungarian Sketches: V. Swineherd's Dance - Allegro Molto, Introduction & Rondo capriccioso, op.28 for Violin and Orchestra, La Traviata - Prelude to Act 1, La scala di seta: Overture, Overture: Le nozze di Figaro, Overture: Oberon, Pelleas und Melisande, op. 46: Act I, Scene I. Am Schlosstor, Pelleas und Melisande, op. 46: Act I, Scene II. Melisande, Pelleas und Melisande, op. 46: Act II, Scene I. Am Wunderborn im Park, Pelleas und Melisande, op. 46: Act V, Scene II. Melisandes Tod, Pelleas und Melisande, op. 5: Anfang, Pelleas und Melisande, op. 5: Breit, Pelleas und Melisande, op. 5: Ein wenig bewegt, Pelleas und Melisande, op. 5: Ein wenig bewegter, Pelleas und Melisande, op. 5: Heftig, Pelleas und Melisande, op. 5: In gehender Bewegung, Pelleas und Melisande, op. 5: Langsam, Pelleas und Melisande, op. 5: Lebhaft, Pelleas und Melisande, op. 5: Sehr langsam, Pelleas und Melisande, op. 5: Sehr langsam, gedehnt, Pelleas und Melisande, op. 5: Sehr rasch, Pelléas et Mélisande, op. 80: I. Prélude. Quasi Adagio, Pelléas et Mélisande, op. 80: II. La Fileuse. Andantino quasi Allegretto, Pelléas et Mélisande, op. 80: III. Sicilienne. Allegretto molto moderato, Pelléas et Mélisande, op. 80: IV. La mort de Mélisande. Molto Adagio, Russian Easter Overture, Scheherezade: I. Largo e maestoso; Allegro non troppo, Scheherezade: II. Lento; Andantino; Allegro molto, Scheherezade: III. Andantino, quasi allegretto, Scheherezade: IV. Allegro molto; Vivo; Allegro non troppo e maestoso, Sinfonie Nr. 2 in c-Moll : I. Allegro maestoso, Sinfonie Nr. 2 in c-Moll : II. Andante moderato, Sinfonie Nr. 2 in c-Moll : III. (Scherzo) In ruhig fließender Bewegung, Sinfonie Nr. 2 in c-Moll : IV. Urlicht. Sehr feierlich, aber schlicht, Sinfonie Nr. 2 in c-Moll : V. Im Tempo des Scherzo, Swan Lake: Dance of the Swans (Act II), Swan Lake: La Czardas (Act III), Swan Lake: Scene (Act II), Swan Lake: Scene (Act IV), Swan Lake: Valse (Act I), Symphony No. 1: I. Langsam. Schleppend, Symphony No. 1: II. Kräftig bewegt, doch nicht zu schnell, Symphony No. 1: III. Feierlich und gemessen, ohne zu schleppen, Symphony No. 1: IV. Stürmisch bewegt, Symphony No. 4 in G major: I. Bedachtig. Nicht eilen, Symphony No. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony No. 4 in G major: III. Ruhevoll, Symphony No. 4 in G major: IV. Sehr behaglich, Symphony No. 7 in D minor, Op. 70: I. Allegro maestoso, Symphony No. 7 in D minor, Op. 70: II. Poco adagio, Symphony No. 7 in D minor, Op. 70: III. Scherzo. Vivace – Poco meno mosso, Symphony No. 7 in D minor, Op. 70: IV. Finale. Allegro, Symphony No. 9 in C major, D. 944 "Great": I. Andante - Allegro ma non troppo, Symphony No. 9 in C major, D. 944 "Great": II. Andante con moto, Symphony No. 9 in C major, D. 944 "Great": III. Scherzo. Allegro vivace, Symphony No. 9 in C major, D. 944 "Great": IV. Finale. Allegro vivace, Symphony no. 1 in D major, D. 82: I. Adagio – Allegro vivace, Symphony no. 1 in D major, D. 82: II. Andante, Symphony no. 1 in D major, D. 82: III. Allegro, Symphony no. 1 in D major, D. 82: IV. Allegro vivace, Symphony no. 3 in D major, D. 200: Adagio maestoso – Allegro con brio, Symphony no. 3 in D major, D. 200: Allegretto, Symphony no. 3 in D major, D. 200: Menuetto (Vivace), Symphony no. 3 in D major, D. 200: Presto. Vivace, Symphony no. 3 in D major, D.200: I. Adagio maestoso - allegro con brio, Symphony no. 3 in D major, D.200: II. Allegretto, Symphony no. 3 in D major, D.200: III. Menuetto vivace, Symphony no. 3 in D major, D.200: IV. Presto vivace, Symphony no. 4: I. Bedächtig. Nicht eilen, Symphony no. 4: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4: III. Ruhevoll, Symphony no. 4: IV. Sehr behaglich, Symphony no. 5 in B-flat, D.485: I. Allegro, Symphony no. 5 in B-flat, D.485: II. Andante con moto, Symphony no. 5 in B-flat, D.485: III. Menuetto e trio (Allegro molto), Symphony no. 5 in B-flat, D.485: IV. Allegro vivace, Symphony no. 6: I. Allegro energico, ma non troppo, Symphony no. 6: II. Scherzo. Wuchtig, Symphony no. 6: III. Andante moderato, Symphony no. 6: IV. Finale. Allegro moderato, Symphony no. 8 in B minor, D. 759 “Unfinished”: Allegro moderato, Symphony no. 8 in B minor, D. 759 “Unfinished”: Andante con moto, The Nutcracker - Suite - Arab dance (Act 2), The Nutcracker - Suite - Chinese dance (Act 2), The Nutcracker - Suite - Dance of the Sugar-Plum Fairy (Act 2), The Nutcracker - Suite - Dance of the reed pipes (Act 2), The Nutcracker - Suite - Marche (Act 2), The Nutcracker - Suite - Overture miniature, The Nutcracker - Suite - Trepak - Russian dance (Act 2), The Nutcracker - Suite - Waltz of the flowers (Act 2), The Nutcracker: Arabian Dance, The Nutcracker: Chinese Dance, The Nutcracker: Dance of the Mirlitons, The Nutcracker: Dance of the Sugar-Plum Fairy, The Nutcracker: March, The Nutcracker: Miniature overture, The Nutcracker: Russian Dance - Trepak, The Nutcracker: Waltz of the Flowers, The Young Prince and the Young Princess from Sheherazade (Symphonic Suite)
David Mottley producer Pelleas und Melisande, op. 46: Act I, Scene I. Am Schlosstor, Pelleas und Melisande, op. 46: Act I, Scene II. Melisande, Pelleas und Melisande, op. 46: Act II, Scene I. Am Wunderborn im Park, Pelleas und Melisande, op. 46: Act V, Scene II. Melisandes Tod, Pelleas und Melisande, op. 5: Anfang, Pelleas und Melisande, op. 5: Breit, Pelleas und Melisande, op. 5: Ein wenig bewegt, Pelleas und Melisande, op. 5: Ein wenig bewegter, Pelleas und Melisande, op. 5: Heftig, Pelleas und Melisande, op. 5: In gehender Bewegung, Pelleas und Melisande, op. 5: Langsam, Pelleas und Melisande, op. 5: Lebhaft, Pelleas und Melisande, op. 5: Sehr langsam, Pelleas und Melisande, op. 5: Sehr langsam, gedehnt, Pelleas und Melisande, op. 5: Sehr rasch, Pelléas et Mélisande, op. 80: I. Prélude. Quasi Adagio, Pelléas et Mélisande, op. 80: II. La Fileuse. Andantino quasi Allegretto, Pelléas et Mélisande, op. 80: III. Sicilienne. Allegretto molto moderato, Pelléas et Mélisande, op. 80: IV. La mort de Mélisande. Molto Adagio
Mark Vigars engineer Pelleas und Melisande, op. 46: Act V, Scene II. Melisandes Tod, Pelleas und Melisande, op. 5: Anfang, Pelleas und Melisande, op. 5: Breit, Pelleas und Melisande, op. 5: Ein wenig bewegt, Pelleas und Melisande, op. 5: Ein wenig bewegter, Pelleas und Melisande, op. 5: Heftig, Pelleas und Melisande, op. 5: In gehender Bewegung, Pelleas und Melisande, op. 5: Langsam, Pelleas und Melisande, op. 5: Lebhaft, Pelleas und Melisande, op. 5: Sehr langsam, Pelleas und Melisande, op. 5: Sehr langsam, gedehnt, Pelleas und Melisande, op. 5: Sehr rasch
Ben Bernfeld engineer Pelleas und Melisande, op. 46: Act I, Scene I. Am Schlosstor, Pelleas und Melisande, op. 46: Act I, Scene II. Melisande, Pelleas und Melisande, op. 46: Act II, Scene I. Am Wunderborn im Park, Pelléas et Mélisande, op. 80: I. Prélude. Quasi Adagio, Pelléas et Mélisande, op. 80: II. La Fileuse. Andantino quasi Allegretto, Pelléas et Mélisande, op. 80: III. Sicilienne. Allegretto molto moderato, Pelléas et Mélisande, op. 80: IV. La mort de Mélisande. Molto Adagio

Collaborators on this artist's recordings

Artist name Roles Recordings
Zubin Mehta (conductor) conductor Capriccio Espagnol, Op. 34, Capriccio Espagnol, op. 34, Capriccio Italien, Op. 45, Concerto for Orchestra - Elegia, Concerto for Orchestra - Finale, Concerto for Orchestra - Giuco delle coppie, Concerto for Orchestra - Intermezzo interrotto, Concerto for Orchestra - Introduzione, Harold in Italy - Harold in the Mountains, Harold in Italy - March of the Piligrims singing their Evening Prayers, Harold in Italy - Orgy of Brigands, Harold in Italy - Serenade of a Mountaineer of the Abruzzi to his Mistress, Hatikvah (Israel's National Anthem), Hungarian Sketches: I. An Evening in the Village - Lento Rubato, Hungarian Sketches: II. Bear Dance - Allegro vivace, Hungarian Sketches: III. Melody - Andante, Hungarian Sketches: IV. Slightly Tipsy - Allegretto Rubato, Hungarian Sketches: V. Swineherd's Dance - Allegro Molto, Introduction & Rondo capriccioso, op.28 for Violin and Orchestra, La Traviata - Prelude to Act 1, La scala di seta: Overture, Overture: Le nozze di Figaro, Overture: Oberon, Pelleas und Melisande, op. 46: Act I, Scene I. Am Schlosstor, Pelleas und Melisande, op. 46: Act I, Scene II. Melisande, Pelleas und Melisande, op. 46: Act II, Scene I. Am Wunderborn im Park, Pelleas und Melisande, op. 46: Act V, Scene II. Melisandes Tod, Pelleas und Melisande, op. 5: Anfang, Pelleas und Melisande, op. 5: Breit, Pelleas und Melisande, op. 5: Ein wenig bewegt, Pelleas und Melisande, op. 5: Ein wenig bewegter, Pelleas und Melisande, op. 5: Heftig, Pelleas und Melisande, op. 5: In gehender Bewegung, Pelleas und Melisande, op. 5: Langsam, Pelleas und Melisande, op. 5: Lebhaft, Pelleas und Melisande, op. 5: Sehr langsam, Pelleas und Melisande, op. 5: Sehr langsam, gedehnt, Pelleas und Melisande, op. 5: Sehr rasch, Pelléas et Mélisande, op. 80: I. Prélude. Quasi Adagio, Pelléas et Mélisande, op. 80: II. La Fileuse. Andantino quasi Allegretto, Pelléas et Mélisande, op. 80: III. Sicilienne. Allegretto molto moderato, Pelléas et Mélisande, op. 80: IV. La mort de Mélisande. Molto Adagio, Russian Easter Overture, Scheherezade: I. Largo e maestoso; Allegro non troppo, Scheherezade: II. Lento; Andantino; Allegro molto, Scheherezade: III. Andantino, quasi allegretto, Scheherezade: IV. Allegro molto; Vivo; Allegro non troppo e maestoso, Sinfonie Nr. 2 in c-Moll : I. Allegro maestoso, Sinfonie Nr. 2 in c-Moll : II. Andante moderato, Sinfonie Nr. 2 in c-Moll : III. (Scherzo) In ruhig fließender Bewegung, Sinfonie Nr. 2 in c-Moll : IV. Urlicht. Sehr feierlich, aber schlicht, Sinfonie Nr. 2 in c-Moll : V. Im Tempo des Scherzo, Swan Lake: Dance of the Swans (Act II), Swan Lake: La Czardas (Act III), Swan Lake: Scene (Act II), Swan Lake: Scene (Act IV), Swan Lake: Valse (Act I), Symphony No. 1: I. Langsam. Schleppend, Symphony No. 1: II. Kräftig bewegt, doch nicht zu schnell, Symphony No. 1: III. Feierlich und gemessen, ohne zu schleppen, Symphony No. 1: IV. Stürmisch bewegt, Symphony No. 4 in G major: I. Bedachtig. Nicht eilen, Symphony No. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony No. 4 in G major: III. Ruhevoll, Symphony No. 4 in G major: IV. Sehr behaglich, Symphony No. 7 in D minor, Op. 70: I. Allegro maestoso, Symphony No. 7 in D minor, Op. 70: II. Poco adagio, Symphony No. 7 in D minor, Op. 70: III. Scherzo. Vivace – Poco meno mosso, Symphony No. 7 in D minor, Op. 70: IV. Finale. Allegro, Symphony No. 9 in C major, D. 944 "Great": I. Andante - Allegro ma non troppo, Symphony No. 9 in C major, D. 944 "Great": II. Andante con moto, Symphony No. 9 in C major, D. 944 "Great": III. Scherzo. Allegro vivace, Symphony No. 9 in C major, D. 944 "Great": IV. Finale. Allegro vivace, Symphony no. 1 in D major, D. 82: I. Adagio – Allegro vivace, Symphony no. 1 in D major, D. 82: II. Andante, Symphony no. 1 in D major, D. 82: III. Allegro, Symphony no. 1 in D major, D. 82: IV. Allegro vivace, Symphony no. 3 in D major, D. 200: Adagio maestoso – Allegro con brio, Symphony no. 3 in D major, D. 200: Allegretto, Symphony no. 3 in D major, D. 200: Menuetto (Vivace), Symphony no. 3 in D major, D. 200: Presto. Vivace, Symphony no. 3 in D major, D.200: I. Adagio maestoso - allegro con brio, Symphony no. 3 in D major, D.200: II. Allegretto, Symphony no. 3 in D major, D.200: III. Menuetto vivace, Symphony no. 3 in D major, D.200: IV. Presto vivace, Symphony no. 4: I. Bedächtig. Nicht eilen, Symphony no. 4: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4: III. Ruhevoll, Symphony no. 4: IV. Sehr behaglich, Symphony no. 5 in B-flat, D.485: I. Allegro, Symphony no. 5 in B-flat, D.485: II. Andante con moto, Symphony no. 5 in B-flat, D.485: III. Menuetto e trio (Allegro molto), Symphony no. 5 in B-flat, D.485: IV. Allegro vivace, Symphony no. 6: I. Allegro energico, ma non troppo, Symphony no. 6: II. Scherzo. Wuchtig, Symphony no. 6: III. Andante moderato, Symphony no. 6: IV. Finale. Allegro moderato, Symphony no. 8 in B minor, D. 759 “Unfinished”: Allegro moderato, Symphony no. 8 in B minor, D. 759 “Unfinished”: Andante con moto, The Nutcracker - Suite - Arab dance (Act 2), The Nutcracker - Suite - Chinese dance (Act 2), The Nutcracker - Suite - Dance of the Sugar-Plum Fairy (Act 2), The Nutcracker - Suite - Dance of the reed pipes (Act 2), The Nutcracker - Suite - Marche (Act 2), The Nutcracker - Suite - Overture miniature, The Nutcracker - Suite - Trepak - Russian dance (Act 2), The Nutcracker - Suite - Waltz of the flowers (Act 2), The Nutcracker: Arabian Dance, The Nutcracker: Chinese Dance, The Nutcracker: Dance of the Mirlitons, The Nutcracker: Dance of the Sugar-Plum Fairy, The Nutcracker: March, The Nutcracker: Miniature overture, The Nutcracker: Russian Dance - Trepak, The Nutcracker: Waltz of the Flowers, The Young Prince and the Young Princess from Sheherazade (Symphonic Suite)
התזמורת הפילהרמונית הישראלית performing orchestra Capriccio Espagnol, Op. 34, Capriccio Espagnol, op. 34, Capriccio Italien, Op. 45, Concerto for Orchestra - Elegia, Concerto for Orchestra - Finale, Concerto for Orchestra - Giuco delle coppie, Concerto for Orchestra - Intermezzo interrotto, Concerto for Orchestra - Introduzione, Harold in Italy - Harold in the Mountains, Harold in Italy - March of the Piligrims singing their Evening Prayers, Harold in Italy - Orgy of Brigands, Harold in Italy - Serenade of a Mountaineer of the Abruzzi to his Mistress, Hatikvah (Israel's National Anthem), Hungarian Sketches: I. An Evening in the Village - Lento Rubato, Hungarian Sketches: II. Bear Dance - Allegro vivace, Hungarian Sketches: III. Melody - Andante, Hungarian Sketches: IV. Slightly Tipsy - Allegretto Rubato, Hungarian Sketches: V. Swineherd's Dance - Allegro Molto, Introduction & Rondo capriccioso, op.28 for Violin and Orchestra, La Traviata - Prelude to Act 1, La scala di seta: Overture, Overture: Le nozze di Figaro, Overture: Oberon, Pelleas und Melisande, op. 46: Act I, Scene I. Am Schlosstor, Pelleas und Melisande, op. 46: Act I, Scene II. Melisande, Pelleas und Melisande, op. 46: Act II, Scene I. Am Wunderborn im Park, Pelleas und Melisande, op. 46: Act V, Scene II. Melisandes Tod, Pelleas und Melisande, op. 5: Anfang, Pelleas und Melisande, op. 5: Breit, Pelleas und Melisande, op. 5: Ein wenig bewegt, Pelleas und Melisande, op. 5: Ein wenig bewegter, Pelleas und Melisande, op. 5: Heftig, Pelleas und Melisande, op. 5: In gehender Bewegung, Pelleas und Melisande, op. 5: Langsam, Pelleas und Melisande, op. 5: Lebhaft, Pelleas und Melisande, op. 5: Sehr langsam, Pelleas und Melisande, op. 5: Sehr langsam, gedehnt, Pelleas und Melisande, op. 5: Sehr rasch, Pelléas et Mélisande, op. 80: I. Prélude. Quasi Adagio, Pelléas et Mélisande, op. 80: II. La Fileuse. Andantino quasi Allegretto, Pelléas et Mélisande, op. 80: III. Sicilienne. Allegretto molto moderato, Pelléas et Mélisande, op. 80: IV. La mort de Mélisande. Molto Adagio, Russian Easter Overture, Scheherezade: I. Largo e maestoso; Allegro non troppo, Scheherezade: II. Lento; Andantino; Allegro molto, Scheherezade: III. Andantino, quasi allegretto, Scheherezade: IV. Allegro molto; Vivo; Allegro non troppo e maestoso, Sinfonie Nr. 2 in c-Moll : I. Allegro maestoso, Sinfonie Nr. 2 in c-Moll : II. Andante moderato, Sinfonie Nr. 2 in c-Moll : III. (Scherzo) In ruhig fließender Bewegung, Sinfonie Nr. 2 in c-Moll : IV. Urlicht. Sehr feierlich, aber schlicht, Sinfonie Nr. 2 in c-Moll : V. Im Tempo des Scherzo, Swan Lake: Dance of the Swans (Act II), Swan Lake: La Czardas (Act III), Swan Lake: Scene (Act II), Swan Lake: Scene (Act IV), Swan Lake: Valse (Act I), Symphony No. 1: I. Langsam. Schleppend, Symphony No. 1: II. Kräftig bewegt, doch nicht zu schnell, Symphony No. 1: III. Feierlich und gemessen, ohne zu schleppen, Symphony No. 1: IV. Stürmisch bewegt, Symphony No. 4 in G major: I. Bedachtig. Nicht eilen, Symphony No. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony No. 4 in G major: III. Ruhevoll, Symphony No. 4 in G major: IV. Sehr behaglich, Symphony No. 7 in D minor, Op. 70: I. Allegro maestoso, Symphony No. 7 in D minor, Op. 70: II. Poco adagio, Symphony No. 7 in D minor, Op. 70: III. Scherzo. Vivace – Poco meno mosso, Symphony No. 7 in D minor, Op. 70: IV. Finale. Allegro, Symphony No. 9 in C major, D. 944 "Great": I. Andante - Allegro ma non troppo, Symphony No. 9 in C major, D. 944 "Great": II. Andante con moto, Symphony No. 9 in C major, D. 944 "Great": III. Scherzo. Allegro vivace, Symphony No. 9 in C major, D. 944 "Great": IV. Finale. Allegro vivace, Symphony no. 1 in D major, D. 82: I. Adagio – Allegro vivace, Symphony no. 1 in D major, D. 82: II. Andante, Symphony no. 1 in D major, D. 82: III. Allegro, Symphony no. 1 in D major, D. 82: IV. Allegro vivace, Symphony no. 3 in D major, D. 200: Adagio maestoso – Allegro con brio, Symphony no. 3 in D major, D. 200: Allegretto, Symphony no. 3 in D major, D. 200: Menuetto (Vivace), Symphony no. 3 in D major, D. 200: Presto. Vivace, Symphony no. 3 in D major, D.200: I. Adagio maestoso - allegro con brio, Symphony no. 3 in D major, D.200: II. Allegretto, Symphony no. 3 in D major, D.200: III. Menuetto vivace, Symphony no. 3 in D major, D.200: IV. Presto vivace, Symphony no. 4: I. Bedächtig. Nicht eilen, Symphony no. 4: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4: III. Ruhevoll, Symphony no. 4: IV. Sehr behaglich, Symphony no. 5 in B-flat, D.485: I. Allegro, Symphony no. 5 in B-flat, D.485: II. Andante con moto, Symphony no. 5 in B-flat, D.485: III. Menuetto e trio (Allegro molto), Symphony no. 5 in B-flat, D.485: IV. Allegro vivace, Symphony no. 6: I. Allegro energico, ma non troppo, Symphony no. 6: II. Scherzo. Wuchtig, Symphony no. 6: III. Andante moderato, Symphony no. 6: IV. Finale. Allegro moderato, Symphony no. 8 in B minor, D. 759 “Unfinished”: Allegro moderato, Symphony no. 8 in B minor, D. 759 “Unfinished”: Andante con moto, The Nutcracker - Suite - Arab dance (Act 2), The Nutcracker - Suite - Chinese dance (Act 2), The Nutcracker - Suite - Dance of the Sugar-Plum Fairy (Act 2), The Nutcracker - Suite - Dance of the reed pipes (Act 2), The Nutcracker - Suite - Marche (Act 2), The Nutcracker - Suite - Overture miniature, The Nutcracker - Suite - Trepak - Russian dance (Act 2), The Nutcracker - Suite - Waltz of the flowers (Act 2), The Nutcracker: Arabian Dance, The Nutcracker: Chinese Dance, The Nutcracker: Dance of the Mirlitons, The Nutcracker: Dance of the Sugar-Plum Fairy, The Nutcracker: March, The Nutcracker: Miniature overture, The Nutcracker: Russian Dance - Trepak, The Nutcracker: Waltz of the Flowers, The Young Prince and the Young Princess from Sheherazade (Symphonic Suite)
David Mottley producer Pelleas und Melisande, op. 46: Act I, Scene I. Am Schlosstor, Pelleas und Melisande, op. 46: Act I, Scene II. Melisande, Pelleas und Melisande, op. 46: Act II, Scene I. Am Wunderborn im Park, Pelleas und Melisande, op. 46: Act V, Scene II. Melisandes Tod, Pelleas und Melisande, op. 5: Anfang, Pelleas und Melisande, op. 5: Breit, Pelleas und Melisande, op. 5: Ein wenig bewegt, Pelleas und Melisande, op. 5: Ein wenig bewegter, Pelleas und Melisande, op. 5: Heftig, Pelleas und Melisande, op. 5: In gehender Bewegung, Pelleas und Melisande, op. 5: Langsam, Pelleas und Melisande, op. 5: Lebhaft, Pelleas und Melisande, op. 5: Sehr langsam, Pelleas und Melisande, op. 5: Sehr langsam, gedehnt, Pelleas und Melisande, op. 5: Sehr rasch, Pelléas et Mélisande, op. 80: I. Prélude. Quasi Adagio, Pelléas et Mélisande, op. 80: II. La Fileuse. Andantino quasi Allegretto, Pelléas et Mélisande, op. 80: III. Sicilienne. Allegretto molto moderato, Pelléas et Mélisande, op. 80: IV. La mort de Mélisande. Molto Adagio
Mark Vigars engineer Pelleas und Melisande, op. 46: Act V, Scene II. Melisandes Tod, Pelleas und Melisande, op. 5: Anfang, Pelleas und Melisande, op. 5: Breit, Pelleas und Melisande, op. 5: Ein wenig bewegt, Pelleas und Melisande, op. 5: Ein wenig bewegter, Pelleas und Melisande, op. 5: Heftig, Pelleas und Melisande, op. 5: In gehender Bewegung, Pelleas und Melisande, op. 5: Langsam, Pelleas und Melisande, op. 5: Lebhaft, Pelleas und Melisande, op. 5: Sehr langsam, Pelleas und Melisande, op. 5: Sehr langsam, gedehnt, Pelleas und Melisande, op. 5: Sehr rasch
Ben Bernfeld engineer Pelleas und Melisande, op. 46: Act I, Scene I. Am Schlosstor, Pelleas und Melisande, op. 46: Act I, Scene II. Melisande, Pelleas und Melisande, op. 46: Act II, Scene I. Am Wunderborn im Park, Pelléas et Mélisande, op. 80: I. Prélude. Quasi Adagio, Pelléas et Mélisande, op. 80: II. La Fileuse. Andantino quasi Allegretto, Pelléas et Mélisande, op. 80: III. Sicilienne. Allegretto molto moderato, Pelléas et Mélisande, op. 80: IV. La mort de Mélisande. Molto Adagio
Florence Quivar vocal Sinfonie Nr. 2 in c-Moll : IV. Urlicht. Sehr feierlich, aber schlicht, Sinfonie Nr. 2 in c-Moll : V. Im Tempo des Scherzo
Sylvia Greenberg vocal Sinfonie Nr. 2 in c-Moll : V. Im Tempo des Scherzo
המקהלה הפילהרמונית תל אביב vocal Sinfonie Nr. 2 in c-Moll : V. Im Tempo des Scherzo
מקהלת האיחוד vocal Sinfonie Nr. 2 in c-Moll : V. Im Tempo des Scherzo
מקהלת רינת vocal Sinfonie Nr. 2 in c-Moll : V. Im Tempo des Scherzo