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San Francisco Symphony
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"Rosamunde" Overture, D 644, Aladdin Suite, op. 34: II. Aladdin’s Dream and Dance of the Morning Mist, Aladdin Suite, op. 34: III. Hindu Dance, Aladdin Suite, op. 34: IV. Chinese Dance, Aladdin Suite, op. 34: V. The Marketplace at Ispahan, Aladdin Suite, op. 34: VI. The Prisoners’ Dance, Aladdin Suite, op. 34: VII. Negro Dance, Also sprach Zarathustra, Op. 30: I. Einleitung (Sonnenaufgang), Also sprach Zarathustra, Op. 30: II. Von den Hinterweltlern, Also sprach Zarathustra, Op. 30: III. Von der großen Sehnsucht, Also sprach Zarathustra, Op. 30: IV. Von den Freuden und Leidenschaften, Also sprach Zarathustra, Op. 30: IX. Nachtwandlerlied, Also sprach Zarathustra, Op. 30: V. Das Grablied, Also sprach Zarathustra, Op. 30: VI. Von der Wissenschaft, Also sprach Zarathustra, Op. 30: VII. Der Genesende, Also sprach Zarathustra, Op. 30: VIII. Das Tanzlied, Altrhapsodie, op. 53, Begräbnisgesang, op. 13, Carmina Burana: Blanziflor et Helena: Ave, formosissima, Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera, Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna, Carmina Burana: I. Primo vere: Ecce Gratum, Carmina Burana: I. Primo vere: Omnia Sol temperat, Carmina Burana: I. Primo vere: Veris leta facies, Carmina Burana: II. In Taberna: Ego sum abbas, Carmina Burana: II. In Taberna: Estuans interius, Carmina Burana: II. In Taberna: In taberna quando sumus, Carmina Burana: II. In Taberna: Olim lacus colueram, Carmina Burana: III. Cour d'amours: Amor volat undique, Carmina Burana: III. Cour d'amours: Circa mea pectora, Carmina Burana: III. Cour d'amours: Dies, nox et omnia, Carmina Burana: III. Cour d'amours: Dulcissime, Carmina Burana: III. Cour d'amours: In trutina, Carmina Burana: III. Cour d'amours: Si puer cum puellula, Carmina Burana: III. Cour d'amours: Stetit puella, Carmina Burana: III. Cour d'amours: Tempus est iocundum, Carmina Burana: III. Cour d'amours: Veni, veni, venias, Carmina Burana: Uf dem Anger: Reie: Swaz hie gat umbe / Chume, chum, geselle min / Swaz hie gat umbe, Carmina Burana: Uf dem anger: Chramer, gip die varwe mir, Carmina Burana: Uf dem anger: Floret silva nobilis, Carmina Burana: Uf dem anger: Tanz, Carmina Burana: Uf dem anger: Were diu werlt alle min, Concerto for Orchestra, B 123: I. Introduzione, Concerto for Orchestra, B 123: II. Giuoco delle coppie, Concerto for Orchestra, B 123: III. Elegia, Concerto for Orchestra, B 123: IV. Intermezzo interrotto, Concerto for Orchestra, B 123: V. Finale, Don Juan, op. 20, Ein Heldenleben, Op. 40: I. Der Held, Ein Heldenleben, Op. 40: II. Des Helden Widersacher, Ein Heldenleben, Op. 40: III. Des Helden Gefährtin, Ein Heldenleben, Op. 40: IV. Des Helden Walstatt, Ein Heldenleben, Op. 40: V. Des Helden Friedenswerke, Ein Heldenleben, Op. 40: VI. Des Helden Weltflucht und Vollendung, Eine Alpensinfonie, op. 64: Am Wasserfall, Eine Alpensinfonie, op. 64: Auf blumigen Wiesen, Eine Alpensinfonie, op. 64: Auf dem Gletscher, Eine Alpensinfonie, op. 64: Auf der Alm, Eine Alpensinfonie, op. 64: Ausklang, Eine Alpensinfonie, op. 64: Der Anstieg, Eine Alpensinfonie, op. 64: Die Sonne verdüstert sich allmählich, Eine Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen, Eine Alpensinfonie, op. 64: Eintritt in den Wald - Wanderung neben dem Bach, Eine Alpensinfonie, op. 64: Elegie, Eine Alpensinfonie, op. 64: Erscheinung, Eine Alpensinfonie, op. 64: Gefahrvolle Augenblicke - Auf dem Gipfel, Eine Alpensinfonie, op. 64: Gewitter und Sturm, Abstieg, Eine Alpensinfonie, op. 64: Nacht, Eine Alpensinfonie, op. 64: Nebel steigen auf, Eine Alpensinfonie, op. 64: Sonnenaufgang, Eine Alpensinfonie, op. 64: Sonnenuntergang, Eine Alpensinfonie, op. 64: Stille vor dem Sturm, Eine Alpensinfonie, op. 64: Vision, Gesang der Parzen, op. 89, Konzertmusik für Streichorchester und Blechbläser: I. Mäβig schnell, mit Kraft - Sehr breit, aber stets flieβend, Konzertmusik für Streichorchester und Blechbläser: II. Lebhaft - Langsam - Im ersten Zeitmaβ, Kossuth, BB 31: I. Kossuth, Kossuth, BB 31: II. Mi bú nehezül lelkedre, édes férjem?, Kossuth, BB 31: III. Veszélyben a haza!, Kossuth, BB 31: IV. Hajdan jobb időket éltünk..., Kossuth, BB 31: IX. Mindennek vége!, Kossuth, BB 31: V. Majd rosszra fordult sorsunk..., Kossuth, BB 31: VI. Harcra fel!, Kossuth, BB 31: VII. Jöjjetek, jäjjetek! szép magyar vitézek, szép magyar leventék!, Kossuth, BB 31: VIII. ..., Kossuth, BB 31: X. Csöndes minden, csöndes..., Kuolema, op. 44 no. 1: Valse triste, Maskarade: Overture, Metamorphosen, Nobilissima Visione – Suite: I. Einleitung und Rondo, Nobilissima Visione – Suite: II. Marsch und Pastorale, Nobilissima Visione – Suite: III. Passacaglia, Nänie, op. 82, Overture in C major "In the Italian style", D 591, Overture in C major, D 591 “In the Italian style”, Peer Gynt Suite No. 1, Op. 46: I. Morning Mood, Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance, Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King, Peer Gynt Suite No. 2, Op. 55: I. Ingrid's Lament, Peer Gynt Suite No. 2, Op. 55: I. The Abduction (Ingrid's Lament), Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance, Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Homecoming (Stormy evening), Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song, Peer Gynt Suite no. 1, op. 46: I. Morning Mood, Peer Gynt Suite: Morgenstimmung, Peer Gynt, op. 23: Act 1 - Prelude, Peer Gynt, op. 23: no. 10. Peer Gynt Hunted by the Trolls. no. 11. The Boyg, Peer Gynt, op. 23: no. 12. The Death of Ase, Peer Gynt, op. 23: no. 13. Morning Mood, Peer Gynt, op. 23: no. 14. The Thief and the Receiver, Peer Gynt, op. 23: no. 15. Arabian Dance, Peer Gynt, op. 23: no. 16. Anitra’s Dance, Peer Gynt, op. 23: no. 17. Peer Gynt’s Serenade, Peer Gynt, op. 23: no. 19. Solveig’s Song, Peer Gynt, op. 23: no. 21. Peer Gynt’s Homecoming. Stormy Evening on the Sea, Peer Gynt, op. 23: no. 22. The Shipwreck, Peer Gynt, op. 23: no. 23. Solveig Sings in the Hut, Peer Gynt, op. 23: no. 24. Night Scene, Peer Gynt, op. 23: no. 25. Whitsun Hymn: “O Blessed Morning”, Peer Gynt, op. 23: no. 26. Solveig’s Cradle Song, Peer Gynt, op. 23: no. 4. Ingrid’s Lament, Peer Gynt, op. 23: no. 5. Peer Gynt and the Herd Girls, Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King, Peer Gynt, op. 23: no. 9. Dance of the Mountain King’s Daughter, Schicksalslied, op. 54, Symphonic Metamorphosis of Themes by Carl Maria von Weber: I. Allegro, Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Turandot, Scherzo: Moderato, Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino, Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch, Symphonie "Mathis Der Maler": I. Engelskonzert, Symphonie "Mathis Der Maler": II. Grablegung, Symphonie "Mathis Der Maler": III. Versuchung des heiligen Antonius, Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Finale: Adagio - Allegro molto e vivace, Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico, Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento), Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro, Symphony no. 1 in E minor, op. 39: IV. Finale (quasi una fantasia), Symphony no. 1 in G minor, op. 7: I. Allegro orgoglioso, Symphony no. 1 in G minor, op. 7: II. Andante, Symphony no. 1 in G minor, op. 7: III. Allegro comodo, Symphony no. 1 in G minor, op. 7: IV. Finale, Symphony no. 1 “Sinfonie Sérieuse”: I. Allegro con energia, Symphony no. 1 “Sinfonie Sérieuse”: II. Adagio maestoso, Symphony no. 1 “Sinfonie Sérieuse”: III. Stretto -, Symphony no. 1 “Sinfonie Sérieuse”: IV. Finale: Adagio - allegro molto, Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung, Symphony no. 2 in C minor "Resurrection": IV. 'Urlicht': Sehr feierlich, aber schlicht, Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzo, Symphony no. 2 in D major, op. 43: I. Allegretto - Poco allegro - Tranquillo, ma poco a poco ravvivando il tempo al allegro, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato - Andante sostenuto, Symphony no. 2 in D major, op. 43: III. Vivacissimo - Lento e suave - Largamente, Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato, Symphony no. 2 “The Four Temperaments”, op 16: III. Andante melincolico, Symphony no. 2 “The Four Temperaments”, op. 16: I. Allegro collerico, Symphony no. 2 “The Four Temperaments”, op. 16: II. Allegro comodo e flemmatico, Symphony no. 2 “The Four Temperaments”, op. 16: IV. Allegro sanguineo, Symphony no. 2: I. Dawn: Luminoso, Symphony no. 2: I. Molto agitato, Symphony no. 2: II. Allegretto capriccioso, Symphony no. 2: II. Daylight: Con brio, non pesante, Symphony no. 2: III. Adagio, tranquillo ed espressivo, Symphony no. 2: III. Dusk: Poco largo, lambente, Symphony no. 2: IV. Allegramente, Symphony no. 2: IV. Darkness: Inesorabile, Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato, Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio, Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony no. 3 in C major, op. 52: I. Allegro moderato, Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto, Symphony no. 3 in C major, op. 52: III. Moderato - Allegro (ma non tanto), Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto, Symphony no. 3 “Sinfonia espansiva”, op. 27: I. Allegro espansivo, Symphony no. 3 “Sinfonia espansiva”, op. 27: III. Allegretto un poco, Symphony no. 3 “Sinfonia espansiva”, op. 27: IV. Finale. Allegro, Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace, Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto, Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato, Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello. Presto, Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio, Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace, Symphony no. 4 in A minor, op. 63: III. Il tempo largo, Symphony no. 4 in A minor, op. 63: IV. Allegro, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): I. Bewegt doch nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): II. Andante quasi allegretto, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): III. Scherzo: Bewegt - Trio: Nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 4 “The Inextinguishable”: I. Allegro, Symphony no. 4 “The Inextinguishable”: II. Poco allegretto, Symphony no. 4 “The Inextinguishable”: III. Poco adagio quasi andante, Symphony no. 4 “The Inextinguishable”: IV. Con anima – Allegro, Symphony no. 4: I. Allegro risoluto, Symphony no. 4: II. Adagio -, Symphony no. 4: III. Scherzo: Allegro molto, Symphony no. 4: IV. Finale: Allegro vivace, Symphony no. 5 in B-flat major, D 485: I. Allegro, Symphony no. 5 in B-flat major, D 485: II. Andante con moto, Symphony no. 5 in B-flat major, D 485: III. Menuetto: Allegro molto, Symphony no. 5 in B-flat major, D 485: IV. Allegro vivace, Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Largamente - Allegro moderato, Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto, Symphony no. 5 in E-flat major, op. 82: III. Allegro molto, Symphony no. 5: IIa. Allegro, Symphony no. 5: IIb. Presto, Symphony no. 5: IIc. Andante un poco tranquillo, Symphony no. 5: IId. Allegro, Symphony no. 5: Ia. Tempo giusto, Symphony no. 5: Ib. Adagio non troppo, Symphony no. 6 "Sinfonia semplice", FS 116: I. Tempo giusto, Symphony no. 6 "Sinfonia semplice", FS 116: II. Humoreske: Allegretto, Symphony no. 6 "Sinfonia semplice", FS 116: III. Proposta seria: Adagio, Symphony no. 6 "Sinfonia semplice", FS 116: IV. Tema con variazioni: Allegro, Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato, Symphony no. 6 in D minor, op. 104: II. Allegretto moderato, Symphony no. 6 in D minor, op. 104: III. Poco vivace, Symphony no. 6 in D minor, op. 104: IV. Allegro molto, Symphony no. 7 in C major, op. 105, Symphony no. 8 in B minor, D 759 "Unfinished": I. Allegro moderato, Symphony no. 8 in B minor, D 759 "Unfinished": II. Andante con moto, Symphony no. 9 in C major, D 944 “Great”: I. Andante - Allegro ma non troppo, Symphony no. 9 in C major, D 944 “Great”: II. Andante con moto, Symphony no. 9 in C major, D 944 “Great”: III. Scherzo: Allegro vivace, Symphony no. 9 in C major, D 944 “Great”: IV. Finale: Allegro vivace, Tapiola, op. 112, The Golden Dance: I. Quarter note = 72, flexible, The Golden Dance: II. Quarter note = 144, Till Eulenspiegels lustige Streiche, Op. 28, Tod und Verklärung, Op. 24
Herbert Blomstedt
conductor
"Rosamunde" Overture, D 644, Aladdin Suite, op. 34: II. Aladdin’s Dream and Dance of the Morning Mist, Aladdin Suite, op. 34: III. Hindu Dance, Aladdin Suite, op. 34: IV. Chinese Dance, Aladdin Suite, op. 34: V. The Marketplace at Ispahan, Aladdin Suite, op. 34: VI. The Prisoners’ Dance, Aladdin Suite, op. 34: VII. Negro Dance, Also sprach Zarathustra, Op. 30: I. Einleitung (Sonnenaufgang), Also sprach Zarathustra, Op. 30: II. Von den Hinterweltlern, Also sprach Zarathustra, Op. 30: III. Von der großen Sehnsucht, Also sprach Zarathustra, Op. 30: IV. Von den Freuden und Leidenschaften, Also sprach Zarathustra, Op. 30: IX. Nachtwandlerlied, Also sprach Zarathustra, Op. 30: V. Das Grablied, Also sprach Zarathustra, Op. 30: VI. Von der Wissenschaft, Also sprach Zarathustra, Op. 30: VII. Der Genesende, Also sprach Zarathustra, Op. 30: VIII. Das Tanzlied, Altrhapsodie, op. 53, Begräbnisgesang, op. 13, Carmina Burana: Blanziflor et Helena: Ave, formosissima, Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera, Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna, Carmina Burana: I. Primo vere: Ecce Gratum, Carmina Burana: I. Primo vere: Omnia Sol temperat, Carmina Burana: I. Primo vere: Veris leta facies, Carmina Burana: II. In Taberna: Ego sum abbas, Carmina Burana: II. In Taberna: Estuans interius, Carmina Burana: II. In Taberna: In taberna quando sumus, Carmina Burana: II. In Taberna: Olim lacus colueram, Carmina Burana: III. Cour d'amours: Amor volat undique, Carmina Burana: III. Cour d'amours: Circa mea pectora, Carmina Burana: III. Cour d'amours: Dies, nox et omnia, Carmina Burana: III. Cour d'amours: Dulcissime, Carmina Burana: III. Cour d'amours: In trutina, Carmina Burana: III. Cour d'amours: Si puer cum puellula, Carmina Burana: III. Cour d'amours: Stetit puella, Carmina Burana: III. Cour d'amours: Tempus est iocundum, Carmina Burana: III. Cour d'amours: Veni, veni, venias, Carmina Burana: Uf dem Anger: Reie: Swaz hie gat umbe / Chume, chum, geselle min / Swaz hie gat umbe, Carmina Burana: Uf dem anger: Chramer, gip die varwe mir, Carmina Burana: Uf dem anger: Floret silva nobilis, Carmina Burana: Uf dem anger: Tanz, Carmina Burana: Uf dem anger: Were diu werlt alle min, Concerto for Orchestra, B 123: I. Introduzione, Concerto for Orchestra, B 123: II. Giuoco delle coppie, Concerto for Orchestra, B 123: III. Elegia, Concerto for Orchestra, B 123: IV. Intermezzo interrotto, Concerto for Orchestra, B 123: V. Finale, Don Juan, op. 20, Ein Heldenleben, Op. 40: I. Der Held, Ein Heldenleben, Op. 40: II. Des Helden Widersacher, Ein Heldenleben, Op. 40: III. Des Helden Gefährtin, Ein Heldenleben, Op. 40: IV. Des Helden Walstatt, Ein Heldenleben, Op. 40: V. Des Helden Friedenswerke, Ein Heldenleben, Op. 40: VI. Des Helden Weltflucht und Vollendung, Eine Alpensinfonie, op. 64: Am Wasserfall, Eine Alpensinfonie, op. 64: Auf blumigen Wiesen, Eine Alpensinfonie, op. 64: Auf dem Gletscher, Eine Alpensinfonie, op. 64: Auf der Alm, Eine Alpensinfonie, op. 64: Ausklang, Eine Alpensinfonie, op. 64: Der Anstieg, Eine Alpensinfonie, op. 64: Die Sonne verdüstert sich allmählich, Eine Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen, Eine Alpensinfonie, op. 64: Eintritt in den Wald - Wanderung neben dem Bach, Eine Alpensinfonie, op. 64: Elegie, Eine Alpensinfonie, op. 64: Erscheinung, Eine Alpensinfonie, op. 64: Gefahrvolle Augenblicke - Auf dem Gipfel, Eine Alpensinfonie, op. 64: Gewitter und Sturm, Abstieg, Eine Alpensinfonie, op. 64: Nacht, Eine Alpensinfonie, op. 64: Nebel steigen auf, Eine Alpensinfonie, op. 64: Sonnenaufgang, Eine Alpensinfonie, op. 64: Sonnenuntergang, Eine Alpensinfonie, op. 64: Stille vor dem Sturm, Eine Alpensinfonie, op. 64: Vision, Gesang der Parzen, op. 89, Konzertmusik für Streichorchester und Blechbläser: I. Mäβig schnell, mit Kraft - Sehr breit, aber stets flieβend, Konzertmusik für Streichorchester und Blechbläser: II. Lebhaft - Langsam - Im ersten Zeitmaβ, Kossuth, BB 31: I. Kossuth, Kossuth, BB 31: II. Mi bú nehezül lelkedre, édes férjem?, Kossuth, BB 31: III. Veszélyben a haza!, Kossuth, BB 31: IV. Hajdan jobb időket éltünk..., Kossuth, BB 31: IX. Mindennek vége!, Kossuth, BB 31: V. Majd rosszra fordult sorsunk..., Kossuth, BB 31: VI. Harcra fel!, Kossuth, BB 31: VII. Jöjjetek, jäjjetek! szép magyar vitézek, szép magyar leventék!, Kossuth, BB 31: VIII. ..., Kossuth, BB 31: X. Csöndes minden, csöndes..., Kuolema, op. 44 no. 1: Valse triste, Maskarade: Overture, Metamorphosen, Nobilissima Visione – Suite: I. Einleitung und Rondo, Nobilissima Visione – Suite: II. Marsch und Pastorale, Nobilissima Visione – Suite: III. Passacaglia, Nänie, op. 82, Overture in C major "In the Italian style", D 591, Overture in C major, D 591 “In the Italian style”, Peer Gynt Suite No. 1, Op. 46: I. Morning Mood, Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance, Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King, Peer Gynt Suite No. 2, Op. 55: I. Ingrid's Lament, Peer Gynt Suite No. 2, Op. 55: I. The Abduction (Ingrid's Lament), Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance, Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Homecoming (Stormy evening), Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song, Peer Gynt Suite no. 1, op. 46: I. Morning Mood, Peer Gynt Suite: Morgenstimmung, Peer Gynt, op. 23: Act 1 - Prelude, Peer Gynt, op. 23: no. 10. Peer Gynt Hunted by the Trolls. no. 11. The Boyg, Peer Gynt, op. 23: no. 12. The Death of Ase, Peer Gynt, op. 23: no. 13. Morning Mood, Peer Gynt, op. 23: no. 14. The Thief and the Receiver, Peer Gynt, op. 23: no. 15. Arabian Dance, Peer Gynt, op. 23: no. 16. Anitra’s Dance, Peer Gynt, op. 23: no. 17. Peer Gynt’s Serenade, Peer Gynt, op. 23: no. 19. Solveig’s Song, Peer Gynt, op. 23: no. 21. Peer Gynt’s Homecoming. Stormy Evening on the Sea, Peer Gynt, op. 23: no. 22. The Shipwreck, Peer Gynt, op. 23: no. 23. Solveig Sings in the Hut, Peer Gynt, op. 23: no. 24. Night Scene, Peer Gynt, op. 23: no. 25. Whitsun Hymn: “O Blessed Morning”, Peer Gynt, op. 23: no. 26. Solveig’s Cradle Song, Peer Gynt, op. 23: no. 4. Ingrid’s Lament, Peer Gynt, op. 23: no. 5. Peer Gynt and the Herd Girls, Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King, Peer Gynt, op. 23: no. 9. Dance of the Mountain King’s Daughter, Schicksalslied, op. 54, Symphonic Metamorphosis of Themes by Carl Maria von Weber: I. Allegro, Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Turandot, Scherzo: Moderato, Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino, Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch, Symphonie "Mathis Der Maler": I. Engelskonzert, Symphonie "Mathis Der Maler": II. Grablegung, Symphonie "Mathis Der Maler": III. Versuchung des heiligen Antonius, Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Finale: Adagio - Allegro molto e vivace, Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico, Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento), Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro, Symphony no. 1 in E minor, op. 39: IV. Finale (quasi una fantasia), Symphony no. 1 in G minor, op. 7: I. Allegro orgoglioso, Symphony no. 1 in G minor, op. 7: II. Andante, Symphony no. 1 in G minor, op. 7: III. Allegro comodo, Symphony no. 1 in G minor, op. 7: IV. Finale, Symphony no. 1 “Sinfonie Sérieuse”: I. Allegro con energia, Symphony no. 1 “Sinfonie Sérieuse”: II. Adagio maestoso, Symphony no. 1 “Sinfonie Sérieuse”: III. Stretto -, Symphony no. 1 “Sinfonie Sérieuse”: IV. Finale: Adagio - allegro molto, Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung, Symphony no. 2 in C minor "Resurrection": IV. 'Urlicht': Sehr feierlich, aber schlicht, Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzo, Symphony no. 2 in D major, op. 43: I. Allegretto - Poco allegro - Tranquillo, ma poco a poco ravvivando il tempo al allegro, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato - Andante sostenuto, Symphony no. 2 in D major, op. 43: III. Vivacissimo - Lento e suave - Largamente, Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato, Symphony no. 2 “The Four Temperaments”, op 16: III. Andante melincolico, Symphony no. 2 “The Four Temperaments”, op. 16: I. Allegro collerico, Symphony no. 2 “The Four Temperaments”, op. 16: II. Allegro comodo e flemmatico, Symphony no. 2 “The Four Temperaments”, op. 16: IV. Allegro sanguineo, Symphony no. 2: I. Dawn: Luminoso, Symphony no. 2: I. Molto agitato, Symphony no. 2: II. Allegretto capriccioso, Symphony no. 2: II. Daylight: Con brio, non pesante, Symphony no. 2: III. Adagio, tranquillo ed espressivo, Symphony no. 2: III. Dusk: Poco largo, lambente, Symphony no. 2: IV. Allegramente, Symphony no. 2: IV. Darkness: Inesorabile, Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato, Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio, Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony no. 3 in C major, op. 52: I. Allegro moderato, Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto, Symphony no. 3 in C major, op. 52: III. Moderato - Allegro (ma non tanto), Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto, Symphony no. 3 “Sinfonia espansiva”, op. 27: I. Allegro espansivo, Symphony no. 3 “Sinfonia espansiva”, op. 27: III. Allegretto un poco, Symphony no. 3 “Sinfonia espansiva”, op. 27: IV. Finale. Allegro, Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace, Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto, Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato, Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello. Presto, Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio, Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace, Symphony no. 4 in A minor, op. 63: III. Il tempo largo, Symphony no. 4 in A minor, op. 63: IV. Allegro, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): I. Bewegt doch nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): II. Andante quasi allegretto, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): III. Scherzo: Bewegt - Trio: Nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 4 “The Inextinguishable”: I. Allegro, Symphony no. 4 “The Inextinguishable”: II. Poco allegretto, Symphony no. 4 “The Inextinguishable”: III. Poco adagio quasi andante, Symphony no. 4 “The Inextinguishable”: IV. Con anima – Allegro, Symphony no. 4: I. Allegro risoluto, Symphony no. 4: II. Adagio -, Symphony no. 4: III. Scherzo: Allegro molto, Symphony no. 4: IV. Finale: Allegro vivace, Symphony no. 5 in B-flat major, D 485: I. Allegro, Symphony no. 5 in B-flat major, D 485: II. Andante con moto, Symphony no. 5 in B-flat major, D 485: III. Menuetto: Allegro molto, Symphony no. 5 in B-flat major, D 485: IV. Allegro vivace, Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Largamente - Allegro moderato, Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto, Symphony no. 5 in E-flat major, op. 82: III. Allegro molto, Symphony no. 5: IIa. Allegro, Symphony no. 5: IIb. Presto, Symphony no. 5: IIc. Andante un poco tranquillo, Symphony no. 5: IId. Allegro, Symphony no. 5: Ia. Tempo giusto, Symphony no. 5: Ib. Adagio non troppo, Symphony no. 6 "Sinfonia semplice", FS 116: I. Tempo giusto, Symphony no. 6 "Sinfonia semplice", FS 116: II. Humoreske: Allegretto, Symphony no. 6 "Sinfonia semplice", FS 116: III. Proposta seria: Adagio, Symphony no. 6 "Sinfonia semplice", FS 116: IV. Tema con variazioni: Allegro, Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato, Symphony no. 6 in D minor, op. 104: II. Allegretto moderato, Symphony no. 6 in D minor, op. 104: III. Poco vivace, Symphony no. 6 in D minor, op. 104: IV. Allegro molto, Symphony no. 7 in C major, op. 105, Symphony no. 8 in B minor, D 759 "Unfinished": I. Allegro moderato, Symphony no. 8 in B minor, D 759 "Unfinished": II. Andante con moto, Symphony no. 9 in C major, D 944 “Great”: I. Andante - Allegro ma non troppo, Symphony no. 9 in C major, D 944 “Great”: II. Andante con moto, Symphony no. 9 in C major, D 944 “Great”: III. Scherzo: Allegro vivace, Symphony no. 9 in C major, D 944 “Great”: IV. Finale: Allegro vivace, Tapiola, op. 112, The Golden Dance: I. Quarter note = 72, flexible, The Golden Dance: II. Quarter note = 144, Till Eulenspiegels lustige Streiche, Op. 28, Tod und Verklärung, Op. 24
Andrew Cornall
producer
Aladdin Suite, op. 34: II. Aladdin’s Dream and Dance of the Morning Mist, Aladdin Suite, op. 34: III. Hindu Dance, Aladdin Suite, op. 34: IV. Chinese Dance, Aladdin Suite, op. 34: V. The Marketplace at Ispahan, Aladdin Suite, op. 34: VI. The Prisoners’ Dance, Aladdin Suite, op. 34: VII. Negro Dance, Altrhapsodie, op. 53, Begräbnisgesang, op. 13, Carmina Burana: Blanziflor et Helena: Ave, formosissima, Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera, Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna, Carmina Burana: I. Primo vere: Ecce Gratum, Carmina Burana: I. Primo vere: Omnia Sol temperat, Carmina Burana: I. Primo vere: Veris leta facies, Carmina Burana: II. In Taberna: Ego sum abbas, Carmina Burana: II. In Taberna: Estuans interius, Carmina Burana: II. In Taberna: In taberna quando sumus, Carmina Burana: II. In Taberna: Olim lacus colueram, Carmina Burana: III. Cour d'amours: Amor volat undique, Carmina Burana: III. Cour d'amours: Circa mea pectora, Carmina Burana: III. Cour d'amours: Dies, nox et omnia, Carmina Burana: III. Cour d'amours: Dulcissime, Carmina Burana: III. Cour d'amours: In trutina, Carmina Burana: III. Cour d'amours: Si puer cum puellula, Carmina Burana: III. Cour d'amours: Stetit puella, Carmina Burana: III. Cour d'amours: Tempus est iocundum, Carmina Burana: III. Cour d'amours: Veni, veni, venias, Carmina Burana: Uf dem Anger: Reie: Swaz hie gat umbe / Chume, chum, geselle min / Swaz hie gat umbe, Carmina Burana: Uf dem anger: Chramer, gip die varwe mir, Carmina Burana: Uf dem anger: Floret silva nobilis, Carmina Burana: Uf dem anger: Tanz, Carmina Burana: Uf dem anger: Were diu werlt alle min, Concerto for Orchestra, B 123: I. Introduzione, Concerto for Orchestra, B 123: II. Giuoco delle coppie, Concerto for Orchestra, B 123: III. Elegia, Concerto for Orchestra, B 123: IV. Intermezzo interrotto, Concerto for Orchestra, B 123: V. Finale, Don Juan, op. 20, Eine Alpensinfonie, op. 64: Am Wasserfall, Eine Alpensinfonie, op. 64: Auf blumigen Wiesen, Eine Alpensinfonie, op. 64: Auf dem Gletscher, Eine Alpensinfonie, op. 64: Auf der Alm, Eine Alpensinfonie, op. 64: Ausklang, Eine Alpensinfonie, op. 64: Der Anstieg, Eine Alpensinfonie, op. 64: Die Sonne verdüstert sich allmählich, Eine Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen, Eine Alpensinfonie, op. 64: Eintritt in den Wald - Wanderung neben dem Bach, Eine Alpensinfonie, op. 64: Elegie, Eine Alpensinfonie, op. 64: Erscheinung, Eine Alpensinfonie, op. 64: Gefahrvolle Augenblicke - Auf dem Gipfel, Eine Alpensinfonie, op. 64: Gewitter und Sturm, Abstieg, Eine Alpensinfonie, op. 64: Nacht, Eine Alpensinfonie, op. 64: Nebel steigen auf, Eine Alpensinfonie, op. 64: Sonnenaufgang, Eine Alpensinfonie, op. 64: Sonnenuntergang, Eine Alpensinfonie, op. 64: Stille vor dem Sturm, Eine Alpensinfonie, op. 64: Vision, Gesang der Parzen, op. 89, Konzertmusik für Streichorchester und Blechbläser: I. Mäβig schnell, mit Kraft - Sehr breit, aber stets flieβend, Konzertmusik für Streichorchester und Blechbläser: II. Lebhaft - Langsam - Im ersten Zeitmaβ, Kossuth, BB 31: I. Kossuth, Kossuth, BB 31: II. Mi bú nehezül lelkedre, édes férjem?, Kossuth, BB 31: III. Veszélyben a haza!, Kossuth, BB 31: IV. Hajdan jobb időket éltünk..., Kossuth, BB 31: IX. Mindennek vége!, Kossuth, BB 31: V. Majd rosszra fordult sorsunk..., Kossuth, BB 31: VI. Harcra fel!, Kossuth, BB 31: VII. Jöjjetek, jäjjetek! szép magyar vitézek, szép magyar leventék!, Kossuth, BB 31: VIII. ..., Kossuth, BB 31: X. Csöndes minden, csöndes..., Maskarade: Overture, Nänie, op. 82, Overture in C major, D 591 “In the Italian style”, Peer Gynt, op. 23: Act 1 - Prelude, Peer Gynt, op. 23: no. 10. Peer Gynt Hunted by the Trolls. no. 11. The Boyg, Peer Gynt, op. 23: no. 12. The Death of Ase, Peer Gynt, op. 23: no. 13. Morning Mood, Peer Gynt, op. 23: no. 14. The Thief and the Receiver, Peer Gynt, op. 23: no. 15. Arabian Dance, Peer Gynt, op. 23: no. 16. Anitra’s Dance, Peer Gynt, op. 23: no. 17. Peer Gynt’s Serenade, Peer Gynt, op. 23: no. 19. Solveig’s Song, Peer Gynt, op. 23: no. 21. Peer Gynt’s Homecoming. Stormy Evening on the Sea, Peer Gynt, op. 23: no. 22. The Shipwreck, Peer Gynt, op. 23: no. 23. Solveig Sings in the Hut, Peer Gynt, op. 23: no. 24. Night Scene, Peer Gynt, op. 23: no. 25. Whitsun Hymn: “O Blessed Morning”, Peer Gynt, op. 23: no. 26. Solveig’s Cradle Song, Peer Gynt, op. 23: no. 4. Ingrid’s Lament, Peer Gynt, op. 23: no. 5. Peer Gynt and the Herd Girls, Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King, Peer Gynt, op. 23: no. 9. Dance of the Mountain King’s Daughter, Schicksalslied, op. 54, Symphonic Metamorphosis of Themes by Carl Maria von Weber: I. Allegro, Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Turandot, Scherzo: Moderato, Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino, Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch, Symphonie "Mathis Der Maler": I. Engelskonzert, Symphonie "Mathis Der Maler": II. Grablegung, Symphonie "Mathis Der Maler": III. Versuchung des heiligen Antonius, Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Finale: Adagio - Allegro molto e vivace, Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico, Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento), Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro, Symphony no. 1 in E minor, op. 39: IV. Finale (quasi una fantasia), Symphony no. 1 in G minor, op. 7: I. Allegro orgoglioso, Symphony no. 1 in G minor, op. 7: II. Andante, Symphony no. 1 in G minor, op. 7: III. Allegro comodo, Symphony no. 1 in G minor, op. 7: IV. Finale, Symphony no. 1 “Sinfonie Sérieuse”: I. Allegro con energia, Symphony no. 1 “Sinfonie Sérieuse”: II. Adagio maestoso, Symphony no. 1 “Sinfonie Sérieuse”: III. Stretto -, Symphony no. 1 “Sinfonie Sérieuse”: IV. Finale: Adagio - allegro molto, Symphony no. 2 “The Four Temperaments”, op 16: III. Andante melincolico, Symphony no. 2 “The Four Temperaments”, op. 16: I. Allegro collerico, Symphony no. 2 “The Four Temperaments”, op. 16: II. Allegro comodo e flemmatico, Symphony no. 2 “The Four Temperaments”, op. 16: IV. Allegro sanguineo, Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato, Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio, Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto, Symphony no. 3 “Sinfonia espansiva”, op. 27: I. Allegro espansivo, Symphony no. 3 “Sinfonia espansiva”, op. 27: III. Allegretto un poco, Symphony no. 3 “Sinfonia espansiva”, op. 27: IV. Finale. Allegro, Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace, Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto, Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato, Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello. Presto, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): I. Bewegt doch nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): II. Andante quasi allegretto, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): III. Scherzo: Bewegt - Trio: Nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 4 “The Inextinguishable”: I. Allegro, Symphony no. 4 “The Inextinguishable”: II. Poco allegretto, Symphony no. 4 “The Inextinguishable”: III. Poco adagio quasi andante, Symphony no. 4 “The Inextinguishable”: IV. Con anima – Allegro, Symphony no. 4: I. Allegro risoluto, Symphony no. 4: II. Adagio -, Symphony no. 4: III. Scherzo: Allegro molto, Symphony no. 4: IV. Finale: Allegro vivace, Symphony no. 5: IIa. Allegro, Symphony no. 5: IIb. Presto, Symphony no. 5: IIc. Andante un poco tranquillo, Symphony no. 5: IId. Allegro, Symphony no. 5: Ia. Tempo giusto, Symphony no. 5: Ib. Adagio non troppo, Symphony no. 6 "Sinfonia semplice", FS 116: I. Tempo giusto, Symphony no. 6 "Sinfonia semplice", FS 116: II. Humoreske: Allegretto, Symphony no. 6 "Sinfonia semplice", FS 116: III. Proposta seria: Adagio, Symphony no. 6 "Sinfonia semplice", FS 116: IV. Tema con variazioni: Allegro, Symphony no. 7 in C major, op. 105, Symphony no. 9 in C major, D 944 “Great”: I. Andante - Allegro ma non troppo, Symphony no. 9 in C major, D 944 “Great”: II. Andante con moto, Symphony no. 9 in C major, D 944 “Great”: III. Scherzo: Allegro vivace, Symphony no. 9 in C major, D 944 “Great”: IV. Finale: Allegro vivace, Tapiola, op. 112
John Pellowe
balance, engineer, recording
Aladdin Suite, op. 34: II. Aladdin’s Dream and Dance of the Morning Mist, Aladdin Suite, op. 34: III. Hindu Dance, Aladdin Suite, op. 34: IV. Chinese Dance, Aladdin Suite, op. 34: V. The Marketplace at Ispahan, Aladdin Suite, op. 34: VI. The Prisoners’ Dance, Aladdin Suite, op. 34: VII. Negro Dance, Don Juan, op. 20, Eine Alpensinfonie, op. 64: Am Wasserfall, Eine Alpensinfonie, op. 64: Auf blumigen Wiesen, Eine Alpensinfonie, op. 64: Auf dem Gletscher, Eine Alpensinfonie, op. 64: Auf der Alm, Eine Alpensinfonie, op. 64: Ausklang, Eine Alpensinfonie, op. 64: Der Anstieg, Eine Alpensinfonie, op. 64: Die Sonne verdüstert sich allmählich, Eine Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen, Eine Alpensinfonie, op. 64: Eintritt in den Wald - Wanderung neben dem Bach, Eine Alpensinfonie, op. 64: Elegie, Eine Alpensinfonie, op. 64: Erscheinung, Eine Alpensinfonie, op. 64: Gefahrvolle Augenblicke - Auf dem Gipfel, Eine Alpensinfonie, op. 64: Gewitter und Sturm, Abstieg, Eine Alpensinfonie, op. 64: Nacht, Eine Alpensinfonie, op. 64: Nebel steigen auf, Eine Alpensinfonie, op. 64: Sonnenaufgang, Eine Alpensinfonie, op. 64: Sonnenuntergang, Eine Alpensinfonie, op. 64: Stille vor dem Sturm, Eine Alpensinfonie, op. 64: Vision, Gesang der Parzen, op. 89, Maskarade: Overture, Nänie, op. 82, Peer Gynt, op. 23: Act 1 - Prelude, Peer Gynt, op. 23: no. 10. Peer Gynt Hunted by the Trolls. no. 11. The Boyg, Peer Gynt, op. 23: no. 12. The Death of Ase, Peer Gynt, op. 23: no. 13. Morning Mood, Peer Gynt, op. 23: no. 14. The Thief and the Receiver, Peer Gynt, op. 23: no. 15. Arabian Dance, Peer Gynt, op. 23: no. 16. Anitra’s Dance, Peer Gynt, op. 23: no. 17. Peer Gynt’s Serenade, Peer Gynt, op. 23: no. 19. Solveig’s Song, Peer Gynt, op. 23: no. 21. Peer Gynt’s Homecoming. Stormy Evening on the Sea, Peer Gynt, op. 23: no. 22. The Shipwreck, Peer Gynt, op. 23: no. 23. Solveig Sings in the Hut, Peer Gynt, op. 23: no. 24. Night Scene, Peer Gynt, op. 23: no. 25. Whitsun Hymn: “O Blessed Morning”, Peer Gynt, op. 23: no. 26. Solveig’s Cradle Song, Peer Gynt, op. 23: no. 4. Ingrid’s Lament, Peer Gynt, op. 23: no. 5. Peer Gynt and the Herd Girls, Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King, Peer Gynt, op. 23: no. 9. Dance of the Mountain King’s Daughter, Schicksalslied, op. 54, Symphonic Metamorphosis of Themes by Carl Maria von Weber: I. Allegro, Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Turandot, Scherzo: Moderato, Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino, Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch, Symphonie "Mathis Der Maler": I. Engelskonzert, Symphonie "Mathis Der Maler": II. Grablegung, Symphonie "Mathis Der Maler": III. Versuchung des heiligen Antonius, Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico, Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento), Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro, Symphony no. 1 in E minor, op. 39: IV. Finale (quasi una fantasia), Symphony no. 1 in G minor, op. 7: I. Allegro orgoglioso, Symphony no. 1 in G minor, op. 7: II. Andante, Symphony no. 1 in G minor, op. 7: III. Allegro comodo, Symphony no. 1 in G minor, op. 7: IV. Finale, Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung, Symphony no. 2 in C minor "Resurrection": IV. 'Urlicht': Sehr feierlich, aber schlicht, Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzo, Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato, Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio, Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony no. 3 “Sinfonia espansiva”, op. 27: I. Allegro espansivo, Symphony no. 3 “Sinfonia espansiva”, op. 27: III. Allegretto un poco, Symphony no. 3 “Sinfonia espansiva”, op. 27: IV. Finale. Allegro, Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace, Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto, Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato, Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello. Presto, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): I. Bewegt doch nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): II. Andante quasi allegretto, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): III. Scherzo: Bewegt - Trio: Nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 4 “The Inextinguishable”: I. Allegro, Symphony no. 4 “The Inextinguishable”: II. Poco allegretto, Symphony no. 4 “The Inextinguishable”: III. Poco adagio quasi andante, Symphony no. 4 “The Inextinguishable”: IV. Con anima – Allegro, Symphony no. 4: I. Allegro risoluto, Symphony no. 4: II. Adagio -, Symphony no. 4: III. Scherzo: Allegro molto, Symphony no. 4: IV. Finale: Allegro vivace, Symphony no. 5: IIa. Allegro, Symphony no. 5: IIb. Presto, Symphony no. 5: IIc. Andante un poco tranquillo, Symphony no. 5: IId. Allegro, Symphony no. 5: Ia. Tempo giusto, Symphony no. 5: Ib. Adagio non troppo, Symphony no. 6 "Sinfonia semplice", FS 116: I. Tempo giusto, Symphony no. 6 "Sinfonia semplice", FS 116: II. Humoreske: Allegretto, Symphony no. 6 "Sinfonia semplice", FS 116: III. Proposta seria: Adagio, Symphony no. 6 "Sinfonia semplice", FS 116: IV. Tema con variazioni: Allegro, Tapiola, op. 112
James Lock (engineer)
balance, engineer
Don Juan, op. 20, Eine Alpensinfonie, op. 64: Am Wasserfall, Eine Alpensinfonie, op. 64: Auf blumigen Wiesen, Eine Alpensinfonie, op. 64: Auf dem Gletscher, Eine Alpensinfonie, op. 64: Auf der Alm, Eine Alpensinfonie, op. 64: Ausklang, Eine Alpensinfonie, op. 64: Der Anstieg, Eine Alpensinfonie, op. 64: Die Sonne verdüstert sich allmählich, Eine Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen, Eine Alpensinfonie, op. 64: Eintritt in den Wald - Wanderung neben dem Bach, Eine Alpensinfonie, op. 64: Elegie, Eine Alpensinfonie, op. 64: Erscheinung, Eine Alpensinfonie, op. 64: Gefahrvolle Augenblicke - Auf dem Gipfel, Eine Alpensinfonie, op. 64: Gewitter und Sturm, Abstieg, Eine Alpensinfonie, op. 64: Nacht, Eine Alpensinfonie, op. 64: Nebel steigen auf, Eine Alpensinfonie, op. 64: Sonnenaufgang, Eine Alpensinfonie, op. 64: Sonnenuntergang, Eine Alpensinfonie, op. 64: Stille vor dem Sturm, Eine Alpensinfonie, op. 64: Vision, Gesang der Parzen, op. 89, Nänie, op. 82, Peer Gynt, op. 23: Act 1 - Prelude, Peer Gynt, op. 23: no. 10. Peer Gynt Hunted by the Trolls. no. 11. The Boyg, Peer Gynt, op. 23: no. 12. The Death of Ase, Peer Gynt, op. 23: no. 13. Morning Mood, Peer Gynt, op. 23: no. 14. The Thief and the Receiver, Peer Gynt, op. 23: no. 15. Arabian Dance, Peer Gynt, op. 23: no. 16. Anitra’s Dance, Peer Gynt, op. 23: no. 17. Peer Gynt’s Serenade, Peer Gynt, op. 23: no. 19. Solveig’s Song, Peer Gynt, op. 23: no. 21. Peer Gynt’s Homecoming. Stormy Evening on the Sea, Peer Gynt, op. 23: no. 22. The Shipwreck, Peer Gynt, op. 23: no. 23. Solveig Sings in the Hut, Peer Gynt, op. 23: no. 24. Night Scene, Peer Gynt, op. 23: no. 25. Whitsun Hymn: “O Blessed Morning”, Peer Gynt, op. 23: no. 26. Solveig’s Cradle Song, Peer Gynt, op. 23: no. 4. Ingrid’s Lament, Peer Gynt, op. 23: no. 5. Peer Gynt and the Herd Girls, Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King, Peer Gynt, op. 23: no. 9. Dance of the Mountain King’s Daughter, Schicksalslied, op. 54, Symphonic Metamorphosis of Themes by Carl Maria von Weber: I. Allegro, Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Turandot, Scherzo: Moderato, Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino, Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch, Symphonie "Mathis Der Maler": I. Engelskonzert, Symphonie "Mathis Der Maler": II. Grablegung, Symphonie "Mathis Der Maler": III. Versuchung des heiligen Antonius, Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung, Symphony no. 2 in C minor "Resurrection": IV. 'Urlicht': Sehr feierlich, aber schlicht, Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzo, Symphony no. 4 “The Inextinguishable”: I. Allegro, Symphony no. 4 “The Inextinguishable”: II. Poco allegretto, Symphony no. 4 “The Inextinguishable”: III. Poco adagio quasi andante, Symphony no. 4 “The Inextinguishable”: IV. Con anima – Allegro, Symphony no. 5: IIa. Allegro, Symphony no. 5: IIb. Presto, Symphony no. 5: IIc. Andante un poco tranquillo, Symphony no. 5: IId. Allegro, Symphony no. 5: Ia. Tempo giusto, Symphony no. 5: Ib. Adagio non troppo
Collaborators on this artist's recordings
Artist name
Roles
Recordings
San Francisco Symphony
performing orchestra
"Rosamunde" Overture, D 644, Aladdin Suite, op. 34: II. Aladdin’s Dream and Dance of the Morning Mist, Aladdin Suite, op. 34: III. Hindu Dance, Aladdin Suite, op. 34: IV. Chinese Dance, Aladdin Suite, op. 34: V. The Marketplace at Ispahan, Aladdin Suite, op. 34: VI. The Prisoners’ Dance, Aladdin Suite, op. 34: VII. Negro Dance, Also sprach Zarathustra, Op. 30: I. Einleitung (Sonnenaufgang), Also sprach Zarathustra, Op. 30: II. Von den Hinterweltlern, Also sprach Zarathustra, Op. 30: III. Von der großen Sehnsucht, Also sprach Zarathustra, Op. 30: IV. Von den Freuden und Leidenschaften, Also sprach Zarathustra, Op. 30: IX. Nachtwandlerlied, Also sprach Zarathustra, Op. 30: V. Das Grablied, Also sprach Zarathustra, Op. 30: VI. Von der Wissenschaft, Also sprach Zarathustra, Op. 30: VII. Der Genesende, Also sprach Zarathustra, Op. 30: VIII. Das Tanzlied, Altrhapsodie, op. 53, Begräbnisgesang, op. 13, Carmina Burana: Blanziflor et Helena: Ave, formosissima, Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera, Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna, Carmina Burana: I. Primo vere: Ecce Gratum, Carmina Burana: I. Primo vere: Omnia Sol temperat, Carmina Burana: I. Primo vere: Veris leta facies, Carmina Burana: II. In Taberna: Ego sum abbas, Carmina Burana: II. In Taberna: Estuans interius, Carmina Burana: II. In Taberna: In taberna quando sumus, Carmina Burana: II. In Taberna: Olim lacus colueram, Carmina Burana: III. Cour d'amours: Amor volat undique, Carmina Burana: III. Cour d'amours: Circa mea pectora, Carmina Burana: III. Cour d'amours: Dies, nox et omnia, Carmina Burana: III. Cour d'amours: Dulcissime, Carmina Burana: III. Cour d'amours: In trutina, Carmina Burana: III. Cour d'amours: Si puer cum puellula, Carmina Burana: III. Cour d'amours: Stetit puella, Carmina Burana: III. Cour d'amours: Tempus est iocundum, Carmina Burana: III. Cour d'amours: Veni, veni, venias, Carmina Burana: Uf dem Anger: Reie: Swaz hie gat umbe / Chume, chum, geselle min / Swaz hie gat umbe, Carmina Burana: Uf dem anger: Chramer, gip die varwe mir, Carmina Burana: Uf dem anger: Floret silva nobilis, Carmina Burana: Uf dem anger: Tanz, Carmina Burana: Uf dem anger: Were diu werlt alle min, Concerto for Orchestra, B 123: I. Introduzione, Concerto for Orchestra, B 123: II. Giuoco delle coppie, Concerto for Orchestra, B 123: III. Elegia, Concerto for Orchestra, B 123: IV. Intermezzo interrotto, Concerto for Orchestra, B 123: V. Finale, Don Juan, op. 20, Ein Heldenleben, Op. 40: I. Der Held, Ein Heldenleben, Op. 40: II. Des Helden Widersacher, Ein Heldenleben, Op. 40: III. Des Helden Gefährtin, Ein Heldenleben, Op. 40: IV. Des Helden Walstatt, Ein Heldenleben, Op. 40: V. Des Helden Friedenswerke, Ein Heldenleben, Op. 40: VI. Des Helden Weltflucht und Vollendung, Eine Alpensinfonie, op. 64: Am Wasserfall, Eine Alpensinfonie, op. 64: Auf blumigen Wiesen, Eine Alpensinfonie, op. 64: Auf dem Gletscher, Eine Alpensinfonie, op. 64: Auf der Alm, Eine Alpensinfonie, op. 64: Ausklang, Eine Alpensinfonie, op. 64: Der Anstieg, Eine Alpensinfonie, op. 64: Die Sonne verdüstert sich allmählich, Eine Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen, Eine Alpensinfonie, op. 64: Eintritt in den Wald - Wanderung neben dem Bach, Eine Alpensinfonie, op. 64: Elegie, Eine Alpensinfonie, op. 64: Erscheinung, Eine Alpensinfonie, op. 64: Gefahrvolle Augenblicke - Auf dem Gipfel, Eine Alpensinfonie, op. 64: Gewitter und Sturm, Abstieg, Eine Alpensinfonie, op. 64: Nacht, Eine Alpensinfonie, op. 64: Nebel steigen auf, Eine Alpensinfonie, op. 64: Sonnenaufgang, Eine Alpensinfonie, op. 64: Sonnenuntergang, Eine Alpensinfonie, op. 64: Stille vor dem Sturm, Eine Alpensinfonie, op. 64: Vision, Gesang der Parzen, op. 89, Konzertmusik für Streichorchester und Blechbläser: I. Mäβig schnell, mit Kraft - Sehr breit, aber stets flieβend, Konzertmusik für Streichorchester und Blechbläser: II. Lebhaft - Langsam - Im ersten Zeitmaβ, Kossuth, BB 31: I. Kossuth, Kossuth, BB 31: II. Mi bú nehezül lelkedre, édes férjem?, Kossuth, BB 31: III. Veszélyben a haza!, Kossuth, BB 31: IV. Hajdan jobb időket éltünk..., Kossuth, BB 31: IX. Mindennek vége!, Kossuth, BB 31: V. Majd rosszra fordult sorsunk..., Kossuth, BB 31: VI. Harcra fel!, Kossuth, BB 31: VII. Jöjjetek, jäjjetek! szép magyar vitézek, szép magyar leventék!, Kossuth, BB 31: VIII. ..., Kossuth, BB 31: X. Csöndes minden, csöndes..., Kuolema, op. 44 no. 1: Valse triste, Maskarade: Overture, Metamorphosen, Nobilissima Visione – Suite: I. Einleitung und Rondo, Nobilissima Visione – Suite: II. Marsch und Pastorale, Nobilissima Visione – Suite: III. Passacaglia, Nänie, op. 82, Overture in C major "In the Italian style", D 591, Overture in C major, D 591 “In the Italian style”, Peer Gynt Suite No. 1, Op. 46: I. Morning Mood, Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance, Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King, Peer Gynt Suite No. 2, Op. 55: I. Ingrid's Lament, Peer Gynt Suite No. 2, Op. 55: I. The Abduction (Ingrid's Lament), Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance, Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Homecoming (Stormy evening), Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song, Peer Gynt Suite no. 1, op. 46: I. Morning Mood, Peer Gynt Suite: Morgenstimmung, Peer Gynt, op. 23: Act 1 - Prelude, Peer Gynt, op. 23: no. 10. Peer Gynt Hunted by the Trolls. no. 11. The Boyg, Peer Gynt, op. 23: no. 12. The Death of Ase, Peer Gynt, op. 23: no. 13. Morning Mood, Peer Gynt, op. 23: no. 14. The Thief and the Receiver, Peer Gynt, op. 23: no. 15. Arabian Dance, Peer Gynt, op. 23: no. 16. Anitra’s Dance, Peer Gynt, op. 23: no. 17. Peer Gynt’s Serenade, Peer Gynt, op. 23: no. 19. Solveig’s Song, Peer Gynt, op. 23: no. 21. Peer Gynt’s Homecoming. Stormy Evening on the Sea, Peer Gynt, op. 23: no. 22. The Shipwreck, Peer Gynt, op. 23: no. 23. Solveig Sings in the Hut, Peer Gynt, op. 23: no. 24. Night Scene, Peer Gynt, op. 23: no. 25. Whitsun Hymn: “O Blessed Morning”, Peer Gynt, op. 23: no. 26. Solveig’s Cradle Song, Peer Gynt, op. 23: no. 4. Ingrid’s Lament, Peer Gynt, op. 23: no. 5. Peer Gynt and the Herd Girls, Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King, Peer Gynt, op. 23: no. 9. Dance of the Mountain King’s Daughter, Schicksalslied, op. 54, Symphonic Metamorphosis of Themes by Carl Maria von Weber: I. Allegro, Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Turandot, Scherzo: Moderato, Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino, Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch, Symphonie "Mathis Der Maler": I. Engelskonzert, Symphonie "Mathis Der Maler": II. Grablegung, Symphonie "Mathis Der Maler": III. Versuchung des heiligen Antonius, Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Finale: Adagio - Allegro molto e vivace, Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico, Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento), Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro, Symphony no. 1 in E minor, op. 39: IV. Finale (quasi una fantasia), Symphony no. 1 in G minor, op. 7: I. Allegro orgoglioso, Symphony no. 1 in G minor, op. 7: II. Andante, Symphony no. 1 in G minor, op. 7: III. Allegro comodo, Symphony no. 1 in G minor, op. 7: IV. Finale, Symphony no. 1 “Sinfonie Sérieuse”: I. Allegro con energia, Symphony no. 1 “Sinfonie Sérieuse”: II. Adagio maestoso, Symphony no. 1 “Sinfonie Sérieuse”: III. Stretto -, Symphony no. 1 “Sinfonie Sérieuse”: IV. Finale: Adagio - allegro molto, Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung, Symphony no. 2 in C minor "Resurrection": IV. 'Urlicht': Sehr feierlich, aber schlicht, Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzo, Symphony no. 2 in D major, op. 43: I. Allegretto - Poco allegro - Tranquillo, ma poco a poco ravvivando il tempo al allegro, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato - Andante sostenuto, Symphony no. 2 in D major, op. 43: III. Vivacissimo - Lento e suave - Largamente, Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato, Symphony no. 2 “The Four Temperaments”, op 16: III. Andante melincolico, Symphony no. 2 “The Four Temperaments”, op. 16: I. Allegro collerico, Symphony no. 2 “The Four Temperaments”, op. 16: II. Allegro comodo e flemmatico, Symphony no. 2 “The Four Temperaments”, op. 16: IV. Allegro sanguineo, Symphony no. 2: I. Dawn: Luminoso, Symphony no. 2: I. Molto agitato, Symphony no. 2: II. Allegretto capriccioso, Symphony no. 2: II. Daylight: Con brio, non pesante, Symphony no. 2: III. Adagio, tranquillo ed espressivo, Symphony no. 2: III. Dusk: Poco largo, lambente, Symphony no. 2: IV. Allegramente, Symphony no. 2: IV. Darkness: Inesorabile, Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato, Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio, Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony no. 3 in C major, op. 52: I. Allegro moderato, Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto, Symphony no. 3 in C major, op. 52: III. Moderato - Allegro (ma non tanto), Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto, Symphony no. 3 “Sinfonia espansiva”, op. 27: I. Allegro espansivo, Symphony no. 3 “Sinfonia espansiva”, op. 27: III. Allegretto un poco, Symphony no. 3 “Sinfonia espansiva”, op. 27: IV. Finale. Allegro, Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace, Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto, Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato, Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello. Presto, Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio, Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace, Symphony no. 4 in A minor, op. 63: III. Il tempo largo, Symphony no. 4 in A minor, op. 63: IV. Allegro, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): I. Bewegt doch nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): II. Andante quasi allegretto, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): III. Scherzo: Bewegt - Trio: Nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 4 “The Inextinguishable”: I. Allegro, Symphony no. 4 “The Inextinguishable”: II. Poco allegretto, Symphony no. 4 “The Inextinguishable”: III. Poco adagio quasi andante, Symphony no. 4 “The Inextinguishable”: IV. Con anima – Allegro, Symphony no. 4: I. Allegro risoluto, Symphony no. 4: II. Adagio -, Symphony no. 4: III. Scherzo: Allegro molto, Symphony no. 4: IV. Finale: Allegro vivace, Symphony no. 5 in B-flat major, D 485: I. Allegro, Symphony no. 5 in B-flat major, D 485: II. Andante con moto, Symphony no. 5 in B-flat major, D 485: III. Menuetto: Allegro molto, Symphony no. 5 in B-flat major, D 485: IV. Allegro vivace, Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Largamente - Allegro moderato, Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto, Symphony no. 5 in E-flat major, op. 82: III. Allegro molto, Symphony no. 5: IIa. Allegro, Symphony no. 5: IIb. Presto, Symphony no. 5: IIc. Andante un poco tranquillo, Symphony no. 5: IId. Allegro, Symphony no. 5: Ia. Tempo giusto, Symphony no. 5: Ib. Adagio non troppo, Symphony no. 6 "Sinfonia semplice", FS 116: I. Tempo giusto, Symphony no. 6 "Sinfonia semplice", FS 116: II. Humoreske: Allegretto, Symphony no. 6 "Sinfonia semplice", FS 116: III. Proposta seria: Adagio, Symphony no. 6 "Sinfonia semplice", FS 116: IV. Tema con variazioni: Allegro, Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato, Symphony no. 6 in D minor, op. 104: II. Allegretto moderato, Symphony no. 6 in D minor, op. 104: III. Poco vivace, Symphony no. 6 in D minor, op. 104: IV. Allegro molto, Symphony no. 7 in C major, op. 105, Symphony no. 8 in B minor, D 759 "Unfinished": I. Allegro moderato, Symphony no. 8 in B minor, D 759 "Unfinished": II. Andante con moto, Symphony no. 9 in C major, D 944 “Great”: I. Andante - Allegro ma non troppo, Symphony no. 9 in C major, D 944 “Great”: II. Andante con moto, Symphony no. 9 in C major, D 944 “Great”: III. Scherzo: Allegro vivace, Symphony no. 9 in C major, D 944 “Great”: IV. Finale: Allegro vivace, Tapiola, op. 112, The Golden Dance: I. Quarter note = 72, flexible, The Golden Dance: II. Quarter note = 144, Till Eulenspiegels lustige Streiche, Op. 28, Tod und Verklärung, Op. 24
Herbert Blomstedt
conductor
"Rosamunde" Overture, D 644, Aladdin Suite, op. 34: II. Aladdin’s Dream and Dance of the Morning Mist, Aladdin Suite, op. 34: III. Hindu Dance, Aladdin Suite, op. 34: IV. Chinese Dance, Aladdin Suite, op. 34: V. The Marketplace at Ispahan, Aladdin Suite, op. 34: VI. The Prisoners’ Dance, Aladdin Suite, op. 34: VII. Negro Dance, Also sprach Zarathustra, Op. 30: I. Einleitung (Sonnenaufgang), Also sprach Zarathustra, Op. 30: II. Von den Hinterweltlern, Also sprach Zarathustra, Op. 30: III. Von der großen Sehnsucht, Also sprach Zarathustra, Op. 30: IV. Von den Freuden und Leidenschaften, Also sprach Zarathustra, Op. 30: IX. Nachtwandlerlied, Also sprach Zarathustra, Op. 30: V. Das Grablied, Also sprach Zarathustra, Op. 30: VI. Von der Wissenschaft, Also sprach Zarathustra, Op. 30: VII. Der Genesende, Also sprach Zarathustra, Op. 30: VIII. Das Tanzlied, Altrhapsodie, op. 53, Begräbnisgesang, op. 13, Carmina Burana: Blanziflor et Helena: Ave, formosissima, Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera, Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna, Carmina Burana: I. Primo vere: Ecce Gratum, Carmina Burana: I. Primo vere: Omnia Sol temperat, Carmina Burana: I. Primo vere: Veris leta facies, Carmina Burana: II. In Taberna: Ego sum abbas, Carmina Burana: II. In Taberna: Estuans interius, Carmina Burana: II. In Taberna: In taberna quando sumus, Carmina Burana: II. In Taberna: Olim lacus colueram, Carmina Burana: III. Cour d'amours: Amor volat undique, Carmina Burana: III. Cour d'amours: Circa mea pectora, Carmina Burana: III. Cour d'amours: Dies, nox et omnia, Carmina Burana: III. Cour d'amours: Dulcissime, Carmina Burana: III. Cour d'amours: In trutina, Carmina Burana: III. Cour d'amours: Si puer cum puellula, Carmina Burana: III. Cour d'amours: Stetit puella, Carmina Burana: III. Cour d'amours: Tempus est iocundum, Carmina Burana: III. Cour d'amours: Veni, veni, venias, Carmina Burana: Uf dem Anger: Reie: Swaz hie gat umbe / Chume, chum, geselle min / Swaz hie gat umbe, Carmina Burana: Uf dem anger: Chramer, gip die varwe mir, Carmina Burana: Uf dem anger: Floret silva nobilis, Carmina Burana: Uf dem anger: Tanz, Carmina Burana: Uf dem anger: Were diu werlt alle min, Concerto for Orchestra, B 123: I. Introduzione, Concerto for Orchestra, B 123: II. Giuoco delle coppie, Concerto for Orchestra, B 123: III. Elegia, Concerto for Orchestra, B 123: IV. Intermezzo interrotto, Concerto for Orchestra, B 123: V. Finale, Don Juan, op. 20, Ein Heldenleben, Op. 40: I. Der Held, Ein Heldenleben, Op. 40: II. Des Helden Widersacher, Ein Heldenleben, Op. 40: III. Des Helden Gefährtin, Ein Heldenleben, Op. 40: IV. Des Helden Walstatt, Ein Heldenleben, Op. 40: V. Des Helden Friedenswerke, Ein Heldenleben, Op. 40: VI. Des Helden Weltflucht und Vollendung, Eine Alpensinfonie, op. 64: Am Wasserfall, Eine Alpensinfonie, op. 64: Auf blumigen Wiesen, Eine Alpensinfonie, op. 64: Auf dem Gletscher, Eine Alpensinfonie, op. 64: Auf der Alm, Eine Alpensinfonie, op. 64: Ausklang, Eine Alpensinfonie, op. 64: Der Anstieg, Eine Alpensinfonie, op. 64: Die Sonne verdüstert sich allmählich, Eine Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen, Eine Alpensinfonie, op. 64: Eintritt in den Wald - Wanderung neben dem Bach, Eine Alpensinfonie, op. 64: Elegie, Eine Alpensinfonie, op. 64: Erscheinung, Eine Alpensinfonie, op. 64: Gefahrvolle Augenblicke - Auf dem Gipfel, Eine Alpensinfonie, op. 64: Gewitter und Sturm, Abstieg, Eine Alpensinfonie, op. 64: Nacht, Eine Alpensinfonie, op. 64: Nebel steigen auf, Eine Alpensinfonie, op. 64: Sonnenaufgang, Eine Alpensinfonie, op. 64: Sonnenuntergang, Eine Alpensinfonie, op. 64: Stille vor dem Sturm, Eine Alpensinfonie, op. 64: Vision, Gesang der Parzen, op. 89, Konzertmusik für Streichorchester und Blechbläser: I. Mäβig schnell, mit Kraft - Sehr breit, aber stets flieβend, Konzertmusik für Streichorchester und Blechbläser: II. Lebhaft - Langsam - Im ersten Zeitmaβ, Kossuth, BB 31: I. Kossuth, Kossuth, BB 31: II. Mi bú nehezül lelkedre, édes férjem?, Kossuth, BB 31: III. Veszélyben a haza!, Kossuth, BB 31: IV. Hajdan jobb időket éltünk..., Kossuth, BB 31: IX. Mindennek vége!, Kossuth, BB 31: V. Majd rosszra fordult sorsunk..., Kossuth, BB 31: VI. Harcra fel!, Kossuth, BB 31: VII. Jöjjetek, jäjjetek! szép magyar vitézek, szép magyar leventék!, Kossuth, BB 31: VIII. ..., Kossuth, BB 31: X. Csöndes minden, csöndes..., Kuolema, op. 44 no. 1: Valse triste, Maskarade: Overture, Metamorphosen, Nobilissima Visione – Suite: I. Einleitung und Rondo, Nobilissima Visione – Suite: II. Marsch und Pastorale, Nobilissima Visione – Suite: III. Passacaglia, Nänie, op. 82, Overture in C major "In the Italian style", D 591, Overture in C major, D 591 “In the Italian style”, Peer Gynt Suite No. 1, Op. 46: I. Morning Mood, Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance, Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King, Peer Gynt Suite No. 2, Op. 55: I. Ingrid's Lament, Peer Gynt Suite No. 2, Op. 55: I. The Abduction (Ingrid's Lament), Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance, Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Homecoming (Stormy evening), Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song, Peer Gynt Suite no. 1, op. 46: I. Morning Mood, Peer Gynt Suite: Morgenstimmung, Peer Gynt, op. 23: Act 1 - Prelude, Peer Gynt, op. 23: no. 10. Peer Gynt Hunted by the Trolls. no. 11. The Boyg, Peer Gynt, op. 23: no. 12. The Death of Ase, Peer Gynt, op. 23: no. 13. Morning Mood, Peer Gynt, op. 23: no. 14. The Thief and the Receiver, Peer Gynt, op. 23: no. 15. Arabian Dance, Peer Gynt, op. 23: no. 16. Anitra’s Dance, Peer Gynt, op. 23: no. 17. Peer Gynt’s Serenade, Peer Gynt, op. 23: no. 19. Solveig’s Song, Peer Gynt, op. 23: no. 21. Peer Gynt’s Homecoming. Stormy Evening on the Sea, Peer Gynt, op. 23: no. 22. The Shipwreck, Peer Gynt, op. 23: no. 23. Solveig Sings in the Hut, Peer Gynt, op. 23: no. 24. Night Scene, Peer Gynt, op. 23: no. 25. Whitsun Hymn: “O Blessed Morning”, Peer Gynt, op. 23: no. 26. Solveig’s Cradle Song, Peer Gynt, op. 23: no. 4. Ingrid’s Lament, Peer Gynt, op. 23: no. 5. Peer Gynt and the Herd Girls, Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King, Peer Gynt, op. 23: no. 9. Dance of the Mountain King’s Daughter, Schicksalslied, op. 54, Symphonic Metamorphosis of Themes by Carl Maria von Weber: I. Allegro, Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Turandot, Scherzo: Moderato, Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino, Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch, Symphonie "Mathis Der Maler": I. Engelskonzert, Symphonie "Mathis Der Maler": II. Grablegung, Symphonie "Mathis Der Maler": III. Versuchung des heiligen Antonius, Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Finale: Adagio - Allegro molto e vivace, Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico, Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento), Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro, Symphony no. 1 in E minor, op. 39: IV. Finale (quasi una fantasia), Symphony no. 1 in G minor, op. 7: I. Allegro orgoglioso, Symphony no. 1 in G minor, op. 7: II. Andante, Symphony no. 1 in G minor, op. 7: III. Allegro comodo, Symphony no. 1 in G minor, op. 7: IV. Finale, Symphony no. 1 “Sinfonie Sérieuse”: I. Allegro con energia, Symphony no. 1 “Sinfonie Sérieuse”: II. Adagio maestoso, Symphony no. 1 “Sinfonie Sérieuse”: III. Stretto -, Symphony no. 1 “Sinfonie Sérieuse”: IV. Finale: Adagio - allegro molto, Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung, Symphony no. 2 in C minor "Resurrection": IV. 'Urlicht': Sehr feierlich, aber schlicht, Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzo, Symphony no. 2 in D major, op. 43: I. Allegretto - Poco allegro - Tranquillo, ma poco a poco ravvivando il tempo al allegro, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato - Andante sostenuto, Symphony no. 2 in D major, op. 43: III. Vivacissimo - Lento e suave - Largamente, Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato, Symphony no. 2 “The Four Temperaments”, op 16: III. Andante melincolico, Symphony no. 2 “The Four Temperaments”, op. 16: I. Allegro collerico, Symphony no. 2 “The Four Temperaments”, op. 16: II. Allegro comodo e flemmatico, Symphony no. 2 “The Four Temperaments”, op. 16: IV. Allegro sanguineo, Symphony no. 2: I. Dawn: Luminoso, Symphony no. 2: I. Molto agitato, Symphony no. 2: II. Allegretto capriccioso, Symphony no. 2: II. Daylight: Con brio, non pesante, Symphony no. 2: III. Adagio, tranquillo ed espressivo, Symphony no. 2: III. Dusk: Poco largo, lambente, Symphony no. 2: IV. Allegramente, Symphony no. 2: IV. Darkness: Inesorabile, Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato, Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio, Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony no. 3 in C major, op. 52: I. Allegro moderato, Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto, Symphony no. 3 in C major, op. 52: III. Moderato - Allegro (ma non tanto), Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto, Symphony no. 3 “Sinfonia espansiva”, op. 27: I. Allegro espansivo, Symphony no. 3 “Sinfonia espansiva”, op. 27: III. Allegretto un poco, Symphony no. 3 “Sinfonia espansiva”, op. 27: IV. Finale. Allegro, Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace, Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto, Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato, Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello. Presto, Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio, Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace, Symphony no. 4 in A minor, op. 63: III. Il tempo largo, Symphony no. 4 in A minor, op. 63: IV. Allegro, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): I. Bewegt doch nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): II. Andante quasi allegretto, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): III. Scherzo: Bewegt - Trio: Nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 4 “The Inextinguishable”: I. Allegro, Symphony no. 4 “The Inextinguishable”: II. Poco allegretto, Symphony no. 4 “The Inextinguishable”: III. Poco adagio quasi andante, Symphony no. 4 “The Inextinguishable”: IV. Con anima – Allegro, Symphony no. 4: I. Allegro risoluto, Symphony no. 4: II. Adagio -, Symphony no. 4: III. Scherzo: Allegro molto, Symphony no. 4: IV. Finale: Allegro vivace, Symphony no. 5 in B-flat major, D 485: I. Allegro, Symphony no. 5 in B-flat major, D 485: II. Andante con moto, Symphony no. 5 in B-flat major, D 485: III. Menuetto: Allegro molto, Symphony no. 5 in B-flat major, D 485: IV. Allegro vivace, Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Largamente - Allegro moderato, Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto, Symphony no. 5 in E-flat major, op. 82: III. Allegro molto, Symphony no. 5: IIa. Allegro, Symphony no. 5: IIb. Presto, Symphony no. 5: IIc. Andante un poco tranquillo, Symphony no. 5: IId. Allegro, Symphony no. 5: Ia. Tempo giusto, Symphony no. 5: Ib. Adagio non troppo, Symphony no. 6 "Sinfonia semplice", FS 116: I. Tempo giusto, Symphony no. 6 "Sinfonia semplice", FS 116: II. Humoreske: Allegretto, Symphony no. 6 "Sinfonia semplice", FS 116: III. Proposta seria: Adagio, Symphony no. 6 "Sinfonia semplice", FS 116: IV. Tema con variazioni: Allegro, Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato, Symphony no. 6 in D minor, op. 104: II. Allegretto moderato, Symphony no. 6 in D minor, op. 104: III. Poco vivace, Symphony no. 6 in D minor, op. 104: IV. Allegro molto, Symphony no. 7 in C major, op. 105, Symphony no. 8 in B minor, D 759 "Unfinished": I. Allegro moderato, Symphony no. 8 in B minor, D 759 "Unfinished": II. Andante con moto, Symphony no. 9 in C major, D 944 “Great”: I. Andante - Allegro ma non troppo, Symphony no. 9 in C major, D 944 “Great”: II. Andante con moto, Symphony no. 9 in C major, D 944 “Great”: III. Scherzo: Allegro vivace, Symphony no. 9 in C major, D 944 “Great”: IV. Finale: Allegro vivace, Tapiola, op. 112, The Golden Dance: I. Quarter note = 72, flexible, The Golden Dance: II. Quarter note = 144, Till Eulenspiegels lustige Streiche, Op. 28, Tod und Verklärung, Op. 24
Andrew Cornall
producer
Aladdin Suite, op. 34: II. Aladdin’s Dream and Dance of the Morning Mist, Aladdin Suite, op. 34: III. Hindu Dance, Aladdin Suite, op. 34: IV. Chinese Dance, Aladdin Suite, op. 34: V. The Marketplace at Ispahan, Aladdin Suite, op. 34: VI. The Prisoners’ Dance, Aladdin Suite, op. 34: VII. Negro Dance, Altrhapsodie, op. 53, Begräbnisgesang, op. 13, Carmina Burana: Blanziflor et Helena: Ave, formosissima, Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera, Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna, Carmina Burana: I. Primo vere: Ecce Gratum, Carmina Burana: I. Primo vere: Omnia Sol temperat, Carmina Burana: I. Primo vere: Veris leta facies, Carmina Burana: II. In Taberna: Ego sum abbas, Carmina Burana: II. In Taberna: Estuans interius, Carmina Burana: II. In Taberna: In taberna quando sumus, Carmina Burana: II. In Taberna: Olim lacus colueram, Carmina Burana: III. Cour d'amours: Amor volat undique, Carmina Burana: III. Cour d'amours: Circa mea pectora, Carmina Burana: III. Cour d'amours: Dies, nox et omnia, Carmina Burana: III. Cour d'amours: Dulcissime, Carmina Burana: III. Cour d'amours: In trutina, Carmina Burana: III. Cour d'amours: Si puer cum puellula, Carmina Burana: III. Cour d'amours: Stetit puella, Carmina Burana: III. Cour d'amours: Tempus est iocundum, Carmina Burana: III. Cour d'amours: Veni, veni, venias, Carmina Burana: Uf dem Anger: Reie: Swaz hie gat umbe / Chume, chum, geselle min / Swaz hie gat umbe, Carmina Burana: Uf dem anger: Chramer, gip die varwe mir, Carmina Burana: Uf dem anger: Floret silva nobilis, Carmina Burana: Uf dem anger: Tanz, Carmina Burana: Uf dem anger: Were diu werlt alle min, Concerto for Orchestra, B 123: I. Introduzione, Concerto for Orchestra, B 123: II. Giuoco delle coppie, Concerto for Orchestra, B 123: III. Elegia, Concerto for Orchestra, B 123: IV. Intermezzo interrotto, Concerto for Orchestra, B 123: V. Finale, Don Juan, op. 20, Eine Alpensinfonie, op. 64: Am Wasserfall, Eine Alpensinfonie, op. 64: Auf blumigen Wiesen, Eine Alpensinfonie, op. 64: Auf dem Gletscher, Eine Alpensinfonie, op. 64: Auf der Alm, Eine Alpensinfonie, op. 64: Ausklang, Eine Alpensinfonie, op. 64: Der Anstieg, Eine Alpensinfonie, op. 64: Die Sonne verdüstert sich allmählich, Eine Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen, Eine Alpensinfonie, op. 64: Eintritt in den Wald - Wanderung neben dem Bach, Eine Alpensinfonie, op. 64: Elegie, Eine Alpensinfonie, op. 64: Erscheinung, Eine Alpensinfonie, op. 64: Gefahrvolle Augenblicke - Auf dem Gipfel, Eine Alpensinfonie, op. 64: Gewitter und Sturm, Abstieg, Eine Alpensinfonie, op. 64: Nacht, Eine Alpensinfonie, op. 64: Nebel steigen auf, Eine Alpensinfonie, op. 64: Sonnenaufgang, Eine Alpensinfonie, op. 64: Sonnenuntergang, Eine Alpensinfonie, op. 64: Stille vor dem Sturm, Eine Alpensinfonie, op. 64: Vision, Gesang der Parzen, op. 89, Konzertmusik für Streichorchester und Blechbläser: I. Mäβig schnell, mit Kraft - Sehr breit, aber stets flieβend, Konzertmusik für Streichorchester und Blechbläser: II. Lebhaft - Langsam - Im ersten Zeitmaβ, Kossuth, BB 31: I. Kossuth, Kossuth, BB 31: II. Mi bú nehezül lelkedre, édes férjem?, Kossuth, BB 31: III. Veszélyben a haza!, Kossuth, BB 31: IV. Hajdan jobb időket éltünk..., Kossuth, BB 31: IX. Mindennek vége!, Kossuth, BB 31: V. Majd rosszra fordult sorsunk..., Kossuth, BB 31: VI. Harcra fel!, Kossuth, BB 31: VII. Jöjjetek, jäjjetek! szép magyar vitézek, szép magyar leventék!, Kossuth, BB 31: VIII. ..., Kossuth, BB 31: X. Csöndes minden, csöndes..., Maskarade: Overture, Nänie, op. 82, Overture in C major, D 591 “In the Italian style”, Peer Gynt, op. 23: Act 1 - Prelude, Peer Gynt, op. 23: no. 10. Peer Gynt Hunted by the Trolls. no. 11. The Boyg, Peer Gynt, op. 23: no. 12. The Death of Ase, Peer Gynt, op. 23: no. 13. Morning Mood, Peer Gynt, op. 23: no. 14. The Thief and the Receiver, Peer Gynt, op. 23: no. 15. Arabian Dance, Peer Gynt, op. 23: no. 16. Anitra’s Dance, Peer Gynt, op. 23: no. 17. Peer Gynt’s Serenade, Peer Gynt, op. 23: no. 19. Solveig’s Song, Peer Gynt, op. 23: no. 21. Peer Gynt’s Homecoming. Stormy Evening on the Sea, Peer Gynt, op. 23: no. 22. The Shipwreck, Peer Gynt, op. 23: no. 23. Solveig Sings in the Hut, Peer Gynt, op. 23: no. 24. Night Scene, Peer Gynt, op. 23: no. 25. Whitsun Hymn: “O Blessed Morning”, Peer Gynt, op. 23: no. 26. Solveig’s Cradle Song, Peer Gynt, op. 23: no. 4. Ingrid’s Lament, Peer Gynt, op. 23: no. 5. Peer Gynt and the Herd Girls, Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King, Peer Gynt, op. 23: no. 9. Dance of the Mountain King’s Daughter, Schicksalslied, op. 54, Symphonic Metamorphosis of Themes by Carl Maria von Weber: I. Allegro, Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Turandot, Scherzo: Moderato, Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino, Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch, Symphonie "Mathis Der Maler": I. Engelskonzert, Symphonie "Mathis Der Maler": II. Grablegung, Symphonie "Mathis Der Maler": III. Versuchung des heiligen Antonius, Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Finale: Adagio - Allegro molto e vivace, Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico, Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento), Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro, Symphony no. 1 in E minor, op. 39: IV. Finale (quasi una fantasia), Symphony no. 1 in G minor, op. 7: I. Allegro orgoglioso, Symphony no. 1 in G minor, op. 7: II. Andante, Symphony no. 1 in G minor, op. 7: III. Allegro comodo, Symphony no. 1 in G minor, op. 7: IV. Finale, Symphony no. 1 “Sinfonie Sérieuse”: I. Allegro con energia, Symphony no. 1 “Sinfonie Sérieuse”: II. Adagio maestoso, Symphony no. 1 “Sinfonie Sérieuse”: III. Stretto -, Symphony no. 1 “Sinfonie Sérieuse”: IV. Finale: Adagio - allegro molto, Symphony no. 2 “The Four Temperaments”, op 16: III. Andante melincolico, Symphony no. 2 “The Four Temperaments”, op. 16: I. Allegro collerico, Symphony no. 2 “The Four Temperaments”, op. 16: II. Allegro comodo e flemmatico, Symphony no. 2 “The Four Temperaments”, op. 16: IV. Allegro sanguineo, Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato, Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio, Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto, Symphony no. 3 “Sinfonia espansiva”, op. 27: I. Allegro espansivo, Symphony no. 3 “Sinfonia espansiva”, op. 27: III. Allegretto un poco, Symphony no. 3 “Sinfonia espansiva”, op. 27: IV. Finale. Allegro, Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace, Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto, Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato, Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello. Presto, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): I. Bewegt doch nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): II. Andante quasi allegretto, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): III. Scherzo: Bewegt - Trio: Nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 4 “The Inextinguishable”: I. Allegro, Symphony no. 4 “The Inextinguishable”: II. Poco allegretto, Symphony no. 4 “The Inextinguishable”: III. Poco adagio quasi andante, Symphony no. 4 “The Inextinguishable”: IV. Con anima – Allegro, Symphony no. 4: I. Allegro risoluto, Symphony no. 4: II. Adagio -, Symphony no. 4: III. Scherzo: Allegro molto, Symphony no. 4: IV. Finale: Allegro vivace, Symphony no. 5: IIa. Allegro, Symphony no. 5: IIb. Presto, Symphony no. 5: IIc. Andante un poco tranquillo, Symphony no. 5: IId. Allegro, Symphony no. 5: Ia. Tempo giusto, Symphony no. 5: Ib. Adagio non troppo, Symphony no. 6 "Sinfonia semplice", FS 116: I. Tempo giusto, Symphony no. 6 "Sinfonia semplice", FS 116: II. Humoreske: Allegretto, Symphony no. 6 "Sinfonia semplice", FS 116: III. Proposta seria: Adagio, Symphony no. 6 "Sinfonia semplice", FS 116: IV. Tema con variazioni: Allegro, Symphony no. 7 in C major, op. 105, Symphony no. 9 in C major, D 944 “Great”: I. Andante - Allegro ma non troppo, Symphony no. 9 in C major, D 944 “Great”: II. Andante con moto, Symphony no. 9 in C major, D 944 “Great”: III. Scherzo: Allegro vivace, Symphony no. 9 in C major, D 944 “Great”: IV. Finale: Allegro vivace, Tapiola, op. 112
John Pellowe
balance, engineer, recording
Aladdin Suite, op. 34: II. Aladdin’s Dream and Dance of the Morning Mist, Aladdin Suite, op. 34: III. Hindu Dance, Aladdin Suite, op. 34: IV. Chinese Dance, Aladdin Suite, op. 34: V. The Marketplace at Ispahan, Aladdin Suite, op. 34: VI. The Prisoners’ Dance, Aladdin Suite, op. 34: VII. Negro Dance, Don Juan, op. 20, Eine Alpensinfonie, op. 64: Am Wasserfall, Eine Alpensinfonie, op. 64: Auf blumigen Wiesen, Eine Alpensinfonie, op. 64: Auf dem Gletscher, Eine Alpensinfonie, op. 64: Auf der Alm, Eine Alpensinfonie, op. 64: Ausklang, Eine Alpensinfonie, op. 64: Der Anstieg, Eine Alpensinfonie, op. 64: Die Sonne verdüstert sich allmählich, Eine Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen, Eine Alpensinfonie, op. 64: Eintritt in den Wald - Wanderung neben dem Bach, Eine Alpensinfonie, op. 64: Elegie, Eine Alpensinfonie, op. 64: Erscheinung, Eine Alpensinfonie, op. 64: Gefahrvolle Augenblicke - Auf dem Gipfel, Eine Alpensinfonie, op. 64: Gewitter und Sturm, Abstieg, Eine Alpensinfonie, op. 64: Nacht, Eine Alpensinfonie, op. 64: Nebel steigen auf, Eine Alpensinfonie, op. 64: Sonnenaufgang, Eine Alpensinfonie, op. 64: Sonnenuntergang, Eine Alpensinfonie, op. 64: Stille vor dem Sturm, Eine Alpensinfonie, op. 64: Vision, Gesang der Parzen, op. 89, Maskarade: Overture, Nänie, op. 82, Peer Gynt, op. 23: Act 1 - Prelude, Peer Gynt, op. 23: no. 10. Peer Gynt Hunted by the Trolls. no. 11. The Boyg, Peer Gynt, op. 23: no. 12. The Death of Ase, Peer Gynt, op. 23: no. 13. Morning Mood, Peer Gynt, op. 23: no. 14. The Thief and the Receiver, Peer Gynt, op. 23: no. 15. Arabian Dance, Peer Gynt, op. 23: no. 16. Anitra’s Dance, Peer Gynt, op. 23: no. 17. Peer Gynt’s Serenade, Peer Gynt, op. 23: no. 19. Solveig’s Song, Peer Gynt, op. 23: no. 21. Peer Gynt’s Homecoming. Stormy Evening on the Sea, Peer Gynt, op. 23: no. 22. The Shipwreck, Peer Gynt, op. 23: no. 23. Solveig Sings in the Hut, Peer Gynt, op. 23: no. 24. Night Scene, Peer Gynt, op. 23: no. 25. Whitsun Hymn: “O Blessed Morning”, Peer Gynt, op. 23: no. 26. Solveig’s Cradle Song, Peer Gynt, op. 23: no. 4. Ingrid’s Lament, Peer Gynt, op. 23: no. 5. Peer Gynt and the Herd Girls, Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King, Peer Gynt, op. 23: no. 9. Dance of the Mountain King’s Daughter, Schicksalslied, op. 54, Symphonic Metamorphosis of Themes by Carl Maria von Weber: I. Allegro, Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Turandot, Scherzo: Moderato, Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino, Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch, Symphonie "Mathis Der Maler": I. Engelskonzert, Symphonie "Mathis Der Maler": II. Grablegung, Symphonie "Mathis Der Maler": III. Versuchung des heiligen Antonius, Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico, Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento), Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro, Symphony no. 1 in E minor, op. 39: IV. Finale (quasi una fantasia), Symphony no. 1 in G minor, op. 7: I. Allegro orgoglioso, Symphony no. 1 in G minor, op. 7: II. Andante, Symphony no. 1 in G minor, op. 7: III. Allegro comodo, Symphony no. 1 in G minor, op. 7: IV. Finale, Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung, Symphony no. 2 in C minor "Resurrection": IV. 'Urlicht': Sehr feierlich, aber schlicht, Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzo, Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato, Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio, Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony no. 3 “Sinfonia espansiva”, op. 27: I. Allegro espansivo, Symphony no. 3 “Sinfonia espansiva”, op. 27: III. Allegretto un poco, Symphony no. 3 “Sinfonia espansiva”, op. 27: IV. Finale. Allegro, Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace, Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto, Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato, Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello. Presto, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): I. Bewegt doch nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): II. Andante quasi allegretto, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): III. Scherzo: Bewegt - Trio: Nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 4 “The Inextinguishable”: I. Allegro, Symphony no. 4 “The Inextinguishable”: II. Poco allegretto, Symphony no. 4 “The Inextinguishable”: III. Poco adagio quasi andante, Symphony no. 4 “The Inextinguishable”: IV. Con anima – Allegro, Symphony no. 4: I. Allegro risoluto, Symphony no. 4: II. Adagio -, Symphony no. 4: III. Scherzo: Allegro molto, Symphony no. 4: IV. Finale: Allegro vivace, Symphony no. 5: IIa. Allegro, Symphony no. 5: IIb. Presto, Symphony no. 5: IIc. Andante un poco tranquillo, Symphony no. 5: IId. Allegro, Symphony no. 5: Ia. Tempo giusto, Symphony no. 5: Ib. Adagio non troppo, Symphony no. 6 "Sinfonia semplice", FS 116: I. Tempo giusto, Symphony no. 6 "Sinfonia semplice", FS 116: II. Humoreske: Allegretto, Symphony no. 6 "Sinfonia semplice", FS 116: III. Proposta seria: Adagio, Symphony no. 6 "Sinfonia semplice", FS 116: IV. Tema con variazioni: Allegro, Tapiola, op. 112
James Lock (engineer)
balance, engineer
Don Juan, op. 20, Eine Alpensinfonie, op. 64: Am Wasserfall, Eine Alpensinfonie, op. 64: Auf blumigen Wiesen, Eine Alpensinfonie, op. 64: Auf dem Gletscher, Eine Alpensinfonie, op. 64: Auf der Alm, Eine Alpensinfonie, op. 64: Ausklang, Eine Alpensinfonie, op. 64: Der Anstieg, Eine Alpensinfonie, op. 64: Die Sonne verdüstert sich allmählich, Eine Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen, Eine Alpensinfonie, op. 64: Eintritt in den Wald - Wanderung neben dem Bach, Eine Alpensinfonie, op. 64: Elegie, Eine Alpensinfonie, op. 64: Erscheinung, Eine Alpensinfonie, op. 64: Gefahrvolle Augenblicke - Auf dem Gipfel, Eine Alpensinfonie, op. 64: Gewitter und Sturm, Abstieg, Eine Alpensinfonie, op. 64: Nacht, Eine Alpensinfonie, op. 64: Nebel steigen auf, Eine Alpensinfonie, op. 64: Sonnenaufgang, Eine Alpensinfonie, op. 64: Sonnenuntergang, Eine Alpensinfonie, op. 64: Stille vor dem Sturm, Eine Alpensinfonie, op. 64: Vision, Gesang der Parzen, op. 89, Nänie, op. 82, Peer Gynt, op. 23: Act 1 - Prelude, Peer Gynt, op. 23: no. 10. Peer Gynt Hunted by the Trolls. no. 11. The Boyg, Peer Gynt, op. 23: no. 12. The Death of Ase, Peer Gynt, op. 23: no. 13. Morning Mood, Peer Gynt, op. 23: no. 14. The Thief and the Receiver, Peer Gynt, op. 23: no. 15. Arabian Dance, Peer Gynt, op. 23: no. 16. Anitra’s Dance, Peer Gynt, op. 23: no. 17. Peer Gynt’s Serenade, Peer Gynt, op. 23: no. 19. Solveig’s Song, Peer Gynt, op. 23: no. 21. Peer Gynt’s Homecoming. Stormy Evening on the Sea, Peer Gynt, op. 23: no. 22. The Shipwreck, Peer Gynt, op. 23: no. 23. Solveig Sings in the Hut, Peer Gynt, op. 23: no. 24. Night Scene, Peer Gynt, op. 23: no. 25. Whitsun Hymn: “O Blessed Morning”, Peer Gynt, op. 23: no. 26. Solveig’s Cradle Song, Peer Gynt, op. 23: no. 4. Ingrid’s Lament, Peer Gynt, op. 23: no. 5. Peer Gynt and the Herd Girls, Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King, Peer Gynt, op. 23: no. 9. Dance of the Mountain King’s Daughter, Schicksalslied, op. 54, Symphonic Metamorphosis of Themes by Carl Maria von Weber: I. Allegro, Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Turandot, Scherzo: Moderato, Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino, Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch, Symphonie "Mathis Der Maler": I. Engelskonzert, Symphonie "Mathis Der Maler": II. Grablegung, Symphonie "Mathis Der Maler": III. Versuchung des heiligen Antonius, Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung, Symphony no. 2 in C minor "Resurrection": IV. 'Urlicht': Sehr feierlich, aber schlicht, Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzo, Symphony no. 4 “The Inextinguishable”: I. Allegro, Symphony no. 4 “The Inextinguishable”: II. Poco allegretto, Symphony no. 4 “The Inextinguishable”: III. Poco adagio quasi andante, Symphony no. 4 “The Inextinguishable”: IV. Con anima – Allegro, Symphony no. 5: IIa. Allegro, Symphony no. 5: IIb. Presto, Symphony no. 5: IIc. Andante un poco tranquillo, Symphony no. 5: IId. Allegro, Symphony no. 5: Ia. Tempo giusto, Symphony no. 5: Ib. Adagio non troppo
Stanley Goodall (engineer)
balance, recording
Altrhapsodie, op. 53, Begräbnisgesang, op. 13, Carmina Burana: Blanziflor et Helena: Ave, formosissima, Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera, Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna, Carmina Burana: I. Primo vere: Ecce Gratum, Carmina Burana: I. Primo vere: Omnia Sol temperat, Carmina Burana: I. Primo vere: Veris leta facies, Carmina Burana: II. In Taberna: Ego sum abbas, Carmina Burana: II. In Taberna: Estuans interius, Carmina Burana: II. In Taberna: In taberna quando sumus, Carmina Burana: II. In Taberna: Olim lacus colueram, Carmina Burana: III. Cour d'amours: Amor volat undique, Carmina Burana: III. Cour d'amours: Circa mea pectora, Carmina Burana: III. Cour d'amours: Dies, nox et omnia, Carmina Burana: III. Cour d'amours: Dulcissime, Carmina Burana: III. Cour d'amours: In trutina, Carmina Burana: III. Cour d'amours: Si puer cum puellula, Carmina Burana: III. Cour d'amours: Stetit puella, Carmina Burana: III. Cour d'amours: Tempus est iocundum, Carmina Burana: III. Cour d'amours: Veni, veni, venias, Carmina Burana: Uf dem Anger: Reie: Swaz hie gat umbe / Chume, chum, geselle min / Swaz hie gat umbe, Carmina Burana: Uf dem anger: Chramer, gip die varwe mir, Carmina Burana: Uf dem anger: Floret silva nobilis, Carmina Burana: Uf dem anger: Tanz, Carmina Burana: Uf dem anger: Were diu werlt alle min, Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Finale: Adagio - Allegro molto e vivace, Symphony no. 2 “The Four Temperaments”, op 16: III. Andante melincolico, Symphony no. 2 “The Four Temperaments”, op. 16: I. Allegro collerico, Symphony no. 2 “The Four Temperaments”, op. 16: II. Allegro comodo e flemmatico, Symphony no. 2 “The Four Temperaments”, op. 16: IV. Allegro sanguineo, Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto, Symphony no. 9 in C major, D 944 “Great”: I. Andante - Allegro ma non troppo, Symphony no. 9 in C major, D 944 “Great”: II. Andante con moto, Symphony no. 9 in C major, D 944 “Great”: III. Scherzo: Allegro vivace, Symphony no. 9 in C major, D 944 “Great”: IV. Finale: Allegro vivace
Michael Mailes
engineer
Concerto for Orchestra, B 123: I. Introduzione, Concerto for Orchestra, B 123: II. Giuoco delle coppie, Concerto for Orchestra, B 123: III. Elegia, Concerto for Orchestra, B 123: IV. Intermezzo interrotto, Concerto for Orchestra, B 123: V. Finale, Kossuth, BB 31: I. Kossuth, Kossuth, BB 31: II. Mi bú nehezül lelkedre, édes férjem?, Kossuth, BB 31: III. Veszélyben a haza!, Kossuth, BB 31: IV. Hajdan jobb időket éltünk..., Kossuth, BB 31: IX. Mindennek vége!, Kossuth, BB 31: V. Majd rosszra fordult sorsunk..., Kossuth, BB 31: VI. Harcra fel!, Kossuth, BB 31: VII. Jöjjetek, jäjjetek! szép magyar vitézek, szép magyar leventék!, Kossuth, BB 31: VIII. ..., Kossuth, BB 31: X. Csöndes minden, csöndes..., Peer Gynt, op. 23: Act 1 - Prelude, Peer Gynt, op. 23: no. 10. Peer Gynt Hunted by the Trolls. no. 11. The Boyg, Peer Gynt, op. 23: no. 12. The Death of Ase, Peer Gynt, op. 23: no. 13. Morning Mood, Peer Gynt, op. 23: no. 14. The Thief and the Receiver, Peer Gynt, op. 23: no. 15. Arabian Dance, Peer Gynt, op. 23: no. 16. Anitra’s Dance, Peer Gynt, op. 23: no. 17. Peer Gynt’s Serenade, Peer Gynt, op. 23: no. 19. Solveig’s Song, Peer Gynt, op. 23: no. 21. Peer Gynt’s Homecoming. Stormy Evening on the Sea, Peer Gynt, op. 23: no. 22. The Shipwreck, Peer Gynt, op. 23: no. 23. Solveig Sings in the Hut, Peer Gynt, op. 23: no. 24. Night Scene, Peer Gynt, op. 23: no. 25. Whitsun Hymn: “O Blessed Morning”, Peer Gynt, op. 23: no. 26. Solveig’s Cradle Song, Peer Gynt, op. 23: no. 4. Ingrid’s Lament, Peer Gynt, op. 23: no. 5. Peer Gynt and the Herd Girls, Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King, Peer Gynt, op. 23: no. 9. Dance of the Mountain King’s Daughter
Ian Watson (Editor)
editor
Konzertmusik für Streichorchester und Blechbläser: I. Mäβig schnell, mit Kraft - Sehr breit, aber stets flieβend, Konzertmusik für Streichorchester und Blechbläser: II. Lebhaft - Langsam - Im ersten Zeitmaβ, Symphonic Metamorphosis of Themes by Carl Maria von Weber: I. Allegro, Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Turandot, Scherzo: Moderato, Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino, Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch, Symphonie "Mathis Der Maler": I. Engelskonzert, Symphonie "Mathis Der Maler": II. Grablegung, Symphonie "Mathis Der Maler": III. Versuchung des heiligen Antonius, Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato, Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio, Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace, Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto, Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato, Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello. Presto, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): I. Bewegt doch nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): II. Andante quasi allegretto, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): III. Scherzo: Bewegt - Trio: Nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): IV. Finale: Bewegt, doch nicht zu schnell
Simon Bertram
editor
Don Juan, op. 20, Eine Alpensinfonie, op. 64: Am Wasserfall, Eine Alpensinfonie, op. 64: Auf blumigen Wiesen, Eine Alpensinfonie, op. 64: Auf dem Gletscher, Eine Alpensinfonie, op. 64: Auf der Alm, Eine Alpensinfonie, op. 64: Ausklang, Eine Alpensinfonie, op. 64: Der Anstieg, Eine Alpensinfonie, op. 64: Die Sonne verdüstert sich allmählich, Eine Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen, Eine Alpensinfonie, op. 64: Eintritt in den Wald - Wanderung neben dem Bach, Eine Alpensinfonie, op. 64: Elegie, Eine Alpensinfonie, op. 64: Erscheinung, Eine Alpensinfonie, op. 64: Gefahrvolle Augenblicke - Auf dem Gipfel, Eine Alpensinfonie, op. 64: Gewitter und Sturm, Abstieg, Eine Alpensinfonie, op. 64: Nacht, Eine Alpensinfonie, op. 64: Nebel steigen auf, Eine Alpensinfonie, op. 64: Sonnenaufgang, Eine Alpensinfonie, op. 64: Sonnenuntergang, Eine Alpensinfonie, op. 64: Stille vor dem Sturm, Eine Alpensinfonie, op. 64: Vision
San Francisco Symphony Chorus
vocal
Aladdin Suite, op. 34: II. Aladdin’s Dream and Dance of the Morning Mist, Aladdin Suite, op. 34: III. Hindu Dance, Aladdin Suite, op. 34: IV. Chinese Dance, Aladdin Suite, op. 34: V. The Marketplace at Ispahan, Aladdin Suite, op. 34: VI. The Prisoners’ Dance, Aladdin Suite, op. 34: VII. Negro Dance, Peer Gynt, op. 23: no. 10. Peer Gynt Hunted by the Trolls. no. 11. The Boyg, Peer Gynt, op. 23: no. 15. Arabian Dance, Peer Gynt, op. 23: no. 24. Night Scene, Peer Gynt, op. 23: no. 25. Whitsun Hymn: “O Blessed Morning”, Peer Gynt, op. 23: no. 26. Solveig’s Cradle Song, Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King
DR SymfoniOrkestret
performing orchestra
Hymnus amoris: I. Amor mihi vitam donat, Hymnus amoris: II. Amor est dolor meus, Hymnus amoris: III. Amor est pax mea, Little Suite: I. Präludium, Little Suite: II. Intermezzo, Little Suite: III. Finale
Urban Malmberg
vocal
Peer Gynt, op. 23: no. 10. Peer Gynt Hunted by the Trolls. no. 11. The Boyg, Peer Gynt, op. 23: no. 14. The Thief and the Receiver, Peer Gynt, op. 23: no. 17. Peer Gynt’s Serenade, Peer Gynt, op. 23: no. 22. The Shipwreck, Peer Gynt, op. 23: no. 24. Night Scene, Peer Gynt, op. 23: no. 5. Peer Gynt and the Herd Girls
Kevin McMillan
vocal
Carmina Burana: I. Primo vere: Omnia Sol temperat, Carmina Burana: II. In Taberna: Ego sum abbas, Carmina Burana: II. In Taberna: Estuans interius, Carmina Burana: III. Cour d'amours: Circa mea pectora, Carmina Burana: III. Cour d'amours: Dies, nox et omnia, Carmina Burana: III. Cour d'amours: In trutina
Ulf Schirmer
conductor
Hymnus amoris: I. Amor mihi vitam donat, Hymnus amoris: II. Amor est dolor meus, Hymnus amoris: III. Amor est pax mea, Little Suite: I. Präludium, Little Suite: II. Intermezzo, Little Suite: III. Finale
Chris Hazell
producer
Hymnus amoris: I. Amor mihi vitam donat, Hymnus amoris: II. Amor est dolor meus, Hymnus amoris: III. Amor est pax mea, Little Suite: I. Präludium, Little Suite: II. Intermezzo, Little Suite: III. Finale
Neil Hutchinson
balance
Hymnus amoris: I. Amor mihi vitam donat, Hymnus amoris: II. Amor est dolor meus, Hymnus amoris: III. Amor est pax mea, Little Suite: I. Präludium, Little Suite: II. Intermezzo, Little Suite: III. Finale
Jard van Nes
vocal
Altrhapsodie, op. 53, Begräbnisgesang, op. 13, Gesang der Parzen, op. 89, Nänie, op. 82, Schicksalslied, op. 54
Deborah Gilbert (engineer)
editor
Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung, Symphony no. 2 in C minor "Resurrection": IV. 'Urlicht': Sehr feierlich, aber schlicht, Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzo
Colin Moorfoot
balance
Overture in C major, D 591 “In the Italian style”, Symphony no. 1 “Sinfonie Sérieuse”: I. Allegro con energia, Symphony no. 1 “Sinfonie Sérieuse”: II. Adagio maestoso, Symphony no. 1 “Sinfonie Sérieuse”: III. Stretto -, Symphony no. 1 “Sinfonie Sérieuse”: IV. Finale: Adagio - allegro molto
Jenni Whiteside
editor
Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico, Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento), Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro, Symphony no. 1 in E minor, op. 39: IV. Finale (quasi una fantasia), Symphony no. 7 in C major, op. 105
Krzysztof Jarosz
engineer
Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico, Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento), Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro, Symphony no. 1 in E minor, op. 39: IV. Finale (quasi una fantasia)
Mary-Anne Haeggander
vocal
Peer Gynt, op. 23: no. 19. Solveig’s Song, Peer Gynt, op. 23: no. 23. Solveig Sings in the Hut, Peer Gynt, op. 23: no. 24. Night Scene, Peer Gynt, op. 23: no. 26. Solveig’s Cradle Song
John Dunkerley (engineer)
balance, engineer
Konzertmusik für Streichorchester und Blechbläser: I. Mäβig schnell, mit Kraft - Sehr breit, aber stets flieβend, Konzertmusik für Streichorchester und Blechbläser: II. Lebhaft - Langsam - Im ersten Zeitmaβ, Symphony no. 7 in C major, op. 105
Barbara Bonney
vocal
Hymnus amoris: I. Amor mihi vitam donat, Hymnus amoris: II. Amor est dolor meus, Hymnus amoris: III. Amor est pax mea
Københavns Drengekor
vocal
Hymnus amoris: I. Amor mihi vitam donat, Hymnus amoris: II. Amor est dolor meus, Hymnus amoris: III. Amor est pax mea
Danish National Radio Choir
vocal
Hymnus amoris: I. Amor mihi vitam donat, Hymnus amoris: II. Amor est dolor meus, Hymnus amoris: III. Amor est pax mea
Margaret Lisi
vocal
Peer Gynt, op. 23: no. 10. Peer Gynt Hunted by the Trolls. no. 11. The Boyg, Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King
San Francisco Girls Chorus
vocal
Carmina Burana: III. Cour d'amours: Amor volat undique, Carmina Burana: III. Cour d'amours: In trutina
Kaare Myksvoll
vocal
Peer Gynt, op. 23: no. 10. Peer Gynt Hunted by the Trolls. no. 11. The Boyg, Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King
San Francisco Boys Chorus
vocal
Carmina Burana: III. Cour d'amours: Amor volat undique, Carmina Burana: III. Cour d'amours: In trutina
Gregory Nybo
vocal
Peer Gynt, op. 23: no. 10. Peer Gynt Hunted by the Trolls. no. 11. The Boyg, Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King
Wendy White (mezzo-soprano)
vocal
Peer Gynt, op. 23: no. 15. Arabian Dance, Peer Gynt, op. 23: no. 5. Peer Gynt and the Herd Girls
John Mark Ainsley
vocal
Hymnus amoris: I. Amor mihi vitam donat
Michael W. Hanson (baritone)
vocal
Hymnus amoris: III. Amor est pax mea
Merilyn Vaughn
vocal
Peer Gynt, op. 23: no. 5. Peer Gynt and the Herd Girls
Maria Meyer
vocal
Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King
Lars Pederson (tenor)
vocal
Hymnus amoris: III. Amor est pax mea
Andrew Groves (engineer)
engineer
Symphony no. 7 in C major, op. 105
Richard Haille
vocal
Peer Gynt, op. 23: no. 14. The Thief and the Receiver
John Daniecki
vocal
Carmina Burana: II. In Taberna: Olim lacus colueram
David Hess (actor/songwriter)
vocal
Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King
Bo Anker Hansen (bass)
vocal
Hymnus amoris: III. Amor est pax mea
Wendy Hoffman
vocal
Peer Gynt, op. 23: no. 5. Peer Gynt and the Herd Girls
Kristina Rapp
vocal
Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King
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