Rumon Gamba

conductor

Top collaborators

Artist name Roles Recordings
Paul Baron (conductor)
Dulcie Kelly (Australian Indigenous Artist)
Georges Auric
Sir Arthur Bliss
Tadeo Arredondo (Composer from Guerrero, MX)

Work on other artists' recordings

Artist name Roles Recordings
Paul Baron conductor A Flourish for Orchestra, op. 112, A Grand Grand Festival Overture, op. 57, A Sussex Overture, op. 31, Anniversary Overture, op. 99, Ballade for Piano and Orchestra from 'Stolen Face', Beckus the Dandipratt, op. 5, Ben-Hur: I. Prelude, Ben-Hur: II. Love Theme, Ben-Hur: III. The Burning Desert, Ben-Hur: IV. The Rowing of the Galley Slaves, Ben-Hur: V. The Mother's Love, Ben-Hur: VI. Parade of the Charioteers, Cinderella, Comedy Suite from 'The Belles of St Trinian's': Finale, Comedy Suite from 'The Belles of St Trinian's': Flash and Miss Fritton, Comedy Suite from 'The Belles of St Trinian's': Prelude, Comedy Suite from 'The Belles of St Trinian's': Races and Games, Comedy Suite from 'The Belles of St Trinian's': Train to Trinians, Comic panic. Allegro, Concert Suite from "Sweeney Todd", op. 68a : Allegretto -, Concert Suite from "Sweeney Todd", op. 68a: Allegretto - Vivace -, Concert Suite from "Sweeney Todd", op. 68a: Allegro con brio - Allegretto (Pas de deux) - Più mosso - Allegretto - Allegro con brio, Concert Suite from "Sweeney Todd", op. 68a: Allegro vivace - Allegro frenetico -, Concert Suite from "Sweeney Todd", op. 68a: Andante - Allegro - Pas de quatre - Vivace - Moderato - Vivace – Frenetico - Molto meno mosso -, Concert Suite from "Sweeney Todd", op. 68a: Moderato e misterioso - Vivace - Meno mosso -, Concert Suite from "Sweeney Todd", op. 68a: Vivace - Allegro moderato -, Concerto for String Orchestra, op. 17: I. Moderato, ma risoluto ed energico - Un poco mosso - Ancora più mosso - Meno mosso -, Concerto for String Orchestra, op. 17: II. Lento con gran espressione - Un poco più largamente -, Concerto for String Orchestra, op. 17: III. Allegro giusto - Un poco più mosso - Più vivo - Ancora più vivo - Meno mosso ma non troppo adagio, Dawn after the Murder. Moderato sereno - Bill Sike's rêverie. Poco lento, Death of Mrs Thingummy. Lento, Electra, op. 79: Lento - Allegro ma non troppo - Moderato -, Electra, op. 79: Lento - Vivace - Vivace -, Electra, op. 79: Vivace - Lento, Fagin's romp. Allegro con vivacità, Fantasy on Christmas Carols from 'The Holly and The Ivy', Far From the Madding Crowd, Finale [alternative]. Moderato brillante, Finale [original]. Moderato brillante, Four Weddings and a Funeral: Love Scene, From ‘Blithe Spirit’: Prelude, From ‘Blithe Spirit’: Waltz, From ‘Dangerous Moonlight’: Warsaw Concerto, From ‘Out of the Clouds’: The Flame Tango, From ‘The Admirable Crichton’: Polka and Galop, From ‘The Admirable Crichton’: Waltz Sequence, From ‘Tom Brown’s Schooldays’: Overture, Gay March. Quick march tempo, Joyous Youth: I. Introduction, Joyous Youth: II. Serenade, Joyous Youth: III. Valse "Joyous Youth", London (London Everyday): I. Covent Garden. Tarantelle, London (London Everyday): II. Westminster: Meditation, London (London Everyday): III. Knightsbridge: March, Love Scene from "Four Weddings and a Funeral", March. Lento ma non troppo -, Miniature Suite: I. Children's Dance, Miniature Suite: II. Intermezzo, Miniature Suite: III. Scène du bal, Mr Brownlow's grief. Lento -, Mr Bumble's March. Pomposo, Murder on the Orient Express, Nancy's flight in the rain to meet Mr Brownlow. Moderato, Nancy's hysterical outburst. Allegro moderato - Andante, Nicole's Theme from "Tender Is the Night", Notturno Ungherese, op. 28, Oliver as funeral mute. Molto energico -, Oliver asks for more. Allegro moderato e feroce -, Oliver at Mr Brownlow's house. Poco lento, Oliver at play. Poco lento- Allegretto semplice, Oliver faints in court. Tempo rubato -, Oliver meets the Artful Dodger. Allegro moderato, Oliver sent to bed among the coffins. Moderato, Oliver's abduction. Lento, Oliver's birth. Molto moderato, Oliver's flight to London. Poco allegretto, Oliver's pickpocketing lesson -, Oliver's sleepless night. Andante -, Overture from 'The Roots of Heaven', Peterloo, op. 97, Picking oakum. Poco lento, Pickpocketing. Allegretto semplice -, Postcard from the Med from 'The Captain's Paradise', Prelude. Lento moderato, Quiet Interlude. Allegretto, Rinaldo and Armida, op. 49: Andante con moto - Poco più mosso - Andante con moto - Moderato -, Rinaldo and Armida, op. 49: Lento -, Rinaldo and Armida, op. 49: Lento - Vivace molto - Lento, Rinaldo and Armida, op. 49: Moderato - Andantino - Moderato - Allegro agitato - Molto meno mosso - Andantino -, Rinaldo and Armida, op. 49: Poco lento (Pas de deux) - Moderato - Allegretto -, Rinaldo and Armida, op. 49: Vivace - Lento - Vivace - Moderato - Lento -, Robert Kett, op. 141, Rudyard Kipling's Jungle Book: I. Beginning, Rudyard Kipling's Jungle Book: II. Shere Khan, Rudyard Kipling's Jungle Book: III. Mowgli Wanders, Rudyard Kipling's Jungle Book: IV. Lullaby, Rudyard Kipling's Jungle Book: IX. Victory, Rudyard Kipling's Jungle Book: V. The Ways of Man, Rudyard Kipling's Jungle Book: VI. Cries of the Animals, Rudyard Kipling's Jungle Book: VII. Mowgli Seeks Shere Khan, Rudyard Kipling's Jungle Book: VIII. The Chase, Rudyard Kipling's Jungle Book: X. Bagheera's Contentment, Sahara: Suite, Scherzetto for Clarinet and Orchestra from 'You Know What Sailor Are', Suite from "Homage to the Queen", op. 42: I. Prelude and Opening Scene. Allegro moderato - Marziale - Andante con moto - Allegro molto -, Suite from "Homage to the Queen", op. 42: II. Dance of the Insects. Allegro scherzando (Pas de six), Suite from "Homage to the Queen", op. 42: III. Water. Poco lento - Vivace - [L’istesso tempo] (Pas de trois) - Waltz - [L’istesso tempo] (First Girl’s Solo) - Poco più mosso (Second Girl’s Solo) - Waltz Tempo I (Pas de trois) - Allegretto -, Suite from "Homage to the Queen", op. 42: IV. Fire Dance. Allegro con brio (Man’s Solo) -, Suite from "Homage to the Queen", op. 42: V. Pas de deux. Adagio non troppo - Poco agitato - Tempo I - Poco più mosso - Tempo I -, Suite from "Homage to the Queen", op. 42: VI. Finale. Maestoso - Marziale - Moderato e maestoso (Vision) - Allegro - Lento e maestoso, Suite from 'David Copperfield': Finale, Suite from 'David Copperfield': Main Titles and Opening Scene, Suite from 'David Copperfield': The Micawbers, Suite from 'David Copperfield': Young Lovers, Suite from 'No Love for Johnnie': Alla Marcia, Suite from 'No Love for Johnnie': Moderato, Suite from 'Trapeze': Elephant Waltz, Suite from 'Trapeze': Fanfare, Suite from 'Trapeze': Finale, Suite from 'Trapeze': Mike and Lola, Suite from 'Trapeze': Prelude, Suite from 'Trapeze': Romance, Suite from 'Trapeze': Tino's Arrival in Paris, Suite from ‘Goodbye, Mr Chips’: Finale, Suite from ‘Goodbye, Mr Chips’: In the Mountains, Suite from ‘Goodbye, Mr Chips’: Main Titles and School Song, Suite from ‘Love on the Dole’: Blackpool Outing, Suite from ‘Love on the Dole’: Courting Couples, Suite from ‘Love on the Dole’: End Titles, Suite from ‘Love on the Dole’: Main Titles / Sally Awakes, Suite from ‘Scrooge’, Suite from ‘The Black Rose’: In the Empress’s Palace, Suite from ‘The Black Rose’: Main Titles and Opening Scene, Suite from ‘The Black Rose’: The Black Rose Theme, Symphonic Study 'Machines' for Brass, Percussion and Strings, Op. 30, Tam o' Shanter, op. 51, The Chase. Allegro vivace, The Dam Busters, The Fair Field, op. 110, The Fight. Allegro, The Portrait -, The Selfish Giant, The Smoke, op. 21, The Storm. Con vivo, The Thief of Bagdad: I. Overture, The Thief of Bagdad: II. Cortège, The Thief of Bagdad: III. The Love of the Princess, The Thief of Bagdad: IV. The Sultan's Toys, The Thief of Bagdad: V. The Flying Horse Gallop, The Thief of Bagdad: VI. The Silvermaid's Dance, The Thief of Bagdad: VII. The Market at Basra, The Three Bears, The Vintner's Daughter, op. 23a, Theme, Variations and Finale, op. 13: Finale. Vivace - Più animato - Tempo di Vivace - Più mosso e sempre agitato - Meno mosso e molto largamente - Vivacissimo, Theme, Variations and Finale, op. 13: Theme. Andante rubato, Theme, Variations and Finale, op. 13: Variation I. Poco animato ed al rigore di tempo - L'istesso tempo, Theme, Variations and Finale, op. 13: Variation II. Allegro scherzando, Theme, Variations and Finale, op. 13: Variation III. Un poco meno allegro ma sempre molto energico - Più allegro, Theme, Variations and Finale, op. 13: Variation IV. Moderato con gran espressione, Theme, Variations and Finale, op. 13: Variation V. Vivo con spirito - Vivace, Theme, Variations and Finale, op. 13: Variation VI. Andante quasi pastorale - Tranquillo, Theme, Variations and Finale, op. 13: Variation VII. Allegro molto agitato e tumultuoso, Theme, Variations and Finale, op. 13: Variation VIII. Moderato e molto giusto - Largamente e molto pesante - Più mosso, Things to Come: March, Wanted for Murder. Moderato - Lento, Work and Play. Moderato molto energico -
Dulcie Kelly conductor Diptyque mediterraneen, op. 87: I. Soleil matinal. Modéré - Un peu animé - Au Mouvement - Calme, Diptyque mediterraneen, op. 87: II. Soleil vespéral. Modéré et solennel - Avec un peu plus d'animation -, Istar, op. 42, Jour d'été à la montagne, op. 61: I. Aurore. Très modéré - 1er Mouvement, un peu animé - Plus vite - Assez lent - Un peu plus animé - Plus animé, Jour d'été à la montagne, op. 61: II. Jour (Après-midi sous les pins). Très modéré - Très vif - Modéré - Mouvement initial - Second Mouvement, trés vif - Assez lent - Très animé - Modéré - Mouvement initial - Un peu plus vite - 1er Mouvement, Jour d'été à la montagne, op. 61: III. Soir. Très animé et joyeux - Un peu moins animé et sans rigeur - 1er Mouvement - Très Mouvement - Très modéré - Le double plus lent - Lent - Très lent - Même Mouvement, Karadec, op. 34: I. Prélude. Mouvement de marche modéré -, Karadec, op. 34: II. Chanson. Modéré, Karadec, op. 34: III. Noce bretonne. Modéré sans lenteur -, La Forêt enchantée, op. 8: Adagio - Allegro -, La Forêt enchantée, op. 8: Allegro con fuoco - Plus lent - Très lent - Allegretto non troppo - Un peu plus lent - Andante maestoso - Plus lent, La Forêt enchantée, op. 8: Un peu plus lent - Même Mouvement - Plus lent - Andante maestoso, Prelude to Act III of "Fervaal", op. 40, Serenade et Valse, op. 28: Sérénade. Allegretto giocoso - Plus lent - Tempo I, Serenade et Valse, op. 28: Valse. Allegro molto moderato – Un peu plus vite, Souvenirs, op. 62: Anime (1er Mouvement) - Lent - 1er Mouvement - Lent - 1er Mouvement - Plus animé - Lento - Très lent - Même Mouvement, un peu retenu, Souvenirs, op. 62: Animé - Très calme - Même Mouvement - La moitié moins vite, très intense d'expression - Plus animé, avec chaleur, Souvenirs, op. 62: Mouvement initial, très lent - Un peu plus vite, très modéré - Très calme -, Souvenirs, op. 62: Très lent -, Suite dans le style ancien, op. 24: I. Prélude. Lent, Suite dans le style ancien, op. 24: II. Entrée. Gai et modéré - Un peu retenu - Premiere Mouvement - Un peu retenu - Premiere Mouvement, Suite dans le style ancien, op. 24: III. Sarabande. Lent, Suite dans le style ancien, op. 24: IV. Menuet. Animé - Un peu plus lent - Animé - Un peu plus lent - Plus lent - Animé, Suite dans le style ancien, op. 24: V. Ronde Française. Assez animé - [ ] - Premiere Mouvement - Un peu plus vite - Plus vite et en pressant toujours - Trés vif, Symphony no. 2 in B-flat major, op. 57: I. Extrêment lent - Très vif - Un peu plus modéré -, Symphony no. 2 in B-flat major, op. 57: II. Modérément lent - Un peu plus lent - Plus animé -, Symphony no. 2 in B-flat major, op. 57: III. Modéré - Très animé - Un peu plus calme - Modéré -, Symphony no. 2 in B-flat major, op. 57: IV. Lent - Modérément lent - 1er Mouvement (Lent) - Très lent -, Symphony no. 3, op. 70: I. Lent et calme - Animé (Premier Mouvement) - Moins vite -, Symphony no. 3, op. 70: II. Assez vite - Un peu moins vite (très peu), Symphony no. 3, op. 70: III. Lent - Plus animé - Mouvement initial (un peu animé) -, Symphony no. 3, op. 70: IV. Très animé - Animé, mais un peu plus calme (Premier Mouvement) -, Tableaux de voyage, op. 36: I. Préamble. Assez lent, Tableaux de voyage, op. 36: II. En marche. Joyeusement - Un peu plus lent -, Tableaux de voyage, op. 36: III. Le Glas. Lent, Tableaux de voyage, op. 36: IV. Lac Vert. Tranquillement, Tableaux de voyage, op. 36: V. La Poste. Assez vite, Tableaux de voyage, op. 36: VI. Rêve. Assez lent - Vite - 1er Mouvement (très lent) -, Wallenstein, op. 12: Deuxième Partie. Max et Thécla. Allegro risoluto - Andante moderato - Allegro risoluto -, Wallenstein, op. 12: Deuxième Partie. Max et Thécla. Andante -, Wallenstein, op. 12: Deuxième Partie. Max et Thécla. Andante tranquillo -, Wallenstein, op. 12: Deuxième Partie. Max et Thécla. Maestoso - Allegro risoluto - Andante moderato - Adagio - Lento, Wallenstein, op. 12: Première Partie. Le Camp de Wallenstein. Allegretto moderato e giocoso - Allegro con fuoco -, Wallenstein, op. 12: Première Partie. Le Camp de Wallenstein. Allegro giusto - Un peu moins vite - Poco slentando e scherzando -, Wallenstein, op. 12: Troisième Partie. La Mort de Wallenstein. Allegro - Maestoso (le double plus lent) - Allegro (Tempo I) -, Wallenstein, op. 12: Troisième Partie. La Mort de Wallenstein. Andante tranquillo - Maestoso - [ ] - Allegro (Tempo I) -, Wallenstein, op. 12: Troisième Partie. La Mort de Wallenstein. Maestoso (Tempo I) - Très large, Wallenstein, op. 12: Troisième Partie. La Mort de Wallenstein. Très large -
Georges Auric conductor From 'Hue and Cry': Overture, Suite from "The Titfield Thunderbolt': End Titles, Suite from "The Titfield Thunderbolt': The Triumph of the Thunderbolt, Suite from "The Titfield Thunderbolt': Titles, Suite from 'Caesar and Cleopatra': At the Sphinx, Suite from 'Caesar and Cleopatra': Main Titles, Suite from 'Caesar and Cleopatra': The Battle, Suite from 'Dead of Night': Main Titles / Waltz / The Mirror / Finale, Suite from 'Father Brown': Channel Crossing, Suite from 'Father Brown': End Titles, Suite from 'Father Brown': Farewell and Getaway / Epilogue / End Titles, Suite from 'Father Brown': Main Titles / The Robbery / The Cross of St Augustine, Suite from 'Father Brown': Tommy and Rosie, Suite from 'Father Brown': Train Journey to Fleurancy, Suite from 'It Always Rains on Sunday': Main Titles and Opening Scene, Suite from 'Moulin rouge': Main Titles, Suite from 'Moulin rouge': Polka, Suite from 'Moulin rouge': Quadrille, Suite from 'Moulin rouge': Waltz, Suite from 'Pasport to Pimlico': Finale and End Titles, Suite from 'Pasport to Pimlico': The Siege of Burgundy, Suite from 'Pasport to Pimlico': Titles, Suite from 'The Innocents': 'O Willow Waly' / Main Titles, Suite from 'The Innocents': Coachride and Arrival at Bly, Suite from 'The Lavender Hill Mob': End Titles, Suite from 'The Lavender Hill Mob': The Eiffel Tower, Suite from 'The Lavender Hill Mob': The Robbery, Suite from 'The Lavender Hill Mob': Titles
Sir Arthur Bliss conductor Caesar and Cleopatra: Suite from the Incidental Film Music: Barcarolle, Caesar and Cleopatra: Suite from the Incidental Film Music: Dance Interlude I, Caesar and Cleopatra: Suite from the Incidental Film Music: Dance Interlude II, Caesar and Cleopatra: Suite from the Incidental Film Music: Dance Interlude III, Caesar and Cleopatra: Suite from the Incidental Film Music: Memphis at Night, Caesar and Cleopatra: Suite from the Incidental Film Music: Overture, Caesar and Cleopatra: Suite from the Incidental Film Music: Supply Sequence, Caesar and Cleopatra: Suite from the Incidental Film Music: The Sea, The Royal Palaces Suite: Joust of the Knights in Armour (George IV's reign), The Royal Palaces Suite: Melodrama: The Murder of Rizzio in Holyrood House, The Royal Palaces Suite: Queen Victoria's Call to the Throne, The Royal Palaces Suite: The Ballroom in Buckingham Palace, The Royal Palaces Suite: Theme, Theme from 'War in the Air', Things to Come: Concert Music from the Film: Attack, Things to Come: Concert Music from the Film: Attack on the Moon Gun, Things to Come: Concert Music from the Film: Ballet for Children, Things to Come: Concert Music from the Film: Epilogue, Things to Come: Concert Music from the Film: Excavation, Things to Come: Concert Music from the Film: Machines, Things to Come: Concert Music from the Film: March, Things to Come: Concert Music from the Film: Pestilence, Things to Come: Concert Music from the Film: Prologue, Things to Come: Concert Music from the Film: The Building of the New World, Things to Come: Concert Music from the Film: The World in Ruins, Welcome the Queen: March
Tadeo Arredondo conductor Médée, op. 47: I. Prélude, Médée, op. 47: II. Pantomime - Danse, Médée, op. 47: III. L'Attente de Médée, Médée, op. 47: IV. Médée et Jason, Médée, op. 47: V. Le Triomphe Auroral, Poeme des rivages, op. 77: I. Calme et lumière. Agay (Méditerranée). Tranquillement -, Poeme des rivages, op. 77: II. La joie du bleu profond. Miramar de Mallorca (Méditerranée). Animé - Modéré -, Poeme des rivages, op. 77: III. Horizons verts. Falconara (Adriatique). Très animé - Modéré, un peu moins vite -, Poeme des rivages, op. 77: IV. Le mystère de l'Océan. La Grande Côte (Golfe de Gascogne). Très largement -, Prelude to Act I of "Fervaal", op. 40, Saugefleurie, op. 21: Assez lent et calme - Plus vite -, Saugefleurie, op. 21: Assez lent et calme - Un peu plus vite - Plus animé - Vif et agité - Un peu moins vite -, Saugefleurie, op. 21: Gaîment, mais modéré -, Saugefleurie, op. 21: Tempo I (un peu plus vite) - Gaîment, mais modéré - Plus lent - Lent et calme, Symphonie italienne: I. Introduction et Allegro. Rome. Andante maestoso - Un peu plus vite - Tempo I -, Symphonie italienne: II. Scherzo. Florence. Allegro vivace, Symphonie italienne: III. Andante. Venise. Andante sans lenteur, Symphonie italienne: IV. Final (Saltarelle). Naples. Allegro ma non troppo - Allegro maestoso - Tempo I
Max Richter conductor Andras, Arbenita (11 Years), Embers, Europe, After the Rain, Fragment, Garden (1973) / Interior, Jan’s Notebook, Laika’s Journey, Landscape With Figure (1922), Last Days, Lines on a Page (One Hundred Violins), Maria, the Poet (1913), November, Quartet Fragment (1908), Sarajevo, Sketchbook, The Twins (Prague), Untitled (Figures)
Christopher Gunning conductor Cold Lazarus, Firelight, Five Little Pigs, La Môme Piaf (La Vie En Rose), Lighthouse Hill, Poirot Variants for Alto Saxophone and Orchestra, Pollyanna, Rebecca, The Hollow, The Rosemary and Thyme Caprice, Under Suspicion, When the Whales Came
Luciano Rubini conductor Allegro, op. 81, Cortège et litanie, op. 19 no. 2, Cyprès et lauriers, op. 156: I. Cyprès -, Cyprès et lauriers, op. 156: II. Lauriers, Fantaisie sur l'hymne national russe, Fantaisie triomphale, Final alla Schumann sur un Noël languedocien, op. 83, Grand chœur dialogué, Marche-fantaisie sur deux chants d'église, op. 44, Méditation sur le Stabat mater, op. 63
Jojo conductor Merciless Beauty: I. Western Wind. Allegro moderato, Merciless Beauty: II. Letter to Anna, pregnant. Lento, Merciless Beauty: III. The Sick Rose. Allegro moderato, Merciless Beauty: IV. Tune for an Ice Cream Van. Allegro, Merciless Beauty: V. Merciless Beauty. Lento, Merciless Beauty: VI. Iron City Love Song. Moderato, Merciless Beauty: VII. Campionesque for Anna. Lento
Michael Buchmiller conductor Concerto for Violin and Orchestra, op. 24: I. Allegro non troppo ma passionato. - Poco animato -, Concerto for Violin and Orchestra, op. 24: II. Lento cantabile - Poco animato - Tempo I - Poco animato - Più largamente -, Concerto for Violin and Orchestra, op. 24: III. Allegro vivace - Tempo I - Poco meno allegro - Meno mosso, Variations on a Hungarian Peasant Song, op. 4
Laura Ugarte conductor Cello Concerto: I. Moderato – Allegro non troppo – Poco animato – Più mosso – 12:04 Più lento – Allegro e inquieto – Più vivo – Meno mosso – Allegro marziale – Più lento – Animato – Tempo I – Vivo, Cello Concerto: II. Lento con granole espressione – Poco largamente – Tempo I – 9:51 Poco più largamente – Tempo I e sempre tranquillo, Cello Concerto: III. Allegro vivo – Meno mosso, ma sempre con movimento – Poco più mosso – Più mosso (Tempo I) – Molto ritmico – Più lento e misterioso – Poco più tranquillo – Più mosso – Più mosso – Vivo e marcato – Marcatissimo
German Pops Orchestra conductor Cello Concerto: I. Con moto – Più mosso – Più mosso – Meno mosso –, Cello Concerto: II. Lento e calmo – Più mosso – A tempo I – Meno mosso, Cello Concerto: III. Vivo – Meno mosso – Lento – Meno mosso – Più mosso – Meno mosso
石井真 conductor Viola Concerto "Ghosts of the Dance": First Dance. Moderato – Presto – Meno mosso –, Viola Concerto "Ghosts of the Dance": Second Dance. Lento, quasi tango, Viola Concerto "Ghosts of the Dance": Third Dance. Vivo – Più mosso – Tempo I – Più mosso – Tempo I – Più mosso – Moderato – Meno mosso
Lenny Lashley conductor Symphonie sur un chant montagnard français, op. 25: I. Assez lent, Symphonie sur un chant montagnard français, op. 25: II. Assez modéré, mais sans lenteur, Symphonie sur un chant montagnard français, op. 25: III. Animé
Jane Marshall conductor Lady Caroline Lamb: I. Molto vivo - Lento - Alla marcia - Lento, Lady Caroline Lamb: II. Maestoso - Andante con moto - Poco agitato - Alla breve
Kriss Riss Too Tone conductor Choral varie, op. 55
Johann Bernhard Bach conductor Lied, op. 19
Antrodemus conductor Enchanted April