Musical Bacon: San Francisco Symphony

Artist name	Roles	Recordings
Michael Kamen	arranger	Battery, Bleeding Me, Devil's Dance, Enter Sandman, For Whom the Bell Tolls, Fuel, Hero of the Day, Master of Puppets, No Leaf Clover, Nothing Else Matters, Of Wolf and Man, One, Outlaw Torn, Sad but True, The Call of Ktulu, The Ecstasy of Gold, The Memory Remains, The Thing That Should Not Be, Until It Sleeps, Wherever I May Roam, −Human

Artist name	Roles	Recordings
Svene	performing orchestra	"Rosamunde" Overture, D 644, Aladdin Suite, op. 34: II. Aladdin’s Dream and Dance of the Morning Mist, Aladdin Suite, op. 34: III. Hindu Dance, Aladdin Suite, op. 34: IV. Chinese Dance, Aladdin Suite, op. 34: V. The Marketplace at Ispahan, Aladdin Suite, op. 34: VI. The Prisoners’ Dance, Aladdin Suite, op. 34: VII. Negro Dance, Also sprach Zarathustra, Op. 30: I. Einleitung (Sonnenaufgang), Also sprach Zarathustra, Op. 30: II. Von den Hinterweltlern, Also sprach Zarathustra, Op. 30: III. Von der großen Sehnsucht, Also sprach Zarathustra, Op. 30: IV. Von den Freuden und Leidenschaften, Also sprach Zarathustra, Op. 30: IX. Nachtwandlerlied, Also sprach Zarathustra, Op. 30: V. Das Grablied, Also sprach Zarathustra, Op. 30: VI. Von der Wissenschaft, Also sprach Zarathustra, Op. 30: VII. Der Genesende, Also sprach Zarathustra, Op. 30: VIII. Das Tanzlied, Altrhapsodie, op. 53, Begräbnisgesang, op. 13, Carmina Burana: Blanziflor et Helena: Ave, formosissima, Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera, Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna, Carmina Burana: I. Primo vere: Ecce Gratum, Carmina Burana: I. Primo vere: Omnia Sol temperat, Carmina Burana: I. Primo vere: Veris leta facies, Carmina Burana: II. In Taberna: Ego sum abbas, Carmina Burana: II. In Taberna: Estuans interius, Carmina Burana: II. In Taberna: In taberna quando sumus, Carmina Burana: II. In Taberna: Olim lacus colueram, Carmina Burana: III. Cour d'amours: Amor volat undique, Carmina Burana: III. Cour d'amours: Circa mea pectora, Carmina Burana: III. Cour d'amours: Dies, nox et omnia, Carmina Burana: III. Cour d'amours: Dulcissime, Carmina Burana: III. Cour d'amours: In trutina, Carmina Burana: III. Cour d'amours: Si puer cum puellula, Carmina Burana: III. Cour d'amours: Stetit puella, Carmina Burana: III. Cour d'amours: Tempus est iocundum, Carmina Burana: III. Cour d'amours: Veni, veni, venias, Carmina Burana: Uf dem Anger: Reie: Swaz hie gat umbe / Chume, chum, geselle min / Swaz hie gat umbe, Carmina Burana: Uf dem anger: Chramer, gip die varwe mir, Carmina Burana: Uf dem anger: Floret silva nobilis, Carmina Burana: Uf dem anger: Tanz, Carmina Burana: Uf dem anger: Were diu werlt alle min, Concerto for Orchestra, B 123: I. Introduzione, Concerto for Orchestra, B 123: II. Giuoco delle coppie, Concerto for Orchestra, B 123: III. Elegia, Concerto for Orchestra, B 123: IV. Intermezzo interrotto, Concerto for Orchestra, B 123: V. Finale, Don Juan, op. 20, Ein Heldenleben, Op. 40: I. Der Held, Ein Heldenleben, Op. 40: II. Des Helden Widersacher, Ein Heldenleben, Op. 40: III. Des Helden Gefährtin, Ein Heldenleben, Op. 40: IV. Des Helden Walstatt, Ein Heldenleben, Op. 40: V. Des Helden Friedenswerke, Ein Heldenleben, Op. 40: VI. Des Helden Weltflucht und Vollendung, Eine Alpensinfonie, op. 64: Am Wasserfall, Eine Alpensinfonie, op. 64: Auf blumigen Wiesen, Eine Alpensinfonie, op. 64: Auf dem Gletscher, Eine Alpensinfonie, op. 64: Auf der Alm, Eine Alpensinfonie, op. 64: Ausklang, Eine Alpensinfonie, op. 64: Der Anstieg, Eine Alpensinfonie, op. 64: Die Sonne verdüstert sich allmählich, Eine Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen, Eine Alpensinfonie, op. 64: Eintritt in den Wald - Wanderung neben dem Bach, Eine Alpensinfonie, op. 64: Elegie, Eine Alpensinfonie, op. 64: Erscheinung, Eine Alpensinfonie, op. 64: Gefahrvolle Augenblicke - Auf dem Gipfel, Eine Alpensinfonie, op. 64: Gewitter und Sturm, Abstieg, Eine Alpensinfonie, op. 64: Nacht, Eine Alpensinfonie, op. 64: Nebel steigen auf, Eine Alpensinfonie, op. 64: Sonnenaufgang, Eine Alpensinfonie, op. 64: Sonnenuntergang, Eine Alpensinfonie, op. 64: Stille vor dem Sturm, Eine Alpensinfonie, op. 64: Vision, Gesang der Parzen, op. 89, Konzertmusik für Streichorchester und Blechbläser: I. Mäβig schnell, mit Kraft - Sehr breit, aber stets flieβend, Konzertmusik für Streichorchester und Blechbläser: II. Lebhaft - Langsam - Im ersten Zeitmaβ, Kossuth, BB 31: I. Kossuth, Kossuth, BB 31: II. Mi bú nehezül lelkedre, édes férjem?, Kossuth, BB 31: III. Veszélyben a haza!, Kossuth, BB 31: IV. Hajdan jobb időket éltünk..., Kossuth, BB 31: IX. Mindennek vége!, Kossuth, BB 31: V. Majd rosszra fordult sorsunk..., Kossuth, BB 31: VI. Harcra fel!, Kossuth, BB 31: VII. Jöjjetek, jäjjetek! szép magyar vitézek, szép magyar leventék!, Kossuth, BB 31: VIII. ..., Kossuth, BB 31: X. Csöndes minden, csöndes..., Kuolema, op. 44 no. 1: Valse triste, Maskarade: Overture, Metamorphosen, Nobilissima Visione – Suite: I. Einleitung und Rondo, Nobilissima Visione – Suite: II. Marsch und Pastorale, Nobilissima Visione – Suite: III. Passacaglia, Nänie, op. 82, Overture in C major "In the Italian style", D 591, Overture in C major, D 591 “In the Italian style”, Peer Gynt Suite No. 1, Op. 46: I. Morning Mood, Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance, Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King, Peer Gynt Suite No. 2, Op. 55: I. Ingrid's Lament, Peer Gynt Suite No. 2, Op. 55: I. The Abduction (Ingrid's Lament), Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance, Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Homecoming (Stormy evening), Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song, Peer Gynt Suite no. 1, op. 46: I. Morning Mood, Peer Gynt Suite: Morgenstimmung, Peer Gynt, op. 23: Act 1 - Prelude, Peer Gynt, op. 23: no. 10. Peer Gynt Hunted by the Trolls. no. 11. The Boyg, Peer Gynt, op. 23: no. 12. The Death of Ase, Peer Gynt, op. 23: no. 13. Morning Mood, Peer Gynt, op. 23: no. 14. The Thief and the Receiver, Peer Gynt, op. 23: no. 15. Arabian Dance, Peer Gynt, op. 23: no. 16. Anitra’s Dance, Peer Gynt, op. 23: no. 17. Peer Gynt’s Serenade, Peer Gynt, op. 23: no. 19. Solveig’s Song, Peer Gynt, op. 23: no. 21. Peer Gynt’s Homecoming. Stormy Evening on the Sea, Peer Gynt, op. 23: no. 22. The Shipwreck, Peer Gynt, op. 23: no. 23. Solveig Sings in the Hut, Peer Gynt, op. 23: no. 24. Night Scene, Peer Gynt, op. 23: no. 25. Whitsun Hymn: “O Blessed Morning”, Peer Gynt, op. 23: no. 26. Solveig’s Cradle Song, Peer Gynt, op. 23: no. 4. Ingrid’s Lament, Peer Gynt, op. 23: no. 5. Peer Gynt and the Herd Girls, Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King, Peer Gynt, op. 23: no. 9. Dance of the Mountain King’s Daughter, Schicksalslied, op. 54, Symphonic Metamorphosis of Themes by Carl Maria von Weber: I. Allegro, Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Turandot, Scherzo: Moderato, Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino, Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch, Symphonie "Mathis Der Maler": I. Engelskonzert, Symphonie "Mathis Der Maler": II. Grablegung, Symphonie "Mathis Der Maler": III. Versuchung des heiligen Antonius, Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Finale: Adagio - Allegro molto e vivace, Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico, Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento), Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro, Symphony no. 1 in E minor, op. 39: IV. Finale (quasi una fantasia), Symphony no. 1 in G minor, op. 7: I. Allegro orgoglioso, Symphony no. 1 in G minor, op. 7: II. Andante, Symphony no. 1 in G minor, op. 7: III. Allegro comodo, Symphony no. 1 in G minor, op. 7: IV. Finale, Symphony no. 1 “Sinfonie Sérieuse”: I. Allegro con energia, Symphony no. 1 “Sinfonie Sérieuse”: II. Adagio maestoso, Symphony no. 1 “Sinfonie Sérieuse”: III. Stretto -, Symphony no. 1 “Sinfonie Sérieuse”: IV. Finale: Adagio - allegro molto, Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung, Symphony no. 2 in C minor "Resurrection": IV. 'Urlicht': Sehr feierlich, aber schlicht, Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzo, Symphony no. 2 in D major, op. 43: I. Allegretto - Poco allegro - Tranquillo, ma poco a poco ravvivando il tempo al allegro, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato - Andante sostenuto, Symphony no. 2 in D major, op. 43: III. Vivacissimo - Lento e suave - Largamente, Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato, Symphony no. 2 “The Four Temperaments”, op 16: III. Andante melincolico, Symphony no. 2 “The Four Temperaments”, op. 16: I. Allegro collerico, Symphony no. 2 “The Four Temperaments”, op. 16: II. Allegro comodo e flemmatico, Symphony no. 2 “The Four Temperaments”, op. 16: IV. Allegro sanguineo, Symphony no. 2: I. Dawn: Luminoso, Symphony no. 2: I. Molto agitato, Symphony no. 2: II. Allegretto capriccioso, Symphony no. 2: II. Daylight: Con brio, non pesante, Symphony no. 2: III. Adagio, tranquillo ed espressivo, Symphony no. 2: III. Dusk: Poco largo, lambente, Symphony no. 2: IV. Allegramente, Symphony no. 2: IV. Darkness: Inesorabile, Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato, Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio, Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony no. 3 in C major, op. 52: I. Allegro moderato, Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto, Symphony no. 3 in C major, op. 52: III. Moderato - Allegro (ma non tanto), Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto, Symphony no. 3 “Sinfonia espansiva”, op. 27: I. Allegro espansivo, Symphony no. 3 “Sinfonia espansiva”, op. 27: III. Allegretto un poco, Symphony no. 3 “Sinfonia espansiva”, op. 27: IV. Finale. Allegro, Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace, Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto, Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato, Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello. Presto, Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio, Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace, Symphony no. 4 in A minor, op. 63: III. Il tempo largo, Symphony no. 4 in A minor, op. 63: IV. Allegro, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): I. Bewegt doch nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): II. Andante quasi allegretto, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): III. Scherzo: Bewegt - Trio: Nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 4 “The Inextinguishable”: I. Allegro, Symphony no. 4 “The Inextinguishable”: II. Poco allegretto, Symphony no. 4 “The Inextinguishable”: III. Poco adagio quasi andante, Symphony no. 4 “The Inextinguishable”: IV. Con anima – Allegro, Symphony no. 4: I. Allegro risoluto, Symphony no. 4: II. Adagio -, Symphony no. 4: III. Scherzo: Allegro molto, Symphony no. 4: IV. Finale: Allegro vivace, Symphony no. 5 in B-flat major, D 485: I. Allegro, Symphony no. 5 in B-flat major, D 485: II. Andante con moto, Symphony no. 5 in B-flat major, D 485: III. Menuetto: Allegro molto, Symphony no. 5 in B-flat major, D 485: IV. Allegro vivace, Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Largamente - Allegro moderato, Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto, Symphony no. 5 in E-flat major, op. 82: III. Allegro molto, Symphony no. 5: IIa. Allegro, Symphony no. 5: IIb. Presto, Symphony no. 5: IIc. Andante un poco tranquillo, Symphony no. 5: IId. Allegro, Symphony no. 5: Ia. Tempo giusto, Symphony no. 5: Ib. Adagio non troppo, Symphony no. 6 "Sinfonia semplice", FS 116: I. Tempo giusto, Symphony no. 6 "Sinfonia semplice", FS 116: II. Humoreske: Allegretto, Symphony no. 6 "Sinfonia semplice", FS 116: III. Proposta seria: Adagio, Symphony no. 6 "Sinfonia semplice", FS 116: IV. Tema con variazioni: Allegro, Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato, Symphony no. 6 in D minor, op. 104: II. Allegretto moderato, Symphony no. 6 in D minor, op. 104: III. Poco vivace, Symphony no. 6 in D minor, op. 104: IV. Allegro molto, Symphony no. 7 in C major, op. 105, Symphony no. 8 in B minor, D 759 "Unfinished": I. Allegro moderato, Symphony no. 8 in B minor, D 759 "Unfinished": II. Andante con moto, Symphony no. 9 in C major, D 944 “Great”: I. Andante - Allegro ma non troppo, Symphony no. 9 in C major, D 944 “Great”: II. Andante con moto, Symphony no. 9 in C major, D 944 “Great”: III. Scherzo: Allegro vivace, Symphony no. 9 in C major, D 944 “Great”: IV. Finale: Allegro vivace, Tapiola, op. 112, The Golden Dance: I. Quarter note = 72, flexible, The Golden Dance: II. Quarter note = 144, Till Eulenspiegels lustige Streiche, Op. 28, Tod und Verklärung, Op. 24
B型シンドローム	performing orchestra	A Concord Symphony: I. Emerson, A Concord Symphony: II. Hawthorne, A Concord Symphony: III. The alcotts, A Concord Symphony: IV. Thoreau, Alternative Energy: I. Ford's Farm, 1896, Alternative Energy: II. Chicago, 2012, Alternative Energy: III. Xinjiang Province, 2112, Alternative Energy: IV. Reykjavik, 2222, Amériques (1927 Version), An American in Paris, Appalachian Spring, Billy the Kid, Catfish Row Suite with Scenes from Porgy and Bess: I. Catfish Row/Summertime, Catfish Row Suite with Scenes from Porgy and Bess: II. Porgy Sings, Catfish Row Suite with Scenes from Porgy and Bess: III. Fugue, Catfish Row Suite with Scenes from Porgy and Bess: IV. Bess, You Is My Woman Now, Catfish Row Suite with Scenes from Porgy and Bess: V. Hurricane, Catfish Row Suite with Scenes from Porgy and Bess: VI. My Man’s Gone Now, Catfish Row Suite with Scenes from Porgy and Bess: VII. There’s a Boat Dat’s Leavin’ Soon, Catfish Row Suite with Scenes from Porgy and Bess: VIII. Good Mornin’ Sistuh!, From the Steeples and the Mountains, S. 65, Harmonielehre: Part I, Harmonielehre: Part II: The Anfortas Wound, Harmonielehre: Part III: Meister Eckhardt and Quackie, Images pour orchestre: I. Gigues, Images pour orchestre: Ibéria: II. Par les rues et par les chemins, Images pour orchestre: Ibéria: III. Les parfums de la nuit, Images pour orchestre: Ibéria: IV. Le matin d'un jour de fête, Images pour orchestre: Ibéria: V. Rondes de printemps, Jeux, La plus que lente, Leonore Overture no. 3, op. 72, Liquid Interface: I. Glaciers Calving, Liquid Interface: II. Scherzo Liquido, Liquid Interface: III. Crescent City, Liquid Interface: IV. On the Wannsee, Orchestral Variations, Rodeo: Hoe Down, Rodeo: I. Buckaroo Holiday, Rodeo: II. Corral Nocturne, Rodeo: III. Saturday Night Waltz, Rodeo: IV. Hoe Down, Rodeo: IV. Hoe-Down, Romeo & Juliet "Young Juliet", Romeo and Juliet: Arrival of the Guests, Romeo and Juliet: Balcony Scene, Romeo and Juliet: Dance of the Knights, Romeo and Juliet: Dance with Mandolins, Romeo and Juliet: Finale: Death of Tybalt, Romeo and Juliet: Folk Dance, Romeo and Juliet: Gavotte, Romeo and Juliet: Interlude, Romeo and Juliet: Introduction to Act I, Romeo and Juliet: Introduction to Act III, Romeo and Juliet: Juliet Alone, Romeo and Juliet: Juliet’s Death, Romeo and Juliet: Juliet’s Funeral, Romeo and Juliet: Madrigal, Romeo and Juliet: Mercutio, Romeo and Juliet: Nurse, Romeo and Juliet: Public Merrymaking, Romeo and Juliet: Romeo, Romeo and Juliet: Romeo Decides to Avenge Mercutio, Romeo and Juliet: Romeo and Juliet, Romeo and Juliet: Romeo and Juliet at Parting, Romeo and Juliet: The Duel, Romeo and Juliet: The Duke’s Command, Romeo and Juliet: The Fight, Romeo and Juliet: The Meeting of Tybalt and Mercutio, Romeo and Juliet: The Quarrel, Romeo and Juliet: The Street Awakens, Romeo and Juliet: Young Juliet, San Francisco Symphony Records West Side Story, Second Rhapsody for Orchestra with Piano, Short Ride in a Fast Machine, Symphonic Ode, Symphony No. 2 "Short Symphony": I. Incisivo, Symphony No. 2 "Short Symphony": II. Espressivo, Symphony No. 2 "Short Symphony": III. Preciso e ritmico, Symphony No. 4, S. 4: III. Fugue, Symphony No. 6 in A minor "Tragic": IV. Finale: Allegro moderato - Allegro energico, Symphony no. 1 in D major “Titan”: I. Langsam. Schleppend, Symphony no. 1 in D major “Titan”: II. Kräftig Bewegt, Symphony no. 1 in D major “Titan”: III. Feierlich Und Gemessen, Ohne Zu Schleppen, Symphony no. 1 in D major “Titan”: IV. Stürmisch Bewegt, Symphony no. 10: I. Adagio, Symphony no. 2 in C minor: I. Allegro maestoso, Symphony no. 2 in C minor: II. Andante moderato, Symphony no. 2 in C minor: III. In ruhig fliessender Bewegung, Symphony no. 2 in C minor: IV. “Urlicht”: Sehr feierlich, aber schlicht, Symphony no. 2 in C minor: V. ...Chorus: “Aufersteh’n”, Symphony no. 2 in C minor: V. Finale-Im Tempo des Scherzos, Symphony no. 2 in D major, op. 36: I. Adagio molto—Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo: Allegro, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen. Recht gemächlich, Symphony no. 4 in G major: II. Im gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll (Poco adagio), Symphony no. 4 in G major: IV. Sehr behaglich, Symphony no. 5 in C-sharp minor: I. Trauermarsch, Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt, mit grösster Vehemenz, Symphony no. 5 in C-sharp minor: III. Scherzo: Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: IV. Adagietto, sehr langsam, Symphony no. 5 in C-sharp minor: V. Rondo-Finale: Allegro, Symphony no. 6 in A minor “Tragic”: I. Allegro energico, ma non troppo - Heftig, aber markig, Symphony no. 6 in A minor “Tragic”: II. Scherzo: Wuchtig, Symphony no. 6 in A minor “Tragic”: III. Andante moderato, Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, Symphony no. 7 in E minor: I. Langsam — Allegro risoluto ma non troppo, Symphony no. 7 in E minor: II. Nachtmusik I. Allegro moderato — Molto moderato (Andante), Symphony no. 7 in E minor: III. Scherzo. Schattenhaft, Symphony no. 7 in E minor: IV. Nachtmusik II. Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale. Allegro ordinario — Allegro moderato ma energico, Symphony no. 8 in E-flat major: Part I: I. Veni, Creator Spiritus, Symphony no. 8 in E-flat major: Part I: II. Accende lumen sensibus, Symphony no. 8 in E-flat major: Part I: III. Infunde amorem cordibus, Symphony no. 8 in E-flat major: Part I: IV. Gloria Patri Domino, Symphony no. 8 in E-flat major: Part II: I. Poco Adagio, Symphony no. 8 in E-flat major: Part II: II. Waldung, sie schwankt heran, Symphony no. 8 in E-flat major: Part II: III. Ewiger Wonnebrand, Symphony no. 8 in E-flat major: Part II: IV. Wie Felsenabgrund mir zu Füßen, Symphony no. 8 in E-flat major: Part II: IX. Bei dem Bronn, zu dem schon weiland, Symphony no. 8 in E-flat major: Part II: V. Gerettet ist das edle Glied, Symphony no. 8 in E-flat major: Part II: VI. Hier ist die Aussicht frei, Symphony no. 8 in E-flat major: Part II: VII. Dir, der Unberührbaren, Symphony no. 8 in E-flat major: Part II: VIII. Du schwebst zu Höhen, Symphony no. 8 in E-flat major: Part II: X. Komm! Hebe dich zu höhern Sphären!, Symphony no. 8 in E-flat major: Part II: XI. Blicket auf, Symphony no. 8 in E-flat major: Part II: XII. Alles Vergängliche, Symphony no. 9 in D major: I. Andante comodo, Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb, Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig, Symphony no. 9 in D major: IV. Adagio. Sehr langsam und zurückhaltend, Synchrony, The B-Sides: I. Broom of the System, The B-Sides: II. Aerosol Melody (Hanalei), The B-Sides: III. Gemini in the Solar Wind, The B-Sides: IV. Temescal Noir, The B-Sides: V. Warehouse Medicine, The Firebird: Chorovod (Round) Of the Princesses, The Rite of Spring: Part I (The Adoration of the Earth). Dance of the Earth, The Rite of Spring: Part I (The Adoration of the Earth). Introduction, The Rite of Spring: Part I (The Adoration of the Earth). Procession of the Sage, The Rite of Spring: Part I (The Adoration of the Earth). Ritual of Abduction, The Rite of Spring: Part I (The Adoration of the Earth). Ritual of the Rival Tribes, The Rite of Spring: Part I (The Adoration of the Earth). Spring Rounds, The Rite of Spring: Part I (The Adoration of the Earth). The Augurs of Spring (Dances of the Young Girls), The Rite of Spring: Part I (The Adoration of the Earth). The Sage, The Rite of Spring: Part II (The Sacrifice). Evocation of the Ancestors, The Rite of Spring: Part II (The Sacrifice). Glorification of the Chosen Victim, The Rite of Spring: Part II (The Sacrifice). Introduction, The Rite of Spring: Part II (The Sacrifice). Mystic Circles of the Young Girls, The Rite of Spring: Part II (The Sacrifice). Ritual Action of the Ancestors, The Rite of Spring: Part II (The Sacrifice). Sacrificial Dance (Chosen One), Three Places in New England, S. 7: I. The "St. Gaudens" in Boston Common, Three Places in New England, S. 7: II. Putnam's Camp, Redding, Connecticut, West Side Story, Act I: Dance at the Gym, Blues, West Side Story, Act I: Dance at the Gym, Cha-Cha, West Side Story, Act I: Dance at the Gym, Jump, West Side Story, Act I: Dance at the Gym, Mambo, West Side Story, Act I: Dance at the Gym, Promenade, West Side Story, Act I: The Rumble, West Side Story, Act II: Ballet Sequence, Adagio, West Side Story, Act II: Ballet Sequence, Allegro agitato, West Side Story, Act II: Ballet Sequence, Scherzo, West Side Story, Act II: Change of Scene, West Side Story, Act II: Jukebox, Taunting Scene, West Side Story: Prologue
田中温之	performing orchestra	Anitra’s Dance from “Peer Gynt”, Christian Zeal and Activity, Common Tones in Simple Time, Fontane di Roma: La fontaine di Valle Giulia all'alba / La fontana di Tritone al mattino / La fontana di Trevi al meriggio / La fontana di Villa Medici al tramonto, Fountains of Rome: I. The Fountain of Valle Giulia at Daybreak, Fountains of Rome: II. The Fountain of Triton in the Morning, Fountains of Rome: III. The Fountain of Trevi at Midday, Fountains of Rome: IV. The Fountain of Villa Medici at Sunset, Harmonielehre: Part I, Harmonielehre: Part II. The Anfortas Wound, Harmonielehre: Part III. Meister Eckhardt and Quackie, Harmonium: I. Negative Love, Harmonium: II. Because I Could Not Stop for Death / III. Wild Nights, Peer Gynt, Op. 23:- Aases Tod, Peer Gynt: Act IV. Prelude (Morning Mood), Peer Gynt: In the Hall of the Mountain King, Pines of Rome: II. Pines Near a Catacomb, Pines of Rome: III. The Pines of the Janiculum, Pines of Rome: IV. The Pines of the Appian Way, Pini di Roma: I pini di Villa Borghese, Pini di Roma: Pini presso una catacomba / I pini di Gianicolo / I pini della Via Appia, Shaker Loops: I. Shaking and Trembling, Shaker Loops: II. Hymning Slews, Shaker Loops: III. Loops and Verses, Shaker Loops: IV. A Final Shaking, The Birds: I. Prelude, The Birds: II. The Dove, The Birds: III. The Hen, The Birds: IV. The Nightingale, The Birds: V. The Cuckoo, The Chairman Dances (Foxtrot for Orchestra), Variations for Winds, Strings, and Keyboards
Regress	performing orchestra	Christmas Oratorio, BWV 248: Sinfonia, Escales: I. Rome - Palermo - Calme, Escales: II. Tunis - Nefta - Modéré, très rythmé, Escales: III. Valencia - Animé, Hyperions Schicksalslied (Song of Destiny) for chorus and orchestra, op. 54: I. Langsam und sehnsuchtvoll, Hyperions Schicksalslied (Song of Destiny) for chorus and orchestra, op. 54: II. Allegro, Hyperions Schicksalslied (Song of Destiny) for chorus and orchestra, op. 54: III. Adagio, Kindertotenlieder: In diesem Wetter!, Kindertotenlieder: Nun seh' ich wohl, warum so dunkle, Kindertotenlieder: Nun will die Sonn' so hell aufgeh'n!, Kindertotenlieder: Oft denk' ich, sie sind nur ausgegangen, Kindertotenlieder: Wenn dein Mütterlein, Passacaglia and Fugue in C Minor, BWV 582: Fugue, Passacaglia and Fugue in C Minor, BWV 582: Passacaglia, Scheherazade, op. 35: I. The Sea and Sinbad's Ship, Scheherazade, op. 35: II. The Story of the Kalender Prince, Scheherazade, op. 35: III. The Young Prince and the Young Princess, Scheherazade, op. 35: IV. Festival at Baghdad, Symphony no. 2 in D major, op. 73: I. Allegro non troppo, Symphony no. 2 in D major, op. 73: II. Adagio non troppo, Symphony no. 2 in D major, op. 73: III. Allegro grazioso, Symphony no. 2 in D major, op. 73: IV. Allegro con spirito
Edvard Grieg	performing orchestra	Peer Gynt Suite No. 1, Op. 46: II. Aase's Death, Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Return, Peer Gynt Suite No.1, Op. 46: III. Anitra's dance, Peer Gynt Suite: In der Halle des Bergkönigs, Peer Gynt: Aase's Death, Peer Gynt: Act I. Prelude, Peer Gynt: Act II. Prelude (Ingrid's Abduction and Lament), Peer Gynt: Act V. Prelude (Peer Gynt's Homecoming), Peer Gynt: Anitra's Dance, Peer Gynt: Arabian Dance, Peer Gynt: Dance of the Mountain King's Daughter, Peer Gynt: Solveig's Lullaby, Peer Gynt: Song of the Church-Goers
Jonathan Cainer	performing orchestra	An American in Paris, Romeo and Juliet Fantasy Overture, Symphonic Dances from West Side Story: Cha‐cha (Andante con grazia), Symphonic Dances from West Side Story: Finale (Adagio), Symphonic Dances from West Side Story: Mambo (Presto), Symphonic Dances from West Side Story: Meeting Scene, Symphonic Dances from West Side Story: Prologue (Allegro moderato), Symphonic Dances from West Side Story: Rumble (Molto allegro), Symphonic Dances from West Side Story: Scherzo (Vivace leggiero), Symphonic Dances from West Side Story: “Cool” (Allegretto), Symphonic Dances from West Side Story: “Somewhere” (Adagio), West Side Story: Prologue / Mambo / Finale
DJ Zakes	performing orchestra	Kindertotenlieder: In diesem Wetter, in diesem Braus, Kindertotenlieder: Nun seh’ ich wohl, Kindertotenlieder: Nun will die Sonn’ so hell aufgeh’n, Kindertotenlieder: Oft denk’ ich, sie sind nur ausgegangen, Kindertotenlieder: Wenn dein Mütterlein tritt zur Tür herein, Symphony no. 3 in D minor: Part I: I. Kräftig, entschieden, Symphony no. 3 in D minor: Part II: II. Tempo di menuetto. Sehr mässig, Symphony no. 3 in D minor: Part II: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: Part II: IV. Sehr langsam. Misterioso, Symphony no. 3 in D minor: Part II: V. Lustig im Tempo und keck im Ausdruck, Symphony no. 3 in D minor: Part II: VI. Langsam. Ruhevoll. Empfunden
Oleg Nikandrov	performing orchestra	"...We Could Mention. Well, I Guess That Takes Care of the Strings...", "...the Inspector Said. 'Brass, What Do You Have to Say for Yourselves?'", "A Strange Noise Caught the Inspector's Ear.", "And What About You, Tuba?", "Perhaps the Murderer Is Lurking in the Woodwinds!", "The Composer Is Dead", "The Inspector Flipped Through the Pages of His Notebook...", "The Inspector Was a Very Handsome and Intelligent Person", "We Were There, Too"
Ralph Peer	performing orchestra	Concerto for Organ with Percussion Orchestra: I. Allegro, Concerto for Organ with Percussion Orchestra: II. Andante (Siciliana in the form of a Double Canon), Concerto for Organ with Percussion Orchestra: III. Largo, Concerto for Organ with Percussion Orchestra: IV. Canons and Choruses (Moderato), Concerto for Organ with Percussion Orchestra: V. Finale (Allegro), Organ Symphony: I. Prelude: Andante, Organ Symphony: II. Scherzo: Allegro molto, Organ Symphony: III. Finale: Lento - allegro moderato
John Bytheway	performing orchestra	Lélio ou Le Retoir à la vie, Op. 14bis (excerpts): Choeur des ombres, Lélio ou Le Retoir à la vie, Op. 14bis (excerpts): Fantaisie sur ;a Tempête de Shakespeare, Symphonie fantastique, Op. 14: I. Rêveries-Passions, Symphonie fantastique, Op. 14: II. Un bal, Symphonie fantastique, Op. 14: III. Scène aux champs, Symphonie fantastique, Op. 14: IV. Marche au supplice, Symphonie fantastique, Op. 14: V. Songe d'une nuit du Sabbat
Alma Moodie	performing orchestra	Concerto in C Major for Oboe and Orchestra, K.314 (285d): I. Allegro Aperto, Concerto in C Major for Oboe and Orchestra, K.314 (285d): II. Adagio Non Troppo, Concerto in C Major for Oboe and Orchestra, K.314 (285d): III. Rondo: Allegretto, Concerto in D Minor for Oboe, Violin and Orchestra, BWV 1060: I. Allegro, Concerto in D Minor for Oboe, Violin and Orchestra, BWV 1060: II. Adagio, Concerto in D Minor for Oboe, Violin and Orchestra, BWV 1060: III. Allegro
Rijal	performing orchestra	Symphonie Concertante for Organ and Orchestra: I. Allegro, molto moderato, Symphonie Concertante for Organ and Orchestra: II. Divertimento. Molto vivo, Symphonie Concertante for Organ and Orchestra: III. Molto lento. Lento, misterioso, Symphonie Concertante for Organ and Orchestra: IV. Toccata (Moto perpetuo). Allegro moderato, Symphonie Concertante: I (excerpt)
John Henriksson	performing orchestra	Romeo und Julia: I. Die Montagues und Capulets (op. 64b), Romeo und Julia: IV. Tanz (op. 64b), Romeo und Julia: VI. Tanz der Mädchen von den Antillen (op. 64b), Romeo und Julia: VII. Romeo am Grabe Julias (op. 64b), Romeo und Julia: VII. Tybalts Tod (op. 64a)
Matt Crawford	performing orchestra	Carnival Overture, op. 92, Symphony no. 9 n E-flat, op. 95 "From the New World": I. Adagio, Symphony no. 9 n E-flat, op. 95 "From the New World": II. Largo, Symphony no. 9 n E-flat, op. 95 "From the New World": III. Scherzo (Molto vivace), Symphony no. 9 n E-flat, op. 95 "From the New World": IV. Allegro con fuoco
Mathangi Ray	performing orchestra	Symphony No. 3 in C minor, Op. 78 "Organ Symphony": I. (cont.) Poco adagio, Symphony No. 3 in C minor, Op. 78 "Organ Symphony": I. Adagio - Allegro moderato, Symphony No. 3 in C minor, Op. 78 "Organ Symphony": II. (cont.) Maestoso - Allegro - Più allegro - Molto allegro, Symphony No. 3 in C minor, Op. 78 "Organ Symphony": II. Allegro moderato - Presto - Allegro moderato - Presto - Allegro moderato
Nebulosa	performing orchestra	Poème, for violin & orchestra, Op. 25, Violin Concerto, op. 47: I. Moderately, Violin Concerto, op. 47: II. With simplicity and warmth, Violin Concerto, op. 47: III. Lively and with good humor
David Mondrup	performing orchestra	Gli uccelli: La gallina / L'usignuolo / Il cuccù, Gli uccelli: Preludio / La colomba, Peer Gynt: Anitra's Dance, Pini di Roma: I pini di Villa Borghese / Pini presso una catacomba / I pini di Gianicolo / I pini della Via Appia
Anton Bruckner	performing orchestra	Symphony No. 6 in A major: I. Majestoso, Symphony No. 6 in A major: II. Adagio: Sehr feierlich, Symphony No. 6 in A major: III. Scherzo: Nicht schnell - Trio: Nicht langsam, Symphony No. 6 in A major: IV. Finale: Bewegt, doch nicht zu schnell
Ghost Cousin	performing orchestra	L'Invitation au voyage, Le nozze de Figaro, K. 492: Act II. "Voi che sapete", Mignon: Act I. "Connais-tu le pays ?"
Mc Kiko	performing orchestra	Charlie Rutlage, S. 14/iii, In Flanders Fields, S. 277 (arr. David Del Tredici), Serenity, S. 347 (arr. John Adams)
Rebecca Kragnes	performing orchestra	Concerto no. 2, op. 18 in C minor: Adagio sostenuto, Concerto no. 2, op. 18 in C minor: Allegro scherzando, Concerto no. 2, op. 18 in C minor: Moderato - Allegro
C O /\/\ /\/\ /\ /\/ D O	performing orchestra	Noches en los jardines de España: I. En el Generalife, Noches en los jardines de España: II. Danza lejana - attacca, Noches en los jardines de España: III. En los jardines de la Sierra de Córdoba
Giordano Bruno Martelli	performing orchestra	Oboe Concerto: I. Allegro Moderato, Oboe Concerto: II. Andante, Oboe Concerto: III. Vivace -- Allegro
尚东辉	performing orchestra	Piano Concerto: I. Polyharmony, Piano Concerto: II. Tone Cluster, Piano Concerto: III. Counter Rhythm
P. García	performing orchestra	Three Pieces for Blues Band and Symphony Orchestra op. 50: 1st Part, Three Pieces for Blues Band and Symphony Orchestra op. 50: 3rd Part
Дети Гранта	performing orchestra	Three Places in New England, S. 7: III. The Housatonic at Stockbridge, West Side Story, Act II: Ballet Sequence, Procession & Nightmare
New Scientists	performing orchestra	Cantata on the Death of Emperor Joseph II, WoO 87: II. Ein Ungeheuer, sein Name Fanatismus, Cantata on the Death of Emperor Joseph II, WoO 87: III. Da kam Joseph
Aaron Copland	performing orchestra	Fanfare for the Common Man, for Brass & Percussion (From Symphony No. 3), Hoedown
minus(−)	performing orchestra	Cantata on the Death of Emperor Joseph II, WoO 87: I.Todt! Todt!, Cantata on the Death of Emperor Joseph II, WoO 87: VII. Todt! Todt!
Gustav Mahler	performing orchestra	Symphony 9: Rondo Burleske, Symphony no. 2, ’Resurrection’: Sehr Felerlich, Aber Schlicht
Sam Rollings	performing orchestra	Cantata on the Death of Emperor Joseph II, WoO 87: V. Er schläft, Cantata on the Death of Emperor Joseph II, WoO 87: VI. Hier schlummert seinen stillen Frieden
Sofy Major	performing orchestra	The Circus Band, S. 33, They Are There! (A War Song March), S. 188
Пётр Ильич Чайковский	performing orchestra	The Sleeping Beauty Suite, Op. 66a: No. 1. Introduction
Steve Reich	performer	Variations for Winds, Strings and Keyboards
The Groovesmiths	performing orchestra	General William Booth Enters Into Heaven, S. 181
Nothing Important Happened Today	performing orchestra	Cantata on the Death of Emperor Joseph II, WoO 87: IV. Da stiegen die Menschen an’s Licht
Marc Pouliot	performing orchestra	Romeo und Julia
Richard Wagner	performing orchestra	Siegfried Idyll in E major, WWV 103
Сергей Рахманинов	performing orchestra	Rhapsody on a Theme by Paganini, Op. 43
ケラ!モデルズ	performing orchestra	The Pond (Remembrance), S. 40
Hector Berlioz	performing orchestra	Romeo und Julia: III. Teil: Liebesszene (Ausschnitt)
Andres Joamets	performing orchestra	Symphonie Nr. 9 e-moll, Op. 95 "Aus Der Neuen Welt": 2. Largo
AJ Franklin	performing orchestra	The Unanswered Question (I & II), S. 50

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