MUSICAL BACON
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San Francisco Symphony
Herbert Blomstedt
Andrew Cornall
John Pellowe
James Lock
Stanley Goodall
Michael Mailes
Ian Watson
Simon Bertram
San Francisco Symphony Chorus
DR SymfoniOrkestret
Urban Malmberg
Kevin McMillan
Ulf Schirmer
Chris Hazell
Neil Hutchinson
Jard van Nes
Deborah Gilbert
Colin Moorfoot
Jenni Whiteside
Krzysztof Jarosz
Mary-Anne Haeggander
John Dunkerley
Barbara Bonney
Københavns Drengekor
Danish National Radio Choir
Margaret Lisi
San Francisco Girls Chorus
Kaare Myksvoll
San Francisco Boys Chorus
Gregory Nybo
Wendy White
John Mark Ainsley
Michael W. Hanson
Merilyn Vaughn
Maria Meyer
Lars Pederson
Andrew Groves
Richard Haille
John Daniecki
David Hess
Bo Anker Hansen
Wendy Hoffman
Kristina Rapp
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San Francisco Symphony
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"Rosamunde" Overture, D 644, Aladdin Suite, op. 34: II. Aladdin’s Dream and Dance of the Morning Mist, Aladdin Suite, op. 34: III. Hindu Dance, Aladdin Suite, op. 34: IV. Chinese Dance, Aladdin Suite, op. 34: V. The Marketplace at Ispahan, Aladdin Suite, op. 34: VI. The Prisoners’ Dance, Aladdin Suite, op. 34: VII. Negro Dance, Also sprach Zarathustra, Op. 30: I. Einleitung (Sonnenaufgang), Also sprach Zarathustra, Op. 30: II. Von den Hinterweltlern, Also sprach Zarathustra, Op. 30: III. Von der großen Sehnsucht, Also sprach Zarathustra, Op. 30: IV. Von den Freuden und Leidenschaften, Also sprach Zarathustra, Op. 30: IX. Nachtwandlerlied, Also sprach Zarathustra, Op. 30: V. Das Grablied, Also sprach Zarathustra, Op. 30: VI. Von der Wissenschaft, Also sprach Zarathustra, Op. 30: VII. Der Genesende, Also sprach Zarathustra, Op. 30: VIII. Das Tanzlied, Altrhapsodie, op. 53, Begräbnisgesang, op. 13, Carmina Burana: Blanziflor et Helena: Ave, formosissima, Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera, Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna, Carmina Burana: I. Primo vere: Ecce Gratum, Carmina Burana: I. Primo vere: Omnia Sol temperat, Carmina Burana: I. Primo vere: Veris leta facies, Carmina Burana: II. In Taberna: Ego sum abbas, Carmina Burana: II. In Taberna: Estuans interius, Carmina Burana: II. In Taberna: In taberna quando sumus, Carmina Burana: II. In Taberna: Olim lacus colueram, Carmina Burana: III. Cour d'amours: Amor volat undique, Carmina Burana: III. Cour d'amours: Circa mea pectora, Carmina Burana: III. Cour d'amours: Dies, nox et omnia, Carmina Burana: III. Cour d'amours: Dulcissime, Carmina Burana: III. Cour d'amours: In trutina, Carmina Burana: III. Cour d'amours: Si puer cum puellula, Carmina Burana: III. Cour d'amours: Stetit puella, Carmina Burana: III. Cour d'amours: Tempus est iocundum, Carmina Burana: III. Cour d'amours: Veni, veni, venias, Carmina Burana: Uf dem Anger: Reie: Swaz hie gat umbe / Chume, chum, geselle min / Swaz hie gat umbe, Carmina Burana: Uf dem anger: Chramer, gip die varwe mir, Carmina Burana: Uf dem anger: Floret silva nobilis, Carmina Burana: Uf dem anger: Tanz, Carmina Burana: Uf dem anger: Were diu werlt alle min, Concerto for Orchestra, B 123: I. Introduzione, Concerto for Orchestra, B 123: II. Giuoco delle coppie, Concerto for Orchestra, B 123: III. Elegia, Concerto for Orchestra, B 123: IV. Intermezzo interrotto, Concerto for Orchestra, B 123: V. Finale, Don Juan, op. 20, Ein Heldenleben, Op. 40: I. Der Held, Ein Heldenleben, Op. 40: II. Des Helden Widersacher, Ein Heldenleben, Op. 40: III. Des Helden Gefährtin, Ein Heldenleben, Op. 40: IV. Des Helden Walstatt, Ein Heldenleben, Op. 40: V. Des Helden Friedenswerke, Ein Heldenleben, Op. 40: VI. Des Helden Weltflucht und Vollendung, Eine Alpensinfonie, op. 64: Am Wasserfall, Eine Alpensinfonie, op. 64: Auf blumigen Wiesen, Eine Alpensinfonie, op. 64: Auf dem Gletscher, Eine Alpensinfonie, op. 64: Auf der Alm, Eine Alpensinfonie, op. 64: Ausklang, Eine Alpensinfonie, op. 64: Der Anstieg, Eine Alpensinfonie, op. 64: Die Sonne verdüstert sich allmählich, Eine Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen, Eine Alpensinfonie, op. 64: Eintritt in den Wald - Wanderung neben dem Bach, Eine Alpensinfonie, op. 64: Elegie, Eine Alpensinfonie, op. 64: Erscheinung, Eine Alpensinfonie, op. 64: Gefahrvolle Augenblicke - Auf dem Gipfel, Eine Alpensinfonie, op. 64: Gewitter und Sturm, Abstieg, Eine Alpensinfonie, op. 64: Nacht, Eine Alpensinfonie, op. 64: Nebel steigen auf, Eine Alpensinfonie, op. 64: Sonnenaufgang, Eine Alpensinfonie, op. 64: Sonnenuntergang, Eine Alpensinfonie, op. 64: Stille vor dem Sturm, Eine Alpensinfonie, op. 64: Vision, Gesang der Parzen, op. 89, Konzertmusik für Streichorchester und Blechbläser: I. Mäβig schnell, mit Kraft - Sehr breit, aber stets flieβend, Konzertmusik für Streichorchester und Blechbläser: II. Lebhaft - Langsam - Im ersten Zeitmaβ, Kossuth, BB 31: I. Kossuth, Kossuth, BB 31: II. Mi bú nehezül lelkedre, édes férjem?, Kossuth, BB 31: III. Veszélyben a haza!, Kossuth, BB 31: IV. Hajdan jobb időket éltünk..., Kossuth, BB 31: IX. Mindennek vége!, Kossuth, BB 31: V. Majd rosszra fordult sorsunk..., Kossuth, BB 31: VI. Harcra fel!, Kossuth, BB 31: VII. Jöjjetek, jäjjetek! szép magyar vitézek, szép magyar leventék!, Kossuth, BB 31: VIII. ..., Kossuth, BB 31: X. Csöndes minden, csöndes..., Kuolema, op. 44 no. 1: Valse triste, Maskarade: Overture, Metamorphosen, Nobilissima Visione – Suite: I. Einleitung und Rondo, Nobilissima Visione – Suite: II. Marsch und Pastorale, Nobilissima Visione – Suite: III. Passacaglia, Nänie, op. 82, Overture in C major "In the Italian style", D 591, Overture in C major, D 591 “In the Italian style”, Peer Gynt Suite No. 1, Op. 46: I. Morning Mood, Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance, Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King, Peer Gynt Suite No. 2, Op. 55: I. Ingrid's Lament, Peer Gynt Suite No. 2, Op. 55: I. The Abduction (Ingrid's Lament), Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance, Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Homecoming (Stormy evening), Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song, Peer Gynt Suite no. 1, op. 46: I. Morning Mood, Peer Gynt Suite: Morgenstimmung, Peer Gynt, op. 23: Act 1 - Prelude, Peer Gynt, op. 23: no. 10. Peer Gynt Hunted by the Trolls. no. 11. The Boyg, Peer Gynt, op. 23: no. 12. The Death of Ase, Peer Gynt, op. 23: no. 13. Morning Mood, Peer Gynt, op. 23: no. 14. The Thief and the Receiver, Peer Gynt, op. 23: no. 15. Arabian Dance, Peer Gynt, op. 23: no. 16. Anitra’s Dance, Peer Gynt, op. 23: no. 17. Peer Gynt’s Serenade, Peer Gynt, op. 23: no. 19. Solveig’s Song, Peer Gynt, op. 23: no. 21. Peer Gynt’s Homecoming. Stormy Evening on the Sea, Peer Gynt, op. 23: no. 22. The Shipwreck, Peer Gynt, op. 23: no. 23. Solveig Sings in the Hut, Peer Gynt, op. 23: no. 24. Night Scene, Peer Gynt, op. 23: no. 25. Whitsun Hymn: “O Blessed Morning”, Peer Gynt, op. 23: no. 26. Solveig’s Cradle Song, Peer Gynt, op. 23: no. 4. Ingrid’s Lament, Peer Gynt, op. 23: no. 5. Peer Gynt and the Herd Girls, Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King, Peer Gynt, op. 23: no. 9. Dance of the Mountain King’s Daughter, Schicksalslied, op. 54, Symphonic Metamorphosis of Themes by Carl Maria von Weber: I. Allegro, Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Turandot, Scherzo: Moderato, Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino, Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch, Symphonie "Mathis Der Maler": I. Engelskonzert, Symphonie "Mathis Der Maler": II. Grablegung, Symphonie "Mathis Der Maler": III. Versuchung des heiligen Antonius, Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Finale: Adagio - Allegro molto e vivace, Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico, Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento), Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro, Symphony no. 1 in E minor, op. 39: IV. Finale (quasi una fantasia), Symphony no. 1 in G minor, op. 7: I. Allegro orgoglioso, Symphony no. 1 in G minor, op. 7: II. Andante, Symphony no. 1 in G minor, op. 7: III. Allegro comodo, Symphony no. 1 in G minor, op. 7: IV. Finale, Symphony no. 1 “Sinfonie Sérieuse”: I. Allegro con energia, Symphony no. 1 “Sinfonie Sérieuse”: II. Adagio maestoso, Symphony no. 1 “Sinfonie Sérieuse”: III. Stretto -, Symphony no. 1 “Sinfonie Sérieuse”: IV. Finale: Adagio - allegro molto, Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung, Symphony no. 2 in C minor "Resurrection": IV. 'Urlicht': Sehr feierlich, aber schlicht, Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzo, Symphony no. 2 in D major, op. 43: I. Allegretto - Poco allegro - Tranquillo, ma poco a poco ravvivando il tempo al allegro, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato - Andante sostenuto, Symphony no. 2 in D major, op. 43: III. Vivacissimo - Lento e suave - Largamente, Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato, Symphony no. 2 “The Four Temperaments”, op 16: III. Andante melincolico, Symphony no. 2 “The Four Temperaments”, op. 16: I. Allegro collerico, Symphony no. 2 “The Four Temperaments”, op. 16: II. Allegro comodo e flemmatico, Symphony no. 2 “The Four Temperaments”, op. 16: IV. Allegro sanguineo, Symphony no. 2: I. Dawn: Luminoso, Symphony no. 2: I. Molto agitato, Symphony no. 2: II. Allegretto capriccioso, Symphony no. 2: II. Daylight: Con brio, non pesante, Symphony no. 2: III. Adagio, tranquillo ed espressivo, Symphony no. 2: III. Dusk: Poco largo, lambente, Symphony no. 2: IV. Allegramente, Symphony no. 2: IV. Darkness: Inesorabile, Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato, Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio, Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony no. 3 in C major, op. 52: I. Allegro moderato, Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto, Symphony no. 3 in C major, op. 52: III. Moderato - Allegro (ma non tanto), Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto, Symphony no. 3 “Sinfonia espansiva”, op. 27: I. Allegro espansivo, Symphony no. 3 “Sinfonia espansiva”, op. 27: III. Allegretto un poco, Symphony no. 3 “Sinfonia espansiva”, op. 27: IV. Finale. Allegro, Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace, Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto, Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato, Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello. Presto, Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio, Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace, Symphony no. 4 in A minor, op. 63: III. Il tempo largo, Symphony no. 4 in A minor, op. 63: IV. Allegro, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): I. Bewegt doch nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): II. Andante quasi allegretto, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): III. Scherzo: Bewegt - Trio: Nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 4 “The Inextinguishable”: I. Allegro, Symphony no. 4 “The Inextinguishable”: II. Poco allegretto, Symphony no. 4 “The Inextinguishable”: III. Poco adagio quasi andante, Symphony no. 4 “The Inextinguishable”: IV. Con anima – Allegro, Symphony no. 4: I. Allegro risoluto, Symphony no. 4: II. Adagio -, Symphony no. 4: III. Scherzo: Allegro molto, Symphony no. 4: IV. Finale: Allegro vivace, Symphony no. 5 in B-flat major, D 485: I. Allegro, Symphony no. 5 in B-flat major, D 485: II. Andante con moto, Symphony no. 5 in B-flat major, D 485: III. Menuetto: Allegro molto, Symphony no. 5 in B-flat major, D 485: IV. Allegro vivace, Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Largamente - Allegro moderato, Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto, Symphony no. 5 in E-flat major, op. 82: III. Allegro molto, Symphony no. 5: IIa. Allegro, Symphony no. 5: IIb. Presto, Symphony no. 5: IIc. Andante un poco tranquillo, Symphony no. 5: IId. Allegro, Symphony no. 5: Ia. Tempo giusto, Symphony no. 5: Ib. Adagio non troppo, Symphony no. 6 "Sinfonia semplice", FS 116: I. Tempo giusto, Symphony no. 6 "Sinfonia semplice", FS 116: II. Humoreske: Allegretto, Symphony no. 6 "Sinfonia semplice", FS 116: III. Proposta seria: Adagio, Symphony no. 6 "Sinfonia semplice", FS 116: IV. Tema con variazioni: Allegro, Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato, Symphony no. 6 in D minor, op. 104: II. Allegretto moderato, Symphony no. 6 in D minor, op. 104: III. Poco vivace, Symphony no. 6 in D minor, op. 104: IV. Allegro molto, Symphony no. 7 in C major, op. 105, Symphony no. 8 in B minor, D 759 "Unfinished": I. Allegro moderato, Symphony no. 8 in B minor, D 759 "Unfinished": II. Andante con moto, Symphony no. 9 in C major, D 944 “Great”: I. Andante - Allegro ma non troppo, Symphony no. 9 in C major, D 944 “Great”: II. Andante con moto, Symphony no. 9 in C major, D 944 “Great”: III. Scherzo: Allegro vivace, Symphony no. 9 in C major, D 944 “Great”: IV. Finale: Allegro vivace, Tapiola, op. 112, The Golden Dance: I. Quarter note = 72, flexible, The Golden Dance: II. Quarter note = 144, Till Eulenspiegels lustige Streiche, Op. 28, Tod und Verklärung, Op. 24
Herbert Blomstedt
conductor
"Rosamunde" Overture, D 644, Aladdin Suite, op. 34: II. Aladdin’s Dream and Dance of the Morning Mist, Aladdin Suite, op. 34: III. Hindu Dance, Aladdin Suite, op. 34: IV. Chinese Dance, Aladdin Suite, op. 34: V. The Marketplace at Ispahan, Aladdin Suite, op. 34: VI. The Prisoners’ Dance, Aladdin Suite, op. 34: VII. Negro Dance, Also sprach Zarathustra, Op. 30: I. Einleitung (Sonnenaufgang), Also sprach Zarathustra, Op. 30: II. Von den Hinterweltlern, Also sprach Zarathustra, Op. 30: III. Von der großen Sehnsucht, Also sprach Zarathustra, Op. 30: IV. Von den Freuden und Leidenschaften, Also sprach Zarathustra, Op. 30: IX. Nachtwandlerlied, Also sprach Zarathustra, Op. 30: V. Das Grablied, Also sprach Zarathustra, Op. 30: VI. Von der Wissenschaft, Also sprach Zarathustra, Op. 30: VII. Der Genesende, Also sprach Zarathustra, Op. 30: VIII. Das Tanzlied, Altrhapsodie, op. 53, Begräbnisgesang, op. 13, Carmina Burana: Blanziflor et Helena: Ave, formosissima, Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera, Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna, Carmina Burana: I. Primo vere: Ecce Gratum, Carmina Burana: I. Primo vere: Omnia Sol temperat, Carmina Burana: I. Primo vere: Veris leta facies, Carmina Burana: II. In Taberna: Ego sum abbas, Carmina Burana: II. In Taberna: Estuans interius, Carmina Burana: II. In Taberna: In taberna quando sumus, Carmina Burana: II. In Taberna: Olim lacus colueram, Carmina Burana: III. Cour d'amours: Amor volat undique, Carmina Burana: III. Cour d'amours: Circa mea pectora, Carmina Burana: III. Cour d'amours: Dies, nox et omnia, Carmina Burana: III. Cour d'amours: Dulcissime, Carmina Burana: III. Cour d'amours: In trutina, Carmina Burana: III. Cour d'amours: Si puer cum puellula, Carmina Burana: III. Cour d'amours: Stetit puella, Carmina Burana: III. Cour d'amours: Tempus est iocundum, Carmina Burana: III. Cour d'amours: Veni, veni, venias, Carmina Burana: Uf dem Anger: Reie: Swaz hie gat umbe / Chume, chum, geselle min / Swaz hie gat umbe, Carmina Burana: Uf dem anger: Chramer, gip die varwe mir, Carmina Burana: Uf dem anger: Floret silva nobilis, Carmina Burana: Uf dem anger: Tanz, Carmina Burana: Uf dem anger: Were diu werlt alle min, Concerto for Orchestra, B 123: I. Introduzione, Concerto for Orchestra, B 123: II. Giuoco delle coppie, Concerto for Orchestra, B 123: III. Elegia, Concerto for Orchestra, B 123: IV. Intermezzo interrotto, Concerto for Orchestra, B 123: V. Finale, Don Juan, op. 20, Ein Heldenleben, Op. 40: I. Der Held, Ein Heldenleben, Op. 40: II. Des Helden Widersacher, Ein Heldenleben, Op. 40: III. Des Helden Gefährtin, Ein Heldenleben, Op. 40: IV. Des Helden Walstatt, Ein Heldenleben, Op. 40: V. Des Helden Friedenswerke, Ein Heldenleben, Op. 40: VI. Des Helden Weltflucht und Vollendung, Eine Alpensinfonie, op. 64: Am Wasserfall, Eine Alpensinfonie, op. 64: Auf blumigen Wiesen, Eine Alpensinfonie, op. 64: Auf dem Gletscher, Eine Alpensinfonie, op. 64: Auf der Alm, Eine Alpensinfonie, op. 64: Ausklang, Eine Alpensinfonie, op. 64: Der Anstieg, Eine Alpensinfonie, op. 64: Die Sonne verdüstert sich allmählich, Eine Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen, Eine Alpensinfonie, op. 64: Eintritt in den Wald - Wanderung neben dem Bach, Eine Alpensinfonie, op. 64: Elegie, Eine Alpensinfonie, op. 64: Erscheinung, Eine Alpensinfonie, op. 64: Gefahrvolle Augenblicke - Auf dem Gipfel, Eine Alpensinfonie, op. 64: Gewitter und Sturm, Abstieg, Eine Alpensinfonie, op. 64: Nacht, Eine Alpensinfonie, op. 64: Nebel steigen auf, Eine Alpensinfonie, op. 64: Sonnenaufgang, Eine Alpensinfonie, op. 64: Sonnenuntergang, Eine Alpensinfonie, op. 64: Stille vor dem Sturm, Eine Alpensinfonie, op. 64: Vision, Gesang der Parzen, op. 89, Konzertmusik für Streichorchester und Blechbläser: I. Mäβig schnell, mit Kraft - Sehr breit, aber stets flieβend, Konzertmusik für Streichorchester und Blechbläser: II. Lebhaft - Langsam - Im ersten Zeitmaβ, Kossuth, BB 31: I. Kossuth, Kossuth, BB 31: II. Mi bú nehezül lelkedre, édes férjem?, Kossuth, BB 31: III. Veszélyben a haza!, Kossuth, BB 31: IV. Hajdan jobb időket éltünk..., Kossuth, BB 31: IX. Mindennek vége!, Kossuth, BB 31: V. Majd rosszra fordult sorsunk..., Kossuth, BB 31: VI. Harcra fel!, Kossuth, BB 31: VII. Jöjjetek, jäjjetek! szép magyar vitézek, szép magyar leventék!, Kossuth, BB 31: VIII. ..., Kossuth, BB 31: X. Csöndes minden, csöndes..., Kuolema, op. 44 no. 1: Valse triste, Maskarade: Overture, Metamorphosen, Nobilissima Visione – Suite: I. Einleitung und Rondo, Nobilissima Visione – Suite: II. Marsch und Pastorale, Nobilissima Visione – Suite: III. Passacaglia, Nänie, op. 82, Overture in C major "In the Italian style", D 591, Overture in C major, D 591 “In the Italian style”, Peer Gynt Suite No. 1, Op. 46: I. Morning Mood, Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance, Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King, Peer Gynt Suite No. 2, Op. 55: I. Ingrid's Lament, Peer Gynt Suite No. 2, Op. 55: I. The Abduction (Ingrid's Lament), Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance, Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Homecoming (Stormy evening), Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song, Peer Gynt Suite no. 1, op. 46: I. Morning Mood, Peer Gynt Suite: Morgenstimmung, Peer Gynt, op. 23: Act 1 - Prelude, Peer Gynt, op. 23: no. 10. Peer Gynt Hunted by the Trolls. no. 11. The Boyg, Peer Gynt, op. 23: no. 12. The Death of Ase, Peer Gynt, op. 23: no. 13. Morning Mood, Peer Gynt, op. 23: no. 14. The Thief and the Receiver, Peer Gynt, op. 23: no. 15. Arabian Dance, Peer Gynt, op. 23: no. 16. Anitra’s Dance, Peer Gynt, op. 23: no. 17. Peer Gynt’s Serenade, Peer Gynt, op. 23: no. 19. Solveig’s Song, Peer Gynt, op. 23: no. 21. Peer Gynt’s Homecoming. Stormy Evening on the Sea, Peer Gynt, op. 23: no. 22. The Shipwreck, Peer Gynt, op. 23: no. 23. Solveig Sings in the Hut, Peer Gynt, op. 23: no. 24. Night Scene, Peer Gynt, op. 23: no. 25. Whitsun Hymn: “O Blessed Morning”, Peer Gynt, op. 23: no. 26. Solveig’s Cradle Song, Peer Gynt, op. 23: no. 4. Ingrid’s Lament, Peer Gynt, op. 23: no. 5. Peer Gynt and the Herd Girls, Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King, Peer Gynt, op. 23: no. 9. Dance of the Mountain King’s Daughter, Schicksalslied, op. 54, Symphonic Metamorphosis of Themes by Carl Maria von Weber: I. Allegro, Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Turandot, Scherzo: Moderato, Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino, Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch, Symphonie "Mathis Der Maler": I. Engelskonzert, Symphonie "Mathis Der Maler": II. Grablegung, Symphonie "Mathis Der Maler": III. Versuchung des heiligen Antonius, Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Finale: Adagio - Allegro molto e vivace, Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico, Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento), Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro, Symphony no. 1 in E minor, op. 39: IV. Finale (quasi una fantasia), Symphony no. 1 in G minor, op. 7: I. Allegro orgoglioso, Symphony no. 1 in G minor, op. 7: II. Andante, Symphony no. 1 in G minor, op. 7: III. Allegro comodo, Symphony no. 1 in G minor, op. 7: IV. Finale, Symphony no. 1 “Sinfonie Sérieuse”: I. Allegro con energia, Symphony no. 1 “Sinfonie Sérieuse”: II. Adagio maestoso, Symphony no. 1 “Sinfonie Sérieuse”: III. Stretto -, Symphony no. 1 “Sinfonie Sérieuse”: IV. Finale: Adagio - allegro molto, Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung, Symphony no. 2 in C minor "Resurrection": IV. 'Urlicht': Sehr feierlich, aber schlicht, Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzo, Symphony no. 2 in D major, op. 43: I. Allegretto - Poco allegro - Tranquillo, ma poco a poco ravvivando il tempo al allegro, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato - Andante sostenuto, Symphony no. 2 in D major, op. 43: III. Vivacissimo - Lento e suave - Largamente, Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato, Symphony no. 2 “The Four Temperaments”, op 16: III. Andante melincolico, Symphony no. 2 “The Four Temperaments”, op. 16: I. Allegro collerico, Symphony no. 2 “The Four Temperaments”, op. 16: II. Allegro comodo e flemmatico, Symphony no. 2 “The Four Temperaments”, op. 16: IV. Allegro sanguineo, Symphony no. 2: I. Dawn: Luminoso, Symphony no. 2: I. Molto agitato, Symphony no. 2: II. Allegretto capriccioso, Symphony no. 2: II. Daylight: Con brio, non pesante, Symphony no. 2: III. Adagio, tranquillo ed espressivo, Symphony no. 2: III. Dusk: Poco largo, lambente, Symphony no. 2: IV. Allegramente, Symphony no. 2: IV. Darkness: Inesorabile, Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato, Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio, Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony no. 3 in C major, op. 52: I. Allegro moderato, Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto, Symphony no. 3 in C major, op. 52: III. Moderato - Allegro (ma non tanto), Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto, Symphony no. 3 “Sinfonia espansiva”, op. 27: I. Allegro espansivo, Symphony no. 3 “Sinfonia espansiva”, op. 27: III. Allegretto un poco, Symphony no. 3 “Sinfonia espansiva”, op. 27: IV. Finale. Allegro, Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace, Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto, Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato, Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello. Presto, Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio, Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace, Symphony no. 4 in A minor, op. 63: III. Il tempo largo, Symphony no. 4 in A minor, op. 63: IV. Allegro, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): I. Bewegt doch nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): II. Andante quasi allegretto, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): III. Scherzo: Bewegt - Trio: Nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 4 “The Inextinguishable”: I. Allegro, Symphony no. 4 “The Inextinguishable”: II. Poco allegretto, Symphony no. 4 “The Inextinguishable”: III. Poco adagio quasi andante, Symphony no. 4 “The Inextinguishable”: IV. Con anima – Allegro, Symphony no. 4: I. Allegro risoluto, Symphony no. 4: II. Adagio -, Symphony no. 4: III. Scherzo: Allegro molto, Symphony no. 4: IV. Finale: Allegro vivace, Symphony no. 5 in B-flat major, D 485: I. Allegro, Symphony no. 5 in B-flat major, D 485: II. Andante con moto, Symphony no. 5 in B-flat major, D 485: III. Menuetto: Allegro molto, Symphony no. 5 in B-flat major, D 485: IV. Allegro vivace, Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Largamente - Allegro moderato, Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto, Symphony no. 5 in E-flat major, op. 82: III. Allegro molto, Symphony no. 5: IIa. Allegro, Symphony no. 5: IIb. Presto, Symphony no. 5: IIc. Andante un poco tranquillo, Symphony no. 5: IId. Allegro, Symphony no. 5: Ia. Tempo giusto, Symphony no. 5: Ib. Adagio non troppo, Symphony no. 6 "Sinfonia semplice", FS 116: I. Tempo giusto, Symphony no. 6 "Sinfonia semplice", FS 116: II. Humoreske: Allegretto, Symphony no. 6 "Sinfonia semplice", FS 116: III. Proposta seria: Adagio, Symphony no. 6 "Sinfonia semplice", FS 116: IV. Tema con variazioni: Allegro, Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato, Symphony no. 6 in D minor, op. 104: II. Allegretto moderato, Symphony no. 6 in D minor, op. 104: III. Poco vivace, Symphony no. 6 in D minor, op. 104: IV. Allegro molto, Symphony no. 7 in C major, op. 105, Symphony no. 8 in B minor, D 759 "Unfinished": I. Allegro moderato, Symphony no. 8 in B minor, D 759 "Unfinished": II. Andante con moto, Symphony no. 9 in C major, D 944 “Great”: I. Andante - Allegro ma non troppo, Symphony no. 9 in C major, D 944 “Great”: II. Andante con moto, Symphony no. 9 in C major, D 944 “Great”: III. Scherzo: Allegro vivace, Symphony no. 9 in C major, D 944 “Great”: IV. Finale: Allegro vivace, Tapiola, op. 112, The Golden Dance: I. Quarter note = 72, flexible, The Golden Dance: II. Quarter note = 144, Till Eulenspiegels lustige Streiche, Op. 28, Tod und Verklärung, Op. 24
Andrew Cornall
producer
Aladdin Suite, op. 34: II. Aladdin’s Dream and Dance of the Morning Mist, Aladdin Suite, op. 34: III. Hindu Dance, Aladdin Suite, op. 34: IV. Chinese Dance, Aladdin Suite, op. 34: V. The Marketplace at Ispahan, Aladdin Suite, op. 34: VI. The Prisoners’ Dance, Aladdin Suite, op. 34: VII. Negro Dance, Altrhapsodie, op. 53, Begräbnisgesang, op. 13, Carmina Burana: Blanziflor et Helena: Ave, formosissima, Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera, Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna, Carmina Burana: I. Primo vere: Ecce Gratum, Carmina Burana: I. Primo vere: Omnia Sol temperat, Carmina Burana: I. Primo vere: Veris leta facies, Carmina Burana: II. In Taberna: Ego sum abbas, Carmina Burana: II. In Taberna: Estuans interius, Carmina Burana: II. In Taberna: In taberna quando sumus, Carmina Burana: II. In Taberna: Olim lacus colueram, Carmina Burana: III. Cour d'amours: Amor volat undique, Carmina Burana: III. Cour d'amours: Circa mea pectora, Carmina Burana: III. Cour d'amours: Dies, nox et omnia, Carmina Burana: III. Cour d'amours: Dulcissime, Carmina Burana: III. Cour d'amours: In trutina, Carmina Burana: III. Cour d'amours: Si puer cum puellula, Carmina Burana: III. Cour d'amours: Stetit puella, Carmina Burana: III. Cour d'amours: Tempus est iocundum, Carmina Burana: III. Cour d'amours: Veni, veni, venias, Carmina Burana: Uf dem Anger: Reie: Swaz hie gat umbe / Chume, chum, geselle min / Swaz hie gat umbe, Carmina Burana: Uf dem anger: Chramer, gip die varwe mir, Carmina Burana: Uf dem anger: Floret silva nobilis, Carmina Burana: Uf dem anger: Tanz, Carmina Burana: Uf dem anger: Were diu werlt alle min, Concerto for Orchestra, B 123: I. Introduzione, Concerto for Orchestra, B 123: II. Giuoco delle coppie, Concerto for Orchestra, B 123: III. Elegia, Concerto for Orchestra, B 123: IV. Intermezzo interrotto, Concerto for Orchestra, B 123: V. Finale, Don Juan, op. 20, Eine Alpensinfonie, op. 64: Am Wasserfall, Eine Alpensinfonie, op. 64: Auf blumigen Wiesen, Eine Alpensinfonie, op. 64: Auf dem Gletscher, Eine Alpensinfonie, op. 64: Auf der Alm, Eine Alpensinfonie, op. 64: Ausklang, Eine Alpensinfonie, op. 64: Der Anstieg, Eine Alpensinfonie, op. 64: Die Sonne verdüstert sich allmählich, Eine Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen, Eine Alpensinfonie, op. 64: Eintritt in den Wald - Wanderung neben dem Bach, Eine Alpensinfonie, op. 64: Elegie, Eine Alpensinfonie, op. 64: Erscheinung, Eine Alpensinfonie, op. 64: Gefahrvolle Augenblicke - Auf dem Gipfel, Eine Alpensinfonie, op. 64: Gewitter und Sturm, Abstieg, Eine Alpensinfonie, op. 64: Nacht, Eine Alpensinfonie, op. 64: Nebel steigen auf, Eine Alpensinfonie, op. 64: Sonnenaufgang, Eine Alpensinfonie, op. 64: Sonnenuntergang, Eine Alpensinfonie, op. 64: Stille vor dem Sturm, Eine Alpensinfonie, op. 64: Vision, Gesang der Parzen, op. 89, Konzertmusik für Streichorchester und Blechbläser: I. Mäβig schnell, mit Kraft - Sehr breit, aber stets flieβend, Konzertmusik für Streichorchester und Blechbläser: II. Lebhaft - Langsam - Im ersten Zeitmaβ, Kossuth, BB 31: I. Kossuth, Kossuth, BB 31: II. Mi bú nehezül lelkedre, édes férjem?, Kossuth, BB 31: III. Veszélyben a haza!, Kossuth, BB 31: IV. Hajdan jobb időket éltünk..., Kossuth, BB 31: IX. Mindennek vége!, Kossuth, BB 31: V. Majd rosszra fordult sorsunk..., Kossuth, BB 31: VI. Harcra fel!, Kossuth, BB 31: VII. Jöjjetek, jäjjetek! szép magyar vitézek, szép magyar leventék!, Kossuth, BB 31: VIII. ..., Kossuth, BB 31: X. Csöndes minden, csöndes..., Maskarade: Overture, Nänie, op. 82, Overture in C major, D 591 “In the Italian style”, Peer Gynt, op. 23: Act 1 - Prelude, Peer Gynt, op. 23: no. 10. Peer Gynt Hunted by the Trolls. no. 11. The Boyg, Peer Gynt, op. 23: no. 12. The Death of Ase, Peer Gynt, op. 23: no. 13. Morning Mood, Peer Gynt, op. 23: no. 14. The Thief and the Receiver, Peer Gynt, op. 23: no. 15. Arabian Dance, Peer Gynt, op. 23: no. 16. Anitra’s Dance, Peer Gynt, op. 23: no. 17. Peer Gynt’s Serenade, Peer Gynt, op. 23: no. 19. Solveig’s Song, Peer Gynt, op. 23: no. 21. Peer Gynt’s Homecoming. Stormy Evening on the Sea, Peer Gynt, op. 23: no. 22. The Shipwreck, Peer Gynt, op. 23: no. 23. Solveig Sings in the Hut, Peer Gynt, op. 23: no. 24. Night Scene, Peer Gynt, op. 23: no. 25. Whitsun Hymn: “O Blessed Morning”, Peer Gynt, op. 23: no. 26. Solveig’s Cradle Song, Peer Gynt, op. 23: no. 4. Ingrid’s Lament, Peer Gynt, op. 23: no. 5. Peer Gynt and the Herd Girls, Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King, Peer Gynt, op. 23: no. 9. Dance of the Mountain King’s Daughter, Schicksalslied, op. 54, Symphonic Metamorphosis of Themes by Carl Maria von Weber: I. Allegro, Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Turandot, Scherzo: Moderato, Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino, Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch, Symphonie "Mathis Der Maler": I. Engelskonzert, Symphonie "Mathis Der Maler": II. Grablegung, Symphonie "Mathis Der Maler": III. Versuchung des heiligen Antonius, Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Finale: Adagio - Allegro molto e vivace, Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico, Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento), Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro, Symphony no. 1 in E minor, op. 39: IV. Finale (quasi una fantasia), Symphony no. 1 in G minor, op. 7: I. Allegro orgoglioso, Symphony no. 1 in G minor, op. 7: II. Andante, Symphony no. 1 in G minor, op. 7: III. Allegro comodo, Symphony no. 1 in G minor, op. 7: IV. Finale, Symphony no. 1 “Sinfonie Sérieuse”: I. Allegro con energia, Symphony no. 1 “Sinfonie Sérieuse”: II. Adagio maestoso, Symphony no. 1 “Sinfonie Sérieuse”: III. Stretto -, Symphony no. 1 “Sinfonie Sérieuse”: IV. Finale: Adagio - allegro molto, Symphony no. 2 “The Four Temperaments”, op 16: III. Andante melincolico, Symphony no. 2 “The Four Temperaments”, op. 16: I. Allegro collerico, Symphony no. 2 “The Four Temperaments”, op. 16: II. Allegro comodo e flemmatico, Symphony no. 2 “The Four Temperaments”, op. 16: IV. Allegro sanguineo, Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato, Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio, Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto, Symphony no. 3 “Sinfonia espansiva”, op. 27: I. Allegro espansivo, Symphony no. 3 “Sinfonia espansiva”, op. 27: III. Allegretto un poco, Symphony no. 3 “Sinfonia espansiva”, op. 27: IV. Finale. Allegro, Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace, Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto, Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato, Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello. Presto, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): I. Bewegt doch nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): II. Andante quasi allegretto, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): III. Scherzo: Bewegt - Trio: Nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 4 “The Inextinguishable”: I. Allegro, Symphony no. 4 “The Inextinguishable”: II. Poco allegretto, Symphony no. 4 “The Inextinguishable”: III. Poco adagio quasi andante, Symphony no. 4 “The Inextinguishable”: IV. Con anima – Allegro, Symphony no. 4: I. Allegro risoluto, Symphony no. 4: II. Adagio -, Symphony no. 4: III. Scherzo: Allegro molto, Symphony no. 4: IV. Finale: Allegro vivace, Symphony no. 5: IIa. Allegro, Symphony no. 5: IIb. Presto, Symphony no. 5: IIc. Andante un poco tranquillo, Symphony no. 5: IId. Allegro, Symphony no. 5: Ia. Tempo giusto, Symphony no. 5: Ib. Adagio non troppo, Symphony no. 6 "Sinfonia semplice", FS 116: I. Tempo giusto, Symphony no. 6 "Sinfonia semplice", FS 116: II. Humoreske: Allegretto, Symphony no. 6 "Sinfonia semplice", FS 116: III. Proposta seria: Adagio, Symphony no. 6 "Sinfonia semplice", FS 116: IV. Tema con variazioni: Allegro, Symphony no. 7 in C major, op. 105, Symphony no. 9 in C major, D 944 “Great”: I. Andante - Allegro ma non troppo, Symphony no. 9 in C major, D 944 “Great”: II. Andante con moto, Symphony no. 9 in C major, D 944 “Great”: III. Scherzo: Allegro vivace, Symphony no. 9 in C major, D 944 “Great”: IV. Finale: Allegro vivace, Tapiola, op. 112
John Pellowe
balance, engineer, recording
Aladdin Suite, op. 34: II. Aladdin’s Dream and Dance of the Morning Mist, Aladdin Suite, op. 34: III. Hindu Dance, Aladdin Suite, op. 34: IV. Chinese Dance, Aladdin Suite, op. 34: V. The Marketplace at Ispahan, Aladdin Suite, op. 34: VI. The Prisoners’ Dance, Aladdin Suite, op. 34: VII. Negro Dance, Don Juan, op. 20, Eine Alpensinfonie, op. 64: Am Wasserfall, Eine Alpensinfonie, op. 64: Auf blumigen Wiesen, Eine Alpensinfonie, op. 64: Auf dem Gletscher, Eine Alpensinfonie, op. 64: Auf der Alm, Eine Alpensinfonie, op. 64: Ausklang, Eine Alpensinfonie, op. 64: Der Anstieg, Eine Alpensinfonie, op. 64: Die Sonne verdüstert sich allmählich, Eine Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen, Eine Alpensinfonie, op. 64: Eintritt in den Wald - Wanderung neben dem Bach, Eine Alpensinfonie, op. 64: Elegie, Eine Alpensinfonie, op. 64: Erscheinung, Eine Alpensinfonie, op. 64: Gefahrvolle Augenblicke - Auf dem Gipfel, Eine Alpensinfonie, op. 64: Gewitter und Sturm, Abstieg, Eine Alpensinfonie, op. 64: Nacht, Eine Alpensinfonie, op. 64: Nebel steigen auf, Eine Alpensinfonie, op. 64: Sonnenaufgang, Eine Alpensinfonie, op. 64: Sonnenuntergang, Eine Alpensinfonie, op. 64: Stille vor dem Sturm, Eine Alpensinfonie, op. 64: Vision, Gesang der Parzen, op. 89, Maskarade: Overture, Nänie, op. 82, Peer Gynt, op. 23: Act 1 - Prelude, Peer Gynt, op. 23: no. 10. Peer Gynt Hunted by the Trolls. no. 11. The Boyg, Peer Gynt, op. 23: no. 12. The Death of Ase, Peer Gynt, op. 23: no. 13. Morning Mood, Peer Gynt, op. 23: no. 14. The Thief and the Receiver, Peer Gynt, op. 23: no. 15. Arabian Dance, Peer Gynt, op. 23: no. 16. Anitra’s Dance, Peer Gynt, op. 23: no. 17. Peer Gynt’s Serenade, Peer Gynt, op. 23: no. 19. Solveig’s Song, Peer Gynt, op. 23: no. 21. Peer Gynt’s Homecoming. Stormy Evening on the Sea, Peer Gynt, op. 23: no. 22. The Shipwreck, Peer Gynt, op. 23: no. 23. Solveig Sings in the Hut, Peer Gynt, op. 23: no. 24. Night Scene, Peer Gynt, op. 23: no. 25. Whitsun Hymn: “O Blessed Morning”, Peer Gynt, op. 23: no. 26. Solveig’s Cradle Song, Peer Gynt, op. 23: no. 4. Ingrid’s Lament, Peer Gynt, op. 23: no. 5. Peer Gynt and the Herd Girls, Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King, Peer Gynt, op. 23: no. 9. Dance of the Mountain King’s Daughter, Schicksalslied, op. 54, Symphonic Metamorphosis of Themes by Carl Maria von Weber: I. Allegro, Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Turandot, Scherzo: Moderato, Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino, Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch, Symphonie "Mathis Der Maler": I. Engelskonzert, Symphonie "Mathis Der Maler": II. Grablegung, Symphonie "Mathis Der Maler": III. Versuchung des heiligen Antonius, Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico, Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento), Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro, Symphony no. 1 in E minor, op. 39: IV. Finale (quasi una fantasia), Symphony no. 1 in G minor, op. 7: I. Allegro orgoglioso, Symphony no. 1 in G minor, op. 7: II. Andante, Symphony no. 1 in G minor, op. 7: III. Allegro comodo, Symphony no. 1 in G minor, op. 7: IV. Finale, Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung, Symphony no. 2 in C minor "Resurrection": IV. 'Urlicht': Sehr feierlich, aber schlicht, Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzo, Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato, Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio, Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony no. 3 “Sinfonia espansiva”, op. 27: I. Allegro espansivo, Symphony no. 3 “Sinfonia espansiva”, op. 27: III. Allegretto un poco, Symphony no. 3 “Sinfonia espansiva”, op. 27: IV. Finale. Allegro, Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace, Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto, Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato, Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello. Presto, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): I. Bewegt doch nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): II. Andante quasi allegretto, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): III. Scherzo: Bewegt - Trio: Nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 4 “The Inextinguishable”: I. Allegro, Symphony no. 4 “The Inextinguishable”: II. Poco allegretto, Symphony no. 4 “The Inextinguishable”: III. Poco adagio quasi andante, Symphony no. 4 “The Inextinguishable”: IV. Con anima – Allegro, Symphony no. 4: I. Allegro risoluto, Symphony no. 4: II. Adagio -, Symphony no. 4: III. Scherzo: Allegro molto, Symphony no. 4: IV. Finale: Allegro vivace, Symphony no. 5: IIa. Allegro, Symphony no. 5: IIb. Presto, Symphony no. 5: IIc. Andante un poco tranquillo, Symphony no. 5: IId. Allegro, Symphony no. 5: Ia. Tempo giusto, Symphony no. 5: Ib. Adagio non troppo, Symphony no. 6 "Sinfonia semplice", FS 116: I. Tempo giusto, Symphony no. 6 "Sinfonia semplice", FS 116: II. Humoreske: Allegretto, Symphony no. 6 "Sinfonia semplice", FS 116: III. Proposta seria: Adagio, Symphony no. 6 "Sinfonia semplice", FS 116: IV. Tema con variazioni: Allegro, Tapiola, op. 112
James Lock (engineer)
balance, engineer
Don Juan, op. 20, Eine Alpensinfonie, op. 64: Am Wasserfall, Eine Alpensinfonie, op. 64: Auf blumigen Wiesen, Eine Alpensinfonie, op. 64: Auf dem Gletscher, Eine Alpensinfonie, op. 64: Auf der Alm, Eine Alpensinfonie, op. 64: Ausklang, Eine Alpensinfonie, op. 64: Der Anstieg, Eine Alpensinfonie, op. 64: Die Sonne verdüstert sich allmählich, Eine Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen, Eine Alpensinfonie, op. 64: Eintritt in den Wald - Wanderung neben dem Bach, Eine Alpensinfonie, op. 64: Elegie, Eine Alpensinfonie, op. 64: Erscheinung, Eine Alpensinfonie, op. 64: Gefahrvolle Augenblicke - Auf dem Gipfel, Eine Alpensinfonie, op. 64: Gewitter und Sturm, Abstieg, Eine Alpensinfonie, op. 64: Nacht, Eine Alpensinfonie, op. 64: Nebel steigen auf, Eine Alpensinfonie, op. 64: Sonnenaufgang, Eine Alpensinfonie, op. 64: Sonnenuntergang, Eine Alpensinfonie, op. 64: Stille vor dem Sturm, Eine Alpensinfonie, op. 64: Vision, Gesang der Parzen, op. 89, Nänie, op. 82, Peer Gynt, op. 23: Act 1 - Prelude, Peer Gynt, op. 23: no. 10. Peer Gynt Hunted by the Trolls. no. 11. The Boyg, Peer Gynt, op. 23: no. 12. The Death of Ase, Peer Gynt, op. 23: no. 13. Morning Mood, Peer Gynt, op. 23: no. 14. The Thief and the Receiver, Peer Gynt, op. 23: no. 15. Arabian Dance, Peer Gynt, op. 23: no. 16. Anitra’s Dance, Peer Gynt, op. 23: no. 17. Peer Gynt’s Serenade, Peer Gynt, op. 23: no. 19. Solveig’s Song, Peer Gynt, op. 23: no. 21. Peer Gynt’s Homecoming. Stormy Evening on the Sea, Peer Gynt, op. 23: no. 22. The Shipwreck, Peer Gynt, op. 23: no. 23. Solveig Sings in the Hut, Peer Gynt, op. 23: no. 24. Night Scene, Peer Gynt, op. 23: no. 25. Whitsun Hymn: “O Blessed Morning”, Peer Gynt, op. 23: no. 26. Solveig’s Cradle Song, Peer Gynt, op. 23: no. 4. Ingrid’s Lament, Peer Gynt, op. 23: no. 5. Peer Gynt and the Herd Girls, Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King, Peer Gynt, op. 23: no. 9. Dance of the Mountain King’s Daughter, Schicksalslied, op. 54, Symphonic Metamorphosis of Themes by Carl Maria von Weber: I. Allegro, Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Turandot, Scherzo: Moderato, Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino, Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch, Symphonie "Mathis Der Maler": I. Engelskonzert, Symphonie "Mathis Der Maler": II. Grablegung, Symphonie "Mathis Der Maler": III. Versuchung des heiligen Antonius, Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung, Symphony no. 2 in C minor "Resurrection": IV. 'Urlicht': Sehr feierlich, aber schlicht, Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzo, Symphony no. 4 “The Inextinguishable”: I. Allegro, Symphony no. 4 “The Inextinguishable”: II. Poco allegretto, Symphony no. 4 “The Inextinguishable”: III. Poco adagio quasi andante, Symphony no. 4 “The Inextinguishable”: IV. Con anima – Allegro, Symphony no. 5: IIa. Allegro, Symphony no. 5: IIb. Presto, Symphony no. 5: IIc. Andante un poco tranquillo, Symphony no. 5: IId. Allegro, Symphony no. 5: Ia. Tempo giusto, Symphony no. 5: Ib. Adagio non troppo
Collaborators on this artist's recordings
Artist name
Roles
Recordings
San Francisco Symphony
performing orchestra
"Rosamunde" Overture, D 644, Aladdin Suite, op. 34: II. Aladdin’s Dream and Dance of the Morning Mist, Aladdin Suite, op. 34: III. Hindu Dance, Aladdin Suite, op. 34: IV. Chinese Dance, Aladdin Suite, op. 34: V. The Marketplace at Ispahan, Aladdin Suite, op. 34: VI. The Prisoners’ Dance, Aladdin Suite, op. 34: VII. Negro Dance, Also sprach Zarathustra, Op. 30: I. Einleitung (Sonnenaufgang), Also sprach Zarathustra, Op. 30: II. Von den Hinterweltlern, Also sprach Zarathustra, Op. 30: III. Von der großen Sehnsucht, Also sprach Zarathustra, Op. 30: IV. Von den Freuden und Leidenschaften, Also sprach Zarathustra, Op. 30: IX. Nachtwandlerlied, Also sprach Zarathustra, Op. 30: V. Das Grablied, Also sprach Zarathustra, Op. 30: VI. Von der Wissenschaft, Also sprach Zarathustra, Op. 30: VII. Der Genesende, Also sprach Zarathustra, Op. 30: VIII. Das Tanzlied, Altrhapsodie, op. 53, Begräbnisgesang, op. 13, Carmina Burana: Blanziflor et Helena: Ave, formosissima, Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera, Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna, Carmina Burana: I. Primo vere: Ecce Gratum, Carmina Burana: I. Primo vere: Omnia Sol temperat, Carmina Burana: I. Primo vere: Veris leta facies, Carmina Burana: II. In Taberna: Ego sum abbas, Carmina Burana: II. In Taberna: Estuans interius, Carmina Burana: II. In Taberna: In taberna quando sumus, Carmina Burana: II. In Taberna: Olim lacus colueram, Carmina Burana: III. Cour d'amours: Amor volat undique, Carmina Burana: III. Cour d'amours: Circa mea pectora, Carmina Burana: III. Cour d'amours: Dies, nox et omnia, Carmina Burana: III. Cour d'amours: Dulcissime, Carmina Burana: III. Cour d'amours: In trutina, Carmina Burana: III. Cour d'amours: Si puer cum puellula, Carmina Burana: III. Cour d'amours: Stetit puella, Carmina Burana: III. Cour d'amours: Tempus est iocundum, Carmina Burana: III. Cour d'amours: Veni, veni, venias, Carmina Burana: Uf dem Anger: Reie: Swaz hie gat umbe / Chume, chum, geselle min / Swaz hie gat umbe, Carmina Burana: Uf dem anger: Chramer, gip die varwe mir, Carmina Burana: Uf dem anger: Floret silva nobilis, Carmina Burana: Uf dem anger: Tanz, Carmina Burana: Uf dem anger: Were diu werlt alle min, Concerto for Orchestra, B 123: I. Introduzione, Concerto for Orchestra, B 123: II. Giuoco delle coppie, Concerto for Orchestra, B 123: III. Elegia, Concerto for Orchestra, B 123: IV. Intermezzo interrotto, Concerto for Orchestra, B 123: V. Finale, Don Juan, op. 20, Ein Heldenleben, Op. 40: I. Der Held, Ein Heldenleben, Op. 40: II. Des Helden Widersacher, Ein Heldenleben, Op. 40: III. Des Helden Gefährtin, Ein Heldenleben, Op. 40: IV. Des Helden Walstatt, Ein Heldenleben, Op. 40: V. Des Helden Friedenswerke, Ein Heldenleben, Op. 40: VI. Des Helden Weltflucht und Vollendung, Eine Alpensinfonie, op. 64: Am Wasserfall, Eine Alpensinfonie, op. 64: Auf blumigen Wiesen, Eine Alpensinfonie, op. 64: Auf dem Gletscher, Eine Alpensinfonie, op. 64: Auf der Alm, Eine Alpensinfonie, op. 64: Ausklang, Eine Alpensinfonie, op. 64: Der Anstieg, Eine Alpensinfonie, op. 64: Die Sonne verdüstert sich allmählich, Eine Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen, Eine Alpensinfonie, op. 64: Eintritt in den Wald - Wanderung neben dem Bach, Eine Alpensinfonie, op. 64: Elegie, Eine Alpensinfonie, op. 64: Erscheinung, Eine Alpensinfonie, op. 64: Gefahrvolle Augenblicke - Auf dem Gipfel, Eine Alpensinfonie, op. 64: Gewitter und Sturm, Abstieg, Eine Alpensinfonie, op. 64: Nacht, Eine Alpensinfonie, op. 64: Nebel steigen auf, Eine Alpensinfonie, op. 64: Sonnenaufgang, Eine Alpensinfonie, op. 64: Sonnenuntergang, Eine Alpensinfonie, op. 64: Stille vor dem Sturm, Eine Alpensinfonie, op. 64: Vision, Gesang der Parzen, op. 89, Konzertmusik für Streichorchester und Blechbläser: I. Mäβig schnell, mit Kraft - Sehr breit, aber stets flieβend, Konzertmusik für Streichorchester und Blechbläser: II. Lebhaft - Langsam - Im ersten Zeitmaβ, Kossuth, BB 31: I. Kossuth, Kossuth, BB 31: II. Mi bú nehezül lelkedre, édes férjem?, Kossuth, BB 31: III. Veszélyben a haza!, Kossuth, BB 31: IV. Hajdan jobb időket éltünk..., Kossuth, BB 31: IX. Mindennek vége!, Kossuth, BB 31: V. Majd rosszra fordult sorsunk..., Kossuth, BB 31: VI. Harcra fel!, Kossuth, BB 31: VII. Jöjjetek, jäjjetek! szép magyar vitézek, szép magyar leventék!, Kossuth, BB 31: VIII. ..., Kossuth, BB 31: X. Csöndes minden, csöndes..., Kuolema, op. 44 no. 1: Valse triste, Maskarade: Overture, Metamorphosen, Nobilissima Visione – Suite: I. Einleitung und Rondo, Nobilissima Visione – Suite: II. Marsch und Pastorale, Nobilissima Visione – Suite: III. Passacaglia, Nänie, op. 82, Overture in C major "In the Italian style", D 591, Overture in C major, D 591 “In the Italian style”, Peer Gynt Suite No. 1, Op. 46: I. Morning Mood, Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance, Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King, Peer Gynt Suite No. 2, Op. 55: I. Ingrid's Lament, Peer Gynt Suite No. 2, Op. 55: I. The Abduction (Ingrid's Lament), Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance, Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Homecoming (Stormy evening), Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song, Peer Gynt Suite no. 1, op. 46: I. Morning Mood, Peer Gynt Suite: Morgenstimmung, Peer Gynt, op. 23: Act 1 - Prelude, Peer Gynt, op. 23: no. 10. Peer Gynt Hunted by the Trolls. no. 11. The Boyg, Peer Gynt, op. 23: no. 12. The Death of Ase, Peer Gynt, op. 23: no. 13. Morning Mood, Peer Gynt, op. 23: no. 14. The Thief and the Receiver, Peer Gynt, op. 23: no. 15. Arabian Dance, Peer Gynt, op. 23: no. 16. Anitra’s Dance, Peer Gynt, op. 23: no. 17. Peer Gynt’s Serenade, Peer Gynt, op. 23: no. 19. Solveig’s Song, Peer Gynt, op. 23: no. 21. Peer Gynt’s Homecoming. Stormy Evening on the Sea, Peer Gynt, op. 23: no. 22. The Shipwreck, Peer Gynt, op. 23: no. 23. Solveig Sings in the Hut, Peer Gynt, op. 23: no. 24. Night Scene, Peer Gynt, op. 23: no. 25. Whitsun Hymn: “O Blessed Morning”, Peer Gynt, op. 23: no. 26. Solveig’s Cradle Song, Peer Gynt, op. 23: no. 4. Ingrid’s Lament, Peer Gynt, op. 23: no. 5. Peer Gynt and the Herd Girls, Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King, Peer Gynt, op. 23: no. 9. Dance of the Mountain King’s Daughter, Schicksalslied, op. 54, Symphonic Metamorphosis of Themes by Carl Maria von Weber: I. Allegro, Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Turandot, Scherzo: Moderato, Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino, Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch, Symphonie "Mathis Der Maler": I. Engelskonzert, Symphonie "Mathis Der Maler": II. Grablegung, Symphonie "Mathis Der Maler": III. Versuchung des heiligen Antonius, Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Finale: Adagio - Allegro molto e vivace, Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico, Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento), Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro, Symphony no. 1 in E minor, op. 39: IV. Finale (quasi una fantasia), Symphony no. 1 in G minor, op. 7: I. Allegro orgoglioso, Symphony no. 1 in G minor, op. 7: II. Andante, Symphony no. 1 in G minor, op. 7: III. Allegro comodo, Symphony no. 1 in G minor, op. 7: IV. Finale, Symphony no. 1 “Sinfonie Sérieuse”: I. Allegro con energia, Symphony no. 1 “Sinfonie Sérieuse”: II. Adagio maestoso, Symphony no. 1 “Sinfonie Sérieuse”: III. Stretto -, Symphony no. 1 “Sinfonie Sérieuse”: IV. Finale: Adagio - allegro molto, Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung, Symphony no. 2 in C minor "Resurrection": IV. 'Urlicht': Sehr feierlich, aber schlicht, Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzo, Symphony no. 2 in D major, op. 43: I. Allegretto - Poco allegro - Tranquillo, ma poco a poco ravvivando il tempo al allegro, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato - Andante sostenuto, Symphony no. 2 in D major, op. 43: III. Vivacissimo - Lento e suave - Largamente, Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato, Symphony no. 2 “The Four Temperaments”, op 16: III. Andante melincolico, Symphony no. 2 “The Four Temperaments”, op. 16: I. Allegro collerico, Symphony no. 2 “The Four Temperaments”, op. 16: II. Allegro comodo e flemmatico, Symphony no. 2 “The Four Temperaments”, op. 16: IV. Allegro sanguineo, Symphony no. 2: I. Dawn: Luminoso, Symphony no. 2: I. Molto agitato, Symphony no. 2: II. Allegretto capriccioso, Symphony no. 2: II. Daylight: Con brio, non pesante, Symphony no. 2: III. Adagio, tranquillo ed espressivo, Symphony no. 2: III. Dusk: Poco largo, lambente, Symphony no. 2: IV. Allegramente, Symphony no. 2: IV. Darkness: Inesorabile, Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato, Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio, Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony no. 3 in C major, op. 52: I. Allegro moderato, Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto, Symphony no. 3 in C major, op. 52: III. Moderato - Allegro (ma non tanto), Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto, Symphony no. 3 “Sinfonia espansiva”, op. 27: I. Allegro espansivo, Symphony no. 3 “Sinfonia espansiva”, op. 27: III. Allegretto un poco, Symphony no. 3 “Sinfonia espansiva”, op. 27: IV. Finale. Allegro, Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace, Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto, Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato, Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello. Presto, Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio, Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace, Symphony no. 4 in A minor, op. 63: III. Il tempo largo, Symphony no. 4 in A minor, op. 63: IV. Allegro, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): I. Bewegt doch nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): II. Andante quasi allegretto, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): III. Scherzo: Bewegt - Trio: Nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 4 “The Inextinguishable”: I. Allegro, Symphony no. 4 “The Inextinguishable”: II. Poco allegretto, Symphony no. 4 “The Inextinguishable”: III. Poco adagio quasi andante, Symphony no. 4 “The Inextinguishable”: IV. Con anima – Allegro, Symphony no. 4: I. Allegro risoluto, Symphony no. 4: II. Adagio -, Symphony no. 4: III. Scherzo: Allegro molto, Symphony no. 4: IV. Finale: Allegro vivace, Symphony no. 5 in B-flat major, D 485: I. Allegro, Symphony no. 5 in B-flat major, D 485: II. Andante con moto, Symphony no. 5 in B-flat major, D 485: III. Menuetto: Allegro molto, Symphony no. 5 in B-flat major, D 485: IV. Allegro vivace, Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Largamente - Allegro moderato, Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto, Symphony no. 5 in E-flat major, op. 82: III. Allegro molto, Symphony no. 5: IIa. Allegro, Symphony no. 5: IIb. Presto, Symphony no. 5: IIc. Andante un poco tranquillo, Symphony no. 5: IId. Allegro, Symphony no. 5: Ia. Tempo giusto, Symphony no. 5: Ib. Adagio non troppo, Symphony no. 6 "Sinfonia semplice", FS 116: I. Tempo giusto, Symphony no. 6 "Sinfonia semplice", FS 116: II. Humoreske: Allegretto, Symphony no. 6 "Sinfonia semplice", FS 116: III. Proposta seria: Adagio, Symphony no. 6 "Sinfonia semplice", FS 116: IV. Tema con variazioni: Allegro, Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato, Symphony no. 6 in D minor, op. 104: II. Allegretto moderato, Symphony no. 6 in D minor, op. 104: III. Poco vivace, Symphony no. 6 in D minor, op. 104: IV. Allegro molto, Symphony no. 7 in C major, op. 105, Symphony no. 8 in B minor, D 759 "Unfinished": I. Allegro moderato, Symphony no. 8 in B minor, D 759 "Unfinished": II. Andante con moto, Symphony no. 9 in C major, D 944 “Great”: I. Andante - Allegro ma non troppo, Symphony no. 9 in C major, D 944 “Great”: II. Andante con moto, Symphony no. 9 in C major, D 944 “Great”: III. Scherzo: Allegro vivace, Symphony no. 9 in C major, D 944 “Great”: IV. Finale: Allegro vivace, Tapiola, op. 112, The Golden Dance: I. Quarter note = 72, flexible, The Golden Dance: II. Quarter note = 144, Till Eulenspiegels lustige Streiche, Op. 28, Tod und Verklärung, Op. 24
Herbert Blomstedt
conductor
"Rosamunde" Overture, D 644, Aladdin Suite, op. 34: II. Aladdin’s Dream and Dance of the Morning Mist, Aladdin Suite, op. 34: III. Hindu Dance, Aladdin Suite, op. 34: IV. Chinese Dance, Aladdin Suite, op. 34: V. The Marketplace at Ispahan, Aladdin Suite, op. 34: VI. The Prisoners’ Dance, Aladdin Suite, op. 34: VII. Negro Dance, Also sprach Zarathustra, Op. 30: I. Einleitung (Sonnenaufgang), Also sprach Zarathustra, Op. 30: II. Von den Hinterweltlern, Also sprach Zarathustra, Op. 30: III. Von der großen Sehnsucht, Also sprach Zarathustra, Op. 30: IV. Von den Freuden und Leidenschaften, Also sprach Zarathustra, Op. 30: IX. Nachtwandlerlied, Also sprach Zarathustra, Op. 30: V. Das Grablied, Also sprach Zarathustra, Op. 30: VI. Von der Wissenschaft, Also sprach Zarathustra, Op. 30: VII. Der Genesende, Also sprach Zarathustra, Op. 30: VIII. Das Tanzlied, Altrhapsodie, op. 53, Begräbnisgesang, op. 13, Carmina Burana: Blanziflor et Helena: Ave, formosissima, Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera, Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna, Carmina Burana: I. Primo vere: Ecce Gratum, Carmina Burana: I. Primo vere: Omnia Sol temperat, Carmina Burana: I. Primo vere: Veris leta facies, Carmina Burana: II. In Taberna: Ego sum abbas, Carmina Burana: II. In Taberna: Estuans interius, Carmina Burana: II. In Taberna: In taberna quando sumus, Carmina Burana: II. In Taberna: Olim lacus colueram, Carmina Burana: III. Cour d'amours: Amor volat undique, Carmina Burana: III. Cour d'amours: Circa mea pectora, Carmina Burana: III. Cour d'amours: Dies, nox et omnia, Carmina Burana: III. Cour d'amours: Dulcissime, Carmina Burana: III. Cour d'amours: In trutina, Carmina Burana: III. Cour d'amours: Si puer cum puellula, Carmina Burana: III. Cour d'amours: Stetit puella, Carmina Burana: III. Cour d'amours: Tempus est iocundum, Carmina Burana: III. Cour d'amours: Veni, veni, venias, Carmina Burana: Uf dem Anger: Reie: Swaz hie gat umbe / Chume, chum, geselle min / Swaz hie gat umbe, Carmina Burana: Uf dem anger: Chramer, gip die varwe mir, Carmina Burana: Uf dem anger: Floret silva nobilis, Carmina Burana: Uf dem anger: Tanz, Carmina Burana: Uf dem anger: Were diu werlt alle min, Concerto for Orchestra, B 123: I. Introduzione, Concerto for Orchestra, B 123: II. Giuoco delle coppie, Concerto for Orchestra, B 123: III. Elegia, Concerto for Orchestra, B 123: IV. Intermezzo interrotto, Concerto for Orchestra, B 123: V. Finale, Don Juan, op. 20, Ein Heldenleben, Op. 40: I. Der Held, Ein Heldenleben, Op. 40: II. Des Helden Widersacher, Ein Heldenleben, Op. 40: III. Des Helden Gefährtin, Ein Heldenleben, Op. 40: IV. Des Helden Walstatt, Ein Heldenleben, Op. 40: V. Des Helden Friedenswerke, Ein Heldenleben, Op. 40: VI. Des Helden Weltflucht und Vollendung, Eine Alpensinfonie, op. 64: Am Wasserfall, Eine Alpensinfonie, op. 64: Auf blumigen Wiesen, Eine Alpensinfonie, op. 64: Auf dem Gletscher, Eine Alpensinfonie, op. 64: Auf der Alm, Eine Alpensinfonie, op. 64: Ausklang, Eine Alpensinfonie, op. 64: Der Anstieg, Eine Alpensinfonie, op. 64: Die Sonne verdüstert sich allmählich, Eine Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen, Eine Alpensinfonie, op. 64: Eintritt in den Wald - Wanderung neben dem Bach, Eine Alpensinfonie, op. 64: Elegie, Eine Alpensinfonie, op. 64: Erscheinung, Eine Alpensinfonie, op. 64: Gefahrvolle Augenblicke - Auf dem Gipfel, Eine Alpensinfonie, op. 64: Gewitter und Sturm, Abstieg, Eine Alpensinfonie, op. 64: Nacht, Eine Alpensinfonie, op. 64: Nebel steigen auf, Eine Alpensinfonie, op. 64: Sonnenaufgang, Eine Alpensinfonie, op. 64: Sonnenuntergang, Eine Alpensinfonie, op. 64: Stille vor dem Sturm, Eine Alpensinfonie, op. 64: Vision, Gesang der Parzen, op. 89, Konzertmusik für Streichorchester und Blechbläser: I. Mäβig schnell, mit Kraft - Sehr breit, aber stets flieβend, Konzertmusik für Streichorchester und Blechbläser: II. Lebhaft - Langsam - Im ersten Zeitmaβ, Kossuth, BB 31: I. Kossuth, Kossuth, BB 31: II. Mi bú nehezül lelkedre, édes férjem?, Kossuth, BB 31: III. Veszélyben a haza!, Kossuth, BB 31: IV. Hajdan jobb időket éltünk..., Kossuth, BB 31: IX. Mindennek vége!, Kossuth, BB 31: V. Majd rosszra fordult sorsunk..., Kossuth, BB 31: VI. Harcra fel!, Kossuth, BB 31: VII. Jöjjetek, jäjjetek! szép magyar vitézek, szép magyar leventék!, Kossuth, BB 31: VIII. ..., Kossuth, BB 31: X. Csöndes minden, csöndes..., Kuolema, op. 44 no. 1: Valse triste, Maskarade: Overture, Metamorphosen, Nobilissima Visione – Suite: I. Einleitung und Rondo, Nobilissima Visione – Suite: II. Marsch und Pastorale, Nobilissima Visione – Suite: III. Passacaglia, Nänie, op. 82, Overture in C major "In the Italian style", D 591, Overture in C major, D 591 “In the Italian style”, Peer Gynt Suite No. 1, Op. 46: I. Morning Mood, Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance, Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King, Peer Gynt Suite No. 2, Op. 55: I. Ingrid's Lament, Peer Gynt Suite No. 2, Op. 55: I. The Abduction (Ingrid's Lament), Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance, Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Homecoming (Stormy evening), Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song, Peer Gynt Suite no. 1, op. 46: I. Morning Mood, Peer Gynt Suite: Morgenstimmung, Peer Gynt, op. 23: Act 1 - Prelude, Peer Gynt, op. 23: no. 10. Peer Gynt Hunted by the Trolls. no. 11. The Boyg, Peer Gynt, op. 23: no. 12. The Death of Ase, Peer Gynt, op. 23: no. 13. Morning Mood, Peer Gynt, op. 23: no. 14. The Thief and the Receiver, Peer Gynt, op. 23: no. 15. Arabian Dance, Peer Gynt, op. 23: no. 16. Anitra’s Dance, Peer Gynt, op. 23: no. 17. Peer Gynt’s Serenade, Peer Gynt, op. 23: no. 19. Solveig’s Song, Peer Gynt, op. 23: no. 21. Peer Gynt’s Homecoming. Stormy Evening on the Sea, Peer Gynt, op. 23: no. 22. The Shipwreck, Peer Gynt, op. 23: no. 23. Solveig Sings in the Hut, Peer Gynt, op. 23: no. 24. Night Scene, Peer Gynt, op. 23: no. 25. Whitsun Hymn: “O Blessed Morning”, Peer Gynt, op. 23: no. 26. Solveig’s Cradle Song, Peer Gynt, op. 23: no. 4. Ingrid’s Lament, Peer Gynt, op. 23: no. 5. Peer Gynt and the Herd Girls, Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King, Peer Gynt, op. 23: no. 9. Dance of the Mountain King’s Daughter, Schicksalslied, op. 54, Symphonic Metamorphosis of Themes by Carl Maria von Weber: I. Allegro, Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Turandot, Scherzo: Moderato, Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino, Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch, Symphonie "Mathis Der Maler": I. Engelskonzert, Symphonie "Mathis Der Maler": II. Grablegung, Symphonie "Mathis Der Maler": III. Versuchung des heiligen Antonius, Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Finale: Adagio - Allegro molto e vivace, Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico, Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento), Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro, Symphony no. 1 in E minor, op. 39: IV. Finale (quasi una fantasia), Symphony no. 1 in G minor, op. 7: I. Allegro orgoglioso, Symphony no. 1 in G minor, op. 7: II. Andante, Symphony no. 1 in G minor, op. 7: III. Allegro comodo, Symphony no. 1 in G minor, op. 7: IV. Finale, Symphony no. 1 “Sinfonie Sérieuse”: I. Allegro con energia, Symphony no. 1 “Sinfonie Sérieuse”: II. Adagio maestoso, Symphony no. 1 “Sinfonie Sérieuse”: III. Stretto -, Symphony no. 1 “Sinfonie Sérieuse”: IV. Finale: Adagio - allegro molto, Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung, Symphony no. 2 in C minor "Resurrection": IV. 'Urlicht': Sehr feierlich, aber schlicht, Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzo, Symphony no. 2 in D major, op. 43: I. Allegretto - Poco allegro - Tranquillo, ma poco a poco ravvivando il tempo al allegro, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato - Andante sostenuto, Symphony no. 2 in D major, op. 43: III. Vivacissimo - Lento e suave - Largamente, Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato, Symphony no. 2 “The Four Temperaments”, op 16: III. Andante melincolico, Symphony no. 2 “The Four Temperaments”, op. 16: I. Allegro collerico, Symphony no. 2 “The Four Temperaments”, op. 16: II. Allegro comodo e flemmatico, Symphony no. 2 “The Four Temperaments”, op. 16: IV. Allegro sanguineo, Symphony no. 2: I. Dawn: Luminoso, Symphony no. 2: I. Molto agitato, Symphony no. 2: II. Allegretto capriccioso, Symphony no. 2: II. Daylight: Con brio, non pesante, Symphony no. 2: III. Adagio, tranquillo ed espressivo, Symphony no. 2: III. Dusk: Poco largo, lambente, Symphony no. 2: IV. Allegramente, Symphony no. 2: IV. Darkness: Inesorabile, Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato, Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio, Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony no. 3 in C major, op. 52: I. Allegro moderato, Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto, Symphony no. 3 in C major, op. 52: III. Moderato - Allegro (ma non tanto), Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto, Symphony no. 3 “Sinfonia espansiva”, op. 27: I. Allegro espansivo, Symphony no. 3 “Sinfonia espansiva”, op. 27: III. Allegretto un poco, Symphony no. 3 “Sinfonia espansiva”, op. 27: IV. Finale. Allegro, Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace, Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto, Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato, Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello. Presto, Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio, Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace, Symphony no. 4 in A minor, op. 63: III. Il tempo largo, Symphony no. 4 in A minor, op. 63: IV. Allegro, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): I. Bewegt doch nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): II. Andante quasi allegretto, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): III. Scherzo: Bewegt - Trio: Nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 4 “The Inextinguishable”: I. Allegro, Symphony no. 4 “The Inextinguishable”: II. Poco allegretto, Symphony no. 4 “The Inextinguishable”: III. Poco adagio quasi andante, Symphony no. 4 “The Inextinguishable”: IV. Con anima – Allegro, Symphony no. 4: I. Allegro risoluto, Symphony no. 4: II. Adagio -, Symphony no. 4: III. Scherzo: Allegro molto, Symphony no. 4: IV. Finale: Allegro vivace, Symphony no. 5 in B-flat major, D 485: I. Allegro, Symphony no. 5 in B-flat major, D 485: II. Andante con moto, Symphony no. 5 in B-flat major, D 485: III. Menuetto: Allegro molto, Symphony no. 5 in B-flat major, D 485: IV. Allegro vivace, Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Largamente - Allegro moderato, Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto, Symphony no. 5 in E-flat major, op. 82: III. Allegro molto, Symphony no. 5: IIa. Allegro, Symphony no. 5: IIb. Presto, Symphony no. 5: IIc. Andante un poco tranquillo, Symphony no. 5: IId. Allegro, Symphony no. 5: Ia. Tempo giusto, Symphony no. 5: Ib. Adagio non troppo, Symphony no. 6 "Sinfonia semplice", FS 116: I. Tempo giusto, Symphony no. 6 "Sinfonia semplice", FS 116: II. Humoreske: Allegretto, Symphony no. 6 "Sinfonia semplice", FS 116: III. Proposta seria: Adagio, Symphony no. 6 "Sinfonia semplice", FS 116: IV. Tema con variazioni: Allegro, Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato, Symphony no. 6 in D minor, op. 104: II. Allegretto moderato, Symphony no. 6 in D minor, op. 104: III. Poco vivace, Symphony no. 6 in D minor, op. 104: IV. Allegro molto, Symphony no. 7 in C major, op. 105, Symphony no. 8 in B minor, D 759 "Unfinished": I. Allegro moderato, Symphony no. 8 in B minor, D 759 "Unfinished": II. Andante con moto, Symphony no. 9 in C major, D 944 “Great”: I. Andante - Allegro ma non troppo, Symphony no. 9 in C major, D 944 “Great”: II. Andante con moto, Symphony no. 9 in C major, D 944 “Great”: III. Scherzo: Allegro vivace, Symphony no. 9 in C major, D 944 “Great”: IV. Finale: Allegro vivace, Tapiola, op. 112, The Golden Dance: I. Quarter note = 72, flexible, The Golden Dance: II. Quarter note = 144, Till Eulenspiegels lustige Streiche, Op. 28, Tod und Verklärung, Op. 24
Andrew Cornall
producer
Aladdin Suite, op. 34: II. Aladdin’s Dream and Dance of the Morning Mist, Aladdin Suite, op. 34: III. Hindu Dance, Aladdin Suite, op. 34: IV. Chinese Dance, Aladdin Suite, op. 34: V. The Marketplace at Ispahan, Aladdin Suite, op. 34: VI. The Prisoners’ Dance, Aladdin Suite, op. 34: VII. Negro Dance, Altrhapsodie, op. 53, Begräbnisgesang, op. 13, Carmina Burana: Blanziflor et Helena: Ave, formosissima, Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera, Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna, Carmina Burana: I. Primo vere: Ecce Gratum, Carmina Burana: I. Primo vere: Omnia Sol temperat, Carmina Burana: I. Primo vere: Veris leta facies, Carmina Burana: II. In Taberna: Ego sum abbas, Carmina Burana: II. In Taberna: Estuans interius, Carmina Burana: II. In Taberna: In taberna quando sumus, Carmina Burana: II. In Taberna: Olim lacus colueram, Carmina Burana: III. Cour d'amours: Amor volat undique, Carmina Burana: III. Cour d'amours: Circa mea pectora, Carmina Burana: III. Cour d'amours: Dies, nox et omnia, Carmina Burana: III. Cour d'amours: Dulcissime, Carmina Burana: III. Cour d'amours: In trutina, Carmina Burana: III. Cour d'amours: Si puer cum puellula, Carmina Burana: III. Cour d'amours: Stetit puella, Carmina Burana: III. Cour d'amours: Tempus est iocundum, Carmina Burana: III. Cour d'amours: Veni, veni, venias, Carmina Burana: Uf dem Anger: Reie: Swaz hie gat umbe / Chume, chum, geselle min / Swaz hie gat umbe, Carmina Burana: Uf dem anger: Chramer, gip die varwe mir, Carmina Burana: Uf dem anger: Floret silva nobilis, Carmina Burana: Uf dem anger: Tanz, Carmina Burana: Uf dem anger: Were diu werlt alle min, Concerto for Orchestra, B 123: I. Introduzione, Concerto for Orchestra, B 123: II. Giuoco delle coppie, Concerto for Orchestra, B 123: III. Elegia, Concerto for Orchestra, B 123: IV. Intermezzo interrotto, Concerto for Orchestra, B 123: V. Finale, Don Juan, op. 20, Eine Alpensinfonie, op. 64: Am Wasserfall, Eine Alpensinfonie, op. 64: Auf blumigen Wiesen, Eine Alpensinfonie, op. 64: Auf dem Gletscher, Eine Alpensinfonie, op. 64: Auf der Alm, Eine Alpensinfonie, op. 64: Ausklang, Eine Alpensinfonie, op. 64: Der Anstieg, Eine Alpensinfonie, op. 64: Die Sonne verdüstert sich allmählich, Eine Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen, Eine Alpensinfonie, op. 64: Eintritt in den Wald - Wanderung neben dem Bach, Eine Alpensinfonie, op. 64: Elegie, Eine Alpensinfonie, op. 64: Erscheinung, Eine Alpensinfonie, op. 64: Gefahrvolle Augenblicke - Auf dem Gipfel, Eine Alpensinfonie, op. 64: Gewitter und Sturm, Abstieg, Eine Alpensinfonie, op. 64: Nacht, Eine Alpensinfonie, op. 64: Nebel steigen auf, Eine Alpensinfonie, op. 64: Sonnenaufgang, Eine Alpensinfonie, op. 64: Sonnenuntergang, Eine Alpensinfonie, op. 64: Stille vor dem Sturm, Eine Alpensinfonie, op. 64: Vision, Gesang der Parzen, op. 89, Konzertmusik für Streichorchester und Blechbläser: I. Mäβig schnell, mit Kraft - Sehr breit, aber stets flieβend, Konzertmusik für Streichorchester und Blechbläser: II. Lebhaft - Langsam - Im ersten Zeitmaβ, Kossuth, BB 31: I. Kossuth, Kossuth, BB 31: II. Mi bú nehezül lelkedre, édes férjem?, Kossuth, BB 31: III. Veszélyben a haza!, Kossuth, BB 31: IV. Hajdan jobb időket éltünk..., Kossuth, BB 31: IX. Mindennek vége!, Kossuth, BB 31: V. Majd rosszra fordult sorsunk..., Kossuth, BB 31: VI. Harcra fel!, Kossuth, BB 31: VII. Jöjjetek, jäjjetek! szép magyar vitézek, szép magyar leventék!, Kossuth, BB 31: VIII. ..., Kossuth, BB 31: X. Csöndes minden, csöndes..., Maskarade: Overture, Nänie, op. 82, Overture in C major, D 591 “In the Italian style”, Peer Gynt, op. 23: Act 1 - Prelude, Peer Gynt, op. 23: no. 10. Peer Gynt Hunted by the Trolls. no. 11. The Boyg, Peer Gynt, op. 23: no. 12. The Death of Ase, Peer Gynt, op. 23: no. 13. Morning Mood, Peer Gynt, op. 23: no. 14. The Thief and the Receiver, Peer Gynt, op. 23: no. 15. Arabian Dance, Peer Gynt, op. 23: no. 16. Anitra’s Dance, Peer Gynt, op. 23: no. 17. Peer Gynt’s Serenade, Peer Gynt, op. 23: no. 19. Solveig’s Song, Peer Gynt, op. 23: no. 21. Peer Gynt’s Homecoming. Stormy Evening on the Sea, Peer Gynt, op. 23: no. 22. The Shipwreck, Peer Gynt, op. 23: no. 23. Solveig Sings in the Hut, Peer Gynt, op. 23: no. 24. Night Scene, Peer Gynt, op. 23: no. 25. Whitsun Hymn: “O Blessed Morning”, Peer Gynt, op. 23: no. 26. Solveig’s Cradle Song, Peer Gynt, op. 23: no. 4. Ingrid’s Lament, Peer Gynt, op. 23: no. 5. Peer Gynt and the Herd Girls, Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King, Peer Gynt, op. 23: no. 9. Dance of the Mountain King’s Daughter, Schicksalslied, op. 54, Symphonic Metamorphosis of Themes by Carl Maria von Weber: I. Allegro, Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Turandot, Scherzo: Moderato, Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino, Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch, Symphonie "Mathis Der Maler": I. Engelskonzert, Symphonie "Mathis Der Maler": II. Grablegung, Symphonie "Mathis Der Maler": III. Versuchung des heiligen Antonius, Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Finale: Adagio - Allegro molto e vivace, Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico, Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento), Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro, Symphony no. 1 in E minor, op. 39: IV. Finale (quasi una fantasia), Symphony no. 1 in G minor, op. 7: I. Allegro orgoglioso, Symphony no. 1 in G minor, op. 7: II. Andante, Symphony no. 1 in G minor, op. 7: III. Allegro comodo, Symphony no. 1 in G minor, op. 7: IV. Finale, Symphony no. 1 “Sinfonie Sérieuse”: I. Allegro con energia, Symphony no. 1 “Sinfonie Sérieuse”: II. Adagio maestoso, Symphony no. 1 “Sinfonie Sérieuse”: III. Stretto -, Symphony no. 1 “Sinfonie Sérieuse”: IV. Finale: Adagio - allegro molto, Symphony no. 2 “The Four Temperaments”, op 16: III. Andante melincolico, Symphony no. 2 “The Four Temperaments”, op. 16: I. Allegro collerico, Symphony no. 2 “The Four Temperaments”, op. 16: II. Allegro comodo e flemmatico, Symphony no. 2 “The Four Temperaments”, op. 16: IV. Allegro sanguineo, Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato, Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio, Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto, Symphony no. 3 “Sinfonia espansiva”, op. 27: I. Allegro espansivo, Symphony no. 3 “Sinfonia espansiva”, op. 27: III. Allegretto un poco, Symphony no. 3 “Sinfonia espansiva”, op. 27: IV. Finale. Allegro, Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace, Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto, Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato, Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello. Presto, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): I. Bewegt doch nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): II. Andante quasi allegretto, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): III. Scherzo: Bewegt - Trio: Nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 4 “The Inextinguishable”: I. Allegro, Symphony no. 4 “The Inextinguishable”: II. Poco allegretto, Symphony no. 4 “The Inextinguishable”: III. Poco adagio quasi andante, Symphony no. 4 “The Inextinguishable”: IV. Con anima – Allegro, Symphony no. 4: I. Allegro risoluto, Symphony no. 4: II. Adagio -, Symphony no. 4: III. Scherzo: Allegro molto, Symphony no. 4: IV. Finale: Allegro vivace, Symphony no. 5: IIa. Allegro, Symphony no. 5: IIb. Presto, Symphony no. 5: IIc. Andante un poco tranquillo, Symphony no. 5: IId. Allegro, Symphony no. 5: Ia. Tempo giusto, Symphony no. 5: Ib. Adagio non troppo, Symphony no. 6 "Sinfonia semplice", FS 116: I. Tempo giusto, Symphony no. 6 "Sinfonia semplice", FS 116: II. Humoreske: Allegretto, Symphony no. 6 "Sinfonia semplice", FS 116: III. Proposta seria: Adagio, Symphony no. 6 "Sinfonia semplice", FS 116: IV. Tema con variazioni: Allegro, Symphony no. 7 in C major, op. 105, Symphony no. 9 in C major, D 944 “Great”: I. Andante - Allegro ma non troppo, Symphony no. 9 in C major, D 944 “Great”: II. Andante con moto, Symphony no. 9 in C major, D 944 “Great”: III. Scherzo: Allegro vivace, Symphony no. 9 in C major, D 944 “Great”: IV. Finale: Allegro vivace, Tapiola, op. 112
John Pellowe
balance, engineer, recording
Aladdin Suite, op. 34: II. Aladdin’s Dream and Dance of the Morning Mist, Aladdin Suite, op. 34: III. Hindu Dance, Aladdin Suite, op. 34: IV. Chinese Dance, Aladdin Suite, op. 34: V. The Marketplace at Ispahan, Aladdin Suite, op. 34: VI. The Prisoners’ Dance, Aladdin Suite, op. 34: VII. Negro Dance, Don Juan, op. 20, Eine Alpensinfonie, op. 64: Am Wasserfall, Eine Alpensinfonie, op. 64: Auf blumigen Wiesen, Eine Alpensinfonie, op. 64: Auf dem Gletscher, Eine Alpensinfonie, op. 64: Auf der Alm, Eine Alpensinfonie, op. 64: Ausklang, Eine Alpensinfonie, op. 64: Der Anstieg, Eine Alpensinfonie, op. 64: Die Sonne verdüstert sich allmählich, Eine Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen, Eine Alpensinfonie, op. 64: Eintritt in den Wald - Wanderung neben dem Bach, Eine Alpensinfonie, op. 64: Elegie, Eine Alpensinfonie, op. 64: Erscheinung, Eine Alpensinfonie, op. 64: Gefahrvolle Augenblicke - Auf dem Gipfel, Eine Alpensinfonie, op. 64: Gewitter und Sturm, Abstieg, Eine Alpensinfonie, op. 64: Nacht, Eine Alpensinfonie, op. 64: Nebel steigen auf, Eine Alpensinfonie, op. 64: Sonnenaufgang, Eine Alpensinfonie, op. 64: Sonnenuntergang, Eine Alpensinfonie, op. 64: Stille vor dem Sturm, Eine Alpensinfonie, op. 64: Vision, Gesang der Parzen, op. 89, Maskarade: Overture, Nänie, op. 82, Peer Gynt, op. 23: Act 1 - Prelude, Peer Gynt, op. 23: no. 10. Peer Gynt Hunted by the Trolls. no. 11. The Boyg, Peer Gynt, op. 23: no. 12. The Death of Ase, Peer Gynt, op. 23: no. 13. Morning Mood, Peer Gynt, op. 23: no. 14. The Thief and the Receiver, Peer Gynt, op. 23: no. 15. Arabian Dance, Peer Gynt, op. 23: no. 16. Anitra’s Dance, Peer Gynt, op. 23: no. 17. Peer Gynt’s Serenade, Peer Gynt, op. 23: no. 19. Solveig’s Song, Peer Gynt, op. 23: no. 21. Peer Gynt’s Homecoming. Stormy Evening on the Sea, Peer Gynt, op. 23: no. 22. The Shipwreck, Peer Gynt, op. 23: no. 23. Solveig Sings in the Hut, Peer Gynt, op. 23: no. 24. Night Scene, Peer Gynt, op. 23: no. 25. Whitsun Hymn: “O Blessed Morning”, Peer Gynt, op. 23: no. 26. Solveig’s Cradle Song, Peer Gynt, op. 23: no. 4. Ingrid’s Lament, Peer Gynt, op. 23: no. 5. Peer Gynt and the Herd Girls, Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King, Peer Gynt, op. 23: no. 9. Dance of the Mountain King’s Daughter, Schicksalslied, op. 54, Symphonic Metamorphosis of Themes by Carl Maria von Weber: I. Allegro, Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Turandot, Scherzo: Moderato, Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino, Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch, Symphonie "Mathis Der Maler": I. Engelskonzert, Symphonie "Mathis Der Maler": II. Grablegung, Symphonie "Mathis Der Maler": III. Versuchung des heiligen Antonius, Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico, Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento), Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro, Symphony no. 1 in E minor, op. 39: IV. Finale (quasi una fantasia), Symphony no. 1 in G minor, op. 7: I. Allegro orgoglioso, Symphony no. 1 in G minor, op. 7: II. Andante, Symphony no. 1 in G minor, op. 7: III. Allegro comodo, Symphony no. 1 in G minor, op. 7: IV. Finale, Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung, Symphony no. 2 in C minor "Resurrection": IV. 'Urlicht': Sehr feierlich, aber schlicht, Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzo, Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato, Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio, Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony no. 3 “Sinfonia espansiva”, op. 27: I. Allegro espansivo, Symphony no. 3 “Sinfonia espansiva”, op. 27: III. Allegretto un poco, Symphony no. 3 “Sinfonia espansiva”, op. 27: IV. Finale. Allegro, Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace, Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto, Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato, Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello. Presto, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): I. Bewegt doch nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): II. Andante quasi allegretto, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): III. Scherzo: Bewegt - Trio: Nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 4 “The Inextinguishable”: I. Allegro, Symphony no. 4 “The Inextinguishable”: II. Poco allegretto, Symphony no. 4 “The Inextinguishable”: III. Poco adagio quasi andante, Symphony no. 4 “The Inextinguishable”: IV. Con anima – Allegro, Symphony no. 4: I. Allegro risoluto, Symphony no. 4: II. Adagio -, Symphony no. 4: III. Scherzo: Allegro molto, Symphony no. 4: IV. Finale: Allegro vivace, Symphony no. 5: IIa. Allegro, Symphony no. 5: IIb. Presto, Symphony no. 5: IIc. Andante un poco tranquillo, Symphony no. 5: IId. Allegro, Symphony no. 5: Ia. Tempo giusto, Symphony no. 5: Ib. Adagio non troppo, Symphony no. 6 "Sinfonia semplice", FS 116: I. Tempo giusto, Symphony no. 6 "Sinfonia semplice", FS 116: II. Humoreske: Allegretto, Symphony no. 6 "Sinfonia semplice", FS 116: III. Proposta seria: Adagio, Symphony no. 6 "Sinfonia semplice", FS 116: IV. Tema con variazioni: Allegro, Tapiola, op. 112
James Lock (engineer)
balance, engineer
Don Juan, op. 20, Eine Alpensinfonie, op. 64: Am Wasserfall, Eine Alpensinfonie, op. 64: Auf blumigen Wiesen, Eine Alpensinfonie, op. 64: Auf dem Gletscher, Eine Alpensinfonie, op. 64: Auf der Alm, Eine Alpensinfonie, op. 64: Ausklang, Eine Alpensinfonie, op. 64: Der Anstieg, Eine Alpensinfonie, op. 64: Die Sonne verdüstert sich allmählich, Eine Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen, Eine Alpensinfonie, op. 64: Eintritt in den Wald - Wanderung neben dem Bach, Eine Alpensinfonie, op. 64: Elegie, Eine Alpensinfonie, op. 64: Erscheinung, Eine Alpensinfonie, op. 64: Gefahrvolle Augenblicke - Auf dem Gipfel, Eine Alpensinfonie, op. 64: Gewitter und Sturm, Abstieg, Eine Alpensinfonie, op. 64: Nacht, Eine Alpensinfonie, op. 64: Nebel steigen auf, Eine Alpensinfonie, op. 64: Sonnenaufgang, Eine Alpensinfonie, op. 64: Sonnenuntergang, Eine Alpensinfonie, op. 64: Stille vor dem Sturm, Eine Alpensinfonie, op. 64: Vision, Gesang der Parzen, op. 89, Nänie, op. 82, Peer Gynt, op. 23: Act 1 - Prelude, Peer Gynt, op. 23: no. 10. Peer Gynt Hunted by the Trolls. no. 11. The Boyg, Peer Gynt, op. 23: no. 12. The Death of Ase, Peer Gynt, op. 23: no. 13. Morning Mood, Peer Gynt, op. 23: no. 14. The Thief and the Receiver, Peer Gynt, op. 23: no. 15. Arabian Dance, Peer Gynt, op. 23: no. 16. Anitra’s Dance, Peer Gynt, op. 23: no. 17. Peer Gynt’s Serenade, Peer Gynt, op. 23: no. 19. Solveig’s Song, Peer Gynt, op. 23: no. 21. Peer Gynt’s Homecoming. Stormy Evening on the Sea, Peer Gynt, op. 23: no. 22. The Shipwreck, Peer Gynt, op. 23: no. 23. Solveig Sings in the Hut, Peer Gynt, op. 23: no. 24. Night Scene, Peer Gynt, op. 23: no. 25. Whitsun Hymn: “O Blessed Morning”, Peer Gynt, op. 23: no. 26. Solveig’s Cradle Song, Peer Gynt, op. 23: no. 4. Ingrid’s Lament, Peer Gynt, op. 23: no. 5. Peer Gynt and the Herd Girls, Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King, Peer Gynt, op. 23: no. 9. Dance of the Mountain King’s Daughter, Schicksalslied, op. 54, Symphonic Metamorphosis of Themes by Carl Maria von Weber: I. Allegro, Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Turandot, Scherzo: Moderato, Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino, Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch, Symphonie "Mathis Der Maler": I. Engelskonzert, Symphonie "Mathis Der Maler": II. Grablegung, Symphonie "Mathis Der Maler": III. Versuchung des heiligen Antonius, Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung, Symphony no. 2 in C minor "Resurrection": IV. 'Urlicht': Sehr feierlich, aber schlicht, Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzo, Symphony no. 4 “The Inextinguishable”: I. Allegro, Symphony no. 4 “The Inextinguishable”: II. Poco allegretto, Symphony no. 4 “The Inextinguishable”: III. Poco adagio quasi andante, Symphony no. 4 “The Inextinguishable”: IV. Con anima – Allegro, Symphony no. 5: IIa. Allegro, Symphony no. 5: IIb. Presto, Symphony no. 5: IIc. Andante un poco tranquillo, Symphony no. 5: IId. Allegro, Symphony no. 5: Ia. Tempo giusto, Symphony no. 5: Ib. Adagio non troppo
Stanley Goodall (engineer)
balance, recording
Altrhapsodie, op. 53, Begräbnisgesang, op. 13, Carmina Burana: Blanziflor et Helena: Ave, formosissima, Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera, Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna, Carmina Burana: I. Primo vere: Ecce Gratum, Carmina Burana: I. Primo vere: Omnia Sol temperat, Carmina Burana: I. Primo vere: Veris leta facies, Carmina Burana: II. In Taberna: Ego sum abbas, Carmina Burana: II. In Taberna: Estuans interius, Carmina Burana: II. In Taberna: In taberna quando sumus, Carmina Burana: II. In Taberna: Olim lacus colueram, Carmina Burana: III. Cour d'amours: Amor volat undique, Carmina Burana: III. Cour d'amours: Circa mea pectora, Carmina Burana: III. Cour d'amours: Dies, nox et omnia, Carmina Burana: III. Cour d'amours: Dulcissime, Carmina Burana: III. Cour d'amours: In trutina, Carmina Burana: III. Cour d'amours: Si puer cum puellula, Carmina Burana: III. Cour d'amours: Stetit puella, Carmina Burana: III. Cour d'amours: Tempus est iocundum, Carmina Burana: III. Cour d'amours: Veni, veni, venias, Carmina Burana: Uf dem Anger: Reie: Swaz hie gat umbe / Chume, chum, geselle min / Swaz hie gat umbe, Carmina Burana: Uf dem anger: Chramer, gip die varwe mir, Carmina Burana: Uf dem anger: Floret silva nobilis, Carmina Burana: Uf dem anger: Tanz, Carmina Burana: Uf dem anger: Were diu werlt alle min, Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Finale: Adagio - Allegro molto e vivace, Symphony no. 2 “The Four Temperaments”, op 16: III. Andante melincolico, Symphony no. 2 “The Four Temperaments”, op. 16: I. Allegro collerico, Symphony no. 2 “The Four Temperaments”, op. 16: II. Allegro comodo e flemmatico, Symphony no. 2 “The Four Temperaments”, op. 16: IV. Allegro sanguineo, Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto, Symphony no. 9 in C major, D 944 “Great”: I. Andante - Allegro ma non troppo, Symphony no. 9 in C major, D 944 “Great”: II. Andante con moto, Symphony no. 9 in C major, D 944 “Great”: III. Scherzo: Allegro vivace, Symphony no. 9 in C major, D 944 “Great”: IV. Finale: Allegro vivace
Michael Mailes
engineer
Concerto for Orchestra, B 123: I. Introduzione, Concerto for Orchestra, B 123: II. Giuoco delle coppie, Concerto for Orchestra, B 123: III. Elegia, Concerto for Orchestra, B 123: IV. Intermezzo interrotto, Concerto for Orchestra, B 123: V. Finale, Kossuth, BB 31: I. Kossuth, Kossuth, BB 31: II. Mi bú nehezül lelkedre, édes férjem?, Kossuth, BB 31: III. Veszélyben a haza!, Kossuth, BB 31: IV. Hajdan jobb időket éltünk..., Kossuth, BB 31: IX. Mindennek vége!, Kossuth, BB 31: V. Majd rosszra fordult sorsunk..., Kossuth, BB 31: VI. Harcra fel!, Kossuth, BB 31: VII. Jöjjetek, jäjjetek! szép magyar vitézek, szép magyar leventék!, Kossuth, BB 31: VIII. ..., Kossuth, BB 31: X. Csöndes minden, csöndes..., Peer Gynt, op. 23: Act 1 - Prelude, Peer Gynt, op. 23: no. 10. Peer Gynt Hunted by the Trolls. no. 11. The Boyg, Peer Gynt, op. 23: no. 12. The Death of Ase, Peer Gynt, op. 23: no. 13. Morning Mood, Peer Gynt, op. 23: no. 14. The Thief and the Receiver, Peer Gynt, op. 23: no. 15. Arabian Dance, Peer Gynt, op. 23: no. 16. Anitra’s Dance, Peer Gynt, op. 23: no. 17. Peer Gynt’s Serenade, Peer Gynt, op. 23: no. 19. Solveig’s Song, Peer Gynt, op. 23: no. 21. Peer Gynt’s Homecoming. Stormy Evening on the Sea, Peer Gynt, op. 23: no. 22. The Shipwreck, Peer Gynt, op. 23: no. 23. Solveig Sings in the Hut, Peer Gynt, op. 23: no. 24. Night Scene, Peer Gynt, op. 23: no. 25. Whitsun Hymn: “O Blessed Morning”, Peer Gynt, op. 23: no. 26. Solveig’s Cradle Song, Peer Gynt, op. 23: no. 4. Ingrid’s Lament, Peer Gynt, op. 23: no. 5. Peer Gynt and the Herd Girls, Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King, Peer Gynt, op. 23: no. 9. Dance of the Mountain King’s Daughter
Ian Watson (Editor)
editor
Konzertmusik für Streichorchester und Blechbläser: I. Mäβig schnell, mit Kraft - Sehr breit, aber stets flieβend, Konzertmusik für Streichorchester und Blechbläser: II. Lebhaft - Langsam - Im ersten Zeitmaβ, Symphonic Metamorphosis of Themes by Carl Maria von Weber: I. Allegro, Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Turandot, Scherzo: Moderato, Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino, Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch, Symphonie "Mathis Der Maler": I. Engelskonzert, Symphonie "Mathis Der Maler": II. Grablegung, Symphonie "Mathis Der Maler": III. Versuchung des heiligen Antonius, Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato, Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio, Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace, Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto, Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato, Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello. Presto, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): I. Bewegt doch nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): II. Andante quasi allegretto, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): III. Scherzo: Bewegt - Trio: Nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): IV. Finale: Bewegt, doch nicht zu schnell
Simon Bertram
editor
Don Juan, op. 20, Eine Alpensinfonie, op. 64: Am Wasserfall, Eine Alpensinfonie, op. 64: Auf blumigen Wiesen, Eine Alpensinfonie, op. 64: Auf dem Gletscher, Eine Alpensinfonie, op. 64: Auf der Alm, Eine Alpensinfonie, op. 64: Ausklang, Eine Alpensinfonie, op. 64: Der Anstieg, Eine Alpensinfonie, op. 64: Die Sonne verdüstert sich allmählich, Eine Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen, Eine Alpensinfonie, op. 64: Eintritt in den Wald - Wanderung neben dem Bach, Eine Alpensinfonie, op. 64: Elegie, Eine Alpensinfonie, op. 64: Erscheinung, Eine Alpensinfonie, op. 64: Gefahrvolle Augenblicke - Auf dem Gipfel, Eine Alpensinfonie, op. 64: Gewitter und Sturm, Abstieg, Eine Alpensinfonie, op. 64: Nacht, Eine Alpensinfonie, op. 64: Nebel steigen auf, Eine Alpensinfonie, op. 64: Sonnenaufgang, Eine Alpensinfonie, op. 64: Sonnenuntergang, Eine Alpensinfonie, op. 64: Stille vor dem Sturm, Eine Alpensinfonie, op. 64: Vision
San Francisco Symphony Chorus
vocal
Aladdin Suite, op. 34: II. Aladdin’s Dream and Dance of the Morning Mist, Aladdin Suite, op. 34: III. Hindu Dance, Aladdin Suite, op. 34: IV. Chinese Dance, Aladdin Suite, op. 34: V. The Marketplace at Ispahan, Aladdin Suite, op. 34: VI. The Prisoners’ Dance, Aladdin Suite, op. 34: VII. Negro Dance, Peer Gynt, op. 23: no. 10. Peer Gynt Hunted by the Trolls. no. 11. The Boyg, Peer Gynt, op. 23: no. 15. Arabian Dance, Peer Gynt, op. 23: no. 24. Night Scene, Peer Gynt, op. 23: no. 25. Whitsun Hymn: “O Blessed Morning”, Peer Gynt, op. 23: no. 26. Solveig’s Cradle Song, Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King
DR SymfoniOrkestret
performing orchestra
Hymnus amoris: I. Amor mihi vitam donat, Hymnus amoris: II. Amor est dolor meus, Hymnus amoris: III. Amor est pax mea, Little Suite: I. Präludium, Little Suite: II. Intermezzo, Little Suite: III. Finale
Urban Malmberg
vocal
Peer Gynt, op. 23: no. 10. Peer Gynt Hunted by the Trolls. no. 11. The Boyg, Peer Gynt, op. 23: no. 14. The Thief and the Receiver, Peer Gynt, op. 23: no. 17. Peer Gynt’s Serenade, Peer Gynt, op. 23: no. 22. The Shipwreck, Peer Gynt, op. 23: no. 24. Night Scene, Peer Gynt, op. 23: no. 5. Peer Gynt and the Herd Girls
Kevin McMillan
vocal
Carmina Burana: I. Primo vere: Omnia Sol temperat, Carmina Burana: II. In Taberna: Ego sum abbas, Carmina Burana: II. In Taberna: Estuans interius, Carmina Burana: III. Cour d'amours: Circa mea pectora, Carmina Burana: III. Cour d'amours: Dies, nox et omnia, Carmina Burana: III. Cour d'amours: In trutina
Ulf Schirmer
conductor
Hymnus amoris: I. Amor mihi vitam donat, Hymnus amoris: II. Amor est dolor meus, Hymnus amoris: III. Amor est pax mea, Little Suite: I. Präludium, Little Suite: II. Intermezzo, Little Suite: III. Finale
Chris Hazell
producer
Hymnus amoris: I. Amor mihi vitam donat, Hymnus amoris: II. Amor est dolor meus, Hymnus amoris: III. Amor est pax mea, Little Suite: I. Präludium, Little Suite: II. Intermezzo, Little Suite: III. Finale
Neil Hutchinson
balance
Hymnus amoris: I. Amor mihi vitam donat, Hymnus amoris: II. Amor est dolor meus, Hymnus amoris: III. Amor est pax mea, Little Suite: I. Präludium, Little Suite: II. Intermezzo, Little Suite: III. Finale
Jard van Nes
vocal
Altrhapsodie, op. 53, Begräbnisgesang, op. 13, Gesang der Parzen, op. 89, Nänie, op. 82, Schicksalslied, op. 54
Deborah Gilbert (engineer)
editor
Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung, Symphony no. 2 in C minor "Resurrection": IV. 'Urlicht': Sehr feierlich, aber schlicht, Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzo
Colin Moorfoot
balance
Overture in C major, D 591 “In the Italian style”, Symphony no. 1 “Sinfonie Sérieuse”: I. Allegro con energia, Symphony no. 1 “Sinfonie Sérieuse”: II. Adagio maestoso, Symphony no. 1 “Sinfonie Sérieuse”: III. Stretto -, Symphony no. 1 “Sinfonie Sérieuse”: IV. Finale: Adagio - allegro molto
Jenni Whiteside
editor
Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico, Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento), Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro, Symphony no. 1 in E minor, op. 39: IV. Finale (quasi una fantasia), Symphony no. 7 in C major, op. 105
Krzysztof Jarosz
engineer
Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico, Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento), Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro, Symphony no. 1 in E minor, op. 39: IV. Finale (quasi una fantasia)
Mary-Anne Haeggander
vocal
Peer Gynt, op. 23: no. 19. Solveig’s Song, Peer Gynt, op. 23: no. 23. Solveig Sings in the Hut, Peer Gynt, op. 23: no. 24. Night Scene, Peer Gynt, op. 23: no. 26. Solveig’s Cradle Song
John Dunkerley (engineer)
balance, engineer
Konzertmusik für Streichorchester und Blechbläser: I. Mäβig schnell, mit Kraft - Sehr breit, aber stets flieβend, Konzertmusik für Streichorchester und Blechbläser: II. Lebhaft - Langsam - Im ersten Zeitmaβ, Symphony no. 7 in C major, op. 105
Barbara Bonney
vocal
Hymnus amoris: I. Amor mihi vitam donat, Hymnus amoris: II. Amor est dolor meus, Hymnus amoris: III. Amor est pax mea
Københavns Drengekor
vocal
Hymnus amoris: I. Amor mihi vitam donat, Hymnus amoris: II. Amor est dolor meus, Hymnus amoris: III. Amor est pax mea
Danish National Radio Choir
vocal
Hymnus amoris: I. Amor mihi vitam donat, Hymnus amoris: II. Amor est dolor meus, Hymnus amoris: III. Amor est pax mea
Margaret Lisi
vocal
Peer Gynt, op. 23: no. 10. Peer Gynt Hunted by the Trolls. no. 11. The Boyg, Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King
San Francisco Girls Chorus
vocal
Carmina Burana: III. Cour d'amours: Amor volat undique, Carmina Burana: III. Cour d'amours: In trutina
Kaare Myksvoll
vocal
Peer Gynt, op. 23: no. 10. Peer Gynt Hunted by the Trolls. no. 11. The Boyg, Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King
San Francisco Boys Chorus
vocal
Carmina Burana: III. Cour d'amours: Amor volat undique, Carmina Burana: III. Cour d'amours: In trutina
Gregory Nybo
vocal
Peer Gynt, op. 23: no. 10. Peer Gynt Hunted by the Trolls. no. 11. The Boyg, Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King
Wendy White (mezzo-soprano)
vocal
Peer Gynt, op. 23: no. 15. Arabian Dance, Peer Gynt, op. 23: no. 5. Peer Gynt and the Herd Girls
John Mark Ainsley
vocal
Hymnus amoris: I. Amor mihi vitam donat
Michael W. Hanson (baritone)
vocal
Hymnus amoris: III. Amor est pax mea
Merilyn Vaughn
vocal
Peer Gynt, op. 23: no. 5. Peer Gynt and the Herd Girls
Maria Meyer
vocal
Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King
Lars Pederson (tenor)
vocal
Hymnus amoris: III. Amor est pax mea
Andrew Groves (engineer)
engineer
Symphony no. 7 in C major, op. 105
Richard Haille
vocal
Peer Gynt, op. 23: no. 14. The Thief and the Receiver
John Daniecki
vocal
Carmina Burana: II. In Taberna: Olim lacus colueram
David Hess (actor/songwriter)
vocal
Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King
Bo Anker Hansen (bass)
vocal
Hymnus amoris: III. Amor est pax mea
Wendy Hoffman
vocal
Peer Gynt, op. 23: no. 5. Peer Gynt and the Herd Girls
Kristina Rapp
vocal
Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King
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