Κωνσταντίνος Κατωμέρης |
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12 Variations on the Russian Dance from the Ballet "Das Waldmadschen", WoO 71, 33 Piano Variations, op. 120: Tema (Vivace) - Variation I (Alla marcia maestoso), 33 Piano Variations, op. 120: Variation 10 (Presto), 33 Piano Variations, op. 120: Variation 11 (Allegretto), 33 Piano Variations, op. 120: Variation 12 (Un poco più moto), 33 Piano Variations, op. 120: Variation 13 (Vivace), 33 Piano Variations, op. 120: Variation 14 (Grave e maestoso), 33 Piano Variations, op. 120: Variation 15 (Presto scherzando), 33 Piano Variations, op. 120: Variation 16 (Allegro), 33 Piano Variations, op. 120: Variation 17, 33 Piano Variations, op. 120: Variation 18 (Poco moderato), 33 Piano Variations, op. 120: Variation 19 (Presto), 33 Piano Variations, op. 120: Variation 2 (Poco allegro), 33 Piano Variations, op. 120: Variation 20 (Andante), 33 Piano Variations, op. 120: Variation 21 (Allegro con brio - Meno allegro - Tempo I), 33 Piano Variations, op. 120: Variation 22 (Allegro molto): Alla "Notte e giorno faticar" di Mozart, 33 Piano Variations, op. 120: Variation 23 (Allegro assai), 33 Piano Variations, op. 120: Variation 24 Fughetta (Andante), 33 Piano Variations, op. 120: Variation 25 (Allegro), 33 Piano Variations, op. 120: Variation 26, 33 Piano Variations, op. 120: Variation 27 (Vivace), 33 Piano Variations, op. 120: Variation 28 (Allegro), 33 Piano Variations, op. 120: Variation 29 (Adagio ma non troppo), 33 Piano Variations, op. 120: Variation 3 (L'istesso tempo), 33 Piano Variations, op. 120: Variation 30 (Andante, sempre cantabile), 33 Piano Variations, op. 120: Variation 31 (Largo, molto espressivo), 33 Piano Variations, op. 120: Variation 32 Fuga (Allegro - Poco adagio), 33 Piano Variations, op. 120: Variation 33 (Tempo di minuetto moderato, ma non tirarsi dietro), 33 Piano Variations, op. 120: Variation 4 (Un poco più vivace), 33 Piano Variations, op. 120: Variation 5 (Allegro vivace), 33 Piano Variations, op. 120: Variation 6 (Allegro ma non troppo e serioso), 33 Piano Variations, op. 120: Variation 7 (Un poco più allegro), 33 Piano Variations, op. 120: Variation 8 (Poco vivace), 33 Piano Variations, op. 120: Variation 9 (Allegro pesante e risoluto), 6 Moments Musicaux, op. 16: No. 1 in B-flat minor. Andantino, 6 Moments Musicaux, op. 16: No. 2 in E-flat minor. Allegretto, 6 Moments Musicaux, op. 16: No. 3 in B minor. Andante cantabile, 6 Moments Musicaux, op. 16: No. 4 in E minor. Presto, 6 Moments Musicaux, op. 16: No. 5 in D-flat. Adagio sostenuto, 6 Moments Musicaux, op. 16: No. 6 in C. Maestoso, A Midsummer Night's Dream, op. 61: Scherzo (arr. by Rachmaninov), Arabeske in C, op. 18, Bagatelle for Piano in A minor, WoO 59 "Für Elise". Poco moto, Die schöne Müllerin, D. 795: Wohin? (transcribed by Rachmaninov), Etude-Tableau in A minor, op. 39 no. 2, Etude-Tableau in A minor, op. 39 no. 6, Etude-Tableau in B minor, op. 39 no. 4, Etude-Tableau in C minor, op. 39 no. 1, Etude-Tableau in C minor, op. 39 no. 7, Etude-Tableau in D minor, op. 39 no. 8, Etude-Tableau in D, op. 39 no. 9, Etude-Tableau in E-flat minor, op. 39 no. 5, Etude-Tableau in F-sharp minor, op. 39 no. 3, Fragments (1917), Gaspard de la nuit: I. Ondine, Gaspard de la nuit: II. Le Gibet, Gaspard de la nuit: III. Scarbo, How Beautiful It Is Here, op. 21 no. 7 (transcribed for piano), L'Arlésienne Suite no. 1: Menuet (transcribed by Rachmaninov), Les Saisons, Op 37a - June: Barcarolle, Lullaby, op. 16 no. 1 (transcribed by Rachmaninov), Morceaux de Fantasie, op. 3: No. 1. Elegie, Morceaux de Fantasie, op. 3: No. 2. Prelude in C-sharp minor, Morceaux de Fantasie, op. 3: No. 3. Melodie, Morceaux de Fantasie, op. 3: No. 4. Polichinelle, Morceaux de Fantasie, op. 3: No. 5. Serenade, Papillons, op. 2, Partita for Violin Solo no. 3 in E, BWV 1006 (arr. by Rachmaninov): 1. Preludio, Partita for Violin Solo no. 3 in E, BWV 1006 (arr. by Rachmaninov): 3. Gavotte, Partita for Violin Solo no. 3 in E, BWV 1006 (arr. by Rachmaninov): 6. Gigue, Pavane pour une infante défunte, M. 19, Piano Sonata no. 1 in F minor, op. 6: I. Allegro con fuoco, Piano Sonata no. 1 in F minor, op. 6: II. ♩ = 40 [Adagio], Piano Sonata no. 1 in F minor, op. 6: III. Presto, Piano Sonata no. 1 in F minor, op. 6: IV. Funèbre, Piano Sonata no. 2 in G minor, op. 22: 1. So rasch wie möglich - Schneller - Noch schneller, Piano Sonata no. 2 in G minor, op. 22: 2. Andantino, Piano Sonata no. 2 in G minor, op. 22: 3. Scherzo (Sehr rasch und markiert), Piano Sonata no. 2 in G minor, op. 22: 4. Rondo (Presto - Etwas langsamer - Prestissimo, quasi cadenza - Immer schneller und schneller), Piano Sonata no. 28 in A, op. 101: 1. Etwas lebhaft und mit der innigsten Empfindung (Allegretto ma non troppo), Piano Sonata no. 28 in A, op. 101: 2. Lebhaft, marschmäßig (Vivace alla marcia), Piano Sonata no. 28 in A, op. 101: 3. Langsam und sehnsuchtsvoll (Adagio ma non troppo, con affetto), Piano Sonata no. 6, op. 62, Piano Sonata no. 8, op. 66, Pictures at an Exhibition (piano): Promenade - Ballet of Unhatched Chicks - 2 Polish Jews, Pictures at an Exhibition (piano): Promenade - Gnomus, Pictures at an Exhibition (piano): Promenade - The Old Castle, Pictures at an Exhibition (piano): Promenade - The Tuileries - Bydlo, Pictures at an Exhibition (piano): The Hut on Fowls Legs - The Great Gate of Kiev, Pictures at an Exhibition (piano): The Market Place at Limoges - The Catacombs, Prelude & Fugue no. 1 in C major: Fugue, Prelude & Fugue no. 1 in C major: Prelude, Prelude & Fugue no. 10 in C-sharp minor: Fugue, Prelude & Fugue no. 10 in C-sharp minor: Prelude, Prelude & Fugue no. 11 in B major: Fugue, Prelude & Fugue no. 11 in B major: Prelude, Prelude & Fugue no. 12 in G-sharp minor: Fugue, Prelude & Fugue no. 12 in G-sharp minor: Prelude, Prelude & Fugue no. 13 in F-sharp major: Fugue, Prelude & Fugue no. 13 in F-sharp major: Prelude, Prelude & Fugue no. 14 in E-flat minor: Fugue, Prelude & Fugue no. 14 in E-flat minor: Prelude, Prelude & Fugue no. 15 in D-flat major: Fugue, Prelude & Fugue no. 15 in D-flat major: Prelude, Prelude & Fugue no. 16 in B-flat minor: Fugue, Prelude & Fugue no. 16 in B-flat minor: Prelude, Prelude & Fugue no. 17 in A-flat major: Fugue, Prelude & Fugue no. 17 in A-flat major: Prelude, Prelude & Fugue no. 18 in F minor: Fugue, Prelude & Fugue no. 18 in F minor: Prelude, Prelude & Fugue no. 19 in E-flat major: Fugue, Prelude & Fugue no. 19 in E-flat major: Prelude, Prelude & Fugue no. 2 in A minor: Fugue, Prelude & Fugue no. 2 in A minor: Prelude, Prelude & Fugue no. 20 in C minor: Fugue, Prelude & Fugue no. 20 in C minor: Prelude, Prelude & Fugue no. 21 in B-flat major: Fugue, Prelude & Fugue no. 21 in B-flat major: Prelude, Prelude & Fugue no. 22 in G minor: Fugue, Prelude & Fugue no. 22 in G minor: Prelude, Prelude & Fugue no. 23 in F major: Fugue, Prelude & Fugue no. 23 in F major: Prelude, Prelude & Fugue no. 24 in D minor: Fugue, Prelude & Fugue no. 24 in D minor: Prelude, Prelude & Fugue no. 3 in G major: Fugue, Prelude & Fugue no. 3 in G major: Prelude, Prelude & Fugue no. 4 in E minor: Fugue, Prelude & Fugue no. 4 in E minor: Prelude, Prelude & Fugue no. 5 in D major: Fugue, Prelude & Fugue no. 5 in D major: Prelude, Prelude & Fugue no. 6 in B minor: Fugue, Prelude & Fugue no. 6 in B minor: Prelude, Prelude & Fugue no. 7 in A major: Fugue, Prelude & Fugue no. 7 in A major: Prelude, Prelude & Fugue no. 8 in F sharp minor: Fugue, Prelude & Fugue no. 8 in F sharp minor: Prelude, Prelude & Fugue no. 9 in E major: Fugue, Prelude & Fugue no. 9 in E major: Prelude, Prelude in D minor, op. Posth. (1917), Symphonic Studies, op. 13: Etude I, Symphonic Studies, op. 13: Etude II, Symphonic Studies, op. 13: Etude III, Symphonic Studies, op. 13: Etude IV, Symphonic Studies, op. 13: Etude IX, Symphonic Studies, op. 13: Etude V, Symphonic Studies, op. 13: Etude VI, Symphonic Studies, op. 13: Etude VII, Symphonic Studies, op. 13: Etude VIII, Symphonic Studies, op. 13: Etude X, Symphonic Studies, op. 13: Etude XI, Symphonic Studies, op. 13: Etude XII (Finale), Symphonic Studies, op. 13: Theme, Symphonic Studies, op. 13: Variation I, Symphonic Studies, op. 13: Variation II, Symphonic Studies, op. 13: Variation III, Symphonic Studies, op. 13: Variation IV, Symphonic Studies, op. 13: Variation V, The Star-Spangled Banner (transcribed by Rachmaninov), Valses nobles et sentimentales: 1. Modéré - très franc, Valses nobles et sentimentales: 2. Assez lent - avec une expression intense, Valses nobles et sentimentales: 3. Modéré, Valses nobles et sentimentales: 4. Assez animé, Valses nobles et sentimentales: 5. Presque lent - dans un sentiment intime, Valses nobles et sentimentales: 6. Assez vif, Valses nobles et sentimentales: 7. Moins vif, Valses nobles et sentimentales: 8. Epilogue (Lent), Vocalise, op. 34 no. 14 (arr. Zoltán Kocsis), Из цикла "18 фортепианных пьес", Op. 72: Размышление |
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Aladdin Suite, op. 34: II. Aladdin’s Dream and Dance of the Morning Mist, Aladdin Suite, op. 34: III. Hindu Dance, Aladdin Suite, op. 34: IV. Chinese Dance, Aladdin Suite, op. 34: V. The Marketplace at Ispahan, Aladdin Suite, op. 34: VI. The Prisoners’ Dance, Aladdin Suite, op. 34: VII. Negro Dance, Altrhapsodie, op. 53, Begräbnisgesang, op. 13, Carmina Burana: Blanziflor et Helena: Ave, formosissima, Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera, Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna, Carmina Burana: I. Primo vere: Ecce Gratum, Carmina Burana: I. Primo vere: Omnia Sol temperat, Carmina Burana: I. Primo vere: Veris leta facies, Carmina Burana: II. In Taberna: Ego sum abbas, Carmina Burana: II. In Taberna: Estuans interius, Carmina Burana: II. In Taberna: In taberna quando sumus, Carmina Burana: II. In Taberna: Olim lacus colueram, Carmina Burana: III. Cour d'amours: Amor volat undique, Carmina Burana: III. Cour d'amours: Circa mea pectora, Carmina Burana: III. Cour d'amours: Dies, nox et omnia, Carmina Burana: III. Cour d'amours: Dulcissime, Carmina Burana: III. Cour d'amours: In trutina, Carmina Burana: III. Cour d'amours: Si puer cum puellula, Carmina Burana: III. Cour d'amours: Stetit puella, Carmina Burana: III. Cour d'amours: Tempus est iocundum, Carmina Burana: III. Cour d'amours: Veni, veni, venias, Carmina Burana: Uf dem Anger: Reie: Swaz hie gat umbe / Chume, chum, geselle min / Swaz hie gat umbe, Carmina Burana: Uf dem anger: Chramer, gip die varwe mir, Carmina Burana: Uf dem anger: Floret silva nobilis, Carmina Burana: Uf dem anger: Tanz, Carmina Burana: Uf dem anger: Were diu werlt alle min, Concerto for Orchestra, B 123: I. Introduzione, Concerto for Orchestra, B 123: II. Giuoco delle coppie, Concerto for Orchestra, B 123: III. Elegia, Concerto for Orchestra, B 123: IV. Intermezzo interrotto, Concerto for Orchestra, B 123: V. Finale, Don Juan, op. 20, Eine Alpensinfonie, op. 64: Am Wasserfall, Eine Alpensinfonie, op. 64: Auf blumigen Wiesen, Eine Alpensinfonie, op. 64: Auf dem Gletscher, Eine Alpensinfonie, op. 64: Auf der Alm, Eine Alpensinfonie, op. 64: Ausklang, Eine Alpensinfonie, op. 64: Der Anstieg, Eine Alpensinfonie, op. 64: Die Sonne verdüstert sich allmählich, Eine Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen, Eine Alpensinfonie, op. 64: Eintritt in den Wald - Wanderung neben dem Bach, Eine Alpensinfonie, op. 64: Elegie, Eine Alpensinfonie, op. 64: Erscheinung, Eine Alpensinfonie, op. 64: Gefahrvolle Augenblicke - Auf dem Gipfel, Eine Alpensinfonie, op. 64: Gewitter und Sturm, Abstieg, Eine Alpensinfonie, op. 64: Nacht, Eine Alpensinfonie, op. 64: Nebel steigen auf, Eine Alpensinfonie, op. 64: Sonnenaufgang, Eine Alpensinfonie, op. 64: Sonnenuntergang, Eine Alpensinfonie, op. 64: Stille vor dem Sturm, Eine Alpensinfonie, op. 64: Vision, Gesang der Parzen, op. 89, Konzertmusik für Streichorchester und Blechbläser: I. Mäβig schnell, mit Kraft - Sehr breit, aber stets flieβend, Konzertmusik für Streichorchester und Blechbläser: II. Lebhaft - Langsam - Im ersten Zeitmaβ, Kossuth, BB 31: I. Kossuth, Kossuth, BB 31: II. Mi bú nehezül lelkedre, édes férjem?, Kossuth, BB 31: III. Veszélyben a haza!, Kossuth, BB 31: IV. Hajdan jobb időket éltünk..., Kossuth, BB 31: IX. Mindennek vége!, Kossuth, BB 31: V. Majd rosszra fordult sorsunk..., Kossuth, BB 31: VI. Harcra fel!, Kossuth, BB 31: VII. Jöjjetek, jäjjetek! szép magyar vitézek, szép magyar leventék!, Kossuth, BB 31: VIII. ..., Kossuth, BB 31: X. Csöndes minden, csöndes..., Maskarade: Overture, Nänie, op. 82, Overture in C major, D 591 “In the Italian style”, Peer Gynt, op. 23: Act 1 - Prelude, Peer Gynt, op. 23: no. 10. Peer Gynt Hunted by the Trolls. no. 11. The Boyg, Peer Gynt, op. 23: no. 12. The Death of Ase, Peer Gynt, op. 23: no. 13. Morning Mood, Peer Gynt, op. 23: no. 14. The Thief and the Receiver, Peer Gynt, op. 23: no. 15. Arabian Dance, Peer Gynt, op. 23: no. 16. Anitra’s Dance, Peer Gynt, op. 23: no. 17. Peer Gynt’s Serenade, Peer Gynt, op. 23: no. 19. Solveig’s Song, Peer Gynt, op. 23: no. 21. Peer Gynt’s Homecoming. Stormy Evening on the Sea, Peer Gynt, op. 23: no. 22. The Shipwreck, Peer Gynt, op. 23: no. 23. Solveig Sings in the Hut, Peer Gynt, op. 23: no. 24. Night Scene, Peer Gynt, op. 23: no. 25. Whitsun Hymn: “O Blessed Morning”, Peer Gynt, op. 23: no. 26. Solveig’s Cradle Song, Peer Gynt, op. 23: no. 4. Ingrid’s Lament, Peer Gynt, op. 23: no. 5. Peer Gynt and the Herd Girls, Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King, Peer Gynt, op. 23: no. 9. Dance of the Mountain King’s Daughter, Schicksalslied, op. 54, Symphonic Metamorphosis of Themes by Carl Maria von Weber: I. Allegro, Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Turandot, Scherzo: Moderato, Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino, Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch, Symphonie "Mathis Der Maler": I. Engelskonzert, Symphonie "Mathis Der Maler": II. Grablegung, Symphonie "Mathis Der Maler": III. Versuchung des heiligen Antonius, Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Finale: Adagio - Allegro molto e vivace, Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico, Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento), Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro, Symphony no. 1 in E minor, op. 39: IV. Finale (quasi una fantasia), Symphony no. 1 in G minor, op. 7: I. Allegro orgoglioso, Symphony no. 1 in G minor, op. 7: II. Andante, Symphony no. 1 in G minor, op. 7: III. Allegro comodo, Symphony no. 1 in G minor, op. 7: IV. Finale, Symphony no. 1 “Sinfonie Sérieuse”: I. Allegro con energia, Symphony no. 1 “Sinfonie Sérieuse”: II. Adagio maestoso, Symphony no. 1 “Sinfonie Sérieuse”: III. Stretto -, Symphony no. 1 “Sinfonie Sérieuse”: IV. Finale: Adagio - allegro molto, Symphony no. 2 “The Four Temperaments”, op 16: III. Andante melincolico, Symphony no. 2 “The Four Temperaments”, op. 16: I. Allegro collerico, Symphony no. 2 “The Four Temperaments”, op. 16: II. Allegro comodo e flemmatico, Symphony no. 2 “The Four Temperaments”, op. 16: IV. Allegro sanguineo, Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato, Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio, Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto, Symphony no. 3 “Sinfonia espansiva”, op. 27: I. Allegro espansivo, Symphony no. 3 “Sinfonia espansiva”, op. 27: III. Allegretto un poco, Symphony no. 3 “Sinfonia espansiva”, op. 27: IV. Finale. Allegro, Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace, Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto, Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato, Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello. Presto, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): I. Bewegt doch nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): II. Andante quasi allegretto, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): III. Scherzo: Bewegt - Trio: Nicht zu schnell, Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 4 “The Inextinguishable”: I. Allegro, Symphony no. 4 “The Inextinguishable”: II. Poco allegretto, Symphony no. 4 “The Inextinguishable”: III. Poco adagio quasi andante, Symphony no. 4 “The Inextinguishable”: IV. Con anima – Allegro, Symphony no. 4: I. Allegro risoluto, Symphony no. 4: II. Adagio -, Symphony no. 4: III. Scherzo: Allegro molto, Symphony no. 4: IV. Finale: Allegro vivace, Symphony no. 5: IIa. Allegro, Symphony no. 5: IIb. Presto, Symphony no. 5: IIc. Andante un poco tranquillo, Symphony no. 5: IId. Allegro, Symphony no. 5: Ia. Tempo giusto, Symphony no. 5: Ib. Adagio non troppo, Symphony no. 6 "Sinfonia semplice", FS 116: I. Tempo giusto, Symphony no. 6 "Sinfonia semplice", FS 116: II. Humoreske: Allegretto, Symphony no. 6 "Sinfonia semplice", FS 116: III. Proposta seria: Adagio, Symphony no. 6 "Sinfonia semplice", FS 116: IV. Tema con variazioni: Allegro, Symphony no. 7 in C major, op. 105, Symphony no. 9 in C major, D 944 “Great”: I. Andante - Allegro ma non troppo, Symphony no. 9 in C major, D 944 “Great”: II. Andante con moto, Symphony no. 9 in C major, D 944 “Great”: III. Scherzo: Allegro vivace, Symphony no. 9 in C major, D 944 “Great”: IV. Finale: Allegro vivace, Tapiola, op. 112 |
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Apollon musagète: Apothéose, Apollon musagète: Coda: Apollon et les Muses, Apollon musagète: Naissance d’Apollon, Apollon musagète: Pas de deux: Apollon et Terpsichore, Apollon musagète: Pas d’action: Apollon et les trois Muses, Clliope, Polyhymnie et Terpsichore, Apollon musagète: Variation de Calliope (l’Alexandrin), Apollon musagète: Variation de Polymnie, Apollon musagète: Variation de Terpsichore, Apollon musagète: Variation d’Aplollon: Apollon et les Muses, Apollon musagète: Variation d’Apollon, Jeu de cartes: Deuxième donne: Musique d’introduction (alla breve), Marche, Variation des quatre reines, Variation du valet de cœur, Coda (più mosso), Reprise de la marche et danse d’ensemble, Jeu de cartes: Première donne: Musique d’introduction, Pas d’action, Danse du joker, Petite valse, Jeu de cartes: Troisiéme donne: Musique d’introduction (alle breve), Valse, Presto (Combat des piques et des cœurs), Danse finale (Triomphe des cœurs), Khamma, L’Oiseau de feu (Suite): Berceuse: L’Oiseau de feu, L’Oiseau de feu (Suite): Danse des princesses, L’Oiseau de feu (Suite): Danse infernal du roi Kachtchei, L’Oiseau de feu (Suite): Finale, L’Oiseau de feu (Suite): Introduction, L’Oiseau de feu (Suite): L’Oiseau de feu et sa danse, L’Oiseau de feu (Suite): Pantomime I, L’Oiseau de feu (Suite): Pantomime II, L’Oiseau de feu (Suite): Pantomime III, L’Oiseau de feu (Suite): Pas de deux: L’Oiseau de feu et Ivan Tsarévitch, L’Oiseau de feu (Suite): Tone des princesses (Khorovod), Petrouchka: Apparition des maques, Petrouchka: Apparition du double de Petrouchka, Petrouchka: Chez Petrouchka, Petrouchka: Chez le Maure, Petrouchka: Danse des cochers, Petrouchka: Danse des nourrices, Petrouchka: Danse russe, Petrouchka: Fête populaire de la Semaine grasse, Petrouchka: Fête populaire de la Semaine grasse (vers le soir), Petrouchka: La police et le charlatan, Petrouchka: La rixe: le Maure et Petrouchka, Petrouchka: Le montreur d’ours avec sa bête, Petrouchka: Mort de Petrouchka, Petrouchka: Un marchand fêtard avec deux tziganes, Petrouchka: Valse, Symphony No. 2: I. Ziemlich schnell, Symphony No. 2: II. Adagio: Feierlich, etwas bewegt, Symphony No. 2: III. Scherzo: Schnell - Trio, Symphony No. 2: IV. Finale: Mehr schnell, Symphony No. 5 in B-flat major: I. Adagio - Allegro, Symphony No. 5 in B-flat major: II. Adagio: Sehr langsam, Symphony No. 5 in B-flat major: III. Scherzo: Molto vivace - Trio, Symphony No. 5 in B-flat major: IV. Finale: Adagio - Allegro moderato, Symphony No. 6 in A major: I. Maestoso, Symphony No. 6 in A major: II. Adagio: Sehr feierlich, Symphony No. 6 in A major: III. Scherzo: Nicht schnell - Trio: Langsam, Symphony No. 6 in A major: IV. Finale: Bewegt, doch nicht zu schnell, Symphony No. 8 in C minor: I. Allegro moderato, Symphony No. 8 in C minor: II. Scherzo: Allegro moderato, Symphony No. 8 in C minor: III. Adagio - feierlich langsam; doch nicht schleppend, Symphony No. 8 in C minor: IV. Finale: Feierlich, nicht schnell, Symphony No. 9 in D minor: I. Feierlich, misterioso, Symphony No. 9 in D minor: II. Scherzo: Bewegt, lebhaft - Trio: Schnell, Symphony No. 9 in D minor: III. Adagio: Langsam, feierlich, Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb |
川村ケン |
producer |
Amériques (original version), Arcana, Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo - Allegro vivace, Concerto for Orchestra, Sz. 116: II. Giuoco della coppie. Allegretto scherzando, Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo, Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto, Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: I. Allegretto, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: II. Lento, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: III. Moderato, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: IV. Allegro con brio, Suite for Jazz Orchestra no. 1, op. 38: I. Waltz. Moderato, Suite for Jazz Orchestra no. 1, op. 38: II. Polka. Allegretto, Suite for Jazz Orchestra no. 1, op. 38: III. Foxtrot (Blues). Moderato, Suite for Variety Orchestra: I. March. Giocoso. Alla marcia, Suite for Variety Orchestra: II. Dance 1. Presto, Suite for Variety Orchestra: III. Dance 2. Allegretto scherzando, Suite for Variety Orchestra: IV. Little Polka. Allegretto, Suite for Variety Orchestra: V. Lyric Waltz. Allegretto, Suite for Variety Orchestra: VI. Waltz 1. Sostenuto, Suite for Variety Orchestra: VII. Waltz 2. Allegretto poco moderato, Suite for Variety Orchestra: VIII. Finale. Allegro moderato, Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm... Es sungen drei Engel", Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo, Symphony no. 6 in A minor: II. Scherzo: Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 6 in A minor: IV. Finale: Allegro moderato, Symphony no. 9 in D major: I. Andante comodo, Symphony no. 9 in D major: III. Rondo - Burleske. Allegro assai. Sehr trotzig, Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend, Tahiti Trot (Tea for Two), Op. 16, The Miraculous Mandarin, BB 82, Sz. 73, op. 19: "We must kill him"... (Maestoso), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 1st Decoy game (Moderato), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 2nd Decoy game, The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 3rd Decoy game (Sostenuto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At her insistence... (Più mosso), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At last she overcomes her reluctance... (Meno vivo), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At last the three tramps... (Allegro molto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: General consternation... (Non troppo vivo), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Horrified, they see a weird figure... (Agitato), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Introduction: A bustling city street (Allegro), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: She flees from him... (Sempre vivace), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Suddenly he draws himself up... (Lento), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin catches the girl... (Sempre vivace), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin enters... (Maestoso), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin's longing... (Lento), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The body of the Mandarin begins to glow (Moderato), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The curtain rises..., The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The girl sinks down... (Allegro), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The shabby old rake enters... (Con moto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The shy young man... (Sostenuto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The tramps leap out... (Sempre vivo), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: They drag the resisting Mandarin... (Grave), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: They think he is dead... (Adagio), Tuning Up |
Giuseppe Verdi |
producer |
Aida: Act I, Scene I. "Alta cagion v'aduna" (Il Re), Aida: Act I, Scene I. "Quale insolita gioia" (Amneris), Aida: Act I, Scene I. "Ritorna vincitor! (Aida), Aida: Act I, Scene I. "Sì: corre voce che l'Etiope ardisca" (Ramfis), Aida: Act I, Scene II. "Mortal, diletto ai Numi" (Ramfis), Aida: Act I, Scene II. "Possente, possente Fthà" (Sacerdotessa), Aida: Act I. Preludio, Aida: Act II, Scene I: "Chi mai fra gl' inni e i plausi" (Schiave), Aida: Act II, Scene I: "Fu la sorte dell'armi a' tuoi funesta" (Amneris), Aida: Act II, Scene I: "Su! del Nilo al sacro lido" (Coro), Aida: Act II, Scene II: "Che veggo!...Egli?...Mio padre!" (Aida), Aida: Act II, Scene II: "Gloria all'Egitto, ad Iside" (Il Re, Popolo), Aida: Act II, Scene II: "Gloria all'Egitto, ad Iside" (Popolo), Aida: Act II, Scene II: "Ma tu, Re, tu signore possente" (Amonasro), Aida: Act II, Scene II: "O Re: pei sacri Numi" (Radamès), Aida: Act II, Scene II: "Quest'assisa ch'io vesto vi dica" (Amonasro), Aida: Act II, Scene II: "Salvator della patria, io ti saluto" (Il Re), Aida: Act II, Scene II: "Vieni, o guerriero vindice" (Popolo), Aida: Act II, Scene II: Marcia, Aida: Act III. "Ciel! mio padre!" (Aida), Aida: Act III. "Fuggiam gli ardori inospiti" (Aida), Aida: Act III. "O tu che sei d'Osiride" (Sacerdotesse, Sacerdoti), Aida: Act III. "Qui Radamès verrà!...Che vorrà dirmi?" (Aida), Aida: Act III. "Tu...Amonasro!...tu!...il Re?" (Radamès), Aida: Act IV, Scene I. "Già i Sacerdoti adunansi" (Amneris), Aida: Act IV, Scene I. "L'aborrita rivale a me sfuggia..." (Amneris), Aida: Act IV, Scene I. "Ohimè!...morir mi sento! Oh! chi lo salva?" (Amneris), Aida: Act IV, Scene I. "Radamès! Radamès! Radamès!" (Ramfis), Ernani: Atto II. "Cugino, a che munito" (Carlo, Silva), Ernani: Atto II. "D'Ernani i fidi chiedono" (Jago Silva, Ernani, Coro) / "In arcion, in arcion cavalieri" (Silva, Ernani, Coro), Ernani: Atto II. "Fu esplorata el castello" (Coro, Carlo, Elvira, Silva), Ernani: Atto II. "Lo vedremo, veglio audace" (Carlo, Silva), Ernani: Atto II. "Vieni meco, sol di rose" (Carlo, Elvira, Giovanna, Riccardo, Silva, Coro), Ernani: Atto II. "Vigili pure i ciel sempre su te" / "Esci..a te.. scegli, seguimi" (Silva, Ernani), Ernani: Atto III. "Ad augusta! Chi va là?" (Coro, Silva, Ernani, Jago), Ernani: Atto III. "Gran Dio! Costor sui sepolcrali marmi" (Carlo), Ernani: Atto III. "Io son conte, duca sono" (Ernani, Carlo, Elvira), Ernani: Atto III. "O sommo Carlo, più del tuo nome" (Carlo, Silva, Elvira, Ernani, Giovanna, Jago, Riccardo, Coro), Ernani: Atto III. "Oh, de' verd'anni miei" (Carlo), Ernani: Atto III. "Qual rumore!! Che sarà" (Coro, Carlo, Riccardo, Ernani), Ernani: Atto III. "Si redeste il Leon di Castiglia" (Ernani, Jago, Silva, Coro), Ernani: Atto III. "È questo il loco?" (Carlo, Riccardo), Ernani: Atto IV. "Cessaro i suoni, dispari ogni face" (Ernani, Elvira, Silva), Ernani: Atto IV. "Ecco il pegno" (Silva, Ernani), Ernani: Atto IV. "Ferma, crudele, estinguere" (Elvira, Silva, Ernani), Ernani: Atto IV. "Oh, come felici gioiscon gli sposi!" (Coro) |
The Deep North |
producer |
En saga, op. 9, Finlandia, Karelia, op. 11: I. Intermezzo, Karelia, op. 11: II. Ballade, Karelia, op. 11: III. Alla marcia, Pictures at an Exhibition (orch. Ashkenazy): Promenade - Ballet of the Unhatched Chicks - 2 Polish Jews, Pictures at an Exhibition (orch. Ashkenazy): Promenade - Gnomus, Pictures at an Exhibition (orch. Ashkenazy): Promenade - The Market Place at Limoges, Pictures at an Exhibition (orch. Ashkenazy): Promenade - The Old Castle, Pictures at an Exhibition (orch. Ashkenazy): Promenade - Tuileries - Bydlo, Pictures at an Exhibition (orch. Ashkenazy): The Hut on Fowls Legs - The Great Gate of Kiev, Symphony no. 1 in E minor, op. 39: I. Andante, ma non troppo - Allegro energico, Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento), Symphony no. 1 in E minor, op. 39: III. Scherzo (Allegro), Symphony no. 1 in E minor, op. 39: IV. Finale (quasi una fantasia), Symphony no. 3 in C major, op. 52: I. Allegro moderato, Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto, Symphony no. 3 in C major, op. 52: III. Moderato - Allegro (ma non tanto), Symphony no. 5 in C minor, op. 67: 1. Allegro con brio, Symphony no. 5 in C minor, op. 67: 2. Andante con moto, Symphony no. 5 in C minor, op. 67: 3. Allegro, Symphony no. 5 in C minor, op. 67: 4. Allegro, Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato, Symphony no. 6 in D minor, op. 104: II. Allegretto moderato, Symphony no. 6 in D minor, op. 104: III. Poco vivace, Symphony no. 6 in D minor, op. 104: IV. Allegro molto, Symphony no. 7 in A, op. 92: 1. Poco sostenuto - Vivace, Symphony no. 7 in A, op. 92: 2. Allegretto, Symphony no. 7 in A, op. 92: 3. Presto - Assai meno presto, Symphony no. 7 in A, op. 92: 4. Allegro con brio, Tapiola, op. 112, The Flight of the Bumlebee, The Tale of Tsar Saltan Suite, op. 57: I. The Tsar's Departure and Farewell, The Tale of Tsar Saltan Suite, op. 57: II. The Tsarina in a Barrel At Sea, The Tale of Tsar Saltan Suite, op. 57: III. The Three Wonders |
IAmFire |
producer |
Also sprach Zarathustra, op. 30: Das Grablied, Also sprach Zarathustra, op. 30: Das Nachtwandlerlied, Also sprach Zarathustra, op. 30: Das Tanzlied - Das Nachtlied, Also sprach Zarathustra, op. 30: Der Genesende, Also sprach Zarathustra, op. 30: Prelude (Sonnenaufgang), Also sprach Zarathustra, op. 30: Von den Freuden und Leidenschaften, Also sprach Zarathustra, op. 30: Von den Hinterweltlern, Also sprach Zarathustra, op. 30: Von der Wissenschaft, Also sprach Zarathustra, op. 30: Von der großen Sehnsucht, Eine Alpensinfonie, Op. 64: Am Wasserfall / By the waterfall, Eine Alpensinfonie, Op. 64: Auf blumige Wiesen / Flowery meadows, Eine Alpensinfonie, Op. 64: Auf dem Gletscher / On the glacier, Eine Alpensinfonie, Op. 64: Auf der Alm / In the mountain pasture, Eine Alpensinfonie, Op. 64: Ausklang / Epilogue, Eine Alpensinfonie, Op. 64: Der Anstieg / The ascent, Eine Alpensinfonie, Op. 64: Die Sonne verdüstert sich allmählich / The sun gradually dims, Eine Alpensinfonie, Op. 64: Durch Dickicht und Gestrüpp auf Irrwergen / On the wrong track through thickets and undergrowth, Eine Alpensinfonie, Op. 64: Eintritt in den Wald - Wanderung neben dem Bache / Entering the forest - Wandering by the brook, Eine Alpensinfonie, Op. 64: Elegie / Elegy, Eine Alpensinfonie, Op. 64: Erscheinung / Apparition, Eine Alpensinfonie, Op. 64: Gefahrvolle Augenblicke - Auf dem Gipfel / Precarious moments - On the summit, Eine Alpensinfonie, Op. 64: Gewitter und Sturm, Abstieg / Thunderstorm, Descent, Eine Alpensinfonie, Op. 64: Nacht / Night, Eine Alpensinfonie, Op. 64: Nebel steigen auf / Rising mists, Eine Alpensinfonie, Op. 64: Sonnenaufgang / Sunrise, Eine Alpensinfonie, Op. 64: Sonnenuntergang / Sunset, Eine Alpensinfonie, Op. 64: Stille vor dem Sturm / Calm before the storm, Eine Alpensinfonie, Op. 64: Vision, Salome, op. 54: Scene 4. Salome's Dance of the Seven Veils, Till Eulenspiegels lustige Streiche, Op. 28 |
Ruggero Leoncavallo |
producer |
Pagliacci: "Si può? Si può?", Pagliacci: Arlecchin!- Colombina!, Pagliacci: Cammina adagio e li sorprenderai, Pagliacci: Decidi il mio destin, Pagliacci: Di fare il segno convenuto appressa l'istante, Pagliacci: E allor perché, di', Pagliacci: Intermezzo, Pagliacci: Introduzione, Pagliacci: Nedda! Silvio, a quest'ora, che imprudenza..., Pagliacci: No, pagliaccio non son, Pagliacci: Noin mi tentar!, Pagliacci: Ohè! ... Ohè! Presto, affrettiamoci, Pagliacci: Pagliaccio mio marito, Pagliacci: Qual fiamma ayea nel guardo! ... Stridono lassù, Pagliacci: Recitar! ... Vesti la giubba, Pagliacci: Sei là! Credea che te ne fossi andato, Pagliacci: Son quai Ritornano..., Pagliacci: Un grande spettacolo a ventitré ore, Pagliacci: Un tal gioco, credeterni, Pagliacci: Versa il filtro ne la tazza sua, Pagliacci: | zampognani! ... Don, din, don |
Vincenzo Ficili |
producer |
Caprice bohémien, op. 12, Cockaigne "In London Town", op. 40, Symphony no. 1 in G minor "Winter Dreams, op. 13: I. Allegro tranquillo, Symphony no. 1 in G minor "Winter Dreams, op. 13: II. Adagio cantabile ma non tanto, Symphony no. 1 in G minor "Winter Dreams, op. 13: III. Scherzo (Allegro scherzando giocoso), Symphony no. 1 in G minor "Winter Dreams, op. 13: IV. Finale (Andante lugubre - Allegro moderato - Allegro maestoso - Allegro vivo), Symphony no. 2 in C minor "Little Russian", op. 17: I. Andante sostenuto - Allegro vivo, Symphony no. 2 in C minor "Little Russian", op. 17: II. Andantino marziale, quasi moderato, Symphony no. 2 in C minor "Little Russian", op. 17: III. Scherzo (Allegro molto vivace) & Trio, Symphony no. 2 in C minor "Little Russian", op. 17: IV. Finale (Moderato assai - Allegro vivo - Presto), Symphony no. 3 in A major, op. 44: I. Lento - Allegro Moderato - Allegro, Symphony no. 3 in A major, op. 44: II. Adagio ma non troppo - Allegro vivace, Symphony no. 3 in A major, op. 44: III. Allegro - Allegro vivace - Allegro (Tempo primo) - Allegretto - Allegro vivace, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza, Symphony no. 5 in E minor, op. 64: III. Valse (Allegro moderato), Symphony no. 5 in E minor, op. 64: IV. Finale (Andante maestoso - Allegro vivace), Vocalise, op. 34 no. 14 |
Katharina Groll |
producer |
Symphony no. 1 in B-flat major, op. 38 "Spring": I. Andante un poco maestoso – Allegro molto vivace, Symphony no. 1 in B-flat major, op. 38 "Spring": II. Larghetto, Symphony no. 1 in B-flat major, op. 38 "Spring": III. Scherzo: Molto vivace – Trio I: Molto piu vivace – Trio II, Symphony no. 1 in B-flat major, op. 38 "Spring": IV. Allegro animato e grazioso, Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Allegro, ma non troppo, Symphony no. 2 in C major, op. 61: II. Scherzo: Allegro vivace, Symphony no. 2 in C major, op. 61: III. Adagio espressivo, Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace, Symphony no. 3 in E-flat major, op. 97 "Rhenish": I. Lebhaft, Symphony no. 3 in E-flat major, op. 97 "Rhenish": II. Scherzo: Sehr mäßig, Symphony no. 3 in E-flat major, op. 97 "Rhenish": III. Nicht schnell, Symphony no. 3 in E-flat major, op. 97 "Rhenish": IV. Feierlich, Symphony no. 3 in E-flat major, op. 97 "Rhenish": V. Lebhaft-Schneller, Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft, Symphony no. 4 in D minor, op. 120: II. Romanze: Ziemlich langsam, Symphony no. 4 in D minor, op. 120: III. Scherzo: Lebhaft & Trio, Symphony no. 4 in D minor, op. 120: IV. Langsam-Lebhaft-Schneler-Presto |
David Tamura |
producer |
An der schönen blauen Donau, op. 314, Auf der Jagd, op. 373, Bei uns z'Haus - waltz, op. 361, Bitte schön! - polka française, after motifs from 'Cagliostro in Wien, op. 372, Die Emancipierte - polka-mazur, op. 282, Die schöne Galathee - operetta in 1 Act (1865): Overture, Hereinspaziert, op. 518, Leichtes Blut, polka schnell, op. 319, Loreley-Rhein-Klänge, op. 154, Moulinet - polka française, op. 57, Ohne Bremse - Polka schnell, op. 238, Pizzicato Polka (1870), Radetzky-Marsch, op. 228, Rudolfsheimer - polka schnell, op. 152, Tik-Tak - Polka schnell, op. 365, Wein, Weib und Gesang, op. 333 |
Taiwan |
producer |
A Night on the Bare Mountain, Khovanshchina: Prelude, Pictures at an Exhibition: Ballet of the Chickens in Their Shells, Pictures at an Exhibition: Bydlo / Promenade, Pictures at an Exhibition: Catacombae / Cum Mortuis in Lingua Mortua, Pictures at an Exhibition: Promenade / The Gnome, Pictures at an Exhibition: Promenade / The Old Castle, Pictures at an Exhibition: Promenade / Tuileries, Pictures at an Exhibition: Samuel Goldenberg and Schmuyle, Pictures at an Exhibition: The Great Gate of Kiev, Pictures at an Exhibition: The Hut on Fowl's Legs (Baba-Yaga), Pictures at an Exhibition: The Market-Place at Limoges, Russian Easter Festival Overture, op. 36 |
Cecilia Bartoli |
producer |
Alfin son sola...Sola e mesta (La cifra (Eurilla)), Dopo pranzo addormentata (Il ricco d'un giorno (Lauretta)), E non degg'io seguirla...Lungi da te...Forse, chi sa? veranno...Vieni a me sull'ali d'oro (Armida (Rinaldo)), E voi da buon marito...Non vo' già che vi suonino (La cifra (Lisotta)), Eccomi piú che mai...Amor, pietoso Amore (Il ricco d'un giorno (Emilia)), La Ra la (La grotta di Trofonio (Ofelia)), Lungi da me sen vada...Contro un'alma sventurata (Palmira, regina di Persia (Palmira)), No, non vacillerá...Sulle mie tempie (La secchia rapita (Gheranda)), Or ei con Ernestina...Ah sia già (La scuola de' gelosi (La Contessa)), Se lo dovessi vendere (La finta scema (Ninetta)), Son qual lacera tartana (La secchia rapita (Renoppia)), Vi sono sposa e amante (La fiera di Venezia (Calloandra)), Voi lusingate invano...Misera abbandonata (Palmira, regina di Persia (Palmira)) |
Garci Sánchez de Badajoz |
producer |
Sni (Dreams), op. 6, Symphonic Dances, op. 45: I. Non allegro, Symphony no. 1 in D minor, op. 13: 1. Grave - Allegro ma non troppo, Symphony no. 1 in D minor, op. 13: 2. Allegro animato, Symphony no. 1 in D minor, op. 13: 3. Larghetto, Symphony no. 1 in D minor, op. 13: IV. Allegro con fuoco, Symphony no. 2, op. 27: I. Largo - Allegro moderato, Symphony no. 2, op. 27: II. Allegro molto, Symphony no. 2, op. 27: III. Adagio, Symphony no. 2, op. 27: IV. Allegro vivace, The Isle of the Dead, op. 29, Youth Symphony (1891) |
V.I. Povici |
producer |
Symphony no. 1 in F minor, op. 10: I. Allegretto - Allegro non troppo, Symphony no. 1 in F minor, op. 10: II. Allegro, Symphony no. 1 in F minor, op. 10: III. Lento, Symphony no. 1 in F minor, op. 10: IV. Allegro molto - Lento - Allegro molto, Symphony no. 3 in E-flat major, op. 20 "The First of May": I. Allegretto - Allegro, Symphony no. 3 in E-flat major, op. 20 "The First of May": II. Andante, Symphony no. 3 in E-flat major, op. 20 "The First of May": III. Allegro - Largo, Symphony no. 9 in E‐flat major, op. 70: I. Allegro, Symphony no. 9 in E‐flat major, op. 70: II. Moderato, Symphony no. 9 in E‐flat major, op. 70: III. Presto, Symphony no. 9 in E‐flat major, op. 70: IV. Largo, Symphony no. 9 in E‐flat major, op. 70: V. Allegretto – Allegro |
The Exhibitionist |
producer |
Don Quixote, op. 35: 1. Introduktion (Mäßiges Zeitmaß), Don Quixote, op. 35: 10. Variation 7 (Ein wenig ruhiger als vorher), Don Quixote, op. 35: 11. Variation 8, Don Quixote, op. 35: 12. Variation 9 (Schnell und stürmisch), Don Quixote, op. 35: 13. Variation 10 (Viel breiter), Don Quixote, op. 35: 14. Finale (Sehr ruhig), Don Quixote, op. 35: 4. Variation 1 (Gemächlich), Don Quixote, op. 35: 5. Variation 2 (Kriegerisch), Don Quixote, op. 35: 6. Variation 3 (Mäßiges Zeitmaß), Don Quixote, op. 35: 7. Variation 4 (Etwas breiter), Don Quixote, op. 35: 8. Variation 5 (Sehr langsam), Don Quixote, op. 35: 9. Variation 6 (Schnell) |
Michael Pröll |
producer |
Don Sebastiano: "Deserto in terra", I Lombardi: "La mia letizia infondere vorrei", Il Duca d'Alba: "Inosservato, penetrava in questo sacro recesso" ... "Angelo casto e bel", L'elisir d'amore: "Una furtiva lagrima", La Belle Hélène: Le Jugement de Paris "Au mont Ida", La favorita: "Favorita del re!" ... "Spirto gentil", Maristella: "Io conosco un giardino", Roméo et Juliette: "L'amour, l'amour" ... "Ah! lève toi, soleil!", Si j'étais roi: "Elle est princesse!", Werther: "Pourquoi me réveiller" |
Cedar |
producer |
Symphony no. 5 in D minor, op. 47: I. Moderato, Symphony no. 5 in D minor, op. 47: II. Allegretto, Symphony no. 5 in D minor, op. 47: III. Largo, Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo, Symphony no. 9 in E-flat major, op. 70: I. Allegro, Symphony no. 9 in E-flat major, op. 70: II. Moderato, Symphony no. 9 in E-flat major, op. 70: III. Presto, Symphony no. 9 in E-flat major, op. 70: IV. Largo, Symphony no. 9 in E-flat major, op. 70: V. Allegretto |
Janet Hill |
producer |
Symphony no. 12 in D minor, op. 112 “The Year 1917”: I. Revolutionary Petrograd, Symphony no. 12 in D minor, op. 112 “The Year 1917”: II. Razliv, Symphony no. 12 in D minor, op. 112 “The Year 1917”: III. Aurora, Symphony no. 12 in D minor, op. 112 “The Year 1917”: IV. The Dawn of Humanity, Symphony no. 5 in D minor, op. 47: I. Moderato, Symphony no. 5 in D minor, op. 47: II. Allegretto, Symphony no. 5 in D minor, op. 47: III. Largo, Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo |
Jeremy |
producer |
Violin Concerto no. 1 in A minor, op. 99: 1. Nocturne (Moderato), Violin Concerto no. 1 in A minor, op. 99: 2. Scherzo (Allegro), Violin Concerto no. 1 in A minor, op. 99: 3. Passacaglia (Andante), Violin Concerto no. 1 in A minor, op. 99: 4. Burlesque (Allegro con brio - Presto), Violin Concerto no. 1 in A minor, op. 99: I. Nocturne, Violin Concerto no. 1 in A minor, op. 99: II. Scherzo, Violin Concerto no. 1 in A minor, op. 99: III. Passacaglia, Violin Concerto no. 1 in A minor, op. 99: IV. Burlesque |
The Soul Muppets |
producer |
Piano Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco più moderato, Piano Concerto no. 1 in D minor, op. 15: II. Adagio, Piano Concerto no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo, Piano Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo, Piano Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato, Piano Concerto no. 2 in B-flat major, op. 83: III. Andante, Piano Concerto no. 2 in B-flat major, op. 83: IV. Allegretto grazioso |
Alban Berg |
producer |
Seven Early Songs: I. Nacht, Seven Early Songs: II. Schilflied, Seven Early Songs: III. Die Nachtigall, Seven Early Songs: IV. Traumgekrönt, Seven Early Songs: V. Im Zimmer, Seven Early Songs: VI. Liebesode, Seven Early Songs: VII. Sommertage |
Luciano Pavarotti |
producer |
Ernani: Atto I. "Dell' esilio nel dolore...O tu che l'alma adoro" (Ernani, Coro), Ernani: Atto I. "Mercé, diletti amici ... Come rugiada al cespite" / "Si rapisca.." (Ernani, Coro), La traviata: Act II, Scene I. “Lunge da lei … O mio rimorso!”, La traviata: Atto II, Scena I. “De’ miei bollenti spiriti” (Alfredo), La traviata: Atto II, Scena I. “Lunge da lei” (Alfredo), La traviata: Atto II, Scena I. “O mio rimorso!” (Alfredo) |
Not-Us |
producer |
Piano Concerto no. 1 in D, op. 17: I. Andante, Piano Concerto no. 1 in D, op. 17: II. Andante sostenuto quasi adagio, Piano Concerto no. 1 in D, op. 17: III. Allegro con fuoco, Piano Concerto no. 4 in C minor, op. 44: I. Allegro moderato, Piano Concerto no. 4 in C minor, op. 44: II. Allegro vivace. Andante. Allegro |
George Lloyd |
producer |
Symphony No. 11: I. Vivo, Symphony No. 11: II. Lento, Symphony No. 11: III. Leggiero e brillante, Symphony No. 11: IV. Grave, Symphony No. 11: V. Finale: Con esultazione |
Wayne MacKenzie |
producer |
Piano Concerto no. 1 in E minor, Sz. 83: I. Allegro moderato - Allegro, Piano Concerto no. 1 in E minor, Sz. 83: II. Andante, Piano Concerto no. 1 in E minor, Sz. 83: III. Allegro molto, Piano Concerto no. 1, BB 91, Sz. 83: 1. Allegro moderato - Allegro, Piano Concerto no. 1, BB 91, Sz. 83: 3. Allegro molto |
radiokvm |
producer |
Piano Quintet in G minor, op. 57: I. Prelude (Lento: Poco piu mosso: lento), Piano Quintet in G minor, op. 57: II. Fugue (Adagio), Piano Quintet in G minor, op. 57: III. Scherzo (Allegretto), Piano Quintet in G minor, op. 57: IV. Intermezzo (Lento: Appassionato), Piano Quintet in G minor, op. 57: V. Finale (Allegretto) |
Gustav Mahler |
producer |
Symphony no. 4 in G major: I. Bedächtig. Nicht eilen, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll, Symphony no. 4 in G major: IV. Sehr behaglich: Das himmlische Leben |
加藤玲名 |
producer |
Piano Quintet in F minor, op. 34: 1. Allegro non troppo, Piano Quintet in F minor, op. 34: 2. Andante, un poco adagio, Piano Quintet in F minor, op. 34: 3. Scherzo (Allegro), Piano Quintet in F minor, op. 34: 4. Finale (poco sostenuto - Allegro non troppo) |
Broadway Nitelites |
producer |
Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": 1. Allegro, Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": 2. Adagio un poco mosso, Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": 3. Rondo (Allegro), Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso |
Dongsok Shin |
producer |
La traviata: Act III. “Parigi, o cara”, La traviata: Atto I. “Un dì felice, eterea” (Alfredo, Violetta), La traviata: Atto II, Scena II. “Alfredo! Voi!” – “Or tutti a me” – “Ogni suo aver” (Tutti, Alfredo, Violetta), La traviata: Atto III. “Parigi, o cara” – “Ah! Gran Dio! Morir sì giovine” (Alfredo, Violetta) |
Bernd Seuffert |
producer |
Aida: Act I, Scene I. "Se quel guerrier io fossi!" (Radamès), Aida: Act III. "Pur ti riveggo, mia dolce Aida..." (Radamès), Aida: Act IV, Scene II. "La fatal pietra sovra me si chiuse" (Radamès), Aida: Act IV, Scene II. "Presago il core della tua condanna" (Aida) |
Lionel Peintre |
producer |
Violin Concerto in D major, op. 35: I. Allegro moderato, Violin Concerto in D major, op. 35: II. Canzonetta: Andante, Violin Concerto in D major, op. 35: III. Finale: Allegro vivacissimo, Violin Concerto no. 2 in D minor, op. 22: II. Romance |
Malihini |
producer |
Piano Concerto no. 2 in B-flat, op. 83: 1. Allegro non troppo, Piano Concerto no. 2 in B-flat, op. 83: 2. Allegro appassionato, Piano Concerto no. 2 in B-flat, op. 83: 3. Andante - Più adagio, Piano Concerto no. 2 in B-flat, op. 83: 4. Allegretto grazioso - Un poco più presto |
Joan Sutherland |
producer |
La traviata: Act I. “È strano! … Ah, fors’è lui … Sempre libera”, La traviata: Atto I. “Follie! follie! ... Sempre libera” (Violetta), La traviata: Atto I. “È strano! È strano! … Ah! fors’è lui” (Violetta), La traviata: Atto III. “Teneste la promessa … È tardi! … Addio, del passato” (Violetta) |
Vanessa Katharina |
producer |
Ernani: Atto I. Coro dintroduzione "Evviva! Beviam!" / "Ernani pensoso" (Coro), Ernani: Atto II. Coro dintroduzione "Esultiamo! Letizia ne innondi" (Coro), Ernani: Atto III. "Un patto! Un giuramento!" (Tutti), Ernani: AttoIV. "Oh, come felici gioiscon gli sposi!" (Coro) |
Anton Bruckner |
producer |
Symphony No. 6 in A major: I. Majestoso, Symphony No. 6 in A major: II. Adagio: Sehr feierlich, Symphony No. 6 in A major: III. Scherzo: Nicht schnell - Trio: Nicht langsam, Symphony No. 6 in A major: IV. Finale: Bewegt, doch nicht zu schnell |
The Afro-Latin Soultet |
producer |
Sonata for 2 Pianos and Percussion, Sz. 110: 1. Assai lento, Sonata for 2 Pianos and Percussion, Sz. 110: 2. Lento, ma non troppo, Sonata for 2 Pianos and Percussion, Sz. 110: 3. Allegro non troppo |
Chidi Enyia |
producer |
Danse macabre, op. 40, Marche héroïque in E-flat, op. 34, Phaéton, op. 39 |
Nicole Sinclair |
producer |
Ernani: Atto II. "Oro, quant'oro ogn'avido" (Ernani, Elvira, Silva) / "In queste mura ogn'ospite" (Silva), Ernani: Atto IV. "Cessaro i suoni, dispari ogni face" (Ernani, Elvira, Silva), Ernani: Atto IV. "Ferma, crudele, estinguere perché vuoi tu due vite?" (Elvira, Silva, Ernani) |
arbeit |
producer |
Piano Concerto no. 1 in D minor, op. 15: 1. Maestoso - Poco più moderato, Piano Concerto no. 1 in D minor, op. 15: 2. Adagio, Piano Concerto no. 1 in D minor, op. 15: 3. Rondo (Allegro non troppo) |
Beth Chalmers |
producer |
Symphony no. 3 in A minor, op. 44: 1. Lento - Allegro moderato, Symphony no. 3 in A minor, op. 44: 2. Adagio ma non troppo, Symphony no. 3 in A minor, op. 44: 3. Allegro |
A. Smith |
producer |
Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz, Symphony No. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell (feat. horn: Jakob Slagter), Symphony No. 5 in C-sharp minor: V. Rondo-Finale. Allegro |
Homesick |
producer |
Ernani: Atto I. "Surta è la notte" / "Ernani!...Ernani involami" (Elvira) / "Quante d'Iberia giovani" (Coro, Elvira), Ernani: Atto I. "Tutto sprezzo che d'Ernani" (Elvira, Coro) |
Kevin Le Quellec |
producer |
Ernani: Atto I. "Che ma vegg'io!" / "Infelice!...e tuo credevi" / "L'offeso onor, signori" (Silva), Ernani: Atto I. "Infin che un brando vindice" (Silva) |
After All |
producer |
Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse), Symphonic Dances, op. 45: III. Lento assai – Allegro vivace |
Patricia Faber |
producer |
Ernani: Atto II. "Cugino, a che munito il tuo castel ritrovo?" (Carlo, Silva), Ernani: Atto II. "Lo vedremo, veglio audace" (Carlo Silva) |
윤종수 |
producer |
La jeunesse d'Hercule, op. 50, Le Rouet d’Omphale, op. 31 |
Leo Nucci |
producer |
Ernani: Atto III. "Gran Dio! Costor sui sepolcrali marmi" (Carlo), Ernani: Atto III. "Oh de' verd'anni miei" (Carlo) |
Schuminga |
producer |
Ernani: Atto II. "Ah, morir potessi adesso" (Ernani, Elvira), Ernani: Atto II. "Tu, perfida...Come fissarmi ardisci?" (Ernani, Elvira) |
Dante Zapata |
producer |
La traviata: Atto II, Scena I. “Di Provenza il mar, il suol” (Germont), La traviata: Atto II, Scena I. “No, non udrai rimproveri” (Germont) |
Janina Angel Bath |
producer |
I puritani: "Son già lontani", Les Pêcheurs de perles: "Je crois entendre encore" |
Andrew Furmanski |
producer |
Ernani: Atto II. "Jago, qui tosto il pellegrin adduci" (Silva, Ernani, Elvira), Ernani: Atto II. "Vigili pure i ciel sempre su te" (Silva, Ernani) |
DEAN FUJIOKA |
producer |
Symphony no. 2 in D minor, op. 40: 1. Allegro ben articolato, Symphony no. 2 in D minor, op. 40: 2. Theme and Variations |
Adam Grant |
producer |
La traviata: Atto I. “Che è ciò?” – “Oh, qual pallor! … Voi qui!” (Coro, Violetta, Alfredo), La traviata: Atto I. “Dell’invito trascorsa” (Coro, Violetta, Alfredo) |
Stephen Taranto |
producer |
Symphony no. 8 in E-flat major: II-vi. "Höchste Herrscherin der Welt" |
MATTN |
producer |
Symphony no. 8 in E-flat major: II-x. "Komm! Komm!" |
Mama's Pride |
producer |
Ernani: Atto III. "O sommo Carlo, più del tuo nome" (Carlo, Elvira, Ernani, Riccardo, Giovanna, Jago, Silva, Coro) |
Marcel Kaupp |
producer |
Ernani: Atto I. "Da quel di che t'ho veduta" (Carlo, Elvira) |
Lock Jaw |
producer |
Ernani: Atto I. "Fa' che a me venga..." (Carlo, Giovanna, Elvira) |
Motel Brothers |
producer |
Symphony no. 8 in E-flat major: II-ix. "Neige, neige, du Ohnegleiche" |
Nathan Lee Graham |
producer |
Symphony no. 3 in D minor: II. Tempo di menuetto. Sehr mäßig |
Nehuda |
producer |
Symphony no. 8 in E-flat major: II-i. Poco adagio "Waldung, sie schwant heran" |
Loaf Muzik |
producer |
Ernani: Atto II. "Scellerati, il mio furore" (Silva, Jago, Ernani) / "No, vendetta più tremenda" (Silva, Ernani, Elvira) |
Le Santo Combattre |
producer |
La traviata: Atto II, Scena I. “Pura siccome un angelo” (Germont, Violetta) |
Onassis |
producer |
La traviata: Atto II, Scena I. “Dammi tu forza, o cielo!” – “Amami, Alfredo” (Violetta, Annina, Alfredo) |
Overtown |
producer |
Manon: "Instant charmant" ... "En fermant les yeux" |
P.S. |
producer |
Symphony no. 5 in C-sharp minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt |
Las Bibas From Vizcaya |
producer |
Symphony no. 8 in E-flat major: II-viii. "Bei der Liebe, die den Fussen" |
Raelene Prieto |
producer |
Ernani: Atto I. "Uscite...Ma signore.." / "Vedi come il buon vegliardo" (Silva, Ernani, Carlo, Jago, Riccardo, Elvira, Giovanna, Coro) |
Rain Pryor |
producer |
La traviata: Act 1. Prelude |
Regurgitated Discharge |
producer |
Aida: Act IV, Scene II. "O terra, addio; addio valle di pianti" (Aida, poi con Radamès) |
Richard Wagner |
producer |
Siegfried Idyll in E major, WWV 103 |
Rob Lewis |
producer |
In the South "Alassio" - Concert Overture, op. 50 |
Rolando Briceño |
producer |
Piano Concerto No. 2 in C minor, Op. 18: II. Adagio sostenuto |
Rudolf Wald |
producer |
Ernani: Atto II. "D'Ernani i fidi chiedono" (Jago, Silva, Ernani, Coro) |
Kills Roots |
producer |
Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden |
Sabrina Gausmann |
producer |
Ernani: Atto II. "Fu esplorata el castello" (Coro, Carlo, Elvira, Silva) |
Sara & Roxy |
producer |
Ernani: Atto III. "Ad augusta! Chi va là?" (Coro, Ernani, Silva, Jago) |
Jake Howsam Lowe |
producer |
Symphony no. 8 in E-flat major: II-v. "Uns bleibt ein Erdenrest" |
Sputnik |
producer |
Symphony no. 8 in E-flat major: II-iv. "Gerettet ist das edle Glied" |
Logan Chapman |
producer |
La traviata: Atto III. “Annina?” – “Comandate?” (Violetta, Annina, Dottore) |
SteveG.Bartel |
producer |
Ernani: Atto I. Preludio |
InWhite |
producer |
Le Carnaval des animaux: VII. Aquarium |
Hexstar |
producer |
La traviata: Atto II, Scena II. “Di sprezzo degno” (Germont, Alfredo, Violetta, tutti) |
Heike Aumüller |
producer |
La traviata: Atto III. Baccanale: “Largo al quadrupede” (Coro di maschere) |
Gawurra |
producer |
La traviata: Atto I. Brindisi: “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) |
Filaret Kolessa |
producer |
Ernani: Atto IV. "Ecco il pegno" (Silva, Ernani) |
Dirk Nowell |
producer |
Ernani: Atto III. "E questo il loco?" (Carlo, Riccardo) |
The Three Tenors |
producer |
You'll Never Walk Alone |
Thomas Reinhard |
producer |
Ernani: Atto I. "Mio signor, dolente i sono" / "Io tuo fido?.." (SIlva, Carlo, Elvira, Ernani, Riccardo, Giovanna, Jago, Coro) |
Thundercore |
producer |
La traviata: Atto II, Scena I. “Ah! Dite alla giovine” – “Morrò! La mia memoria” (Violetta, Germont) |
Tom Trafalski |
producer |
Italian Polka (for 4-handed piano & trumpet) |
Ulrike Migdal |
producer |
Luonnotar, op. 70 |
Der Herzog |
producer |
Ernani: Atto II. "Vieni meco, sol di rose" (Carlo, Giovanna, Riccardo, Silva, Coro) |
VB Artist |
producer |
La traviata: Atto III. “Signora!” – “Che t’accade?” (Annina, Violetta, Alfredo) |
Dangerkid |
producer |
La traviata: Atto III. “Ah, Violetta!” – “Se una pudica vergine” (Germont, Violetta, Alfredo, Annina, Dottore) |
DJ Last One |
producer |
La traviata: Act I. “Un dì felice” |
Blackevil |
producer |
La sonnambula: "Elvino! E me tu lasci" ... "Son geloso del zefiro errante" |
Wayne Styles |
producer |
La traviata: Atto II, Scena II. “Avrem lieta di maschere la notte” – “Noi siamo zingarelle” (Flora, Marchese, Dottore, tutti) |
Zenobia Powell Perry |
producer |
Romance from "The Gadfly" |
Billie Jewel |
producer |
Symphony no. 3 in D minor: I. Kräftig. Entschieden |
Aron Scarlet |
producer |
Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso "O mensch, gib acht" |
Antonio Vivaldi |
producer |
Concerto for Flute and Strings in F, op. 10, no. 1, R.433 "La Tempesta di Mare" |
Ann Hjort |
producer |
Symphony no. 8 in E-flat major: II-ii. "Ewiner Wonnebrand" |
Andi Zech |
producer |
Ernani: Atto III. "Qual rumore? Che sarà" (Ernani, Silva, Jago, Carlo, Riccardo, Coro) |
Alecxis Ferri |
producer |
Symphony no. 8 in E-flat major: II-vii. "Dir, der Unberührbaren" |
Luke Martin |
producer |
Symphony no. 8 in E-flat major: II-xi. "Blicket auf zum Retterblick" |