Paul Baron

conductor

Top collaborators

Artist name Roles Recordings
BBC Philharmonic performing orchestra A Flourish for Orchestra, op. 112, A Grand Grand Festival Overture, op. 57, A Sussex Overture, op. 31, Anniversary Overture, op. 99, Ballade for Piano and Orchestra from 'Stolen Face', Beckus the Dandipratt, op. 5, Ben-Hur: I. Prelude, Ben-Hur: II. Love Theme, Ben-Hur: III. The Burning Desert, Ben-Hur: IV. The Rowing of the Galley Slaves, Ben-Hur: V. The Mother's Love, Ben-Hur: VI. Parade of the Charioteers, Cinderella, Comedy Suite from 'The Belles of St Trinian's': Finale, Comedy Suite from 'The Belles of St Trinian's': Flash and Miss Fritton, Comedy Suite from 'The Belles of St Trinian's': Prelude, Comedy Suite from 'The Belles of St Trinian's': Races and Games, Comedy Suite from 'The Belles of St Trinian's': Train to Trinians, Comic panic. Allegro, Concert Suite from "Sweeney Todd", op. 68a : Allegretto -, Concert Suite from "Sweeney Todd", op. 68a: Allegretto - Vivace -, Concert Suite from "Sweeney Todd", op. 68a: Allegro con brio - Allegretto (Pas de deux) - Più mosso - Allegretto - Allegro con brio, Concert Suite from "Sweeney Todd", op. 68a: Allegro vivace - Allegro frenetico -, Concert Suite from "Sweeney Todd", op. 68a: Andante - Allegro - Pas de quatre - Vivace - Moderato - Vivace – Frenetico - Molto meno mosso -, Concert Suite from "Sweeney Todd", op. 68a: Moderato e misterioso - Vivace - Meno mosso -, Concert Suite from "Sweeney Todd", op. 68a: Vivace - Allegro moderato -, Concerto for String Orchestra, op. 17: I. Moderato, ma risoluto ed energico - Un poco mosso - Ancora più mosso - Meno mosso -, Concerto for String Orchestra, op. 17: II. Lento con gran espressione - Un poco più largamente -, Concerto for String Orchestra, op. 17: III. Allegro giusto - Un poco più mosso - Più vivo - Ancora più vivo - Meno mosso ma non troppo adagio, Dawn after the Murder. Moderato sereno - Bill Sike's rêverie. Poco lento, Death of Mrs Thingummy. Lento, Electra, op. 79: Lento - Allegro ma non troppo - Moderato -, Electra, op. 79: Lento - Vivace - Vivace -, Electra, op. 79: Vivace - Lento, Fagin's romp. Allegro con vivacità, Fantasy on Christmas Carols from 'The Holly and The Ivy', Far From the Madding Crowd, Finale [alternative]. Moderato brillante, Finale [original]. Moderato brillante, Four Weddings and a Funeral: Love Scene, From ‘Blithe Spirit’: Prelude, From ‘Blithe Spirit’: Waltz, From ‘Dangerous Moonlight’: Warsaw Concerto, From ‘Out of the Clouds’: The Flame Tango, From ‘The Admirable Crichton’: Polka and Galop, From ‘The Admirable Crichton’: Waltz Sequence, From ‘Tom Brown’s Schooldays’: Overture, Gay March. Quick march tempo, Joyous Youth: I. Introduction, Joyous Youth: II. Serenade, Joyous Youth: III. Valse "Joyous Youth", London (London Everyday): I. Covent Garden. Tarantelle, London (London Everyday): II. Westminster: Meditation, London (London Everyday): III. Knightsbridge: March, Love Scene from "Four Weddings and a Funeral", March. Lento ma non troppo -, Miniature Suite: I. Children's Dance, Miniature Suite: II. Intermezzo, Miniature Suite: III. Scène du bal, Mr Brownlow's grief. Lento -, Mr Bumble's March. Pomposo, Murder on the Orient Express, Nancy's flight in the rain to meet Mr Brownlow. Moderato, Nancy's hysterical outburst. Allegro moderato - Andante, Nicole's Theme from "Tender Is the Night", Notturno Ungherese, op. 28, Oliver as funeral mute. Molto energico -, Oliver asks for more. Allegro moderato e feroce -, Oliver at Mr Brownlow's house. Poco lento, Oliver at play. Poco lento- Allegretto semplice, Oliver faints in court. Tempo rubato -, Oliver meets the Artful Dodger. Allegro moderato, Oliver sent to bed among the coffins. Moderato, Oliver's abduction. Lento, Oliver's birth. Molto moderato, Oliver's flight to London. Poco allegretto, Oliver's pickpocketing lesson -, Oliver's sleepless night. Andante -, Overture from 'The Roots of Heaven', Peterloo, op. 97, Picking oakum. Poco lento, Pickpocketing. Allegretto semplice -, Postcard from the Med from 'The Captain's Paradise', Prelude. Lento moderato, Quiet Interlude. Allegretto, Rinaldo and Armida, op. 49: Andante con moto - Poco più mosso - Andante con moto - Moderato -, Rinaldo and Armida, op. 49: Lento -, Rinaldo and Armida, op. 49: Lento - Vivace molto - Lento, Rinaldo and Armida, op. 49: Moderato - Andantino - Moderato - Allegro agitato - Molto meno mosso - Andantino -, Rinaldo and Armida, op. 49: Poco lento (Pas de deux) - Moderato - Allegretto -, Rinaldo and Armida, op. 49: Vivace - Lento - Vivace - Moderato - Lento -, Robert Kett, op. 141, Rudyard Kipling's Jungle Book: I. Beginning, Rudyard Kipling's Jungle Book: II. Shere Khan, Rudyard Kipling's Jungle Book: III. Mowgli Wanders, Rudyard Kipling's Jungle Book: IV. Lullaby, Rudyard Kipling's Jungle Book: IX. Victory, Rudyard Kipling's Jungle Book: V. The Ways of Man, Rudyard Kipling's Jungle Book: VI. Cries of the Animals, Rudyard Kipling's Jungle Book: VII. Mowgli Seeks Shere Khan, Rudyard Kipling's Jungle Book: VIII. The Chase, Rudyard Kipling's Jungle Book: X. Bagheera's Contentment, Sahara: Suite, Scherzetto for Clarinet and Orchestra from 'You Know What Sailor Are', Suite from "Homage to the Queen", op. 42: I. Prelude and Opening Scene. Allegro moderato - Marziale - Andante con moto - Allegro molto -, Suite from "Homage to the Queen", op. 42: II. Dance of the Insects. Allegro scherzando (Pas de six), Suite from "Homage to the Queen", op. 42: III. Water. Poco lento - Vivace - [L’istesso tempo] (Pas de trois) - Waltz - [L’istesso tempo] (First Girl’s Solo) - Poco più mosso (Second Girl’s Solo) - Waltz Tempo I (Pas de trois) - Allegretto -, Suite from "Homage to the Queen", op. 42: IV. Fire Dance. Allegro con brio (Man’s Solo) -, Suite from "Homage to the Queen", op. 42: V. Pas de deux. Adagio non troppo - Poco agitato - Tempo I - Poco più mosso - Tempo I -, Suite from "Homage to the Queen", op. 42: VI. Finale. Maestoso - Marziale - Moderato e maestoso (Vision) - Allegro - Lento e maestoso, Suite from 'David Copperfield': Finale, Suite from 'David Copperfield': Main Titles and Opening Scene, Suite from 'David Copperfield': The Micawbers, Suite from 'David Copperfield': Young Lovers, Suite from 'No Love for Johnnie': Alla Marcia, Suite from 'No Love for Johnnie': Moderato, Suite from 'Trapeze': Elephant Waltz, Suite from 'Trapeze': Fanfare, Suite from 'Trapeze': Finale, Suite from 'Trapeze': Mike and Lola, Suite from 'Trapeze': Prelude, Suite from 'Trapeze': Romance, Suite from 'Trapeze': Tino's Arrival in Paris, Suite from ‘Goodbye, Mr Chips’: Finale, Suite from ‘Goodbye, Mr Chips’: In the Mountains, Suite from ‘Goodbye, Mr Chips’: Main Titles and School Song, Suite from ‘Love on the Dole’: Blackpool Outing, Suite from ‘Love on the Dole’: Courting Couples, Suite from ‘Love on the Dole’: End Titles, Suite from ‘Love on the Dole’: Main Titles / Sally Awakes, Suite from ‘Scrooge’, Suite from ‘The Black Rose’: In the Empress’s Palace, Suite from ‘The Black Rose’: Main Titles and Opening Scene, Suite from ‘The Black Rose’: The Black Rose Theme, Symphonic Study 'Machines' for Brass, Percussion and Strings, Op. 30, Tam o' Shanter, op. 51, The Chase. Allegro vivace, The Dam Busters, The Fair Field, op. 110, The Fight. Allegro, The Portrait -, The Selfish Giant, The Smoke, op. 21, The Storm. Con vivo, The Thief of Bagdad: I. Overture, The Thief of Bagdad: II. Cortège, The Thief of Bagdad: III. The Love of the Princess, The Thief of Bagdad: IV. The Sultan's Toys, The Thief of Bagdad: V. The Flying Horse Gallop, The Thief of Bagdad: VI. The Silvermaid's Dance, The Thief of Bagdad: VII. The Market at Basra, The Three Bears, The Vintner's Daughter, op. 23a, Theme, Variations and Finale, op. 13: Finale. Vivace - Più animato - Tempo di Vivace - Più mosso e sempre agitato - Meno mosso e molto largamente - Vivacissimo, Theme, Variations and Finale, op. 13: Theme. Andante rubato, Theme, Variations and Finale, op. 13: Variation I. Poco animato ed al rigore di tempo - L'istesso tempo, Theme, Variations and Finale, op. 13: Variation II. Allegro scherzando, Theme, Variations and Finale, op. 13: Variation III. Un poco meno allegro ma sempre molto energico - Più allegro, Theme, Variations and Finale, op. 13: Variation IV. Moderato con gran espressione, Theme, Variations and Finale, op. 13: Variation V. Vivo con spirito - Vivace, Theme, Variations and Finale, op. 13: Variation VI. Andante quasi pastorale - Tranquillo, Theme, Variations and Finale, op. 13: Variation VII. Allegro molto agitato e tumultuoso, Theme, Variations and Finale, op. 13: Variation VIII. Moderato e molto giusto - Largamente e molto pesante - Più mosso, Things to Come: March, Wanted for Murder. Moderato - Lento, Work and Play. Moderato molto energico -
Rumon Gamba conductor A Flourish for Orchestra, op. 112, A Grand Grand Festival Overture, op. 57, A Sussex Overture, op. 31, Anniversary Overture, op. 99, Ballade for Piano and Orchestra from 'Stolen Face', Beckus the Dandipratt, op. 5, Ben-Hur: I. Prelude, Ben-Hur: II. Love Theme, Ben-Hur: III. The Burning Desert, Ben-Hur: IV. The Rowing of the Galley Slaves, Ben-Hur: V. The Mother's Love, Ben-Hur: VI. Parade of the Charioteers, Cinderella, Comedy Suite from 'The Belles of St Trinian's': Finale, Comedy Suite from 'The Belles of St Trinian's': Flash and Miss Fritton, Comedy Suite from 'The Belles of St Trinian's': Prelude, Comedy Suite from 'The Belles of St Trinian's': Races and Games, Comedy Suite from 'The Belles of St Trinian's': Train to Trinians, Comic panic. Allegro, Concert Suite from "Sweeney Todd", op. 68a : Allegretto -, Concert Suite from "Sweeney Todd", op. 68a: Allegretto - Vivace -, Concert Suite from "Sweeney Todd", op. 68a: Allegro con brio - Allegretto (Pas de deux) - Più mosso - Allegretto - Allegro con brio, Concert Suite from "Sweeney Todd", op. 68a: Allegro vivace - Allegro frenetico -, Concert Suite from "Sweeney Todd", op. 68a: Andante - Allegro - Pas de quatre - Vivace - Moderato - Vivace – Frenetico - Molto meno mosso -, Concert Suite from "Sweeney Todd", op. 68a: Moderato e misterioso - Vivace - Meno mosso -, Concert Suite from "Sweeney Todd", op. 68a: Vivace - Allegro moderato -, Concerto for String Orchestra, op. 17: I. Moderato, ma risoluto ed energico - Un poco mosso - Ancora più mosso - Meno mosso -, Concerto for String Orchestra, op. 17: II. Lento con gran espressione - Un poco più largamente -, Concerto for String Orchestra, op. 17: III. Allegro giusto - Un poco più mosso - Più vivo - Ancora più vivo - Meno mosso ma non troppo adagio, Dawn after the Murder. Moderato sereno - Bill Sike's rêverie. Poco lento, Death of Mrs Thingummy. Lento, Electra, op. 79: Lento - Allegro ma non troppo - Moderato -, Electra, op. 79: Lento - Vivace - Vivace -, Electra, op. 79: Vivace - Lento, Fagin's romp. Allegro con vivacità, Fantasy on Christmas Carols from 'The Holly and The Ivy', Far From the Madding Crowd, Finale [alternative]. Moderato brillante, Finale [original]. Moderato brillante, Four Weddings and a Funeral: Love Scene, From ‘Blithe Spirit’: Prelude, From ‘Blithe Spirit’: Waltz, From ‘Dangerous Moonlight’: Warsaw Concerto, From ‘Out of the Clouds’: The Flame Tango, From ‘The Admirable Crichton’: Polka and Galop, From ‘The Admirable Crichton’: Waltz Sequence, From ‘Tom Brown’s Schooldays’: Overture, Gay March. Quick march tempo, Joyous Youth: I. Introduction, Joyous Youth: II. Serenade, Joyous Youth: III. Valse "Joyous Youth", London (London Everyday): I. Covent Garden. Tarantelle, London (London Everyday): II. Westminster: Meditation, London (London Everyday): III. Knightsbridge: March, Love Scene from "Four Weddings and a Funeral", March. Lento ma non troppo -, Miniature Suite: I. Children's Dance, Miniature Suite: II. Intermezzo, Miniature Suite: III. Scène du bal, Mr Brownlow's grief. Lento -, Mr Bumble's March. Pomposo, Murder on the Orient Express, Nancy's flight in the rain to meet Mr Brownlow. Moderato, Nancy's hysterical outburst. Allegro moderato - Andante, Nicole's Theme from "Tender Is the Night", Notturno Ungherese, op. 28, Oliver as funeral mute. Molto energico -, Oliver asks for more. Allegro moderato e feroce -, Oliver at Mr Brownlow's house. Poco lento, Oliver at play. Poco lento- Allegretto semplice, Oliver faints in court. Tempo rubato -, Oliver meets the Artful Dodger. Allegro moderato, Oliver sent to bed among the coffins. Moderato, Oliver's abduction. Lento, Oliver's birth. Molto moderato, Oliver's flight to London. Poco allegretto, Oliver's pickpocketing lesson -, Oliver's sleepless night. Andante -, Overture from 'The Roots of Heaven', Peterloo, op. 97, Picking oakum. Poco lento, Pickpocketing. Allegretto semplice -, Postcard from the Med from 'The Captain's Paradise', Prelude. Lento moderato, Quiet Interlude. Allegretto, Rinaldo and Armida, op. 49: Andante con moto - Poco più mosso - Andante con moto - Moderato -, Rinaldo and Armida, op. 49: Lento -, Rinaldo and Armida, op. 49: Lento - Vivace molto - Lento, Rinaldo and Armida, op. 49: Moderato - Andantino - Moderato - Allegro agitato - Molto meno mosso - Andantino -, Rinaldo and Armida, op. 49: Poco lento (Pas de deux) - Moderato - Allegretto -, Rinaldo and Armida, op. 49: Vivace - Lento - Vivace - Moderato - Lento -, Robert Kett, op. 141, Rudyard Kipling's Jungle Book: I. Beginning, Rudyard Kipling's Jungle Book: II. Shere Khan, Rudyard Kipling's Jungle Book: III. Mowgli Wanders, Rudyard Kipling's Jungle Book: IV. Lullaby, Rudyard Kipling's Jungle Book: IX. Victory, Rudyard Kipling's Jungle Book: V. The Ways of Man, Rudyard Kipling's Jungle Book: VI. Cries of the Animals, Rudyard Kipling's Jungle Book: VII. Mowgli Seeks Shere Khan, Rudyard Kipling's Jungle Book: VIII. The Chase, Rudyard Kipling's Jungle Book: X. Bagheera's Contentment, Sahara: Suite, Scherzetto for Clarinet and Orchestra from 'You Know What Sailor Are', Suite from "Homage to the Queen", op. 42: I. Prelude and Opening Scene. Allegro moderato - Marziale - Andante con moto - Allegro molto -, Suite from "Homage to the Queen", op. 42: II. Dance of the Insects. Allegro scherzando (Pas de six), Suite from "Homage to the Queen", op. 42: III. Water. Poco lento - Vivace - [L’istesso tempo] (Pas de trois) - Waltz - [L’istesso tempo] (First Girl’s Solo) - Poco più mosso (Second Girl’s Solo) - Waltz Tempo I (Pas de trois) - Allegretto -, Suite from "Homage to the Queen", op. 42: IV. Fire Dance. Allegro con brio (Man’s Solo) -, Suite from "Homage to the Queen", op. 42: V. Pas de deux. Adagio non troppo - Poco agitato - Tempo I - Poco più mosso - Tempo I -, Suite from "Homage to the Queen", op. 42: VI. Finale. Maestoso - Marziale - Moderato e maestoso (Vision) - Allegro - Lento e maestoso, Suite from 'David Copperfield': Finale, Suite from 'David Copperfield': Main Titles and Opening Scene, Suite from 'David Copperfield': The Micawbers, Suite from 'David Copperfield': Young Lovers, Suite from 'No Love for Johnnie': Alla Marcia, Suite from 'No Love for Johnnie': Moderato, Suite from 'Trapeze': Elephant Waltz, Suite from 'Trapeze': Fanfare, Suite from 'Trapeze': Finale, Suite from 'Trapeze': Mike and Lola, Suite from 'Trapeze': Prelude, Suite from 'Trapeze': Romance, Suite from 'Trapeze': Tino's Arrival in Paris, Suite from ‘Goodbye, Mr Chips’: Finale, Suite from ‘Goodbye, Mr Chips’: In the Mountains, Suite from ‘Goodbye, Mr Chips’: Main Titles and School Song, Suite from ‘Love on the Dole’: Blackpool Outing, Suite from ‘Love on the Dole’: Courting Couples, Suite from ‘Love on the Dole’: End Titles, Suite from ‘Love on the Dole’: Main Titles / Sally Awakes, Suite from ‘Scrooge’, Suite from ‘The Black Rose’: In the Empress’s Palace, Suite from ‘The Black Rose’: Main Titles and Opening Scene, Suite from ‘The Black Rose’: The Black Rose Theme, Symphonic Study 'Machines' for Brass, Percussion and Strings, Op. 30, Tam o' Shanter, op. 51, The Chase. Allegro vivace, The Dam Busters, The Fair Field, op. 110, The Fight. Allegro, The Portrait -, The Selfish Giant, The Smoke, op. 21, The Storm. Con vivo, The Thief of Bagdad: I. Overture, The Thief of Bagdad: II. Cortège, The Thief of Bagdad: III. The Love of the Princess, The Thief of Bagdad: IV. The Sultan's Toys, The Thief of Bagdad: V. The Flying Horse Gallop, The Thief of Bagdad: VI. The Silvermaid's Dance, The Thief of Bagdad: VII. The Market at Basra, The Three Bears, The Vintner's Daughter, op. 23a, Theme, Variations and Finale, op. 13: Finale. Vivace - Più animato - Tempo di Vivace - Più mosso e sempre agitato - Meno mosso e molto largamente - Vivacissimo, Theme, Variations and Finale, op. 13: Theme. Andante rubato, Theme, Variations and Finale, op. 13: Variation I. Poco animato ed al rigore di tempo - L'istesso tempo, Theme, Variations and Finale, op. 13: Variation II. Allegro scherzando, Theme, Variations and Finale, op. 13: Variation III. Un poco meno allegro ma sempre molto energico - Più allegro, Theme, Variations and Finale, op. 13: Variation IV. Moderato con gran espressione, Theme, Variations and Finale, op. 13: Variation V. Vivo con spirito - Vivace, Theme, Variations and Finale, op. 13: Variation VI. Andante quasi pastorale - Tranquillo, Theme, Variations and Finale, op. 13: Variation VII. Allegro molto agitato e tumultuoso, Theme, Variations and Finale, op. 13: Variation VIII. Moderato e molto giusto - Largamente e molto pesante - Più mosso, Things to Come: March, Wanted for Murder. Moderato - Lento, Work and Play. Moderato molto energico -
Mike George (classical producer) producer Ben-Hur: I. Prelude, Ben-Hur: II. Love Theme, Ben-Hur: III. The Burning Desert, Ben-Hur: IV. The Rowing of the Galley Slaves, Ben-Hur: V. The Mother's Love, Ben-Hur: VI. Parade of the Charioteers, Concert Suite from "Sweeney Todd", op. 68a : Allegretto -, Concert Suite from "Sweeney Todd", op. 68a: Allegretto - Vivace -, Concert Suite from "Sweeney Todd", op. 68a: Allegro con brio - Allegretto (Pas de deux) - Più mosso - Allegretto - Allegro con brio, Concert Suite from "Sweeney Todd", op. 68a: Allegro vivace - Allegro frenetico -, Concert Suite from "Sweeney Todd", op. 68a: Andante - Allegro - Pas de quatre - Vivace - Moderato - Vivace – Frenetico - Molto meno mosso -, Concert Suite from "Sweeney Todd", op. 68a: Moderato e misterioso - Vivace - Meno mosso -, Concert Suite from "Sweeney Todd", op. 68a: Vivace - Allegro moderato -, Electra, op. 79: Lento - Allegro ma non troppo - Moderato -, Electra, op. 79: Lento - Vivace - Vivace -, Electra, op. 79: Vivace - Lento, Notturno Ungherese, op. 28, Rinaldo and Armida, op. 49: Andante con moto - Poco più mosso - Andante con moto - Moderato -, Rinaldo and Armida, op. 49: Lento -, Rinaldo and Armida, op. 49: Lento - Vivace molto - Lento, Rinaldo and Armida, op. 49: Moderato - Andantino - Moderato - Allegro agitato - Molto meno mosso - Andantino -, Rinaldo and Armida, op. 49: Poco lento (Pas de deux) - Moderato - Allegretto -, Rinaldo and Armida, op. 49: Vivace - Lento - Vivace - Moderato - Lento -, Rudyard Kipling's Jungle Book: I. Beginning, Rudyard Kipling's Jungle Book: II. Shere Khan, Rudyard Kipling's Jungle Book: III. Mowgli Wanders, Rudyard Kipling's Jungle Book: IV. Lullaby, Rudyard Kipling's Jungle Book: IX. Victory, Rudyard Kipling's Jungle Book: V. The Ways of Man, Rudyard Kipling's Jungle Book: VI. Cries of the Animals, Rudyard Kipling's Jungle Book: VII. Mowgli Seeks Shere Khan, Rudyard Kipling's Jungle Book: VIII. The Chase, Rudyard Kipling's Jungle Book: X. Bagheera's Contentment, Sahara: Suite, Suite from "Homage to the Queen", op. 42: I. Prelude and Opening Scene. Allegro moderato - Marziale - Andante con moto - Allegro molto -, Suite from "Homage to the Queen", op. 42: II. Dance of the Insects. Allegro scherzando (Pas de six), Suite from "Homage to the Queen", op. 42: III. Water. Poco lento - Vivace - [L’istesso tempo] (Pas de trois) - Waltz - [L’istesso tempo] (First Girl’s Solo) - Poco più mosso (Second Girl’s Solo) - Waltz Tempo I (Pas de trois) - Allegretto -, Suite from "Homage to the Queen", op. 42: IV. Fire Dance. Allegro con brio (Man’s Solo) -, Suite from "Homage to the Queen", op. 42: V. Pas de deux. Adagio non troppo - Poco agitato - Tempo I - Poco più mosso - Tempo I -, Suite from "Homage to the Queen", op. 42: VI. Finale. Maestoso - Marziale - Moderato e maestoso (Vision) - Allegro - Lento e maestoso, Suite from 'Trapeze': Elephant Waltz, Suite from 'Trapeze': Fanfare, Suite from 'Trapeze': Finale, Suite from 'Trapeze': Mike and Lola, Suite from 'Trapeze': Prelude, Suite from 'Trapeze': Romance, Suite from 'Trapeze': Tino's Arrival in Paris, The Thief of Bagdad: I. Overture, The Thief of Bagdad: II. Cortège, The Thief of Bagdad: III. The Love of the Princess, The Thief of Bagdad: IV. The Sultan's Toys, The Thief of Bagdad: V. The Flying Horse Gallop, The Thief of Bagdad: VI. The Silvermaid's Dance, The Thief of Bagdad: VII. The Market at Basra, The Vintner's Daughter, op. 23a, Theme, Variations and Finale, op. 13: Theme. Andante rubato, Theme, Variations and Finale, op. 13: Variation I. Poco animato ed al rigore di tempo - L'istesso tempo, Theme, Variations and Finale, op. 13: Variation II. Allegro scherzando, Theme, Variations and Finale, op. 13: Variation III. Un poco meno allegro ma sempre molto energico - Più allegro, Theme, Variations and Finale, op. 13: Variation IV. Moderato con gran espressione, Theme, Variations and Finale, op. 13: Variation V. Vivo con spirito - Vivace, Theme, Variations and Finale, op. 13: Variation VI. Andante quasi pastorale - Tranquillo, Theme, Variations and Finale, op. 13: Variation VII. Allegro molto agitato e tumultuoso, Theme, Variations and Finale, op. 13: Variation VIII. Moderato e molto giusto - Largamente e molto pesante - Più mosso
Stephen Rinker (engineer) engineer, sound Ballade for Piano and Orchestra from 'Stolen Face', Comedy Suite from 'The Belles of St Trinian's': Finale, Comedy Suite from 'The Belles of St Trinian's': Flash and Miss Fritton, Comedy Suite from 'The Belles of St Trinian's': Prelude, Comedy Suite from 'The Belles of St Trinian's': Races and Games, Comedy Suite from 'The Belles of St Trinian's': Train to Trinians, Concert Suite from "Sweeney Todd", op. 68a : Allegretto -, Concert Suite from "Sweeney Todd", op. 68a: Allegretto - Vivace -, Concert Suite from "Sweeney Todd", op. 68a: Allegro con brio - Allegretto (Pas de deux) - Più mosso - Allegretto - Allegro con brio, Concert Suite from "Sweeney Todd", op. 68a: Allegro vivace - Allegro frenetico -, Concert Suite from "Sweeney Todd", op. 68a: Andante - Allegro - Pas de quatre - Vivace - Moderato - Vivace – Frenetico - Molto meno mosso -, Concert Suite from "Sweeney Todd", op. 68a: Moderato e misterioso - Vivace - Meno mosso -, Concert Suite from "Sweeney Todd", op. 68a: Vivace - Allegro moderato -, Concerto for String Orchestra, op. 17: I. Moderato, ma risoluto ed energico - Un poco mosso - Ancora più mosso - Meno mosso -, Concerto for String Orchestra, op. 17: II. Lento con gran espressione - Un poco più largamente -, Concerto for String Orchestra, op. 17: III. Allegro giusto - Un poco più mosso - Più vivo - Ancora più vivo - Meno mosso ma non troppo adagio, Electra, op. 79: Lento - Allegro ma non troppo - Moderato -, Electra, op. 79: Lento - Vivace - Vivace -, Electra, op. 79: Vivace - Lento, Fantasy on Christmas Carols from 'The Holly and The Ivy', Notturno Ungherese, op. 28, Overture from 'The Roots of Heaven', Postcard from the Med from 'The Captain's Paradise', Rinaldo and Armida, op. 49: Andante con moto - Poco più mosso - Andante con moto - Moderato -, Rinaldo and Armida, op. 49: Lento -, Rinaldo and Armida, op. 49: Lento - Vivace molto - Lento, Rinaldo and Armida, op. 49: Moderato - Andantino - Moderato - Allegro agitato - Molto meno mosso - Andantino -, Rinaldo and Armida, op. 49: Poco lento (Pas de deux) - Moderato - Allegretto -, Rinaldo and Armida, op. 49: Vivace - Lento - Vivace - Moderato - Lento -, Scherzetto for Clarinet and Orchestra from 'You Know What Sailor Are', Suite from "Homage to the Queen", op. 42: I. Prelude and Opening Scene. Allegro moderato - Marziale - Andante con moto - Allegro molto -, Suite from "Homage to the Queen", op. 42: II. Dance of the Insects. Allegro scherzando (Pas de six), Suite from "Homage to the Queen", op. 42: III. Water. Poco lento - Vivace - [L’istesso tempo] (Pas de trois) - Waltz - [L’istesso tempo] (First Girl’s Solo) - Poco più mosso (Second Girl’s Solo) - Waltz Tempo I (Pas de trois) - Allegretto -, Suite from "Homage to the Queen", op. 42: IV. Fire Dance. Allegro con brio (Man’s Solo) -, Suite from "Homage to the Queen", op. 42: V. Pas de deux. Adagio non troppo - Poco agitato - Tempo I - Poco più mosso - Tempo I -, Suite from "Homage to the Queen", op. 42: VI. Finale. Maestoso - Marziale - Moderato e maestoso (Vision) - Allegro - Lento e maestoso, Suite from 'David Copperfield': Finale, Suite from 'David Copperfield': Main Titles and Opening Scene, Suite from 'David Copperfield': The Micawbers, Suite from 'David Copperfield': Young Lovers, Suite from 'No Love for Johnnie': Alla Marcia, Suite from 'No Love for Johnnie': Moderato, Suite from 'Trapeze': Elephant Waltz, Suite from 'Trapeze': Fanfare, Suite from 'Trapeze': Finale, Suite from 'Trapeze': Mike and Lola, Suite from 'Trapeze': Prelude, Suite from 'Trapeze': Romance, Suite from 'Trapeze': Tino's Arrival in Paris, Symphonic Study 'Machines' for Brass, Percussion and Strings, Op. 30, The Vintner's Daughter, op. 23a, Theme, Variations and Finale, op. 13: Finale. Vivace - Più animato - Tempo di Vivace - Più mosso e sempre agitato - Meno mosso e molto largamente - Vivacissimo, Theme, Variations and Finale, op. 13: Theme. Andante rubato, Theme, Variations and Finale, op. 13: Variation I. Poco animato ed al rigore di tempo - L'istesso tempo, Theme, Variations and Finale, op. 13: Variation II. Allegro scherzando, Theme, Variations and Finale, op. 13: Variation III. Un poco meno allegro ma sempre molto energico - Più allegro, Theme, Variations and Finale, op. 13: Variation IV. Moderato con gran espressione, Theme, Variations and Finale, op. 13: Variation V. Vivo con spirito - Vivace, Theme, Variations and Finale, op. 13: Variation VI. Andante quasi pastorale - Tranquillo, Theme, Variations and Finale, op. 13: Variation VII. Allegro molto agitato e tumultuoso, Theme, Variations and Finale, op. 13: Variation VIII. Moderato e molto giusto - Largamente e molto pesante - Più mosso
Brian Pidgeon producer Ben-Hur: I. Prelude, Ben-Hur: II. Love Theme, Ben-Hur: III. The Burning Desert, Ben-Hur: IV. The Rowing of the Galley Slaves, Ben-Hur: V. The Mother's Love, Ben-Hur: VI. Parade of the Charioteers, Concert Suite from "Sweeney Todd", op. 68a : Allegretto -, Concert Suite from "Sweeney Todd", op. 68a: Allegretto - Vivace -, Concert Suite from "Sweeney Todd", op. 68a: Allegro con brio - Allegretto (Pas de deux) - Più mosso - Allegretto - Allegro con brio, Concert Suite from "Sweeney Todd", op. 68a: Allegro vivace - Allegro frenetico -, Concert Suite from "Sweeney Todd", op. 68a: Andante - Allegro - Pas de quatre - Vivace - Moderato - Vivace – Frenetico - Molto meno mosso -, Concert Suite from "Sweeney Todd", op. 68a: Moderato e misterioso - Vivace - Meno mosso -, Concert Suite from "Sweeney Todd", op. 68a: Vivace - Allegro moderato -, Electra, op. 79: Lento - Allegro ma non troppo - Moderato -, Electra, op. 79: Lento - Vivace - Vivace -, Electra, op. 79: Vivace - Lento, Notturno Ungherese, op. 28, Rinaldo and Armida, op. 49: Andante con moto - Poco più mosso - Andante con moto - Moderato -, Rinaldo and Armida, op. 49: Lento -, Rinaldo and Armida, op. 49: Lento - Vivace molto - Lento, Rinaldo and Armida, op. 49: Moderato - Andantino - Moderato - Allegro agitato - Molto meno mosso - Andantino -, Rinaldo and Armida, op. 49: Poco lento (Pas de deux) - Moderato - Allegretto -, Rinaldo and Armida, op. 49: Vivace - Lento - Vivace - Moderato - Lento -, Rudyard Kipling's Jungle Book: I. Beginning, Rudyard Kipling's Jungle Book: II. Shere Khan, Rudyard Kipling's Jungle Book: III. Mowgli Wanders, Rudyard Kipling's Jungle Book: IV. Lullaby, Rudyard Kipling's Jungle Book: IX. Victory, Rudyard Kipling's Jungle Book: V. The Ways of Man, Rudyard Kipling's Jungle Book: VI. Cries of the Animals, Rudyard Kipling's Jungle Book: VII. Mowgli Seeks Shere Khan, Rudyard Kipling's Jungle Book: VIII. The Chase, Rudyard Kipling's Jungle Book: X. Bagheera's Contentment, Sahara: Suite, Suite from "Homage to the Queen", op. 42: I. Prelude and Opening Scene. Allegro moderato - Marziale - Andante con moto - Allegro molto -, Suite from "Homage to the Queen", op. 42: II. Dance of the Insects. Allegro scherzando (Pas de six), Suite from "Homage to the Queen", op. 42: III. Water. Poco lento - Vivace - [L’istesso tempo] (Pas de trois) - Waltz - [L’istesso tempo] (First Girl’s Solo) - Poco più mosso (Second Girl’s Solo) - Waltz Tempo I (Pas de trois) - Allegretto -, Suite from "Homage to the Queen", op. 42: IV. Fire Dance. Allegro con brio (Man’s Solo) -, Suite from "Homage to the Queen", op. 42: V. Pas de deux. Adagio non troppo - Poco agitato - Tempo I - Poco più mosso - Tempo I -, Suite from "Homage to the Queen", op. 42: VI. Finale. Maestoso - Marziale - Moderato e maestoso (Vision) - Allegro - Lento e maestoso, The Thief of Bagdad: I. Overture, The Thief of Bagdad: II. Cortège, The Thief of Bagdad: III. The Love of the Princess, The Thief of Bagdad: IV. The Sultan's Toys, The Thief of Bagdad: V. The Flying Horse Gallop, The Thief of Bagdad: VI. The Silvermaid's Dance, The Thief of Bagdad: VII. The Market at Basra, The Vintner's Daughter, op. 23a, Theme, Variations and Finale, op. 13: Theme. Andante rubato, Theme, Variations and Finale, op. 13: Variation I. Poco animato ed al rigore di tempo - L'istesso tempo, Theme, Variations and Finale, op. 13: Variation II. Allegro scherzando, Theme, Variations and Finale, op. 13: Variation III. Un poco meno allegro ma sempre molto energico - Più allegro, Theme, Variations and Finale, op. 13: Variation IV. Moderato con gran espressione, Theme, Variations and Finale, op. 13: Variation V. Vivo con spirito - Vivace, Theme, Variations and Finale, op. 13: Variation VI. Andante quasi pastorale - Tranquillo, Theme, Variations and Finale, op. 13: Variation VII. Allegro molto agitato e tumultuoso, Theme, Variations and Finale, op. 13: Variation VIII. Moderato e molto giusto - Largamente e molto pesante - Più mosso

Collaborators on this artist's recordings

Artist name Roles Recordings
BBC Philharmonic performing orchestra A Flourish for Orchestra, op. 112, A Grand Grand Festival Overture, op. 57, A Sussex Overture, op. 31, Anniversary Overture, op. 99, Ballade for Piano and Orchestra from 'Stolen Face', Beckus the Dandipratt, op. 5, Ben-Hur: I. Prelude, Ben-Hur: II. Love Theme, Ben-Hur: III. The Burning Desert, Ben-Hur: IV. The Rowing of the Galley Slaves, Ben-Hur: V. The Mother's Love, Ben-Hur: VI. Parade of the Charioteers, Cinderella, Comedy Suite from 'The Belles of St Trinian's': Finale, Comedy Suite from 'The Belles of St Trinian's': Flash and Miss Fritton, Comedy Suite from 'The Belles of St Trinian's': Prelude, Comedy Suite from 'The Belles of St Trinian's': Races and Games, Comedy Suite from 'The Belles of St Trinian's': Train to Trinians, Comic panic. Allegro, Concert Suite from "Sweeney Todd", op. 68a : Allegretto -, Concert Suite from "Sweeney Todd", op. 68a: Allegretto - Vivace -, Concert Suite from "Sweeney Todd", op. 68a: Allegro con brio - Allegretto (Pas de deux) - Più mosso - Allegretto - Allegro con brio, Concert Suite from "Sweeney Todd", op. 68a: Allegro vivace - Allegro frenetico -, Concert Suite from "Sweeney Todd", op. 68a: Andante - Allegro - Pas de quatre - Vivace - Moderato - Vivace – Frenetico - Molto meno mosso -, Concert Suite from "Sweeney Todd", op. 68a: Moderato e misterioso - Vivace - Meno mosso -, Concert Suite from "Sweeney Todd", op. 68a: Vivace - Allegro moderato -, Concerto for String Orchestra, op. 17: I. Moderato, ma risoluto ed energico - Un poco mosso - Ancora più mosso - Meno mosso -, Concerto for String Orchestra, op. 17: II. Lento con gran espressione - Un poco più largamente -, Concerto for String Orchestra, op. 17: III. Allegro giusto - Un poco più mosso - Più vivo - Ancora più vivo - Meno mosso ma non troppo adagio, Dawn after the Murder. Moderato sereno - Bill Sike's rêverie. Poco lento, Death of Mrs Thingummy. Lento, Electra, op. 79: Lento - Allegro ma non troppo - Moderato -, Electra, op. 79: Lento - Vivace - Vivace -, Electra, op. 79: Vivace - Lento, Fagin's romp. Allegro con vivacità, Fantasy on Christmas Carols from 'The Holly and The Ivy', Far From the Madding Crowd, Finale [alternative]. Moderato brillante, Finale [original]. Moderato brillante, Four Weddings and a Funeral: Love Scene, From ‘Blithe Spirit’: Prelude, From ‘Blithe Spirit’: Waltz, From ‘Dangerous Moonlight’: Warsaw Concerto, From ‘Out of the Clouds’: The Flame Tango, From ‘The Admirable Crichton’: Polka and Galop, From ‘The Admirable Crichton’: Waltz Sequence, From ‘Tom Brown’s Schooldays’: Overture, Gay March. Quick march tempo, Joyous Youth: I. Introduction, Joyous Youth: II. Serenade, Joyous Youth: III. Valse "Joyous Youth", London (London Everyday): I. Covent Garden. Tarantelle, London (London Everyday): II. Westminster: Meditation, London (London Everyday): III. Knightsbridge: March, Love Scene from "Four Weddings and a Funeral", March. Lento ma non troppo -, Miniature Suite: I. Children's Dance, Miniature Suite: II. Intermezzo, Miniature Suite: III. Scène du bal, Mr Brownlow's grief. Lento -, Mr Bumble's March. Pomposo, Murder on the Orient Express, Nancy's flight in the rain to meet Mr Brownlow. Moderato, Nancy's hysterical outburst. Allegro moderato - Andante, Nicole's Theme from "Tender Is the Night", Notturno Ungherese, op. 28, Oliver as funeral mute. Molto energico -, Oliver asks for more. Allegro moderato e feroce -, Oliver at Mr Brownlow's house. Poco lento, Oliver at play. Poco lento- Allegretto semplice, Oliver faints in court. Tempo rubato -, Oliver meets the Artful Dodger. Allegro moderato, Oliver sent to bed among the coffins. Moderato, Oliver's abduction. Lento, Oliver's birth. Molto moderato, Oliver's flight to London. Poco allegretto, Oliver's pickpocketing lesson -, Oliver's sleepless night. Andante -, Overture from 'The Roots of Heaven', Peterloo, op. 97, Picking oakum. Poco lento, Pickpocketing. Allegretto semplice -, Postcard from the Med from 'The Captain's Paradise', Prelude. Lento moderato, Quiet Interlude. Allegretto, Rinaldo and Armida, op. 49: Andante con moto - Poco più mosso - Andante con moto - Moderato -, Rinaldo and Armida, op. 49: Lento -, Rinaldo and Armida, op. 49: Lento - Vivace molto - Lento, Rinaldo and Armida, op. 49: Moderato - Andantino - Moderato - Allegro agitato - Molto meno mosso - Andantino -, Rinaldo and Armida, op. 49: Poco lento (Pas de deux) - Moderato - Allegretto -, Rinaldo and Armida, op. 49: Vivace - Lento - Vivace - Moderato - Lento -, Robert Kett, op. 141, Rudyard Kipling's Jungle Book: I. Beginning, Rudyard Kipling's Jungle Book: II. Shere Khan, Rudyard Kipling's Jungle Book: III. Mowgli Wanders, Rudyard Kipling's Jungle Book: IV. Lullaby, Rudyard Kipling's Jungle Book: IX. Victory, Rudyard Kipling's Jungle Book: V. The Ways of Man, Rudyard Kipling's Jungle Book: VI. Cries of the Animals, Rudyard Kipling's Jungle Book: VII. Mowgli Seeks Shere Khan, Rudyard Kipling's Jungle Book: VIII. The Chase, Rudyard Kipling's Jungle Book: X. Bagheera's Contentment, Sahara: Suite, Scherzetto for Clarinet and Orchestra from 'You Know What Sailor Are', Suite from "Homage to the Queen", op. 42: I. Prelude and Opening Scene. Allegro moderato - Marziale - Andante con moto - Allegro molto -, Suite from "Homage to the Queen", op. 42: II. Dance of the Insects. Allegro scherzando (Pas de six), Suite from "Homage to the Queen", op. 42: III. Water. Poco lento - Vivace - [L’istesso tempo] (Pas de trois) - Waltz - [L’istesso tempo] (First Girl’s Solo) - Poco più mosso (Second Girl’s Solo) - Waltz Tempo I (Pas de trois) - Allegretto -, Suite from "Homage to the Queen", op. 42: IV. Fire Dance. Allegro con brio (Man’s Solo) -, Suite from "Homage to the Queen", op. 42: V. Pas de deux. Adagio non troppo - Poco agitato - Tempo I - Poco più mosso - Tempo I -, Suite from "Homage to the Queen", op. 42: VI. Finale. Maestoso - Marziale - Moderato e maestoso (Vision) - Allegro - Lento e maestoso, Suite from 'David Copperfield': Finale, Suite from 'David Copperfield': Main Titles and Opening Scene, Suite from 'David Copperfield': The Micawbers, Suite from 'David Copperfield': Young Lovers, Suite from 'No Love for Johnnie': Alla Marcia, Suite from 'No Love for Johnnie': Moderato, Suite from 'Trapeze': Elephant Waltz, Suite from 'Trapeze': Fanfare, Suite from 'Trapeze': Finale, Suite from 'Trapeze': Mike and Lola, Suite from 'Trapeze': Prelude, Suite from 'Trapeze': Romance, Suite from 'Trapeze': Tino's Arrival in Paris, Suite from ‘Goodbye, Mr Chips’: Finale, Suite from ‘Goodbye, Mr Chips’: In the Mountains, Suite from ‘Goodbye, Mr Chips’: Main Titles and School Song, Suite from ‘Love on the Dole’: Blackpool Outing, Suite from ‘Love on the Dole’: Courting Couples, Suite from ‘Love on the Dole’: End Titles, Suite from ‘Love on the Dole’: Main Titles / Sally Awakes, Suite from ‘Scrooge’, Suite from ‘The Black Rose’: In the Empress’s Palace, Suite from ‘The Black Rose’: Main Titles and Opening Scene, Suite from ‘The Black Rose’: The Black Rose Theme, Symphonic Study 'Machines' for Brass, Percussion and Strings, Op. 30, Tam o' Shanter, op. 51, The Chase. Allegro vivace, The Dam Busters, The Fair Field, op. 110, The Fight. Allegro, The Portrait -, The Selfish Giant, The Smoke, op. 21, The Storm. Con vivo, The Thief of Bagdad: I. Overture, The Thief of Bagdad: II. Cortège, The Thief of Bagdad: III. The Love of the Princess, The Thief of Bagdad: IV. The Sultan's Toys, The Thief of Bagdad: V. The Flying Horse Gallop, The Thief of Bagdad: VI. The Silvermaid's Dance, The Thief of Bagdad: VII. The Market at Basra, The Three Bears, The Vintner's Daughter, op. 23a, Theme, Variations and Finale, op. 13: Finale. Vivace - Più animato - Tempo di Vivace - Più mosso e sempre agitato - Meno mosso e molto largamente - Vivacissimo, Theme, Variations and Finale, op. 13: Theme. Andante rubato, Theme, Variations and Finale, op. 13: Variation I. Poco animato ed al rigore di tempo - L'istesso tempo, Theme, Variations and Finale, op. 13: Variation II. Allegro scherzando, Theme, Variations and Finale, op. 13: Variation III. Un poco meno allegro ma sempre molto energico - Più allegro, Theme, Variations and Finale, op. 13: Variation IV. Moderato con gran espressione, Theme, Variations and Finale, op. 13: Variation V. Vivo con spirito - Vivace, Theme, Variations and Finale, op. 13: Variation VI. Andante quasi pastorale - Tranquillo, Theme, Variations and Finale, op. 13: Variation VII. Allegro molto agitato e tumultuoso, Theme, Variations and Finale, op. 13: Variation VIII. Moderato e molto giusto - Largamente e molto pesante - Più mosso, Things to Come: March, Wanted for Murder. Moderato - Lento, Work and Play. Moderato molto energico -
Rumon Gamba conductor A Flourish for Orchestra, op. 112, A Grand Grand Festival Overture, op. 57, A Sussex Overture, op. 31, Anniversary Overture, op. 99, Ballade for Piano and Orchestra from 'Stolen Face', Beckus the Dandipratt, op. 5, Ben-Hur: I. Prelude, Ben-Hur: II. Love Theme, Ben-Hur: III. The Burning Desert, Ben-Hur: IV. The Rowing of the Galley Slaves, Ben-Hur: V. The Mother's Love, Ben-Hur: VI. Parade of the Charioteers, Cinderella, Comedy Suite from 'The Belles of St Trinian's': Finale, Comedy Suite from 'The Belles of St Trinian's': Flash and Miss Fritton, Comedy Suite from 'The Belles of St Trinian's': Prelude, Comedy Suite from 'The Belles of St Trinian's': Races and Games, Comedy Suite from 'The Belles of St Trinian's': Train to Trinians, Comic panic. Allegro, Concert Suite from "Sweeney Todd", op. 68a : Allegretto -, Concert Suite from "Sweeney Todd", op. 68a: Allegretto - Vivace -, Concert Suite from "Sweeney Todd", op. 68a: Allegro con brio - Allegretto (Pas de deux) - Più mosso - Allegretto - Allegro con brio, Concert Suite from "Sweeney Todd", op. 68a: Allegro vivace - Allegro frenetico -, Concert Suite from "Sweeney Todd", op. 68a: Andante - Allegro - Pas de quatre - Vivace - Moderato - Vivace – Frenetico - Molto meno mosso -, Concert Suite from "Sweeney Todd", op. 68a: Moderato e misterioso - Vivace - Meno mosso -, Concert Suite from "Sweeney Todd", op. 68a: Vivace - Allegro moderato -, Concerto for String Orchestra, op. 17: I. Moderato, ma risoluto ed energico - Un poco mosso - Ancora più mosso - Meno mosso -, Concerto for String Orchestra, op. 17: II. Lento con gran espressione - Un poco più largamente -, Concerto for String Orchestra, op. 17: III. Allegro giusto - Un poco più mosso - Più vivo - Ancora più vivo - Meno mosso ma non troppo adagio, Dawn after the Murder. Moderato sereno - Bill Sike's rêverie. Poco lento, Death of Mrs Thingummy. Lento, Electra, op. 79: Lento - Allegro ma non troppo - Moderato -, Electra, op. 79: Lento - Vivace - Vivace -, Electra, op. 79: Vivace - Lento, Fagin's romp. Allegro con vivacità, Fantasy on Christmas Carols from 'The Holly and The Ivy', Far From the Madding Crowd, Finale [alternative]. Moderato brillante, Finale [original]. Moderato brillante, Four Weddings and a Funeral: Love Scene, From ‘Blithe Spirit’: Prelude, From ‘Blithe Spirit’: Waltz, From ‘Dangerous Moonlight’: Warsaw Concerto, From ‘Out of the Clouds’: The Flame Tango, From ‘The Admirable Crichton’: Polka and Galop, From ‘The Admirable Crichton’: Waltz Sequence, From ‘Tom Brown’s Schooldays’: Overture, Gay March. Quick march tempo, Joyous Youth: I. Introduction, Joyous Youth: II. Serenade, Joyous Youth: III. Valse "Joyous Youth", London (London Everyday): I. Covent Garden. Tarantelle, London (London Everyday): II. Westminster: Meditation, London (London Everyday): III. Knightsbridge: March, Love Scene from "Four Weddings and a Funeral", March. Lento ma non troppo -, Miniature Suite: I. Children's Dance, Miniature Suite: II. Intermezzo, Miniature Suite: III. Scène du bal, Mr Brownlow's grief. Lento -, Mr Bumble's March. Pomposo, Murder on the Orient Express, Nancy's flight in the rain to meet Mr Brownlow. Moderato, Nancy's hysterical outburst. Allegro moderato - Andante, Nicole's Theme from "Tender Is the Night", Notturno Ungherese, op. 28, Oliver as funeral mute. Molto energico -, Oliver asks for more. Allegro moderato e feroce -, Oliver at Mr Brownlow's house. Poco lento, Oliver at play. Poco lento- Allegretto semplice, Oliver faints in court. Tempo rubato -, Oliver meets the Artful Dodger. Allegro moderato, Oliver sent to bed among the coffins. Moderato, Oliver's abduction. Lento, Oliver's birth. Molto moderato, Oliver's flight to London. Poco allegretto, Oliver's pickpocketing lesson -, Oliver's sleepless night. Andante -, Overture from 'The Roots of Heaven', Peterloo, op. 97, Picking oakum. Poco lento, Pickpocketing. Allegretto semplice -, Postcard from the Med from 'The Captain's Paradise', Prelude. Lento moderato, Quiet Interlude. Allegretto, Rinaldo and Armida, op. 49: Andante con moto - Poco più mosso - Andante con moto - Moderato -, Rinaldo and Armida, op. 49: Lento -, Rinaldo and Armida, op. 49: Lento - Vivace molto - Lento, Rinaldo and Armida, op. 49: Moderato - Andantino - Moderato - Allegro agitato - Molto meno mosso - Andantino -, Rinaldo and Armida, op. 49: Poco lento (Pas de deux) - Moderato - Allegretto -, Rinaldo and Armida, op. 49: Vivace - Lento - Vivace - Moderato - Lento -, Robert Kett, op. 141, Rudyard Kipling's Jungle Book: I. Beginning, Rudyard Kipling's Jungle Book: II. Shere Khan, Rudyard Kipling's Jungle Book: III. Mowgli Wanders, Rudyard Kipling's Jungle Book: IV. Lullaby, Rudyard Kipling's Jungle Book: IX. Victory, Rudyard Kipling's Jungle Book: V. The Ways of Man, Rudyard Kipling's Jungle Book: VI. Cries of the Animals, Rudyard Kipling's Jungle Book: VII. Mowgli Seeks Shere Khan, Rudyard Kipling's Jungle Book: VIII. The Chase, Rudyard Kipling's Jungle Book: X. Bagheera's Contentment, Sahara: Suite, Scherzetto for Clarinet and Orchestra from 'You Know What Sailor Are', Suite from "Homage to the Queen", op. 42: I. Prelude and Opening Scene. Allegro moderato - Marziale - Andante con moto - Allegro molto -, Suite from "Homage to the Queen", op. 42: II. Dance of the Insects. Allegro scherzando (Pas de six), Suite from "Homage to the Queen", op. 42: III. Water. Poco lento - Vivace - [L’istesso tempo] (Pas de trois) - Waltz - [L’istesso tempo] (First Girl’s Solo) - Poco più mosso (Second Girl’s Solo) - Waltz Tempo I (Pas de trois) - Allegretto -, Suite from "Homage to the Queen", op. 42: IV. Fire Dance. Allegro con brio (Man’s Solo) -, Suite from "Homage to the Queen", op. 42: V. Pas de deux. Adagio non troppo - Poco agitato - Tempo I - Poco più mosso - Tempo I -, Suite from "Homage to the Queen", op. 42: VI. Finale. Maestoso - Marziale - Moderato e maestoso (Vision) - Allegro - Lento e maestoso, Suite from 'David Copperfield': Finale, Suite from 'David Copperfield': Main Titles and Opening Scene, Suite from 'David Copperfield': The Micawbers, Suite from 'David Copperfield': Young Lovers, Suite from 'No Love for Johnnie': Alla Marcia, Suite from 'No Love for Johnnie': Moderato, Suite from 'Trapeze': Elephant Waltz, Suite from 'Trapeze': Fanfare, Suite from 'Trapeze': Finale, Suite from 'Trapeze': Mike and Lola, Suite from 'Trapeze': Prelude, Suite from 'Trapeze': Romance, Suite from 'Trapeze': Tino's Arrival in Paris, Suite from ‘Goodbye, Mr Chips’: Finale, Suite from ‘Goodbye, Mr Chips’: In the Mountains, Suite from ‘Goodbye, Mr Chips’: Main Titles and School Song, Suite from ‘Love on the Dole’: Blackpool Outing, Suite from ‘Love on the Dole’: Courting Couples, Suite from ‘Love on the Dole’: End Titles, Suite from ‘Love on the Dole’: Main Titles / Sally Awakes, Suite from ‘Scrooge’, Suite from ‘The Black Rose’: In the Empress’s Palace, Suite from ‘The Black Rose’: Main Titles and Opening Scene, Suite from ‘The Black Rose’: The Black Rose Theme, Symphonic Study 'Machines' for Brass, Percussion and Strings, Op. 30, Tam o' Shanter, op. 51, The Chase. Allegro vivace, The Dam Busters, The Fair Field, op. 110, The Fight. Allegro, The Portrait -, The Selfish Giant, The Smoke, op. 21, The Storm. Con vivo, The Thief of Bagdad: I. Overture, The Thief of Bagdad: II. Cortège, The Thief of Bagdad: III. The Love of the Princess, The Thief of Bagdad: IV. The Sultan's Toys, The Thief of Bagdad: V. The Flying Horse Gallop, The Thief of Bagdad: VI. The Silvermaid's Dance, The Thief of Bagdad: VII. The Market at Basra, The Three Bears, The Vintner's Daughter, op. 23a, Theme, Variations and Finale, op. 13: Finale. Vivace - Più animato - Tempo di Vivace - Più mosso e sempre agitato - Meno mosso e molto largamente - Vivacissimo, Theme, Variations and Finale, op. 13: Theme. Andante rubato, Theme, Variations and Finale, op. 13: Variation I. Poco animato ed al rigore di tempo - L'istesso tempo, Theme, Variations and Finale, op. 13: Variation II. Allegro scherzando, Theme, Variations and Finale, op. 13: Variation III. Un poco meno allegro ma sempre molto energico - Più allegro, Theme, Variations and Finale, op. 13: Variation IV. Moderato con gran espressione, Theme, Variations and Finale, op. 13: Variation V. Vivo con spirito - Vivace, Theme, Variations and Finale, op. 13: Variation VI. Andante quasi pastorale - Tranquillo, Theme, Variations and Finale, op. 13: Variation VII. Allegro molto agitato e tumultuoso, Theme, Variations and Finale, op. 13: Variation VIII. Moderato e molto giusto - Largamente e molto pesante - Più mosso, Things to Come: March, Wanted for Murder. Moderato - Lento, Work and Play. Moderato molto energico -
Mike George (classical producer) producer Ben-Hur: I. Prelude, Ben-Hur: II. Love Theme, Ben-Hur: III. The Burning Desert, Ben-Hur: IV. The Rowing of the Galley Slaves, Ben-Hur: V. The Mother's Love, Ben-Hur: VI. Parade of the Charioteers, Concert Suite from "Sweeney Todd", op. 68a : Allegretto -, Concert Suite from "Sweeney Todd", op. 68a: Allegretto - Vivace -, Concert Suite from "Sweeney Todd", op. 68a: Allegro con brio - Allegretto (Pas de deux) - Più mosso - Allegretto - Allegro con brio, Concert Suite from "Sweeney Todd", op. 68a: Allegro vivace - Allegro frenetico -, Concert Suite from "Sweeney Todd", op. 68a: Andante - Allegro - Pas de quatre - Vivace - Moderato - Vivace – Frenetico - Molto meno mosso -, Concert Suite from "Sweeney Todd", op. 68a: Moderato e misterioso - Vivace - Meno mosso -, Concert Suite from "Sweeney Todd", op. 68a: Vivace - Allegro moderato -, Electra, op. 79: Lento - Allegro ma non troppo - Moderato -, Electra, op. 79: Lento - Vivace - Vivace -, Electra, op. 79: Vivace - Lento, Notturno Ungherese, op. 28, Rinaldo and Armida, op. 49: Andante con moto - Poco più mosso - Andante con moto - Moderato -, Rinaldo and Armida, op. 49: Lento -, Rinaldo and Armida, op. 49: Lento - Vivace molto - Lento, Rinaldo and Armida, op. 49: Moderato - Andantino - Moderato - Allegro agitato - Molto meno mosso - Andantino -, Rinaldo and Armida, op. 49: Poco lento (Pas de deux) - Moderato - Allegretto -, Rinaldo and Armida, op. 49: Vivace - Lento - Vivace - Moderato - Lento -, Rudyard Kipling's Jungle Book: I. Beginning, Rudyard Kipling's Jungle Book: II. Shere Khan, Rudyard Kipling's Jungle Book: III. Mowgli Wanders, Rudyard Kipling's Jungle Book: IV. Lullaby, Rudyard Kipling's Jungle Book: IX. Victory, Rudyard Kipling's Jungle Book: V. The Ways of Man, Rudyard Kipling's Jungle Book: VI. Cries of the Animals, Rudyard Kipling's Jungle Book: VII. Mowgli Seeks Shere Khan, Rudyard Kipling's Jungle Book: VIII. The Chase, Rudyard Kipling's Jungle Book: X. Bagheera's Contentment, Sahara: Suite, Suite from "Homage to the Queen", op. 42: I. Prelude and Opening Scene. Allegro moderato - Marziale - Andante con moto - Allegro molto -, Suite from "Homage to the Queen", op. 42: II. Dance of the Insects. Allegro scherzando (Pas de six), Suite from "Homage to the Queen", op. 42: III. Water. Poco lento - Vivace - [L’istesso tempo] (Pas de trois) - Waltz - [L’istesso tempo] (First Girl’s Solo) - Poco più mosso (Second Girl’s Solo) - Waltz Tempo I (Pas de trois) - Allegretto -, Suite from "Homage to the Queen", op. 42: IV. Fire Dance. Allegro con brio (Man’s Solo) -, Suite from "Homage to the Queen", op. 42: V. Pas de deux. Adagio non troppo - Poco agitato - Tempo I - Poco più mosso - Tempo I -, Suite from "Homage to the Queen", op. 42: VI. Finale. Maestoso - Marziale - Moderato e maestoso (Vision) - Allegro - Lento e maestoso, Suite from 'Trapeze': Elephant Waltz, Suite from 'Trapeze': Fanfare, Suite from 'Trapeze': Finale, Suite from 'Trapeze': Mike and Lola, Suite from 'Trapeze': Prelude, Suite from 'Trapeze': Romance, Suite from 'Trapeze': Tino's Arrival in Paris, The Thief of Bagdad: I. Overture, The Thief of Bagdad: II. Cortège, The Thief of Bagdad: III. The Love of the Princess, The Thief of Bagdad: IV. The Sultan's Toys, The Thief of Bagdad: V. The Flying Horse Gallop, The Thief of Bagdad: VI. The Silvermaid's Dance, The Thief of Bagdad: VII. The Market at Basra, The Vintner's Daughter, op. 23a, Theme, Variations and Finale, op. 13: Theme. Andante rubato, Theme, Variations and Finale, op. 13: Variation I. Poco animato ed al rigore di tempo - L'istesso tempo, Theme, Variations and Finale, op. 13: Variation II. Allegro scherzando, Theme, Variations and Finale, op. 13: Variation III. Un poco meno allegro ma sempre molto energico - Più allegro, Theme, Variations and Finale, op. 13: Variation IV. Moderato con gran espressione, Theme, Variations and Finale, op. 13: Variation V. Vivo con spirito - Vivace, Theme, Variations and Finale, op. 13: Variation VI. Andante quasi pastorale - Tranquillo, Theme, Variations and Finale, op. 13: Variation VII. Allegro molto agitato e tumultuoso, Theme, Variations and Finale, op. 13: Variation VIII. Moderato e molto giusto - Largamente e molto pesante - Più mosso
Stephen Rinker (engineer) engineer, sound Ballade for Piano and Orchestra from 'Stolen Face', Comedy Suite from 'The Belles of St Trinian's': Finale, Comedy Suite from 'The Belles of St Trinian's': Flash and Miss Fritton, Comedy Suite from 'The Belles of St Trinian's': Prelude, Comedy Suite from 'The Belles of St Trinian's': Races and Games, Comedy Suite from 'The Belles of St Trinian's': Train to Trinians, Concert Suite from "Sweeney Todd", op. 68a : Allegretto -, Concert Suite from "Sweeney Todd", op. 68a: Allegretto - Vivace -, Concert Suite from "Sweeney Todd", op. 68a: Allegro con brio - Allegretto (Pas de deux) - Più mosso - Allegretto - Allegro con brio, Concert Suite from "Sweeney Todd", op. 68a: Allegro vivace - Allegro frenetico -, Concert Suite from "Sweeney Todd", op. 68a: Andante - Allegro - Pas de quatre - Vivace - Moderato - Vivace – Frenetico - Molto meno mosso -, Concert Suite from "Sweeney Todd", op. 68a: Moderato e misterioso - Vivace - Meno mosso -, Concert Suite from "Sweeney Todd", op. 68a: Vivace - Allegro moderato -, Concerto for String Orchestra, op. 17: I. Moderato, ma risoluto ed energico - Un poco mosso - Ancora più mosso - Meno mosso -, Concerto for String Orchestra, op. 17: II. Lento con gran espressione - Un poco più largamente -, Concerto for String Orchestra, op. 17: III. Allegro giusto - Un poco più mosso - Più vivo - Ancora più vivo - Meno mosso ma non troppo adagio, Electra, op. 79: Lento - Allegro ma non troppo - Moderato -, Electra, op. 79: Lento - Vivace - Vivace -, Electra, op. 79: Vivace - Lento, Fantasy on Christmas Carols from 'The Holly and The Ivy', Notturno Ungherese, op. 28, Overture from 'The Roots of Heaven', Postcard from the Med from 'The Captain's Paradise', Rinaldo and Armida, op. 49: Andante con moto - Poco più mosso - Andante con moto - Moderato -, Rinaldo and Armida, op. 49: Lento -, Rinaldo and Armida, op. 49: Lento - Vivace molto - Lento, Rinaldo and Armida, op. 49: Moderato - Andantino - Moderato - Allegro agitato - Molto meno mosso - Andantino -, Rinaldo and Armida, op. 49: Poco lento (Pas de deux) - Moderato - Allegretto -, Rinaldo and Armida, op. 49: Vivace - Lento - Vivace - Moderato - Lento -, Scherzetto for Clarinet and Orchestra from 'You Know What Sailor Are', Suite from "Homage to the Queen", op. 42: I. Prelude and Opening Scene. Allegro moderato - Marziale - Andante con moto - Allegro molto -, Suite from "Homage to the Queen", op. 42: II. Dance of the Insects. Allegro scherzando (Pas de six), Suite from "Homage to the Queen", op. 42: III. Water. Poco lento - Vivace - [L’istesso tempo] (Pas de trois) - Waltz - [L’istesso tempo] (First Girl’s Solo) - Poco più mosso (Second Girl’s Solo) - Waltz Tempo I (Pas de trois) - Allegretto -, Suite from "Homage to the Queen", op. 42: IV. Fire Dance. Allegro con brio (Man’s Solo) -, Suite from "Homage to the Queen", op. 42: V. Pas de deux. Adagio non troppo - Poco agitato - Tempo I - Poco più mosso - Tempo I -, Suite from "Homage to the Queen", op. 42: VI. Finale. Maestoso - Marziale - Moderato e maestoso (Vision) - Allegro - Lento e maestoso, Suite from 'David Copperfield': Finale, Suite from 'David Copperfield': Main Titles and Opening Scene, Suite from 'David Copperfield': The Micawbers, Suite from 'David Copperfield': Young Lovers, Suite from 'No Love for Johnnie': Alla Marcia, Suite from 'No Love for Johnnie': Moderato, Suite from 'Trapeze': Elephant Waltz, Suite from 'Trapeze': Fanfare, Suite from 'Trapeze': Finale, Suite from 'Trapeze': Mike and Lola, Suite from 'Trapeze': Prelude, Suite from 'Trapeze': Romance, Suite from 'Trapeze': Tino's Arrival in Paris, Symphonic Study 'Machines' for Brass, Percussion and Strings, Op. 30, The Vintner's Daughter, op. 23a, Theme, Variations and Finale, op. 13: Finale. Vivace - Più animato - Tempo di Vivace - Più mosso e sempre agitato - Meno mosso e molto largamente - Vivacissimo, Theme, Variations and Finale, op. 13: Theme. Andante rubato, Theme, Variations and Finale, op. 13: Variation I. Poco animato ed al rigore di tempo - L'istesso tempo, Theme, Variations and Finale, op. 13: Variation II. Allegro scherzando, Theme, Variations and Finale, op. 13: Variation III. Un poco meno allegro ma sempre molto energico - Più allegro, Theme, Variations and Finale, op. 13: Variation IV. Moderato con gran espressione, Theme, Variations and Finale, op. 13: Variation V. Vivo con spirito - Vivace, Theme, Variations and Finale, op. 13: Variation VI. Andante quasi pastorale - Tranquillo, Theme, Variations and Finale, op. 13: Variation VII. Allegro molto agitato e tumultuoso, Theme, Variations and Finale, op. 13: Variation VIII. Moderato e molto giusto - Largamente e molto pesante - Più mosso
Brian Pidgeon producer Ben-Hur: I. Prelude, Ben-Hur: II. Love Theme, Ben-Hur: III. The Burning Desert, Ben-Hur: IV. The Rowing of the Galley Slaves, Ben-Hur: V. The Mother's Love, Ben-Hur: VI. Parade of the Charioteers, Concert Suite from "Sweeney Todd", op. 68a : Allegretto -, Concert Suite from "Sweeney Todd", op. 68a: Allegretto - Vivace -, Concert Suite from "Sweeney Todd", op. 68a: Allegro con brio - Allegretto (Pas de deux) - Più mosso - Allegretto - Allegro con brio, Concert Suite from "Sweeney Todd", op. 68a: Allegro vivace - Allegro frenetico -, Concert Suite from "Sweeney Todd", op. 68a: Andante - Allegro - Pas de quatre - Vivace - Moderato - Vivace – Frenetico - Molto meno mosso -, Concert Suite from "Sweeney Todd", op. 68a: Moderato e misterioso - Vivace - Meno mosso -, Concert Suite from "Sweeney Todd", op. 68a: Vivace - Allegro moderato -, Electra, op. 79: Lento - Allegro ma non troppo - Moderato -, Electra, op. 79: Lento - Vivace - Vivace -, Electra, op. 79: Vivace - Lento, Notturno Ungherese, op. 28, Rinaldo and Armida, op. 49: Andante con moto - Poco più mosso - Andante con moto - Moderato -, Rinaldo and Armida, op. 49: Lento -, Rinaldo and Armida, op. 49: Lento - Vivace molto - Lento, Rinaldo and Armida, op. 49: Moderato - Andantino - Moderato - Allegro agitato - Molto meno mosso - Andantino -, Rinaldo and Armida, op. 49: Poco lento (Pas de deux) - Moderato - Allegretto -, Rinaldo and Armida, op. 49: Vivace - Lento - Vivace - Moderato - Lento -, Rudyard Kipling's Jungle Book: I. Beginning, Rudyard Kipling's Jungle Book: II. Shere Khan, Rudyard Kipling's Jungle Book: III. Mowgli Wanders, Rudyard Kipling's Jungle Book: IV. Lullaby, Rudyard Kipling's Jungle Book: IX. Victory, Rudyard Kipling's Jungle Book: V. The Ways of Man, Rudyard Kipling's Jungle Book: VI. Cries of the Animals, Rudyard Kipling's Jungle Book: VII. Mowgli Seeks Shere Khan, Rudyard Kipling's Jungle Book: VIII. The Chase, Rudyard Kipling's Jungle Book: X. Bagheera's Contentment, Sahara: Suite, Suite from "Homage to the Queen", op. 42: I. Prelude and Opening Scene. Allegro moderato - Marziale - Andante con moto - Allegro molto -, Suite from "Homage to the Queen", op. 42: II. Dance of the Insects. Allegro scherzando (Pas de six), Suite from "Homage to the Queen", op. 42: III. Water. Poco lento - Vivace - [L’istesso tempo] (Pas de trois) - Waltz - [L’istesso tempo] (First Girl’s Solo) - Poco più mosso (Second Girl’s Solo) - Waltz Tempo I (Pas de trois) - Allegretto -, Suite from "Homage to the Queen", op. 42: IV. Fire Dance. Allegro con brio (Man’s Solo) -, Suite from "Homage to the Queen", op. 42: V. Pas de deux. Adagio non troppo - Poco agitato - Tempo I - Poco più mosso - Tempo I -, Suite from "Homage to the Queen", op. 42: VI. Finale. Maestoso - Marziale - Moderato e maestoso (Vision) - Allegro - Lento e maestoso, The Thief of Bagdad: I. Overture, The Thief of Bagdad: II. Cortège, The Thief of Bagdad: III. The Love of the Princess, The Thief of Bagdad: IV. The Sultan's Toys, The Thief of Bagdad: V. The Flying Horse Gallop, The Thief of Bagdad: VI. The Silvermaid's Dance, The Thief of Bagdad: VII. The Market at Basra, The Vintner's Daughter, op. 23a, Theme, Variations and Finale, op. 13: Theme. Andante rubato, Theme, Variations and Finale, op. 13: Variation I. Poco animato ed al rigore di tempo - L'istesso tempo, Theme, Variations and Finale, op. 13: Variation II. Allegro scherzando, Theme, Variations and Finale, op. 13: Variation III. Un poco meno allegro ma sempre molto energico - Più allegro, Theme, Variations and Finale, op. 13: Variation IV. Moderato con gran espressione, Theme, Variations and Finale, op. 13: Variation V. Vivo con spirito - Vivace, Theme, Variations and Finale, op. 13: Variation VI. Andante quasi pastorale - Tranquillo, Theme, Variations and Finale, op. 13: Variation VII. Allegro molto agitato e tumultuoso, Theme, Variations and Finale, op. 13: Variation VIII. Moderato e molto giusto - Largamente e molto pesante - Più mosso
Jonathan Cooper (classical music engineer) editor, producer Concert Suite from "Sweeney Todd", op. 68a : Allegretto -, Concert Suite from "Sweeney Todd", op. 68a: Allegretto - Vivace -, Concert Suite from "Sweeney Todd", op. 68a: Allegro con brio - Allegretto (Pas de deux) - Più mosso - Allegretto - Allegro con brio, Concert Suite from "Sweeney Todd", op. 68a: Allegro vivace - Allegro frenetico -, Concert Suite from "Sweeney Todd", op. 68a: Andante - Allegro - Pas de quatre - Vivace - Moderato - Vivace – Frenetico - Molto meno mosso -, Concert Suite from "Sweeney Todd", op. 68a: Moderato e misterioso - Vivace - Meno mosso -, Concert Suite from "Sweeney Todd", op. 68a: Vivace - Allegro moderato -, Concerto for String Orchestra, op. 17: I. Moderato, ma risoluto ed energico - Un poco mosso - Ancora più mosso - Meno mosso -, Concerto for String Orchestra, op. 17: II. Lento con gran espressione - Un poco più largamente -, Concerto for String Orchestra, op. 17: III. Allegro giusto - Un poco più mosso - Più vivo - Ancora più vivo - Meno mosso ma non troppo adagio, Electra, op. 79: Lento - Allegro ma non troppo - Moderato -, Electra, op. 79: Lento - Vivace - Vivace -, Electra, op. 79: Vivace - Lento, Rinaldo and Armida, op. 49: Andante con moto - Poco più mosso - Andante con moto - Moderato -, Rinaldo and Armida, op. 49: Lento -, Rinaldo and Armida, op. 49: Lento - Vivace molto - Lento, Rinaldo and Armida, op. 49: Moderato - Andantino - Moderato - Allegro agitato - Molto meno mosso - Andantino -, Rinaldo and Armida, op. 49: Poco lento (Pas de deux) - Moderato - Allegretto -, Rinaldo and Armida, op. 49: Vivace - Lento - Vivace - Moderato - Lento -, Suite from "Homage to the Queen", op. 42: I. Prelude and Opening Scene. Allegro moderato - Marziale - Andante con moto - Allegro molto -, Suite from "Homage to the Queen", op. 42: II. Dance of the Insects. Allegro scherzando (Pas de six), Suite from "Homage to the Queen", op. 42: III. Water. Poco lento - Vivace - [L’istesso tempo] (Pas de trois) - Waltz - [L’istesso tempo] (First Girl’s Solo) - Poco più mosso (Second Girl’s Solo) - Waltz Tempo I (Pas de trois) - Allegretto -, Suite from "Homage to the Queen", op. 42: IV. Fire Dance. Allegro con brio (Man’s Solo) -, Suite from "Homage to the Queen", op. 42: V. Pas de deux. Adagio non troppo - Poco agitato - Tempo I - Poco più mosso - Tempo I -, Suite from "Homage to the Queen", op. 42: VI. Finale. Maestoso - Marziale - Moderato e maestoso (Vision) - Allegro - Lento e maestoso, Theme, Variations and Finale, op. 13: Finale. Vivace - Più animato - Tempo di Vivace - Più mosso e sempre agitato - Meno mosso e molto largamente - Vivacissimo, Theme, Variations and Finale, op. 13: Theme. Andante rubato, Theme, Variations and Finale, op. 13: Variation I. Poco animato ed al rigore di tempo - L'istesso tempo, Theme, Variations and Finale, op. 13: Variation II. Allegro scherzando, Theme, Variations and Finale, op. 13: Variation III. Un poco meno allegro ma sempre molto energico - Più allegro, Theme, Variations and Finale, op. 13: Variation IV. Moderato con gran espressione, Theme, Variations and Finale, op. 13: Variation V. Vivo con spirito - Vivace, Theme, Variations and Finale, op. 13: Variation VI. Andante quasi pastorale - Tranquillo, Theme, Variations and Finale, op. 13: Variation VII. Allegro molto agitato e tumultuoso, Theme, Variations and Finale, op. 13: Variation VIII. Moderato e molto giusto - Largamente e molto pesante - Più mosso
Yuri Torchinsky concertmaster Ben-Hur: I. Prelude, Ben-Hur: II. Love Theme, Ben-Hur: III. The Burning Desert, Ben-Hur: IV. The Rowing of the Galley Slaves, Ben-Hur: V. The Mother's Love, Ben-Hur: VI. Parade of the Charioteers, Rudyard Kipling's Jungle Book: I. Beginning, Rudyard Kipling's Jungle Book: II. Shere Khan, Rudyard Kipling's Jungle Book: III. Mowgli Wanders, Rudyard Kipling's Jungle Book: IV. Lullaby, Rudyard Kipling's Jungle Book: IX. Victory, Rudyard Kipling's Jungle Book: V. The Ways of Man, Rudyard Kipling's Jungle Book: VI. Cries of the Animals, Rudyard Kipling's Jungle Book: VII. Mowgli Seeks Shere Khan, Rudyard Kipling's Jungle Book: VIII. The Chase, Rudyard Kipling's Jungle Book: X. Bagheera's Contentment, Sahara: Suite, The Thief of Bagdad: I. Overture, The Thief of Bagdad: II. Cortège, The Thief of Bagdad: III. The Love of the Princess, The Thief of Bagdad: IV. The Sultan's Toys, The Thief of Bagdad: V. The Flying Horse Gallop, The Thief of Bagdad: VI. The Silvermaid's Dance, The Thief of Bagdad: VII. The Market at Basra
Rosanna Fish editor Ben-Hur: I. Prelude, Ben-Hur: II. Love Theme, Ben-Hur: III. The Burning Desert, Ben-Hur: IV. The Rowing of the Galley Slaves, Ben-Hur: V. The Mother's Love, Ben-Hur: VI. Parade of the Charioteers, Rudyard Kipling's Jungle Book: I. Beginning, Rudyard Kipling's Jungle Book: II. Shere Khan, Rudyard Kipling's Jungle Book: III. Mowgli Wanders, Rudyard Kipling's Jungle Book: IV. Lullaby, Rudyard Kipling's Jungle Book: IX. Victory, Rudyard Kipling's Jungle Book: V. The Ways of Man, Rudyard Kipling's Jungle Book: VI. Cries of the Animals, Rudyard Kipling's Jungle Book: VII. Mowgli Seeks Shere Khan, Rudyard Kipling's Jungle Book: VIII. The Chase, Rudyard Kipling's Jungle Book: X. Bagheera's Contentment, Sahara: Suite, The Thief of Bagdad: I. Overture, The Thief of Bagdad: II. Cortège, The Thief of Bagdad: III. The Love of the Princess, The Thief of Bagdad: IV. The Sultan's Toys, The Thief of Bagdad: V. The Flying Horse Gallop, The Thief of Bagdad: VI. The Silvermaid's Dance, The Thief of Bagdad: VII. The Market at Basra
Mike Smith (engineer) engineer Concert Suite from "Sweeney Todd", op. 68a : Allegretto -, Concert Suite from "Sweeney Todd", op. 68a: Allegretto - Vivace -, Concert Suite from "Sweeney Todd", op. 68a: Allegro con brio - Allegretto (Pas de deux) - Più mosso - Allegretto - Allegro con brio, Concert Suite from "Sweeney Todd", op. 68a: Allegro vivace - Allegro frenetico -, Concert Suite from "Sweeney Todd", op. 68a: Andante - Allegro - Pas de quatre - Vivace - Moderato - Vivace – Frenetico - Molto meno mosso -, Concert Suite from "Sweeney Todd", op. 68a: Moderato e misterioso - Vivace - Meno mosso -, Concert Suite from "Sweeney Todd", op. 68a: Vivace - Allegro moderato -, Electra, op. 79: Lento - Allegro ma non troppo - Moderato -, Electra, op. 79: Lento - Vivace - Vivace -, Electra, op. 79: Vivace - Lento, Rinaldo and Armida, op. 49: Andante con moto - Poco più mosso - Andante con moto - Moderato -, Rinaldo and Armida, op. 49: Lento -, Rinaldo and Armida, op. 49: Lento - Vivace molto - Lento, Rinaldo and Armida, op. 49: Moderato - Andantino - Moderato - Allegro agitato - Molto meno mosso - Andantino -, Rinaldo and Armida, op. 49: Poco lento (Pas de deux) - Moderato - Allegretto -, Rinaldo and Armida, op. 49: Vivace - Lento - Vivace - Moderato - Lento -, Suite from "Homage to the Queen", op. 42: I. Prelude and Opening Scene. Allegro moderato - Marziale - Andante con moto - Allegro molto -, Suite from "Homage to the Queen", op. 42: II. Dance of the Insects. Allegro scherzando (Pas de six), Suite from "Homage to the Queen", op. 42: III. Water. Poco lento - Vivace - [L’istesso tempo] (Pas de trois) - Waltz - [L’istesso tempo] (First Girl’s Solo) - Poco più mosso (Second Girl’s Solo) - Waltz Tempo I (Pas de trois) - Allegretto -, Suite from "Homage to the Queen", op. 42: IV. Fire Dance. Allegro con brio (Man’s Solo) -, Suite from "Homage to the Queen", op. 42: V. Pas de deux. Adagio non troppo - Poco agitato - Tempo I - Poco più mosso - Tempo I -, Suite from "Homage to the Queen", op. 42: VI. Finale. Maestoso - Marziale - Moderato e maestoso (Vision) - Allegro - Lento e maestoso
Ralph Couzens (engineer/editor/producer) producer Ballade for Piano and Orchestra from 'Stolen Face', Comedy Suite from 'The Belles of St Trinian's': Finale, Comedy Suite from 'The Belles of St Trinian's': Flash and Miss Fritton, Comedy Suite from 'The Belles of St Trinian's': Prelude, Comedy Suite from 'The Belles of St Trinian's': Races and Games, Comedy Suite from 'The Belles of St Trinian's': Train to Trinians, Fantasy on Christmas Carols from 'The Holly and The Ivy', Overture from 'The Roots of Heaven', Postcard from the Med from 'The Captain's Paradise', Scherzetto for Clarinet and Orchestra from 'You Know What Sailor Are', Suite from 'David Copperfield': Finale, Suite from 'David Copperfield': Main Titles and Opening Scene, Suite from 'David Copperfield': The Micawbers, Suite from 'David Copperfield': Young Lovers, Suite from 'No Love for Johnnie': Alla Marcia, Suite from 'No Love for Johnnie': Moderato, Symphonic Study 'Machines' for Brass, Percussion and Strings, Op. 30
Steve Hargreaves engineer Suite from 'Trapeze': Elephant Waltz, Suite from 'Trapeze': Fanfare, Suite from 'Trapeze': Finale, Suite from 'Trapeze': Mike and Lola, Suite from 'Trapeze': Prelude, Suite from 'Trapeze': Romance, Suite from 'Trapeze': Tino's Arrival in Paris
Paul Janes (pianist) piano Mr Brownlow's grief. Lento -, Oliver at Mr Brownlow's house. Poco lento, Oliver's sleepless night. Andante -
Vanessa Nuttall engineer Notturno Ungherese, op. 28, The Vintner's Daughter, op. 23a