Roger Hand

Top collaborators

Artist name Roles Recordings
小澤征爾 (conductor) conductor A Midsummer Night’s Dream, op. 61: IX. Wedding March, Alborada del gracioso, Ancient Airs and Dances Suite no. 3: III. Siciliana, Antiche danze ed arie, suite I: Anonymus: Passo mezzo a mascherada, Antiche danze ed arie, suite I: Anonymus: Villanella, Antiche danze ed arie, suite I: Simone Molinaro: Balletto "Il Conte Orlando" (1599), Antiche danze ed arie, suite I: Vincenzo Galilei: Gagliarda (1598), Antiche danze ed arie, suite II: Anonymus: Campanae parisienses, Antiche danze ed arie, suite II: Bernardo Gianoncelli: Bergamasca (1650), Antiche danze ed arie, suite II: Fabrizio Caroso: Laura soave (1581), Antiche danze ed arie, suite II: Jean-Baptiste Besard: Danza rustica (1617), Antiche danze ed arie, suite III: Anonymus: Italiana, Antiche danze ed arie, suite III: Anonymus: Siciliana, Antiche danze ed arie, suite III: Jean-Baptiste Besard: Aria di corte (1617), Antiche danze ed arie, suite III: Lodovico Roncalli: Passacaglia (1692), Berceuse (Lullaby) From the Firebird, Boléro, Carmina Burana: Blanziflor et Helena, Carmina Burana: Blanziflor et Helena: Ave formosissima, Carmina Burana: Fortuna imperatix mundi, Carmina Burana: Fortuna imperatrix mundi, Carmina Burana: Fortuna imperatrix mundi: Fortune plango vulnera, Carmina Burana: Fortuna imperatrix mundi: O fortuna, Carmina Burana: I. Primo vere: Ecce gratum, Carmina Burana: I. Primo vere: Omnia sol temperat, Carmina Burana: I. Primo vere: Veris leta facies, Carmina Burana: II. In taberna: Ego sum abbas, Carmina Burana: II. In taberna: Estuans interius, Carmina Burana: II. In taberna: In taberna quando sumus, Carmina Burana: II. In taberna: Olim lacus colueram, Carmina Burana: III. Cour d’amours: Amor volat undique, Carmina Burana: III. Cour d’amours: Circa mea pectora, Carmina Burana: III. Cour d’amours: Dies, nox et omnia, Carmina Burana: III. Cour d’amours: Dulcissime, Carmina Burana: III. Cour d’amours: In trutina, Carmina Burana: III. Cour d’amours: Si puer cum puellula, Carmina Burana: III. Cour d’amours: Stetit puella, Carmina Burana: III. Cour d’amours: Tempus est iocundum, Carmina Burana: III. Cour d’amours: Veni, veni, venias, Carmina Burana: Uf dem anger, Carmina Burana: Uf dem anger: Chramer, gip die varwe mir, Carmina Burana: Uf dem anger: Floret silva, Carmina Burana: Uf dem anger: Reie; Swaz hie gat umbe; Chume, chum, geselle min, Carmina Burana: Uf dem anger: Tanz, Carmina Burana: Uf dem anger: Were diu werlt alle min, Carnival Overture, Op. 92, Carnival of the Animals: I. Introduction and Royal March of the Lions, Carnival of the Animals: II. Hens and Roosters, Carnival of the Animals: III. Mongolian Wild Donkeys, Carnival of the Animals: IV. Tortoises, Carnival of the Animals: IX. The Cuckoo in the Depths of the Forest, Carnival of the Animals: V. The Elephant, Carnival of the Animals: VI. Kangaroos, Carnival of the Animals: VII. Aquarium, Carnival of the Animals: VIII. Personages with Long Ears, Carnival of the Animals: X. Aviary, Carnival of the Animals: XI. Pianists, Carnival of the Animals: XII. Fossils, Carnival of the Animals: XIII. The Swan, Carnival of the Animals: XIV. Finale, Central Park in the Dark, Daphnis et Chloé: II. Pantomime, Daphnis et Chloé: III. Danse générale (feat. flute: Doriot Anthony Dwyer), Dolly Suite, op. 56: I. Berceuse, Dolly Suite, op. 56: II. Mi-A-Ou, Dolly Suite, op. 56: III. Le Jardin de Dolly, Dolly Suite, op. 56: IV. Kitty-Valse, Dolly Suite, op. 56: V. Tendresse, Dolly Suite, op. 56: VI. Le pas Espagnol, Egmont Overture, op. 84, El sombrero de tres picos: II. Atardecer, El sombrero de tres picos: III. Danza de la molinera, El sombrero de tres picos: IV. Las uvas, El sombrero de tres picos: V. Danza del los vecinos, El sombrero de tres picos: VII. Danza del corregidor, El sombrero de tres picos: VIII. Danza final, Feste romane: I. Circenses, Feste romane: II. Il giubileo, Feste romane: III. L'ottobrata, Feste romane: IV. La befana, Fontane di Roma: I. La fontana di Valle Giulia all'alba, Fontane di Roma: II. La fontana del Tritone al mattino, Fontane di Roma: III. La fontana di Trevi al meriggio, Fontane di Roma: IV. La fontana di Villa Medici al tramonto, Gaite Parisienne: Cancan, La Damnation de Faust, op. 24: Marche Hongroise, La Damnation de Faust, op. 24: Marche hongroise, La Valse, Le Sacre du printemps: Première partie. L’Adoration de la terre: I. Introduction, Le Sacre du printemps: Première partie. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes, Le Sacre du printemps: Première partie. L’Adoration de la terre: III. Jeu du rapt, Le Sacre du printemps: Première partie. L’Adoration de la terre: IV. Rondes printanières, Le Sacre du printemps: Première partie. L’Adoration de la terre: V. Jeux des cités rivales, Le Sacre du printemps: Première partie. L’Adoration de la terre: VI. Cortège du sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VII. Le sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VIII. Danse de la terre, Le Sacre du printemps: Seconde partie. Le Sacrifice: IX. Introduction, Le Sacre du printemps: Seconde partie. Le Sacrifice: X. Cercles mystérieux des adolescentes, Le Sacre du printemps: Seconde partie. Le Sacrifice: XI. Glorification de l’élue, Le Sacre du printemps: Seconde partie. Le Sacrifice: XII. Évocation des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIII. Action rituelle des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIV. Danse sacrale. l’élue, Le Tombeau de Couperin: I. Prélude: Vif, Le Tombeau de Couperin: II. Forlane: Allegretto, Le Tombeau de Couperin: III. Menuet: Allegro moderato, Le Tombeau de Couperin: IV. Rigaudon: Assex vif - Moins vif - Assex vif, Lullaby from Dolly Suite, Ma mère l'oye: I. Prélude, Ma mère l'oye: II. 1er tableau: Danse du rouet et scène, Ma mère l'oye: III. 2e tableau: Pavane de la belle au bois dormant, Ma mère l'oye: IV. 3e tableau: Les entretiens de la belle et de la bête, Ma mère l'oye: V. 4e tableau: Petit poucet, Ma mère l'oye: VI. 5e tableau: Laideronnette, impératrice des pagodes, Ma mère l'oye: Vii. Apothéose: Le jardin féerique, Menuet antique: Maestoso, Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: I. Andante tranquillo, Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: II. Allegro, Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: III. Adagio, Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: IV. Allegro molto, Musikalisches Opfer, BWV 1079 (Webern), Partita in D-minor, BWV 1004 (Hideo Saito), Pavane pour une infante défunte, Pini di Roma: I. I pini di Villa Borghese, Pini di Roma: II. Pini presso una catacomba, Pini di Roma: III. I pini del Gianicolo, Pini di Roma: IV. I pini della Via Appia, Prelude and Fugue in E-flat major, BWV 552 (Schoenberg), Psalm 149 for Chorus & Orchestra, Op. 79, Rapsodie espagnole: I. Prélude à la nuit, Rapsodie espagnole: I. Prélude à la nuit. Très modéré, Rapsodie espagnole: II. Malagueña, Rapsodie espagnole: II. Malagueña. Assez vif, Rapsodie espagnole: III. Habanera, Rapsodie espagnole: III. Habanera. Assez lent et d'un rythme las, Rapsodie espagnole: IV. Feria, Rapsodie espagnole: IV. Feria. Assez animé, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: I. Introït et Kyrie, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: II. Offertoire, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: III. Sanctus, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: IV. Pie Jesu, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: V. Agnus Dei et Lux Aeterna, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: VI. Libera me, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: VII. In Paradisum, Romeo & Juliet, Op. 64: Act I, Scene I. Morning dance. Allegro, Romeo & Juliet, Op. 64: Act I, Scene I. Romeo (reflective). Andante, Romeo & Juliet, Op. 64: Act I, Scene I. The Prince's decree. Andante, Romeo & Juliet, Op. 64: Act I, Scene I. The fight. Presto, Romeo & Juliet, Op. 64: Act I, Scene I. The quarrel. Allegro brusco, Romeo & Juliet, Op. 64: Act I, Scene I. The street awakens. Allegretto, Romeo & Juliet, Op. 64: Act I, Scene II. Arrival of the guests (Minuet). Assai moderato, Romeo & Juliet, Op. 64: Act I, Scene II. Balcony scene. Larghetto, Romeo & Juliet, Op. 64: Act I, Scene II. Gavotte (Departure of the guests). Allegro, Romeo & Juliet, Op. 64: Act I, Scene II. Juliet the young girl. Vivace, Romeo & Juliet, Op. 64: Act I, Scene II. Juliet's variation. Moderato (quasi Allegretto), Romeo & Juliet, Op. 64: Act I, Scene II. Madrigal (Romeo and Juliet). Andante tenero, Romeo & Juliet, Op. 64: Act I, Scene II. Masks (Romeo, Mercutio and Benvolio in masks). Moderato marciale, Romeo & Juliet, Op. 64: Act I, Scene II. Mercutio. Allegro giocoso, Romeo & Juliet, Op. 64: Act I, Scene II. Preparations for the ball (Juliet and the Nurse). Andante assai - Scherzando, Romeo & Juliet, Op. 64: Act I, Scene II. Romeo and Juliet's love dance. Andante, Romeo & Juliet, Op. 64: Act I, Scene II. Romeo's variation. Allegretto amoroso, Romeo & Juliet, Op. 64: Act I, Scene II. The knight's dance (Juliet and Paris's dance). Allegro pesante, Romeo & Juliet, Op. 64: Act I, Scene II. Tybalt recognizes Romeo. Allegro, Romeo & Juliet, Op. 64: Act I. Interlude. Andante pomposo (L'istesso tempo), Romeo & Juliet, Op. 64: Act I. Introduction. Andante assai, Romeo & Juliet, Op. 64: Act II, Scene III. Dance of the five couples. Vivo, Romeo & Juliet, Op. 64: Act II, Scene III. Dance with mandolins. Vivace, Romeo & Juliet, Op. 64: Act II, Scene III. Folk dance. Allegro giocoso, Romeo & Juliet, Op. 64: Act II, Scene III. Romeo and Mercutio. Andante teneroso, Romeo & Juliet, Op. 64: Act II, Scene III. The Nurse (looking for Romeo). Adagio scherzoso, Romeo & Juliet, Op. 64: Act II, Scene III. The Nurse delivers Juliet's letter to Romeo. Vivace, Romeo & Juliet, Op. 64: Act II, Scene IV. Juliet at Friar Laurence's. Lento, Romeo & Juliet, Op. 64: Act II, Scene IV. Romeo at Friar Laurence's. Andante espressivo, Romeo & Juliet, Op. 64: Act II, Scene V. Finale of Act II (Cortège with Tybalt's body). Adagio dramatico, Romeo & Juliet, Op. 64: Act II, Scene V. Mercutio dies. Moderato, Romeo & Juliet, Op. 64: Act II, Scene V. More merrymaking (folk dance repeated). Allegro giocoso, Romeo & Juliet, Op. 64: Act II, Scene V. Romeo resolves to avenge Mercutio's death. Andante. Animato - Presto, Romeo & Juliet, Op. 64: Act II, Scene V. The people continue to make merry. Vivo, Romeo & Juliet, Op. 64: Act II, Scene V. Tybalt and Mercutio fight. Precipitato, Romeo & Juliet, Op. 64: Act II, Scene V. Tybalt meets Mercutio. Moderato, Romeo & Juliet, Op. 64: Act III, Scene VI. Interlude. Adagio (L'istesso tempo), Romeo & Juliet, Op. 64: Act III, Scene VI. Juliet alone. Adagio, Romeo & Juliet, Op. 64: Act III, Scene VI. Juliet refuses to marry Paris. Vivace - Allegro pesante, Romeo & Juliet, Op. 64: Act III, Scene VI. Romeo and Juliet. Lento, Romeo & Juliet, Op. 64: Act III, Scene VI. The Nurse (announces Juliet's parents and Paris). Andante assai - Più mosso con effetto, Romeo & Juliet, Op. 64: Act III, Scene VI. The last farewell. Andante - Adagio, Romeo & Juliet, Op. 64: Act III, Scene VII. At Friar Laurence's (Friar Laurence gives Juliet a sleeping-potion). Andante, Romeo & Juliet, Op. 64: Act III, Scene VII. Interlude. L'istesso tempo, Romeo & Juliet, Op. 64: Act III, Scene VIII. At Juliet's bedside (Juliet's apparent death). Andante - Adagio, Romeo & Juliet, Op. 64: Act III, Scene VIII. Dance of the young girls with the lilies. Andante con eleganza, Romeo & Juliet, Op. 64: Act III, Scene VIII. Juliet alone (The sleeping-potion). Andante - Adagio - Andante, Romeo & Juliet, Op. 64: Act III, Scene VIII. Juliet's bedroom. Moderato tranquillo - Andante dolente, Romeo & Juliet, Op. 64: Act III, Scene VIII. Morning serenade (with mandolins). Andante giocoso, Romeo & Juliet, Op. 64: Act III. Introduction. Andante, Romeo & Juliet, Op. 64: Act IV, Scene IX. Death of Juliet. Adagio (meno mosso del tempo precedente), Romeo & Juliet, Op. 64: Act IV, Scene IX. Juliet's funeral (and Romeo's death). Adagio funebre, Romeo und Julia: Tanz der Ritter (Ausschnitt), Roméo et Juliette - Symphonie dramatique, op. 17: Scène d'amour, Slavonic Dance in C major, Op. 72, #7, Symphonie Nr. 1 D-dur: 1. Langsam. Schleppend. Wie ein Naturlaut - im Anfgang sehr gemächlich, Symphonie Nr. 1 D-dur: 2. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich, Symphonie Nr. 1 D-dur: 3. Feierlich und gemessen, ohne zu schleppen, Symphonie Nr. 1 D-dur: 4. Stürmisch bewegt, Symphonie Nr. 1 D-dur: Blumine. Andante allegretto, Symphonie fantastique, op. 14: I. Rêveries - Passions. Largo - Allegro agitato e appasionato assai, Symphonie fantastique, op. 14: II. Un bal. Valse. Allegro non troppo, Symphonie fantastique, op. 14: III. Scène aux champs. Adagio, Symphonie fantastique, op. 14: IV. Marche au supplice. Allegretto non troppo, Symphonie fantastique, op. 14: V. Songe d'une nuit du Sabbat. Larghetto - Allegro - Rondo du Sabbat., Symphony No. 2 in C minor: I. Allegro maestoso, Symphony No. 2 in C minor: II. Andante moderato, Symphony No. 2 in C minor: III. In ruhig fliessender bewegung, Symphony No. 2 in C minor: IV. "Urlicht". Sehr feierlich, aber schlicht, Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube"), Symphony No. 2 in C minor: V. Im tempo des scherzo. Wild herausfahrend, Symphony No. 2 in C minor: V. Langsam. Misterioso ("Aufersteh'n"), Symphony No. 2 in C minor: V. Maestoso. Sehr zuruckhaltend - Wieder zuruckhaltend, Symphony No. 2 in C minor: V. Sehr langsam und gedehnt, Symphony no. 1 in D major: I. Langsam, Schleppend - Im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 10 in F-sharp minor (unfinished): I. Andante - Adagio, Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden, Symphony no. 3 in D minor: Part II. II. Tempo di minuetto. Sehr mäßig, Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: Part II. IV. Zarathustras Mitternachtslied. Sehr langsam. Misterioso, Symphony no. 3 in D minor: Part II. V. Es sungen drei Engel. Lustig im Tempo und keck im Austruck, Symphony no. 3 in D minor: Part II. VI. Langsam. Ruhevoll. Empfunden, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll. Poco adagio, Symphony no. 4 in G major: IV. Das himmlische Leben. Sehr behaglich, Symphony no. 4: I. Prelude: Maestoso, Symphony no. 4: II. Allegretto, Symphony no. 4: III. Fugue: Andante moderato, Symphony no. 4: IV. Very slowly – Largo maestoso, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: IV. Allegro, Symphony no. 5 in C-sharp minor: Part I. I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich scneller. Leidenschaftlich. Wild - Tempo I, Symphony no. 5 in C-sharp minor: Part I. II. Stürmisch bewegt. Mit größter Vehemenz -, Symphony no. 5 in C-sharp minor: Part II. III. Scherzo: Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: Part III. IV. Adagietto: Sehr langsam, Symphony no. 5 in C-sharp minor: Part III. V. Rondo-Finale: Allegro, Symphony no. 6 in A minor: Finale: Allegro moderato - Allegro energico, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo, Symphony no. 7 in E minor: II. Nachtmusik: Allegro moderato, Symphony no. 7 in E minor: III. Scherzo, Symphony no. 7 in E minor: IV. Nachtmusik: Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale: Allegro ordinario - Allegro moderato ma energico, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Blicket auf...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Uns bleibt ein Erdenrest...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Waldung, sie schwankt heran...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: Poco adagio, Symphony no. 9 in D major: I. Andante comodo -, Symphony no. 9 in D major: II. Imp Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb -, Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig -, Symphony no. 9 in D major: IV. Adagio Sehr langsam und noch zurückhaltend, Symphony no. 9 in D major: Ländler, ganz langsam, Symphony no. 9 in D major: Mit Wut. Allegro risoluto -, Symphony no. 9 in D major: Poco più mosso subito -, Symphony no. 9 in D major: Presto, Symphony no. 9 in D major: Tempo I, The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai, The Nutcracker, op. 71: Overture, The Planets: Jupiter, the Bringer of Jollity, The Planets: Mars, the Bringer of War, The Planets: Mercury, the Winged Messenger, The Planets: Neptune, the Mystic, The Planets: Saturn, the Bringer of Old Age, The Planets: Uranus, the Magician, The Planets: Venus, the Bringer of Peace, Toccata and Fugue in D-minor, BWV 565 (Stokowski), Une Barque sur l'Océan: Très souple de rythme, Valses Nobles et Sentimentales: VIII. Epilogue: Lent, Valses nobles et sentimentales: I. Modéré, Valses nobles et sentimentales: II. Assez lent, Valses nobles et sentimentales: III. Modéré, Valses nobles et sentimentales: IV. Assez animé, Valses nobles et sentimentales: V. Presque lent, Valses nobles et sentimentales: VI. Assez vif, Valses nobles et sentimentales: VII. Moins vif, Var. I In canone all 'ottava, Var. II Alio modo in canone alle quinta, Var. III In canone alla settima, Var. IV In canone all 'ottava per augmentationem, Var. V L'altra sorte del canone al rovescio, Vom Himmel hoch, BWV 769 (Stravinsky); Choral, Wedding March, When Lilacs Last in the Dooryard Bloom'd: Part One, When Lilacs Last in the Dooryard Bloom'd: Part Three, When Lilacs Last in the Dooryard Bloom'd: Part Two, Zwanenmeer - Moderato
Boston Symphony Orchestra performing orchestra A Midsummer Night’s Dream, op. 61: IX. Wedding March, Alborada del gracioso, Ancient Airs and Dances Suite no. 3: III. Siciliana, Antiche danze ed arie, suite I: Anonymus: Passo mezzo a mascherada, Antiche danze ed arie, suite I: Anonymus: Villanella, Antiche danze ed arie, suite I: Simone Molinaro: Balletto "Il Conte Orlando" (1599), Antiche danze ed arie, suite I: Vincenzo Galilei: Gagliarda (1598), Antiche danze ed arie, suite II: Anonymus: Campanae parisienses, Antiche danze ed arie, suite II: Bernardo Gianoncelli: Bergamasca (1650), Antiche danze ed arie, suite II: Fabrizio Caroso: Laura soave (1581), Antiche danze ed arie, suite II: Jean-Baptiste Besard: Danza rustica (1617), Antiche danze ed arie, suite III: Anonymus: Italiana, Antiche danze ed arie, suite III: Anonymus: Siciliana, Antiche danze ed arie, suite III: Jean-Baptiste Besard: Aria di corte (1617), Antiche danze ed arie, suite III: Lodovico Roncalli: Passacaglia (1692), Berceuse (Lullaby) From the Firebird, Boléro, Carmina Burana: Blanziflor et Helena, Carmina Burana: Blanziflor et Helena: Ave formosissima, Carmina Burana: Fortuna imperatix mundi, Carmina Burana: Fortuna imperatrix mundi, Carmina Burana: Fortuna imperatrix mundi: Fortune plango vulnera, Carmina Burana: Fortuna imperatrix mundi: O fortuna, Carmina Burana: I. Primo vere: Ecce gratum, Carmina Burana: I. Primo vere: Omnia sol temperat, Carmina Burana: I. Primo vere: Veris leta facies, Carmina Burana: II. In taberna: Ego sum abbas, Carmina Burana: II. In taberna: Estuans interius, Carmina Burana: II. In taberna: In taberna quando sumus, Carmina Burana: II. In taberna: Olim lacus colueram, Carmina Burana: III. Cour d’amours: Amor volat undique, Carmina Burana: III. Cour d’amours: Circa mea pectora, Carmina Burana: III. Cour d’amours: Dies, nox et omnia, Carmina Burana: III. Cour d’amours: Dulcissime, Carmina Burana: III. Cour d’amours: In trutina, Carmina Burana: III. Cour d’amours: Si puer cum puellula, Carmina Burana: III. Cour d’amours: Stetit puella, Carmina Burana: III. Cour d’amours: Tempus est iocundum, Carmina Burana: III. Cour d’amours: Veni, veni, venias, Carmina Burana: Uf dem anger, Carmina Burana: Uf dem anger: Chramer, gip die varwe mir, Carmina Burana: Uf dem anger: Floret silva, Carmina Burana: Uf dem anger: Reie; Swaz hie gat umbe; Chume, chum, geselle min, Carmina Burana: Uf dem anger: Tanz, Carmina Burana: Uf dem anger: Were diu werlt alle min, Carnival Overture, Op. 92, Carnival of the Animals: I. Introduction and Royal March of the Lions, Carnival of the Animals: II. Hens and Roosters, Carnival of the Animals: III. Mongolian Wild Donkeys, Carnival of the Animals: IV. Tortoises, Carnival of the Animals: IX. The Cuckoo in the Depths of the Forest, Carnival of the Animals: V. The Elephant, Carnival of the Animals: VI. Kangaroos, Carnival of the Animals: VII. Aquarium, Carnival of the Animals: VIII. Personages with Long Ears, Carnival of the Animals: X. Aviary, Carnival of the Animals: XI. Pianists, Carnival of the Animals: XII. Fossils, Carnival of the Animals: XIII. The Swan, Carnival of the Animals: XIV. Finale, Central Park in the Dark, Daphnis et Chloé: II. Pantomime, Daphnis et Chloé: III. Danse générale (feat. flute: Doriot Anthony Dwyer), Dolly Suite, op. 56: I. Berceuse, Dolly Suite, op. 56: II. Mi-A-Ou, Dolly Suite, op. 56: III. Le Jardin de Dolly, Dolly Suite, op. 56: IV. Kitty-Valse, Dolly Suite, op. 56: V. Tendresse, Dolly Suite, op. 56: VI. Le pas Espagnol, Egmont Overture, op. 84, El sombrero de tres picos: II. Atardecer, El sombrero de tres picos: III. Danza de la molinera, El sombrero de tres picos: IV. Las uvas, El sombrero de tres picos: V. Danza del los vecinos, El sombrero de tres picos: VII. Danza del corregidor, El sombrero de tres picos: VIII. Danza final, Feste romane: I. Circenses, Feste romane: II. Il giubileo, Feste romane: III. L'ottobrata, Feste romane: IV. La befana, Fontane di Roma: I. La fontana di Valle Giulia all'alba, Fontane di Roma: II. La fontana del Tritone al mattino, Fontane di Roma: III. La fontana di Trevi al meriggio, Fontane di Roma: IV. La fontana di Villa Medici al tramonto, Gaite Parisienne: Cancan, La Damnation de Faust, op. 24: Marche Hongroise, La Damnation de Faust, op. 24: Marche hongroise, La Valse, Le Sacre du printemps: Première partie. L’Adoration de la terre: I. Introduction, Le Sacre du printemps: Première partie. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes, Le Sacre du printemps: Première partie. L’Adoration de la terre: III. Jeu du rapt, Le Sacre du printemps: Première partie. L’Adoration de la terre: IV. Rondes printanières, Le Sacre du printemps: Première partie. L’Adoration de la terre: V. Jeux des cités rivales, Le Sacre du printemps: Première partie. L’Adoration de la terre: VI. Cortège du sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VII. Le sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VIII. Danse de la terre, Le Sacre du printemps: Seconde partie. Le Sacrifice: IX. Introduction, Le Sacre du printemps: Seconde partie. Le Sacrifice: X. Cercles mystérieux des adolescentes, Le Sacre du printemps: Seconde partie. Le Sacrifice: XI. Glorification de l’élue, Le Sacre du printemps: Seconde partie. Le Sacrifice: XII. Évocation des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIII. Action rituelle des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIV. Danse sacrale. l’élue, Le Tombeau de Couperin: I. Prélude: Vif, Le Tombeau de Couperin: II. Forlane: Allegretto, Le Tombeau de Couperin: III. Menuet: Allegro moderato, Le Tombeau de Couperin: IV. Rigaudon: Assex vif - Moins vif - Assex vif, Lullaby from Dolly Suite, Ma mère l'oye: I. Prélude, Ma mère l'oye: II. 1er tableau: Danse du rouet et scène, Ma mère l'oye: III. 2e tableau: Pavane de la belle au bois dormant, Ma mère l'oye: IV. 3e tableau: Les entretiens de la belle et de la bête, Ma mère l'oye: V. 4e tableau: Petit poucet, Ma mère l'oye: VI. 5e tableau: Laideronnette, impératrice des pagodes, Ma mère l'oye: Vii. Apothéose: Le jardin féerique, Menuet antique: Maestoso, Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: I. Andante tranquillo, Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: II. Allegro, Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: III. Adagio, Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: IV. Allegro molto, Musikalisches Opfer, BWV 1079 (Webern), Partita in D-minor, BWV 1004 (Hideo Saito), Pavane pour une infante défunte, Pini di Roma: I. I pini di Villa Borghese, Pini di Roma: II. Pini presso una catacomba, Pini di Roma: III. I pini del Gianicolo, Pini di Roma: IV. I pini della Via Appia, Prelude and Fugue in E-flat major, BWV 552 (Schoenberg), Psalm 149 for Chorus & Orchestra, Op. 79, Rapsodie espagnole: I. Prélude à la nuit, Rapsodie espagnole: I. Prélude à la nuit. Très modéré, Rapsodie espagnole: II. Malagueña, Rapsodie espagnole: II. Malagueña. Assez vif, Rapsodie espagnole: III. Habanera, Rapsodie espagnole: III. Habanera. Assez lent et d'un rythme las, Rapsodie espagnole: IV. Feria, Rapsodie espagnole: IV. Feria. Assez animé, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: I. Introït et Kyrie, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: II. Offertoire, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: III. Sanctus, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: IV. Pie Jesu, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: V. Agnus Dei et Lux Aeterna, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: VI. Libera me, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: VII. In Paradisum, Romeo & Juliet, Op. 64: Act I, Scene I. Morning dance. Allegro, Romeo & Juliet, Op. 64: Act I, Scene I. Romeo (reflective). Andante, Romeo & Juliet, Op. 64: Act I, Scene I. The Prince's decree. Andante, Romeo & Juliet, Op. 64: Act I, Scene I. The fight. Presto, Romeo & Juliet, Op. 64: Act I, Scene I. The quarrel. Allegro brusco, Romeo & Juliet, Op. 64: Act I, Scene I. The street awakens. Allegretto, Romeo & Juliet, Op. 64: Act I, Scene II. Arrival of the guests (Minuet). Assai moderato, Romeo & Juliet, Op. 64: Act I, Scene II. Balcony scene. Larghetto, Romeo & Juliet, Op. 64: Act I, Scene II. Gavotte (Departure of the guests). Allegro, Romeo & Juliet, Op. 64: Act I, Scene II. Juliet the young girl. Vivace, Romeo & Juliet, Op. 64: Act I, Scene II. Juliet's variation. Moderato (quasi Allegretto), Romeo & Juliet, Op. 64: Act I, Scene II. Madrigal (Romeo and Juliet). Andante tenero, Romeo & Juliet, Op. 64: Act I, Scene II. Masks (Romeo, Mercutio and Benvolio in masks). Moderato marciale, Romeo & Juliet, Op. 64: Act I, Scene II. Mercutio. Allegro giocoso, Romeo & Juliet, Op. 64: Act I, Scene II. Preparations for the ball (Juliet and the Nurse). Andante assai - Scherzando, Romeo & Juliet, Op. 64: Act I, Scene II. Romeo and Juliet's love dance. Andante, Romeo & Juliet, Op. 64: Act I, Scene II. Romeo's variation. Allegretto amoroso, Romeo & Juliet, Op. 64: Act I, Scene II. The knight's dance (Juliet and Paris's dance). Allegro pesante, Romeo & Juliet, Op. 64: Act I, Scene II. Tybalt recognizes Romeo. Allegro, Romeo & Juliet, Op. 64: Act I. Interlude. Andante pomposo (L'istesso tempo), Romeo & Juliet, Op. 64: Act I. Introduction. Andante assai, Romeo & Juliet, Op. 64: Act II, Scene III. Dance of the five couples. Vivo, Romeo & Juliet, Op. 64: Act II, Scene III. Dance with mandolins. Vivace, Romeo & Juliet, Op. 64: Act II, Scene III. Folk dance. Allegro giocoso, Romeo & Juliet, Op. 64: Act II, Scene III. Romeo and Mercutio. Andante teneroso, Romeo & Juliet, Op. 64: Act II, Scene III. The Nurse (looking for Romeo). Adagio scherzoso, Romeo & Juliet, Op. 64: Act II, Scene III. The Nurse delivers Juliet's letter to Romeo. Vivace, Romeo & Juliet, Op. 64: Act II, Scene IV. Juliet at Friar Laurence's. Lento, Romeo & Juliet, Op. 64: Act II, Scene IV. Romeo at Friar Laurence's. Andante espressivo, Romeo & Juliet, Op. 64: Act II, Scene V. Finale of Act II (Cortège with Tybalt's body). Adagio dramatico, Romeo & Juliet, Op. 64: Act II, Scene V. Mercutio dies. Moderato, Romeo & Juliet, Op. 64: Act II, Scene V. More merrymaking (folk dance repeated). Allegro giocoso, Romeo & Juliet, Op. 64: Act II, Scene V. Romeo resolves to avenge Mercutio's death. Andante. Animato - Presto, Romeo & Juliet, Op. 64: Act II, Scene V. The people continue to make merry. Vivo, Romeo & Juliet, Op. 64: Act II, Scene V. Tybalt and Mercutio fight. Precipitato, Romeo & Juliet, Op. 64: Act II, Scene V. Tybalt meets Mercutio. Moderato, Romeo & Juliet, Op. 64: Act III, Scene VI. Interlude. Adagio (L'istesso tempo), Romeo & Juliet, Op. 64: Act III, Scene VI. Juliet alone. Adagio, Romeo & Juliet, Op. 64: Act III, Scene VI. Juliet refuses to marry Paris. Vivace - Allegro pesante, Romeo & Juliet, Op. 64: Act III, Scene VI. Romeo and Juliet. Lento, Romeo & Juliet, Op. 64: Act III, Scene VI. The Nurse (announces Juliet's parents and Paris). Andante assai - Più mosso con effetto, Romeo & Juliet, Op. 64: Act III, Scene VI. The last farewell. Andante - Adagio, Romeo & Juliet, Op. 64: Act III, Scene VII. At Friar Laurence's (Friar Laurence gives Juliet a sleeping-potion). Andante, Romeo & Juliet, Op. 64: Act III, Scene VII. Interlude. L'istesso tempo, Romeo & Juliet, Op. 64: Act III, Scene VIII. At Juliet's bedside (Juliet's apparent death). Andante - Adagio, Romeo & Juliet, Op. 64: Act III, Scene VIII. Dance of the young girls with the lilies. Andante con eleganza, Romeo & Juliet, Op. 64: Act III, Scene VIII. Juliet alone (The sleeping-potion). Andante - Adagio - Andante, Romeo & Juliet, Op. 64: Act III, Scene VIII. Juliet's bedroom. Moderato tranquillo - Andante dolente, Romeo & Juliet, Op. 64: Act III, Scene VIII. Morning serenade (with mandolins). Andante giocoso, Romeo & Juliet, Op. 64: Act III. Introduction. Andante, Romeo & Juliet, Op. 64: Act IV, Scene IX. Death of Juliet. Adagio (meno mosso del tempo precedente), Romeo & Juliet, Op. 64: Act IV, Scene IX. Juliet's funeral (and Romeo's death). Adagio funebre, Romeo und Julia: Tanz der Ritter (Ausschnitt), Roméo et Juliette - Symphonie dramatique, op. 17: Scène d'amour, Slavonic Dance in C major, Op. 72, #7, Symphonie Nr. 1 D-dur: 1. Langsam. Schleppend. Wie ein Naturlaut - im Anfgang sehr gemächlich, Symphonie Nr. 1 D-dur: 2. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich, Symphonie Nr. 1 D-dur: 3. Feierlich und gemessen, ohne zu schleppen, Symphonie Nr. 1 D-dur: 4. Stürmisch bewegt, Symphonie Nr. 1 D-dur: Blumine. Andante allegretto, Symphonie fantastique, op. 14: I. Rêveries - Passions. Largo - Allegro agitato e appasionato assai, Symphonie fantastique, op. 14: II. Un bal. Valse. Allegro non troppo, Symphonie fantastique, op. 14: III. Scène aux champs. Adagio, Symphonie fantastique, op. 14: IV. Marche au supplice. Allegretto non troppo, Symphonie fantastique, op. 14: V. Songe d'une nuit du Sabbat. Larghetto - Allegro - Rondo du Sabbat., Symphony No. 2 in C minor: I. Allegro maestoso, Symphony No. 2 in C minor: II. Andante moderato, Symphony No. 2 in C minor: III. In ruhig fliessender bewegung, Symphony No. 2 in C minor: IV. "Urlicht". Sehr feierlich, aber schlicht, Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube"), Symphony No. 2 in C minor: V. Im tempo des scherzo. Wild herausfahrend, Symphony No. 2 in C minor: V. Langsam. Misterioso ("Aufersteh'n"), Symphony No. 2 in C minor: V. Maestoso. Sehr zuruckhaltend - Wieder zuruckhaltend, Symphony No. 2 in C minor: V. Sehr langsam und gedehnt, Symphony no. 1 in D major: I. Langsam, Schleppend - Im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 10 in F-sharp minor (unfinished): I. Andante - Adagio, Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden, Symphony no. 3 in D minor: Part II. II. Tempo di minuetto. Sehr mäßig, Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: Part II. IV. Zarathustras Mitternachtslied. Sehr langsam. Misterioso, Symphony no. 3 in D minor: Part II. V. Es sungen drei Engel. Lustig im Tempo und keck im Austruck, Symphony no. 3 in D minor: Part II. VI. Langsam. Ruhevoll. Empfunden, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll. Poco adagio, Symphony no. 4 in G major: IV. Das himmlische Leben. Sehr behaglich, Symphony no. 4: I. Prelude: Maestoso, Symphony no. 4: II. Allegretto, Symphony no. 4: III. Fugue: Andante moderato, Symphony no. 4: IV. Very slowly – Largo maestoso, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: IV. Allegro, Symphony no. 5 in C-sharp minor: Part I. I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich scneller. Leidenschaftlich. Wild - Tempo I, Symphony no. 5 in C-sharp minor: Part I. II. Stürmisch bewegt. Mit größter Vehemenz -, Symphony no. 5 in C-sharp minor: Part II. III. Scherzo: Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: Part III. IV. Adagietto: Sehr langsam, Symphony no. 5 in C-sharp minor: Part III. V. Rondo-Finale: Allegro, Symphony no. 6 in A minor: Finale: Allegro moderato - Allegro energico, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo, Symphony no. 7 in E minor: II. Nachtmusik: Allegro moderato, Symphony no. 7 in E minor: III. Scherzo, Symphony no. 7 in E minor: IV. Nachtmusik: Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale: Allegro ordinario - Allegro moderato ma energico, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Blicket auf...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Uns bleibt ein Erdenrest...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Waldung, sie schwankt heran...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: Poco adagio, Symphony no. 9 in D major: I. Andante comodo -, Symphony no. 9 in D major: II. Imp Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb -, Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig -, Symphony no. 9 in D major: IV. Adagio Sehr langsam und noch zurückhaltend, Symphony no. 9 in D major: Ländler, ganz langsam, Symphony no. 9 in D major: Mit Wut. Allegro risoluto -, Symphony no. 9 in D major: Poco più mosso subito -, Symphony no. 9 in D major: Presto, Symphony no. 9 in D major: Tempo I, The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai, The Nutcracker, op. 71: Overture, The Planets: Jupiter, the Bringer of Jollity, The Planets: Mars, the Bringer of War, The Planets: Mercury, the Winged Messenger, The Planets: Neptune, the Mystic, The Planets: Saturn, the Bringer of Old Age, The Planets: Uranus, the Magician, The Planets: Venus, the Bringer of Peace, Toccata and Fugue in D-minor, BWV 565 (Stokowski), Une Barque sur l'Océan: Très souple de rythme, Valses Nobles et Sentimentales: VIII. Epilogue: Lent, Valses nobles et sentimentales: I. Modéré, Valses nobles et sentimentales: II. Assez lent, Valses nobles et sentimentales: III. Modéré, Valses nobles et sentimentales: IV. Assez animé, Valses nobles et sentimentales: V. Presque lent, Valses nobles et sentimentales: VI. Assez vif, Valses nobles et sentimentales: VII. Moins vif, Var. I In canone all 'ottava, Var. II Alio modo in canone alle quinta, Var. III In canone alla settima, Var. IV In canone all 'ottava per augmentationem, Var. V L'altra sorte del canone al rovescio, Vom Himmel hoch, BWV 769 (Stravinsky); Choral, Wedding March, When Lilacs Last in the Dooryard Bloom'd: Part One, When Lilacs Last in the Dooryard Bloom'd: Part Three, When Lilacs Last in the Dooryard Bloom'd: Part Two, Zwanenmeer - Moderato
Onno Scholtze balance, engineer Symphony No. 2 in C minor: I. Allegro maestoso, Symphony No. 2 in C minor: II. Andante moderato, Symphony No. 2 in C minor: III. In ruhig fliessender bewegung, Symphony No. 2 in C minor: IV. "Urlicht". Sehr feierlich, aber schlicht, Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube"), Symphony No. 2 in C minor: V. Im tempo des scherzo. Wild herausfahrend, Symphony No. 2 in C minor: V. Langsam. Misterioso ("Aufersteh'n"), Symphony No. 2 in C minor: V. Maestoso. Sehr zuruckhaltend - Wieder zuruckhaltend, Symphony No. 2 in C minor: V. Sehr langsam und gedehnt, Symphony no. 1 in D major: I. Langsam, Schleppend - Im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 10 in F-sharp minor (unfinished): I. Andante - Adagio, Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden, Symphony no. 3 in D minor: Part II. II. Tempo di minuetto. Sehr mäßig, Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: Part II. IV. Zarathustras Mitternachtslied. Sehr langsam. Misterioso, Symphony no. 3 in D minor: Part II. V. Es sungen drei Engel. Lustig im Tempo und keck im Austruck, Symphony no. 3 in D minor: Part II. VI. Langsam. Ruhevoll. Empfunden, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll. Poco adagio, Symphony no. 4 in G major: IV. Das himmlische Leben. Sehr behaglich, Symphony no. 5 in C-sharp minor: Part I. I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich scneller. Leidenschaftlich. Wild - Tempo I, Symphony no. 5 in C-sharp minor: Part I. II. Stürmisch bewegt. Mit größter Vehemenz -, Symphony no. 5 in C-sharp minor: Part II. III. Scherzo: Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: Part III. IV. Adagietto: Sehr langsam, Symphony no. 5 in C-sharp minor: Part III. V. Rondo-Finale: Allegro, Symphony no. 6 in A minor: Finale: Allegro moderato - Allegro energico, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo, Symphony no. 7 in E minor: II. Nachtmusik: Allegro moderato, Symphony no. 7 in E minor: III. Scherzo, Symphony no. 7 in E minor: IV. Nachtmusik: Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale: Allegro ordinario - Allegro moderato ma energico, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Blicket auf...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Uns bleibt ein Erdenrest...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Waldung, sie schwankt heran...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: Poco adagio, Symphony no. 9 in D major: I. Andante comodo -, Symphony no. 9 in D major: II. Imp Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb -, Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig -, Symphony no. 9 in D major: IV. Adagio Sehr langsam und noch zurückhaltend, Symphony no. 9 in D major: Ländler, ganz langsam, Symphony no. 9 in D major: Mit Wut. Allegro risoluto -, Symphony no. 9 in D major: Poco più mosso subito -, Symphony no. 9 in D major: Presto, Symphony no. 9 in D major: Tempo I
Wilhelm Hellweg (producer / engineer) balance, producer Symphony No. 2 in C minor: I. Allegro maestoso, Symphony No. 2 in C minor: II. Andante moderato, Symphony No. 2 in C minor: III. In ruhig fliessender bewegung, Symphony No. 2 in C minor: IV. "Urlicht". Sehr feierlich, aber schlicht, Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube"), Symphony No. 2 in C minor: V. Im tempo des scherzo. Wild herausfahrend, Symphony No. 2 in C minor: V. Langsam. Misterioso ("Aufersteh'n"), Symphony No. 2 in C minor: V. Maestoso. Sehr zuruckhaltend - Wieder zuruckhaltend, Symphony No. 2 in C minor: V. Sehr langsam und gedehnt, Symphony no. 1 in D major: I. Langsam, Schleppend - Im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 10 in F-sharp minor (unfinished): I. Andante - Adagio, Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden, Symphony no. 3 in D minor: Part II. II. Tempo di minuetto. Sehr mäßig, Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: Part II. IV. Zarathustras Mitternachtslied. Sehr langsam. Misterioso, Symphony no. 3 in D minor: Part II. V. Es sungen drei Engel. Lustig im Tempo und keck im Austruck, Symphony no. 3 in D minor: Part II. VI. Langsam. Ruhevoll. Empfunden, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll. Poco adagio, Symphony no. 4 in G major: IV. Das himmlische Leben. Sehr behaglich, Symphony no. 5 in C-sharp minor: Part I. I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich scneller. Leidenschaftlich. Wild - Tempo I, Symphony no. 5 in C-sharp minor: Part I. II. Stürmisch bewegt. Mit größter Vehemenz -, Symphony no. 5 in C-sharp minor: Part II. III. Scherzo: Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: Part III. IV. Adagietto: Sehr langsam, Symphony no. 5 in C-sharp minor: Part III. V. Rondo-Finale: Allegro, Symphony no. 6 in A minor: Finale: Allegro moderato - Allegro energico, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo, Symphony no. 7 in E minor: II. Nachtmusik: Allegro moderato, Symphony no. 7 in E minor: III. Scherzo, Symphony no. 7 in E minor: IV. Nachtmusik: Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale: Allegro ordinario - Allegro moderato ma energico, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Blicket auf...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Uns bleibt ein Erdenrest...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Waldung, sie schwankt heran...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: Poco adagio, Symphony no. 9 in D major: I. Andante comodo -, Symphony no. 9 in D major: II. Imp Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb -, Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig -, Symphony no. 9 in D major: IV. Adagio Sehr langsam und noch zurückhaltend, Symphony no. 9 in D major: Ländler, ganz langsam, Symphony no. 9 in D major: Mit Wut. Allegro risoluto -, Symphony no. 9 in D major: Poco più mosso subito -, Symphony no. 9 in D major: Presto, Symphony no. 9 in D major: Tempo I
Henk Kooistra engineer Symphony no. 10 in F-sharp minor (unfinished): I. Andante - Adagio, Symphony no. 5 in C-sharp minor: Part I. I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich scneller. Leidenschaftlich. Wild - Tempo I, Symphony no. 5 in C-sharp minor: Part I. II. Stürmisch bewegt. Mit größter Vehemenz -, Symphony no. 5 in C-sharp minor: Part II. III. Scherzo: Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: Part III. IV. Adagietto: Sehr langsam, Symphony no. 5 in C-sharp minor: Part III. V. Rondo-Finale: Allegro, Symphony no. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo, Symphony no. 7 in E minor: II. Nachtmusik: Allegro moderato, Symphony no. 7 in E minor: III. Scherzo, Symphony no. 7 in E minor: IV. Nachtmusik: Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale: Allegro ordinario - Allegro moderato ma energico, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Blicket auf...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Uns bleibt ein Erdenrest...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Waldung, sie schwankt heran...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: Poco adagio, Symphony no. 9 in D major: I. Andante comodo -, Symphony no. 9 in D major: II. Imp Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb -, Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig -, Symphony no. 9 in D major: IV. Adagio Sehr langsam und noch zurückhaltend, Symphony no. 9 in D major: Ländler, ganz langsam, Symphony no. 9 in D major: Mit Wut. Allegro risoluto -, Symphony no. 9 in D major: Poco più mosso subito -, Symphony no. 9 in D major: Presto, Symphony no. 9 in D major: Tempo I

Collaborators on this artist's recordings

Artist name Roles Recordings
小澤征爾 (conductor) conductor A Midsummer Night’s Dream, op. 61: IX. Wedding March, Alborada del gracioso, Ancient Airs and Dances Suite no. 3: III. Siciliana, Antiche danze ed arie, suite I: Anonymus: Passo mezzo a mascherada, Antiche danze ed arie, suite I: Anonymus: Villanella, Antiche danze ed arie, suite I: Simone Molinaro: Balletto "Il Conte Orlando" (1599), Antiche danze ed arie, suite I: Vincenzo Galilei: Gagliarda (1598), Antiche danze ed arie, suite II: Anonymus: Campanae parisienses, Antiche danze ed arie, suite II: Bernardo Gianoncelli: Bergamasca (1650), Antiche danze ed arie, suite II: Fabrizio Caroso: Laura soave (1581), Antiche danze ed arie, suite II: Jean-Baptiste Besard: Danza rustica (1617), Antiche danze ed arie, suite III: Anonymus: Italiana, Antiche danze ed arie, suite III: Anonymus: Siciliana, Antiche danze ed arie, suite III: Jean-Baptiste Besard: Aria di corte (1617), Antiche danze ed arie, suite III: Lodovico Roncalli: Passacaglia (1692), Berceuse (Lullaby) From the Firebird, Boléro, Carmina Burana: Blanziflor et Helena, Carmina Burana: Blanziflor et Helena: Ave formosissima, Carmina Burana: Fortuna imperatix mundi, Carmina Burana: Fortuna imperatrix mundi, Carmina Burana: Fortuna imperatrix mundi: Fortune plango vulnera, Carmina Burana: Fortuna imperatrix mundi: O fortuna, Carmina Burana: I. Primo vere: Ecce gratum, Carmina Burana: I. Primo vere: Omnia sol temperat, Carmina Burana: I. Primo vere: Veris leta facies, Carmina Burana: II. In taberna: Ego sum abbas, Carmina Burana: II. In taberna: Estuans interius, Carmina Burana: II. In taberna: In taberna quando sumus, Carmina Burana: II. In taberna: Olim lacus colueram, Carmina Burana: III. Cour d’amours: Amor volat undique, Carmina Burana: III. Cour d’amours: Circa mea pectora, Carmina Burana: III. Cour d’amours: Dies, nox et omnia, Carmina Burana: III. Cour d’amours: Dulcissime, Carmina Burana: III. Cour d’amours: In trutina, Carmina Burana: III. Cour d’amours: Si puer cum puellula, Carmina Burana: III. Cour d’amours: Stetit puella, Carmina Burana: III. Cour d’amours: Tempus est iocundum, Carmina Burana: III. Cour d’amours: Veni, veni, venias, Carmina Burana: Uf dem anger, Carmina Burana: Uf dem anger: Chramer, gip die varwe mir, Carmina Burana: Uf dem anger: Floret silva, Carmina Burana: Uf dem anger: Reie; Swaz hie gat umbe; Chume, chum, geselle min, Carmina Burana: Uf dem anger: Tanz, Carmina Burana: Uf dem anger: Were diu werlt alle min, Carnival Overture, Op. 92, Carnival of the Animals: I. Introduction and Royal March of the Lions, Carnival of the Animals: II. Hens and Roosters, Carnival of the Animals: III. Mongolian Wild Donkeys, Carnival of the Animals: IV. Tortoises, Carnival of the Animals: IX. The Cuckoo in the Depths of the Forest, Carnival of the Animals: V. The Elephant, Carnival of the Animals: VI. Kangaroos, Carnival of the Animals: VII. Aquarium, Carnival of the Animals: VIII. Personages with Long Ears, Carnival of the Animals: X. Aviary, Carnival of the Animals: XI. Pianists, Carnival of the Animals: XII. Fossils, Carnival of the Animals: XIII. The Swan, Carnival of the Animals: XIV. Finale, Central Park in the Dark, Daphnis et Chloé: II. Pantomime, Daphnis et Chloé: III. Danse générale (feat. flute: Doriot Anthony Dwyer), Dolly Suite, op. 56: I. Berceuse, Dolly Suite, op. 56: II. Mi-A-Ou, Dolly Suite, op. 56: III. Le Jardin de Dolly, Dolly Suite, op. 56: IV. Kitty-Valse, Dolly Suite, op. 56: V. Tendresse, Dolly Suite, op. 56: VI. Le pas Espagnol, Egmont Overture, op. 84, El sombrero de tres picos: II. Atardecer, El sombrero de tres picos: III. Danza de la molinera, El sombrero de tres picos: IV. Las uvas, El sombrero de tres picos: V. Danza del los vecinos, El sombrero de tres picos: VII. Danza del corregidor, El sombrero de tres picos: VIII. Danza final, Feste romane: I. Circenses, Feste romane: II. Il giubileo, Feste romane: III. L'ottobrata, Feste romane: IV. La befana, Fontane di Roma: I. La fontana di Valle Giulia all'alba, Fontane di Roma: II. La fontana del Tritone al mattino, Fontane di Roma: III. La fontana di Trevi al meriggio, Fontane di Roma: IV. La fontana di Villa Medici al tramonto, Gaite Parisienne: Cancan, La Damnation de Faust, op. 24: Marche Hongroise, La Damnation de Faust, op. 24: Marche hongroise, La Valse, Le Sacre du printemps: Première partie. L’Adoration de la terre: I. Introduction, Le Sacre du printemps: Première partie. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes, Le Sacre du printemps: Première partie. L’Adoration de la terre: III. Jeu du rapt, Le Sacre du printemps: Première partie. L’Adoration de la terre: IV. Rondes printanières, Le Sacre du printemps: Première partie. L’Adoration de la terre: V. Jeux des cités rivales, Le Sacre du printemps: Première partie. L’Adoration de la terre: VI. Cortège du sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VII. Le sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VIII. Danse de la terre, Le Sacre du printemps: Seconde partie. Le Sacrifice: IX. Introduction, Le Sacre du printemps: Seconde partie. Le Sacrifice: X. Cercles mystérieux des adolescentes, Le Sacre du printemps: Seconde partie. Le Sacrifice: XI. Glorification de l’élue, Le Sacre du printemps: Seconde partie. Le Sacrifice: XII. Évocation des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIII. Action rituelle des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIV. Danse sacrale. l’élue, Le Tombeau de Couperin: I. Prélude: Vif, Le Tombeau de Couperin: II. Forlane: Allegretto, Le Tombeau de Couperin: III. Menuet: Allegro moderato, Le Tombeau de Couperin: IV. Rigaudon: Assex vif - Moins vif - Assex vif, Lullaby from Dolly Suite, Ma mère l'oye: I. Prélude, Ma mère l'oye: II. 1er tableau: Danse du rouet et scène, Ma mère l'oye: III. 2e tableau: Pavane de la belle au bois dormant, Ma mère l'oye: IV. 3e tableau: Les entretiens de la belle et de la bête, Ma mère l'oye: V. 4e tableau: Petit poucet, Ma mère l'oye: VI. 5e tableau: Laideronnette, impératrice des pagodes, Ma mère l'oye: Vii. Apothéose: Le jardin féerique, Menuet antique: Maestoso, Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: I. Andante tranquillo, Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: II. Allegro, Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: III. Adagio, Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: IV. Allegro molto, Musikalisches Opfer, BWV 1079 (Webern), Partita in D-minor, BWV 1004 (Hideo Saito), Pavane pour une infante défunte, Pini di Roma: I. I pini di Villa Borghese, Pini di Roma: II. Pini presso una catacomba, Pini di Roma: III. I pini del Gianicolo, Pini di Roma: IV. I pini della Via Appia, Prelude and Fugue in E-flat major, BWV 552 (Schoenberg), Psalm 149 for Chorus & Orchestra, Op. 79, Rapsodie espagnole: I. Prélude à la nuit, Rapsodie espagnole: I. Prélude à la nuit. Très modéré, Rapsodie espagnole: II. Malagueña, Rapsodie espagnole: II. Malagueña. Assez vif, Rapsodie espagnole: III. Habanera, Rapsodie espagnole: III. Habanera. Assez lent et d'un rythme las, Rapsodie espagnole: IV. Feria, Rapsodie espagnole: IV. Feria. Assez animé, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: I. Introït et Kyrie, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: II. Offertoire, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: III. Sanctus, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: IV. Pie Jesu, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: V. Agnus Dei et Lux Aeterna, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: VI. Libera me, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: VII. In Paradisum, Romeo & Juliet, Op. 64: Act I, Scene I. Morning dance. Allegro, Romeo & Juliet, Op. 64: Act I, Scene I. Romeo (reflective). Andante, Romeo & Juliet, Op. 64: Act I, Scene I. The Prince's decree. Andante, Romeo & Juliet, Op. 64: Act I, Scene I. The fight. Presto, Romeo & Juliet, Op. 64: Act I, Scene I. The quarrel. Allegro brusco, Romeo & Juliet, Op. 64: Act I, Scene I. The street awakens. Allegretto, Romeo & Juliet, Op. 64: Act I, Scene II. Arrival of the guests (Minuet). Assai moderato, Romeo & Juliet, Op. 64: Act I, Scene II. Balcony scene. Larghetto, Romeo & Juliet, Op. 64: Act I, Scene II. Gavotte (Departure of the guests). Allegro, Romeo & Juliet, Op. 64: Act I, Scene II. Juliet the young girl. Vivace, Romeo & Juliet, Op. 64: Act I, Scene II. Juliet's variation. Moderato (quasi Allegretto), Romeo & Juliet, Op. 64: Act I, Scene II. Madrigal (Romeo and Juliet). Andante tenero, Romeo & Juliet, Op. 64: Act I, Scene II. Masks (Romeo, Mercutio and Benvolio in masks). Moderato marciale, Romeo & Juliet, Op. 64: Act I, Scene II. Mercutio. Allegro giocoso, Romeo & Juliet, Op. 64: Act I, Scene II. Preparations for the ball (Juliet and the Nurse). Andante assai - Scherzando, Romeo & Juliet, Op. 64: Act I, Scene II. Romeo and Juliet's love dance. Andante, Romeo & Juliet, Op. 64: Act I, Scene II. Romeo's variation. Allegretto amoroso, Romeo & Juliet, Op. 64: Act I, Scene II. The knight's dance (Juliet and Paris's dance). Allegro pesante, Romeo & Juliet, Op. 64: Act I, Scene II. Tybalt recognizes Romeo. Allegro, Romeo & Juliet, Op. 64: Act I. Interlude. Andante pomposo (L'istesso tempo), Romeo & Juliet, Op. 64: Act I. Introduction. Andante assai, Romeo & Juliet, Op. 64: Act II, Scene III. Dance of the five couples. Vivo, Romeo & Juliet, Op. 64: Act II, Scene III. Dance with mandolins. Vivace, Romeo & Juliet, Op. 64: Act II, Scene III. Folk dance. Allegro giocoso, Romeo & Juliet, Op. 64: Act II, Scene III. Romeo and Mercutio. Andante teneroso, Romeo & Juliet, Op. 64: Act II, Scene III. The Nurse (looking for Romeo). Adagio scherzoso, Romeo & Juliet, Op. 64: Act II, Scene III. The Nurse delivers Juliet's letter to Romeo. Vivace, Romeo & Juliet, Op. 64: Act II, Scene IV. Juliet at Friar Laurence's. Lento, Romeo & Juliet, Op. 64: Act II, Scene IV. Romeo at Friar Laurence's. Andante espressivo, Romeo & Juliet, Op. 64: Act II, Scene V. Finale of Act II (Cortège with Tybalt's body). Adagio dramatico, Romeo & Juliet, Op. 64: Act II, Scene V. Mercutio dies. Moderato, Romeo & Juliet, Op. 64: Act II, Scene V. More merrymaking (folk dance repeated). Allegro giocoso, Romeo & Juliet, Op. 64: Act II, Scene V. Romeo resolves to avenge Mercutio's death. Andante. Animato - Presto, Romeo & Juliet, Op. 64: Act II, Scene V. The people continue to make merry. Vivo, Romeo & Juliet, Op. 64: Act II, Scene V. Tybalt and Mercutio fight. Precipitato, Romeo & Juliet, Op. 64: Act II, Scene V. Tybalt meets Mercutio. Moderato, Romeo & Juliet, Op. 64: Act III, Scene VI. Interlude. Adagio (L'istesso tempo), Romeo & Juliet, Op. 64: Act III, Scene VI. Juliet alone. Adagio, Romeo & Juliet, Op. 64: Act III, Scene VI. Juliet refuses to marry Paris. Vivace - Allegro pesante, Romeo & Juliet, Op. 64: Act III, Scene VI. Romeo and Juliet. Lento, Romeo & Juliet, Op. 64: Act III, Scene VI. The Nurse (announces Juliet's parents and Paris). Andante assai - Più mosso con effetto, Romeo & Juliet, Op. 64: Act III, Scene VI. The last farewell. Andante - Adagio, Romeo & Juliet, Op. 64: Act III, Scene VII. At Friar Laurence's (Friar Laurence gives Juliet a sleeping-potion). Andante, Romeo & Juliet, Op. 64: Act III, Scene VII. Interlude. L'istesso tempo, Romeo & Juliet, Op. 64: Act III, Scene VIII. At Juliet's bedside (Juliet's apparent death). Andante - Adagio, Romeo & Juliet, Op. 64: Act III, Scene VIII. Dance of the young girls with the lilies. Andante con eleganza, Romeo & Juliet, Op. 64: Act III, Scene VIII. Juliet alone (The sleeping-potion). Andante - Adagio - Andante, Romeo & Juliet, Op. 64: Act III, Scene VIII. Juliet's bedroom. Moderato tranquillo - Andante dolente, Romeo & Juliet, Op. 64: Act III, Scene VIII. Morning serenade (with mandolins). Andante giocoso, Romeo & Juliet, Op. 64: Act III. Introduction. Andante, Romeo & Juliet, Op. 64: Act IV, Scene IX. Death of Juliet. Adagio (meno mosso del tempo precedente), Romeo & Juliet, Op. 64: Act IV, Scene IX. Juliet's funeral (and Romeo's death). Adagio funebre, Romeo und Julia: Tanz der Ritter (Ausschnitt), Roméo et Juliette - Symphonie dramatique, op. 17: Scène d'amour, Slavonic Dance in C major, Op. 72, #7, Symphonie Nr. 1 D-dur: 1. Langsam. Schleppend. Wie ein Naturlaut - im Anfgang sehr gemächlich, Symphonie Nr. 1 D-dur: 2. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich, Symphonie Nr. 1 D-dur: 3. Feierlich und gemessen, ohne zu schleppen, Symphonie Nr. 1 D-dur: 4. Stürmisch bewegt, Symphonie Nr. 1 D-dur: Blumine. Andante allegretto, Symphonie fantastique, op. 14: I. Rêveries - Passions. Largo - Allegro agitato e appasionato assai, Symphonie fantastique, op. 14: II. Un bal. Valse. Allegro non troppo, Symphonie fantastique, op. 14: III. Scène aux champs. Adagio, Symphonie fantastique, op. 14: IV. Marche au supplice. Allegretto non troppo, Symphonie fantastique, op. 14: V. Songe d'une nuit du Sabbat. Larghetto - Allegro - Rondo du Sabbat., Symphony No. 2 in C minor: I. Allegro maestoso, Symphony No. 2 in C minor: II. Andante moderato, Symphony No. 2 in C minor: III. In ruhig fliessender bewegung, Symphony No. 2 in C minor: IV. "Urlicht". Sehr feierlich, aber schlicht, Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube"), Symphony No. 2 in C minor: V. Im tempo des scherzo. Wild herausfahrend, Symphony No. 2 in C minor: V. Langsam. Misterioso ("Aufersteh'n"), Symphony No. 2 in C minor: V. Maestoso. Sehr zuruckhaltend - Wieder zuruckhaltend, Symphony No. 2 in C minor: V. Sehr langsam und gedehnt, Symphony no. 1 in D major: I. Langsam, Schleppend - Im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 10 in F-sharp minor (unfinished): I. Andante - Adagio, Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden, Symphony no. 3 in D minor: Part II. II. Tempo di minuetto. Sehr mäßig, Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: Part II. IV. Zarathustras Mitternachtslied. Sehr langsam. Misterioso, Symphony no. 3 in D minor: Part II. V. Es sungen drei Engel. Lustig im Tempo und keck im Austruck, Symphony no. 3 in D minor: Part II. VI. Langsam. Ruhevoll. Empfunden, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll. Poco adagio, Symphony no. 4 in G major: IV. Das himmlische Leben. Sehr behaglich, Symphony no. 4: I. Prelude: Maestoso, Symphony no. 4: II. Allegretto, Symphony no. 4: III. Fugue: Andante moderato, Symphony no. 4: IV. Very slowly – Largo maestoso, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: IV. Allegro, Symphony no. 5 in C-sharp minor: Part I. I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich scneller. Leidenschaftlich. Wild - Tempo I, Symphony no. 5 in C-sharp minor: Part I. II. Stürmisch bewegt. Mit größter Vehemenz -, Symphony no. 5 in C-sharp minor: Part II. III. Scherzo: Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: Part III. IV. Adagietto: Sehr langsam, Symphony no. 5 in C-sharp minor: Part III. V. Rondo-Finale: Allegro, Symphony no. 6 in A minor: Finale: Allegro moderato - Allegro energico, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo, Symphony no. 7 in E minor: II. Nachtmusik: Allegro moderato, Symphony no. 7 in E minor: III. Scherzo, Symphony no. 7 in E minor: IV. Nachtmusik: Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale: Allegro ordinario - Allegro moderato ma energico, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Blicket auf...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Uns bleibt ein Erdenrest...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Waldung, sie schwankt heran...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: Poco adagio, Symphony no. 9 in D major: I. Andante comodo -, Symphony no. 9 in D major: II. Imp Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb -, Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig -, Symphony no. 9 in D major: IV. Adagio Sehr langsam und noch zurückhaltend, Symphony no. 9 in D major: Ländler, ganz langsam, Symphony no. 9 in D major: Mit Wut. Allegro risoluto -, Symphony no. 9 in D major: Poco più mosso subito -, Symphony no. 9 in D major: Presto, Symphony no. 9 in D major: Tempo I, The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai, The Nutcracker, op. 71: Overture, The Planets: Jupiter, the Bringer of Jollity, The Planets: Mars, the Bringer of War, The Planets: Mercury, the Winged Messenger, The Planets: Neptune, the Mystic, The Planets: Saturn, the Bringer of Old Age, The Planets: Uranus, the Magician, The Planets: Venus, the Bringer of Peace, Toccata and Fugue in D-minor, BWV 565 (Stokowski), Une Barque sur l'Océan: Très souple de rythme, Valses Nobles et Sentimentales: VIII. Epilogue: Lent, Valses nobles et sentimentales: I. Modéré, Valses nobles et sentimentales: II. Assez lent, Valses nobles et sentimentales: III. Modéré, Valses nobles et sentimentales: IV. Assez animé, Valses nobles et sentimentales: V. Presque lent, Valses nobles et sentimentales: VI. Assez vif, Valses nobles et sentimentales: VII. Moins vif, Var. I In canone all 'ottava, Var. II Alio modo in canone alle quinta, Var. III In canone alla settima, Var. IV In canone all 'ottava per augmentationem, Var. V L'altra sorte del canone al rovescio, Vom Himmel hoch, BWV 769 (Stravinsky); Choral, Wedding March, When Lilacs Last in the Dooryard Bloom'd: Part One, When Lilacs Last in the Dooryard Bloom'd: Part Three, When Lilacs Last in the Dooryard Bloom'd: Part Two, Zwanenmeer - Moderato
Boston Symphony Orchestra performing orchestra A Midsummer Night’s Dream, op. 61: IX. Wedding March, Alborada del gracioso, Ancient Airs and Dances Suite no. 3: III. Siciliana, Antiche danze ed arie, suite I: Anonymus: Passo mezzo a mascherada, Antiche danze ed arie, suite I: Anonymus: Villanella, Antiche danze ed arie, suite I: Simone Molinaro: Balletto "Il Conte Orlando" (1599), Antiche danze ed arie, suite I: Vincenzo Galilei: Gagliarda (1598), Antiche danze ed arie, suite II: Anonymus: Campanae parisienses, Antiche danze ed arie, suite II: Bernardo Gianoncelli: Bergamasca (1650), Antiche danze ed arie, suite II: Fabrizio Caroso: Laura soave (1581), Antiche danze ed arie, suite II: Jean-Baptiste Besard: Danza rustica (1617), Antiche danze ed arie, suite III: Anonymus: Italiana, Antiche danze ed arie, suite III: Anonymus: Siciliana, Antiche danze ed arie, suite III: Jean-Baptiste Besard: Aria di corte (1617), Antiche danze ed arie, suite III: Lodovico Roncalli: Passacaglia (1692), Berceuse (Lullaby) From the Firebird, Boléro, Carmina Burana: Blanziflor et Helena, Carmina Burana: Blanziflor et Helena: Ave formosissima, Carmina Burana: Fortuna imperatix mundi, Carmina Burana: Fortuna imperatrix mundi, Carmina Burana: Fortuna imperatrix mundi: Fortune plango vulnera, Carmina Burana: Fortuna imperatrix mundi: O fortuna, Carmina Burana: I. Primo vere: Ecce gratum, Carmina Burana: I. Primo vere: Omnia sol temperat, Carmina Burana: I. Primo vere: Veris leta facies, Carmina Burana: II. In taberna: Ego sum abbas, Carmina Burana: II. In taberna: Estuans interius, Carmina Burana: II. In taberna: In taberna quando sumus, Carmina Burana: II. In taberna: Olim lacus colueram, Carmina Burana: III. Cour d’amours: Amor volat undique, Carmina Burana: III. Cour d’amours: Circa mea pectora, Carmina Burana: III. Cour d’amours: Dies, nox et omnia, Carmina Burana: III. Cour d’amours: Dulcissime, Carmina Burana: III. Cour d’amours: In trutina, Carmina Burana: III. Cour d’amours: Si puer cum puellula, Carmina Burana: III. Cour d’amours: Stetit puella, Carmina Burana: III. Cour d’amours: Tempus est iocundum, Carmina Burana: III. Cour d’amours: Veni, veni, venias, Carmina Burana: Uf dem anger, Carmina Burana: Uf dem anger: Chramer, gip die varwe mir, Carmina Burana: Uf dem anger: Floret silva, Carmina Burana: Uf dem anger: Reie; Swaz hie gat umbe; Chume, chum, geselle min, Carmina Burana: Uf dem anger: Tanz, Carmina Burana: Uf dem anger: Were diu werlt alle min, Carnival Overture, Op. 92, Carnival of the Animals: I. Introduction and Royal March of the Lions, Carnival of the Animals: II. Hens and Roosters, Carnival of the Animals: III. Mongolian Wild Donkeys, Carnival of the Animals: IV. Tortoises, Carnival of the Animals: IX. The Cuckoo in the Depths of the Forest, Carnival of the Animals: V. The Elephant, Carnival of the Animals: VI. Kangaroos, Carnival of the Animals: VII. Aquarium, Carnival of the Animals: VIII. Personages with Long Ears, Carnival of the Animals: X. Aviary, Carnival of the Animals: XI. Pianists, Carnival of the Animals: XII. Fossils, Carnival of the Animals: XIII. The Swan, Carnival of the Animals: XIV. Finale, Central Park in the Dark, Daphnis et Chloé: II. Pantomime, Daphnis et Chloé: III. Danse générale (feat. flute: Doriot Anthony Dwyer), Dolly Suite, op. 56: I. Berceuse, Dolly Suite, op. 56: II. Mi-A-Ou, Dolly Suite, op. 56: III. Le Jardin de Dolly, Dolly Suite, op. 56: IV. Kitty-Valse, Dolly Suite, op. 56: V. Tendresse, Dolly Suite, op. 56: VI. Le pas Espagnol, Egmont Overture, op. 84, El sombrero de tres picos: II. Atardecer, El sombrero de tres picos: III. Danza de la molinera, El sombrero de tres picos: IV. Las uvas, El sombrero de tres picos: V. Danza del los vecinos, El sombrero de tres picos: VII. Danza del corregidor, El sombrero de tres picos: VIII. Danza final, Feste romane: I. Circenses, Feste romane: II. Il giubileo, Feste romane: III. L'ottobrata, Feste romane: IV. La befana, Fontane di Roma: I. La fontana di Valle Giulia all'alba, Fontane di Roma: II. La fontana del Tritone al mattino, Fontane di Roma: III. La fontana di Trevi al meriggio, Fontane di Roma: IV. La fontana di Villa Medici al tramonto, Gaite Parisienne: Cancan, La Damnation de Faust, op. 24: Marche Hongroise, La Damnation de Faust, op. 24: Marche hongroise, La Valse, Le Sacre du printemps: Première partie. L’Adoration de la terre: I. Introduction, Le Sacre du printemps: Première partie. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes, Le Sacre du printemps: Première partie. L’Adoration de la terre: III. Jeu du rapt, Le Sacre du printemps: Première partie. L’Adoration de la terre: IV. Rondes printanières, Le Sacre du printemps: Première partie. L’Adoration de la terre: V. Jeux des cités rivales, Le Sacre du printemps: Première partie. L’Adoration de la terre: VI. Cortège du sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VII. Le sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VIII. Danse de la terre, Le Sacre du printemps: Seconde partie. Le Sacrifice: IX. Introduction, Le Sacre du printemps: Seconde partie. Le Sacrifice: X. Cercles mystérieux des adolescentes, Le Sacre du printemps: Seconde partie. Le Sacrifice: XI. Glorification de l’élue, Le Sacre du printemps: Seconde partie. Le Sacrifice: XII. Évocation des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIII. Action rituelle des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIV. Danse sacrale. l’élue, Le Tombeau de Couperin: I. Prélude: Vif, Le Tombeau de Couperin: II. Forlane: Allegretto, Le Tombeau de Couperin: III. Menuet: Allegro moderato, Le Tombeau de Couperin: IV. Rigaudon: Assex vif - Moins vif - Assex vif, Lullaby from Dolly Suite, Ma mère l'oye: I. Prélude, Ma mère l'oye: II. 1er tableau: Danse du rouet et scène, Ma mère l'oye: III. 2e tableau: Pavane de la belle au bois dormant, Ma mère l'oye: IV. 3e tableau: Les entretiens de la belle et de la bête, Ma mère l'oye: V. 4e tableau: Petit poucet, Ma mère l'oye: VI. 5e tableau: Laideronnette, impératrice des pagodes, Ma mère l'oye: Vii. Apothéose: Le jardin féerique, Menuet antique: Maestoso, Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: I. Andante tranquillo, Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: II. Allegro, Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: III. Adagio, Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: IV. Allegro molto, Musikalisches Opfer, BWV 1079 (Webern), Partita in D-minor, BWV 1004 (Hideo Saito), Pavane pour une infante défunte, Pini di Roma: I. I pini di Villa Borghese, Pini di Roma: II. Pini presso una catacomba, Pini di Roma: III. I pini del Gianicolo, Pini di Roma: IV. I pini della Via Appia, Prelude and Fugue in E-flat major, BWV 552 (Schoenberg), Psalm 149 for Chorus & Orchestra, Op. 79, Rapsodie espagnole: I. Prélude à la nuit, Rapsodie espagnole: I. Prélude à la nuit. Très modéré, Rapsodie espagnole: II. Malagueña, Rapsodie espagnole: II. Malagueña. Assez vif, Rapsodie espagnole: III. Habanera, Rapsodie espagnole: III. Habanera. Assez lent et d'un rythme las, Rapsodie espagnole: IV. Feria, Rapsodie espagnole: IV. Feria. Assez animé, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: I. Introït et Kyrie, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: II. Offertoire, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: III. Sanctus, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: IV. Pie Jesu, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: V. Agnus Dei et Lux Aeterna, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: VI. Libera me, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: VII. In Paradisum, Romeo & Juliet, Op. 64: Act I, Scene I. Morning dance. Allegro, Romeo & Juliet, Op. 64: Act I, Scene I. Romeo (reflective). Andante, Romeo & Juliet, Op. 64: Act I, Scene I. The Prince's decree. Andante, Romeo & Juliet, Op. 64: Act I, Scene I. The fight. Presto, Romeo & Juliet, Op. 64: Act I, Scene I. The quarrel. Allegro brusco, Romeo & Juliet, Op. 64: Act I, Scene I. The street awakens. Allegretto, Romeo & Juliet, Op. 64: Act I, Scene II. Arrival of the guests (Minuet). Assai moderato, Romeo & Juliet, Op. 64: Act I, Scene II. Balcony scene. Larghetto, Romeo & Juliet, Op. 64: Act I, Scene II. Gavotte (Departure of the guests). Allegro, Romeo & Juliet, Op. 64: Act I, Scene II. Juliet the young girl. Vivace, Romeo & Juliet, Op. 64: Act I, Scene II. Juliet's variation. Moderato (quasi Allegretto), Romeo & Juliet, Op. 64: Act I, Scene II. Madrigal (Romeo and Juliet). Andante tenero, Romeo & Juliet, Op. 64: Act I, Scene II. Masks (Romeo, Mercutio and Benvolio in masks). Moderato marciale, Romeo & Juliet, Op. 64: Act I, Scene II. Mercutio. Allegro giocoso, Romeo & Juliet, Op. 64: Act I, Scene II. Preparations for the ball (Juliet and the Nurse). Andante assai - Scherzando, Romeo & Juliet, Op. 64: Act I, Scene II. Romeo and Juliet's love dance. Andante, Romeo & Juliet, Op. 64: Act I, Scene II. Romeo's variation. Allegretto amoroso, Romeo & Juliet, Op. 64: Act I, Scene II. The knight's dance (Juliet and Paris's dance). Allegro pesante, Romeo & Juliet, Op. 64: Act I, Scene II. Tybalt recognizes Romeo. Allegro, Romeo & Juliet, Op. 64: Act I. Interlude. Andante pomposo (L'istesso tempo), Romeo & Juliet, Op. 64: Act I. Introduction. Andante assai, Romeo & Juliet, Op. 64: Act II, Scene III. Dance of the five couples. Vivo, Romeo & Juliet, Op. 64: Act II, Scene III. Dance with mandolins. Vivace, Romeo & Juliet, Op. 64: Act II, Scene III. Folk dance. Allegro giocoso, Romeo & Juliet, Op. 64: Act II, Scene III. Romeo and Mercutio. Andante teneroso, Romeo & Juliet, Op. 64: Act II, Scene III. The Nurse (looking for Romeo). Adagio scherzoso, Romeo & Juliet, Op. 64: Act II, Scene III. The Nurse delivers Juliet's letter to Romeo. Vivace, Romeo & Juliet, Op. 64: Act II, Scene IV. Juliet at Friar Laurence's. Lento, Romeo & Juliet, Op. 64: Act II, Scene IV. Romeo at Friar Laurence's. Andante espressivo, Romeo & Juliet, Op. 64: Act II, Scene V. Finale of Act II (Cortège with Tybalt's body). Adagio dramatico, Romeo & Juliet, Op. 64: Act II, Scene V. Mercutio dies. Moderato, Romeo & Juliet, Op. 64: Act II, Scene V. More merrymaking (folk dance repeated). Allegro giocoso, Romeo & Juliet, Op. 64: Act II, Scene V. Romeo resolves to avenge Mercutio's death. Andante. Animato - Presto, Romeo & Juliet, Op. 64: Act II, Scene V. The people continue to make merry. Vivo, Romeo & Juliet, Op. 64: Act II, Scene V. Tybalt and Mercutio fight. Precipitato, Romeo & Juliet, Op. 64: Act II, Scene V. Tybalt meets Mercutio. Moderato, Romeo & Juliet, Op. 64: Act III, Scene VI. Interlude. Adagio (L'istesso tempo), Romeo & Juliet, Op. 64: Act III, Scene VI. Juliet alone. Adagio, Romeo & Juliet, Op. 64: Act III, Scene VI. Juliet refuses to marry Paris. Vivace - Allegro pesante, Romeo & Juliet, Op. 64: Act III, Scene VI. Romeo and Juliet. Lento, Romeo & Juliet, Op. 64: Act III, Scene VI. The Nurse (announces Juliet's parents and Paris). Andante assai - Più mosso con effetto, Romeo & Juliet, Op. 64: Act III, Scene VI. The last farewell. Andante - Adagio, Romeo & Juliet, Op. 64: Act III, Scene VII. At Friar Laurence's (Friar Laurence gives Juliet a sleeping-potion). Andante, Romeo & Juliet, Op. 64: Act III, Scene VII. Interlude. L'istesso tempo, Romeo & Juliet, Op. 64: Act III, Scene VIII. At Juliet's bedside (Juliet's apparent death). Andante - Adagio, Romeo & Juliet, Op. 64: Act III, Scene VIII. Dance of the young girls with the lilies. Andante con eleganza, Romeo & Juliet, Op. 64: Act III, Scene VIII. Juliet alone (The sleeping-potion). Andante - Adagio - Andante, Romeo & Juliet, Op. 64: Act III, Scene VIII. Juliet's bedroom. Moderato tranquillo - Andante dolente, Romeo & Juliet, Op. 64: Act III, Scene VIII. Morning serenade (with mandolins). Andante giocoso, Romeo & Juliet, Op. 64: Act III. Introduction. Andante, Romeo & Juliet, Op. 64: Act IV, Scene IX. Death of Juliet. Adagio (meno mosso del tempo precedente), Romeo & Juliet, Op. 64: Act IV, Scene IX. Juliet's funeral (and Romeo's death). Adagio funebre, Romeo und Julia: Tanz der Ritter (Ausschnitt), Roméo et Juliette - Symphonie dramatique, op. 17: Scène d'amour, Slavonic Dance in C major, Op. 72, #7, Symphonie Nr. 1 D-dur: 1. Langsam. Schleppend. Wie ein Naturlaut - im Anfgang sehr gemächlich, Symphonie Nr. 1 D-dur: 2. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich, Symphonie Nr. 1 D-dur: 3. Feierlich und gemessen, ohne zu schleppen, Symphonie Nr. 1 D-dur: 4. Stürmisch bewegt, Symphonie Nr. 1 D-dur: Blumine. Andante allegretto, Symphonie fantastique, op. 14: I. Rêveries - Passions. Largo - Allegro agitato e appasionato assai, Symphonie fantastique, op. 14: II. Un bal. Valse. Allegro non troppo, Symphonie fantastique, op. 14: III. Scène aux champs. Adagio, Symphonie fantastique, op. 14: IV. Marche au supplice. Allegretto non troppo, Symphonie fantastique, op. 14: V. Songe d'une nuit du Sabbat. Larghetto - Allegro - Rondo du Sabbat., Symphony No. 2 in C minor: I. Allegro maestoso, Symphony No. 2 in C minor: II. Andante moderato, Symphony No. 2 in C minor: III. In ruhig fliessender bewegung, Symphony No. 2 in C minor: IV. "Urlicht". Sehr feierlich, aber schlicht, Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube"), Symphony No. 2 in C minor: V. Im tempo des scherzo. Wild herausfahrend, Symphony No. 2 in C minor: V. Langsam. Misterioso ("Aufersteh'n"), Symphony No. 2 in C minor: V. Maestoso. Sehr zuruckhaltend - Wieder zuruckhaltend, Symphony No. 2 in C minor: V. Sehr langsam und gedehnt, Symphony no. 1 in D major: I. Langsam, Schleppend - Im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 10 in F-sharp minor (unfinished): I. Andante - Adagio, Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden, Symphony no. 3 in D minor: Part II. II. Tempo di minuetto. Sehr mäßig, Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: Part II. IV. Zarathustras Mitternachtslied. Sehr langsam. Misterioso, Symphony no. 3 in D minor: Part II. V. Es sungen drei Engel. Lustig im Tempo und keck im Austruck, Symphony no. 3 in D minor: Part II. VI. Langsam. Ruhevoll. Empfunden, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll. Poco adagio, Symphony no. 4 in G major: IV. Das himmlische Leben. Sehr behaglich, Symphony no. 4: I. Prelude: Maestoso, Symphony no. 4: II. Allegretto, Symphony no. 4: III. Fugue: Andante moderato, Symphony no. 4: IV. Very slowly – Largo maestoso, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: IV. Allegro, Symphony no. 5 in C-sharp minor: Part I. I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich scneller. Leidenschaftlich. Wild - Tempo I, Symphony no. 5 in C-sharp minor: Part I. II. Stürmisch bewegt. Mit größter Vehemenz -, Symphony no. 5 in C-sharp minor: Part II. III. Scherzo: Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: Part III. IV. Adagietto: Sehr langsam, Symphony no. 5 in C-sharp minor: Part III. V. Rondo-Finale: Allegro, Symphony no. 6 in A minor: Finale: Allegro moderato - Allegro energico, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo, Symphony no. 7 in E minor: II. Nachtmusik: Allegro moderato, Symphony no. 7 in E minor: III. Scherzo, Symphony no. 7 in E minor: IV. Nachtmusik: Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale: Allegro ordinario - Allegro moderato ma energico, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Blicket auf...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Uns bleibt ein Erdenrest...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Waldung, sie schwankt heran...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: Poco adagio, Symphony no. 9 in D major: I. Andante comodo -, Symphony no. 9 in D major: II. Imp Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb -, Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig -, Symphony no. 9 in D major: IV. Adagio Sehr langsam und noch zurückhaltend, Symphony no. 9 in D major: Ländler, ganz langsam, Symphony no. 9 in D major: Mit Wut. Allegro risoluto -, Symphony no. 9 in D major: Poco più mosso subito -, Symphony no. 9 in D major: Presto, Symphony no. 9 in D major: Tempo I, The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai, The Nutcracker, op. 71: Overture, The Planets: Jupiter, the Bringer of Jollity, The Planets: Mars, the Bringer of War, The Planets: Mercury, the Winged Messenger, The Planets: Neptune, the Mystic, The Planets: Saturn, the Bringer of Old Age, The Planets: Uranus, the Magician, The Planets: Venus, the Bringer of Peace, Toccata and Fugue in D-minor, BWV 565 (Stokowski), Une Barque sur l'Océan: Très souple de rythme, Valses Nobles et Sentimentales: VIII. Epilogue: Lent, Valses nobles et sentimentales: I. Modéré, Valses nobles et sentimentales: II. Assez lent, Valses nobles et sentimentales: III. Modéré, Valses nobles et sentimentales: IV. Assez animé, Valses nobles et sentimentales: V. Presque lent, Valses nobles et sentimentales: VI. Assez vif, Valses nobles et sentimentales: VII. Moins vif, Var. I In canone all 'ottava, Var. II Alio modo in canone alle quinta, Var. III In canone alla settima, Var. IV In canone all 'ottava per augmentationem, Var. V L'altra sorte del canone al rovescio, Vom Himmel hoch, BWV 769 (Stravinsky); Choral, Wedding March, When Lilacs Last in the Dooryard Bloom'd: Part One, When Lilacs Last in the Dooryard Bloom'd: Part Three, When Lilacs Last in the Dooryard Bloom'd: Part Two, Zwanenmeer - Moderato
Onno Scholtze balance, engineer Symphony No. 2 in C minor: I. Allegro maestoso, Symphony No. 2 in C minor: II. Andante moderato, Symphony No. 2 in C minor: III. In ruhig fliessender bewegung, Symphony No. 2 in C minor: IV. "Urlicht". Sehr feierlich, aber schlicht, Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube"), Symphony No. 2 in C minor: V. Im tempo des scherzo. Wild herausfahrend, Symphony No. 2 in C minor: V. Langsam. Misterioso ("Aufersteh'n"), Symphony No. 2 in C minor: V. Maestoso. Sehr zuruckhaltend - Wieder zuruckhaltend, Symphony No. 2 in C minor: V. Sehr langsam und gedehnt, Symphony no. 1 in D major: I. Langsam, Schleppend - Im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 10 in F-sharp minor (unfinished): I. Andante - Adagio, Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden, Symphony no. 3 in D minor: Part II. II. Tempo di minuetto. Sehr mäßig, Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: Part II. IV. Zarathustras Mitternachtslied. Sehr langsam. Misterioso, Symphony no. 3 in D minor: Part II. V. Es sungen drei Engel. Lustig im Tempo und keck im Austruck, Symphony no. 3 in D minor: Part II. VI. Langsam. Ruhevoll. Empfunden, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll. Poco adagio, Symphony no. 4 in G major: IV. Das himmlische Leben. Sehr behaglich, Symphony no. 5 in C-sharp minor: Part I. I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich scneller. Leidenschaftlich. Wild - Tempo I, Symphony no. 5 in C-sharp minor: Part I. II. Stürmisch bewegt. Mit größter Vehemenz -, Symphony no. 5 in C-sharp minor: Part II. III. Scherzo: Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: Part III. IV. Adagietto: Sehr langsam, Symphony no. 5 in C-sharp minor: Part III. V. Rondo-Finale: Allegro, Symphony no. 6 in A minor: Finale: Allegro moderato - Allegro energico, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo, Symphony no. 7 in E minor: II. Nachtmusik: Allegro moderato, Symphony no. 7 in E minor: III. Scherzo, Symphony no. 7 in E minor: IV. Nachtmusik: Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale: Allegro ordinario - Allegro moderato ma energico, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Blicket auf...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Uns bleibt ein Erdenrest...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Waldung, sie schwankt heran...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: Poco adagio, Symphony no. 9 in D major: I. Andante comodo -, Symphony no. 9 in D major: II. Imp Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb -, Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig -, Symphony no. 9 in D major: IV. Adagio Sehr langsam und noch zurückhaltend, Symphony no. 9 in D major: Ländler, ganz langsam, Symphony no. 9 in D major: Mit Wut. Allegro risoluto -, Symphony no. 9 in D major: Poco più mosso subito -, Symphony no. 9 in D major: Presto, Symphony no. 9 in D major: Tempo I
Wilhelm Hellweg (producer / engineer) balance, producer Symphony No. 2 in C minor: I. Allegro maestoso, Symphony No. 2 in C minor: II. Andante moderato, Symphony No. 2 in C minor: III. In ruhig fliessender bewegung, Symphony No. 2 in C minor: IV. "Urlicht". Sehr feierlich, aber schlicht, Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube"), Symphony No. 2 in C minor: V. Im tempo des scherzo. Wild herausfahrend, Symphony No. 2 in C minor: V. Langsam. Misterioso ("Aufersteh'n"), Symphony No. 2 in C minor: V. Maestoso. Sehr zuruckhaltend - Wieder zuruckhaltend, Symphony No. 2 in C minor: V. Sehr langsam und gedehnt, Symphony no. 1 in D major: I. Langsam, Schleppend - Im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 10 in F-sharp minor (unfinished): I. Andante - Adagio, Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden, Symphony no. 3 in D minor: Part II. II. Tempo di minuetto. Sehr mäßig, Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: Part II. IV. Zarathustras Mitternachtslied. Sehr langsam. Misterioso, Symphony no. 3 in D minor: Part II. V. Es sungen drei Engel. Lustig im Tempo und keck im Austruck, Symphony no. 3 in D minor: Part II. VI. Langsam. Ruhevoll. Empfunden, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll. Poco adagio, Symphony no. 4 in G major: IV. Das himmlische Leben. Sehr behaglich, Symphony no. 5 in C-sharp minor: Part I. I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich scneller. Leidenschaftlich. Wild - Tempo I, Symphony no. 5 in C-sharp minor: Part I. II. Stürmisch bewegt. Mit größter Vehemenz -, Symphony no. 5 in C-sharp minor: Part II. III. Scherzo: Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: Part III. IV. Adagietto: Sehr langsam, Symphony no. 5 in C-sharp minor: Part III. V. Rondo-Finale: Allegro, Symphony no. 6 in A minor: Finale: Allegro moderato - Allegro energico, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo, Symphony no. 7 in E minor: II. Nachtmusik: Allegro moderato, Symphony no. 7 in E minor: III. Scherzo, Symphony no. 7 in E minor: IV. Nachtmusik: Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale: Allegro ordinario - Allegro moderato ma energico, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Blicket auf...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Uns bleibt ein Erdenrest...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Waldung, sie schwankt heran...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: Poco adagio, Symphony no. 9 in D major: I. Andante comodo -, Symphony no. 9 in D major: II. Imp Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb -, Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig -, Symphony no. 9 in D major: IV. Adagio Sehr langsam und noch zurückhaltend, Symphony no. 9 in D major: Ländler, ganz langsam, Symphony no. 9 in D major: Mit Wut. Allegro risoluto -, Symphony no. 9 in D major: Poco più mosso subito -, Symphony no. 9 in D major: Presto, Symphony no. 9 in D major: Tempo I
Henk Kooistra engineer Symphony no. 10 in F-sharp minor (unfinished): I. Andante - Adagio, Symphony no. 5 in C-sharp minor: Part I. I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich scneller. Leidenschaftlich. Wild - Tempo I, Symphony no. 5 in C-sharp minor: Part I. II. Stürmisch bewegt. Mit größter Vehemenz -, Symphony no. 5 in C-sharp minor: Part II. III. Scherzo: Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: Part III. IV. Adagietto: Sehr langsam, Symphony no. 5 in C-sharp minor: Part III. V. Rondo-Finale: Allegro, Symphony no. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo, Symphony no. 7 in E minor: II. Nachtmusik: Allegro moderato, Symphony no. 7 in E minor: III. Scherzo, Symphony no. 7 in E minor: IV. Nachtmusik: Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale: Allegro ordinario - Allegro moderato ma energico, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Blicket auf...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Uns bleibt ein Erdenrest...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Waldung, sie schwankt heran...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: Poco adagio, Symphony no. 9 in D major: I. Andante comodo -, Symphony no. 9 in D major: II. Imp Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb -, Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig -, Symphony no. 9 in D major: IV. Adagio Sehr langsam und noch zurückhaltend, Symphony no. 9 in D major: Ländler, ganz langsam, Symphony no. 9 in D major: Mit Wut. Allegro risoluto -, Symphony no. 9 in D major: Poco più mosso subito -, Symphony no. 9 in D major: Presto, Symphony no. 9 in D major: Tempo I
Klaus Hiemann balance, recording El sombrero de tres picos: II. Atardecer, El sombrero de tres picos: III. Danza de la molinera, El sombrero de tres picos: IV. Las uvas, El sombrero de tres picos: V. Danza del los vecinos, El sombrero de tres picos: VII. Danza del corregidor, El sombrero de tres picos: VIII. Danza final, Feste romane: I. Circenses, Feste romane: II. Il giubileo, Feste romane: III. L'ottobrata, Feste romane: IV. La befana, Fontane di Roma: I. La fontana di Valle Giulia all'alba, Fontane di Roma: II. La fontana del Tritone al mattino, Fontane di Roma: III. La fontana di Trevi al meriggio, Fontane di Roma: IV. La fontana di Villa Medici al tramonto, Pini di Roma: I. I pini di Villa Borghese, Pini di Roma: II. Pini presso una catacomba, Pini di Roma: III. I pini del Gianicolo, Pini di Roma: IV. I pini della Via Appia, Symphonie Nr. 1 D-dur: 1. Langsam. Schleppend. Wie ein Naturlaut - im Anfgang sehr gemächlich, Symphonie Nr. 1 D-dur: 2. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich, Symphonie Nr. 1 D-dur: 3. Feierlich und gemessen, ohne zu schleppen, Symphonie Nr. 1 D-dur: 4. Stürmisch bewegt, Symphonie Nr. 1 D-dur: Blumine. Andante allegretto
Rainer Brock producer El sombrero de tres picos: II. Atardecer, El sombrero de tres picos: III. Danza de la molinera, El sombrero de tres picos: IV. Las uvas, El sombrero de tres picos: V. Danza del los vecinos, El sombrero de tres picos: VII. Danza del corregidor, El sombrero de tres picos: VIII. Danza final, Feste romane: I. Circenses, Feste romane: II. Il giubileo, Feste romane: III. L'ottobrata, Feste romane: IV. La befana, Fontane di Roma: I. La fontana di Valle Giulia all'alba, Fontane di Roma: II. La fontana del Tritone al mattino, Fontane di Roma: III. La fontana di Trevi al meriggio, Fontane di Roma: IV. La fontana di Villa Medici al tramonto, Pini di Roma: I. I pini di Villa Borghese, Pini di Roma: II. Pini presso una catacomba, Pini di Roma: III. I pini del Gianicolo, Pini di Roma: IV. I pini della Via Appia, Symphonie Nr. 1 D-dur: 1. Langsam. Schleppend. Wie ein Naturlaut - im Anfgang sehr gemächlich, Symphonie Nr. 1 D-dur: 2. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich, Symphonie Nr. 1 D-dur: 3. Feierlich und gemessen, ohne zu schleppen, Symphonie Nr. 1 D-dur: 4. Stürmisch bewegt, Symphonie Nr. 1 D-dur: Blumine. Andante allegretto
Tanglewood Festival Chorus vocal Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: I. Introït et Kyrie, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: II. Offertoire, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: III. Sanctus, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: IV. Pie Jesu, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: V. Agnus Dei et Lux Aeterna, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: VI. Libera me, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: VII. In Paradisum, Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube"), Symphony No. 2 in C minor: V. Im tempo des scherzo. Wild herausfahrend, Symphony No. 2 in C minor: V. Langsam. Misterioso ("Aufersteh'n"), Symphony No. 2 in C minor: V. Maestoso. Sehr zuruckhaltend - Wieder zuruckhaltend, Symphony No. 2 in C minor: V. Sehr langsam und gedehnt, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Blicket auf...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Uns bleibt ein Erdenrest...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Waldung, sie schwankt heran...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: Poco adagio, When Lilacs Last in the Dooryard Bloom'd: Part One, When Lilacs Last in the Dooryard Bloom'd: Part Three, When Lilacs Last in the Dooryard Bloom'd: Part Two
John Newton (editor, engineer mixer) engineer Symphony no. 1 in D major: I. Langsam, Schleppend - Im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 10 in F-sharp minor (unfinished): I. Andante - Adagio, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll. Poco adagio, Symphony no. 4 in G major: IV. Das himmlische Leben. Sehr behaglich, Symphony no. 9 in D major: I. Andante comodo -, Symphony no. 9 in D major: II. Imp Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb -, Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig -, Symphony no. 9 in D major: IV. Adagio Sehr langsam und noch zurückhaltend, Symphony no. 9 in D major: Ländler, ganz langsam, Symphony no. 9 in D major: Mit Wut. Allegro risoluto -, Symphony no. 9 in D major: Poco più mosso subito -, Symphony no. 9 in D major: Presto, Symphony no. 9 in D major: Tempo I
Hans-Peter Schweigmann balance Central Park in the Dark, Dolly Suite, op. 56: I. Berceuse, Dolly Suite, op. 56: II. Mi-A-Ou, Dolly Suite, op. 56: III. Le Jardin de Dolly, Dolly Suite, op. 56: IV. Kitty-Valse, Dolly Suite, op. 56: V. Tendresse, Dolly Suite, op. 56: VI. Le pas Espagnol, Roméo et Juliette - Symphonie dramatique, op. 17: Scène d'amour, Symphonie fantastique, op. 14: I. Rêveries - Passions. Largo - Allegro agitato e appasionato assai, Symphonie fantastique, op. 14: II. Un bal. Valse. Allegro non troppo, Symphonie fantastique, op. 14: III. Scène aux champs. Adagio, Symphonie fantastique, op. 14: IV. Marche au supplice. Allegretto non troppo, Symphonie fantastique, op. 14: V. Songe d'une nuit du Sabbat. Larghetto - Allegro - Rondo du Sabbat., Symphony no. 4: I. Prelude: Maestoso, Symphony no. 4: II. Allegretto, Symphony no. 4: III. Fugue: Andante moderato, Symphony no. 4: IV. Very slowly – Largo maestoso, The Nutcracker, op. 71: Overture
Garrick Ohlsson piano Carnival of the Animals: I. Introduction and Royal March of the Lions, Carnival of the Animals: II. Hens and Roosters, Carnival of the Animals: III. Mongolian Wild Donkeys, Carnival of the Animals: IV. Tortoises, Carnival of the Animals: IX. The Cuckoo in the Depths of the Forest, Carnival of the Animals: V. The Elephant, Carnival of the Animals: VI. Kangaroos, Carnival of the Animals: VII. Aquarium, Carnival of the Animals: VIII. Personages with Long Ears, Carnival of the Animals: X. Aviary, Carnival of the Animals: XI. Pianists, Carnival of the Animals: XII. Fossils, Carnival of the Animals: XIII. The Swan, Carnival of the Animals: XIV. Finale
John Browning (American pianist) piano Carnival of the Animals: I. Introduction and Royal March of the Lions, Carnival of the Animals: II. Hens and Roosters, Carnival of the Animals: III. Mongolian Wild Donkeys, Carnival of the Animals: IV. Tortoises, Carnival of the Animals: IX. The Cuckoo in the Depths of the Forest, Carnival of the Animals: V. The Elephant, Carnival of the Animals: VI. Kangaroos, Carnival of the Animals: VII. Aquarium, Carnival of the Animals: VIII. Personages with Long Ears, Carnival of the Animals: X. Aviary, Carnival of the Animals: XI. Pianists, Carnival of the Animals: XII. Fossils, Carnival of the Animals: XIII. The Swan, Carnival of the Animals: XIV. Finale
Thomas Mowrey producer Central Park in the Dark, Roméo et Juliette - Symphonie dramatique, op. 17: Scène d'amour, Symphonie fantastique, op. 14: I. Rêveries - Passions. Largo - Allegro agitato e appasionato assai, Symphonie fantastique, op. 14: II. Un bal. Valse. Allegro non troppo, Symphonie fantastique, op. 14: III. Scène aux champs. Adagio, Symphonie fantastique, op. 14: IV. Marche au supplice. Allegretto non troppo, Symphonie fantastique, op. 14: V. Songe d'une nuit du Sabbat. Larghetto - Allegro - Rondo du Sabbat., Symphony no. 4: I. Prelude: Maestoso, Symphony no. 4: II. Allegretto, Symphony no. 4: III. Fugue: Andante moderato, Symphony no. 4: IV. Very slowly – Largo maestoso
Håkan Hagegård vocal Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: I. Introït et Kyrie, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: II. Offertoire, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: III. Sanctus, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: IV. Pie Jesu, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: V. Agnus Dei et Lux Aeterna, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: VI. Libera me, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: VII. In Paradisum
Barbara Bonney vocal Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: I. Introït et Kyrie, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: II. Offertoire, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: III. Sanctus, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: IV. Pie Jesu, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: V. Agnus Dei et Lux Aeterna, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: VI. Libera me, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: VII. In Paradisum
Hanno Rinke producer Dolly Suite, op. 56: I. Berceuse, Dolly Suite, op. 56: II. Mi-A-Ou, Dolly Suite, op. 56: III. Le Jardin de Dolly, Dolly Suite, op. 56: IV. Kitty-Valse, Dolly Suite, op. 56: V. Tendresse, Dolly Suite, op. 56: VI. Le pas Espagnol
Florence Quivar vocal Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Uns bleibt ein Erdenrest...", When Lilacs Last in the Dooryard Bloom'd: Part Three, When Lilacs Last in the Dooryard Bloom'd: Part Two
Boston Boys Choir vocal Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Blicket auf...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Uns bleibt ein Erdenrest...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Waldung, sie schwankt heran..."
Werner Mayer (classical producer) recording Dolly Suite, op. 56: I. Berceuse, Dolly Suite, op. 56: II. Mi-A-Ou, Dolly Suite, op. 56: III. Le Jardin de Dolly, Dolly Suite, op. 56: IV. Kitty-Valse, Dolly Suite, op. 56: V. Tendresse, Dolly Suite, op. 56: VI. Le pas Espagnol
Fiona Gale editor Symphony no. 5 in C-sharp minor: Part I. I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich scneller. Leidenschaftlich. Wild - Tempo I, Symphony no. 5 in C-sharp minor: Part I. II. Stürmisch bewegt. Mit größter Vehemenz -, Symphony no. 5 in C-sharp minor: Part II. III. Scherzo: Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: Part III. IV. Adagietto: Sehr langsam, Symphony no. 5 in C-sharp minor: Part III. V. Rondo-Finale: Allegro
Everett Porter engineer Symphony no. 5 in C-sharp minor: Part I. I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich scneller. Leidenschaftlich. Wild - Tempo I, Symphony no. 5 in C-sharp minor: Part I. II. Stürmisch bewegt. Mit größter Vehemenz -, Symphony no. 5 in C-sharp minor: Part II. III. Scherzo: Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: Part III. IV. Adagietto: Sehr langsam, Symphony no. 5 in C-sharp minor: Part III. V. Rondo-Finale: Allegro
Amelia Rogers editor Symphony no. 1 in D major: I. Langsam, Schleppend - Im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt
Kenneth Riegel vocal Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Blicket auf...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Uns bleibt ein Erdenrest..."
Faye Robinson vocal Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren..."
Judith Blegen vocal Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren..."
Gwynne Howell vocal Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Waldung, sie schwankt heran..."
Dominic Cossa vocal When Lilacs Last in the Dooryard Bloom'd: Part One, When Lilacs Last in the Dooryard Bloom'd: Part Three, When Lilacs Last in the Dooryard Bloom'd: Part Two
John Oliver (chorus master) chorus master When Lilacs Last in the Dooryard Bloom'd: Part One, When Lilacs Last in the Dooryard Bloom'd: Part Three, When Lilacs Last in the Dooryard Bloom'd: Part Two
Esther Hinds vocal When Lilacs Last in the Dooryard Bloom'd: Part One, When Lilacs Last in the Dooryard Bloom'd: Part Three, When Lilacs Last in the Dooryard Bloom'd: Part Two
Lorna Myers vocal Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren..."
Benjamin Luxon (baritone) vocal Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Waldung, sie schwankt heran..."
Deborah Sasson vocal Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren..."
Jack Renner (engineer for Telarc) engineer Egmont Overture, op. 84, Symphony no. 5 in C minor, op. 67: I. Allegro con brio
Elaine Martone (engineer) producer Egmont Overture, op. 84, Symphony no. 5 in C minor, op. 67: I. Allegro con brio
Marilyn Horne vocal Symphony No. 2 in C minor: IV. "Urlicht". Sehr feierlich, aber schlicht, Symphony No. 2 in C minor: V. Langsam. Misterioso ("Aufersteh'n")
Ronald Whitaker producer Egmont Overture, op. 84, Symphony no. 5 in C minor, op. 67: I. Allegro con brio
Robert Woods (classical producer) producer Egmont Overture, op. 84, Symphony no. 5 in C minor, op. 67: I. Allegro con brio
Kiri Te Kanawa vocal Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube"), Symphony No. 2 in C minor: V. Langsam. Misterioso ("Aufersteh'n")
James Christie (Organist) organ Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche..."
New England Conservatory Chorus vocal The Planets: Neptune, the Mystic
Mark Buecker editor The Nutcracker, op. 71: Overture
Sherman Walt bassoon Alborada del gracioso
Klaus Behrens recording The Nutcracker, op. 71: Overture
Jules Eskin cello Carnival of the Animals: XIII. The Swan
Christian Gansch producer The Nutcracker, op. 71: Overture
Charles Kavaloski French horn Pavane pour une infante défunte
Alison Ames producer The Nutcracker, op. 71: Overture