Onno Scholtze

balance, engineer, sound, recording, producer

Top collaborators

Artist name Roles Recordings
Roger Hand
Hriday Narayan Pande
M U H D (Samuel Vaney)
Broeder Hildebrand
Matt Crawford (UK engineer)

Work on other artists' recordings

Artist name Roles Recordings
Roger Hand balance, engineer Symphony No. 2 in C minor: I. Allegro maestoso, Symphony No. 2 in C minor: II. Andante moderato, Symphony No. 2 in C minor: III. In ruhig fliessender bewegung, Symphony No. 2 in C minor: IV. "Urlicht". Sehr feierlich, aber schlicht, Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube"), Symphony No. 2 in C minor: V. Im tempo des scherzo. Wild herausfahrend, Symphony No. 2 in C minor: V. Langsam. Misterioso ("Aufersteh'n"), Symphony No. 2 in C minor: V. Maestoso. Sehr zuruckhaltend - Wieder zuruckhaltend, Symphony No. 2 in C minor: V. Sehr langsam und gedehnt, Symphony no. 1 in D major: I. Langsam, Schleppend - Im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 10 in F-sharp minor (unfinished): I. Andante - Adagio, Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden, Symphony no. 3 in D minor: Part II. II. Tempo di minuetto. Sehr mäßig, Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: Part II. IV. Zarathustras Mitternachtslied. Sehr langsam. Misterioso, Symphony no. 3 in D minor: Part II. V. Es sungen drei Engel. Lustig im Tempo und keck im Austruck, Symphony no. 3 in D minor: Part II. VI. Langsam. Ruhevoll. Empfunden, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll. Poco adagio, Symphony no. 4 in G major: IV. Das himmlische Leben. Sehr behaglich, Symphony no. 5 in C-sharp minor: Part I. I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich scneller. Leidenschaftlich. Wild - Tempo I, Symphony no. 5 in C-sharp minor: Part I. II. Stürmisch bewegt. Mit größter Vehemenz -, Symphony no. 5 in C-sharp minor: Part II. III. Scherzo: Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: Part III. IV. Adagietto: Sehr langsam, Symphony no. 5 in C-sharp minor: Part III. V. Rondo-Finale: Allegro, Symphony no. 6 in A minor: Finale: Allegro moderato - Allegro energico, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo, Symphony no. 7 in E minor: II. Nachtmusik: Allegro moderato, Symphony no. 7 in E minor: III. Scherzo, Symphony no. 7 in E minor: IV. Nachtmusik: Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale: Allegro ordinario - Allegro moderato ma energico, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Blicket auf...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Uns bleibt ein Erdenrest...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Waldung, sie schwankt heran...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: Poco adagio, Symphony no. 9 in D major: I. Andante comodo -, Symphony no. 9 in D major: II. Imp Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb -, Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig -, Symphony no. 9 in D major: IV. Adagio Sehr langsam und noch zurückhaltend, Symphony no. 9 in D major: Ländler, ganz langsam, Symphony no. 9 in D major: Mit Wut. Allegro risoluto -, Symphony no. 9 in D major: Poco più mosso subito -, Symphony no. 9 in D major: Presto, Symphony no. 9 in D major: Tempo I
Hriday Narayan Pande balance An Orkney Wedding, with Sunrise, Brigg Fair, Fantasia on Greensleeves, Gayaneh: Dance of the Young Maidens, Gayaneh: Lullaby, Gayaneh: Sabre Dance, Irish Tune from County Derry, Jane Eyre: I. At Lowood, Jane Eyre: II. To Thornfield, Jane Eyre: III. The Return, Lieutenant Kije: Troika, Mlada: Procession of the Nobles, Molly on the Shore, Night on the Bare Mountain, None but the Lonely Heart, Prince Igor: Polovtsian Dances: Allegro, Prince Igor: Polovtsian Dances: Andantino (Dances with Chorus), Prince Igor: Polovtsian Dances: Presto, Prince Igor: Polovtsian Dances: Presto (Dance of the Maidens), Scotland The Brave, String Quartet No. 2 in D: Nocturne, The Golden Age: Polka, The Red Poppy: Russian Sailor's Dance, The Snow Maiden: Dance of the Buffoons
M U H D balance, engineer Concerto in G minor, RV 577: (Allegro), Concerto in G minor, RV 577: Allegro, Concerto in G minor, RV 577: Largo non molto, Concerto no. 1 in E, RV 269: Allegro, Concerto no. 1 in E, RV 269: Allegro (Danza pastorale), Concerto no. 1 in E, RV 269: Largo, Concerto no. 2 in G minor, RV 315: Adagio - Presto - Adagio, Concerto no. 2 in G minor, RV 315: Allegro non molto, Concerto no. 2 in G minor, RV 315: Presto (Tempo impetuoso d'estate), Concerto no. 3 in F, RV 293: Adagio molto, Concerto no. 3 in F, RV 293: Allegro (Ballo, e canto de' villanelli), Concerto no. 3 in F, RV 293: Allegro (La caccia), Concerto no. 4 in F minor, RV 297: Allegro, Concerto no. 4 in F minor, RV 297: Allegro non molto, Concerto no. 4 in F minor, RV 297: Largo
Broeder Hildebrand balance "Egmont" Overture, op. 84, Hungarian Dances: No. 1 in G minor, Hungarian Dances: No. 10 in F major, Hungarian Dances: No. 3 in F major, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio - Più andante - Allegro non troppo, ma con brio - Più allegro, Symphony no. 3 in E-flat, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat, op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony no. 3 in E-flat, op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony no. 3 in E-flat, op. 55 "Eroica": IV. Finale. Allegro molto
Matt Crawford balance Concerto for Orchestra: I. Introduzione. Andante non troppo - Allegro vivace, Concerto for Orchestra: II. Giuoco delle coppie. Allegretto scherzando, Concerto for Orchestra: III. Elegia. Andante, non troppo, Concerto for Orchestra: IV. Intermezzo interrotto. Allegretto, Concerto for Orchestra: V. Finale. Pesante - Presto, The Miraculous Mandarin, op. 19: I. Allegro, The Miraculous Mandarin, op. 19: II. Comodo, The Miraculous Mandarin, op. 19: III. Allegretto, The Miraculous Mandarin, op. 19: IV. Lento, The Miraculous Mandarin, op. 19: V. Adagio
Margin balance Kyrie D mol, KV 341, Requiem in D minor, K. 626: II. Kyrie eleison, Requiem in D minor, K. 626: III. Sequentia: Confutatis, Requiem in D minor, K. 626: III. Sequentia: Dies irae, Requiem in D minor, K. 626: III. Sequentia: Lacrimosa, Requiem in D minor, K. 626: III. Sequentia: Rex tremendae
Lynn Blakey balance Metamorphosen (A Study For 23 Solo Strings): Adagio ma non troppo - Agitato - Adagio, tempo I, Sonatina no. 1 in F for 16 Wood instruments “From an Invalid’s Workshop”: I. Allegro moderato, Sonatina no. 1 in F for 16 Wood instruments “From an Invalid’s Workshop”: II. Romanze und Menuett. Andante - Tempo di menuetto, Sonatina no. 1 in F for 16 Wood instruments “From an Invalid’s Workshop”: III. Finale. Molto allegro - Meno mosso - Tempo I - Presto
Zoltán Kocsis balance, engineer, producer 2 Arabesques (for piano): No. 2. Allegretto scherzando, Arabesque no. 1: Andantino con moto, Rêverie
Evelyn McClure balance Allegro appassionato for Cello and Orchestra, op. 43
William G. Harvey balance The Miraculous Mandarin, op. 19: VI. Molto moderato
Avindale engineer Prélude à l'après-midi d'un faune for orchestra, L. 86