Colin Moorfoot

balance, engineer, sound, recording

Top collaborators

Artist name Roles Recordings
Rob Lewis (UK cellist)
Κωνσταντίνος Κατωμέρης
Michele Lamy
Katy Cowan
Java (euro-pop/euro-house)

Work on other artists' recordings

Artist name Roles Recordings
Rob Lewis balance, engineer Le nozze di Figaro, K. 492: Act I, Scene I. No. 1 Duetto "Cinque… dieci… Venti… trenta…" (Figaro, Susanna) / Recitativo "Cosa stai misurando" (Figaro, Susanna), Le nozze di Figaro, K. 492: Act I, Scene I. No. 2 Duettino "Se a caso madama la notte ti chiama" (Figaro, Susanna) / Act I, Scene II. Recitativo "Or bene, ascolta e taci!" (Figaro, Susanna), Le nozze di Figaro, K. 492: Act I, Scene II. "Bravo, signor padrone" / No. 3 Cavatina "Se vuol ballare" (Figaro), Le nozze di Figaro, K. 492: Act I, Scene III. No. 4 Aria "La vendetta, oh, la vendetta" (Bartolo), Le nozze di Figaro, K. 492: Act I, Scene III. No. 4 Aria "La vendetta, oh, la vendetta" (Bartolo) / Act I, Scene IV. Recitativo "Tutto ancor non ho perso" (Marcellina, Susanna), Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino), Le nozze di Figaro, K. 492: Act I, Scene V. Recitativo "Va là, vecchia pedante" (Cherubino, Susanna), Le nozze di Figaro, K. 492: Act I, no. 3 "Se vuol ballare" (Figaro), Le nozze di Figaro, K. 492: Act II, Scene I. No. 11 Cavatina "Porgi, amor qualche ristoro" (La Contessa) / Act II, Scene I. Recitativo "Vieni, cara Susanna" (La Contessa, Susanna, Figaro), Le nozze di Figaro, K. 492: Act II, Scene II. No. 13 Aria "Venite… inginocchiatevi…" (Susanna), Le nozze di Figaro, K. 492: Act II, Scene III. No. 14 Terzetto "Susanna or via, sortite" (Il Conte, La Contessa, Susanna) / Recitativo "Dunque, voi non aprite?" (Il Conte, La Contessa), Le nozze di Figaro, K. 492: Act II, Scene III. Recitativo "Che novità!" (Il Conte, La Contessa), Le nozze di Figaro, K. 492: Act II, Scene IV. No. 15 Duettino "Aprite, presto, aprite" (Susanna, Cherubino) / Recitativo "Oh guarda il demonietto!" (Susanna), Le nozze di Figaro, K. 492: Act II, Scene IX. No. 16 Finale "Signori di fuori son già suonatori" (Il Conte, La Contessa, Susanna) / Act II, Scene X. No. 16 Finale "Ah signor... signor" (Il Conte, La Contessa, Susanna), Le nozze di Figaro, K. 492: Act II, Scene VII. No. 16 Finale "Esci, ormai, garzon malnato" (Il Conte, La Contessa, Susanna), Le nozze di Figaro, K. 492: Act II, Scene XI. No. 16 Finale "Voi signor che giusto siete" (Il Conte, La Contessa, Susanna), Le nozze di Figaro, K. 492: Act III, Scene II. No. 17 Duetto "Crudel! Perché finora farmi languir così?" (Il Conte, Susanna), Le nozze di Figaro, K. 492: Act III, Scene IV. No. 18 Recitativo "Hai già vinta la causa" (Il Conte) / No. 18 Aria "Vedrò, mentre io sospiro" (Il Conte), Le nozze di Figaro, K. 492: Act III, Scene V. No. 19 Sestetto "Riconosci in questo amplesso" (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro) / Act III, Scene VI. Recitativo "Eccovi, oh caro amico" (Marcellina, Bartolo, Figaro, Susanna), Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Recitativo "E Susanna non vien!" (La Contessa) / No. 20 Aria "Dove sono i bei momenti" (La Contessa), Le nozze di Figaro, K. 492: Act III, Scenes I-II. Recitativo "Che imbarazzo è mai questo!" (Il Conte, La Contessa, Susanna), Le nozze di Figaro, K. 492: Act III. "Cosa mi narri?...Che soave zeffiretto", Le nozze di Figaro, K. 492: Act III. "Riconosci in questo amplesso", Le nozze di Figaro, K. 492: Act IV, Scene I. No. 24 Aria "L'ho perduta... me meschina" (Marcellina) / Act IV, Scenes II-III. Recitativo "Barbarina, cos'hai?" (Figaro, Barbarina, Marcellina), Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Gente gente, all'armi all'armi!" (Il Conte, Tutti), Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Pian pianin le andrò più presso" (Il Conte, Tutti), Le nozze di Figaro, K. 492: Act IV, Scene VI. No. 25 Aria "Il capro e la capretta" (Basilio), Le nozze di Figaro, K. 492: Act IV, Scene VII. No. 26 Recitativo "In quegli anni in cui val poco" (Figaro), Le nozze di Figaro, K. 492: Act IV, Scene VIII. No. 27 Recitativo "Tutto è disposto" (Susanna), Le nozze di Figaro, K. 492: Act IV, Scene X. No. 28 Finale "Giunse alfin il momento" (Cherubino, La Contessa, Il Conte, Susanna, Figaro), Le nozze di Figaro, K. 492: Overture, Symphony no. 104 in D major, Hob. I:104 “London”: I. Adagio - Allegro, Symphony no. 104 in D major, Hob. I:104 “London”: II. Andante, Symphony no. 104 in D major, Hob. I:104 “London”: III. Menuet (Allegro), Symphony no. 104 in D major, Hob. I:104 “London”: IV. Finale (Spiritoso), Symphony no. 95 in C minor, Hob .I:95: IV. Finale (Vivace), Symphony no. 95 in C minor, Hob. I:95: I. Allegro moderato, Symphony no. 95 in C minor, Hob. I:95: II. Andante cantabile, Symphony no. 95 in C minor, Hob. I:95: III. Menuetto
Κωνσταντίνος Κατωμέρης balance, engineer, sound Arabeske in C, op. 18, Bagatelle for Piano in A minor, WoO 59 "Für Elise". Poco moto, Papillons, op. 2, Piano Sonata no. 2 in G minor, op. 22: 1. So rasch wie möglich - Schneller - Noch schneller, Piano Sonata no. 2 in G minor, op. 22: 2. Andantino, Piano Sonata no. 2 in G minor, op. 22: 3. Scherzo (Sehr rasch und markiert), Piano Sonata no. 2 in G minor, op. 22: 4. Rondo (Presto - Etwas langsamer - Prestissimo, quasi cadenza - Immer schneller und schneller), Piano Sonata no. 27 in E minor, op. 90: 1. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck, Piano Sonata no. 27 in E minor, op. 90: 2. Nicht zu geschwind und sehr singbar vorgetragen, Piano Sonata no. 28 in A, op. 101: 1. Etwas lebhaft und mit der innigsten Empfindung (Allegretto ma non troppo), Piano Sonata no. 28 in A, op. 101: 2. Lebhaft, marschmäßig (Vivace alla marcia), Piano Sonata no. 28 in A, op. 101: 3. Langsam und sehnsuchtsvoll (Adagio ma non troppo, con affetto), Pictures at an Exhibition (piano): Promenade - Ballet of Unhatched Chicks - 2 Polish Jews, Pictures at an Exhibition (piano): Promenade - Gnomus, Pictures at an Exhibition (piano): Promenade - The Old Castle, Pictures at an Exhibition (piano): Promenade - The Tuileries - Bydlo, Pictures at an Exhibition (piano): The Hut on Fowls Legs - The Great Gate of Kiev, Pictures at an Exhibition (piano): The Market Place at Limoges - The Catacombs, Scherzo no. 2 in B-flat minor, op. 31, Symphonic Studies, op. 13: Etude I, Symphonic Studies, op. 13: Etude II, Symphonic Studies, op. 13: Etude III, Symphonic Studies, op. 13: Etude IV, Symphonic Studies, op. 13: Etude IX, Symphonic Studies, op. 13: Etude V, Symphonic Studies, op. 13: Etude VI, Symphonic Studies, op. 13: Etude VII, Symphonic Studies, op. 13: Etude VIII, Symphonic Studies, op. 13: Etude X, Symphonic Studies, op. 13: Etude XI, Symphonic Studies, op. 13: Etude XII (Finale), Symphonic Studies, op. 13: Theme, Symphonic Studies, op. 13: Variation I, Symphonic Studies, op. 13: Variation II, Symphonic Studies, op. 13: Variation III, Symphonic Studies, op. 13: Variation IV, Symphonic Studies, op. 13: Variation V
Michele Lamy engineer Concerto no. 1 in C major, RV 181a: I. Allegro, Concerto no. 1 in C major, RV 181a: II. Largo, Concerto no. 1 in C major, RV 181a: III. Allegro, Concerto no. 10 in G major, RV 300: I. Allegro, Concerto no. 10 in G major, RV 300: II. Largo, Concerto no. 10 in G major, RV 300: III. Allegro, Concerto no. 11 in C minor, RV 198a: I. Allegro, Concerto no. 11 in C minor, RV 198a: II. Adagio, Concerto no. 11 in C minor, RV 198a: III. Allegro, Concerto no. 12 in B minor, RV 391: I. Allegro non molto, Concerto no. 12 in B minor, RV 391: II. Largo, Concerto no. 12 in B minor, RV 391: III. Allegro, Concerto no. 2 in A major, RV 345: I. Allegro, Concerto no. 2 in A major, RV 345: II. Largo, Concerto no. 2 in A major, RV 345: III. Allegro, Concerto no. 3 in G minor, RV 334: I. Allegro non molto, Concerto no. 3 in G minor, RV 334: II. Largo, Concerto no. 3 in G minor, RV 334: III. Allegro non molto, Concerto no. 4 in E major, RV 263a: I. Allegro non moloto, Concerto no. 4 in E major, RV 263a: II. Largo, Concerto no. 4 in E major, RV 263a: III. Allegro non molto, Concerto no. 5 in A minor, RV 358: I. Adagio - Presto, Concerto no. 5 in A minor, RV 358: II. Largo, Concerto no. 5 in A minor, RV 358: III. Allegro, Concerto no. 6 in A major, RV 348: I. Allegro, Concerto no. 6 in A major, RV 348: II. Largo, Concerto no. 6 in A major, RV 348: III. Allegro non molto, Concerto no. 7 in B-flat major, RV 359: I. Allegro, Concerto no. 7 in B-flat major, RV 359: II. Largo, Concerto no. 7 in B-flat major, RV 359: III. Allegro, Concerto no. 8 in D minor, RV 238: I. Allegro, Concerto no. 8 in D minor, RV 238: II. Largo, Concerto no. 8 in D minor, RV 238: III. Allegro
Katy Cowan engineer 2 Scherzos, D593: 1. Allegretto (B-flat major), 2 Scherzos, D593: 2. Allegro moderato (D-flat major), 32 Variations for Piano in C minor on an Original Theme, WoO 80, Four Piano Pieces, op. 119: no. 1, Intermezzo in B minor, Four Piano Pieces, op. 119: no. 2, Intermezzo in E minor, Four Piano Pieces, op. 119: no. 3, Intermezzo in C major, Four Piano Pieces, op. 119: no. 4, Rhapsody in E-flat major, Piano Sonata in A major, D959: I. Allegro, Piano Sonata in A major, D959: II. Andantino, Piano Sonata in A major, D959: III. Scherzo: Allegro vivace, Piano Sonata in A major, D959: IV. Rondo: Allegretto, Piano Sonata in A minor, D784: I. Allegro giusto, Piano Sonata in A minor, D784: II. Andante, Piano Sonata in A minor, D784: III. Allegro vivace, Piano Sonata in A-flat major, D557: I. Allegro moderato, Piano Sonata in A-flat major, D557: II. Andante, Piano Sonata in A-flat major, D557: III. Allegro, Piano Sonata in G major, D894: I. Molto moderato e cantabile, Piano Sonata in G major, D894: II. Andante, Piano Sonata in G major, D894: III. Menuetto e trio: Allegro moderato, Piano Sonata in G major, D894: IV. Allegretto, Six Piano Pieces, op. 118: no. 1, Intermezzo in A minor, Six Piano Pieces, op. 118: no. 2, Intermezzo in A major, Six Piano Pieces, op. 118: no. 3, Ballade in G minor, Six Piano Pieces, op. 118: no. 4, Intermezzo in F minor, Six Piano Pieces, op. 118: no. 5, Romance in F major, Six Piano Pieces, op. 118: no. 6, Intermezzo in E-flat minor, Three Intermezzos, op. 117: no. 1 in E-flat major, Three Intermezzos, op. 117: no. 2 in B-flat major, Three Intermezzos, op. 117: no. 3 in C-sharp minor, Two Rhapsodies, op. 79: no. 1 in B minor, Two Rhapsodies, op. 79: no. 2 in G minor
Java engineer La bohème: Act I. "Che gelida manina" (Rodolfo), La bohème: Act I. "Chi è là?" (Rodolfo), La bohème: Act I. "Io resto" (Rodolfo), La bohème: Act I. "Legna!" (Rodolfo), La bohème: Act I. "Pensier profondo!" (Colline), La bohème: Act I. "Questo mar rosso" (Marcello), La bohème: Act I. "Si può?" (Benoit), La bohème: Act I. "Si sente meglio?" (Rodolfo), La bohème: Act I. "Sì. Mi chiamano Mimì" (Mimì), La bohème: Act II. "Aranci, ninnoli! Caldi i marroni e caramelle!" (Monelli), La bohème: Act II. "Chi guardi?" (Rodolfo), La bohème: Act II. "Chi l'ha richiesto?" (Colline), La bohème: Act II. "Oh!" - "Essa!" - "Musetta!" (Rodolfo, Schaunard, Colline, Marcello), La bohème: Act II. "Quando men vo" (Musetta), La bohème: Act II. "Viva Parpignol! Parpignol! Parpignol!" (fanciulli, fanciulle), La bohème: Act III. "Donde lieta uscì al tuo grido" (Mimì), La bohème: Act III. "Dunque è proprio finita!" (Rodolfo), La bohème: Act III. "Marcello. Finalmente!" (Rodolfo), La bohème: Act III. "Mimì è tanto malata!" (Rodolfo), La bohème: Act III. "Mimì è una civetta" (Rodolfo), La bohème: Act III. "Mimì!" (Marcello), La bohème: Act III. "Ohè là, le guardie! Aprite!" (Spazzini), La bohème: Act III. "Sa dirmi, scusi, qual'è l'osteria" (Mimì), La bohème: Act IV. "C'è Mimì... c'è Mimì che mi segue" (Musetta), La bohème: Act IV. "Che avvien?" (Schaunard), La bohème: Act IV. "In un coupé?" (Marcello), La bohème: Act IV. "O Mimì, tu più non torni" (Rodolfo), La bohème: Act IV. "Si sgombrino le sale!" (Marcello), La bohème: Act IV. "Sono andati? Fingevo di dormire" (Mimì), La bohème: Act IV. "Vecchia zimarra, senti" (Colline)
Volker Zander balance, engineer Czech Suite, op. 39: IV. Romanza (Andante con moto), Music for Strings, Percussion and Celesta: I. Andante tranquillo, Music for Strings, Percussion and Celesta: II. Allegro, Music for Strings, Percussion and Celesta: III. Adagio, Music for Strings, Percussion and Celesta: IV. Allegro molto, Roumanian Rhapsody in A, op. 11, no. 1, Suite no. 1, op. 3, Sz. 31: 1. Allegro vivace, Suite no. 1, op. 3, Sz. 31: 2. Poco adagio, Suite no. 1, op. 3, Sz. 31: 3. Presto, Suite no. 1, op. 3, Sz. 31: 4. Moderato, Suite no. 1, op. 3, Sz. 31: 5. Molto vivace, The Miraculous Mandarin, op. 19 Molto Moderato, The Miraculous Mandarin, op. 19: 1st Decoy Game, The Miraculous Mandarin, op. 19: 2nd Decoy Game, The Miraculous Mandarin, op. 19: 3rd Decoy Game, The Miraculous Mandarin, op. 19: Adagio, The Miraculous Mandarin, op. 19: Agitato, The Miraculous Mandarin, op. 19: Agitato / Molto moderato, The Miraculous Mandarin, op. 19: Allegro, The Miraculous Mandarin, op. 19: Allegro / Curtain, The Miraculous Mandarin, op. 19: Maestoso, The Miraculous Mandarin, op. 19: Maestoso / Allegro, The Miraculous Mandarin, op. 19: Più Mosso, The Miraculous Mandarin, op. 19: Sempre Vivo, The Miraculous Mandarin, op. 19: Sempre vivo / Adagio, Two Pictures, op. 10: I. In Full Flower, Two Pictures, op. 10: II. Village Dance
Bakteria balance Symphony No. 93 in D major, Hob. I:93: I. Adagio - Allegro assai, Symphony No. 93 in D major, Hob. I:93: II. Largo cantabile, Symphony No. 93 in D major, Hob. I:93: III. Menuetto e Trio, Symphony No. 93 in D major, Hob. I:93: IV. Finale. Presto ma non troppo, Symphony No. 97 in C major, Hob. I:97: I. Adagio - Vivace, Symphony No. 97 in C major, Hob. I:97: II. Adagio ma non troppo, Symphony No. 97 in C major, Hob. I:97: III. Menuet: Allegretto e Trio, Symphony No. 97 in C major, Hob. I:97: IV. Finale. Spiritoso, Symphony no. 100 in G major, Hob. I:100 “Military”: I. Adagio: Allegro, Symphony no. 100 in G major, Hob. I:100 “Military”: II. Allegretto, Symphony no. 100 in G major, Hob. I:100 “Military”: III. Menuet. Moderato, Symphony no. 100 in G major, Hob. I:100 “Military”: IV. Finale. Presto, Symphony no. 103 in E-flat major, Hob. I:103 "Drum-roll": I. Adagio - Allegro con spirito, Symphony no. 103 in E-flat major, Hob. I:103 "Drum-roll": II. Andante piu tosto Allegretto, Symphony no. 103 in E-flat major, Hob. I:103 "Drum-roll": III. Menuet e Trio, Symphony no. 103 in E-flat major, Hob. I:103 "Drum-roll": IV. Finale. Allegro con spirito, Symphony no. 104 in D major, Hob. I:104 "London": I. Adagio - Allegro, Symphony no. 104 in D major, Hob. I:104 "London": II. Andante, Symphony no. 104 in D major, Hob. I:104 "London": III. Menuetto. Allegro e Trio, Symphony no. 104 in D major, Hob. I:104 "London": IV. Finale. Spirituoso, Symphony no. 94 in G major, Hob. I:94 “Surprise”: I. Adagio - Vivace assai, Symphony no. 94 in G major, Hob. I:94 “Surprise”: II. Andante, Symphony no. 94 in G major, Hob. I:94 “Surprise”: III. Menuet. Allegro molto, Symphony no. 94 in G major, Hob. I:94 “Surprise”: IV. Finale. Allegro di molto
Carl Orff sound Blanchefleur and Helen: Hail, most beautiful one, Fortune, Empress of the World: I bemoan the wounds of Fortune, Fortune, Empress of the World: O Fortune, In The Tavern: Burning inside, In The Tavern: I am the abbot, In The Tavern: Once I lived on lakes, In The Tavern: When we are in the tavern, On the green: Dance, On the green: If all the world were mine, On the green: Round dance, On the green: Shopkeeper, give me colour, On the green: The noble woods are burgeoning, Spring: Behold, the pleasant spring, Spring: The merry face of spring, Spring: The sun warms everything, The Court of Love: A girl stood, The Court of Love: Come, come, O come, The Court of Love: Cupid flies everywhere, The Court of Love: Day, night and everything, The Court of Love: If a boy with a girl, The Court of Love: In my heart, The Court of Love: In the balance, The Court of Love: Sweetest one, The Court of Love: This is the joyful time
Сандали balance Athalia op.74: I. Overture, Athalia op.74: II. War March of the Priests, Die erste Walpurgisnacht (op.60) 1. Overture - Das schlechte Wetter - Der Ueb…, Die erste Walpurgisnacht (op.60) 2. Es lacht der Mai!, Die erste Walpurgisnacht (op.60) 3. Koennt ihr so verwegen handeln?, Die erste Walpurgisnacht (op.60) 4. Wer Opfer heut' zu bringen scheut, Die erste Walpurgisnacht (op.60) 5. Verteilt euch hier, Die erste Walpurgisnacht (op.60) 6. Diese Dumpfen Pfaffenchristen - Kommt Mit Zacken, Die erste Walpurgisnacht (op.60) 7. So Weit Gebracht - Hailf, Ach Hilf Mir…, Symphony №3 in A minor, op. 56 “Scottish”: I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima, Symphony №3 in A minor, op. 56 “Scottish”: II. Vivace non troppo, Symphony №3 in A minor, op. 56 “Scottish”: III. Adagio, Symphony №3 in A minor, op. 56 “Scottish”: IV. Allegro vivacissimo - Allegro maestoso assai, The Miraculous Mandarin, Sz. 73: 1st Decoy game: Moderato, The Miraculous Mandarin, Sz. 73: 2nd Decoy game, The Miraculous Mandarin, Sz. 73: Adagio, The Miraculous Mandarin, Sz. 73: Agitato, The Miraculous Mandarin, Sz. 73: Allegro, The Miraculous Mandarin, Sz. 73: Maestoso, The Miraculous Mandarin, Sz. 73: Molto moderato, The Miraculous Mandarin, Sz. 73: Più mosso, The Miraculous Mandarin, Sz. 73: Sempre vivo
V.I. Povici engineer Symphony No. 15 in A major, Op. 141: I. Allegretto, Symphony No. 15 in A major, Op. 141: II. Adagio - Largo - Adagio - Largo, Symphony No. 15 in A major, Op. 141: III. Allegretto, Symphony No. 15 in A major, Op. 141: IV. Adagio - Allegretto - Adagio - Allegretto, Symphony No. 7 in C major, Op. 60 "Leningrad": I. Allegretto, Symphony No. 7 in C major, Op. 60 "Leningrad": II. Moderato (poco allegretto), Symphony No. 7 in C major, Op. 60 "Leningrad": III. Adagio, Symphony No. 7 in C major, Op. 60 "Leningrad": IV. Allegro non troppo, Symphony no. 1 in F minor, op. 10: I. Allegretto - Allegro non troppo, Symphony no. 1 in F minor, op. 10: II. Allegro, Symphony no. 1 in F minor, op. 10: III. Lento, Symphony no. 1 in F minor, op. 10: IV. Allegro molto - Lento - Allegro molto, Symphony no. 3 in E-flat major, op. 20 "The First of May": I. Allegretto - Allegro, Symphony no. 3 in E-flat major, op. 20 "The First of May": II. Andante, Symphony no. 3 in E-flat major, op. 20 "The First of May": III. Allegro - Largo, Symphony no. 9 in E‐flat major, op. 70: I. Allegro, Symphony no. 9 in E‐flat major, op. 70: II. Moderato, Symphony no. 9 in E‐flat major, op. 70: III. Presto, Symphony no. 9 in E‐flat major, op. 70: IV. Largo, Symphony no. 9 in E‐flat major, op. 70: V. Allegretto – Allegro
Tin Ear Tanner engineer String Quartet No. 1 in E-flat major, Op. 12: I. Adagio non troppo - Allegro non tardante, String Quartet No. 1 in E-flat major, Op. 12: II. Canzonetta: Allegretto, String Quartet No. 1 in E-flat major, Op. 12: III. Andante espressivo, String Quartet No. 1 in E-flat major, Op. 12: IV. Molto allegro e vivace, String Quartet No. 2 in A minor, Op. 13: I. Adagio - Allegro vivace, String Quartet No. 2 in A minor, Op. 13: II. Adagio non lento, String Quartet No. 2 in A minor, Op. 13: III. Intermezzo: Allegretto con moto, String Quartet No. 2 in A minor, Op. 13: IV. Presto, String Quartet No. 3, Op. 44 No. 1: I. Molto allegro vivace, String Quartet No. 3, Op. 44 No. 1: II. Menuetto: Un poco allegro, String Quartet No. 3, Op. 44 No. 1: III. Andante espressivo ma con moto, String Quartet No. 3, Op. 44 No. 1: IV. Finale: Presto con brio, String Quartet No. 4, Op. 44 No. 2: I. Allegro assai appassionato, String Quartet No. 4, Op. 44 No. 2: II. Scherzo: Allegro di molto, String Quartet No. 4, Op. 44 No. 2: III. Andante, String Quartet No. 4, Op. 44 No. 2: IV. Presto agitato, String Quartet No. 6 in F minor, Op. 80: I. Allegro vivace assai, String Quartet No. 6 in F minor, Op. 80: II. Allegro assai, String Quartet No. 6 in F minor, Op. 80: III. Adagio, String Quartet No. 6 in F minor, Op. 80: IV. Finale: Allegro molto
Police Truck recording Academic Festival Overture for Orchestra in C minor, op. 80, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro - Meno allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio - Più andante - Allegro non troppo, ma con brio - Più allegro, Symphony no. 2 in D major, op. 73: I. Allegro non troppo, Symphony no. 2 in D major, op. 73: II. Adagio non troppo - L'istesso tempo, ma grazioso, Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (Quasi andantino) - Presto ma non assai, Symphony no. 2 in D major, op. 73: IV. Allegro con spirito, Symphony no. 3 in F major, op. 90: I. Allegro con brio, Symphony no. 3 in F major, op. 90: II. Andante, Symphony no. 3 in F major, op. 90: III. Poco allegretto, Symphony no. 3 in F major, op. 90: IV. Allegro, Symphony no. 4 in E minor, op. 98: I. Allegro non troppo, Symphony no. 4 in E minor, op. 98: II. Andante moderato, Symphony no. 4 in E minor, op. 98: III. Allegro giocoso, Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più allegro, Tragic Overture, op. 81, Variations on a Theme of Haydn (St. Antoni Chorale), op. 56a
Zoltán Kodály balance The Peacock (Fölszállot a páva), for unaccompanied chorus, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": 1. Moderato (Theme), Variations on a Hungarian Folk Song for Orchestra, "The Peacock": 6. Finale: Vivace, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 10: Molto vivo, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 11: Andante espressivo, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 12: Adagio, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 13: Tempo de Marcia funebre, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 14: Andante, poco rubato, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 15: Allegro giocoso, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 16: Maestoso, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 2, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 3: Più mosso, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 4: Poco calmato, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 5: Appassionato, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 6: Tempo (calmato), Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 7: Vivo, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 8: Più vivo, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 9, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation. 1: Con brio
THE KEY PROJECT balance, engineer Abide With Me, All Glory, Laud and Honour, Christ Is Made the Sure Foundation, Crown Him With Many Crowns, Dear Lord and Father of Mankind, Holy, Holy, Holy! Lord God Almighty, Love Divine, All Loves Excelling, Now Thank We All Our God, O God, Our Help in Ages Past, O Praise Ye the Lord, Praise to the Holiest in the Height, Praise to the Lord, Praise, My Soul, the King of Heaven, The Church’s One Foundation, The Day of Resurrection, When I Survey the Wondrous Cross
Amsterdam Loeki Stardust Quartet sound Canzon "La Lusignuola", Canzon prima, Concerto per flautino in C major: I. Allegro, Concerto per flautino in C major: II. Largo, Concerto per flautino in C major: III. Allegro molto, In Nomine, Istampita "Tre Fontane", Recercar "Bonny Sweet Robin", Report upon "When Shall my Sorrowful Sighing Slake", Ricercar del secondo tuono, Sermone blando, Suite No. 5 in G minor: I. Fantasie, Suite No. 5 in G minor: II. Courante, Suite No. 5 in G minor: III. Ayre, Suite No. 5 in G minor: IV. Sarabande, The Temporiser
Alicia de Larrocha balance, recording Danzas españolas: V. Andaluza, Danzas españolas: VII. Valenciana o Calesera, Danzas gitanas, 1st ser., Op. 55: V. Sacromonte, España, op. 165: II. Tango, España, op. 165: III. Malagueña, Lyric Pieces, op. 54: IV. Notturno, Pavana caprichio, op. 12, Recuerdos de viaje, op. 71: V. Puerta de tierra: bolero, Recuerdos de viaje, op. 71: VI. Rumores de la caleta, Sonata in D major, Sonata in G minor, Suite española, op. 47: III. Sevilla: sevillanas, Tres danzas españolas, Op. 8: III. Zapateado
HOLYCHILD balance An American in Paris, Capriccio Espagnol, op. 34: 1. Alborada, Capriccio Espagnol, op. 34: 2. Variazioni, Capriccio Espagnol, op. 34: 3. Alborada, Capriccio Espagnol, op. 34: 4. Scena e canto gitano, Capriccio Espagnol, op. 34: 5. Fandango asturiano, Cuban Overture, Russian Easter Festival Overture, op. 36, Symphony no. 5 in B-flat major, op. 100: I. Andante, Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato, Symphony no. 5 in B-flat major, op. 100: III. Adagio, Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso
The Exhibitionist balance Don Quixote, op. 35: 1. Introduktion (Mäßiges Zeitmaß), Don Quixote, op. 35: 10. Variation 7 (Ein wenig ruhiger als vorher), Don Quixote, op. 35: 11. Variation 8, Don Quixote, op. 35: 12. Variation 9 (Schnell und stürmisch), Don Quixote, op. 35: 13. Variation 10 (Viel breiter), Don Quixote, op. 35: 14. Finale (Sehr ruhig), Don Quixote, op. 35: 4. Variation 1 (Gemächlich), Don Quixote, op. 35: 5. Variation 2 (Kriegerisch), Don Quixote, op. 35: 6. Variation 3 (Mäßiges Zeitmaß), Don Quixote, op. 35: 7. Variation 4 (Etwas breiter), Don Quixote, op. 35: 8. Variation 5 (Sehr langsam), Don Quixote, op. 35: 9. Variation 6 (Schnell)
キララ balance Symphony No. 2: I. Ziemlich schnell, Symphony No. 2: II. Adagio: Feierlich, etwas bewegt, Symphony No. 2: III. Scherzo: Schnell - Trio, Symphony No. 2: IV. Finale: Mehr schnell, Symphony No. 5 in B-flat major: I. Adagio - Allegro, Symphony No. 5 in B-flat major: II. Adagio: Sehr langsam, Symphony No. 5 in B-flat major: III. Scherzo: Molto vivace - Trio, Symphony No. 5 in B-flat major: IV. Finale: Adagio - Allegro moderato, Symphony no. 4 in E-flat major “Romantic”: I. Bewegt, nicht zu schnell, Symphony no. 4 in E-flat major “Romantic”: II. Andante quasi allegretto, Symphony no. 4 in E-flat major “Romantic”: III. Scherzo: Bewegt - Trio: Nicht zu schnell, Symphony no. 4 in E-flat major “Romantic”: IV. Finale: Bewegt, doch nicht zu schnell
Garci Sánchez de Badajoz balance, engineer Symphonic Dances, op. 45: I. Non allegro, Symphony no. 1 in D minor, op. 13: 1. Grave - Allegro ma non troppo, Symphony no. 1 in D minor, op. 13: 2. Allegro animato, Symphony no. 1 in D minor, op. 13: 3. Larghetto, Symphony no. 1 in D minor, op. 13: IV. Allegro con fuoco, Symphony no. 2, op. 27: I. Largo - Allegro moderato, Symphony no. 2, op. 27: II. Allegro molto, Symphony no. 2, op. 27: III. Adagio, Symphony no. 2, op. 27: IV. Allegro vivace, The Isle of the Dead, op. 29
IAmFire balance Also sprach Zarathustra, op. 30: Das Grablied, Also sprach Zarathustra, op. 30: Das Nachtwandlerlied, Also sprach Zarathustra, op. 30: Das Tanzlied - Das Nachtlied, Also sprach Zarathustra, op. 30: Der Genesende, Also sprach Zarathustra, op. 30: Prelude (Sonnenaufgang), Also sprach Zarathustra, op. 30: Von den Freuden und Leidenschaften, Also sprach Zarathustra, op. 30: Von den Hinterweltlern, Also sprach Zarathustra, op. 30: Von der Wissenschaft, Also sprach Zarathustra, op. 30: Von der großen Sehnsucht, Salome, op. 54: Scene 4. Salome's Dance of the Seven Veils
Hel Lennart balance, engineer Symphony no. 6 in A major, WAB 106: I. Majestoso, Symphony no. 6 in A major, WAB 106: II. Adagio: Sehr feierlich, Symphony no. 6 in A major, WAB 106: III. Scherzo: Nicht schnell - Trio: Langsam, Symphony no. 6 in A major, WAB 106: IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 8 in C minor: I. Adagio, Symphony no. 8 in C minor: II. Allegretto, Symphony no. 8 in C minor: III. Allegro non troppo, Symphony no. 8 in C minor: IV. Largo, Symphony no. 8 in C minor: V. Allegretto
Thomas Buffum balance, engineer Philadelphia Symphony, op. 28: I. Allegro giusto, Philadelphia Symphony, op. 28: II. Andante, Philadelphia Symphony, op. 28: III. Allegro vivace, Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony no. 2 in C minor “Resurrection”: II. Andante moderato. Sehr gemächlich, Symphony no. 2 in C minor “Resurrection”: III. Scherzo. In ruhig fliessender Bewegung, Symphony no. 2 in C minor “Resurrection”: V (a). Im Tempo des Scherzos. Wild Herausfahrend —, Symphony no. 2 in C minor “Resurrection”: V (b). Maestoso. Sehr zurückhaltend – Wieder zurückhaltend —, Symphony no. 2 in C minor “Resurrection”: V (c). Sehr langsam und gedehnt —
Damn City! balance Symphony No. 1 in C minor (Linz version, 1866): I. Allegro molto moderato, Symphony No. 1 in C minor (Linz version, 1866): II. Adagio, Symphony No. 1 in C minor (Linz version, 1866): III. Scherzo, Symphony No. 1 in C minor (Linz version, 1866): VI. Finale: Bewegt, feurig, Symphony No. 8 in F major, op. 93: I. Allegro vivace e con brio, Symphony No. 8 in F major, op. 93: II. Allegretto scherzando, Symphony No. 8 in F major, op. 93: III. Tempo di menuetto, Symphony No. 8 in F major, op. 93: IV. Allegro vivace
E.S.G balance Symphony no. 3 in D minor: I. Mehr langsam, misterioso, Symphony no. 3 in D minor: II. Adagio, bewegt, quasi Andante, Symphony no. 3 in D minor: III. Ziemlich schnell, Symphony no. 3 in D minor: IV. Allegro, Symphony no. 4 in E‐flat major “Romantic”: I. Bewegt, nicht zu schell, Symphony no. 4 in E‐flat major “Romantic”: II. Andante, quasi allegretto, Symphony no. 4 in E‐flat major “Romantic”: III. Scherzo. Bewegt – Trio. Nicht zu schnell, keinesfalls schleppend, Symphony no. 4 in E‐flat major “Romantic”: IV. Finale. Bewegt, doch nicht zu schnell
Preston Callahan balance Rosamunde, D. 797: Ballet Music no. 1, Rosamunde, D. 797: Ballet Music no. 2, Rosamunde, D. 797: Entr'acte no. 1, Rosamunde, D. 797: Entr'acte no. 2, Rosamunde, D. 797: Entr'acte no. 3, Rosamunde, D. 797: Overture (Die Zauberharfe, D. 644), Rosamunde, D. 797: Shepherd's Melody
Karl Münchinger engineer Missa brevis Sancti Joannis de Deo, Hob. XXII:7: Agnus Dei, Missa brevis Sancti Joannis de Deo, Hob. XXII:7: Benedictus, Missa brevis Sancti Joannis de Deo, Hob. XXII:7: Credo, Missa brevis Sancti Joannis de Deo, Hob. XXII:7: Gloria, Missa brevis Sancti Joannis de Deo, Hob. XXII:7: Kyrie, Missa brevis Sancti Joannis de Deo, Hob. XXII:7: Sanctus
Robin Valo engineer Piano Concerto no. 2 in G minor, op. 22: I. Andante sostenuto, Piano Concerto no. 2 in G minor, op. 22: II. Allegro scherzando, Piano Concerto no. 2 in G minor, op. 22: III. Presto, Piano Concerto no. 5 in F major, op. 103 “Egyptian”: I. Allegro animato, Piano Concerto no. 5 in F major, op. 103 “Egyptian”: II. Andante, Piano Concerto no. 5 in F major, op. 103 “Egyptian”: III. Molto allegro
András Schiff balance 10 Variations "Unser dummer Pöbel meint", K. 455, 12 Variations "Ah, vous dirai-je, Maman", K. 265/300e, Adagio for Glass Harmonica in C major, K. 356/617a, Adagio for Piano in B minor, K. 540: Adagio, Kleine Gigue in G, K. 574, Minuet in D, K. 355
Blugazer balance The Planets, op. 32: I. Mars, the Bringer of War, The Planets, op. 32: II. Venus, the Bringer of Peace, The Planets, op. 32: III. Mercury, the Winged Messenger, The Planets, op. 32: IV. Jupiter, the Bringer of Jollity, The Planets, op. 32: V. Saturn, the Bringer of Old Age, The Planets, op. 32: VI. Uranus, the Magician
Wally Rose balance The Lane - Five Children's Songs, op. 89: 1. Doctor Beetle, The Lane - Five Children's Songs, op. 89: 2. The first Snow, The Lane - Five Children's Songs, op. 89: 3. The Lane, The Lane - Five Children's Songs, op. 89: 4. The Cat, The Lane - Five Children's Songs, op. 89: 5. The Wind's Lullaby
Not-Us balance, engineer Piano Concerto no. 1 in D, op. 17: I. Andante, Piano Concerto no. 1 in D, op. 17: II. Andante sostenuto quasi adagio, Piano Concerto no. 1 in D, op. 17: III. Allegro con fuoco, Piano Concerto no. 4 in C minor, op. 44: I. Allegro moderato, Piano Concerto no. 4 in C minor, op. 44: II. Allegro vivace. Andante. Allegro
Svene balance Overture in C major, D 591 “In the Italian style”, Symphony no. 1 “Sinfonie Sérieuse”: I. Allegro con energia, Symphony no. 1 “Sinfonie Sérieuse”: II. Adagio maestoso, Symphony no. 1 “Sinfonie Sérieuse”: III. Stretto -, Symphony no. 1 “Sinfonie Sérieuse”: IV. Finale: Adagio - allegro molto
Conal McDonagh balance The Bells, op. 35: III. Presto (Alarm Bells), Three Russian Songs, op. 41: 1. Moderato, Three Russian Songs, op. 41: 2. Largo, Three Russian Songs, op. 41: 3. Allegro moderato
Janet Hill engineer Symphony no. 5 in D minor, op. 47: I. Moderato, Symphony no. 5 in D minor, op. 47: II. Allegretto, Symphony no. 5 in D minor, op. 47: III. Largo, Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo
The Deep North balance Symphony no. 5 in C minor, op. 67: 1. Allegro con brio, Symphony no. 5 in C minor, op. 67: 2. Andante con moto, Symphony no. 5 in C minor, op. 67: 3. Allegro, Symphony no. 5 in C minor, op. 67: 4. Allegro
Broadway Nitelites balance Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": 1. Allegro, Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": 2. Adagio un poco mosso, Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": 3. Rondo (Allegro), Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso
Steven Van Havere engineer Swan Lake: Dance of the Little Swans° (Act 2: from No. 13), Swan Lake: Pas d'action - Tempo di valse, Swan Lake: Scène (Act 2: No. 10), Swan Lake: Scène finale (Act 4: from No. 29)
増永直子 balance Symphony no. 3 in C minor, op. 78 “Organ Symphony”: 1a. Adagio - Allegro Moderato -, Symphony no. 3 in C minor, op. 78 “Organ Symphony”: 1b. Poco Adagio, Symphony no. 3 in C minor, op. 78 “Organ Symphony”: 2a. Allegro Moderato - Presto - Allegro Moderato, Symphony no. 3 in C minor, op. 78 “Organ Symphony”: 2b. Maestoso - Piu Allegro - Molto Allegro
Jeremy Spillman balance Introduction et Rondo capriccioso, Méditation de Thaïs, Tzigane, Zigeunerweisen, op. 20
Anton Bruckner engineer Symphony no. 3 in d-Moll, WAB. 103 (1877 version): I. Gemäßigt, mehr bewegt, misterioso, Symphony no. 3 in d-Moll, WAB. 103 (1877 version): II. Andante: Bewegt, feierlich, quasi Adagio, Symphony no. 3 in d-Moll, WAB. 103 (1877 version): III. Scherzo: Ziemlich schnell, Symphony no. 3 in d-Moll, WAB. 103 (1877 version): IV. Finale: Allegro
川村ケン engineer Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: I. Allegretto, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: II. Lento, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: III. Moderato, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: IV. Allegro con brio
Rhyece O'Neill balance Sonate pour violoncelle et piano: I. Prologue, Sonate pour violoncelle et piano: II. Sérénade: Modérément animé, Sonate pour violoncelle et piano: III. Finale: Animé
Beth Chalmers engineer Symphony no. 3 in A minor, op. 44: 1. Lento - Allegro moderato, Symphony no. 3 in A minor, op. 44: 2. Adagio ma non troppo, Symphony no. 3 in A minor, op. 44: 3. Allegro
Coyote recording Piano Concerto no. 1 in F-sharp minor, op. 1: I. Vivace, Piano Concerto no. 1 in F-sharp minor, op. 1: II. Andante, Piano Concerto no. 1 in F-sharp minor, op. 1: III. Allegro vivace
May West engineer Piano Concerto, Op.43, WV66: I. Molto Sostenuto - Alla Marcia Maestoso, Piano Concerto, Op.43, WV66: II. Sostenuto - Allegro Alla Jazz - Subito Sostenuto, Piano Concerto, Op.43, WV66: III. Alla Zingaresca - Tempo I (Allegro Molto)
Wizard Union balance Sonate pour violon et piano: I. Allegro vivo, Sonate pour violon et piano: II. Intermède: Fantasque et léger, Sonate pour violon et piano: III. Finale: Très animé
The Terror Enlarger recording Violin Concerto no. 3 in G major, KV 216: I. Allegro, Violin Concerto no. 3 in G major, KV 216: II. Adagio, Violin Concerto no. 3 in G major, KV 216: III. Rondo. Allegro
Mark Geelen balance Concerto for 2 Harpsichords and Strings in C minor, BWV 1062: I. Allegro, Concerto for 2 Harpsichords and Strings in C minor, BWV 1062: II. Andante, Concerto for 2 Harpsichords and Strings in C minor, BWV 1062: III. Allegro assai
Edwin Saleh balance Gloria en Re Mayor para 3 Voces, Coro, Trompeta, Oboe, Violin (ad lib), 2 Violas, 2 Violoncellos, Cuerdas y Continuo, RV 589, VI. Domine Deus, Gloria en Re Mayor para 6 Voces, Coro, Trompeta, 2 Oboes, 2 Violines, 2 Violas, 2 Violoncellos, Cuerdas y Continuo, RV 588, VII. Domine Deus, Agnus Dei, Gloria en Re Mayor para 6 Voces, Coro, Trompeta, 2 Oboes, 2 Violines, 2 Violas, 2 Violoncellos, Cuerdas y Continuo, RV 588, X. Quoniam tu solus sanctus
Villa Moirai balance Gloria en Re Mayor para 3 Voces, Coro, Trompeta, Oboe, Violin (ad lib), 2 Violas, 2 Violoncellos, Cuerdas y Continuo, RV 589, VIII. Domine Deus, Agnus Dei, Gloria en Re Mayor para 3 Voces, Coro, Trompeta, Oboe, Violin (ad lib), 2 Violas, 2 Violoncellos, Cuerdas y Continuo, RV 589, X. Qui sedes ad dexteram Patris, Gloria en Re Mayor para 6 Voces, Coro, Trompeta, 2 Oboes, 2 Violines, 2 Violas, 2 Violoncellos, Cuerdas y Continuo, RV 588, IX. Qui sedes ad dexteram Patris
After All engineer Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse), Symphonic Dances, op. 45: III. Lento assai – Allegro vivace
David Mondou-Labbe balance Gloria en Re Mayor para 3 Voces, Coro, Trompeta, Oboe, Violin (ad lib), 2 Violas, 2 Violoncellos, Cuerdas y Continuo, RV 589, III. Laudamus te, Gloria en Re Mayor para 6 Voces, Coro, Trompeta, 2 Oboes, 2 Violines, 2 Violas, 2 Violoncellos, Cuerdas y Continuo, RV 588, III. Laudamus te
Taiwan engineer Swan Lake: Act 1: II. Valse (Tempo di valse), Swan Lake: Act 3: VII. Danse hongroise. Czardas (Moderato assai. Allegro moderato. Vivace)
Da Hood balance Symphony no. 8 in B minor, D. 759 "Unfinished": 1. Allegro moderato, Symphony no. 8 in B minor, D. 759 "Unfinished": 2. Andante con moto
Pascal Rogé balance Images - Book 1: I. Reflets dans l'eau, Suite bergamasque, L. 75: III. Clair de lune
Young P Streets balance Le Poème de l'extase, op. 54
Tony Ellyson Janson balance Gloria en Re Mayor para 6 Voces, Coro, Trompeta, 2 Oboes, 2 Violines, 2 Violas, 2 Violoncellos, Cuerdas y Continuo, RV 588, V. Domine Deus
Permit balance The Bells, op. 35: IV. Lento lugubre (Iron Bell)
Wizard balance Minuet & Trio (Divertimento in D major, K. 334)
Maxin balance Rhapsody in Blue
YeahRight! balance The Planets, op. 32: VII. Neptune, the Mystic
Sally Simpson balance The Bells, op. 35: II. Lento (Golden Bells)
Martin Groenendijk balance The Bells, op. 35: I. Allegro ma non tanto (Silver Bells)
Kullervo Kojo balance Air from Suite no. 3 in D, BWV 1068
DJ Guit balance Divertimento in B-flat major, K. 125b/137: I. Andante
Colu balance Concerto for Strings and Continuo in G, R.151 Concerto alla Rustica
Ben West recording Concerto, op. 8 no. 4 in F minor "Winter": Allegro non molto
Maîtrise Notre-Dame de Paris engineer Serenata notturna in D, K.239: II. Minuetto & Trio