MUSICAL BACON
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Roger Hand
小澤征爾
Boston Symphony Orchestra
Onno Scholtze
Wilhelm Hellweg
Henk Kooistra
Klaus Hiemann
Rainer Brock
Tanglewood Festival Chorus
John Newton
Hans-Peter Schweigmann
Garrick Ohlsson
John Browning
Thomas Mowrey
Håkan Hagegård
Barbara Bonney
Hanno Rinke
Florence Quivar
Boston Boys Choir
Werner Mayer
Fiona Gale
Everett Porter
Amelia Rogers
Kenneth Riegel
Faye Robinson
Judith Blegen
Gwynne Howell
Dominic Cossa
John Oliver
Esther Hinds
Lorna Myers
Benjamin Luxon
Deborah Sasson
Jack Renner
Elaine Martone
Marilyn Horne
Ronald Whitaker
Robert Woods
Kiri Te Kanawa
James Christie
New England Conservatory Chorus
Mark Buecker
Sherman Walt
Klaus Behrens
Jules Eskin
Christian Gansch
Charles Kavaloski
Alison Ames
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Artist name
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小澤征爾 (conductor)
conductor
A Midsummer Night’s Dream, op. 61: IX. Wedding March, Alborada del gracioso, Ancient Airs and Dances Suite no. 3: III. Siciliana, Antiche danze ed arie, suite I: Anonymus: Passo mezzo a mascherada, Antiche danze ed arie, suite I: Anonymus: Villanella, Antiche danze ed arie, suite I: Simone Molinaro: Balletto "Il Conte Orlando" (1599), Antiche danze ed arie, suite I: Vincenzo Galilei: Gagliarda (1598), Antiche danze ed arie, suite II: Anonymus: Campanae parisienses, Antiche danze ed arie, suite II: Bernardo Gianoncelli: Bergamasca (1650), Antiche danze ed arie, suite II: Fabrizio Caroso: Laura soave (1581), Antiche danze ed arie, suite II: Jean-Baptiste Besard: Danza rustica (1617), Antiche danze ed arie, suite III: Anonymus: Italiana, Antiche danze ed arie, suite III: Anonymus: Siciliana, Antiche danze ed arie, suite III: Jean-Baptiste Besard: Aria di corte (1617), Antiche danze ed arie, suite III: Lodovico Roncalli: Passacaglia (1692), Berceuse (Lullaby) From the Firebird, Boléro, Carmina Burana: Blanziflor et Helena, Carmina Burana: Blanziflor et Helena: Ave formosissima, Carmina Burana: Fortuna imperatix mundi, Carmina Burana: Fortuna imperatrix mundi, Carmina Burana: Fortuna imperatrix mundi: Fortune plango vulnera, Carmina Burana: Fortuna imperatrix mundi: O fortuna, Carmina Burana: I. Primo vere: Ecce gratum, Carmina Burana: I. Primo vere: Omnia sol temperat, Carmina Burana: I. Primo vere: Veris leta facies, Carmina Burana: II. In taberna: Ego sum abbas, Carmina Burana: II. In taberna: Estuans interius, Carmina Burana: II. In taberna: In taberna quando sumus, Carmina Burana: II. In taberna: Olim lacus colueram, Carmina Burana: III. Cour d’amours: Amor volat undique, Carmina Burana: III. Cour d’amours: Circa mea pectora, Carmina Burana: III. Cour d’amours: Dies, nox et omnia, Carmina Burana: III. Cour d’amours: Dulcissime, Carmina Burana: III. Cour d’amours: In trutina, Carmina Burana: III. Cour d’amours: Si puer cum puellula, Carmina Burana: III. Cour d’amours: Stetit puella, Carmina Burana: III. Cour d’amours: Tempus est iocundum, Carmina Burana: III. Cour d’amours: Veni, veni, venias, Carmina Burana: Uf dem anger, Carmina Burana: Uf dem anger: Chramer, gip die varwe mir, Carmina Burana: Uf dem anger: Floret silva, Carmina Burana: Uf dem anger: Reie; Swaz hie gat umbe; Chume, chum, geselle min, Carmina Burana: Uf dem anger: Tanz, Carmina Burana: Uf dem anger: Were diu werlt alle min, Carnival Overture, Op. 92, Carnival of the Animals: I. Introduction and Royal March of the Lions, Carnival of the Animals: II. Hens and Roosters, Carnival of the Animals: III. Mongolian Wild Donkeys, Carnival of the Animals: IV. Tortoises, Carnival of the Animals: IX. The Cuckoo in the Depths of the Forest, Carnival of the Animals: V. The Elephant, Carnival of the Animals: VI. Kangaroos, Carnival of the Animals: VII. Aquarium, Carnival of the Animals: VIII. Personages with Long Ears, Carnival of the Animals: X. Aviary, Carnival of the Animals: XI. Pianists, Carnival of the Animals: XII. Fossils, Carnival of the Animals: XIII. The Swan, Carnival of the Animals: XIV. Finale, Central Park in the Dark, Daphnis et Chloé: II. Pantomime, Daphnis et Chloé: III. Danse générale (feat. flute: Doriot Anthony Dwyer), Dolly Suite, op. 56: I. Berceuse, Dolly Suite, op. 56: II. Mi-A-Ou, Dolly Suite, op. 56: III. Le Jardin de Dolly, Dolly Suite, op. 56: IV. Kitty-Valse, Dolly Suite, op. 56: V. Tendresse, Dolly Suite, op. 56: VI. Le pas Espagnol, Egmont Overture, op. 84, El sombrero de tres picos: II. Atardecer, El sombrero de tres picos: III. Danza de la molinera, El sombrero de tres picos: IV. Las uvas, El sombrero de tres picos: V. Danza del los vecinos, El sombrero de tres picos: VII. Danza del corregidor, El sombrero de tres picos: VIII. Danza final, Feste romane: I. Circenses, Feste romane: II. Il giubileo, Feste romane: III. L'ottobrata, Feste romane: IV. La befana, Fontane di Roma: I. La fontana di Valle Giulia all'alba, Fontane di Roma: II. La fontana del Tritone al mattino, Fontane di Roma: III. La fontana di Trevi al meriggio, Fontane di Roma: IV. La fontana di Villa Medici al tramonto, Gaite Parisienne: Cancan, La Damnation de Faust, op. 24: Marche Hongroise, La Damnation de Faust, op. 24: Marche hongroise, La Valse, Le Sacre du printemps: Première partie. L’Adoration de la terre: I. Introduction, Le Sacre du printemps: Première partie. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes, Le Sacre du printemps: Première partie. L’Adoration de la terre: III. Jeu du rapt, Le Sacre du printemps: Première partie. L’Adoration de la terre: IV. Rondes printanières, Le Sacre du printemps: Première partie. L’Adoration de la terre: V. Jeux des cités rivales, Le Sacre du printemps: Première partie. L’Adoration de la terre: VI. Cortège du sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VII. Le sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VIII. Danse de la terre, Le Sacre du printemps: Seconde partie. Le Sacrifice: IX. Introduction, Le Sacre du printemps: Seconde partie. Le Sacrifice: X. Cercles mystérieux des adolescentes, Le Sacre du printemps: Seconde partie. Le Sacrifice: XI. Glorification de l’élue, Le Sacre du printemps: Seconde partie. Le Sacrifice: XII. Évocation des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIII. Action rituelle des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIV. Danse sacrale. l’élue, Le Tombeau de Couperin: I. Prélude: Vif, Le Tombeau de Couperin: II. Forlane: Allegretto, Le Tombeau de Couperin: III. Menuet: Allegro moderato, Le Tombeau de Couperin: IV. Rigaudon: Assex vif - Moins vif - Assex vif, Lullaby from Dolly Suite, Ma mère l'oye: I. Prélude, Ma mère l'oye: II. 1er tableau: Danse du rouet et scène, Ma mère l'oye: III. 2e tableau: Pavane de la belle au bois dormant, Ma mère l'oye: IV. 3e tableau: Les entretiens de la belle et de la bête, Ma mère l'oye: V. 4e tableau: Petit poucet, Ma mère l'oye: VI. 5e tableau: Laideronnette, impératrice des pagodes, Ma mère l'oye: Vii. Apothéose: Le jardin féerique, Menuet antique: Maestoso, Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: I. Andante tranquillo, Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: II. Allegro, Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: III. Adagio, Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: IV. Allegro molto, Musikalisches Opfer, BWV 1079 (Webern), Partita in D-minor, BWV 1004 (Hideo Saito), Pavane pour une infante défunte, Pini di Roma: I. I pini di Villa Borghese, Pini di Roma: II. Pini presso una catacomba, Pini di Roma: III. I pini del Gianicolo, Pini di Roma: IV. I pini della Via Appia, Prelude and Fugue in E-flat major, BWV 552 (Schoenberg), Psalm 149 for Chorus & Orchestra, Op. 79, Rapsodie espagnole: I. Prélude à la nuit, Rapsodie espagnole: I. Prélude à la nuit. Très modéré, Rapsodie espagnole: II. Malagueña, Rapsodie espagnole: II. Malagueña. Assez vif, Rapsodie espagnole: III. Habanera, Rapsodie espagnole: III. Habanera. Assez lent et d'un rythme las, Rapsodie espagnole: IV. Feria, Rapsodie espagnole: IV. Feria. Assez animé, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: I. Introït et Kyrie, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: II. Offertoire, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: III. Sanctus, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: IV. Pie Jesu, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: V. Agnus Dei et Lux Aeterna, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: VI. Libera me, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: VII. In Paradisum, Romeo & Juliet, Op. 64: Act I, Scene I. Morning dance. Allegro, Romeo & Juliet, Op. 64: Act I, Scene I. Romeo (reflective). Andante, Romeo & Juliet, Op. 64: Act I, Scene I. The Prince's decree. Andante, Romeo & Juliet, Op. 64: Act I, Scene I. The fight. Presto, Romeo & Juliet, Op. 64: Act I, Scene I. The quarrel. Allegro brusco, Romeo & Juliet, Op. 64: Act I, Scene I. The street awakens. Allegretto, Romeo & Juliet, Op. 64: Act I, Scene II. Arrival of the guests (Minuet). Assai moderato, Romeo & Juliet, Op. 64: Act I, Scene II. Balcony scene. Larghetto, Romeo & Juliet, Op. 64: Act I, Scene II. Gavotte (Departure of the guests). Allegro, Romeo & Juliet, Op. 64: Act I, Scene II. Juliet the young girl. Vivace, Romeo & Juliet, Op. 64: Act I, Scene II. Juliet's variation. Moderato (quasi Allegretto), Romeo & Juliet, Op. 64: Act I, Scene II. Madrigal (Romeo and Juliet). Andante tenero, Romeo & Juliet, Op. 64: Act I, Scene II. Masks (Romeo, Mercutio and Benvolio in masks). Moderato marciale, Romeo & Juliet, Op. 64: Act I, Scene II. Mercutio. Allegro giocoso, Romeo & Juliet, Op. 64: Act I, Scene II. Preparations for the ball (Juliet and the Nurse). Andante assai - Scherzando, Romeo & Juliet, Op. 64: Act I, Scene II. Romeo and Juliet's love dance. Andante, Romeo & Juliet, Op. 64: Act I, Scene II. Romeo's variation. Allegretto amoroso, Romeo & Juliet, Op. 64: Act I, Scene II. The knight's dance (Juliet and Paris's dance). Allegro pesante, Romeo & Juliet, Op. 64: Act I, Scene II. Tybalt recognizes Romeo. Allegro, Romeo & Juliet, Op. 64: Act I. Interlude. Andante pomposo (L'istesso tempo), Romeo & Juliet, Op. 64: Act I. Introduction. Andante assai, Romeo & Juliet, Op. 64: Act II, Scene III. Dance of the five couples. Vivo, Romeo & Juliet, Op. 64: Act II, Scene III. Dance with mandolins. Vivace, Romeo & Juliet, Op. 64: Act II, Scene III. Folk dance. Allegro giocoso, Romeo & Juliet, Op. 64: Act II, Scene III. Romeo and Mercutio. Andante teneroso, Romeo & Juliet, Op. 64: Act II, Scene III. The Nurse (looking for Romeo). Adagio scherzoso, Romeo & Juliet, Op. 64: Act II, Scene III. The Nurse delivers Juliet's letter to Romeo. Vivace, Romeo & Juliet, Op. 64: Act II, Scene IV. Juliet at Friar Laurence's. Lento, Romeo & Juliet, Op. 64: Act II, Scene IV. Romeo at Friar Laurence's. Andante espressivo, Romeo & Juliet, Op. 64: Act II, Scene V. Finale of Act II (Cortège with Tybalt's body). Adagio dramatico, Romeo & Juliet, Op. 64: Act II, Scene V. Mercutio dies. Moderato, Romeo & Juliet, Op. 64: Act II, Scene V. More merrymaking (folk dance repeated). Allegro giocoso, Romeo & Juliet, Op. 64: Act II, Scene V. Romeo resolves to avenge Mercutio's death. Andante. Animato - Presto, Romeo & Juliet, Op. 64: Act II, Scene V. The people continue to make merry. Vivo, Romeo & Juliet, Op. 64: Act II, Scene V. Tybalt and Mercutio fight. Precipitato, Romeo & Juliet, Op. 64: Act II, Scene V. Tybalt meets Mercutio. Moderato, Romeo & Juliet, Op. 64: Act III, Scene VI. Interlude. Adagio (L'istesso tempo), Romeo & Juliet, Op. 64: Act III, Scene VI. Juliet alone. Adagio, Romeo & Juliet, Op. 64: Act III, Scene VI. Juliet refuses to marry Paris. Vivace - Allegro pesante, Romeo & Juliet, Op. 64: Act III, Scene VI. Romeo and Juliet. Lento, Romeo & Juliet, Op. 64: Act III, Scene VI. The Nurse (announces Juliet's parents and Paris). Andante assai - Più mosso con effetto, Romeo & Juliet, Op. 64: Act III, Scene VI. The last farewell. Andante - Adagio, Romeo & Juliet, Op. 64: Act III, Scene VII. At Friar Laurence's (Friar Laurence gives Juliet a sleeping-potion). Andante, Romeo & Juliet, Op. 64: Act III, Scene VII. Interlude. L'istesso tempo, Romeo & Juliet, Op. 64: Act III, Scene VIII. At Juliet's bedside (Juliet's apparent death). Andante - Adagio, Romeo & Juliet, Op. 64: Act III, Scene VIII. Dance of the young girls with the lilies. Andante con eleganza, Romeo & Juliet, Op. 64: Act III, Scene VIII. Juliet alone (The sleeping-potion). Andante - Adagio - Andante, Romeo & Juliet, Op. 64: Act III, Scene VIII. Juliet's bedroom. Moderato tranquillo - Andante dolente, Romeo & Juliet, Op. 64: Act III, Scene VIII. Morning serenade (with mandolins). Andante giocoso, Romeo & Juliet, Op. 64: Act III. Introduction. Andante, Romeo & Juliet, Op. 64: Act IV, Scene IX. Death of Juliet. Adagio (meno mosso del tempo precedente), Romeo & Juliet, Op. 64: Act IV, Scene IX. Juliet's funeral (and Romeo's death). Adagio funebre, Romeo und Julia: Tanz der Ritter (Ausschnitt), Roméo et Juliette - Symphonie dramatique, op. 17: Scène d'amour, Slavonic Dance in C major, Op. 72, #7, Symphonie Nr. 1 D-dur: 1. Langsam. Schleppend. Wie ein Naturlaut - im Anfgang sehr gemächlich, Symphonie Nr. 1 D-dur: 2. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich, Symphonie Nr. 1 D-dur: 3. Feierlich und gemessen, ohne zu schleppen, Symphonie Nr. 1 D-dur: 4. Stürmisch bewegt, Symphonie Nr. 1 D-dur: Blumine. Andante allegretto, Symphonie fantastique, op. 14: I. Rêveries - Passions. Largo - Allegro agitato e appasionato assai, Symphonie fantastique, op. 14: II. Un bal. Valse. Allegro non troppo, Symphonie fantastique, op. 14: III. Scène aux champs. Adagio, Symphonie fantastique, op. 14: IV. Marche au supplice. Allegretto non troppo, Symphonie fantastique, op. 14: V. Songe d'une nuit du Sabbat. Larghetto - Allegro - Rondo du Sabbat., Symphony No. 2 in C minor: I. Allegro maestoso, Symphony No. 2 in C minor: II. Andante moderato, Symphony No. 2 in C minor: III. In ruhig fliessender bewegung, Symphony No. 2 in C minor: IV. "Urlicht". Sehr feierlich, aber schlicht, Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube"), Symphony No. 2 in C minor: V. Im tempo des scherzo. Wild herausfahrend, Symphony No. 2 in C minor: V. Langsam. Misterioso ("Aufersteh'n"), Symphony No. 2 in C minor: V. Maestoso. Sehr zuruckhaltend - Wieder zuruckhaltend, Symphony No. 2 in C minor: V. Sehr langsam und gedehnt, Symphony no. 1 in D major: I. Langsam, Schleppend - Im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 10 in F-sharp minor (unfinished): I. Andante - Adagio, Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden, Symphony no. 3 in D minor: Part II. II. Tempo di minuetto. Sehr mäßig, Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: Part II. IV. Zarathustras Mitternachtslied. Sehr langsam. Misterioso, Symphony no. 3 in D minor: Part II. V. Es sungen drei Engel. Lustig im Tempo und keck im Austruck, Symphony no. 3 in D minor: Part II. VI. Langsam. Ruhevoll. Empfunden, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll. Poco adagio, Symphony no. 4 in G major: IV. Das himmlische Leben. Sehr behaglich, Symphony no. 4: I. Prelude: Maestoso, Symphony no. 4: II. Allegretto, Symphony no. 4: III. Fugue: Andante moderato, Symphony no. 4: IV. Very slowly – Largo maestoso, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: IV. Allegro, Symphony no. 5 in C-sharp minor: Part I. I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich scneller. Leidenschaftlich. Wild - Tempo I, Symphony no. 5 in C-sharp minor: Part I. II. Stürmisch bewegt. Mit größter Vehemenz -, Symphony no. 5 in C-sharp minor: Part II. III. Scherzo: Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: Part III. IV. Adagietto: Sehr langsam, Symphony no. 5 in C-sharp minor: Part III. V. Rondo-Finale: Allegro, Symphony no. 6 in A minor: Finale: Allegro moderato - Allegro energico, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo, Symphony no. 7 in E minor: II. Nachtmusik: Allegro moderato, Symphony no. 7 in E minor: III. Scherzo, Symphony no. 7 in E minor: IV. Nachtmusik: Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale: Allegro ordinario - Allegro moderato ma energico, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Blicket auf...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Uns bleibt ein Erdenrest...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Waldung, sie schwankt heran...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: Poco adagio, Symphony no. 9 in D major: I. Andante comodo -, Symphony no. 9 in D major: II. Imp Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb -, Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig -, Symphony no. 9 in D major: IV. Adagio Sehr langsam und noch zurückhaltend, Symphony no. 9 in D major: Ländler, ganz langsam, Symphony no. 9 in D major: Mit Wut. Allegro risoluto -, Symphony no. 9 in D major: Poco più mosso subito -, Symphony no. 9 in D major: Presto, Symphony no. 9 in D major: Tempo I, The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai, The Nutcracker, op. 71: Overture, The Planets: Jupiter, the Bringer of Jollity, The Planets: Mars, the Bringer of War, The Planets: Mercury, the Winged Messenger, The Planets: Neptune, the Mystic, The Planets: Saturn, the Bringer of Old Age, The Planets: Uranus, the Magician, The Planets: Venus, the Bringer of Peace, Toccata and Fugue in D-minor, BWV 565 (Stokowski), Une Barque sur l'Océan: Très souple de rythme, Valses Nobles et Sentimentales: VIII. Epilogue: Lent, Valses nobles et sentimentales: I. Modéré, Valses nobles et sentimentales: II. Assez lent, Valses nobles et sentimentales: III. Modéré, Valses nobles et sentimentales: IV. Assez animé, Valses nobles et sentimentales: V. Presque lent, Valses nobles et sentimentales: VI. Assez vif, Valses nobles et sentimentales: VII. Moins vif, Var. I In canone all 'ottava, Var. II Alio modo in canone alle quinta, Var. III In canone alla settima, Var. IV In canone all 'ottava per augmentationem, Var. V L'altra sorte del canone al rovescio, Vom Himmel hoch, BWV 769 (Stravinsky); Choral, Wedding March, When Lilacs Last in the Dooryard Bloom'd: Part One, When Lilacs Last in the Dooryard Bloom'd: Part Three, When Lilacs Last in the Dooryard Bloom'd: Part Two, Zwanenmeer - Moderato
Boston Symphony Orchestra
performing orchestra
A Midsummer Night’s Dream, op. 61: IX. Wedding March, Alborada del gracioso, Ancient Airs and Dances Suite no. 3: III. Siciliana, Antiche danze ed arie, suite I: Anonymus: Passo mezzo a mascherada, Antiche danze ed arie, suite I: Anonymus: Villanella, Antiche danze ed arie, suite I: Simone Molinaro: Balletto "Il Conte Orlando" (1599), Antiche danze ed arie, suite I: Vincenzo Galilei: Gagliarda (1598), Antiche danze ed arie, suite II: Anonymus: Campanae parisienses, Antiche danze ed arie, suite II: Bernardo Gianoncelli: Bergamasca (1650), Antiche danze ed arie, suite II: Fabrizio Caroso: Laura soave (1581), Antiche danze ed arie, suite II: Jean-Baptiste Besard: Danza rustica (1617), Antiche danze ed arie, suite III: Anonymus: Italiana, Antiche danze ed arie, suite III: Anonymus: Siciliana, Antiche danze ed arie, suite III: Jean-Baptiste Besard: Aria di corte (1617), Antiche danze ed arie, suite III: Lodovico Roncalli: Passacaglia (1692), Berceuse (Lullaby) From the Firebird, Boléro, Carmina Burana: Blanziflor et Helena, Carmina Burana: Blanziflor et Helena: Ave formosissima, Carmina Burana: Fortuna imperatix mundi, Carmina Burana: Fortuna imperatrix mundi, Carmina Burana: Fortuna imperatrix mundi: Fortune plango vulnera, Carmina Burana: Fortuna imperatrix mundi: O fortuna, Carmina Burana: I. Primo vere: Ecce gratum, Carmina Burana: I. Primo vere: Omnia sol temperat, Carmina Burana: I. Primo vere: Veris leta facies, Carmina Burana: II. In taberna: Ego sum abbas, Carmina Burana: II. In taberna: Estuans interius, Carmina Burana: II. In taberna: In taberna quando sumus, Carmina Burana: II. In taberna: Olim lacus colueram, Carmina Burana: III. Cour d’amours: Amor volat undique, Carmina Burana: III. Cour d’amours: Circa mea pectora, Carmina Burana: III. Cour d’amours: Dies, nox et omnia, Carmina Burana: III. Cour d’amours: Dulcissime, Carmina Burana: III. Cour d’amours: In trutina, Carmina Burana: III. Cour d’amours: Si puer cum puellula, Carmina Burana: III. Cour d’amours: Stetit puella, Carmina Burana: III. Cour d’amours: Tempus est iocundum, Carmina Burana: III. Cour d’amours: Veni, veni, venias, Carmina Burana: Uf dem anger, Carmina Burana: Uf dem anger: Chramer, gip die varwe mir, Carmina Burana: Uf dem anger: Floret silva, Carmina Burana: Uf dem anger: Reie; Swaz hie gat umbe; Chume, chum, geselle min, Carmina Burana: Uf dem anger: Tanz, Carmina Burana: Uf dem anger: Were diu werlt alle min, Carnival Overture, Op. 92, Carnival of the Animals: I. Introduction and Royal March of the Lions, Carnival of the Animals: II. Hens and Roosters, Carnival of the Animals: III. Mongolian Wild Donkeys, Carnival of the Animals: IV. Tortoises, Carnival of the Animals: IX. The Cuckoo in the Depths of the Forest, Carnival of the Animals: V. The Elephant, Carnival of the Animals: VI. Kangaroos, Carnival of the Animals: VII. Aquarium, Carnival of the Animals: VIII. Personages with Long Ears, Carnival of the Animals: X. Aviary, Carnival of the Animals: XI. Pianists, Carnival of the Animals: XII. Fossils, Carnival of the Animals: XIII. The Swan, Carnival of the Animals: XIV. Finale, Central Park in the Dark, Daphnis et Chloé: II. Pantomime, Daphnis et Chloé: III. Danse générale (feat. flute: Doriot Anthony Dwyer), Dolly Suite, op. 56: I. Berceuse, Dolly Suite, op. 56: II. Mi-A-Ou, Dolly Suite, op. 56: III. Le Jardin de Dolly, Dolly Suite, op. 56: IV. Kitty-Valse, Dolly Suite, op. 56: V. Tendresse, Dolly Suite, op. 56: VI. Le pas Espagnol, Egmont Overture, op. 84, El sombrero de tres picos: II. Atardecer, El sombrero de tres picos: III. Danza de la molinera, El sombrero de tres picos: IV. Las uvas, El sombrero de tres picos: V. Danza del los vecinos, El sombrero de tres picos: VII. Danza del corregidor, El sombrero de tres picos: VIII. Danza final, Feste romane: I. Circenses, Feste romane: II. Il giubileo, Feste romane: III. L'ottobrata, Feste romane: IV. La befana, Fontane di Roma: I. La fontana di Valle Giulia all'alba, Fontane di Roma: II. La fontana del Tritone al mattino, Fontane di Roma: III. La fontana di Trevi al meriggio, Fontane di Roma: IV. La fontana di Villa Medici al tramonto, Gaite Parisienne: Cancan, La Damnation de Faust, op. 24: Marche Hongroise, La Damnation de Faust, op. 24: Marche hongroise, La Valse, Le Sacre du printemps: Première partie. L’Adoration de la terre: I. Introduction, Le Sacre du printemps: Première partie. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes, Le Sacre du printemps: Première partie. L’Adoration de la terre: III. Jeu du rapt, Le Sacre du printemps: Première partie. L’Adoration de la terre: IV. Rondes printanières, Le Sacre du printemps: Première partie. L’Adoration de la terre: V. Jeux des cités rivales, Le Sacre du printemps: Première partie. L’Adoration de la terre: VI. Cortège du sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VII. Le sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VIII. Danse de la terre, Le Sacre du printemps: Seconde partie. Le Sacrifice: IX. Introduction, Le Sacre du printemps: Seconde partie. Le Sacrifice: X. Cercles mystérieux des adolescentes, Le Sacre du printemps: Seconde partie. Le Sacrifice: XI. Glorification de l’élue, Le Sacre du printemps: Seconde partie. Le Sacrifice: XII. Évocation des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIII. Action rituelle des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIV. Danse sacrale. l’élue, Le Tombeau de Couperin: I. Prélude: Vif, Le Tombeau de Couperin: II. Forlane: Allegretto, Le Tombeau de Couperin: III. Menuet: Allegro moderato, Le Tombeau de Couperin: IV. Rigaudon: Assex vif - Moins vif - Assex vif, Lullaby from Dolly Suite, Ma mère l'oye: I. Prélude, Ma mère l'oye: II. 1er tableau: Danse du rouet et scène, Ma mère l'oye: III. 2e tableau: Pavane de la belle au bois dormant, Ma mère l'oye: IV. 3e tableau: Les entretiens de la belle et de la bête, Ma mère l'oye: V. 4e tableau: Petit poucet, Ma mère l'oye: VI. 5e tableau: Laideronnette, impératrice des pagodes, Ma mère l'oye: Vii. Apothéose: Le jardin féerique, Menuet antique: Maestoso, Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: I. Andante tranquillo, Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: II. Allegro, Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: III. Adagio, Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: IV. Allegro molto, Musikalisches Opfer, BWV 1079 (Webern), Partita in D-minor, BWV 1004 (Hideo Saito), Pavane pour une infante défunte, Pini di Roma: I. I pini di Villa Borghese, Pini di Roma: II. Pini presso una catacomba, Pini di Roma: III. I pini del Gianicolo, Pini di Roma: IV. I pini della Via Appia, Prelude and Fugue in E-flat major, BWV 552 (Schoenberg), Psalm 149 for Chorus & Orchestra, Op. 79, Rapsodie espagnole: I. Prélude à la nuit, Rapsodie espagnole: I. Prélude à la nuit. Très modéré, Rapsodie espagnole: II. Malagueña, Rapsodie espagnole: II. Malagueña. Assez vif, Rapsodie espagnole: III. Habanera, Rapsodie espagnole: III. Habanera. Assez lent et d'un rythme las, Rapsodie espagnole: IV. Feria, Rapsodie espagnole: IV. Feria. Assez animé, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: I. Introït et Kyrie, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: II. Offertoire, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: III. Sanctus, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: IV. Pie Jesu, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: V. Agnus Dei et Lux Aeterna, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: VI. Libera me, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: VII. In Paradisum, Romeo & Juliet, Op. 64: Act I, Scene I. Morning dance. Allegro, Romeo & Juliet, Op. 64: Act I, Scene I. Romeo (reflective). Andante, Romeo & Juliet, Op. 64: Act I, Scene I. The Prince's decree. Andante, Romeo & Juliet, Op. 64: Act I, Scene I. The fight. Presto, Romeo & Juliet, Op. 64: Act I, Scene I. The quarrel. Allegro brusco, Romeo & Juliet, Op. 64: Act I, Scene I. The street awakens. Allegretto, Romeo & Juliet, Op. 64: Act I, Scene II. Arrival of the guests (Minuet). Assai moderato, Romeo & Juliet, Op. 64: Act I, Scene II. Balcony scene. Larghetto, Romeo & Juliet, Op. 64: Act I, Scene II. Gavotte (Departure of the guests). Allegro, Romeo & Juliet, Op. 64: Act I, Scene II. Juliet the young girl. Vivace, Romeo & Juliet, Op. 64: Act I, Scene II. Juliet's variation. Moderato (quasi Allegretto), Romeo & Juliet, Op. 64: Act I, Scene II. Madrigal (Romeo and Juliet). Andante tenero, Romeo & Juliet, Op. 64: Act I, Scene II. Masks (Romeo, Mercutio and Benvolio in masks). Moderato marciale, Romeo & Juliet, Op. 64: Act I, Scene II. Mercutio. Allegro giocoso, Romeo & Juliet, Op. 64: Act I, Scene II. Preparations for the ball (Juliet and the Nurse). Andante assai - Scherzando, Romeo & Juliet, Op. 64: Act I, Scene II. Romeo and Juliet's love dance. Andante, Romeo & Juliet, Op. 64: Act I, Scene II. Romeo's variation. Allegretto amoroso, Romeo & Juliet, Op. 64: Act I, Scene II. The knight's dance (Juliet and Paris's dance). Allegro pesante, Romeo & Juliet, Op. 64: Act I, Scene II. Tybalt recognizes Romeo. Allegro, Romeo & Juliet, Op. 64: Act I. Interlude. Andante pomposo (L'istesso tempo), Romeo & Juliet, Op. 64: Act I. Introduction. Andante assai, Romeo & Juliet, Op. 64: Act II, Scene III. Dance of the five couples. Vivo, Romeo & Juliet, Op. 64: Act II, Scene III. Dance with mandolins. Vivace, Romeo & Juliet, Op. 64: Act II, Scene III. Folk dance. Allegro giocoso, Romeo & Juliet, Op. 64: Act II, Scene III. Romeo and Mercutio. Andante teneroso, Romeo & Juliet, Op. 64: Act II, Scene III. The Nurse (looking for Romeo). Adagio scherzoso, Romeo & Juliet, Op. 64: Act II, Scene III. The Nurse delivers Juliet's letter to Romeo. Vivace, Romeo & Juliet, Op. 64: Act II, Scene IV. Juliet at Friar Laurence's. Lento, Romeo & Juliet, Op. 64: Act II, Scene IV. Romeo at Friar Laurence's. Andante espressivo, Romeo & Juliet, Op. 64: Act II, Scene V. Finale of Act II (Cortège with Tybalt's body). Adagio dramatico, Romeo & Juliet, Op. 64: Act II, Scene V. Mercutio dies. Moderato, Romeo & Juliet, Op. 64: Act II, Scene V. More merrymaking (folk dance repeated). Allegro giocoso, Romeo & Juliet, Op. 64: Act II, Scene V. Romeo resolves to avenge Mercutio's death. Andante. Animato - Presto, Romeo & Juliet, Op. 64: Act II, Scene V. The people continue to make merry. Vivo, Romeo & Juliet, Op. 64: Act II, Scene V. Tybalt and Mercutio fight. Precipitato, Romeo & Juliet, Op. 64: Act II, Scene V. Tybalt meets Mercutio. Moderato, Romeo & Juliet, Op. 64: Act III, Scene VI. Interlude. Adagio (L'istesso tempo), Romeo & Juliet, Op. 64: Act III, Scene VI. Juliet alone. Adagio, Romeo & Juliet, Op. 64: Act III, Scene VI. Juliet refuses to marry Paris. Vivace - Allegro pesante, Romeo & Juliet, Op. 64: Act III, Scene VI. Romeo and Juliet. Lento, Romeo & Juliet, Op. 64: Act III, Scene VI. The Nurse (announces Juliet's parents and Paris). Andante assai - Più mosso con effetto, Romeo & Juliet, Op. 64: Act III, Scene VI. The last farewell. Andante - Adagio, Romeo & Juliet, Op. 64: Act III, Scene VII. At Friar Laurence's (Friar Laurence gives Juliet a sleeping-potion). Andante, Romeo & Juliet, Op. 64: Act III, Scene VII. Interlude. L'istesso tempo, Romeo & Juliet, Op. 64: Act III, Scene VIII. At Juliet's bedside (Juliet's apparent death). Andante - Adagio, Romeo & Juliet, Op. 64: Act III, Scene VIII. Dance of the young girls with the lilies. Andante con eleganza, Romeo & Juliet, Op. 64: Act III, Scene VIII. Juliet alone (The sleeping-potion). Andante - Adagio - Andante, Romeo & Juliet, Op. 64: Act III, Scene VIII. Juliet's bedroom. Moderato tranquillo - Andante dolente, Romeo & Juliet, Op. 64: Act III, Scene VIII. Morning serenade (with mandolins). Andante giocoso, Romeo & Juliet, Op. 64: Act III. Introduction. Andante, Romeo & Juliet, Op. 64: Act IV, Scene IX. Death of Juliet. Adagio (meno mosso del tempo precedente), Romeo & Juliet, Op. 64: Act IV, Scene IX. Juliet's funeral (and Romeo's death). Adagio funebre, Romeo und Julia: Tanz der Ritter (Ausschnitt), Roméo et Juliette - Symphonie dramatique, op. 17: Scène d'amour, Slavonic Dance in C major, Op. 72, #7, Symphonie Nr. 1 D-dur: 1. Langsam. Schleppend. Wie ein Naturlaut - im Anfgang sehr gemächlich, Symphonie Nr. 1 D-dur: 2. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich, Symphonie Nr. 1 D-dur: 3. Feierlich und gemessen, ohne zu schleppen, Symphonie Nr. 1 D-dur: 4. Stürmisch bewegt, Symphonie Nr. 1 D-dur: Blumine. Andante allegretto, Symphonie fantastique, op. 14: I. Rêveries - Passions. Largo - Allegro agitato e appasionato assai, Symphonie fantastique, op. 14: II. Un bal. Valse. Allegro non troppo, Symphonie fantastique, op. 14: III. Scène aux champs. Adagio, Symphonie fantastique, op. 14: IV. Marche au supplice. Allegretto non troppo, Symphonie fantastique, op. 14: V. Songe d'une nuit du Sabbat. Larghetto - Allegro - Rondo du Sabbat., Symphony No. 2 in C minor: I. Allegro maestoso, Symphony No. 2 in C minor: II. Andante moderato, Symphony No. 2 in C minor: III. In ruhig fliessender bewegung, Symphony No. 2 in C minor: IV. "Urlicht". Sehr feierlich, aber schlicht, Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube"), Symphony No. 2 in C minor: V. Im tempo des scherzo. Wild herausfahrend, Symphony No. 2 in C minor: V. Langsam. Misterioso ("Aufersteh'n"), Symphony No. 2 in C minor: V. Maestoso. Sehr zuruckhaltend - Wieder zuruckhaltend, Symphony No. 2 in C minor: V. Sehr langsam und gedehnt, Symphony no. 1 in D major: I. Langsam, Schleppend - Im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 10 in F-sharp minor (unfinished): I. Andante - Adagio, Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden, Symphony no. 3 in D minor: Part II. II. Tempo di minuetto. Sehr mäßig, Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: Part II. IV. Zarathustras Mitternachtslied. Sehr langsam. Misterioso, Symphony no. 3 in D minor: Part II. V. Es sungen drei Engel. Lustig im Tempo und keck im Austruck, Symphony no. 3 in D minor: Part II. VI. Langsam. Ruhevoll. Empfunden, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll. Poco adagio, Symphony no. 4 in G major: IV. Das himmlische Leben. Sehr behaglich, Symphony no. 4: I. Prelude: Maestoso, Symphony no. 4: II. Allegretto, Symphony no. 4: III. Fugue: Andante moderato, Symphony no. 4: IV. Very slowly – Largo maestoso, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: IV. Allegro, Symphony no. 5 in C-sharp minor: Part I. I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich scneller. Leidenschaftlich. Wild - Tempo I, Symphony no. 5 in C-sharp minor: Part I. II. Stürmisch bewegt. Mit größter Vehemenz -, Symphony no. 5 in C-sharp minor: Part II. III. Scherzo: Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: Part III. IV. Adagietto: Sehr langsam, Symphony no. 5 in C-sharp minor: Part III. V. Rondo-Finale: Allegro, Symphony no. 6 in A minor: Finale: Allegro moderato - Allegro energico, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo, Symphony no. 7 in E minor: II. Nachtmusik: Allegro moderato, Symphony no. 7 in E minor: III. Scherzo, Symphony no. 7 in E minor: IV. Nachtmusik: Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale: Allegro ordinario - Allegro moderato ma energico, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Blicket auf...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Uns bleibt ein Erdenrest...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Waldung, sie schwankt heran...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: Poco adagio, Symphony no. 9 in D major: I. Andante comodo -, Symphony no. 9 in D major: II. Imp Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb -, Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig -, Symphony no. 9 in D major: IV. Adagio Sehr langsam und noch zurückhaltend, Symphony no. 9 in D major: Ländler, ganz langsam, Symphony no. 9 in D major: Mit Wut. Allegro risoluto -, Symphony no. 9 in D major: Poco più mosso subito -, Symphony no. 9 in D major: Presto, Symphony no. 9 in D major: Tempo I, The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai, The Nutcracker, op. 71: Overture, The Planets: Jupiter, the Bringer of Jollity, The Planets: Mars, the Bringer of War, The Planets: Mercury, the Winged Messenger, The Planets: Neptune, the Mystic, The Planets: Saturn, the Bringer of Old Age, The Planets: Uranus, the Magician, The Planets: Venus, the Bringer of Peace, Toccata and Fugue in D-minor, BWV 565 (Stokowski), Une Barque sur l'Océan: Très souple de rythme, Valses Nobles et Sentimentales: VIII. Epilogue: Lent, Valses nobles et sentimentales: I. Modéré, Valses nobles et sentimentales: II. Assez lent, Valses nobles et sentimentales: III. Modéré, Valses nobles et sentimentales: IV. Assez animé, Valses nobles et sentimentales: V. Presque lent, Valses nobles et sentimentales: VI. Assez vif, Valses nobles et sentimentales: VII. Moins vif, Var. I In canone all 'ottava, Var. II Alio modo in canone alle quinta, Var. III In canone alla settima, Var. IV In canone all 'ottava per augmentationem, Var. V L'altra sorte del canone al rovescio, Vom Himmel hoch, BWV 769 (Stravinsky); Choral, Wedding March, When Lilacs Last in the Dooryard Bloom'd: Part One, When Lilacs Last in the Dooryard Bloom'd: Part Three, When Lilacs Last in the Dooryard Bloom'd: Part Two, Zwanenmeer - Moderato
Onno Scholtze
balance, engineer
Symphony No. 2 in C minor: I. Allegro maestoso, Symphony No. 2 in C minor: II. Andante moderato, Symphony No. 2 in C minor: III. In ruhig fliessender bewegung, Symphony No. 2 in C minor: IV. "Urlicht". Sehr feierlich, aber schlicht, Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube"), Symphony No. 2 in C minor: V. Im tempo des scherzo. Wild herausfahrend, Symphony No. 2 in C minor: V. Langsam. Misterioso ("Aufersteh'n"), Symphony No. 2 in C minor: V. Maestoso. Sehr zuruckhaltend - Wieder zuruckhaltend, Symphony No. 2 in C minor: V. Sehr langsam und gedehnt, Symphony no. 1 in D major: I. Langsam, Schleppend - Im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 10 in F-sharp minor (unfinished): I. Andante - Adagio, Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden, Symphony no. 3 in D minor: Part II. II. Tempo di minuetto. Sehr mäßig, Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: Part II. IV. Zarathustras Mitternachtslied. Sehr langsam. Misterioso, Symphony no. 3 in D minor: Part II. V. Es sungen drei Engel. Lustig im Tempo und keck im Austruck, Symphony no. 3 in D minor: Part II. VI. Langsam. Ruhevoll. Empfunden, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll. Poco adagio, Symphony no. 4 in G major: IV. Das himmlische Leben. Sehr behaglich, Symphony no. 5 in C-sharp minor: Part I. I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich scneller. Leidenschaftlich. Wild - Tempo I, Symphony no. 5 in C-sharp minor: Part I. II. Stürmisch bewegt. Mit größter Vehemenz -, Symphony no. 5 in C-sharp minor: Part II. III. Scherzo: Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: Part III. IV. Adagietto: Sehr langsam, Symphony no. 5 in C-sharp minor: Part III. V. Rondo-Finale: Allegro, Symphony no. 6 in A minor: Finale: Allegro moderato - Allegro energico, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo, Symphony no. 7 in E minor: II. Nachtmusik: Allegro moderato, Symphony no. 7 in E minor: III. Scherzo, Symphony no. 7 in E minor: IV. Nachtmusik: Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale: Allegro ordinario - Allegro moderato ma energico, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Blicket auf...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Uns bleibt ein Erdenrest...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Waldung, sie schwankt heran...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: Poco adagio, Symphony no. 9 in D major: I. Andante comodo -, Symphony no. 9 in D major: II. Imp Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb -, Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig -, Symphony no. 9 in D major: IV. Adagio Sehr langsam und noch zurückhaltend, Symphony no. 9 in D major: Ländler, ganz langsam, Symphony no. 9 in D major: Mit Wut. Allegro risoluto -, Symphony no. 9 in D major: Poco più mosso subito -, Symphony no. 9 in D major: Presto, Symphony no. 9 in D major: Tempo I
Wilhelm Hellweg (producer / engineer)
balance, producer
Symphony No. 2 in C minor: I. Allegro maestoso, Symphony No. 2 in C minor: II. Andante moderato, Symphony No. 2 in C minor: III. In ruhig fliessender bewegung, Symphony No. 2 in C minor: IV. "Urlicht". Sehr feierlich, aber schlicht, Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube"), Symphony No. 2 in C minor: V. Im tempo des scherzo. Wild herausfahrend, Symphony No. 2 in C minor: V. Langsam. Misterioso ("Aufersteh'n"), Symphony No. 2 in C minor: V. Maestoso. Sehr zuruckhaltend - Wieder zuruckhaltend, Symphony No. 2 in C minor: V. Sehr langsam und gedehnt, Symphony no. 1 in D major: I. Langsam, Schleppend - Im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 10 in F-sharp minor (unfinished): I. Andante - Adagio, Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden, Symphony no. 3 in D minor: Part II. II. Tempo di minuetto. Sehr mäßig, Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: Part II. IV. Zarathustras Mitternachtslied. Sehr langsam. Misterioso, Symphony no. 3 in D minor: Part II. V. Es sungen drei Engel. Lustig im Tempo und keck im Austruck, Symphony no. 3 in D minor: Part II. VI. Langsam. Ruhevoll. Empfunden, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll. Poco adagio, Symphony no. 4 in G major: IV. Das himmlische Leben. Sehr behaglich, Symphony no. 5 in C-sharp minor: Part I. I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich scneller. Leidenschaftlich. Wild - Tempo I, Symphony no. 5 in C-sharp minor: Part I. II. Stürmisch bewegt. Mit größter Vehemenz -, Symphony no. 5 in C-sharp minor: Part II. III. Scherzo: Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: Part III. IV. Adagietto: Sehr langsam, Symphony no. 5 in C-sharp minor: Part III. V. Rondo-Finale: Allegro, Symphony no. 6 in A minor: Finale: Allegro moderato - Allegro energico, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo, Symphony no. 7 in E minor: II. Nachtmusik: Allegro moderato, Symphony no. 7 in E minor: III. Scherzo, Symphony no. 7 in E minor: IV. Nachtmusik: Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale: Allegro ordinario - Allegro moderato ma energico, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Blicket auf...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Uns bleibt ein Erdenrest...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Waldung, sie schwankt heran...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: Poco adagio, Symphony no. 9 in D major: I. Andante comodo -, Symphony no. 9 in D major: II. Imp Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb -, Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig -, Symphony no. 9 in D major: IV. Adagio Sehr langsam und noch zurückhaltend, Symphony no. 9 in D major: Ländler, ganz langsam, Symphony no. 9 in D major: Mit Wut. Allegro risoluto -, Symphony no. 9 in D major: Poco più mosso subito -, Symphony no. 9 in D major: Presto, Symphony no. 9 in D major: Tempo I
Henk Kooistra
engineer
Symphony no. 10 in F-sharp minor (unfinished): I. Andante - Adagio, Symphony no. 5 in C-sharp minor: Part I. I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich scneller. Leidenschaftlich. Wild - Tempo I, Symphony no. 5 in C-sharp minor: Part I. II. Stürmisch bewegt. Mit größter Vehemenz -, Symphony no. 5 in C-sharp minor: Part II. III. Scherzo: Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: Part III. IV. Adagietto: Sehr langsam, Symphony no. 5 in C-sharp minor: Part III. V. Rondo-Finale: Allegro, Symphony no. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo, Symphony no. 7 in E minor: II. Nachtmusik: Allegro moderato, Symphony no. 7 in E minor: III. Scherzo, Symphony no. 7 in E minor: IV. Nachtmusik: Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale: Allegro ordinario - Allegro moderato ma energico, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Blicket auf...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Uns bleibt ein Erdenrest...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Waldung, sie schwankt heran...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: Poco adagio, Symphony no. 9 in D major: I. Andante comodo -, Symphony no. 9 in D major: II. Imp Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb -, Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig -, Symphony no. 9 in D major: IV. Adagio Sehr langsam und noch zurückhaltend, Symphony no. 9 in D major: Ländler, ganz langsam, Symphony no. 9 in D major: Mit Wut. Allegro risoluto -, Symphony no. 9 in D major: Poco più mosso subito -, Symphony no. 9 in D major: Presto, Symphony no. 9 in D major: Tempo I
Collaborators on this artist's recordings
Artist name
Roles
Recordings
小澤征爾 (conductor)
conductor
A Midsummer Night’s Dream, op. 61: IX. Wedding March, Alborada del gracioso, Ancient Airs and Dances Suite no. 3: III. Siciliana, Antiche danze ed arie, suite I: Anonymus: Passo mezzo a mascherada, Antiche danze ed arie, suite I: Anonymus: Villanella, Antiche danze ed arie, suite I: Simone Molinaro: Balletto "Il Conte Orlando" (1599), Antiche danze ed arie, suite I: Vincenzo Galilei: Gagliarda (1598), Antiche danze ed arie, suite II: Anonymus: Campanae parisienses, Antiche danze ed arie, suite II: Bernardo Gianoncelli: Bergamasca (1650), Antiche danze ed arie, suite II: Fabrizio Caroso: Laura soave (1581), Antiche danze ed arie, suite II: Jean-Baptiste Besard: Danza rustica (1617), Antiche danze ed arie, suite III: Anonymus: Italiana, Antiche danze ed arie, suite III: Anonymus: Siciliana, Antiche danze ed arie, suite III: Jean-Baptiste Besard: Aria di corte (1617), Antiche danze ed arie, suite III: Lodovico Roncalli: Passacaglia (1692), Berceuse (Lullaby) From the Firebird, Boléro, Carmina Burana: Blanziflor et Helena, Carmina Burana: Blanziflor et Helena: Ave formosissima, Carmina Burana: Fortuna imperatix mundi, Carmina Burana: Fortuna imperatrix mundi, Carmina Burana: Fortuna imperatrix mundi: Fortune plango vulnera, Carmina Burana: Fortuna imperatrix mundi: O fortuna, Carmina Burana: I. Primo vere: Ecce gratum, Carmina Burana: I. Primo vere: Omnia sol temperat, Carmina Burana: I. Primo vere: Veris leta facies, Carmina Burana: II. In taberna: Ego sum abbas, Carmina Burana: II. In taberna: Estuans interius, Carmina Burana: II. In taberna: In taberna quando sumus, Carmina Burana: II. In taberna: Olim lacus colueram, Carmina Burana: III. Cour d’amours: Amor volat undique, Carmina Burana: III. Cour d’amours: Circa mea pectora, Carmina Burana: III. Cour d’amours: Dies, nox et omnia, Carmina Burana: III. Cour d’amours: Dulcissime, Carmina Burana: III. Cour d’amours: In trutina, Carmina Burana: III. Cour d’amours: Si puer cum puellula, Carmina Burana: III. Cour d’amours: Stetit puella, Carmina Burana: III. Cour d’amours: Tempus est iocundum, Carmina Burana: III. Cour d’amours: Veni, veni, venias, Carmina Burana: Uf dem anger, Carmina Burana: Uf dem anger: Chramer, gip die varwe mir, Carmina Burana: Uf dem anger: Floret silva, Carmina Burana: Uf dem anger: Reie; Swaz hie gat umbe; Chume, chum, geselle min, Carmina Burana: Uf dem anger: Tanz, Carmina Burana: Uf dem anger: Were diu werlt alle min, Carnival Overture, Op. 92, Carnival of the Animals: I. Introduction and Royal March of the Lions, Carnival of the Animals: II. Hens and Roosters, Carnival of the Animals: III. Mongolian Wild Donkeys, Carnival of the Animals: IV. Tortoises, Carnival of the Animals: IX. The Cuckoo in the Depths of the Forest, Carnival of the Animals: V. The Elephant, Carnival of the Animals: VI. Kangaroos, Carnival of the Animals: VII. Aquarium, Carnival of the Animals: VIII. Personages with Long Ears, Carnival of the Animals: X. Aviary, Carnival of the Animals: XI. Pianists, Carnival of the Animals: XII. Fossils, Carnival of the Animals: XIII. The Swan, Carnival of the Animals: XIV. Finale, Central Park in the Dark, Daphnis et Chloé: II. Pantomime, Daphnis et Chloé: III. Danse générale (feat. flute: Doriot Anthony Dwyer), Dolly Suite, op. 56: I. Berceuse, Dolly Suite, op. 56: II. Mi-A-Ou, Dolly Suite, op. 56: III. Le Jardin de Dolly, Dolly Suite, op. 56: IV. Kitty-Valse, Dolly Suite, op. 56: V. Tendresse, Dolly Suite, op. 56: VI. Le pas Espagnol, Egmont Overture, op. 84, El sombrero de tres picos: II. Atardecer, El sombrero de tres picos: III. Danza de la molinera, El sombrero de tres picos: IV. Las uvas, El sombrero de tres picos: V. Danza del los vecinos, El sombrero de tres picos: VII. Danza del corregidor, El sombrero de tres picos: VIII. Danza final, Feste romane: I. Circenses, Feste romane: II. Il giubileo, Feste romane: III. L'ottobrata, Feste romane: IV. La befana, Fontane di Roma: I. La fontana di Valle Giulia all'alba, Fontane di Roma: II. La fontana del Tritone al mattino, Fontane di Roma: III. La fontana di Trevi al meriggio, Fontane di Roma: IV. La fontana di Villa Medici al tramonto, Gaite Parisienne: Cancan, La Damnation de Faust, op. 24: Marche Hongroise, La Damnation de Faust, op. 24: Marche hongroise, La Valse, Le Sacre du printemps: Première partie. L’Adoration de la terre: I. Introduction, Le Sacre du printemps: Première partie. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes, Le Sacre du printemps: Première partie. L’Adoration de la terre: III. Jeu du rapt, Le Sacre du printemps: Première partie. L’Adoration de la terre: IV. Rondes printanières, Le Sacre du printemps: Première partie. L’Adoration de la terre: V. Jeux des cités rivales, Le Sacre du printemps: Première partie. L’Adoration de la terre: VI. Cortège du sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VII. Le sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VIII. Danse de la terre, Le Sacre du printemps: Seconde partie. Le Sacrifice: IX. Introduction, Le Sacre du printemps: Seconde partie. Le Sacrifice: X. Cercles mystérieux des adolescentes, Le Sacre du printemps: Seconde partie. Le Sacrifice: XI. Glorification de l’élue, Le Sacre du printemps: Seconde partie. Le Sacrifice: XII. Évocation des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIII. Action rituelle des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIV. Danse sacrale. l’élue, Le Tombeau de Couperin: I. Prélude: Vif, Le Tombeau de Couperin: II. Forlane: Allegretto, Le Tombeau de Couperin: III. Menuet: Allegro moderato, Le Tombeau de Couperin: IV. Rigaudon: Assex vif - Moins vif - Assex vif, Lullaby from Dolly Suite, Ma mère l'oye: I. Prélude, Ma mère l'oye: II. 1er tableau: Danse du rouet et scène, Ma mère l'oye: III. 2e tableau: Pavane de la belle au bois dormant, Ma mère l'oye: IV. 3e tableau: Les entretiens de la belle et de la bête, Ma mère l'oye: V. 4e tableau: Petit poucet, Ma mère l'oye: VI. 5e tableau: Laideronnette, impératrice des pagodes, Ma mère l'oye: Vii. Apothéose: Le jardin féerique, Menuet antique: Maestoso, Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: I. Andante tranquillo, Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: II. Allegro, Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: III. Adagio, Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: IV. Allegro molto, Musikalisches Opfer, BWV 1079 (Webern), Partita in D-minor, BWV 1004 (Hideo Saito), Pavane pour une infante défunte, Pini di Roma: I. I pini di Villa Borghese, Pini di Roma: II. Pini presso una catacomba, Pini di Roma: III. I pini del Gianicolo, Pini di Roma: IV. I pini della Via Appia, Prelude and Fugue in E-flat major, BWV 552 (Schoenberg), Psalm 149 for Chorus & Orchestra, Op. 79, Rapsodie espagnole: I. Prélude à la nuit, Rapsodie espagnole: I. Prélude à la nuit. Très modéré, Rapsodie espagnole: II. Malagueña, Rapsodie espagnole: II. Malagueña. Assez vif, Rapsodie espagnole: III. Habanera, Rapsodie espagnole: III. Habanera. Assez lent et d'un rythme las, Rapsodie espagnole: IV. Feria, Rapsodie espagnole: IV. Feria. Assez animé, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: I. Introït et Kyrie, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: II. Offertoire, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: III. Sanctus, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: IV. Pie Jesu, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: V. Agnus Dei et Lux Aeterna, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: VI. Libera me, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: VII. In Paradisum, Romeo & Juliet, Op. 64: Act I, Scene I. Morning dance. Allegro, Romeo & Juliet, Op. 64: Act I, Scene I. Romeo (reflective). Andante, Romeo & Juliet, Op. 64: Act I, Scene I. The Prince's decree. Andante, Romeo & Juliet, Op. 64: Act I, Scene I. The fight. Presto, Romeo & Juliet, Op. 64: Act I, Scene I. The quarrel. Allegro brusco, Romeo & Juliet, Op. 64: Act I, Scene I. The street awakens. Allegretto, Romeo & Juliet, Op. 64: Act I, Scene II. Arrival of the guests (Minuet). Assai moderato, Romeo & Juliet, Op. 64: Act I, Scene II. Balcony scene. Larghetto, Romeo & Juliet, Op. 64: Act I, Scene II. Gavotte (Departure of the guests). Allegro, Romeo & Juliet, Op. 64: Act I, Scene II. Juliet the young girl. Vivace, Romeo & Juliet, Op. 64: Act I, Scene II. Juliet's variation. Moderato (quasi Allegretto), Romeo & Juliet, Op. 64: Act I, Scene II. Madrigal (Romeo and Juliet). Andante tenero, Romeo & Juliet, Op. 64: Act I, Scene II. Masks (Romeo, Mercutio and Benvolio in masks). Moderato marciale, Romeo & Juliet, Op. 64: Act I, Scene II. Mercutio. Allegro giocoso, Romeo & Juliet, Op. 64: Act I, Scene II. Preparations for the ball (Juliet and the Nurse). Andante assai - Scherzando, Romeo & Juliet, Op. 64: Act I, Scene II. Romeo and Juliet's love dance. Andante, Romeo & Juliet, Op. 64: Act I, Scene II. Romeo's variation. Allegretto amoroso, Romeo & Juliet, Op. 64: Act I, Scene II. The knight's dance (Juliet and Paris's dance). Allegro pesante, Romeo & Juliet, Op. 64: Act I, Scene II. Tybalt recognizes Romeo. Allegro, Romeo & Juliet, Op. 64: Act I. Interlude. Andante pomposo (L'istesso tempo), Romeo & Juliet, Op. 64: Act I. Introduction. Andante assai, Romeo & Juliet, Op. 64: Act II, Scene III. Dance of the five couples. Vivo, Romeo & Juliet, Op. 64: Act II, Scene III. Dance with mandolins. Vivace, Romeo & Juliet, Op. 64: Act II, Scene III. Folk dance. Allegro giocoso, Romeo & Juliet, Op. 64: Act II, Scene III. Romeo and Mercutio. Andante teneroso, Romeo & Juliet, Op. 64: Act II, Scene III. The Nurse (looking for Romeo). Adagio scherzoso, Romeo & Juliet, Op. 64: Act II, Scene III. The Nurse delivers Juliet's letter to Romeo. Vivace, Romeo & Juliet, Op. 64: Act II, Scene IV. Juliet at Friar Laurence's. Lento, Romeo & Juliet, Op. 64: Act II, Scene IV. Romeo at Friar Laurence's. Andante espressivo, Romeo & Juliet, Op. 64: Act II, Scene V. Finale of Act II (Cortège with Tybalt's body). Adagio dramatico, Romeo & Juliet, Op. 64: Act II, Scene V. Mercutio dies. Moderato, Romeo & Juliet, Op. 64: Act II, Scene V. More merrymaking (folk dance repeated). Allegro giocoso, Romeo & Juliet, Op. 64: Act II, Scene V. Romeo resolves to avenge Mercutio's death. Andante. Animato - Presto, Romeo & Juliet, Op. 64: Act II, Scene V. The people continue to make merry. Vivo, Romeo & Juliet, Op. 64: Act II, Scene V. Tybalt and Mercutio fight. Precipitato, Romeo & Juliet, Op. 64: Act II, Scene V. Tybalt meets Mercutio. Moderato, Romeo & Juliet, Op. 64: Act III, Scene VI. Interlude. Adagio (L'istesso tempo), Romeo & Juliet, Op. 64: Act III, Scene VI. Juliet alone. Adagio, Romeo & Juliet, Op. 64: Act III, Scene VI. Juliet refuses to marry Paris. Vivace - Allegro pesante, Romeo & Juliet, Op. 64: Act III, Scene VI. Romeo and Juliet. Lento, Romeo & Juliet, Op. 64: Act III, Scene VI. The Nurse (announces Juliet's parents and Paris). Andante assai - Più mosso con effetto, Romeo & Juliet, Op. 64: Act III, Scene VI. The last farewell. Andante - Adagio, Romeo & Juliet, Op. 64: Act III, Scene VII. At Friar Laurence's (Friar Laurence gives Juliet a sleeping-potion). Andante, Romeo & Juliet, Op. 64: Act III, Scene VII. Interlude. L'istesso tempo, Romeo & Juliet, Op. 64: Act III, Scene VIII. At Juliet's bedside (Juliet's apparent death). Andante - Adagio, Romeo & Juliet, Op. 64: Act III, Scene VIII. Dance of the young girls with the lilies. Andante con eleganza, Romeo & Juliet, Op. 64: Act III, Scene VIII. Juliet alone (The sleeping-potion). Andante - Adagio - Andante, Romeo & Juliet, Op. 64: Act III, Scene VIII. Juliet's bedroom. Moderato tranquillo - Andante dolente, Romeo & Juliet, Op. 64: Act III, Scene VIII. Morning serenade (with mandolins). Andante giocoso, Romeo & Juliet, Op. 64: Act III. Introduction. Andante, Romeo & Juliet, Op. 64: Act IV, Scene IX. Death of Juliet. Adagio (meno mosso del tempo precedente), Romeo & Juliet, Op. 64: Act IV, Scene IX. Juliet's funeral (and Romeo's death). Adagio funebre, Romeo und Julia: Tanz der Ritter (Ausschnitt), Roméo et Juliette - Symphonie dramatique, op. 17: Scène d'amour, Slavonic Dance in C major, Op. 72, #7, Symphonie Nr. 1 D-dur: 1. Langsam. Schleppend. Wie ein Naturlaut - im Anfgang sehr gemächlich, Symphonie Nr. 1 D-dur: 2. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich, Symphonie Nr. 1 D-dur: 3. Feierlich und gemessen, ohne zu schleppen, Symphonie Nr. 1 D-dur: 4. Stürmisch bewegt, Symphonie Nr. 1 D-dur: Blumine. Andante allegretto, Symphonie fantastique, op. 14: I. Rêveries - Passions. Largo - Allegro agitato e appasionato assai, Symphonie fantastique, op. 14: II. Un bal. Valse. Allegro non troppo, Symphonie fantastique, op. 14: III. Scène aux champs. Adagio, Symphonie fantastique, op. 14: IV. Marche au supplice. Allegretto non troppo, Symphonie fantastique, op. 14: V. Songe d'une nuit du Sabbat. Larghetto - Allegro - Rondo du Sabbat., Symphony No. 2 in C minor: I. Allegro maestoso, Symphony No. 2 in C minor: II. Andante moderato, Symphony No. 2 in C minor: III. In ruhig fliessender bewegung, Symphony No. 2 in C minor: IV. "Urlicht". Sehr feierlich, aber schlicht, Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube"), Symphony No. 2 in C minor: V. Im tempo des scherzo. Wild herausfahrend, Symphony No. 2 in C minor: V. Langsam. Misterioso ("Aufersteh'n"), Symphony No. 2 in C minor: V. Maestoso. Sehr zuruckhaltend - Wieder zuruckhaltend, Symphony No. 2 in C minor: V. Sehr langsam und gedehnt, Symphony no. 1 in D major: I. Langsam, Schleppend - Im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 10 in F-sharp minor (unfinished): I. Andante - Adagio, Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden, Symphony no. 3 in D minor: Part II. II. Tempo di minuetto. Sehr mäßig, Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: Part II. IV. Zarathustras Mitternachtslied. Sehr langsam. Misterioso, Symphony no. 3 in D minor: Part II. V. Es sungen drei Engel. Lustig im Tempo und keck im Austruck, Symphony no. 3 in D minor: Part II. VI. Langsam. Ruhevoll. Empfunden, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll. Poco adagio, Symphony no. 4 in G major: IV. Das himmlische Leben. Sehr behaglich, Symphony no. 4: I. Prelude: Maestoso, Symphony no. 4: II. Allegretto, Symphony no. 4: III. Fugue: Andante moderato, Symphony no. 4: IV. Very slowly – Largo maestoso, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: IV. Allegro, Symphony no. 5 in C-sharp minor: Part I. I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich scneller. Leidenschaftlich. Wild - Tempo I, Symphony no. 5 in C-sharp minor: Part I. II. Stürmisch bewegt. Mit größter Vehemenz -, Symphony no. 5 in C-sharp minor: Part II. III. Scherzo: Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: Part III. IV. Adagietto: Sehr langsam, Symphony no. 5 in C-sharp minor: Part III. V. Rondo-Finale: Allegro, Symphony no. 6 in A minor: Finale: Allegro moderato - Allegro energico, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo, Symphony no. 7 in E minor: II. Nachtmusik: Allegro moderato, Symphony no. 7 in E minor: III. Scherzo, Symphony no. 7 in E minor: IV. Nachtmusik: Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale: Allegro ordinario - Allegro moderato ma energico, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Blicket auf...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Uns bleibt ein Erdenrest...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Waldung, sie schwankt heran...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: Poco adagio, Symphony no. 9 in D major: I. Andante comodo -, Symphony no. 9 in D major: II. Imp Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb -, Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig -, Symphony no. 9 in D major: IV. Adagio Sehr langsam und noch zurückhaltend, Symphony no. 9 in D major: Ländler, ganz langsam, Symphony no. 9 in D major: Mit Wut. Allegro risoluto -, Symphony no. 9 in D major: Poco più mosso subito -, Symphony no. 9 in D major: Presto, Symphony no. 9 in D major: Tempo I, The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai, The Nutcracker, op. 71: Overture, The Planets: Jupiter, the Bringer of Jollity, The Planets: Mars, the Bringer of War, The Planets: Mercury, the Winged Messenger, The Planets: Neptune, the Mystic, The Planets: Saturn, the Bringer of Old Age, The Planets: Uranus, the Magician, The Planets: Venus, the Bringer of Peace, Toccata and Fugue in D-minor, BWV 565 (Stokowski), Une Barque sur l'Océan: Très souple de rythme, Valses Nobles et Sentimentales: VIII. Epilogue: Lent, Valses nobles et sentimentales: I. Modéré, Valses nobles et sentimentales: II. Assez lent, Valses nobles et sentimentales: III. Modéré, Valses nobles et sentimentales: IV. Assez animé, Valses nobles et sentimentales: V. Presque lent, Valses nobles et sentimentales: VI. Assez vif, Valses nobles et sentimentales: VII. Moins vif, Var. I In canone all 'ottava, Var. II Alio modo in canone alle quinta, Var. III In canone alla settima, Var. IV In canone all 'ottava per augmentationem, Var. V L'altra sorte del canone al rovescio, Vom Himmel hoch, BWV 769 (Stravinsky); Choral, Wedding March, When Lilacs Last in the Dooryard Bloom'd: Part One, When Lilacs Last in the Dooryard Bloom'd: Part Three, When Lilacs Last in the Dooryard Bloom'd: Part Two, Zwanenmeer - Moderato
Boston Symphony Orchestra
performing orchestra
A Midsummer Night’s Dream, op. 61: IX. Wedding March, Alborada del gracioso, Ancient Airs and Dances Suite no. 3: III. Siciliana, Antiche danze ed arie, suite I: Anonymus: Passo mezzo a mascherada, Antiche danze ed arie, suite I: Anonymus: Villanella, Antiche danze ed arie, suite I: Simone Molinaro: Balletto "Il Conte Orlando" (1599), Antiche danze ed arie, suite I: Vincenzo Galilei: Gagliarda (1598), Antiche danze ed arie, suite II: Anonymus: Campanae parisienses, Antiche danze ed arie, suite II: Bernardo Gianoncelli: Bergamasca (1650), Antiche danze ed arie, suite II: Fabrizio Caroso: Laura soave (1581), Antiche danze ed arie, suite II: Jean-Baptiste Besard: Danza rustica (1617), Antiche danze ed arie, suite III: Anonymus: Italiana, Antiche danze ed arie, suite III: Anonymus: Siciliana, Antiche danze ed arie, suite III: Jean-Baptiste Besard: Aria di corte (1617), Antiche danze ed arie, suite III: Lodovico Roncalli: Passacaglia (1692), Berceuse (Lullaby) From the Firebird, Boléro, Carmina Burana: Blanziflor et Helena, Carmina Burana: Blanziflor et Helena: Ave formosissima, Carmina Burana: Fortuna imperatix mundi, Carmina Burana: Fortuna imperatrix mundi, Carmina Burana: Fortuna imperatrix mundi: Fortune plango vulnera, Carmina Burana: Fortuna imperatrix mundi: O fortuna, Carmina Burana: I. Primo vere: Ecce gratum, Carmina Burana: I. Primo vere: Omnia sol temperat, Carmina Burana: I. Primo vere: Veris leta facies, Carmina Burana: II. In taberna: Ego sum abbas, Carmina Burana: II. In taberna: Estuans interius, Carmina Burana: II. In taberna: In taberna quando sumus, Carmina Burana: II. In taberna: Olim lacus colueram, Carmina Burana: III. Cour d’amours: Amor volat undique, Carmina Burana: III. Cour d’amours: Circa mea pectora, Carmina Burana: III. Cour d’amours: Dies, nox et omnia, Carmina Burana: III. Cour d’amours: Dulcissime, Carmina Burana: III. Cour d’amours: In trutina, Carmina Burana: III. Cour d’amours: Si puer cum puellula, Carmina Burana: III. Cour d’amours: Stetit puella, Carmina Burana: III. Cour d’amours: Tempus est iocundum, Carmina Burana: III. Cour d’amours: Veni, veni, venias, Carmina Burana: Uf dem anger, Carmina Burana: Uf dem anger: Chramer, gip die varwe mir, Carmina Burana: Uf dem anger: Floret silva, Carmina Burana: Uf dem anger: Reie; Swaz hie gat umbe; Chume, chum, geselle min, Carmina Burana: Uf dem anger: Tanz, Carmina Burana: Uf dem anger: Were diu werlt alle min, Carnival Overture, Op. 92, Carnival of the Animals: I. Introduction and Royal March of the Lions, Carnival of the Animals: II. Hens and Roosters, Carnival of the Animals: III. Mongolian Wild Donkeys, Carnival of the Animals: IV. Tortoises, Carnival of the Animals: IX. The Cuckoo in the Depths of the Forest, Carnival of the Animals: V. The Elephant, Carnival of the Animals: VI. Kangaroos, Carnival of the Animals: VII. Aquarium, Carnival of the Animals: VIII. Personages with Long Ears, Carnival of the Animals: X. Aviary, Carnival of the Animals: XI. Pianists, Carnival of the Animals: XII. Fossils, Carnival of the Animals: XIII. The Swan, Carnival of the Animals: XIV. Finale, Central Park in the Dark, Daphnis et Chloé: II. Pantomime, Daphnis et Chloé: III. Danse générale (feat. flute: Doriot Anthony Dwyer), Dolly Suite, op. 56: I. Berceuse, Dolly Suite, op. 56: II. Mi-A-Ou, Dolly Suite, op. 56: III. Le Jardin de Dolly, Dolly Suite, op. 56: IV. Kitty-Valse, Dolly Suite, op. 56: V. Tendresse, Dolly Suite, op. 56: VI. Le pas Espagnol, Egmont Overture, op. 84, El sombrero de tres picos: II. Atardecer, El sombrero de tres picos: III. Danza de la molinera, El sombrero de tres picos: IV. Las uvas, El sombrero de tres picos: V. Danza del los vecinos, El sombrero de tres picos: VII. Danza del corregidor, El sombrero de tres picos: VIII. Danza final, Feste romane: I. Circenses, Feste romane: II. Il giubileo, Feste romane: III. L'ottobrata, Feste romane: IV. La befana, Fontane di Roma: I. La fontana di Valle Giulia all'alba, Fontane di Roma: II. La fontana del Tritone al mattino, Fontane di Roma: III. La fontana di Trevi al meriggio, Fontane di Roma: IV. La fontana di Villa Medici al tramonto, Gaite Parisienne: Cancan, La Damnation de Faust, op. 24: Marche Hongroise, La Damnation de Faust, op. 24: Marche hongroise, La Valse, Le Sacre du printemps: Première partie. L’Adoration de la terre: I. Introduction, Le Sacre du printemps: Première partie. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes, Le Sacre du printemps: Première partie. L’Adoration de la terre: III. Jeu du rapt, Le Sacre du printemps: Première partie. L’Adoration de la terre: IV. Rondes printanières, Le Sacre du printemps: Première partie. L’Adoration de la terre: V. Jeux des cités rivales, Le Sacre du printemps: Première partie. L’Adoration de la terre: VI. Cortège du sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VII. Le sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VIII. Danse de la terre, Le Sacre du printemps: Seconde partie. Le Sacrifice: IX. Introduction, Le Sacre du printemps: Seconde partie. Le Sacrifice: X. Cercles mystérieux des adolescentes, Le Sacre du printemps: Seconde partie. Le Sacrifice: XI. Glorification de l’élue, Le Sacre du printemps: Seconde partie. Le Sacrifice: XII. Évocation des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIII. Action rituelle des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIV. Danse sacrale. l’élue, Le Tombeau de Couperin: I. Prélude: Vif, Le Tombeau de Couperin: II. Forlane: Allegretto, Le Tombeau de Couperin: III. Menuet: Allegro moderato, Le Tombeau de Couperin: IV. Rigaudon: Assex vif - Moins vif - Assex vif, Lullaby from Dolly Suite, Ma mère l'oye: I. Prélude, Ma mère l'oye: II. 1er tableau: Danse du rouet et scène, Ma mère l'oye: III. 2e tableau: Pavane de la belle au bois dormant, Ma mère l'oye: IV. 3e tableau: Les entretiens de la belle et de la bête, Ma mère l'oye: V. 4e tableau: Petit poucet, Ma mère l'oye: VI. 5e tableau: Laideronnette, impératrice des pagodes, Ma mère l'oye: Vii. Apothéose: Le jardin féerique, Menuet antique: Maestoso, Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: I. Andante tranquillo, Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: II. Allegro, Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: III. Adagio, Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: IV. Allegro molto, Musikalisches Opfer, BWV 1079 (Webern), Partita in D-minor, BWV 1004 (Hideo Saito), Pavane pour une infante défunte, Pini di Roma: I. I pini di Villa Borghese, Pini di Roma: II. Pini presso una catacomba, Pini di Roma: III. I pini del Gianicolo, Pini di Roma: IV. I pini della Via Appia, Prelude and Fugue in E-flat major, BWV 552 (Schoenberg), Psalm 149 for Chorus & Orchestra, Op. 79, Rapsodie espagnole: I. Prélude à la nuit, Rapsodie espagnole: I. Prélude à la nuit. Très modéré, Rapsodie espagnole: II. Malagueña, Rapsodie espagnole: II. Malagueña. Assez vif, Rapsodie espagnole: III. Habanera, Rapsodie espagnole: III. Habanera. Assez lent et d'un rythme las, Rapsodie espagnole: IV. Feria, Rapsodie espagnole: IV. Feria. Assez animé, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: I. Introït et Kyrie, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: II. Offertoire, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: III. Sanctus, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: IV. Pie Jesu, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: V. Agnus Dei et Lux Aeterna, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: VI. Libera me, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: VII. In Paradisum, Romeo & Juliet, Op. 64: Act I, Scene I. Morning dance. Allegro, Romeo & Juliet, Op. 64: Act I, Scene I. Romeo (reflective). Andante, Romeo & Juliet, Op. 64: Act I, Scene I. The Prince's decree. Andante, Romeo & Juliet, Op. 64: Act I, Scene I. The fight. Presto, Romeo & Juliet, Op. 64: Act I, Scene I. The quarrel. Allegro brusco, Romeo & Juliet, Op. 64: Act I, Scene I. The street awakens. Allegretto, Romeo & Juliet, Op. 64: Act I, Scene II. Arrival of the guests (Minuet). Assai moderato, Romeo & Juliet, Op. 64: Act I, Scene II. Balcony scene. Larghetto, Romeo & Juliet, Op. 64: Act I, Scene II. Gavotte (Departure of the guests). Allegro, Romeo & Juliet, Op. 64: Act I, Scene II. Juliet the young girl. Vivace, Romeo & Juliet, Op. 64: Act I, Scene II. Juliet's variation. Moderato (quasi Allegretto), Romeo & Juliet, Op. 64: Act I, Scene II. Madrigal (Romeo and Juliet). Andante tenero, Romeo & Juliet, Op. 64: Act I, Scene II. Masks (Romeo, Mercutio and Benvolio in masks). Moderato marciale, Romeo & Juliet, Op. 64: Act I, Scene II. Mercutio. Allegro giocoso, Romeo & Juliet, Op. 64: Act I, Scene II. Preparations for the ball (Juliet and the Nurse). Andante assai - Scherzando, Romeo & Juliet, Op. 64: Act I, Scene II. Romeo and Juliet's love dance. Andante, Romeo & Juliet, Op. 64: Act I, Scene II. Romeo's variation. Allegretto amoroso, Romeo & Juliet, Op. 64: Act I, Scene II. The knight's dance (Juliet and Paris's dance). Allegro pesante, Romeo & Juliet, Op. 64: Act I, Scene II. Tybalt recognizes Romeo. Allegro, Romeo & Juliet, Op. 64: Act I. Interlude. Andante pomposo (L'istesso tempo), Romeo & Juliet, Op. 64: Act I. Introduction. Andante assai, Romeo & Juliet, Op. 64: Act II, Scene III. Dance of the five couples. Vivo, Romeo & Juliet, Op. 64: Act II, Scene III. Dance with mandolins. Vivace, Romeo & Juliet, Op. 64: Act II, Scene III. Folk dance. Allegro giocoso, Romeo & Juliet, Op. 64: Act II, Scene III. Romeo and Mercutio. Andante teneroso, Romeo & Juliet, Op. 64: Act II, Scene III. The Nurse (looking for Romeo). Adagio scherzoso, Romeo & Juliet, Op. 64: Act II, Scene III. The Nurse delivers Juliet's letter to Romeo. Vivace, Romeo & Juliet, Op. 64: Act II, Scene IV. Juliet at Friar Laurence's. Lento, Romeo & Juliet, Op. 64: Act II, Scene IV. Romeo at Friar Laurence's. Andante espressivo, Romeo & Juliet, Op. 64: Act II, Scene V. Finale of Act II (Cortège with Tybalt's body). Adagio dramatico, Romeo & Juliet, Op. 64: Act II, Scene V. Mercutio dies. Moderato, Romeo & Juliet, Op. 64: Act II, Scene V. More merrymaking (folk dance repeated). Allegro giocoso, Romeo & Juliet, Op. 64: Act II, Scene V. Romeo resolves to avenge Mercutio's death. Andante. Animato - Presto, Romeo & Juliet, Op. 64: Act II, Scene V. The people continue to make merry. Vivo, Romeo & Juliet, Op. 64: Act II, Scene V. Tybalt and Mercutio fight. Precipitato, Romeo & Juliet, Op. 64: Act II, Scene V. Tybalt meets Mercutio. Moderato, Romeo & Juliet, Op. 64: Act III, Scene VI. Interlude. Adagio (L'istesso tempo), Romeo & Juliet, Op. 64: Act III, Scene VI. Juliet alone. Adagio, Romeo & Juliet, Op. 64: Act III, Scene VI. Juliet refuses to marry Paris. Vivace - Allegro pesante, Romeo & Juliet, Op. 64: Act III, Scene VI. Romeo and Juliet. Lento, Romeo & Juliet, Op. 64: Act III, Scene VI. The Nurse (announces Juliet's parents and Paris). Andante assai - Più mosso con effetto, Romeo & Juliet, Op. 64: Act III, Scene VI. The last farewell. Andante - Adagio, Romeo & Juliet, Op. 64: Act III, Scene VII. At Friar Laurence's (Friar Laurence gives Juliet a sleeping-potion). Andante, Romeo & Juliet, Op. 64: Act III, Scene VII. Interlude. L'istesso tempo, Romeo & Juliet, Op. 64: Act III, Scene VIII. At Juliet's bedside (Juliet's apparent death). Andante - Adagio, Romeo & Juliet, Op. 64: Act III, Scene VIII. Dance of the young girls with the lilies. Andante con eleganza, Romeo & Juliet, Op. 64: Act III, Scene VIII. Juliet alone (The sleeping-potion). Andante - Adagio - Andante, Romeo & Juliet, Op. 64: Act III, Scene VIII. Juliet's bedroom. Moderato tranquillo - Andante dolente, Romeo & Juliet, Op. 64: Act III, Scene VIII. Morning serenade (with mandolins). Andante giocoso, Romeo & Juliet, Op. 64: Act III. Introduction. Andante, Romeo & Juliet, Op. 64: Act IV, Scene IX. Death of Juliet. Adagio (meno mosso del tempo precedente), Romeo & Juliet, Op. 64: Act IV, Scene IX. Juliet's funeral (and Romeo's death). Adagio funebre, Romeo und Julia: Tanz der Ritter (Ausschnitt), Roméo et Juliette - Symphonie dramatique, op. 17: Scène d'amour, Slavonic Dance in C major, Op. 72, #7, Symphonie Nr. 1 D-dur: 1. Langsam. Schleppend. Wie ein Naturlaut - im Anfgang sehr gemächlich, Symphonie Nr. 1 D-dur: 2. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich, Symphonie Nr. 1 D-dur: 3. Feierlich und gemessen, ohne zu schleppen, Symphonie Nr. 1 D-dur: 4. Stürmisch bewegt, Symphonie Nr. 1 D-dur: Blumine. Andante allegretto, Symphonie fantastique, op. 14: I. Rêveries - Passions. Largo - Allegro agitato e appasionato assai, Symphonie fantastique, op. 14: II. Un bal. Valse. Allegro non troppo, Symphonie fantastique, op. 14: III. Scène aux champs. Adagio, Symphonie fantastique, op. 14: IV. Marche au supplice. Allegretto non troppo, Symphonie fantastique, op. 14: V. Songe d'une nuit du Sabbat. Larghetto - Allegro - Rondo du Sabbat., Symphony No. 2 in C minor: I. Allegro maestoso, Symphony No. 2 in C minor: II. Andante moderato, Symphony No. 2 in C minor: III. In ruhig fliessender bewegung, Symphony No. 2 in C minor: IV. "Urlicht". Sehr feierlich, aber schlicht, Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube"), Symphony No. 2 in C minor: V. Im tempo des scherzo. Wild herausfahrend, Symphony No. 2 in C minor: V. Langsam. Misterioso ("Aufersteh'n"), Symphony No. 2 in C minor: V. Maestoso. Sehr zuruckhaltend - Wieder zuruckhaltend, Symphony No. 2 in C minor: V. Sehr langsam und gedehnt, Symphony no. 1 in D major: I. Langsam, Schleppend - Im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 10 in F-sharp minor (unfinished): I. Andante - Adagio, Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden, Symphony no. 3 in D minor: Part II. II. Tempo di minuetto. Sehr mäßig, Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: Part II. IV. Zarathustras Mitternachtslied. Sehr langsam. Misterioso, Symphony no. 3 in D minor: Part II. V. Es sungen drei Engel. Lustig im Tempo und keck im Austruck, Symphony no. 3 in D minor: Part II. VI. Langsam. Ruhevoll. Empfunden, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll. Poco adagio, Symphony no. 4 in G major: IV. Das himmlische Leben. Sehr behaglich, Symphony no. 4: I. Prelude: Maestoso, Symphony no. 4: II. Allegretto, Symphony no. 4: III. Fugue: Andante moderato, Symphony no. 4: IV. Very slowly – Largo maestoso, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: IV. Allegro, Symphony no. 5 in C-sharp minor: Part I. I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich scneller. Leidenschaftlich. Wild - Tempo I, Symphony no. 5 in C-sharp minor: Part I. II. Stürmisch bewegt. Mit größter Vehemenz -, Symphony no. 5 in C-sharp minor: Part II. III. Scherzo: Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: Part III. IV. Adagietto: Sehr langsam, Symphony no. 5 in C-sharp minor: Part III. V. Rondo-Finale: Allegro, Symphony no. 6 in A minor: Finale: Allegro moderato - Allegro energico, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo, Symphony no. 7 in E minor: II. Nachtmusik: Allegro moderato, Symphony no. 7 in E minor: III. Scherzo, Symphony no. 7 in E minor: IV. Nachtmusik: Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale: Allegro ordinario - Allegro moderato ma energico, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Blicket auf...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Uns bleibt ein Erdenrest...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Waldung, sie schwankt heran...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: Poco adagio, Symphony no. 9 in D major: I. Andante comodo -, Symphony no. 9 in D major: II. Imp Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb -, Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig -, Symphony no. 9 in D major: IV. Adagio Sehr langsam und noch zurückhaltend, Symphony no. 9 in D major: Ländler, ganz langsam, Symphony no. 9 in D major: Mit Wut. Allegro risoluto -, Symphony no. 9 in D major: Poco più mosso subito -, Symphony no. 9 in D major: Presto, Symphony no. 9 in D major: Tempo I, The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai, The Nutcracker, op. 71: Overture, The Planets: Jupiter, the Bringer of Jollity, The Planets: Mars, the Bringer of War, The Planets: Mercury, the Winged Messenger, The Planets: Neptune, the Mystic, The Planets: Saturn, the Bringer of Old Age, The Planets: Uranus, the Magician, The Planets: Venus, the Bringer of Peace, Toccata and Fugue in D-minor, BWV 565 (Stokowski), Une Barque sur l'Océan: Très souple de rythme, Valses Nobles et Sentimentales: VIII. Epilogue: Lent, Valses nobles et sentimentales: I. Modéré, Valses nobles et sentimentales: II. Assez lent, Valses nobles et sentimentales: III. Modéré, Valses nobles et sentimentales: IV. Assez animé, Valses nobles et sentimentales: V. Presque lent, Valses nobles et sentimentales: VI. Assez vif, Valses nobles et sentimentales: VII. Moins vif, Var. I In canone all 'ottava, Var. II Alio modo in canone alle quinta, Var. III In canone alla settima, Var. IV In canone all 'ottava per augmentationem, Var. V L'altra sorte del canone al rovescio, Vom Himmel hoch, BWV 769 (Stravinsky); Choral, Wedding March, When Lilacs Last in the Dooryard Bloom'd: Part One, When Lilacs Last in the Dooryard Bloom'd: Part Three, When Lilacs Last in the Dooryard Bloom'd: Part Two, Zwanenmeer - Moderato
Onno Scholtze
balance, engineer
Symphony No. 2 in C minor: I. Allegro maestoso, Symphony No. 2 in C minor: II. Andante moderato, Symphony No. 2 in C minor: III. In ruhig fliessender bewegung, Symphony No. 2 in C minor: IV. "Urlicht". Sehr feierlich, aber schlicht, Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube"), Symphony No. 2 in C minor: V. Im tempo des scherzo. Wild herausfahrend, Symphony No. 2 in C minor: V. Langsam. Misterioso ("Aufersteh'n"), Symphony No. 2 in C minor: V. Maestoso. Sehr zuruckhaltend - Wieder zuruckhaltend, Symphony No. 2 in C minor: V. Sehr langsam und gedehnt, Symphony no. 1 in D major: I. Langsam, Schleppend - Im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 10 in F-sharp minor (unfinished): I. Andante - Adagio, Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden, Symphony no. 3 in D minor: Part II. II. Tempo di minuetto. Sehr mäßig, Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: Part II. IV. Zarathustras Mitternachtslied. Sehr langsam. Misterioso, Symphony no. 3 in D minor: Part II. V. Es sungen drei Engel. Lustig im Tempo und keck im Austruck, Symphony no. 3 in D minor: Part II. VI. Langsam. Ruhevoll. Empfunden, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll. Poco adagio, Symphony no. 4 in G major: IV. Das himmlische Leben. Sehr behaglich, Symphony no. 5 in C-sharp minor: Part I. I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich scneller. Leidenschaftlich. Wild - Tempo I, Symphony no. 5 in C-sharp minor: Part I. II. Stürmisch bewegt. Mit größter Vehemenz -, Symphony no. 5 in C-sharp minor: Part II. III. Scherzo: Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: Part III. IV. Adagietto: Sehr langsam, Symphony no. 5 in C-sharp minor: Part III. V. Rondo-Finale: Allegro, Symphony no. 6 in A minor: Finale: Allegro moderato - Allegro energico, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo, Symphony no. 7 in E minor: II. Nachtmusik: Allegro moderato, Symphony no. 7 in E minor: III. Scherzo, Symphony no. 7 in E minor: IV. Nachtmusik: Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale: Allegro ordinario - Allegro moderato ma energico, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Blicket auf...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Uns bleibt ein Erdenrest...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Waldung, sie schwankt heran...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: Poco adagio, Symphony no. 9 in D major: I. Andante comodo -, Symphony no. 9 in D major: II. Imp Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb -, Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig -, Symphony no. 9 in D major: IV. Adagio Sehr langsam und noch zurückhaltend, Symphony no. 9 in D major: Ländler, ganz langsam, Symphony no. 9 in D major: Mit Wut. Allegro risoluto -, Symphony no. 9 in D major: Poco più mosso subito -, Symphony no. 9 in D major: Presto, Symphony no. 9 in D major: Tempo I
Wilhelm Hellweg (producer / engineer)
balance, producer
Symphony No. 2 in C minor: I. Allegro maestoso, Symphony No. 2 in C minor: II. Andante moderato, Symphony No. 2 in C minor: III. In ruhig fliessender bewegung, Symphony No. 2 in C minor: IV. "Urlicht". Sehr feierlich, aber schlicht, Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube"), Symphony No. 2 in C minor: V. Im tempo des scherzo. Wild herausfahrend, Symphony No. 2 in C minor: V. Langsam. Misterioso ("Aufersteh'n"), Symphony No. 2 in C minor: V. Maestoso. Sehr zuruckhaltend - Wieder zuruckhaltend, Symphony No. 2 in C minor: V. Sehr langsam und gedehnt, Symphony no. 1 in D major: I. Langsam, Schleppend - Im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 10 in F-sharp minor (unfinished): I. Andante - Adagio, Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden, Symphony no. 3 in D minor: Part II. II. Tempo di minuetto. Sehr mäßig, Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: Part II. IV. Zarathustras Mitternachtslied. Sehr langsam. Misterioso, Symphony no. 3 in D minor: Part II. V. Es sungen drei Engel. Lustig im Tempo und keck im Austruck, Symphony no. 3 in D minor: Part II. VI. Langsam. Ruhevoll. Empfunden, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll. Poco adagio, Symphony no. 4 in G major: IV. Das himmlische Leben. Sehr behaglich, Symphony no. 5 in C-sharp minor: Part I. I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich scneller. Leidenschaftlich. Wild - Tempo I, Symphony no. 5 in C-sharp minor: Part I. II. Stürmisch bewegt. Mit größter Vehemenz -, Symphony no. 5 in C-sharp minor: Part II. III. Scherzo: Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: Part III. IV. Adagietto: Sehr langsam, Symphony no. 5 in C-sharp minor: Part III. V. Rondo-Finale: Allegro, Symphony no. 6 in A minor: Finale: Allegro moderato - Allegro energico, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo, Symphony no. 7 in E minor: II. Nachtmusik: Allegro moderato, Symphony no. 7 in E minor: III. Scherzo, Symphony no. 7 in E minor: IV. Nachtmusik: Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale: Allegro ordinario - Allegro moderato ma energico, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Blicket auf...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Uns bleibt ein Erdenrest...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Waldung, sie schwankt heran...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: Poco adagio, Symphony no. 9 in D major: I. Andante comodo -, Symphony no. 9 in D major: II. Imp Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb -, Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig -, Symphony no. 9 in D major: IV. Adagio Sehr langsam und noch zurückhaltend, Symphony no. 9 in D major: Ländler, ganz langsam, Symphony no. 9 in D major: Mit Wut. Allegro risoluto -, Symphony no. 9 in D major: Poco più mosso subito -, Symphony no. 9 in D major: Presto, Symphony no. 9 in D major: Tempo I
Henk Kooistra
engineer
Symphony no. 10 in F-sharp minor (unfinished): I. Andante - Adagio, Symphony no. 5 in C-sharp minor: Part I. I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich scneller. Leidenschaftlich. Wild - Tempo I, Symphony no. 5 in C-sharp minor: Part I. II. Stürmisch bewegt. Mit größter Vehemenz -, Symphony no. 5 in C-sharp minor: Part II. III. Scherzo: Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: Part III. IV. Adagietto: Sehr langsam, Symphony no. 5 in C-sharp minor: Part III. V. Rondo-Finale: Allegro, Symphony no. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo, Symphony no. 7 in E minor: II. Nachtmusik: Allegro moderato, Symphony no. 7 in E minor: III. Scherzo, Symphony no. 7 in E minor: IV. Nachtmusik: Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale: Allegro ordinario - Allegro moderato ma energico, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Blicket auf...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Uns bleibt ein Erdenrest...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Waldung, sie schwankt heran...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: Poco adagio, Symphony no. 9 in D major: I. Andante comodo -, Symphony no. 9 in D major: II. Imp Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb -, Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig -, Symphony no. 9 in D major: IV. Adagio Sehr langsam und noch zurückhaltend, Symphony no. 9 in D major: Ländler, ganz langsam, Symphony no. 9 in D major: Mit Wut. Allegro risoluto -, Symphony no. 9 in D major: Poco più mosso subito -, Symphony no. 9 in D major: Presto, Symphony no. 9 in D major: Tempo I
Klaus Hiemann
balance, recording
El sombrero de tres picos: II. Atardecer, El sombrero de tres picos: III. Danza de la molinera, El sombrero de tres picos: IV. Las uvas, El sombrero de tres picos: V. Danza del los vecinos, El sombrero de tres picos: VII. Danza del corregidor, El sombrero de tres picos: VIII. Danza final, Feste romane: I. Circenses, Feste romane: II. Il giubileo, Feste romane: III. L'ottobrata, Feste romane: IV. La befana, Fontane di Roma: I. La fontana di Valle Giulia all'alba, Fontane di Roma: II. La fontana del Tritone al mattino, Fontane di Roma: III. La fontana di Trevi al meriggio, Fontane di Roma: IV. La fontana di Villa Medici al tramonto, Pini di Roma: I. I pini di Villa Borghese, Pini di Roma: II. Pini presso una catacomba, Pini di Roma: III. I pini del Gianicolo, Pini di Roma: IV. I pini della Via Appia, Symphonie Nr. 1 D-dur: 1. Langsam. Schleppend. Wie ein Naturlaut - im Anfgang sehr gemächlich, Symphonie Nr. 1 D-dur: 2. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich, Symphonie Nr. 1 D-dur: 3. Feierlich und gemessen, ohne zu schleppen, Symphonie Nr. 1 D-dur: 4. Stürmisch bewegt, Symphonie Nr. 1 D-dur: Blumine. Andante allegretto
Rainer Brock
producer
El sombrero de tres picos: II. Atardecer, El sombrero de tres picos: III. Danza de la molinera, El sombrero de tres picos: IV. Las uvas, El sombrero de tres picos: V. Danza del los vecinos, El sombrero de tres picos: VII. Danza del corregidor, El sombrero de tres picos: VIII. Danza final, Feste romane: I. Circenses, Feste romane: II. Il giubileo, Feste romane: III. L'ottobrata, Feste romane: IV. La befana, Fontane di Roma: I. La fontana di Valle Giulia all'alba, Fontane di Roma: II. La fontana del Tritone al mattino, Fontane di Roma: III. La fontana di Trevi al meriggio, Fontane di Roma: IV. La fontana di Villa Medici al tramonto, Pini di Roma: I. I pini di Villa Borghese, Pini di Roma: II. Pini presso una catacomba, Pini di Roma: III. I pini del Gianicolo, Pini di Roma: IV. I pini della Via Appia, Symphonie Nr. 1 D-dur: 1. Langsam. Schleppend. Wie ein Naturlaut - im Anfgang sehr gemächlich, Symphonie Nr. 1 D-dur: 2. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich, Symphonie Nr. 1 D-dur: 3. Feierlich und gemessen, ohne zu schleppen, Symphonie Nr. 1 D-dur: 4. Stürmisch bewegt, Symphonie Nr. 1 D-dur: Blumine. Andante allegretto
Tanglewood Festival Chorus
vocal
Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: I. Introït et Kyrie, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: II. Offertoire, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: III. Sanctus, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: IV. Pie Jesu, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: V. Agnus Dei et Lux Aeterna, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: VI. Libera me, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: VII. In Paradisum, Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube"), Symphony No. 2 in C minor: V. Im tempo des scherzo. Wild herausfahrend, Symphony No. 2 in C minor: V. Langsam. Misterioso ("Aufersteh'n"), Symphony No. 2 in C minor: V. Maestoso. Sehr zuruckhaltend - Wieder zuruckhaltend, Symphony No. 2 in C minor: V. Sehr langsam und gedehnt, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Blicket auf...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Uns bleibt ein Erdenrest...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Waldung, sie schwankt heran...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: Poco adagio, When Lilacs Last in the Dooryard Bloom'd: Part One, When Lilacs Last in the Dooryard Bloom'd: Part Three, When Lilacs Last in the Dooryard Bloom'd: Part Two
John Newton (editor, engineer mixer)
engineer
Symphony no. 1 in D major: I. Langsam, Schleppend - Im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 10 in F-sharp minor (unfinished): I. Andante - Adagio, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll. Poco adagio, Symphony no. 4 in G major: IV. Das himmlische Leben. Sehr behaglich, Symphony no. 9 in D major: I. Andante comodo -, Symphony no. 9 in D major: II. Imp Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb -, Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig -, Symphony no. 9 in D major: IV. Adagio Sehr langsam und noch zurückhaltend, Symphony no. 9 in D major: Ländler, ganz langsam, Symphony no. 9 in D major: Mit Wut. Allegro risoluto -, Symphony no. 9 in D major: Poco più mosso subito -, Symphony no. 9 in D major: Presto, Symphony no. 9 in D major: Tempo I
Hans-Peter Schweigmann
balance
Central Park in the Dark, Dolly Suite, op. 56: I. Berceuse, Dolly Suite, op. 56: II. Mi-A-Ou, Dolly Suite, op. 56: III. Le Jardin de Dolly, Dolly Suite, op. 56: IV. Kitty-Valse, Dolly Suite, op. 56: V. Tendresse, Dolly Suite, op. 56: VI. Le pas Espagnol, Roméo et Juliette - Symphonie dramatique, op. 17: Scène d'amour, Symphonie fantastique, op. 14: I. Rêveries - Passions. Largo - Allegro agitato e appasionato assai, Symphonie fantastique, op. 14: II. Un bal. Valse. Allegro non troppo, Symphonie fantastique, op. 14: III. Scène aux champs. Adagio, Symphonie fantastique, op. 14: IV. Marche au supplice. Allegretto non troppo, Symphonie fantastique, op. 14: V. Songe d'une nuit du Sabbat. Larghetto - Allegro - Rondo du Sabbat., Symphony no. 4: I. Prelude: Maestoso, Symphony no. 4: II. Allegretto, Symphony no. 4: III. Fugue: Andante moderato, Symphony no. 4: IV. Very slowly – Largo maestoso, The Nutcracker, op. 71: Overture
Garrick Ohlsson
piano
Carnival of the Animals: I. Introduction and Royal March of the Lions, Carnival of the Animals: II. Hens and Roosters, Carnival of the Animals: III. Mongolian Wild Donkeys, Carnival of the Animals: IV. Tortoises, Carnival of the Animals: IX. The Cuckoo in the Depths of the Forest, Carnival of the Animals: V. The Elephant, Carnival of the Animals: VI. Kangaroos, Carnival of the Animals: VII. Aquarium, Carnival of the Animals: VIII. Personages with Long Ears, Carnival of the Animals: X. Aviary, Carnival of the Animals: XI. Pianists, Carnival of the Animals: XII. Fossils, Carnival of the Animals: XIII. The Swan, Carnival of the Animals: XIV. Finale
John Browning (American pianist)
piano
Carnival of the Animals: I. Introduction and Royal March of the Lions, Carnival of the Animals: II. Hens and Roosters, Carnival of the Animals: III. Mongolian Wild Donkeys, Carnival of the Animals: IV. Tortoises, Carnival of the Animals: IX. The Cuckoo in the Depths of the Forest, Carnival of the Animals: V. The Elephant, Carnival of the Animals: VI. Kangaroos, Carnival of the Animals: VII. Aquarium, Carnival of the Animals: VIII. Personages with Long Ears, Carnival of the Animals: X. Aviary, Carnival of the Animals: XI. Pianists, Carnival of the Animals: XII. Fossils, Carnival of the Animals: XIII. The Swan, Carnival of the Animals: XIV. Finale
Thomas Mowrey
producer
Central Park in the Dark, Roméo et Juliette - Symphonie dramatique, op. 17: Scène d'amour, Symphonie fantastique, op. 14: I. Rêveries - Passions. Largo - Allegro agitato e appasionato assai, Symphonie fantastique, op. 14: II. Un bal. Valse. Allegro non troppo, Symphonie fantastique, op. 14: III. Scène aux champs. Adagio, Symphonie fantastique, op. 14: IV. Marche au supplice. Allegretto non troppo, Symphonie fantastique, op. 14: V. Songe d'une nuit du Sabbat. Larghetto - Allegro - Rondo du Sabbat., Symphony no. 4: I. Prelude: Maestoso, Symphony no. 4: II. Allegretto, Symphony no. 4: III. Fugue: Andante moderato, Symphony no. 4: IV. Very slowly – Largo maestoso
Håkan Hagegård
vocal
Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: I. Introït et Kyrie, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: II. Offertoire, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: III. Sanctus, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: IV. Pie Jesu, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: V. Agnus Dei et Lux Aeterna, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: VI. Libera me, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: VII. In Paradisum
Barbara Bonney
vocal
Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: I. Introït et Kyrie, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: II. Offertoire, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: III. Sanctus, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: IV. Pie Jesu, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: V. Agnus Dei et Lux Aeterna, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: VI. Libera me, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: VII. In Paradisum
Hanno Rinke
producer
Dolly Suite, op. 56: I. Berceuse, Dolly Suite, op. 56: II. Mi-A-Ou, Dolly Suite, op. 56: III. Le Jardin de Dolly, Dolly Suite, op. 56: IV. Kitty-Valse, Dolly Suite, op. 56: V. Tendresse, Dolly Suite, op. 56: VI. Le pas Espagnol
Florence Quivar
vocal
Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Uns bleibt ein Erdenrest...", When Lilacs Last in the Dooryard Bloom'd: Part Three, When Lilacs Last in the Dooryard Bloom'd: Part Two
Boston Boys Choir
vocal
Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Blicket auf...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Uns bleibt ein Erdenrest...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Waldung, sie schwankt heran..."
Werner Mayer (classical producer)
recording
Dolly Suite, op. 56: I. Berceuse, Dolly Suite, op. 56: II. Mi-A-Ou, Dolly Suite, op. 56: III. Le Jardin de Dolly, Dolly Suite, op. 56: IV. Kitty-Valse, Dolly Suite, op. 56: V. Tendresse, Dolly Suite, op. 56: VI. Le pas Espagnol
Fiona Gale
editor
Symphony no. 5 in C-sharp minor: Part I. I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich scneller. Leidenschaftlich. Wild - Tempo I, Symphony no. 5 in C-sharp minor: Part I. II. Stürmisch bewegt. Mit größter Vehemenz -, Symphony no. 5 in C-sharp minor: Part II. III. Scherzo: Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: Part III. IV. Adagietto: Sehr langsam, Symphony no. 5 in C-sharp minor: Part III. V. Rondo-Finale: Allegro
Everett Porter
engineer
Symphony no. 5 in C-sharp minor: Part I. I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich scneller. Leidenschaftlich. Wild - Tempo I, Symphony no. 5 in C-sharp minor: Part I. II. Stürmisch bewegt. Mit größter Vehemenz -, Symphony no. 5 in C-sharp minor: Part II. III. Scherzo: Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: Part III. IV. Adagietto: Sehr langsam, Symphony no. 5 in C-sharp minor: Part III. V. Rondo-Finale: Allegro
Amelia Rogers
editor
Symphony no. 1 in D major: I. Langsam, Schleppend - Im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt
Kenneth Riegel
vocal
Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Blicket auf...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Uns bleibt ein Erdenrest..."
Faye Robinson
vocal
Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren..."
Judith Blegen
vocal
Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren..."
Gwynne Howell
vocal
Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Waldung, sie schwankt heran..."
Dominic Cossa
vocal
When Lilacs Last in the Dooryard Bloom'd: Part One, When Lilacs Last in the Dooryard Bloom'd: Part Three, When Lilacs Last in the Dooryard Bloom'd: Part Two
John Oliver (chorus master)
chorus master
When Lilacs Last in the Dooryard Bloom'd: Part One, When Lilacs Last in the Dooryard Bloom'd: Part Three, When Lilacs Last in the Dooryard Bloom'd: Part Two
Esther Hinds
vocal
When Lilacs Last in the Dooryard Bloom'd: Part One, When Lilacs Last in the Dooryard Bloom'd: Part Three, When Lilacs Last in the Dooryard Bloom'd: Part Two
Lorna Myers
vocal
Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren..."
Benjamin Luxon (baritone)
vocal
Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Waldung, sie schwankt heran..."
Deborah Sasson
vocal
Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren..."
Jack Renner (engineer for Telarc)
engineer
Egmont Overture, op. 84, Symphony no. 5 in C minor, op. 67: I. Allegro con brio
Elaine Martone (engineer)
producer
Egmont Overture, op. 84, Symphony no. 5 in C minor, op. 67: I. Allegro con brio
Marilyn Horne
vocal
Symphony No. 2 in C minor: IV. "Urlicht". Sehr feierlich, aber schlicht, Symphony No. 2 in C minor: V. Langsam. Misterioso ("Aufersteh'n")
Ronald Whitaker
producer
Egmont Overture, op. 84, Symphony no. 5 in C minor, op. 67: I. Allegro con brio
Robert Woods (classical producer)
producer
Egmont Overture, op. 84, Symphony no. 5 in C minor, op. 67: I. Allegro con brio
Kiri Te Kanawa
vocal
Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube"), Symphony No. 2 in C minor: V. Langsam. Misterioso ("Aufersteh'n")
James Christie (Organist)
organ
Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche..."
New England Conservatory Chorus
vocal
The Planets: Neptune, the Mystic
Mark Buecker
editor
The Nutcracker, op. 71: Overture
Sherman Walt
bassoon
Alborada del gracioso
Klaus Behrens
recording
The Nutcracker, op. 71: Overture
Jules Eskin
cello
Carnival of the Animals: XIII. The Swan
Christian Gansch
producer
The Nutcracker, op. 71: Overture
Charles Kavaloski
French horn
Pavane pour une infante défunte
Alison Ames
producer
The Nutcracker, op. 71: Overture
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