| Giuseppe Verdi |
engineer, recording |
Aida: Act I, Scene I. "Alta cagion v'aduna" (Il Re), Aida: Act I, Scene I. "Quale insolita gioia" (Amneris), Aida: Act I, Scene I. "Ritorna vincitor! (Aida), Aida: Act I, Scene I. "Sì: corre voce che l'Etiope ardisca" (Ramfis), Aida: Act I, Scene II. "Mortal, diletto ai Numi" (Ramfis), Aida: Act I, Scene II. "Possente, possente Fthà" (Sacerdotessa), Aida: Act I. Preludio, Aida: Act II, Scene I: "Chi mai fra gl' inni e i plausi" (Schiave), Aida: Act II, Scene I: "Fu la sorte dell'armi a' tuoi funesta" (Amneris), Aida: Act II, Scene I: "Su! del Nilo al sacro lido" (Coro), Aida: Act II, Scene II: "Che veggo!...Egli?...Mio padre!" (Aida), Aida: Act II, Scene II: "Gloria all'Egitto, ad Iside" (Il Re, Popolo), Aida: Act II, Scene II: "Gloria all'Egitto, ad Iside" (Popolo), Aida: Act II, Scene II: "Ma tu, Re, tu signore possente" (Amonasro), Aida: Act II, Scene II: "O Re: pei sacri Numi" (Radamès), Aida: Act II, Scene II: "Quest'assisa ch'io vesto vi dica" (Amonasro), Aida: Act II, Scene II: "Salvator della patria, io ti saluto" (Il Re), Aida: Act II, Scene II: "Vieni, o guerriero vindice" (Popolo), Aida: Act II, Scene II: Marcia, Aida: Act III. "Ciel! mio padre!" (Aida), Aida: Act III. "Fuggiam gli ardori inospiti" (Aida), Aida: Act III. "O tu che sei d'Osiride" (Sacerdotesse, Sacerdoti), Aida: Act III. "Qui Radamès verrà!...Che vorrà dirmi?" (Aida), Aida: Act III. "Tu...Amonasro!...tu!...il Re?" (Radamès), Aida: Act IV, Scene I. "Già i Sacerdoti adunansi" (Amneris), Aida: Act IV, Scene I. "L'aborrita rivale a me sfuggia..." (Amneris), Aida: Act IV, Scene I. "Ohimè!...morir mi sento! Oh! chi lo salva?" (Amneris), Aida: Act IV, Scene I. "Radamès! Radamès! Radamès!" (Ramfis), Ernani: Atto II. "Cugino, a che munito" (Carlo, Silva), Ernani: Atto II. "D'Ernani i fidi chiedono" (Jago Silva, Ernani, Coro) / "In arcion, in arcion cavalieri" (Silva, Ernani, Coro), Ernani: Atto II. "Fu esplorata el castello" (Coro, Carlo, Elvira, Silva), Ernani: Atto II. "Lo vedremo, veglio audace" (Carlo, Silva), Ernani: Atto II. "Vieni meco, sol di rose" (Carlo, Elvira, Giovanna, Riccardo, Silva, Coro), Ernani: Atto II. "Vigili pure i ciel sempre su te" / "Esci..a te.. scegli, seguimi" (Silva, Ernani), Ernani: Atto III. "Ad augusta! Chi va là?" (Coro, Silva, Ernani, Jago), Ernani: Atto III. "Gran Dio! Costor sui sepolcrali marmi" (Carlo), Ernani: Atto III. "Io son conte, duca sono" (Ernani, Carlo, Elvira), Ernani: Atto III. "O sommo Carlo, più del tuo nome" (Carlo, Silva, Elvira, Ernani, Giovanna, Jago, Riccardo, Coro), Ernani: Atto III. "Oh, de' verd'anni miei" (Carlo), Ernani: Atto III. "Qual rumore!! Che sarà" (Coro, Carlo, Riccardo, Ernani), Ernani: Atto III. "Si redeste il Leon di Castiglia" (Ernani, Jago, Silva, Coro), Ernani: Atto III. "È questo il loco?" (Carlo, Riccardo), Ernani: Atto IV. "Cessaro i suoni, dispari ogni face" (Ernani, Elvira, Silva), Ernani: Atto IV. "Ecco il pegno" (Silva, Ernani), Ernani: Atto IV. "Ferma, crudele, estinguere" (Elvira, Silva, Ernani), Ernani: Atto IV. "Oh, come felici gioiscon gli sposi!" (Coro), Un ballo in maschera: Atto 1, Scena I. " Posa in pace, a' bei sogni ristora", Un ballo in maschera: Atto 1, Scena I. "Alla vita che t'arride", Un ballo in maschera: Atto 1, Scena I. "La rivedrà nell'estasi...Il cenno mio", Un ballo in maschera: Atto 1, Scena I. "Ogni cura si doni al diletto", Un ballo in maschera: Atto 1, Scena I." Volta la terrea frontealle stelle", Un ballo in maschera: Atto 1, Scena II ."Finisci il vaticinio", Un ballo in maschera: Atto 1, Scena II. "Che v'agita cosi?", Un ballo in maschera: Atto 1, Scena II. "Di'tu se fedele il flutto m'aspetta", Un ballo in maschera: Atto 1, Scena II. "E' scherzo od è follia", Un ballo in maschera: Atto 1, Scena II. "Orsù, amici", Un ballo in maschera: Atto 1, Scena II. "Re dell'abisso, affrettati" / "Arrivo il Primo!" / "Su, fatemi largo, saper vo' il mio fato", Un ballo in maschera: Atto 1, Scena II. "Su, profetessa, Monta il treppié", Un ballo in maschera: Atto 1, Scena II. "Zitti...l'incanto non dèssi turbare", Un ballo in maschera: Atto II. " Seguitemi - Mio Dio!", Un ballo in maschera: Atto II. "Ahim!. S'appressa alcun!", Un ballo in maschera: Atto II. "Ecco l'orrido campo", Un ballo in maschera: Atto II. "Ma dall'arido stelo divulsa", Un ballo in maschera: Atto II. "Teco io sto, Gran Dio!" / "Non sai tu che se l'anima mia" / "M'ami, m'ami!", Un ballo in maschera: Atto II. "Ve', se di notte qui colla sposa", Un ballo in maschera: Atto II. Preludio, Un ballo in maschera: Atto III, Scana I. "D'una grazia vi supplico" / "E chi vien?" / "Qual tristezza m'assale, qual pena!"', Un ballo in maschera: Atto III, Scena I. "A tal colpa è nulla il pianto", Un ballo in maschera: Atto III, Scena I. "Ah! di che fulgor, che musiche", Un ballo in maschera: Atto III, Scena I. "Alzati; là tuo figlio", Un ballo in maschera: Atto III, Scena I. "Dunque l'onta di tutti sol una", Un ballo in maschera: Atto III, Scena I. "Eri tu che macchiavi quell'anima", Un ballo in maschera: Atto III, Scena I. "Il messaggio entri", Un ballo in maschera: Atto III, Scena I. "Morrò, ma prima in grazia", Un ballo in maschera: Atto III, Scena I. "Siam soli. Udite", Un ballo in maschera: Atto III, Scena II. "Ah! perché qui! fuggite...", Un ballo in maschera: Atto III, Scena II. "Ella è pura; in braccio a morte", Un ballo in maschera: Atto III, Scena II. "Fervono amori e danze" / "So che tu sai Distinguere gli amici suoi", Un ballo in maschera: Atto III, Scena II. "Forse la soglia attinse", Un ballo in maschera: Atto III, Scena II. "Ma se m'è forza perderti" / "Ah!, dessa è là", Un ballo in maschera: Atto III, Scena II. "Saper vorreste", Un ballo in maschera: Atto1, Scena II. "Della cità all'occaso", Un ballo in maschera: Preludio, Va, pensiero ... / Oh, chi piange? ... / Del futuro nel buio discermo |
| Jon Antonik |
balance, recording |
Così fan tutte, K. 588: Act 1 - Scene 3: Ah, non partite!, Così fan tutte, K. 588: Act 1 - Scene 3: Alla bella Despinetta vi presento, amici miei, Così fan tutte, K. 588: Act 1 - Scene 3: Che silenzio! Che aspetto di tristezza, Così fan tutte, K. 588: Act 1 - Scene 3: Che sussurro! Che strepito! Che scompiglio e mai questo?, Così fan tutte, K. 588: Act 1 - Scene 3: Come scoglio immoto resta, Così fan tutte, K. 588: Act 1 - Scene 3: E voi ridete?, Così fan tutte, K. 588: Act 1 - Scene 3: La saria da ridere, Così fan tutte, K. 588: Act 1 - Scene 3: Non siate ritrosi, occhietti vezzosi, Così fan tutte, K. 588: Act 1 - Scene 3: Si puo sapere un poco la cagion di quel riso?, Così fan tutte, K. 588: Act 1 - Scene 3: Temerari! Sortite fuori di questo loco!, Così fan tutte, K. 588: Act 1 - Scene 3: Un aura amorosa del nostro tesoro, Così fan tutte, K. 588: Act 1 - Scene 4: Ah, che tutta in un momento si cangio la sorte mia!, Così fan tutte, K. 588: Act 1 - Scene 4: Dammi un bacio, o mio tesoro, Così fan tutte, K. 588: Act 1 - Scene 4: Eccovi il medico, signore belle!, Così fan tutte, K. 588: Act 1 - Scene 4: Si mora, si, si mora, Così fan tutte, K. 588: Act 1 Scene 1. E la fede delle femmine come l'araba fenice, Così fan tutte, K. 588: Act 1 Scene 1. Fuot la spada! Scegliete qual di noi pu vi piace, Così fan tutte, K. 588: Act 1 Scene 1. La mia Dorabella capace non e, Così fan tutte, K. 588: Act 1 Scene 1. Scioccherie di poeti!, Così fan tutte, K. 588: Act 1 Scene 1. Una bella serenata far io voglio alla mia dea, Così fan tutte, K. 588: Act 1 Scene 2. Ah guarda, sorella, Così fan tutte, K. 588: Act 1 Scene 2. Al fato dan legge quegli occhi vezzosi, Così fan tutte, K. 588: Act 1 Scene 2. Bella vita militar, Così fan tutte, K. 588: Act 1 Scene 2. Bella vita militar!, Così fan tutte, K. 588: Act 1 Scene 2. Di scrivermi ogni giorno, Così fan tutte, K. 588: Act 1 Scene 2. Dove son?, Così fan tutte, K. 588: Act 1 Scene 2. La commedia e graziosa, Così fan tutte, K. 588: Act 1 Scene 2. Mi par, che stamattina volentieri farei la pazzarelli, Così fan tutte, K. 588: Act 1 Scene 2. Non Sono cattivo comico! ... Nel, Così fan tutte, K. 588: Act 1 Scene 2. Non piangere, idol mio!, Così fan tutte, K. 588: Act 1 Scene 2. Non v'e piu tempo amici, Così fan tutte, K. 588: Act 1 Scene 2. Sento o Dio, che questo piede, Così fan tutte, K. 588: Act 1 Scene 2. Stelle! Per carita, signor Alfonso, Così fan tutte, K. 588: Act 1 Scene 2. Vorrei dir, e cor non ho, Così fan tutte, K. 588: Act 1 Scene 3. Ah, non partite, Così fan tutte, K. 588: Act 1 Scene 3. Che vit maledetta e il far la cameriera!, Così fan tutte, K. 588: Act 1 Scene 3. In uomini, in soldati sepre fedelta, Così fan tutte, K. 588: Act 1 Scene 3. Signora Dorabelle signora Fiordiligi, Così fan tutte, K. 588: Act 1 Scene 3. Smanie implacabili, Così fan tutte, K. 588: Act 2 - Scene 1: Ah, correte al giardino, Così fan tutte, K. 588: Act 2 - Scene 1: Andate la, che siete due bizzarre ragazze, Così fan tutte, K. 588: Act 2 - Scene 1: Prendero quel brunettino, Così fan tutte, K. 588: Act 2 - Scene 1: Sorella, cosa dici?, Così fan tutte, K. 588: Act 2 - Scene 1: Una donna a quindici anni, Così fan tutte, K. 588: Act 2 - Scene 2: Ah! Lo veggio, quell'anima bella, Così fan tutte, K. 588: Act 2 - Scene 2: Amico, abbiamo vinto!, Così fan tutte, K. 588: Act 2 - Scene 2: Barbara! Perché fuggi?, Così fan tutte, K. 588: Act 2 - Scene 2: Bravo! Questa e costanza!, Così fan tutte, K. 588: Act 2 - Scene 2: Donne mie, la fate a tanti, Così fan tutte, K. 588: Act 2 - Scene 2: Ei parte...senti...ah no!, Così fan tutte, K. 588: Act 2 - Scene 2: Il core vi dono, bell'idiolo mio, Così fan tutte, K. 588: Act 2 - Scene 2: Il tutto deponete sopra quei tavolini, Così fan tutte, K. 588: Act 2 - Scene 2: In qual fiero contrasto, Così fan tutte, K. 588: Act 2 - Scene 2: La mano a me date. Movetevi un po!, Così fan tutte, K. 588: Act 2 - Scene 2: Oh che bella giornata!, Così fan tutte, K. 588: Act 2 - Scene 2: Per pieta, ben mio, perdona all'error, Così fan tutte, K. 588: Act 2 - Scene 2: Secondate, aurette amiche, Così fan tutte, K. 588: Act 2 - Scene 2: Tradito, schernito dal perfido cor, Così fan tutte, K. 588: Act 2 - Scene 3: Ah, poveretto me, cosa ho veduto!, Così fan tutte, K. 588: Act 2 - Scene 3: Come tutto congiura a sedurre il mio cor!, Così fan tutte, K. 588: Act 2 - Scene 3: E Amore un ladroncello, Così fan tutte, K. 588: Act 2 - Scene 3: Fra gli amplessi in pochi istanti, Così fan tutte, K. 588: Act 2 - Scene 3: Ora vedo che siete una donna di garbo, Così fan tutte, K. 588: Act 2 - Scene 3: Tutti accusan le donne, Così fan tutte, K. 588: Act 2 - Scene 3: Vittoria, padroncini!, Così fan tutte, K. 588: Act 2 - Scene 4: Benedetti i doppi coniugi, Così fan tutte, K. 588: Act 2 - Scene 4: E nel tuo, nel mio bicchiero, Così fan tutte, K. 588: Act 2 - Scene 4: Fate presto, o cari amici, Così fan tutte, K. 588: Act 2 - Scene 4: Fortunato l'uom che prende ogni cosa pel buon verso, Così fan tutte, K. 588: Act 2 - Scene 4: Miei signori, tutto e fatto, Così fan tutte, K. 588: Act 2 - Scene 4: Sani e salvi agli amplessi amorosi, Così fan tutte, K. 588: Act 2 - Scene 4: V'ingannai, ma fu l'inganno, Così fan tutte, K. 588: Ouvertura, Symphony No. 41 in C major, K. 551 `Jupiter`: I. Allegro vivace, Symphony No. 41 in C major, K. 551 `Jupiter`: II. Andante cantabile, Symphony No. 41 in C major, K. 551 `Jupiter`: III. Menuetto & Trio: Allegretto, Symphony No. 41 in C major, K. 551 `Jupiter`: IV. Molto allegro, Symphony no. 40 in G minor, K. 550: I. Molto allegro, Symphony no. 40 in G minor, K. 550: II. Andante, Symphony no. 40 in G minor, K. 550: III. Menuetto: Allegretto – Trio, Symphony no. 40 in G minor, K. 550: IV. Allegero assai |
| Rain Pryor |
balance, engineer, recording |
La traviata: Act 1. Prelude, Swan Lake : Act I: no. 5a: Pas de deux: Intrada - Valse, Swan Lake, op. 20: Act 2, no. 13e. Danse des cygnes: Pas d'action: Odette et le prince / Deuxième danse de la reine des cygnes (Andante), Swan Lake: Act I: no. 1: Scène (Allegro giusto), Swan Lake: Act I: no. 2: Valse (Corps de Ballet), Swan Lake: Act I: no. 3: Scène (Allegro moderato), Swan Lake: Act I: no. 4a: Pas de trois: Intrada (Allegro), Swan Lake: Act I: no. 4b: Pas de trois: Andante sostenuto, Swan Lake: Act I: no. 4c: Pas de trois: Allegro semplice, Swan Lake: Act I: no. 4d: Pas de trois: Moderato, Swan Lake: Act I: no. 4e: Pas de trois: Allegro, Swan Lake: Act I: no. 4f: Pas de trois: Coda (Allegro vivace), Swan Lake: Act I: no. 5b: Pas de deux: Andante, Swan Lake: Act I: no. 5c: Pas de deux: Valse, Swan Lake: Act I: no. 5d: Pas de deux: Coda (Allegro molto vivace), Swan Lake: Act I: no. 6: Pas d'action (Andantino quasi moderato - Allegro), Swan Lake: Act I: no. 7: Sujet, Swan Lake: Act I: no. 8: Danse des coupes (Tempo di polacca), Swan Lake: Act I: no. 9: Finale (Andante), Swan Lake: Act II: no. 10: Scène (Moderato), Swan Lake: Act II: no. 11: Scène (Allegro moderato), Swan Lake: Act II: no. 12: Scène (Allegro), Swan Lake: Act II: no. 13a: Danse des cygnes: Valse, Swan Lake: Act II: no. 13b: Danse des cygnes: Odette solo / Première danse de la reine des cygnes (Moderato assai), Swan Lake: Act II: no. 13c: Danse des cygnes: Valse, Swan Lake: Act II: no. 13d: Danse des petits cygnes (Allegro moderato), Swan Lake: Act II: no. 13f: Danse des cygnes: Danse générale (Valse), Swan Lake: Act II: no. 13g: Danse des cygnes: Coda (Allegro vivace), Swan Lake: Act II: no. 14: Scène (Moderato), Swan Lake: Act III. Danse russe (Moderato), Swan Lake: Act III. Pas de deux: Introduction (Moderato) / Variation I / Variation II / Coda, Swan Lake: Act III: no. 15: Danse de fançailles (Allegro giusto), Swan Lake: Act III: no. 16: Danses du corps de ballet et des nains (Moderato assai), Swan Lake: Act III: no. 17: Scène: Entrée des invités (Fanfares) et la valse (Allegro), Swan Lake: Act III: no. 18: Scène (Allegro), Swan Lake: Act III: no. 19: Pas de six: Intrada (Moderato assai) - Variations I/V - Coda, Swan Lake: Act III: no. 20: Danse hongroise (Czárdás), Swan Lake: Act III: no. 21: Danse espagnole (Allegro non troppo. Tempo di bolero), Swan Lake: Act III: no. 22: Danse napolitaine, Swan Lake: Act III: no. 23: Mazurka, Swan Lake: Act III: no. 24: Scène (Allegro - Valse - Allegro vivo), Swan Lake: Act IV: no. 25: Entr'acte (Moderato), Swan Lake: Act IV: no. 26: Scène (Allegro non troppo), Swan Lake: Act IV: no. 27: Danses des petits cygnes (Moderato), Swan Lake: Act IV: no. 28: Scène (Allegro agitato), Swan Lake: Act IV: no. 29: Scène finale (Andante), Swan Lake: Introduction, The Nutcracker: Act 1, No. 1: The Christmas Tree, The Nutcracker: Act 1, No. 2: March, The Nutcracker: Act 1, No. 3: Galop and Dance of the Parents, The Nutcracker: Act 1, No. 4: Dance Scene - The Presents of Drosselmeyer, The Nutcracker: Act 1, No. 5: Scene - Grandfather Dance, The Nutcracker: Act 1, No. 6: Clara and the Nutcracker, The Nutcracker: Act 1, No. 7: The Nutcracker Battles the Army of the Mouse King - He Wins and Is Transformed into Prince Charming, The Nutcracker: Act 1, No. 8a: A Pine Forest in Winter, The Nutcracker: Act 1, No. 9: Scene and Waltz of the Snowflakes, The Nutcracker: Act 2, No. 10: The Magic Castle on the Mountain of Sweets, The Nutcracker: Act 2, No. 11: Clara and Prince Charming, The Nutcracker: Act 2, No. 12a: Character Dances: Chocolate (Spanish Dance), The Nutcracker: Act 2, No. 12b: Character Dances: Coffee (Arabian Dance), The Nutcracker: Act 2, No. 12c: Character Dances: Tea (Chinese Dance), The Nutcracker: Act 2, No. 12d: Character Dances: Trépak (Russian Dance), The Nutcracker: Act 2, No. 12e: Character Dances: Dance of the Reed Pipes, The Nutcracker: Act 2, No. 12f: Character Dances: Polchinelle (The Clown), The Nutcracker: Act 2, No. 13: Waltz of the Flowers, The Nutcracker: Act 2, No.14: The Prince And The Sugar-Plum Fairy, The Nutcracker: Act 2, No.15: Final Waltz And Apotheosis, The Nutcracker: Act 2, Var.1: Tarantella, The Nutcracker: Act 2, Var.2: Dance Of The Sugar-Plum Fairy, The Nutcracker: Act 2: Coda, The Nutcracker: Overture, The Sleeping Beauty: Act I: no. 8a: Pas d'action: Introduction (Andante) - Adagio ("Rose Adagio") |
| Svene |
balance, engineer |
Don Juan, op. 20, Eine Alpensinfonie, op. 64: Am Wasserfall, Eine Alpensinfonie, op. 64: Auf blumigen Wiesen, Eine Alpensinfonie, op. 64: Auf dem Gletscher, Eine Alpensinfonie, op. 64: Auf der Alm, Eine Alpensinfonie, op. 64: Ausklang, Eine Alpensinfonie, op. 64: Der Anstieg, Eine Alpensinfonie, op. 64: Die Sonne verdüstert sich allmählich, Eine Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen, Eine Alpensinfonie, op. 64: Eintritt in den Wald - Wanderung neben dem Bach, Eine Alpensinfonie, op. 64: Elegie, Eine Alpensinfonie, op. 64: Erscheinung, Eine Alpensinfonie, op. 64: Gefahrvolle Augenblicke - Auf dem Gipfel, Eine Alpensinfonie, op. 64: Gewitter und Sturm, Abstieg, Eine Alpensinfonie, op. 64: Nacht, Eine Alpensinfonie, op. 64: Nebel steigen auf, Eine Alpensinfonie, op. 64: Sonnenaufgang, Eine Alpensinfonie, op. 64: Sonnenuntergang, Eine Alpensinfonie, op. 64: Stille vor dem Sturm, Eine Alpensinfonie, op. 64: Vision, Gesang der Parzen, op. 89, Nänie, op. 82, Peer Gynt, op. 23: Act 1 - Prelude, Peer Gynt, op. 23: no. 10. Peer Gynt Hunted by the Trolls. no. 11. The Boyg, Peer Gynt, op. 23: no. 12. The Death of Ase, Peer Gynt, op. 23: no. 13. Morning Mood, Peer Gynt, op. 23: no. 14. The Thief and the Receiver, Peer Gynt, op. 23: no. 15. Arabian Dance, Peer Gynt, op. 23: no. 16. Anitra’s Dance, Peer Gynt, op. 23: no. 17. Peer Gynt’s Serenade, Peer Gynt, op. 23: no. 19. Solveig’s Song, Peer Gynt, op. 23: no. 21. Peer Gynt’s Homecoming. Stormy Evening on the Sea, Peer Gynt, op. 23: no. 22. The Shipwreck, Peer Gynt, op. 23: no. 23. Solveig Sings in the Hut, Peer Gynt, op. 23: no. 24. Night Scene, Peer Gynt, op. 23: no. 25. Whitsun Hymn: “O Blessed Morning”, Peer Gynt, op. 23: no. 26. Solveig’s Cradle Song, Peer Gynt, op. 23: no. 4. Ingrid’s Lament, Peer Gynt, op. 23: no. 5. Peer Gynt and the Herd Girls, Peer Gynt, op. 23: no. 8. In the Hall of the Mountain King, Peer Gynt, op. 23: no. 9. Dance of the Mountain King’s Daughter, Schicksalslied, op. 54, Symphonic Metamorphosis of Themes by Carl Maria von Weber: I. Allegro, Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Turandot, Scherzo: Moderato, Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino, Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch, Symphonie "Mathis Der Maler": I. Engelskonzert, Symphonie "Mathis Der Maler": II. Grablegung, Symphonie "Mathis Der Maler": III. Versuchung des heiligen Antonius, Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung, Symphony no. 2 in C minor "Resurrection": IV. 'Urlicht': Sehr feierlich, aber schlicht, Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzo, Symphony no. 4 “The Inextinguishable”: I. Allegro, Symphony no. 4 “The Inextinguishable”: II. Poco allegretto, Symphony no. 4 “The Inextinguishable”: III. Poco adagio quasi andante, Symphony no. 4 “The Inextinguishable”: IV. Con anima – Allegro, Symphony no. 5: IIa. Allegro, Symphony no. 5: IIb. Presto, Symphony no. 5: IIc. Andante un poco tranquillo, Symphony no. 5: IId. Allegro, Symphony no. 5: Ia. Tempo giusto, Symphony no. 5: Ib. Adagio non troppo |
| Coyote |
balance, engineer |
Piano Concerto No. 2 in C minor, Op. 18: II. Adagio sostenuto, Piano Concerto No. 2 in C minor, Op. 18: III. Allegro scherzando, Piano Concerto No. 4 in G minor, Op. 40: I. Allegro vivace (Alla breve), Piano Concerto No. 4 in G minor, Op. 40: II. Largo, Piano Concerto No. 4 in G minor, Op. 40: III. Allegro vivace, Piano Concerto no. 2 in C minor, op. 18: I. Moderato, Rhapsody on a Theme of Paganini, Op. 43: Introduction and Variation 1, Rhapsody on a Theme of Paganini, Op. 43: Theme, Rhapsody on a Theme of Paganini, Op. 43: Variation 10, Rhapsody on a Theme of Paganini, Op. 43: Variation 11, Rhapsody on a Theme of Paganini, Op. 43: Variation 12, Rhapsody on a Theme of Paganini, Op. 43: Variation 13, Rhapsody on a Theme of Paganini, Op. 43: Variation 14, Rhapsody on a Theme of Paganini, Op. 43: Variation 15, Rhapsody on a Theme of Paganini, Op. 43: Variation 16, Rhapsody on a Theme of Paganini, Op. 43: Variation 17, Rhapsody on a Theme of Paganini, Op. 43: Variation 18, Rhapsody on a Theme of Paganini, Op. 43: Variation 19, Rhapsody on a Theme of Paganini, Op. 43: Variation 2, Rhapsody on a Theme of Paganini, Op. 43: Variation 20, Rhapsody on a Theme of Paganini, Op. 43: Variation 21, Rhapsody on a Theme of Paganini, Op. 43: Variation 22, Rhapsody on a Theme of Paganini, Op. 43: Variation 23, Rhapsody on a Theme of Paganini, Op. 43: Variation 24, Rhapsody on a Theme of Paganini, Op. 43: Variation 3, Rhapsody on a Theme of Paganini, Op. 43: Variation 4, Rhapsody on a Theme of Paganini, Op. 43: Variation 5, Rhapsody on a Theme of Paganini, Op. 43: Variation 6, Rhapsody on a Theme of Paganini, Op. 43: Variation 7, Rhapsody on a Theme of Paganini, Op. 43: Variation 8, Rhapsody on a Theme of Paganini, Op. 43: Variation 9, Rhapsody on a Theme of Paganini, op. 43: Introduction / Variation 1, Rhapsody on a Theme of Paganini, op. 43: Theme, Rhapsody on a Theme of Paganini, op. 43: Variation 10, Rhapsody on a Theme of Paganini, op. 43: Variation 11, Rhapsody on a Theme of Paganini, op. 43: Variation 12, Rhapsody on a Theme of Paganini, op. 43: Variation 13, Rhapsody on a Theme of Paganini, op. 43: Variation 14, Rhapsody on a Theme of Paganini, op. 43: Variation 15, Rhapsody on a Theme of Paganini, op. 43: Variation 16, Rhapsody on a Theme of Paganini, op. 43: Variation 17, Rhapsody on a Theme of Paganini, op. 43: Variation 18, Rhapsody on a Theme of Paganini, op. 43: Variation 19, Rhapsody on a Theme of Paganini, op. 43: Variation 2, Rhapsody on a Theme of Paganini, op. 43: Variation 20, Rhapsody on a Theme of Paganini, op. 43: Variation 21, Rhapsody on a Theme of Paganini, op. 43: Variation 22, Rhapsody on a Theme of Paganini, op. 43: Variation 23, Rhapsody on a Theme of Paganini, op. 43: Variation 24, Rhapsody on a Theme of Paganini, op. 43: Variation 3, Rhapsody on a Theme of Paganini, op. 43: Variation 4, Rhapsody on a Theme of Paganini, op. 43: Variation 5, Rhapsody on a Theme of Paganini, op. 43: Variation 6, Rhapsody on a Theme of Paganini, op. 43: Variation 7, Rhapsody on a Theme of Paganini, op. 43: Variation 8, Rhapsody on a Theme of Paganini, op. 43: Variation 9 |
| Blugazer |
balance |
An American in Paris, Appalachian Spring (1945 Suite): 1. Very slowly, Appalachian Spring (1945 Suite): 2. Allegro, Appalachian Spring (1945 Suite): 3. Moderato: The Bride and her Intended, Appalachian Spring (1945 Suite): 4. Fast: The Revivalist and his Flock, Appalachian Spring (1945 Suite): 5. Allegro: Solo Dance of the Bride, Appalachian Spring (1945 Suite): 6. Meno mosso, Appalachian Spring (1945 Suite): 7. Doppio movimento: Variations on a Shaker Hymn, Appalachian Spring (1945 Suite): 8. Moderato: Coda, Appalachian Spring, Enigma Variations, op. 36: Theme, Enigma Variations, op. 36: Variation I, Enigma Variations, op. 36: Variation II, Enigma Variations, op. 36: Variation III, Enigma Variations, op. 36: Variation IV, Enigma Variations, op. 36: Variation IX, Enigma Variations, op. 36: Variation V, Enigma Variations, op. 36: Variation VI, Enigma Variations, op. 36: Variation VII, Enigma Variations, op. 36: Variation VIII, Enigma Variations, op. 36: Variation X, Enigma Variations, op. 36: Variation XI, Enigma Variations, op. 36: Variation XII, Enigma Variations, op. 36: Variation XIII, Enigma Variations, op. 36: Variation XIV (Finale), Fanfare for the Common Man, Overture Candide, Star Wars Suite: I. Main Title, Star Wars Suite: II. Princess Leia's Theme, Star Wars Suite: III. The Little People, Star Wars Suite: IV. The Battle, Star Wars Suite: V. The Throne Room and End Title, Symphony no. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt), Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz, Symphony no. 5 in C-sharp minor: III. Scherzo (Kräftig, nicht zu schnell), Symphony no. 5 in C-sharp minor: IV. Adagietto (Sehr langsam), Symphony no. 5 in C-sharp minor: V. Rondo-Finale (Allegro), The Planets, op. 32: I. Mars, the Bringer of War, The Planets, op. 32: II. Venus, the Bringer of Peace, The Planets, op. 32: III. Mercury, the Winged Messenger, The Planets, op. 32: IV. Jupiter, the Bringer of Jollity, The Planets, op. 32: V. Saturn, the Bringer of Old Age, The Planets, op. 32: VI. Uranus, the Magician |
| Storstrøms Kammerensemble |
balance, engineer, recording |
Die Entführung aus dem Serail, K. 384: Ouvertüre, Die Entführung aus dem Serail: Dritter Aufzug, no. 17. Aria: Ich baue ganz auf deine Stärke Belmonte / Dialog: Alles liegt auf dem Ohr; es ist alles so ruhig (Pedrillo, Belmonte), Die Entführung aus dem Serail: Dritter Aufzug, no. 18. Romance: In Mohrenland gefangen war ein Mädel hübsch und fein (Pedrillo, Belmonte) / Dialog: Sie macht auf, Herr! Sie macht auf! … Gift und Dolch! Was ist denn das? (Pedrillo, Belmonte, Konstanze, Osmin, Blonde), Die Entführung aus dem Serail: Dritter Aufzug, no. 19. Aria: Ha, wie will ich triumphieren (Osmin) / Dialog: Was bedeutet der Aufruhr? (Selim, Osmin, Konstanze, Belmonte), Die Entführung aus dem Serail: Dritter Aufzug, no. 20. Rezitativo e Duetto: Welch ein Geschick! o Qual der Seele! … Meinetwegen sollst du sterben! (Belmonte, Konstanze) / Dialog: Nun, zitterst du? Erwartest du dein Urteil? (Selim, Belmonte, Pedrillo, Osmin), Die Entführung aus dem Serail: Dritter Aufzug, no. 21a. Vaudeville: Nie werd’ ich deine Huld verkennen (Belmonte, Konstanze, Pedrillo, Blonde, Osmin), Die Entführung aus dem Serail: Dritter Aufzug, no. 21b Chor der Janitscharen: Bassa Selim lebe lange! (Janitscharen), Die Entführung aus dem Serail: Zweiter Aufzug, no. 13 Aria: Frisch zum Kampfe! Frisch zum Streite! (Pedrillo) / Dialog: Gift und Dolch! Hier geht’s aber lustig zu! (Osmin, Pedrillo), Die Entführung aus dem Serail: Zweiter Aufzug, no. 14. Duetto: Vivat Bacchus! Bacchus lebe! (Pedrillo, Osmin) / Dialog: Wahrhaftig, es geht doch nichts über den Wein! … Gute Nacht, Brüderchen, gute Nacht! (Pedrillo, Osmin, Belmonte, Konstanze), Die Entführung aus dem Serail: Zweiter Aufzug, no. 15. Aria: Wenn der Freude Tränen fließen (Belmonte), Die Entführung aus dem Serail: Zweiter Aufzug, no. 16. Quartetto: Ach, Belmonte! ach, mein Leben! (Konstanze, Belmonte, Pedrillo, Blonde), Die Entführung aus dem Serail: Zweiter Aufzug. no. 11. Dialog: Kein Bassa mehr da? … Bst, bst! Blondchen! Ist die Luft rein? (Blonde, Pedrillo) / No. 12. Aria: Welche Wonne, welche Lust (Blonde) / Dialog: Ach, daß es nur schon vorbei wäre! (Pedrillo), Die Zauberflöte, K. 620: Act I, Scene I. Introduction "Zu Hilfe! Zu Hilfe!" (Tamino), Die Zauberflöte, K. 620: Act I, Scene II. No. 1 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno), Die Zauberflöte, K. 620: Act I, Scene IV. No. 3 Aria "Dies Bildnis ist bezaubernd schön" (Tamino), Die Zauberflöte, K. 620: Act I, Scene VIII. No. 5 Quintet "Hm! Hm! Hm!" (Papageno, Tamino), Die Zauberflöte, K. 620: Act I, Scene XII. No. 6 Trio "Du feines Täubchen, nur herein" (Pamina, Tamino), Die Zauberflöte, K. 620: Act I, Scene XV. Recitativo "Die Weisheitslehre dieser Knaben" (Tamino), Die Zauberflöte, K. 620: Act II, Scene I. No. 9 Marsch der Priester, Die Zauberflöte, K. 620: Act II, Scene II. Dialogue "Eine schreckliche Nacht!" (Tamino, Papageno), Die Zauberflöte, K. 620: Act II, Scene V. No. 12 Quintet "Wie? Wie? Wie? Ihr an diesem Schreckensort?" (Papageno, Tamino), Die Zauberflöte, K. 620: Act II, Scene VII. No. 13 Aria "Alles fühlt der Liebe Freuden" (Monostatos), Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht), Die Zauberflöte, K. 620: Act II, Scene XII. No. 15 Aria "In diesen heil'gen Hallen kennt" (Sarastro), Die Zauberflöte, K. 620: Act II, Scene XIX. No. 17 Aria "Ach, ich fühl's, es ist verschwunden" (Pamina), Die Zauberflöte, K. 620: Act II, Scene XVI. No. 16 Trio "Seid uns zum zweiten Mal willkommen" (Knaben), Die Zauberflöte, K. 620: Act II, Scene XX. No. 18 Chorus "O Isis und Osiris, welche Wonne!" (Chor der Priester), Die Zauberflöte, K. 620: Act II, Scene XXII. No. 19 Trio "Soll ich dich, Teurer, nicht mehr sehn?" (Pamina, Sarastro, Tamino), Die Zauberflöte, K. 620: Act II, Scene XXIII. No. 20 Aria "Ein Mädchen oder Weibchen wünscht Papageno sich!" (Papageno), Die Zauberflöte, K. 620: Act II, Scene XXIX. "Papagena! Papagena!" (Papageno), Die Zauberflöte, K. 620: Act II, Scene XXVI. No. 21 Finale "Bald prangt, den Morgen zu verkünden" (Pamina), Die Zauberflöte, K. 620: Act II, Scene XXVIII. "Der, welcher wandelt diese Straße voll Beschwerden" (Zwei Geharnischten, Tamino, Pamina), Die Zauberflöte, K. 620: Act II, Scene XXX. "Die Strahlen der Sonne vertreiben die Nacht" (Sarastro), Die Zauberflöte, K. 620: Act II, Scene XXX. "Nur stille! Stille! Die Strahlen der Sonne" (Chor, Monostatos, Königin, Damen), Die Zauberflöte, K. 620: Ouverture, Du Also Bist Mein Bräutigam?, Symphony no. 9 in C major, D. 944 "Great": I. Andante - Allegro ma non troppo, Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto, Symphony no. 9 in C major, D. 944 "Great": III. Scherzo. Allegro vivace, Symphony no. 9 in C major, D. 944 "Great": IV. Allegro vivace, Wo Willst Du, Kühner Fremdling, Hin?, Zum Ziele Führt Dich Diese Bahn |
| Bisse |
balance |
Eugene Onegin: Act I, Scene 1. "A, vot i vi!" (Madame Larina), Eugene Onegin: Act I, Scene 1. "Bolyat moyi skori nozhenki" (Peasant Leader), Eugene Onegin: Act I, Scene 1. "Kak shchastliv, kak shchastliv ya!" (Lenski), Eugene Onegin: Act I, Scene 1. "Kak ya lyublu pod zvuki pesen etikh" (Tatyana), Eugene Onegin: Act I, Scene 1. "Mesdames! Ya na sebya vzyal smyelost" (Lenski), Eugene Onegin: Act I, Scene 1. "Nu ti, moya vostrushka" (Madame Larina), Eugene Onegin: Act I, Scene 1. "Skazhi, kotoraya Tatyana?" (Onegin), Eugene Onegin: Act I, Scene 1. "Slikhali l vi za roschei glas nochnai" (Tatyana, Olga), Eugene Onegin: Act I, Scene 1. "Uzh kak po mostu, mostochku" (Olga), Eugene Onegin: Act I, Scene 1. "Uzh kak po mostu, mostochku" (Peasants), Eugene Onegin: Act I, Scene 1. "Ya lyublyu vas" (Lenski), Eugene Onegin: Act I, Scene 1. Introduction, Eugene Onegin: Act I, Scene 2. "Nu, zabolta las ya!" (Filipyevna), Eugene Onegin: Act I, Scene 2. "Puskai pogibnu ya, no pryezhde" (Tatyana), Eugene Onegin: Act I, Scene 2. Akh, noch minula" (Tatyana), Eugene Onegin: Act I, Scene 3. "Dyevitsi-krasavtsi" (Servant Girls), Eugene Onegin: Act I, Scene 3. "Kogda bi zhizn domashnim krugom" (Onegin), Eugene Onegin: Act I, Scene 3. "Zdyes on, zdyes on, Yevgeni!" (Tatyana), Eugene Onegin: Act II, Scene 1. "A cette fête convié" (Triquet), Eugene Onegin: Act II, Scene 1. "Messieurs, mesdames, mesta zanyat izvolte" (Captain), Eugene Onegin: Act II, Scene 1. "Ti ne tantsuyesh, Lenski?" (Onegin), Eugene Onegin: Act II, Scene 1. "Uzhel ya zasluzhil ot vas nasmyeshku etu?" (Lenski), Eugene Onegin: Act II, Scene 1. "V vashem dome! V vashem dome!" (Lenski), Eugene Onegin: Act II, Scene 1. "Vot tak syurpriz!" (Guests), Eugene Onegin: Act II, Scene 1. Waltz, Eugene Onegin: Act II, Scene 2. "A, vot oni!" (Zaretsky), Eugene Onegin: Act II, Scene 2. "Kuda, kuda, kuda vi udalilis" (Lenski), Eugene Onegin: Act II, Scene 2. "Nu, shto zhe?" (Zaretsky), Eugene Onegin: Act III, Scene 1. "I zdyes mnye skuchno!" (Onegin), Eugene Onegin: Act III, Scene 1. "Itak, poidyom, tebya predstavlyu ya" (Prince Germin), Eugene Onegin: Act III, Scene 1. "Knayaginya Gremina! Smotrite!" (Guests), Eugene Onegin: Act III, Scene 1. "Lyubvi vsye vozrasti pokorni" (Prince Germin), Eugene Onegin: Act III, Scene 1. "Uzhel ta samaya Tatyana" (Onegin), Eugene Onegin: Act III, Scene 1. Polonaise, Eugene Onegin: Act III, Scene 2. "O! Kak mnye tyazhelo!" (Tatyana), Eugene Onegin: Act III, Scene 2. "Onegin! Ya togda molozhe" (Tatyana) |
| Giacomo Puccini |
recording |
Madama Butterfly: Act I. "... E soffitto e pareti", Madama Butterfly: Act I. "Bimba, bimba, non piangere", Madama Butterfly: Act I. "Cio-cio-san! Cio-cio-san!", Madama Butterfly: Act I. "Dovunque al mondo", Madama Butterfly: Act I. "Ecco. Son giunte al sommo del pendio", Madama Butterfly: Act I. "Gran ventura", Madama Butterfly: Act I. "L'imperial Commissario", Madama Butterfly: Act I. "O Kami! O Kami!", Madama Butterfly: Act I. "Sorride Vostro Onore?", Madama Butterfly: Act I. "Tutti zitti!", Madama Butterfly: Act I. "Vieni, amor mio!", Madama Butterfly: Act I. "leri son salita tutta sola in segreto alla Missione", Madama Butterfly: Act II, Scene I. "C'è. Entrate", Madama Butterfly: Act II, Scene I. "Che tua madre dovrà prenderti in braccio", Madama Butterfly: Act II, Scene I. "E Izaghi ed Izanami, Sarundasico e Kami", Madama Butterfly: Act II, Scene I. "E questo? E questo?", Madama Butterfly: Act II, Scene I. "Ebbene, che fareste, Madama Butterfly?", Madama Butterfly: Act II, Scene I. "Or vienmi ad adornar", Madama Butterfly: Act II, Scene I. "Ora a noi. Sedete qui", Madama Butterfly: Act II, Scene I. "Scuoti quella fronda di ciliegio", Madama Butterfly: Act II, Scene I. "Si sa che aprir la porta", Madama Butterfly: Act II, Scene I. "Udiste?", Madama Butterfly: Act II, Scene I. "Una nave da guerra...", Madama Butterfly: Act II, Scene I. "Vespa! Rospo maledetto!", Madama Butterfly: Act II, Scene II. "Addio fiorito asil", Madama Butterfly: Act II, Scene II. "Chi sia?", Madama Butterfly: Act II, Scene II. "Come una mosca prigioniera", Madama Butterfly: Act II, Scene II. "Con onor muore chi non può serbar vita con onore", Madama Butterfly: Act II, Scene II. "Già il sole!", Madama Butterfly: Act II, Scene II. "Non ve l'avevo detto?", Madama Butterfly: Act II, Scene II. "Suzuki? Suzuki? Dove sei?", Madama Butterfly: Act II, Scene II. "Tu, Suzuki, che sei tanto buona", Madama Butterfly: Act II, Scene II. "lo so che alle pene", Madama Butterfly: Act II, Scene II. (Fischi d'uccelli dal giardino), Madama Butterfly: Act II, Scene II. Intermezzo |
| Κωνσταντίνος Κατωμέρης |
balance |
12 Etudes, op. 10: No. 1 in C major, 12 Etudes, op. 10: No. 2 in A minor "chromatique", 12 Etudes, op. 10: No. 4 in C-sharp minor, 12 Etudes, op. 10: No. 8 in F major, 12 Etudes, op. 25: No. 10 in B minor, 12 Etudes, op. 25: No. 11 in A minor "Winter Wind", 12 Etudes, op. 25: No. 4 in A minor, 12 Etudes, op. 25: No. 5 in E minor, 12 Etudes, op. 25: No. 6 in G-sharp minor, 12 Etudes, op. 25: No. 7 in C-sharp minor, 12 Etudes, op. 25: No. 8 in D-flat major, Etude, Op. 10 No. 10 in A-flat major, Etude, Op. 10 No. 11 in F-flat major, Etude, Op. 10 No. 12 in C minor, Etude, Op. 10 No. 3 in E major, Etude, Op. 10 No. 5 in G-flat major, Etude, Op. 10 No. 6 in E-flat minor, Etude, Op. 10 No. 7 in C major, Etude, Op. 10 No. 9 in F minor, Etude, Op. 25 No. 1 in A-flat major, Etude, Op. 25 No. 12 in C minor, Etude, Op. 25 No. 2 in F minor, Etude, Op. 25 No. 3 in F major, Etude, Op. 25 No. 9 in G-flat major, Piano Sonata no. 7 in B-flat, op. 83: 1. Allegro inquieto - Andantino - Allegro inquieto - Andantino - Allegro inquieto, Piano Sonata no. 7 in B-flat, op. 83: 2. Andante caloroso - Poco più animato - Più largamente - un poco agitato - Tempo I, Piano Sonata no. 7 in B-flat, op. 83: 3. Precipitato, Piano Sonata no. 8 in B-flat, op. 84: 1. Andante dolce - Allegro moderato - Andante - Andante dolce come prima - Allegro, Piano Sonata no. 8 in B-flat, op. 84: 2. Andante sognando, Piano Sonata no. 8 in B-flat, op. 84: 3. Vivace - Allegro ben marcato - Andantino - Vivace, Romeo and Juliet, Ten Pieces for Piano, op. 75: V. Masks, Romeo and Juliet, Ten Pieces for Piano, op. 75: X. Romeo and Juliet Before Departing |
| Java |
engineer |
La bohème: Act I. "Che gelida manina" (Rodolfo), La bohème: Act I. "Chi è là?" (Rodolfo), La bohème: Act I. "Io resto" (Rodolfo), La bohème: Act I. "Legna!" (Rodolfo), La bohème: Act I. "Pensier profondo!" (Colline), La bohème: Act I. "Questo mar rosso" (Marcello), La bohème: Act I. "Si può?" (Benoit), La bohème: Act I. "Si sente meglio?" (Rodolfo), La bohème: Act I. "Sì. Mi chiamano Mimì" (Mimì), La bohème: Act II. "Aranci, ninnoli! Caldi i marroni e caramelle!" (Monelli), La bohème: Act II. "Chi guardi?" (Rodolfo), La bohème: Act II. "Chi l'ha richiesto?" (Colline), La bohème: Act II. "Oh!" - "Essa!" - "Musetta!" (Rodolfo, Schaunard, Colline, Marcello), La bohème: Act II. "Quando men vo" (Musetta), La bohème: Act II. "Viva Parpignol! Parpignol! Parpignol!" (fanciulli, fanciulle), La bohème: Act III. "Donde lieta uscì al tuo grido" (Mimì), La bohème: Act III. "Dunque è proprio finita!" (Rodolfo), La bohème: Act III. "Marcello. Finalmente!" (Rodolfo), La bohème: Act III. "Mimì è tanto malata!" (Rodolfo), La bohème: Act III. "Mimì è una civetta" (Rodolfo), La bohème: Act III. "Mimì!" (Marcello), La bohème: Act III. "Ohè là, le guardie! Aprite!" (Spazzini), La bohème: Act III. "Sa dirmi, scusi, qual'è l'osteria" (Mimì), La bohème: Act IV. "C'è Mimì... c'è Mimì che mi segue" (Musetta), La bohème: Act IV. "Che avvien?" (Schaunard), La bohème: Act IV. "In un coupé?" (Marcello), La bohème: Act IV. "O Mimì, tu più non torni" (Rodolfo), La bohème: Act IV. "Si sgombrino le sale!" (Marcello), La bohème: Act IV. "Sono andati? Fingevo di dormire" (Mimì), La bohème: Act IV. "Vecchia zimarra, senti" (Colline) |
| Hel Lennart |
balance, engineer |
Swan Lake Suite, op. 20: I. Scene - Swan Theme, Swan Lake Suite, op. 20: II. Valse in A, Swan Lake Suite, op. 20: III. Danse des petits cygnes, Swan Lake Suite, op. 20: IV. Scene, Swan Lake Suite, op. 20: V. Danse Hongroise, Swan Lake Suite, op. 20: VI. Danse Espagnole, Swan Lake Suite, op. 20: VII. Danse Napolitaine, Symphony No. 1 in D major: IV. Stürmisch bewegt, Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso, Symphony No. 2 in C minor "Resurrection": II. Andante moderato, Symphony No. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung, Symphony No. 2 in C minor "Resurrection": V. In Tempo des Scherzo, Symphony No. 3 in D minor: I. Kräftig - Entschieden, Symphony No. 3 in D minor: II. Tempo di Menuetto. Sehr mässig, Symphony No. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony No. 3 in D minor: IV. Sehr langsam. Misterioso, Symphony No. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck, Symphony No. 4 in G major: IV. Sehr behaglich, Symphony No. 9: I. Andante comodo, Symphony No. 9: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb, Symphony No. 9: III. Rondo-Burleske. Allegro assai. Sehr trotzig, Symphony no. 1 in D major: I. Langsam. Schleppend. Wie ein Naturlaut, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima, Symphony no. 5 in E minor, op. 64: III. Valse (Allegro moderato), Symphony no. 5 in E minor, op. 64: IV. Finale (Andante maestoso - Allegro vivace), Symphony no. 9: IV. Adagio. Sehr langsam und noch zurückhaltend |
| André Gagnon |
recording |
As Time Goes By, Aubade, Body and Soul, Chanson sans paroles, Comme une berceuse, Embraceable You, Entrelacs, Fin de bal, Love Me Tender, My Funny Valentine, Non Dimenticar, Prélude inachevé, Smoke Gets in Your Eyes, Tammy, The Way You Look Tonight, True Love, Twilight Time, Un soir à Moscou, Vue sur la mer, When I Fall in Love, Élégie, Épilogue |
| Karl Münchinger |
engineer |
Die Schöpfung, Hob. XX1:2: Teil I, No. 1. Orchestervorspiel Die Vorstellung der Chaos, Die Schöpfung, Hob. XX1:2: Teil I, No. 10. Rezitativ "Und die himmlischen Heerscharen verkündigten" (Uriel) / Teil I, No. 11. Chor "Stimmt an die Saiten" (Chor), Die Schöpfung, Hob. XX1:2: Teil I, No. 12. Rezitativ "Und Gott sprach: Es sei'n Lichter" (Uriel) / Teil I, No. 13. Rezitativ "In vollem Glanze steiget jetzt" (Uriel), Die Schöpfung, Hob. XX1:2: Teil I, No. 14. Terzett und Chor "Die Himmel erzählen die Ehre Gottes" (Chor, Gabriel, Uriel, Raphael), Die Schöpfung, Hob. XX1:2: Teil I, No. 2. Rezitativ und Chor "Im Anfange schuf Gott Himmel und Erde" (Raphael, Chor, Uriel), Die Schöpfung, Hob. XX1:2: Teil I, No. 3. Arie und Chor "Nun schwanden vor dem heiligen Strahle" (Uriel, Chor), Die Schöpfung, Hob. XX1:2: Teil I, No. 4. Rezitativ "Und Gott machte das Firmament" (Raphael) / Teil I, No. 5. Solo und Chor "Mit Staunen sieht das Wunderwerk" (Gabriel, Chor), Die Schöpfung, Hob. XX1:2: Teil I, No. 6. Rezitativ "Und Gott sprach" (Raphael) / Teil I, No. 7. Arie "Rollend in schäumenden Wellen" (Raphael), Die Schöpfung, Hob. XX1:2: Teil I, No. 8. Rezitativ "Und Gott sprach: Es bringe die Erde Gras hervor" (Gabriel) / Teil I, No. 9. Arie "Nun beut die Flur das frische Grün" (Gabriel), Die Schöpfung, Hob. XX1:2: Teil II, No. 15. Rezitativ "Und Gott sprach: Es bringe das Wasser" (Gabriel) / Teil II, No. 16. Arie "Auf starkem Fittiche schwinget sich der Adler stolz" (Gabriel), Die Schöpfung, Hob. XX1:2: Teil II, No. 17. Rezitativ "Und Gott schuf große Walfische" (Raphael), Die Schöpfung, Hob. XX1:2: Teil II, No. 18. Rezitativ "Und die Engel rührten ihr' unsterblichen Harfen" (Raphael) / Teil II, No. 19. Terzett und Chor "In holder Anmut steh'n" (Gabriel, Uriel, Raphael, Chor), Die Schöpfung, Hob. XX1:2: Teil II, No. 20. Rezitativ "Und Gott sprach: Es bringe die Erde" (Raphael) / Teil II, No. 21. Rezitativ "Gleich öffnet sich der Erde Schoß" (Raphael), Die Schöpfung, Hob. XX1:2: Teil II, No. 22. Arie "Nun scheint in vollem Glanze der Himmel" (Raphael), Die Schöpfung, Hob. XX1:2: Teil II, No. 23. Rezitativ "Und Gott schuf den Menschen" (Uriel) / Teil II, No. 24. Arie "Mit Würd' und Hoheit angetan" (Uriel), Die Schöpfung, Hob. XX1:2: Teil II, No. 25. Rezitativ "Und Gott sah jedes Ding" (Raphael) / Teil II, No. 26. Chor und Terzett "Vollendet ist das große Werk" (Chor, Gabriel, Uriel, Raphael), Die Schöpfung, Hob. XX1:2: Teil III, No. 27. Rezitativ "Aus Rosenwolken" (Uriel), Die Schöpfung, Hob. XX1:2: Teil III, No. 28. Duett und Chor "Von deiner Güt', o Herr und Gott" (Eva, Adam, Chor), Die Schöpfung, Hob. XX1:2: Teil III, No. 29. Rezitativ "Nun ist die erste Pflicht erfüllt" (Adam, Eva), Die Schöpfung, Hob. XX1:2: Teil III, No. 30. Duett "Holde Gattin, dir zur Seite" (Adam, Eva), Die Schöpfung, Hob. XX1:2: Teil III, No. 31. Rezitativ "O glücklich Paar, und glücklich immerfort" (Uriel) / Teil III, No. 32. Schlußchor (mit Soli) "Singt dem Herren, alle Stimmen!" (Chor, Solisten) |
| Jacques Offenbach |
balance |
Les Contes D’Hoffmann: Acte I: Allons! Courage et confiance, Les Contes D’Hoffmann: Acte I: Entr’acte, Les Contes D’Hoffmann: Acte I: Les oiseaux dans la charmille, Les Contes D’Hoffmann: Acte I: Voici les valseurs!, Les Contes D’Hoffmann: Acte II: Amis! Amour tendre et rêveur, Les Contes D’Hoffmann: Acte II: Belle nuit, ô nuit d'amour, Les Contes D’Hoffmann: Acte II: J’ai des yeux, de vrais yeux, Les Contes D’Hoffmann: Acte II: Malheureux, tu ne comprends donc pas, Les Contes D’Hoffmann: Acte II: Scintille, diamant, Les Contes D’Hoffmann: Acte II: Une poupée aux yeux d’émail, Les Contes D’Hoffmann: Acte III: Adieu! Je ne veux pas te suivre, Les Contes D’Hoffmann: Acte III: Elle a fui la tourterelle, Les Contes D’Hoffmann: Acte III: Intermède-Entr’acte (Barcarolle), Les Contes D’Hoffmann: Acte III: Jour et nuit je me mets en quatre, Les Contes D’Hoffmann: Acte III: Non, ne me tente plus!… Chère enfant que j’appelle, Les Contes D’Hoffmann: Acte III: Viens là, comme autrefois… C’est une chanson d’amour, Les Contes D’Hoffmann: Prologue: Allons, allons mes enfants! Préparez cette salle, Les Contes D’Hoffmann: Prologue: Dans les rôles d’amoureux langoureux, Les Contes D’Hoffmann: Prologue: Va pour Kleinzach… Il était une fois à la cour |
| David Tamura |
balance, engineer |
An der schönen blauen Donau, op. 314, Auf der Jagd, op. 373, Bei uns z'Haus - waltz, op. 361, Bitte schön! - polka française, after motifs from 'Cagliostro in Wien, op. 372, Die Emancipierte - polka-mazur, op. 282, Die schöne Galathee - operetta in 1 Act (1865): Overture, Hereinspaziert, op. 518, Lagunen-Walzer (Lagoon Waltz), op. 411, Leichtes Blut, polka schnell, op. 319, Loreley-Rhein-Klänge, op. 154, Moulinet - polka française, op. 57, Ohne Bremse - Polka schnell, op. 238, Pizzicato Polka (1870), Radetzky-Marsch, op. 228, Rudolfsheimer - polka schnell, op. 152, Tik-Tak - Polka schnell, op. 365, Wein, Weib und Gesang, op. 333 |
| Reverend Grundarr and the Unholy Trinity |
balance, engineer |
Musical Offering, BWV 1079: Canon a 2, Musical Offering, BWV 1079: Canon a 2 per augmentationem, contrario motu, Musical Offering, BWV 1079: Canon a 2 per motum contrarium, Musical Offering, BWV 1079: Canon a 2 per tonos, Musical Offering, BWV 1079: Canon a 2 violini in unisono, Musical Offering, BWV 1079: Canon a 4, Musical Offering, BWV 1079: Canon perpetuus a 2, Musical Offering, BWV 1079: Canon perpetuus contrario motu, Musical Offering, BWV 1079: Fuga canonica, Musical Offering, BWV 1079: Ricercar a 3, Musical Offering, BWV 1079: Ricercar a 6, Musical Offering, BWV 1079: Sonata a 3: I. Largo, Musical Offering, BWV 1079: Sonata a 3: II. Allegro, Musical Offering, BWV 1079: Sonata a 3: III. Andante, Musical Offering, BWV 1079: Sonata a 3: IV. Allegro, Suite no. 3 in D major, BWV 1068: II. Air |
| Luciano Pavarotti |
engineer, recording |
Ernani: Atto I. "Dell' esilio nel dolore...O tu che l'alma adoro" (Ernani, Coro), Ernani: Atto I. "Mercé, diletti amici ... Come rugiada al cespite" / "Si rapisca.." (Ernani, Coro), L'elisir d'amore: Una furtiva lagrima, La traviata: Act II, Scene I. “Lunge da lei … O mio rimorso!”, La traviata: Atto II, Scena I. “De’ miei bollenti spiriti” (Alfredo), La traviata: Atto II, Scena I. “Lunge da lei” (Alfredo), La traviata: Atto II, Scena I. “O mio rimorso!” (Alfredo), Lucia di Lammermoor: Atto III, Scena III. "Fra poco a me ricovero" (Edgardo), Lucia di Lammermoor: Atto III, Scena III. "Tombe degli avi miei" (Edgardo), Lucia di Lammermoor: Atto III. "Fra poco a me ricovero" (Edgardo), Recondita armonia, Rondine al nido, Torna a Surriento, Un ballo in maschera: Atto III, Scena II. "Force la soglia attinse" |
| Miles Robinson |
balance |
Requiem, op. 89: I. Requiem aeternam, Requiem, op. 89: II. Graduale, Requiem, op. 89: III. Dies irae, Requiem, op. 89: IV. Tuba mirum, Requiem, op. 89: IX. Offertorium, Requiem, op. 89: V. Quid sum miser, Requiem, op. 89: VI. Recordare, Requiem, op. 89: VII. Confutatis maledictis, Requiem, op. 89: VIII. Lacrimosa, Requiem, op. 89: X. Hostias, Requiem, op. 89: XI. Sanctus, Requiem, op. 89: XII. Pie Jesu, Requiem, op. 89: XIII. Agnus Dei |
| Prodigio Claudio |
engineer |
Thaïs: Acte II, Scène I. "Eh bien ! Fais-moi connaître tout cet amour" (Thaïs, Athanaël), Thaïs: Acte II, Scène I. "Je suis Athanaël, moine d'Antinoé" (Athanaël, Thaïs), Thaïs: Acte II, Scène I. "Étranger, te voilà, comme tu l'avais dit !" (Thaïs, Athanaël), Thaïs: Acte II, Scène II. "Considère, ô mon père" (Thaïs, Athanaël), Thaïs: Acte II, Scène II. "Non loin d'ici, vers l'occident" (Athanaël, Thaïs), Thaïs: Acte II, Scène II. "Père, Dieu m'a parlé par ta voix !" (Thaïs, Athanaël), Thaïs: Acte III, Scène I. "Ah ! Des gouttes de sang coulent de ses pieds blancs" (Athanaël, Thaïs), Thaïs: Acte III, Scène I. "Baigne d'eau mes mains et mes lèvres" (Thaïs, Athanaël, Chœur), Thaïs: Acte III, Scène I. "L'ardent soleil m'écrase" (Thaïs, Athanaël), Thaïs: Acte III, Scène II. "Qui te fait si sévère" (Thaïs, Athanaël, Chœur), Thaïs: Acte III, Scène III. "C'est toi, mon père !" (Thaïs, Athanaël) |
| Thomas Buffum |
balance, engineer |
Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro - Meno allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio - Piu andante - Allegro non troppo, ma con brio, Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony no. 2 in C minor “Resurrection”: II. Andante moderato. Sehr gemächlich, Symphony no. 2 in C minor “Resurrection”: III. Scherzo. In ruhig fliessender Bewegung, Symphony no. 2 in C minor “Resurrection”: V (a). Im Tempo des Scherzos. Wild Herausfahrend —, Symphony no. 2 in C minor “Resurrection”: V (b). Maestoso. Sehr zurückhaltend – Wieder zurückhaltend —, Symphony no. 2 in C minor “Resurrection”: V (c). Sehr langsam und gedehnt —, Tragic Overture, op. 81 |
| Kevin Tandu |
engineer, recording |
Dance Suite, Sz. 77: I. Moderato, Dance Suite, Sz. 77: II. Allegro molto, Dance Suite, Sz. 77: III. Allegro vivace, Dance Suite, Sz. 77: IV. Molto tranquillo, Dance Suite, Sz. 77: V. Comodo, Dance Suite, Sz. 77: VI. Finale: Allegro, Symphony no. 1 in D major: I. Langsam, schleppend, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt |
| Сандали |
balance |
Athalia op.74: I. Overture, Athalia op.74: II. War March of the Priests, Die erste Walpurgisnacht (op.60) 1. Overture - Das schlechte Wetter - Der Ueb…, Die erste Walpurgisnacht (op.60) 2. Es lacht der Mai!, Die erste Walpurgisnacht (op.60) 3. Koennt ihr so verwegen handeln?, Die erste Walpurgisnacht (op.60) 4. Wer Opfer heut' zu bringen scheut, Die erste Walpurgisnacht (op.60) 5. Verteilt euch hier, Die erste Walpurgisnacht (op.60) 6. Diese Dumpfen Pfaffenchristen - Kommt Mit Zacken, Die erste Walpurgisnacht (op.60) 7. So Weit Gebracht - Hailf, Ach Hilf Mir… |
| Franz Waxman |
balance |
Das Lied von Terezín: An einem sonnigen Abend, Das Lied von Terezín: Dachbodenkonzert in einer alten Schule, Das Lied von Terezín: Das Mäuschen, Das Lied von Terezín: Der Garten, Das Lied von Terezín: Es ist Zeit, Das Lied von Terezín: Finale: Die Furcht, Das Lied von Terezín: Versunken, Das Lied von Terezín: Vogellied |
| Volker Zander |
balance |
Dance Symphony: I. Lento - Molto allegro - Adagio molto, Dance Symphony: II. Andante moderato, Dance Symphony: III. Allegro vivo, El salón México, Four Dance Episodes From "Rodeo": I. Buckaroo Holiday, Four Dance Episodes From "Rodeo": II. Corral Nocturne, Four Dance Episodes From "Rodeo": III. Saturday Night Waltz, Four Dance Episodes From "Rodeo": IV. Hoe-Down |
| Wizard |
balance |
Cassation in B-flat major, K. 99: I. Marche, Cassation in B-flat major, K. 99: II. Allegro molto, Cassation in B-flat major, K. 99: III. Andante, Cassation in B-flat major, K. 99: IV. Menuet, Cassation in B-flat major, K. 99: V. Andante, Cassation in B-flat major, K. 99: VI. Menuet, Cassation in B-flat major, K. 99: VII. Allegro: Andante - Allegro - Andante - Marche, Minuet & Trio (Divertimento in D major, K. 334) |
| Cicadan |
engineer |
Thaïs: Acte I, Scène II. Prélude, Thaïs: Acte II, Scène II. Divertissement 3. Allegro brillante, Thaïs: Acte II, Scène II. Divertissement: 1. Allegro vivo, Thaïs: Acte II, Scène II. Divertissement: 2. Mélopée orientale, Thaïs: Acte II, Scène II. Divertissement: 4. Allegretto con spirito, Thaïs: Acte II, Scène II. Divertissement: 5. Mouvement de valse, Thaïs: Acte II, Scène II. Divertissement: 7. Finale |
| Cliff |
balance |
Suite no. 1 for 2 Pianos, op. 5: 1. Barcarolle, Suite no. 1 for 2 Pianos, op. 5: 3. Tears, Suite no. 1 for Two Pianos, op. 5: IV. Pâques: Allegro maestoso, Suite no. 2 for 2 Pianos, op. 17: I. Introduction: Alla marcia, Suite no. 2 for 2 Pianos, op. 17: II. Valse: Presto, Suite no. 2 for 2 Pianos, op. 17: III. Romance: Andantino, Suite no. 2 for 2 Pianos, op. 17: IV. Tarantelle |
| Summer Rayne |
recording |
Encore: 'O sole mio, Encore: Nessun dorma, Medley: Maria / Tonight / 'O paese d' 'o sole / Cielito lindo, Medley: Mattinata / Wien Wien nur du allein / Amapola / 'O sole mio, Medley: Memory / Ochi tchorniye / Caminito / La Vie en rose, Nessun dorma |
| Shawn Reams |
engineer |
Un ballo in maschera: Atto I, Scena I., Un ballo in maschera: Atto I, Scena II . (conclusion), Un ballo in maschera: Atto II. (beginning), Un ballo in maschera: Atto II. (conclusion), Un ballo in maschera: Atto III. Scena I., Un ballo in maschera: Atto III. Scena II. |
| Rıfat Ahmet Moralı |
balance |
Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: I. Allegro con brio, Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: II. Largo, Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: III. Rondo. Allegro, Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Allegro moderato, Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Andante con moto, Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Rondo. Vivace |
| Almoth Hodges |
balance |
Piano Concerto no. 1 in C major, op. 15: 1. Allegro con brio, Piano Concerto no. 1 in C major, op. 15: 2. Largo, Piano Concerto no. 1 in C major, op. 15: 3. Rondo (Allegro scherzando), Piano Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio, Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio, Piano Concerto no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro |
| Johannes Brahms |
engineer |
Symphony no. 1 In C Minor, op. 68: I. Un poco sostenuto, Symphony no. 1 In C Minor, op. 68: II. Andante sostenuto, Symphony no. 1 In C Minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 In C Minor, op. 68: IV. Adagio - Più Andante - Allegro non troppo ma con brio - Più allegro, Variations on a Theme by Haydn, op. 56a |
| Thomas Hampson |
engineer |
Thaïs: Acte I, Scène I. "Hélas ! enfant encore" (Athanaël), Thaïs: Acte I, Scène I. "Toi qui mis la pitié dans nos âmes" (Athanaël), Thaïs: Acte I, Scène I. Vision d'Athenaël "Honte ! Horreur !" (Athanaël), Thaïs: Acte I, Scène II. "Voilà donc la terrible cité" (Athanaël), Thaïs: Acte III, Scène II. "Thaïs va mourir !" (Athanaël) |
| Vanessa Katharina |
recording |
Ernani: Atto I. Coro dintroduzione "Evviva! Beviam!" / "Ernani pensoso" (Coro), Ernani: Atto II. Coro dintroduzione "Esultiamo! Letizia ne innondi" (Coro), Ernani: Atto III. "Un patto! Un giuramento!" (Tutti), Ernani: AttoIV. "Oh, come felici gioiscon gli sposi!" (Coro) |
| Big Apple Band |
balance |
Suite no. 3 in G major, op. 55: I. Elégie: Andantino molto cantabile - Andante, Suite no. 3 in G major, op. 55: II. Valse mélancolique: Allegro moderato, Suite no. 3 in G major, op. 55: III. Scherzo: Presto, Suite no. 3 in G major, op. 55: IV. Tema con variazioni: Andante con moto |
| Dongsok Shin |
engineer |
La traviata: Act III. “Parigi, o cara”, La traviata: Atto I. “Un dì felice, eterea” (Alfredo, Violetta), La traviata: Atto II, Scena II. “Alfredo! Voi!” – “Or tutti a me” – “Ogni suo aver” (Tutti, Alfredo, Violetta), La traviata: Atto III. “Parigi, o cara” – “Ah! Gran Dio! Morir sì giovine” (Alfredo, Violetta) |
| Homesick |
engineer, recording |
Ernani: Atto I. "Surta è la notte" / "Ernani!...Ernani involami" (Elvira) / "Quante d'Iberia giovani" (Coro, Elvira), Ernani: Atto I. "Tutto sprezzo che d'Ernani" (Elvira, Coro), Lucia di Lammermoor: Atto II, Scena I. "Che fia" (Lucia), Lucia di Lammermoor: Atto III, Scena II. "Oh giusto cielo!... Il dolce suono" (Coro, Lucia) |
| Lainey Edwards |
balance |
Salome, op. 54: "Ah! Herrlich! Wundervoll!", Salome, op. 54: "Ah! Ich habe deinen Mund geküßt", Salome, op. 54: "Salome, komm, trink Wein mit mir", Salome, op. 54: "Still, spricht nicht zu mir!" |
| owl＊tree |
balance |
Sonata in D major for 2 Pianos, K. 448: 1. Allegro con spirito, Sonata in D major for 2 Pianos, K. 448: 2. Andante, Sonata in D major for 2 Pianos, K. 448: 3. Allegro molto, Study in Canon Form in A-flat, op. 56 no. 4 |
| School Water Fountain |
engineer |
Thaïs: Acte I, Scène I. "Le voici ! Le voici !" (Cénobites, Athanaël, Palémon), Thaïs: Acte I, Scène I. "Mon fils, ne nous mêlons jamais" (Palémon, Athanaël, Cénobites), Thaïs: Acte I, Scène I. "Ne nous mêlons jamais, mon fils" (Palémon, Cénobites, Athanaël), Thaïs: Acte III, Scène II. "C'est lui qui vient !" (Cénobites, Athanaël, Palémon) |
| Adolphe Samuel |
engineer |
: Lucia di Lammermoor: Atto III. "Ah! Dalle stanze ove Lucia", Lucia di Lammermoor: Atto II, Scena I. "Se tradirmi tu potrai" (Enrico, Lucia), Lucia di Lammermoor: Atto II, Scena I. "Soffriva nel pianto" (Lucia, Enrico), Lucia di Lammermoor: Atto II. "Soffriva nel pianto" (Lucia, Enrico) |
| Samsidi |
engineer |
Lucia di Lammermoor: Atto I, Scena II. "Ancor non giunse" (Lucia, Alisa), Lucia di Lammermoor: Atto I, Scena II. "Quando rapito in estasi" (Lucia, Alisa), Lucia di Lammermoor: Atto I, Scena II. "Regnava nel silenzo" (Lucia, Alisa), Lucia di Lammermoor: Atto I. "Regnava nel silenzio" (Lucia, Alisa) |
| Malihini |
balance |
Piano Concerto no. 2 in B-flat, op. 83: 1. Allegro non troppo, Piano Concerto no. 2 in B-flat, op. 83: 2. Allegro appassionato, Piano Concerto no. 2 in B-flat, op. 83: 3. Andante - Più adagio, Piano Concerto no. 2 in B-flat, op. 83: 4. Allegretto grazioso - Un poco più presto |
| Marc Singer |
engineer |
Lucia di Lammermoor: Atto II, Scena I. "Ah! cedi, cedi, o più sciagure" (Raimondo, Lucia), Lucia di Lammermoor: Atto II, Scena I. "Al ben de' tuoi qual vittima" (Raimondo, Lucia), Lucia di Lammermoor: Atto II, Scena I. "Ebben?... Di tua speranza" (Lucia, Raimondo), Lucia di Lammermoor: Atto III. "Ardon gli incensi" (Lucia, Raimondo) |
| 増永直子 |
balance |
Symphony no. 3 in C minor, op. 78 “Organ Symphony”: 1a. Adagio - Allegro Moderato -, Symphony no. 3 in C minor, op. 78 “Organ Symphony”: 1b. Poco Adagio, Symphony no. 3 in C minor, op. 78 “Organ Symphony”: 2a. Allegro Moderato - Presto - Allegro Moderato, Symphony no. 3 in C minor, op. 78 “Organ Symphony”: 2b. Maestoso - Piu Allegro - Molto Allegro |
| Joan Sutherland |
engineer |
La traviata: Act I. “È strano! … Ah, fors’è lui … Sempre libera”, La traviata: Atto I. “Follie! follie! ... Sempre libera” (Violetta), La traviata: Atto I. “È strano! È strano! … Ah! fors’è lui” (Violetta), La traviata: Atto III. “Teneste la promessa … È tardi! … Addio, del passato” (Violetta) |
| Bernd Seuffert |
engineer |
Aida: Act I, Scene I. "Se quel guerrier io fossi!" (Radamès), Aida: Act III. "Pur ti riveggo, mia dolce Aida..." (Radamès), Aida: Act IV, Scene II. "La fatal pietra sovra me si chiuse" (Radamès), Aida: Act IV, Scene II. "Presago il core della tua condanna" (Aida) |
| DJ Guit |
balance |
Octet in E-flat, op. 20, MWV R20: I. Allegro moderato, ma con fuoco, Octet in E-flat, op. 20, MWV R20: II. Andante, Octet in E-flat, op. 20, MWV R20: III. Scherzo (Allegro leggierissimo), Octet in E-flat, op. 20, MWV R20: IV. Presto |
| José Carreras |
recording |
Core 'ngrato, Granada, Il lamento di Federico, L'improvviso |
| Plácido Domingo |
recording |
E lucevan le stelle, No puede ser, Ô paradis |
| Prodigio y su Cuatro Son |
engineer |
Thaïs: Acte I, Scène II. "Non ! Non ! Je hais vos fausses ivresses !" (Athanaël, Thaïs, Nicias, Chœur), Thaïs: Acte I, Scène II. "Quel est cet étranger" (Thaïs, Nicias, Athanaël), Thaïs: Acte II, Scène I. "Je n'ai pas plus choisi mon sort que ma nature !" (Thaïs, Athanaël, Nicias) |
| Renata Tebaldi |
engineer |
Un ballo in maschera: Atto II. "Ecco l'orrido campo ove s'accoppia", Un ballo in maschera: Atto II. "Ma dall'arido stelo divulsa", Un ballo in maschera: Atto III, Scena I. "Morrò, ma prima in grazia" |
| Renée Fleming |
engineer |
Thaïs: Acte II, Scène I. "Ah ! je suis seule, seule enfin !" (Thaïs), Thaïs: Acte II, Scène I. "Dis-moi que je suis belle" (Thaïs), Thaïs: Acte III, Scène I. "Ô messager de Dieu, si bon dans ta rudesse" (Thaïs) |
| Richard Strauss |
engineer |
Horn Concerto no. 1 in E-flat major, op. 11: I. Allegro, Horn Concerto no. 1 in E-flat major, op. 11: II. Andante, Horn Concerto no. 1 in E-flat major, op. 11: III. Allegro |
| Nicole Sinclair |
recording |
Ernani: Atto II. "Oro, quant'oro ogn'avido" (Ernani, Elvira, Silva) / "In queste mura ogn'ospite" (Silva), Ernani: Atto IV. "Cessaro i suoni, dispari ogni face" (Ernani, Elvira, Silva), Ernani: Atto IV. "Ferma, crudele, estinguere perché vuoi tu due vite?" (Elvira, Silva, Ernani) |
| Franz Strauss |
engineer |
Horn Concerto in C minor, op. 8: I. Allegro molto, Horn Concerto in C minor, op. 8: II. Andante, Horn Concerto in C minor, op. 8: III. Allegro molto |
| Tor Lennström |
balance |
Mephisto Waltz no. 1 (The Dance in the Village Inn), Tasso: Lamento e trionfo, S.96, Von der Wiege bis zum Grabe, S.107 |
| Character Defects |
engineer |
Lucia di Lammermoor: Atto III, Scena III. "Oh! meschina!" (Coro, Edgardo, Raimondo), Lucia di Lammermoor: Atto III, Scena III. "Tu che a Dio spiegasti l'ali" (Edgardo, Raimondo, Coro), Lucia di Lammermoor: Atto III. Finale "Tu che a Dio spiegasti l'ali" (Edgardo, Raimondo, Coro) |
| Émile Mathieu |
engineer |
Lucia di Lammermoor: Atto I, Scena II. "Qui di sposa eterna" / "Ah! Verrano a te sull'aure" (Edgardo, Lucia), Lucia di Lammermoor: Atto I, Scena II. "Sulla tomba" (Edgardo, Lucia), Lucia di Lammermoor: Atto I. "Sulla tomba" (Edgardo, Lucia) |
| S. Indrawan |
engineer |
Lucia di Lammermoor: Atto III, Scena I. "Orrida è questa notte" / "Ashton!,, Si" (Edgardo, Enrico), Lucia di Lammermoor: Atto III, Scena I. "Qui del padre ancor respira" (Edgardo, Enrico) |
| Mack Tone |
balance |
La Navarraise: Nocturne, Le Roi de Lahore: Entr'acte (Act 5) - Adagio & Valse (Act 3) |
| Adam Grant |
engineer |
La traviata: Atto I. “Che è ciò?” – “Oh, qual pallor! … Voi qui!” (Coro, Violetta, Alfredo), La traviata: Atto I. “Dell’invito trascorsa” (Coro, Violetta, Alfredo) |
| Schuminga |
recording |
Ernani: Atto II. "Ah, morir potessi adesso" (Ernani, Elvira), Ernani: Atto II. "Tu, perfida...Come fissarmi ardisci?" (Ernani, Elvira) |
| Leo Nucci |
recording |
Ernani: Atto III. "Gran Dio! Costor sui sepolcrali marmi" (Carlo), Ernani: Atto III. "Oh de' verd'anni miei" (Carlo) |
| Sherrill Milnes |
engineer |
Un ballo in maschera: Atto III, Scena I. "Alzati; là tuo figlio", Un ballo in maschera: Atto III, Scena I. "Eri tu che macchiavi quell'anima" |
| Pelle Berglund |
engineer |
Thaïs: Acte I, Scène I. "Voici le pain... et le sel" (Cénobites, Palémon), Thaïs: Acte III, Scène II. "Que le ciel est pesant !" (Cénobites, Palémon) |
| Kevin Le Quellec |
recording |
Ernani: Atto I. "Che ma vegg'io!" / "Infelice!...e tuo credevi" / "L'offeso onor, signori" (Silva), Ernani: Atto I. "Infin che un brando vindice" (Silva) |
| Julia Shapiro |
balance |
Salome, op. 54: "Ah, du wolltest mich nicht deinem Mund küssen lassen", Salome, op. 54: "Es ist kein Laut zu vernehmen" |
| Goblin Hovel |
balance |
Salome, op. 54: "Eine Menge Menschen wird sich gegen sie sammeln", Salome, op. 54: Tanz der Sieben Schleier |
| George Alexander |
engineer |
Un ballo in maschera: Atto III, Scena I. "Dunque l'onta di tutti sol una", Un ballo in maschera: Atto III, Scena I. "Siam soli, Udite" |
| Noah Geller |
balance, recording |
Symphonie espagnole in D minor, op. 21: V. Rondo. Allegro, Symphonie espagnole: Scherzando: Allegro molto |
| 沢田二郎 |
engineer |
Un ballo in maschera: Atto II. Preludio, Un ballo in maschera: Preludio |
| Dante Zapata |
engineer |
La traviata: Atto II, Scena I. “Di Provenza il mar, il suol” (Germont), La traviata: Atto II, Scena I. “No, non udrai rimproveri” (Germont) |
| Roan Pronk |
engineer |
Un ballo in maschera: Atto I, Scena II. "Zitti...l'incanto non dèssi turbare", Un ballo in maschera: Atto I. Scena I. "Posa in pace, a' bei sogni ristora" |
| Björn Wallgren |
engineer |
Thaïs: Acte I, Scène II. "C'est Thaïs, l'idole fragile" (Thaïs, Nicias), Thaïs: Acte I, Scène II. "Qui te fait si sévère" (Thaïs, Nicias, Chœur) |
| Young Grin |
engineer |
Un ballo in maschera: Atto I, Scena II. "Che v'agita cosi?", Un ballo in maschera: Atto I, Scena II. "Della cità all'occaso" |
| Zibba e Raphael |
engineer |
Un ballo in maschera: Atto II. "Seguitemi - Mio Dio!"", Un ballo in maschera: Atto II. "Ve', se di notte qui colla spossa" |
| Andrew Furmanski |
recording |
Ernani: Atto II. "Jago, qui tosto il pellegrin adduci" (Silva, Ernani, Elvira), Ernani: Atto II. "Vigili pure i ciel sempre su te" (Silva, Ernani) |
| Patricia Faber |
recording |
Ernani: Atto II. "Cugino, a che munito il tuo castel ritrovo?" (Carlo, Silva), Ernani: Atto II. "Lo vedremo, veglio audace" (Carlo Silva) |
| Anders Karlsmark |
engineer |
Thaïs: Acte I, Scène II. "Ah ! Ah ! Ah !.. Athanaël, c'est toi !" (Crobyle, Myrtale, Nicias, Athanaël), Thaïs: Acte I, Scène II. "Ah ! Ah ! Ah !.. Je vais donc te revoir" (Crobyle, Myrtale, Nicias, Athanaël) |
| Amries |
engineer |
Lucia di Lammermoor: Atto I, Scena I. "Cruda, funesta smania" (Enrico, Normanno, Raimondo), Lucia di Lammermoor: Atto I, Scena I. "Tu sei turbato!" (Normanno, Enrico, Raimondo) |
| Steel Tigers of Death! |
engineer |
Lucia di Lammermoor: Atto III, Scena II. "Deh, cessate quel contento" (Raimondo, Coro), Lucia di Lammermoor: Atto III, Scena II. "Oh! qual funesto avvenimento!" (Coro, Raimondo) |
| Lock Jaw |
recording |
Ernani: Atto I. "Fa' che a me venga..." (Carlo, Giovanna, Elvira) |
| Logan Chapman |
engineer |
La traviata: Atto III. “Annina?” – “Comandate?” (Violetta, Annina, Dottore) |
| Los Sintomas |
engineer |
Un ballo in maschera: Atto I, Scena II. "Su. profetessa, monta il treppie" |
| Los Violines de San Juan |
engineer |
Thaïs: Acte II, Scène II. "Suivez-moi tous, amis !" (Nicias, Crobyle, Myrtale, Chœur) |
| Emo Suarez |
engineer |
Lucia di Lammermoor: Atto III, Scena II. "Spargi d'amaro pianto" (Lucia, Enrico, Raimondo, Coro) |
| Esther Valles |
balance |
Faust: Act 3: Quel trouble inconnu... Salut! Demeure chaste et pure |
| Eva Sonesson |
engineer |
Thaïs: Acte I, Scène II. "Garde-toi bien ! Voici ta terrible ennemie !" (Nicias, Chœur) |
| Felix Mitterer |
balance |
Andante & Variations for 2 Pianos, 2 Cellos & Horn, WoO 10 |
| Mama's Pride |
recording |
Ernani: Atto III. "O sommo Carlo, più del tuo nome" (Carlo, Elvira, Ernani, Riccardo, Giovanna, Jago, Silva, Coro) |
| Filaret Kolessa |
recording |
Ernani: Atto IV. "Ecco il pegno" (Silva, Ernani) |
| Marcel Kaupp |
recording |
Ernani: Atto I. "Da quel di che t'ho veduta" (Carlo, Elvira) |
| Marie Dagerborn |
engineer |
Thaïs: Acte III, Scène III. "Seigneur, ayez pitié de moi" (Chœur, Albine) |
| Mia Landberg |
engineer |
Thaïs: Acte III, Scène I. "Mon œuvre est accomplie !" (Athanaël, Thaïs, Albine, Chœur) |
| Buy Jupiter |
engineer |
Lucia di Lammermoor: Atto II, Scena I. "Lucia fra poco a te verrà" (Normanno, Enrico) |
| Modesto Nieves y su Grupo |
engineer |
Thaïs: Acte II, Scène II. "Voilà l'incomparable !" (Nicias) / Divertissement: 6. La Charmeuse (La Charmeuse) |
| Nafloyd Scott |
recording |
Madama Butterfly: Act I. Vogliatemi bene (Love Duet) |
| Necrophilic Autopsy |
recording |
Madama Butterfly: Act I. "Viene la sera" |
| Carl Hecker |
balance |
Concerto for Violin and Orchestra in D major, op. 77: II. Adagio |
| Fredi Olster |
engineer |
Lucia di Lammermoor: Atto III, Scena II. "Ohimè! sorge il tremendo fantasma" (Lucia, Normanno, Raimondo, Coro) |
| Onassis |
engineer |
La traviata: Atto II, Scena I. “Dammi tu forza, o cielo!” – “Amami, Alfredo” (Violetta, Annina, Alfredo) |
| Oscars Mottetkörs |
engineer |
Un ballo in maschera: Atto I, Scena II. "E' scherzo od è follia" |
| Pascal Bordeau |
engineer |
Un ballo in maschera: Atto III, Scena I. "Il messaggio entri" |
| Gawurra |
engineer |
La traviata: Atto I. Brindisi: “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) |
| Paul Cimolini |
engineer |
Un ballo in maschera: Atto III, Scena I. "Ah! di che fulgor, che musiche" |
| Anthony Carrington |
recording |
Madama Butterfly: Act II. Aria "Un bel dì vedremo" (Butterfly) |
| Pelt |
engineer |
Lucia di Lammermoor: Atto I, Scena I. "La pietade in suo favore" (Enrico, Coro, Raimondo) |
| Peter Ledaine |
engineer |
Un ballo in maschera: Atto II. "Teco io sto - Gran Dio!' / "Non sai tu che se l'anima mia" / "M'ami, m'ami!" |
| Charles Ellerton |
engineer |
Un ballo in maschera: Atto I, Scena I. "Ogni cura si doni al diletto...Signori oggi d'Ulrica" |
| Chorus of the Royal Opera House, Covent Garden |
engineer |
Lucia di Lammermoor: Atto III, Scena II. "D'immenso giubilo" (Coro) |
| Antonio Vivaldi |
balance |
Concerto for Flute and Strings in F, op. 10, no. 1, R.433 "La Tempesta di Mare" |
| Projekt Miejski |
engineer |
Un ballo in maschera: Atto III, Scena II. "Ah! perché qui! fuggite" |
| Raelene Prieto |
recording |
Ernani: Atto I. "Uscite...Ma signore.." / "Vedi come il buon vegliardo" (Silva, Ernani, Carlo, Jago, Riccardo, Elvira, Giovanna, Coro) |
| Gregory McPherson the 2nd |
engineer |
Un ballo in maschera: Atto I, Scena II. "Di' tu se fedele il flutto m'aspetta" |
| Regurgitated Discharge |
engineer |
Aida: Act IV, Scene II. "O terra, addio; addio valle di pianti" (Aida, poi con Radamès) |
| Gustav Mahler |
engineer |
Symphony no. 1 in D major: IV. Stürmisch bewegt |
| Renaud Capuçon |
engineer |
Thaïs: Acte II. Entr'acte "Méditation religieuse" |
| Habanero Posse |
engineer |
Die Zauberflöte, K. 620: Act I, Scene II. No. 1 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno) |
| Hate Beast |
engineer |
Lucia di Lammermoor: Atto II, Scena II. "T'allontana, sciagurato" / "Maledetto sia l'istante" (Arturo, Enrico, Coro, Raimondo, Edgardo, Lucia) |
| Heike Aumüller |
engineer |
La traviata: Atto III. Baccanale: “Largo al quadrupede” (Coro di maschere) |
| Clem Bennett |
engineer |
Lucia di Lammermoor: Atto I, Scena I. Preludio e coro "Percorrete le spiaggie vicine" (Normanno, Coro)) |
| Rod Shively |
engineer |
Un ballo in maschera: Atto I, Scena I. "Alla vita che t'arride" |
| Roger Dangerfield |
engineer |
Lucia di Lammermoor: Atto II, Scena II. Sestetto con coro "Chi mi frena in tal momento?" (Edgardo, Enrico, Lucia, Raimondo, Edgardo, Alisa, Coro) |
| Rudolf Wald |
recording |
Ernani: Atto II. "D'Ernani i fidi chiedono" (Jago, Silva, Ernani, Coro) |
| Ryo Damara |
engineer |
Un ballo in maschera: Atto I, Scena II. (beginning) |
| Helen Donath |
engineer |
Un ballo in maschera: Atto III, Scena II. "Saper vorreste" |
| Hexstar |
engineer |
La traviata: Atto II, Scena II. “Di sprezzo degno” (Germont, Alfredo, Violetta, tutti) |
| Sabrina Gausmann |
recording |
Ernani: Atto II. "Fu esplorata el castello" (Coro, Carlo, Elvira, Silva) |
| BLØSH |
engineer |
Lucia di Lammermoor: Atto III, Scena II. "S'avanza Enrico!" (Raimondo, Enrico, Coro, Lucia) |
| Samson Silitonga |
engineer |
Lucia di Lammermoor: Atto I, Scena II. "Egli s'avanza" (Alisa, Edgardo, Lucia) |
| Sani Udin |
engineer |
Lucia di Lammermoor: Atto II, Scena I. "Appressati, Lucia" / "Il pallor, funesto, orrendo" (Enrico, Lucia) |
| Sara & Roxy |
recording |
Ernani: Atto III. "Ad augusta! Chi va là?" (Coro, Ernani, Silva, Jago) |
| JBO |
balance |
Salome, op. 54: "Ich will nicht bleiben" |
| Anal Milk |
recording |
Madama Butterfly: Act I. "America for ever" |
| Jair Muro |
engineer |
Un ballo in maschera: Atto III, Scena II. "Ma se m'è forza perderti" / "Ah! dessa è là" |
| Curious George |
engineer |
Un ballo in maschera: Atto III, Scena II. "Ella è pura: in braccio a morte" |
| Simon Peter |
engineer |
Thaïs: Acte III, Scène I. "La paix du Seigneur soit avec toi" (Athanaël, Albine) |
| Alexander Young |
engineer |
Un ballo in maschera: Atto III, Scena I. "D'una grazia vi supplico" / "E chi vien?" / "Qual tristezza m'assale, qual pena!" |
| SteveG.Bartel |
recording |
Ernani: Atto I. Preludio |
| DJ Last One |
engineer |
La traviata: Act I. “Un dì felice” |
| Dangerkid |
engineer |
La traviata: Atto III. “Ah, Violetta!” – “Se una pudica vergine” (Germont, Violetta, Alfredo, Annina, Dottore) |
| Svante Fregert |
engineer |
Thaïs: Acte I, Scène II. "Va, mendiant, chercher ailleurs ta vie !" (Serviteur, Athanaël) |
| Andi Zech |
recording |
Ernani: Atto III. "Qual rumore? Che sarà" (Ernani, Silva, Jago, Carlo, Riccardo, Coro) |
| The Dirge |
recording |
Die Entführung aus dem Serail, K. 384: Act I, Scene VI. No. 5b Chor "Singt dem grossen Bassa Lieder" (Chor und Solisten der Janitscharen) |
| The Pawns |
engineer |
Lucia di Lammermoor: Atto III, Scena II. "Si tragga altrove" (Enrico, Raimondo, Normanno) |
| The Press Corps |
engineer |
Thaïs: Acte III, Scène III. "Sois le bienvenu dans nos tabernacles" (Albine, Athanaël, Chœur) |
| A Vision of Panorama |
engineer |
Thaïs: Acte II, Scène II. "Il dit vrai !" (Thaïs, Nicias, Athanaël, Chœur) |
| Justin Bird |
engineer |
Lucia di Lammermoor: Atto II, Scena II. "Dov'è Lucia? " (Arturo, Enrico, Coro) / "Ecco il tuo sposo" (Enrico, Lucia, Arturo, Raimondo, Coro) |
| Thomas Reinhard |
recording |
Ernani: Atto I. "Mio signor, dolente i sono" / "Io tuo fido?.." (SIlva, Carlo, Elvira, Ernani, Riccardo, Giovanna, Jago, Coro) |
| Thundercore |
engineer |
La traviata: Atto II, Scena I. “Ah! Dite alla giovine” – “Morrò! La mia memoria” (Violetta, Germont) |
| Delta |
engineer |
Un ballo in maschera: Atto I, Scena II. "Re deli'abisso, affrettati" / "Arrivo il primo!" / "Su, fatemi largo, saper vo' il mio fato" |
| Tramtracks |
engineer |
Un ballo in maschera: Atto II. "Ahimè, S'appressa alcun!" |
| Tubalaté |
balance |
Lincoln Portrait |
| UMZE Chamber Ensemble |
balance |
Faust: Act 2: No.7 Ronde du veau d'or: "Le veau d'or" |
| VB Artist |
engineer |
La traviata: Atto III. “Signora!” – “Che t’accade?” (Annina, Violetta, Alfredo) |
| KefiRock |
engineer |
Un ballo in maschera: Atto III, Scena II. "Fervono amori e danze" / "So che tu sai distinguere gli amici suoi" |
| Der Herzog |
recording |
Ernani: Atto II. "Vieni meco, sol di rose" (Carlo, Giovanna, Riccardo, Silva, Coro) |
| Wayne Styles |
engineer |
La traviata: Atto II, Scena II. “Avrem lieta di maschere la notte” – “Noi siamo zingarelle” (Flora, Marchese, Dottore, tutti) |
| West Tyler |
engineer |
Thaïs: Acte II, Scène II. "Eh ! C'est lui ! Athanaël !" (Nicias, Athanaël, Chœur) |
| Whoreanus |
recording |
Madama Butterfly: Act I. "Ier l'altro il Consolato" |
| Dirk Nowell |
recording |
Ernani: Atto III. "E questo il loco?" (Carlo, Riccardo) |
| YeahRight! |
balance |
The Planets, op. 32: VII. Neptune, the Mystic |
| Koor Gaudicanto Grimminge |
engineer |
Un ballo in maschera: Atto I, Scena II. "Orsu, amici" |
| Zablas |
engineer |
Lucia di Lammermoor: Atto I. "Cruda, funesta smania" / "La pietade in suo favore" (Enrico, Normanno, Raimondo) |
| Alexander Lindo |
engineer |
Un ballo in maschera: Atto I. Scena I. "La revedrà nell'estasi" / "Il cenno mio" |
| fluz |
engineer |
Un ballo in maschera: Atto III, Scena I. "A tal colpa è nulla il pianto" |
| Le Santo Combattre |
engineer |
La traviata: Atto II, Scena I. “Pura siccome un angelo” (Germont, Violetta) |
| Lengser |
engineer |
Lucia di Lammermoor: Atto II, Scena II. "Per te d'immenso giubilo" / "Per poco fra le tenebre" (Coro, Arturo) |
| Els Van den Borre |
engineer |
Un ballo in maschera: Atto I, Scena II. "Finisci il vaticino" |
| Lil Foreignn |
balance |
Salome, op. 54: "Salome, bedenk, was du tun willst" |
| Loaf Muzik |
recording |
Ernani: Atto II. "Scellerati, il mio furore" (Silva, Jago, Ernani) / "No, vendetta più tremenda" (Silva, Ernani, Elvira) |
| Louis Kufferath |
engineer |
Lucia di Lammermoor: Atto II. Sestetto "Chi mi frena in tal momento?" (Edgardo, Enrico, Lucia, Raimondo, Alisa, Arturo, Coro) |