Brian Pidgeon

producer, recording

Top collaborators

Artist name Roles Recordings
Violetshaped
Flophouse Phonics
The River Versus
Paul Baron (conductor)
r00ms

Work on other artists' recordings

Artist name Roles Recordings
Violetshaped producer Bergensiana, Bojarernes Indtogsmarsch, Brudefølget drager forbi, Dance Scene from "Queen Tamara", Fossegrimen, op. 21: Danse visionaire. Andante, Fossegrimen, op. 21: II. Huldremoyarnes dans. Allegretto grazioso, Fossegrimen, op. 21: IV. Melodrama og auds sang. Allegro, La Mélancolie, Norsk festouverture, op. 16, Norske eventyrbilleder, op. 37: I. Peik, Prinsessen og Stortroldet, Norske eventyrbilleder, op. 37: II. Prinsessen kommer ridende på Bjørnen, Norske eventyrbilleder, op. 37: III. Troldenes Indtog i Berget det blå, Norske eventyrbilleder, op. 37: IV. Dans av Småtrold, Norske eventyrbilleder, op. 37: Troldmøernes Dans, Norwegian Rhapsody no. 3, op. 21, Norwegian Rhapsody no. 4, op. 22, Rabnabryllaup uti Kraakjalund, Rhapsodie norvégienne no. 1, Rhapsodie norvégienne no. 2, Sorte svaner, Suite ancienne, op. 31a: I. Intrata, Suite ancienne, op. 31a: II. Air con variazioni, Suite ancienne, op. 31a: III. Gigue, Suite ancienne, op. 31a: IV. Sarabande, Suite ancienne, op. 31a: V. Bourrée, Suite from "Mascarade": I. Holberg-Ouverture, Suite from "Mascarade": II. Cotillon, Suite from "Mascarade": III. Menuetto, Suite from "Mascarade": IV. Hanedansen, Suite from "Mascarade": V. Gavotte - Musette, Suite from "Mascarade": VI. Molinasque, Suite from "Mascarade": VII. Kehraus, Suite from "Mascarade": VIIIa. Arietta, Suite from "Mascarade": VIIIb. Passepied, Swan Lake, op. 20: Act I: 1. Scene: Allegro giusto, Swan Lake, op. 20: Act I: 2. Valse: Intrada. Tempo di valse - Valse, Swan Lake, op. 20: Act I: 3. Scene: Allegro moderato, Swan Lake, op. 20: Act I: 4. Pas de Trois: I. Intrada. Allegro, Swan Lake, op. 20: Act I: 4. Pas de Trois: II. Andante sostenuto, Swan Lake, op. 20: Act I: 4. Pas de Trois: III. Allegro simplice - Presto, Swan Lake, op. 20: Act I: 4. Pas de Trois: IV. Moderato, Swan Lake, op. 20: Act I: 4. Pas de Trois: V. Allegro, Swan Lake, op. 20: Act I: 4. Pas de Trois: VI. Coda. Allegro vivace, Swan Lake, op. 20: Act I: 5. Pas de Deux: I. Tempo di valse ma mon troppo vivo, quasi moderato, Swan Lake, op. 20: Act I: 5. Pas de Deux: II. Andante - Allegro - Molto più mosso, Swan Lake, op. 20: Act I: 5. Pas de Deux: III. Tempo di valse -, Swan Lake, op. 20: Act I: 5. Pas de Deux: IV. Coda. Allegro molto vivace, Swan Lake, op. 20: Act I: 6. Pas d'Action: Andantino quasi moderato - Allegro, Swan Lake, op. 20: Act I: 7. Sujet (Scene): [Moderato] -, Swan Lake, op. 20: Act I: 8. Danse des Coupes: Tempo di polacca, Swan Lake, op. 20: Act I: 9. Finale: I. Andante, Swan Lake, op. 20: Act II: 10. Scene: Moderato - Più mosso, Swan Lake, op. 20: Act II: 11. Scene. Allegro moderato - Moderato - Più mosso -, Swan Lake, op. 20: Act II: 12. Scene. Allegro - Moderato assai quasi andante, Swan Lake, op. 20: Act II: 13. Danses des Cygnes: I. Tempo di valse, Swan Lake, op. 20: Act II: 13. Danses des Cygnes: II. (Solo d'Odette.) Moderato più mosso, Swan Lake, op. 20: Act II: 13. Danses des Cygnes: III. Tempo di valse, Swan Lake, op. 20: Act II: 13. Danses des Cygnes: IV. [Pas de Quatre.] Allegro moderato, Swan Lake, op. 20: Act II: 13. Danses des Cygnes: V. Pas d'Action (Odette et le Prince): Andante - Andante non troppo - Più mosso - Tempo I - Allegro - Più mosso, Swan Lake, op. 20: Act II: 13. Danses des Cygnes: VI. (Tour le Monde Danse): Tempo di valse, Swan Lake, op. 20: Act II: 13. Danses des Cygnes: VII. Coda: Allegro vivo, Swan Lake, op. 20: Act II: 14. Scene (Finale II): Moderato - Più mosso, Swan Lake, op. 20: Act III: 15. Allegro giusto, Swan Lake, op. 20: Act III: 16. Danses du Corps de Ballet et des Nains: Moderato assai - (Ballabile.) Allegro vivo - Trio, Swan Lake, op. 20: Act III: 17. Scene. La Sortie des Invités et la Valse: Allegro - Tempo di valse - Allegro - Tempo di valse - Allegro - Tempo di valse, Swan Lake, op. 20: Act III: 18. Scene: Allegro - [Allegro] - Allegro giusto, Swan Lake, op. 20: Act III: 19. Pas de Six: Intrada: Moderato assai, Swan Lake, op. 20: Act III: 19. Pas de Six: Variation I: Allegro, Swan Lake, op. 20: Act III: 19. Pas de Six: Variation [III]: Moderato, Swan Lake, op. 20: Act III: 19. Pas de Six: Variation [IV]: Allegro, Swan Lake, op. 20: Act III: 19. Pas de Six: Variation [V]: Moderato - Allegro simplice - Più mosso, Swan Lake, op. 20: Act III: 19. Pas de Six: [Variation II.]: Andante con moto, Swan Lake, op. 20: Act III: 19a. Pas de Deux: Moderato - Andante, Swan Lake, op. 20: Act III: 19a. Pas de Deux: [Coda.]: Allegro molto vivace, Swan Lake, op. 20: Act III: 19a. Pas de Deux: [Variation I.]: Allegro moderato, Swan Lake, op. 20: Act III: 19a. Pas de Deux: [Variation II.]: Allegro, Swan Lake, op. 20: Act III: 20. Danse Hongroise (Czardas): Moderato assai - Allegro moderato - Vivace, Swan Lake, op. 20: Act III: 20a. Danse Russe (pour Mlle Pelagia Karpakova): Moderato - Cadenza - Andante simplice - Allegro vivo - Presto, Swan Lake, op. 20: Act III: 21. Danse Espagnole: Allegro non troppo - Tempo di bolero - L'istesso tempo - Più mosso, Swan Lake, op. 20: Act III: 22. Danse Napolitaine: Allegro moderato - Andantino quasi moderato - Molto più mosso - Presto, Swan Lake, op. 20: Act III: 23. Mazurka: Tempo di mazurka - Più mosso, Swan Lake, op. 20: Act III: 24. Scene (Finale III): Allegro - Valse - Allegro vivo - L'istesso tempo, Swan Lake, op. 20: Act III: Coda: Allegro molto, Swan Lake, op. 20: Act IV: 25. Entr'acte: Moderato -, Swan Lake, op. 20: Act IV: 26. Scene: Allegro non troppo -, Swan Lake, op. 20: Act IV: 27. Danses des Petits Cygnes: Moderato, Swan Lake, op. 20: Act IV: 28. Scene: Allegro agitato - Molto meno mosso - Allegro vivace -, Swan Lake, op. 20: Act IV: 29. Scene Finale: Andante - Allegro agitato - Alla breve. Moderato e maestoso - Meno mosso - Moderato, Swan Lake, op. 20: Introduction: Moderato assai - Allegro ma non troppo - Tempo I, Symphonic Intermezzo from "The King", Symphony no. 1 in C minor: I. Allegro non troppo, Symphony no. 1 in C minor: II. Andante, Symphony no. 1 in C minor: III. Scherzo, Symphony no. 1 in C minor: IV. Finale, Symphony no. 2 in B-flat major, op. 15: I. Allegro, Symphony no. 2 in B-flat major, op. 15: II. Andante sostenuto, Symphony no. 2 in B-flat major, op. 15: III. Intermezzo. Allegro giusto, Symphony no. 2 in B-flat major, op. 15: IV. Finale. Andante – Allegro con fuoco – Stretto, Symphony no. 2 in D minor "Fatum": I. Allegro moderato, Symphony no. 2 in D minor "Fatum": II. Romance, Symphony no. 2 in D minor "Fatum": III. Intermezzo, Symphony no. 2 in D minor "Fatum": IV. Finale, Symphony no. 3 in C major: I. Poco andante, Symphony no. 3 in C major: II. Andante, Symphony no. 3 in C major: III. Finale. Allegro impetuoso
Flophouse Phonics producer The Nutcracker, op. 71: Act I, Tableau I. No. 1. Scène. Allegro non troppo - Poco più sostenuto - Tempo I - Più moderato - Allegro vivace - Meno -, The Nutcracker, op. 71: Act I, Tableau I. No. 2. Marche. Tempo di Marcia viva, The Nutcracker, op. 71: Act I, Tableau I. No. 3. Petit galop des enfants et Entrée des parents. Presto - Andante - Allegro -, The Nutcracker, op. 71: Act I, Tableau I. No. 4. Scène dansante. Andantino - Stringendo - Allegro vivo - Andantino sostenuto - Più andante - Allegro molto vivace - Molto più presto - Tempo di Valse (Pas de Deux) - Presto -, The Nutcracker, op. 71: Act I, Tableau I. No. 5. Scène et Danse du Gross-Vater. Andante (Tempo di Valse) - Poco animando - Tempo I - Andantino - Tempo I - Più allegro - Tempo I - Più mosso - Moderato assai - Andante - L’istesso tempo (La Berceuse) - Più mosso - Tempo I - Più mosso - L’istesso tempo - Tempo di Gross-Vater - Allegro vivacissimo - Tempo, The Nutcracker, op. 71: Act I, Tableau I. No. 6. Scène. Allegro semplice - Moderato con moto - Allegro giusto - Più allegro - Moderato assai -, The Nutcracker, op. 71: Act I, Tableau II. No. 7. Scène. Allegro vivo - Pochissimo più mosso - La Bataille - La Seconde Bataille, The Nutcracker, op. 71: Act I, Tableau II. No. 8. Scène. Andante, The Nutcracker, op. 71: Act II. No. 10. Scène. Andante -, The Nutcracker, op. 71: Act II. No. 11. Scène. Andante con moto - Un poco animando - Moderato - Allegro agitato - Poco più allegro - Tempo precedente [Allegro agitato, The Nutcracker, op. 71: Act II. No. 12. Divertissement: a. Le Chocolat. Allegro brillante - Più mosso, The Nutcracker, op. 71: Act II. No. 12. Divertissement: b. Le Café. Commodo, The Nutcracker, op. 71: Act II. No. 12. Divertissement: c. Le Thé. Allegro moderato, The Nutcracker, op. 71: Act II. No. 12. Divertissement: d. Trépak. Tempo di Trepak, molto vivace - Stringendo - Prestissimo, The Nutcracker, op. 71: Act II. No. 12. Divertissement: e. Les Mirlitons. Moderato assai, The Nutcracker, op. 71: Act II. No. 12. Divertissement: f. La Mère Gigogne et les polichinelles. Allegro giocoso - Allegro vivo - Poco più, The Nutcracker, op. 71: Act II. No. 13. Valse des Fleurs. Tempo di Valse, The Nutcracker, op. 71: Act II. No. 14. Coda. Vivace assai, The Nutcracker, op. 71: Act II. No. 14. Pas de Deux. Andante maestoso - Poco stringendo - Poco più mosso - Incalzando - Animando - Ritenuto - Tempo I - Poco stringendo - Tempo, The Nutcracker, op. 71: Act II. No. 14. Variation I (Pour le danseur). Tempo di Tarantella, The Nutcracker, op. 71: Act II. No. 14. Variation II (Pour la danseuse). Danse de la Fée-Dragée. Andante non troppo Variation II (Pour la danseuse). Danse de la Fée-Dragée. Andante non troppo - Presto -, The Nutcracker, op. 71: Act II. No. 15. Valse finale et Apothéose. Tempo di Valse - Molto meno - L'apothéose, The Nutcracker, op. 71: Act II. No. 9. Valse des Flocons de neige. Tempo di Valse, ma con moto - Presto - Poco meno, The Nutcracker, op. 71: Ouverture. Allegro giusto, The Sleeping Beauty, op. 66: Act I. 5. Scène. Allegro vivo - Moderato - Allegro vivo (come il tempo precedente) - Moderato - Allegro vivo - Moderato con moto, The Sleeping Beauty, op. 66: Act I. 6. Valse. Allegro (Tempo di Valse), The Sleeping Beauty, op. 66: Act I. 7. Scène. Andante espressivo e cantabile - Un poco stringendo - Poco più animato - Allegro giusto - L’istesso tempo, The Sleeping Beauty, op. 66: Act I. 8. Pas d’Action. 9. Finale. Allegro giusto - Allegro vivo - Presto - Andante con moto - Grave - Allegro vivo - Poco più vivace - Andantino (come sopra in Andantino I) - Andante sostenuto, The Sleeping Beauty, op. 66: Act I. 8. Pas d’Action. a) Adagio. Andante - Adagio maestoso - Più mosso - Tempo I - Molto sostenuto, quasi più andante - Tempo, The Sleeping Beauty, op. 66: Act I. 8. Pas d’Action. b) Danse des demoiselles d’honneur et des pages. Allegro moderato - (Pages.) Più mosso, The Sleeping Beauty, op. 66: Act I. 8. Pas d’Action. c) Variation d’Aurore. Allegro moderato - Meno mosso quasi andantino - Tempo I - Allegro vivace, The Sleeping Beauty, op. 66: Act I. 8. Pas d’Action. d) Coda. Allegro giusto - Poco più mosso - Tempo I - L’istesso tempo, The Sleeping Beauty, op. 66: Act II. 10. Entr’acte et Scène. Allegro con spirito - Un poco più tranquillo, The Sleeping Beauty, op. 66: Act II. 11. Colin-maillard. Allegro vivo, The Sleeping Beauty, op. 66: Act II. 12. Scène et Danses. a) Scène. Moderato, The Sleeping Beauty, op. 66: Act II. 12. Scène et Danses. b) Danse des duchesses. Moderato con moto (Tempo di Minuetto), The Sleeping Beauty, op. 66: Act II. 12. Scène et Danses. c) Danse des baronnes. Allegro moderato (Tempo di Gavotte), The Sleeping Beauty, op. 66: Act II. 12. Scène et Danses. d) Danse des comtesses. Allegro non troppo, The Sleeping Beauty, op. 66: Act II. 12. Scène et Danses. e) Danse des comtesses. Allegro non troppo, The Sleeping Beauty, op. 66: Act II. 13. Farandole (Scène et Danse). a) Scène. Poco più vivo, The Sleeping Beauty, op. 66: Act II. 13. Farandole (Scène et Danse). b) Danse. Allegro non troppo (Tempo di Mazurka) - Presto, The Sleeping Beauty, op. 66: Act II. 14. Scène. Allegro con spirito - Andantino - Allegro vivace, The Sleeping Beauty, op. 66: Act II. 15. a) Pas d’Action (Scène d’Aurore et de Désiré). Andante cantabile - Pochissimo più animato - Tempo I - Più mosso - Allegro, The Sleeping Beauty, op. 66: Act II. 15. b) Variation d’Aurore. Allegro con moto, The Sleeping Beauty, op. 66: Act II. 15. c) Coda. Presto, The Sleeping Beauty, op. 66: Act II. 16. Scène. Allegro agitato, The Sleeping Beauty, op. 66: Act II. 17. Panorama. Andantino, The Sleeping Beauty, op. 66: Act II. 18. Entr’acte. Andante sostenuto, The Sleeping Beauty, op. 66: Act II. 19. Entr’acte symphonique (le Sommeil) et Scène. Andante misterioso - Allegro vivace, The Sleeping Beauty, op. 66: Act II. 20. Finale. Allegro agitato - Un pochettino più tranquillo - Tempo, The Sleeping Beauty, op. 66: Act III. 21. Marche. Allegro non troppo, The Sleeping Beauty, op. 66: Act III. 22. Polacca (Cortège des Contes de Fées). Allegro moderato e brillante, The Sleeping Beauty, op. 66: Act III. 23. Pas de Quatre (La Fée-Or, la Fée-Argent, la Fée-Saphir et la Fée-Diamant). Allegro non tanto, The Sleeping Beauty, op. 66: Act III. 23. Pas de Quatre. Coda. L’istesso tempo, The Sleeping Beauty, op. 66: Act III. 23. Pas de Quatre. Variation I. La Fée-Or. Allegro (Tempo di Valse, The Sleeping Beauty, op. 66: Act III. 23. Pas de Quatre. Variation II. La Fée-Argent. Allegro giusto, The Sleeping Beauty, op. 66: Act III. 23. Pas de Quatre. Variation III. La Fée-Saphir. Vivacissimo, The Sleeping Beauty, op. 66: Act III. 23. Pas de Quatre. Variation IV. La Fée-Diamant. Vivace, The Sleeping Beauty, op. 66: Act III. 24. Pas de Caractère (Le Chat botté et la Chatte blanche). Allegro moderato -, The Sleeping Beauty, op. 66: Act III. 25. Pas de Quatre (Cendrillon, Prince Fortuné, L’Oiseau Bleu, La Princesse Florine). Adagio, The Sleeping Beauty, op. 66: Act III. 25. Pas de Quatre. Coda. Presto, The Sleeping Beauty, op. 66: Act III. 25. Pas de Quatre. Variation I. Cendrillon et Prince Fortuné. Allegro (Tempo di Valse, The Sleeping Beauty, op. 66: Act III. 25. Pas de Quatre. Variation II. L’Oiseau Bleu et la Princesse Florine. Andantin, The Sleeping Beauty, op. 66: Act III. 26. Pas de Caractère. a) Chaperon Rouge et le Loup. Allegro moderato - Più mosso, The Sleeping Beauty, op. 66: Act III. 26. Pas de Caractère. b) Cendrillon et Le Prince Fortuné. Allegro agitato - Tempo di Valse (Moderato) - Vivace assai - Presto, The Sleeping Beauty, op. 66: Act III. 27. Pas Berrichon (Le Petit Poucet, ses frères et l’Ogre). Allegro, The Sleeping Beauty, op. 66: Act III. 27. Pas Berrichon,. Coda. [], The Sleeping Beauty, op. 66: Act III. 28. Pas de Deux (Aurore et Désiré). Allegretto, The Sleeping Beauty, op. 66: Act III. 28. Pas de Deux. Coda. Allegro vivace, The Sleeping Beauty, op. 66: Act III. 28. Pas de Deux. Variation I. Désiré. Vivace – Prestissimo, The Sleeping Beauty, op. 66: Act III. 28. Pas de Deux. Variation II. Aurore. Andantino, The Sleeping Beauty, op. 66: Act III. 28. Pas de Deux. a) Entrée. Allegro moderato, The Sleeping Beauty, op. 66: Act III. 28. Pas de Deux. b) Adagio. Andante non troppo - Poco più mosso - Tempo I, The Sleeping Beauty, op. 66: Act III. 29. Sarabande. Andante, The Sleeping Beauty, op. 66: Act III. 30. Finale. Allegro brillante (Tempo di Mazurka) – Presto, The Sleeping Beauty, op. 66: Act III. 30. Finale. Apothéose. Andante molto maestoso, The Sleeping Beauty, op. 66: Introduction. Allegro vivo - Andantino - Moderato (Tempo di Marcia), The Sleeping Beauty, op. 66: Prologue. 1. Marche. Moderato, The Sleeping Beauty, op. 66: Prologue. 2. Scène dansante. Moderato con moto - Un poco più animato - Allegro moderato - Tempo di Valse - Grazioso, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. Coda. Allegro giusto – Poco più animato, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. Variation I. Candide. Allegro moderato, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. Variation II. Coulante. Fleur de Farine. Allegro, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. Variation III. Fée aux Miettes. Allegro moderato, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. Variation IV. Canari qui chante. Moderato, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. Variation V. Violente. Allegro molto vivace, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. Variation VI. La Fée des Lilas. Tempo di Valse, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. a) Intrada. Adagio, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. b) Adagio. Andante - Allegro vivo, The Sleeping Beauty, op. 66: Prologue. 4. Finale. Andantino - Allegro vivo - L’istesso tempo - Moderato assai - Andantino - Allegro vivo - Allegro risoluto - Allegro vivo - Andante
The River Versus producer Appalachia: [Introduction I.] Molto moderato – Tranquillo –, Appalachia: [Introduction II.] Poco più vivo ma moderato –, Appalachia: [Theme.] Andante –, Appalachia: [Variation I.] Un poco più – Moderato –, Appalachia: [Variation II.] Più vivo –, Appalachia: [Variation III.] Molto moderato – Poco più mosso – Lento – Moderato (molto ritmico) –, Appalachia: [Variation IV.] Con moto – Un poco più tranquillo –, Appalachia: [Variation IX.] Allegro alla marcia – Adagio –, Appalachia: [Variation V.] Giocoso. Allegro moderato – Meno mosso. Più tranquillo –, Appalachia: [Variation VI.] Lento e molto tranquillo – Misterioso. Più mosso – Un poco meno –, Appalachia: [Variation VII.] Andante con grazia – Calando –, Appalachia: [Variation VIII.] Lento sostenuto e tranquillo – Un poco più – Tempo I –, Appalachia: [Variation X.] Marcia. Molto lento maestoso –, First Choral Symphony, op. 41, H. 155: I. Song and Bacchanal: Part 1. Solo "And as I sat, over the light blue hills". Allegretto, First Choral Symphony, op. 41, H. 155: I. Song and Bacchanal: Part 1. Solo "Beneath my palm trees, by the river side". Andante –, First Choral Symphony, op. 41, H. 155: I. Song and Bacchanal: Part 2. Chorus "Whence came ye, merry Damsels! whence came ye!", First Choral Symphony, op. 41, H. 155: I. Song and Bacchanal: Part 5. Solo "Onward the tiger and the leopard pants". Poco animato – Più mosso / Part 6. Chorus "Bacchus, young Bacchus! good or ill betide". Andante maestoso, First Choral Symphony, op. 41, H. 155: II. Ode on a Grecian Urn: Chorus "Ah, happy, happy boughs! that cannot shed". [Tempo I] –, First Choral Symphony, op. 41, H. 155: II. Ode on a Grecian Urn: Chorus "Heard melodies are sweet, but those unheard". Tempo I – Poco animato – Tempo I –, First Choral Symphony, op. 41, H. 155: II. Ode on a Grecian Urn: Chorus "O Attic shape! fair attitude! with brede". [Tempo I] – Largo, First Choral Symphony, op. 41, H. 155: II. Ode on a Grecian Urn: Chorus "Thou still unravish’d bride of quietness". Molto adagio –, First Choral Symphony, op. 41, H. 155: II. Ode on a Grecian Urn: Chorus "Who are these coming to the sacrifice?". [Tempo I] –, First Choral Symphony, op. 41, H. 155: III. Scherzo: Part 1. Fancy. Chorus "Ever let the Fancy roam". Allegro –, First Choral Symphony, op. 41, H. 155: III. Scherzo: Part 2. Folly’s Song. Chorus "When wedding fiddles are a-playing". ♩= ♩(160) – Più mosso – Presto – Prestissimo, First Choral Symphony, op. 41, H. 155: IV. Finale: Part 1. Solo "Spirit here that reignest!". Senza misura (quasi Andante) / Part 2. Chorus "God of the golden bow". Lento – Chorus "Here Homer with his nervous arms". Più mosso –, First Choral Symphony, op. 41, H. 155: IV. Finale: Part 3. Solo "Then, through thy Temple wide, melodious swells". Andante sostenuto / Part 4. Chorus "Tis awful silence then again". Lento – Chorus "Thou biddest Shakespeare wave his hand". Vivace ma pesante – Molto pesante ma in tempo – Andante – Chorus "A silver trumpet Spenser blows". Animato – Poco lento –, First Choral Symphony, op. 41, H. 155: IV. Finale: Part 5. Solo "Next thy Tasso’s ardent numbers". [Poco lento] – Moderato – Poco più lento / Part 6. Chorus "But when Thou joinest with the Nine". Moderato maestoso – Allegro – Andante con moto –, First Choral Symphony, op. 41, H. 155: IV. Finale: Part 6. Chorus "Bards of Passion and of Mirth". Allegretto – Chorus "Thus ye live on high, and then". [Allegretto] – Poco meno mosso – Allegretto –, First Choral Symphony, op. 41, H. 155: IV. Finale: Part 7. Solo "Spirit here that reignest!". Senza misura (quasi Andante) – Chorus "Bards of Passion and of Mirth". Sempre andante e non animato, First Choral Symphony, op. 41, H. 155: Prelude. Invocation to Pan: Chorus "O Thou, whose mighty palace roof doth hang". Andante, The Dream of Gerontius: Part I. Assistants: "Be merciful, be gracious' spare him, Lord" -, The Dream of Gerontius: Part I. Assistants: "Kyrie eleïson" -, The Dream of Gerontius: Part I. Assistants: "Rescue him, O Lord, in this his evil hour" -, The Dream of Gerontius: Part I. Assistantst: "Go, in the name of Angels and Archangels", The Dream of Gerontius: Part I. Gerontius: "I can no more; for now it comes again" -, The Dream of Gerontius: Part I. Gerontius: "Jesu, Maria - I am near to death" -, The Dream of Gerontius: Part I. Gerontius: "Novissima hora est; and I fain would sleep" -, The Dream of Gerontius: Part I. Gerontius: "Rouse thee, my fainting soul, and play the man" -, The Dream of Gerontius: Part I. Gerontius: "Sanctus fortis, Sanctus Deus" -, The Dream of Gerontius: Part I. Prelude. Lento, mistico -, The Dream of Gerontius: Part I. The Priest: "Proficiscere, anima Christiana, de hoc mundo!" -, The Dream of Gerontius: Part II. Angel of the Agony: "Jesu! by that shuddering dread which fell on Thee" -, The Dream of Gerontius: Part II. Angel: "My work is done" -, The Dream of Gerontius: Part II. Angel: "Softly and gently, dearly-ransom"d soul", The Dream of Gerontius: Part II. Angel: "Thy judgment now is near" -, The Dream of Gerontius: Part II. Angel: "…Praise to His Name!" -, The Dream of Gerontius: Part II. Choir of Angelicals: "Glory to Him, who evermore by truth and justice reigns" -, The Dream of Gerontius: Part II. Choir of Angelicals: "Praise to the Holiest in the height" -, The Dream of Gerontius: Part II. Demons: "Low-born clods of brute earth" -, The Dream of Gerontius: Part II. Demons: "The mind bold and independent" -, The Dream of Gerontius: Part II. Introduction. Soul of Gerontius: "I went to sleep; and now I am refresh"d" -, The Dream of Gerontius: Part II. Soul of Gerontius: "But hard! upon my sense comes a fierce hubbub" -, The Dream of Gerontius: Part II. Soul of Gerontius: "But hark! a grand, mysterious harmony" -, The Dream of Gerontius: Part II. Soul of Gerontius: "I ever had believed" -, The Dream of Gerontius: Part II. Soul of Gerontius: "I go before my Judge" -, The Dream of Gerontius: Part II. Soul of Gerontius: "I see not those false spirits" -, The Dream of Gerontius: Part II. Soul of Gerontius: "It is a member of that family" -, The Dream of Gerontius: Part II. Soul of Gerontius: "Take me away, and in the lowest deep there let me be" -, The Dream of Gerontius: Part II. Souls in Purgatory: "Lord, Thou hast been our refuge: in every generation" -, The Dream of Gerontius: Prelude, Concert Version
Paul Baron producer Ben-Hur: I. Prelude, Ben-Hur: II. Love Theme, Ben-Hur: III. The Burning Desert, Ben-Hur: IV. The Rowing of the Galley Slaves, Ben-Hur: V. The Mother's Love, Ben-Hur: VI. Parade of the Charioteers, Concert Suite from "Sweeney Todd", op. 68a : Allegretto -, Concert Suite from "Sweeney Todd", op. 68a: Allegretto - Vivace -, Concert Suite from "Sweeney Todd", op. 68a: Allegro con brio - Allegretto (Pas de deux) - Più mosso - Allegretto - Allegro con brio, Concert Suite from "Sweeney Todd", op. 68a: Allegro vivace - Allegro frenetico -, Concert Suite from "Sweeney Todd", op. 68a: Andante - Allegro - Pas de quatre - Vivace - Moderato - Vivace – Frenetico - Molto meno mosso -, Concert Suite from "Sweeney Todd", op. 68a: Moderato e misterioso - Vivace - Meno mosso -, Concert Suite from "Sweeney Todd", op. 68a: Vivace - Allegro moderato -, Electra, op. 79: Lento - Allegro ma non troppo - Moderato -, Electra, op. 79: Lento - Vivace - Vivace -, Electra, op. 79: Vivace - Lento, Notturno Ungherese, op. 28, Rinaldo and Armida, op. 49: Andante con moto - Poco più mosso - Andante con moto - Moderato -, Rinaldo and Armida, op. 49: Lento -, Rinaldo and Armida, op. 49: Lento - Vivace molto - Lento, Rinaldo and Armida, op. 49: Moderato - Andantino - Moderato - Allegro agitato - Molto meno mosso - Andantino -, Rinaldo and Armida, op. 49: Poco lento (Pas de deux) - Moderato - Allegretto -, Rinaldo and Armida, op. 49: Vivace - Lento - Vivace - Moderato - Lento -, Rudyard Kipling's Jungle Book: I. Beginning, Rudyard Kipling's Jungle Book: II. Shere Khan, Rudyard Kipling's Jungle Book: III. Mowgli Wanders, Rudyard Kipling's Jungle Book: IV. Lullaby, Rudyard Kipling's Jungle Book: IX. Victory, Rudyard Kipling's Jungle Book: V. The Ways of Man, Rudyard Kipling's Jungle Book: VI. Cries of the Animals, Rudyard Kipling's Jungle Book: VII. Mowgli Seeks Shere Khan, Rudyard Kipling's Jungle Book: VIII. The Chase, Rudyard Kipling's Jungle Book: X. Bagheera's Contentment, Sahara: Suite, Suite from "Homage to the Queen", op. 42: I. Prelude and Opening Scene. Allegro moderato - Marziale - Andante con moto - Allegro molto -, Suite from "Homage to the Queen", op. 42: II. Dance of the Insects. Allegro scherzando (Pas de six), Suite from "Homage to the Queen", op. 42: III. Water. Poco lento - Vivace - [L’istesso tempo] (Pas de trois) - Waltz - [L’istesso tempo] (First Girl’s Solo) - Poco più mosso (Second Girl’s Solo) - Waltz Tempo I (Pas de trois) - Allegretto -, Suite from "Homage to the Queen", op. 42: IV. Fire Dance. Allegro con brio (Man’s Solo) -, Suite from "Homage to the Queen", op. 42: V. Pas de deux. Adagio non troppo - Poco agitato - Tempo I - Poco più mosso - Tempo I -, Suite from "Homage to the Queen", op. 42: VI. Finale. Maestoso - Marziale - Moderato e maestoso (Vision) - Allegro - Lento e maestoso, The Thief of Bagdad: I. Overture, The Thief of Bagdad: II. Cortège, The Thief of Bagdad: III. The Love of the Princess, The Thief of Bagdad: IV. The Sultan's Toys, The Thief of Bagdad: V. The Flying Horse Gallop, The Thief of Bagdad: VI. The Silvermaid's Dance, The Thief of Bagdad: VII. The Market at Basra, The Vintner's Daughter, op. 23a, Theme, Variations and Finale, op. 13: Theme. Andante rubato, Theme, Variations and Finale, op. 13: Variation I. Poco animato ed al rigore di tempo - L'istesso tempo, Theme, Variations and Finale, op. 13: Variation II. Allegro scherzando, Theme, Variations and Finale, op. 13: Variation III. Un poco meno allegro ma sempre molto energico - Più allegro, Theme, Variations and Finale, op. 13: Variation IV. Moderato con gran espressione, Theme, Variations and Finale, op. 13: Variation V. Vivo con spirito - Vivace, Theme, Variations and Finale, op. 13: Variation VI. Andante quasi pastorale - Tranquillo, Theme, Variations and Finale, op. 13: Variation VII. Allegro molto agitato e tumultuoso, Theme, Variations and Finale, op. 13: Variation VIII. Moderato e molto giusto - Largamente e molto pesante - Più mosso
r00ms producer Coronation March, op. 65, Empire March, Four Orchestral Pieces: I. Pensive Twilight. Andante con moto quasi Allegretto – [Poco animato] – Più tranquillo – A tempo – Steady time – Tempo I – Tempo I, Four Orchestral Pieces: II. Dance in the Sun. Allegro vivo – Poco più mosso – A tempo – Più lento – A tempo – [Poco più mosso] – [Tempo I] – Tempo I, Four Orchestral Pieces: III. From the Mountains of Home (In the Hills of Home). Lento – Molto tranquillo, Four Orchestral Pieces: IV. The Dance of Wild Irravel. Fast valse measure. Very rhythmical – Un poco più lento – Più vivo [Tempo I] – Vivo – [Vigorous and reckless] – Più lento – Tempo I – A tempo – [Più lento. Tranquillo] – [Animato], Imperial March, op. 32, Overture, Elegy, and Rondo: I. Overture. Allegro – Dolce – Lento lamentoso – Tempo I – Tempo I (Allegro) – Energico – Poco largamente – A tempo – Più mosso – Con vivo, Overture, Elegy, and Rondo: II. Elegy. Lento – Più lento a tempo – Molto tranquillo, Overture, Elegy, and Rondo: III. Rondo. Allegro moderato – Vivo – Vivo – Poco più lento – Allargando – Più Lento – Andante – Tempo primo – Più mosso – Poco ritenuto – Tempo più vivace – Presto – Tempo poco largamente – Allargando – Maestoso – Vivace – Maestoso – Vivace – Poco più lento – Largamente – Molto vivace, Symphony no. 1 in G major, op. 4: I. Allegro assai, Symphony no. 1 in G major, op. 4: II. Larghetto, Symphony no. 1 in G major, op. 4: III. Finale. Allegro con brio, Symphony no. 2 in E minor, op. 31: I. Moderato, Symphony no. 2 in E minor, op. 31: II. Lento. Tranquillo, Symphony no. 2 in E minor, op. 31: III. Allegro scherzando, ma moderato, Symphony no. 2 in E minor, op. 31: IV. Finale. Grave - Allegro molto, con fuoco, The Crown of India, op. 66: No. 7. Interlude, The Crown of India, op. 66: Tableau I "The Cities of Ind". Calcutta, Delhi, give your quarrel pause (India), The Crown of India, op. 66: Tableau I "The Cities of Ind". Good John Company, reply (Calcutta), The Crown of India, op. 66: Tableau I "The Cities of Ind". Illustrious Emperors (India), The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 1a. Introduction, The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 1b. Sacred measure, The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 2. Dance of Nautch Girls, The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 2a. India greets her Cities, The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 3. "Hail, Immemorial Ind!" (Agra), The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 3. Hail, Immemorial India! (Agra), The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 3a. Entrance of Calcutta, The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 3b. Entrance of Delhi, The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 4a. Introduction, The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 4b. March of the Mogul Emperors, The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 5. Entrance of John Company, The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 5a. Entrance of St. George, The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 6. The Rule of England (St. George), The Crown of India, op. 66: Tableau I "The Cities of Ind". Stop! That place is mine (Delhi), The Crown of India, op. 66: Tableau I "The Cities of Ind". Welcome Calcutta (India), The Crown of India, op. 66: Tableau I "The Cities of Ind". Well dost thou say that East and West upbear (India), The Crown of India, op. 66: Tableau II "Ave Imperator". Hail Festal Hour from out the Ages drawn (India), The Crown of India, op. 66: Tableau II "Ave Imperator". Incessu patuit Imperator (India), The Crown of India, op. 66: Tableau II "Ave Imperator". No. 10. March, The Crown of India (Chorus), The Crown of India, op. 66: Tableau II "Ave Imperator". No. 10. March. The Crown of India (Chorus), The Crown of India, op. 66: Tableau II "Ave Imperator". No. 10a. The Homage of Ind (Agra, Chorus), The Crown of India, op. 66: Tableau II "Ave Imperator". No. 10a. The Homage of Ind (India), The Crown of India, op. 66: Tableau II "Ave Imperator". No. 11. The Crowning of Delhi (Chorus), The Crown of India, op. 66: Tableau II "Ave Imperator". No. 11. The Crowning of Delhi (India, Chorus), The Crown of India, op. 66: Tableau II "Ave Imperator". No. 12. Ave Imperator! (Chorus), The Crown of India, op. 66: Tableau II "Ave Imperator". No. 12. Ave Imperator! (India, Agra, Chorus), The Crown of India, op. 66: Tableau II "Ave Imperator". No. 8a. Introduction, The Crown of India, op. 66: Tableau II "Ave Imperator". No. 8b. Warriors' Dance, The Crown of India, op. 66: Tableau II "Ave Imperator". No. 9. The Cities of Ind
Lure of Flames producer Fragments from the music to the "Maxim" trilogy, op. 50a: Attack. Allegro, Fragments from the music to the "Maxim" trilogy, op. 50a: Death of the Old Worker. Adagio, Fragments from the music to the "Maxim" trilogy, op. 50a: Demonstration. Allegretto, Fragments from the music to the "Maxim" trilogy, op. 50a: Finale, Fragments from the music to the "Maxim" trilogy, op. 50a: Funeral March. Tempo di marcia funèbre, Fragments from the music to the "Maxim" trilogy, op. 50a: Introduction. Moderato, Fragments from the music to the "Maxim" trilogy, op. 50a: Struggle at the Barricades. Allegro con brio, Fragments from the music to the "Maxim" trilogy, op. 50a: Waltz. Allegro sostenuto, From "The Unforgettable Year 1919", Music from "A Girl Alone", op. 26 The Chief Sleeps and Gets Up. Adagio, Music from "A Girl Alone", op. 26: Adagio (Extract No. VII), Music from "A Girl Alone", op. 26: Altai. Adagio, Music from "A Girl Alone", op. 26: Bai Leads the Children to Tend the Sheep, Music from "A Girl Alone", op. 26: Galop 'How Good Life Will Be!'. Allegro, Music from "A Girl Alone", op. 26: In Kuzmina's Hut. Largo, Music from "A Girl Alone", op. 26: Schoolchildren. Adagio - Allegretto, Music from "King Lear", op. 137: After the Storm. Adagio, Music from "King Lear", op. 137: Finale: The Fool. Moderato, Music from "King Lear", op. 137: Lear's Castle. Adagio, Music from "King Lear", op. 137: Prelude: The March of Time. Adagio, Music from "King Lear", op. 137: Storm. Moderato, Music from "King Lear", op. 137: The Catastrophe Begins. Adagio, Music from "King Lear", op. 137: The Fool's Waterpipe. Moderato, Music from "King Lear", op. 137: The Voice of Truth. Adagio, Music from "The Man With a Gun", op. 53: I. Overture. Allegretto, Music from "The Man With a Gun", op. 53: II. October. Allegro moderato, Music from "The Man With a Gun", op. 53: III. Smol'ny Palace. Presto - Allegretto, Music from "The Man With a Gun", op. 53: IV. Finale. Moderato, Suite from "Five Years and Five Nights": I. Introduction. Adagio, Suite from "Five Years and Five Nights": II. Dresden in Ruins. Largo, Suite from "Five Years and Five Nights": III. Liberated Dresden. Moderato - Presto, Suite from "Five Years and Five Nights": IV. Interlude. Andante - Allegro - Tempo I, Suite from "Five Years and Five Nights": V. Finale. Moderato - Allegretto, Suite from "Hamlet": I. Introduction. Largo, Suite from "Hamlet": II. Ball at the Palace. Presto, Suite from "Hamlet": III. The Ghost. Largo, Suite from "Hamlet": V. Scene of the Poisoning. Largo, Suite from "Hamlet": VI. Arrival and Scene of the Players. Allegro, Suite from "Hamlet": VII. Ophelia. Andante, Suite from "Hamlet":: VIII. Duel and Death of Hamlet. Allegro - Largo, Suite from "The Young Guard": II. By the River. Moderato - Allegro - Tempo I, Suite from "The Young Guard": IV. Turbulent Night. Moderato - Adagio, Suite from "The Young Guard": V. Song of the Young Guardsmen. Moderato sostenuto
The Great Society producer Andante festivo, JS 34b, Finlandia, op. 26, Karelia Suite, op. 11: I. Intermezzo. Moderato - Meno - Più moderato, Karelia Suite, op. 11: II. Ballade. Tempo di menuetto - Un poco più lento, Karelia Suite, op. 11: III. Alla marcia. Moderato - Poco largamente, Scenes From the Saga of King Olaf: Epilogue. Soli and Chorus. Recitative. Bass: "In the convent of Drontheim". Allegro -, Scenes From the Saga of King Olaf: Epilogue. Soli and Chorus: “It is accepted”. Andante - [ ] -, Scenes From the Saga of King Olaf: Epilogue. Soli and Chorus: “Stronger than steel”. Più mosso - Animato - Andante (Tempo I), Scenes From the Saga of King Olaf: Gudrun. Recitative. Bass: "How the Wraith of Odin old". Allegro -, Scenes From the Saga of King Olaf: Gudrun. Scene. Soprano: "On King Olaf’s bridal night". Adagio - Più mosso - Tempo I - Poco più mosso - [Tempo I] - Allegro - Allegro molto - [Tempo I], Scenes From the Saga of King Olaf: Introduction. Recitative. Bass: "Summon now the God of Thunder". Allegro con fuoco - Poco meno mosso -, Scenes From the Saga of King Olaf: Introduction. Soli and Chorus: ‘There is [...] a wondrous book’. Andante -, Scenes From the Saga of King Olaf: King Olaf's Return. Recitative. Bass: "Tell how Olaf bore the Cross". Allegro moderato - Meno mosso - Più lento -, Scenes From the Saga of King Olaf: King Olaf's Return. Solo. Tenor: "And King Olaf heard the cry". Allegro - [ ] - Allegro - Allegro molto - Tranquillo - Più mosso - Moderato - Allegro - Poco più mosso - Tempo I, Scenes From the Saga of King Olaf: Sigrid. Olaf (Tenor): "Sigrid, hail! with royal hand". Meno mosso - Più animato - Più animato - Allegro con fuoco - [ ] - Meno mosso - [Allegro con fuoco], Scenes From the Saga of King Olaf: Sigrid. Recitative. Bass: "Hark! she flies from Wendland forth". Allegretto -, Scenes From the Saga of King Olaf: Sigrid.Scene. Chorus: "Sigrid sits in her high abode". Allegro -, Scenes From the Saga of King Olaf: The Challenge of Thor. Chorus: "I am the God Thor". Moderato - Molto maestoso -, Scenes From the Saga of King Olaf: The Conversion. Chorus: "As leap the lights of winter". Allegro con fuoco - Moderato - Lento - [ ] - Animato -, Scenes From the Saga of King Olaf: The Conversion. Chorus: "Then o’er the blood-stained Horg-stone". L’istesso tempo - Lento - Allegretto - [ ] - Allargando al fine, Scenes From the Saga of King Olaf: The Conversion. Olaf (Tenor): "Behold me, my people, and answer and say". [ ] - Allegro - Più mosso - L’istesso tempo - Più mosso - [ ] -, Scenes From the Saga of King Olaf: The Conversion. Recitative. Bass: "Now the child of Ironbeard dead". Andantino -, Scenes From the Saga of King Olaf: The Conversion. Scene. Chorus: "King Olaf’s prows at Nidaros". Allegro moderato - Poco più mosso - L’istesso tempo - [ ] -, Scenes From the Saga of King Olaf: The Death of Olaf. Chorus: "King Olaf’s dragons take the sea". Allegro - Vivace – Più mosso - Poco a poco meno mosso -, Scenes From the Saga of King Olaf: The Wraith of Odin. Chorus (Ballad): "The guests were loud, the ale was strong". Allegro - L’istesso tempo - Molto sostenuto - [Tempo I], Scenes From the Saga of King Olaf: The Wraith of Odin. Recitative. Bass: "Sisters, sing ye now the song". Allegro -, Scenes From the Saga of King Olaf: Thyri. Choral Recitative: "After Queen Gunhild’s death". Allegro moderato -, Scenes From the Saga of King Olaf: Thyri. Chorus (Ballad): "A little bird in the air". Allegro -, Scenes From the Saga of King Olaf: Thyri. Duet. Thyri (Soprano): "The gray land breaks to lively green". Allegro - Tranquillo -, Scenes From the Saga of King Olaf: Thyri. Olaf (Tenor): "Thyri, my beloved". Moderato - [ ] - Più tranquillo - Più mosso - Lento - [ ], The Banner of Saint George: Epilogue (March). "It comes from the misty ages". Maestoso, alla Marcia - Largamente e grandioso, The Banner of Saint George: Scene 1. "Forth from the palace, beautiful as day". Allegretto - Più mosso - Animato - [ ] - A tempo [Più mosso] - Poco lento -, The Banner of Saint George: Scene 1. "The women of Sylenë rend their hair". Allegretto - Andantino -, The Banner of Saint George: Scene 1. "Within Sylenë’s walls no sound is heard". Andantino - Animato - Tempo I -, The Banner of Saint George: Scene 1. “O calm your hearts [she cries] O still your fears”. Allegro -, The Banner of Saint George: Scene 2. "Hark! ’tis the ringing hoof of steed". Allegro - [ ] -, The Banner of Saint George: Scene 2. "Loud cry the people, Haste! the dragon comes!”. [ ] - Tempo I - L’istesso tempo - Andantino - Animato - Più lento, The Banner of Saint George: Scene 2. "Without a fear beside the dragon’s tarn". Andante - Tranquillo - L’istesso tempo -, The Swan of Tuonela, op. 22 no. 2, Valse lyrique, op. 96a, Valse triste, op. 44 no. 1
Max Charbonnier producer HUL 1325, HUL 1326/9, HUL 1327/2. Allegro moderato, Symphony no. 1 in E minor, op. 39: I. Andante, ma non troppo - Allegro energico - Tranquillo -, Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento) - Un poco meno andante - Tempo I - Molto tranquillo - Poco sollecitato - Poco tenuto - Poco sollecitato - Adagio - Tempo I - Poco a poco meno andante - Tempo I - Allargando, Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro - Lento (ma non troppo) - Tempo I - Stretto, Symphony no. 1 in E minor, op. 39: IV. Finale (Quasi Una Fantasia). Andante - Poco stretto - Meno andante - Allegro molto - Poco a poco più Allegro - Andante assai - (Poco a poco meno Andante) - Allegro molto come prima - Poco a poco più Allegro - Andante (ma non troppo) - (Poco a poco meno Andante) - Poco tenuto - Più largamente poco a poco, Symphony no. 2 in D major, op. 43: Allegretto - Poco Allegro - Poco tranquillo - Poco largamente - Tempo I - Poco Allegro, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato - Poco allegro - Molto largamente - Andante sostenuto - Andante con moto ed energico - Allegro - Poco largamente - Poco allargando - Molto largamente - Più moderato e largamente - Pesante, Symphony no. 2 in D major, op. 43: III. Vivacissimo - Lento e suave - Tempo I - Lento e suave - Poco accelerando - Largamente - Allargando, Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato - Pesante - Un poco con moto - Moderato assai - Meno moderato e poco a poco ravivando il tempo - Poco allargando - Tempo I - Largamente e pesante - Un poco con moto - Poco largamente - Molto largamente, Symphony no. 3 in C major, op. 52: I. Allegro moderato, Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto - Un pochettino con moto - Tempo I - Andante, Symphony no. 3 in C major, op. 52: III. Moderato - Allegro (ma non tanto) - Meno allegro - Più allegro - Poco a poco meno allegro - Allegro (non tanto) - Poco a poco più moderato - Allegro - Sempre energico - Sempre energico - Più energico, Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio - Adagio - Tempo I - Adagio - Tempo, Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace - Tranquillo - Tranquillo - Doppio più lent, Symphony no. 4 in A minor, op. 63: III. Il tempo largo, Symphony no. 4 in A minor, op. 63: IV. Allegro, Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto - Poco tranquillo - Poco a poco stretto - Poco a poco a tempo - Poco a poco stretto - Tempo I -, Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Un pochettino largamente - Poco più largo - Largamente assai - Un pochettino stretto, Symphony no. 5 in E-flat major, op. 82: Tempo molto moderato - Allegro moderato (ma poco a poco stretto) - Presto - Più Presto -, Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato - Poco allargando - Poco tranquillo, Symphony no. 6 in D minor, op. 104: II. Allegretto moderato - Poco con moto - Poco a poco meno piano - Tempo I, Symphony no. 6 in D minor, op. 104: III. Poco vivace, Symphony no. 6 in D minor, op. 104: IV. Allegro molto – Allegro assai – Doppio più lento, Symphony no. 7 in C major, op. 105: Adagio -Un pochettino meno adagio - Poco a poco affrettando il tempo I -, Symphony no. 7 in C major, op. 105: Allegro molto moderato - Allegro moderato, Symphony no. 7 in C major, op. 105: Vivace - Presto - Poco a poco rallentando al adagio - Largamente - Affettuoso - Tempo, Symphony no. 7 in C major, op. 105: Vivacissimo - Adagio -
Billbrook bluesband producer, recording Chain 3, Concert Overture, op. 12, Concerto for Orchestra: I. Intrada. Allegro maestoso, Concerto for Orchestra: II. Capriccio, Notturno e Arioso. Vivace - Stesso movimento - Stesso movimento, Concerto for Orchestra: IIIa. Passacaglia, Toccata e Corale. Andante con moto -, Concerto for Orchestra: IIIb. Allegro giusto (alle breve) - Poco sostenuto - Quasi stesso movimento - Molto allegro (quasi alla breve) - Presto, Sinfonietta, op. 1: I. Poco presto ed agitato, Sinfonietta, op. 1: II. Variations, Sinfonietta, op. 1: III. Tarantella, Symphony no. 1, op. 15: III. Finale. Allegretto con moto. Grazioso – (Meno mosso) Mesto – Tempo I, Symphony no. 1, op. 15: [I] Allegro patetico, Symphony no. 2, op. 19: Finale. Introduzione - Variation VI, Symphony no. 2, op. 19: Fuga finale, Symphony no. 2, op. 19: I. Allegro moderato, Symphony no. 2, op. 19: II. Theme, Symphony no. 2, op. 19: Variation I, Symphony no. 2, op. 19: Variation II, Symphony no. 2, op. 19: Variation III, Symphony no. 2, op. 19: Variation IV, Symphony no. 2, op. 19: Variation V, Symphony no. 3: A tempo - Poco meno mosso - Presto - Stesso movimento - Poco lento - Allegro, Symphony no. 3: Meno mosso - Tempo I - Meno mosso - Tempo I - Meno mosso - Ancora meno mosso - Piu largo - Tempo I - Lento - Vivo - Lento - Vivo, Symphony no. 3: Tempo I, Symphony no. 3: Vivo - Lento - Vivo - Lento - Vivo - Stesso movimento - Lento, Symphony no. 3: Vivo - Poco meno mosso - Meno mosso, Symphony no. 3: Vivo - Stesso movimento - Adagio - Piu mosso - Lento, Symphony no. 3: Vivo - Stesso movimento - Lento
Ronnie Lewis producer Caprice bohémien, Op. 12, Die Braut von Messina: Overture, I quattro rusteghi: Intermezzo, I quattro rusteghi: Prelude, Il campiello: Intermezzo, Il campiello: Ritornello, Il segreto di Susanna: Intermezzo, Il segreto di Susanna: Overture, La dama boba: Overture, L’amore medico: Intermezzo, L’amore medico: Overture, Prince Rostislav, Suite from the Opera "I gioielli della Madonna": I. Festa popolare, Suite from the Opera "I gioielli della Madonna": II. Intermezzo, Suite from the Opera "I gioielli della Madonna": III. Serenata, Suite from the Opera "I gioielli della Madonna": IV. Danza napolitana, Symphony No. 3, Op. 44: I. Lento - Allegro moderato, Symphony No. 3, Op. 44: II. Adagio ma non troppo, Symphony No. 3, Op. 44: III. Allegro, Symphony no. 6 in D major: Allegro moderato - Allegro - Allegro moderato - Allegro vivace, Symphony no. 6 in D major: Largo, Symphony no. 6 in D major: Largo - Adagio - Andante - Allegro con fuoco, Symphony no. 6 in D major: Scherzo. Allegro ma non troppo - Trio
Beathoven producer Meeresstille und glücklich Fahrt, op. 27: II. Glückliche Fahrt, Symphony no. 2, op. 52, “Hymn of Praise”: 10a. Chorus: “Ye nations, offer to the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 10b. Chorus: “O give thanks to the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 1a. Sinfonia: Maestoso con moto - Allegro, Symphony no. 2, op. 52, “Hymn of Praise”: 1b. Sinfonia: Allegretto un poco agitato, Symphony no. 2, op. 52, “Hymn of Praise”: 1c. Sinfonia: Adagio religioso, Symphony no. 2, op. 52, “Hymn of Praise”: 2a. Chorus: “All men, all things…”, Symphony no. 2, op. 52, “Hymn of Praise”: 2b. Soprano: “Praise thou the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 3a. Recitativo: Tenor: “Sing ye praise”, Symphony no. 2, op. 52, “Hymn of Praise”: 3b. Tenor: “He counteth all your sorrows…”, Symphony no. 2, op. 52, “Hymn of Praise”: 4. Chorus: “All ye that cried unto the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 5. Soprano: “I waited for the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 6a. Tenor: “The sorrows of death had closed…”, Symphony no. 2, op. 52, “Hymn of Praise”: 6b. Tenor: “We called thro' the darkness…”, Symphony no. 2, op. 52, “Hymn of Praise”: 7. Chorus: “The night is departing”, Symphony no. 2, op. 52, “Hymn of Praise”: 8a. Chorus: “Let all men praise the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 8b. Chorus: “Glory and praise to God”, Symphony no. 2, op. 52, “Hymn of Praise”: 9. Tenor: “My song shall alway be Thy mercy”
George Washbourne Morgan producer Calidoscopi simfònic, op. 61: I. Introducció. Moderato, Calidoscopi simfònic, op. 61: II. Ronda i Pantomima. Allegretto mosso – Meno mosso – Poco più (come prima), Calidoscopi simfònic, op. 61: III. Cànon i Havanera. Allegretto deciso – Meno mosso – Semplice – Tempo d’havanera, Calidoscopi simfònic, op. 61: IV. Final ‘a la Indiana’. Andante ritmico – Poco meno – Tempo I, Divertissements sur un Thème Pastoral, Marche des petits soldats de plomb, Partita 1958: I. Fanfare. Avec allegresse et dureté, Partita 1958: II. Sarabande. Délicat – Plus animé – Tempo I – Tempo I, Partita 1958: III. Intermezzo. Passioné – Plus calme – Tempo I, Partita 1958: IV. Final. Entraînant – Solennel, Ramuntcho Suite no. 1: Fandango, Ramuntcho Suite no. 1: La Chambre de Franchita, Ramuntcho Suite no. 1: Le Jardin de Gracieuse, Ramuntcho Suite no. 1: Overture, Ramuntcho Suite no. 2: La Cidrerie, Ramuntcho Suite no. 2: Le Couvent, Ramuntcho Suite no. 2: Rapsodie basque
Flovcut producer Bassoon Concertino: I. Allegro brillante - Poco adagio -, Bassoon Concertino: II. Allegro moderato [Theme and Variations] -, Bassoon Concertino: III. Polacca, Bassoon Concerto, KV 191: I. Allegro, Bassoon Concerto, KV 191: II. Andante ma adagio, Bassoon Concerto, KV 191: III. Rondo. Tempo di Menuetto, Bassoon Concerto: I. (Allegro), Bassoon Concerto: II. Largo -, Bassoon Concerto: III. (Rondo), Fantasie for Bassoon and Orchestra: Introduction Theme, Variations I and II, Fantasie for Bassoon and Orchestra: Polacca, Fantasie for Bassoon and Orchestra: Variation III, Suite-Concertino in F major, op. 16: I. Notturno. Andante un poco mosso, Suite-Concertino in F major, op. 16: II. Strimpellata. Presto, Suite-Concertino in F major, op. 16: III. Canzone. Andante cantabile, Suite-Concertino in F major, op. 16: IV. Finale. Andante con moto
Dave Giles producer Piano Concerto no. 1, BB 91: I. Allegro moderato, Piano Concerto no. 1, BB 91: II. Andante, Piano Concerto no. 1, BB 91: III. Allegro, Piano Concerto no. 2, BB 101: I. Allegro, Piano Concerto no. 2, BB 101: II. Adagio - Presto - Adagio, Piano Concerto no. 2, BB 101: III. Allegro molto, Piano Concerto no. 3, BB 127: I. Allegretto, Piano Concerto no. 3, BB 127: II. Adagio religioso, Piano Concerto no. 3, BB 127: III. [Allegro vivace]
Sose producer Concerto for Cello and Orchestra: Con moto tranquillo – Becoming slower and slower –, Concerto for Cello and Orchestra: Meno mosso – Becoming slower –, Concerto for Cello and Orchestra: Quietly, Concerto for Cello and Orchestra: Rather slower, very quietly – Tempo I – Rather slower –, Concerto for Cello and Orchestra: Slow – Not quick; quietly –, Concerto for Cello and Orchestra: Slow – Quicker – Rather slower – Rather quicker – Very slow – Very quietly –, Concerto for Cello and Orchestra: With animation – Becoming slower –
Bella Blasko producer 3 Norwegian Dances: No. 1. Allegro con brio, 3 Norwegian Dances: No. 2. Allegretto, 3 Norwegian Dances: No. 3. Allegro non troppo, Air norvégien, op. 7, Andante religioso, Bryllupsmarsch, op. 32 no. 1, Chant de la Veslemöy
kariiiba producer Four Sea Interludes from "Peter Grimes", op. 33a: I. Dawn, Four Sea Interludes from "Peter Grimes", op. 33a: II. Sunday Morning, Four Sea Interludes from "Peter Grimes", op. 33a: III. Moonlight, Four Sea Interludes from "Peter Grimes", op. 33a: IV. Storm, Symphonic Suite from "Gloriana", op. 53a: I. The Tournament, Symphonic Suite from "Gloriana", op. 53a: III. The Courtly Dances, Symphonic Suite from "Gloriana", op. 53a: IV. Gloriana Moritura
Jojo producer Merciless Beauty: I. Western Wind. Allegro moderato, Merciless Beauty: II. Letter to Anna, pregnant. Lento, Merciless Beauty: III. The Sick Rose. Allegro moderato, Merciless Beauty: IV. Tune for an Ice Cream Van. Allegro, Merciless Beauty: V. Merciless Beauty. Lento, Merciless Beauty: VI. Iron City Love Song. Moderato, Merciless Beauty: VII. Campionesque for Anna. Lento
Paul Saucido producer A Charm of Lullabies, op. 41: I. A Cradle Song, A Charm of Lullabies, op. 41: II. The Highland Balou, A Charm of Lullabies, op. 41: III. Sephestia's Lullaby, A Charm of Lullabies, op. 41: IV. A Charm, A Charm of Lullabies, op. 41: V. The Nurse's Song, Phaedra, op. 93
Robert Radecke producer Simfonia de Rèquiem: I. Introitus. Andante moderato – Poco più sostenuto – Tempo I (Andante moderato), Simfonia de Rèquiem: II. Kyrie. Andante doloroso, Simfonia de Rèquiem: III. Dies irae. Allegretto con brio – Poco meno mosso – Moderato ritenuto – Tempo I (Allegretto con brio), Simfonia de Rèquiem: IV. Agnus Dei. Adagietto, Simfonia de Rèquiem: V. Lux æterna. Andante moderato, Simfonia de Rèquiem: VI. Libera me, Domine. Moderato solenne, molto tenuto
Cecilia Maria Barthélemon producer Violin Concerto: Allegretto – Più moderato – Rather quicker –, Violin Concerto: Broadly, Violin Concerto: Slower -, Violin Concerto: Tempo I – Very broad – With vigour – Rather quicker – Rather slower – With vigour –, Violin Concerto: With moderate tempo – Rather quicker – Rather slower – Broad – Slower and very quietly – Vigorously – Maestoso –, Violin Concerto: [Cadenza] –
Lithke producer Concerto for Violin, Cello and Orchestra: Quietly -, Concerto for Violin, Cello and Orchestra: Slowly and Quietly – Molto tranquillo, rather quicker – Rather slower – [Cadenza.] Quicker – Rather slower –, Concerto for Violin, Cello and Orchestra: Tempo I – Rather quicker, tranquillo – Quicker – Rather slower – Rather more lively –, Concerto for Violin, Cello and Orchestra: Very quietly – Molto tranquillo, tempo I – Very quietly, slow, Concerto for Violin, Cello and Orchestra: With moderate speed – Rather quicker – Rather quieter – Quicker – Quietly – Rather slower, molto tranquillo – Vigorously –
Dany Legendre producer Jealousy, JW VI/10, Taras Bulba, JW VI/15: I. The Death of Andriy, Taras Bulba, JW VI/15: II. The Death of Ostap, Taras Bulba, JW VI/15: III. The Prophesy and the Death of Taras Bulba, The Ballad of Blaník, JW VI/16
Carl August Haupt producer Cinco Canciones Negras: No. 1. Cuba dentro de un piano (Cuba in a piano). Lento – Rubato – Lento – Rubato – Lento – Rubato – Lento – Rubato – Lento – Rubato (Molto lento) – Violento e rapido – Calmando (lento), Cinco Canciones Negras: No. 2. Punto de Habanera (Habanera rhythm). Tempo de guajiras – A tempo – Coda a tempo, Cinco Canciones Negras: No. 3. Chévere (The dandy). Lentissimo, Cinco Canciones Negras: No. 4. Canción de Cuna para Dormir a un Negrito (Lullaby for a little black boy). Lento, Cinco Canciones Negras: No. 5. Canto Negro (Negro song). Leggiero
Jennifer Engel producer Sea Pictures, op. 37: 1. Sea-Slumber- Song. Andantino - Tranquillo - Tempo I - Tranquillo -, Sea Pictures, op. 37: 2. In Haven (Capri). Allegretto, Sea Pictures, op. 37: 3. Sabbath Morning at Sea. Moderato - Più mosso - Più mosso - Tempo I - Molto maestoso -, Sea Pictures, op. 37: 4. Where Corals Lie. Allegretto ma non troppo, Sea Pictures, op. 37: 5. The Swimmer. Allegro di molto - Largamente - Poco meno mosso - Tempo I - Largamente
Stefano Podda producer Concerto soirée: I. Valzer-Fantasia. Tempo di valzer tranquillo – Un poco animato – Poco più, brillante ma tranquillo – Animando insensibilmente – Tempo di valzer – Molto più calmo – Tempo I, Concerto soirée: II. Ballo figurato. Allegretto calmo, con spirito – Più calmo – Riprendendo il tempo, Concerto soirée: III. Romanza. Andante malinconico – Poco più mosso, capriccioso – Mosso – Calmo – Tempo I, Concerto soirée: IV. Quadriglia. Allegro con spirito – Lo stesso tempo – Lo stesso tempo – Poco meno, con spirito – Tempo I – Un poco sostenuto, Concerto soirée: V. Can-can. Animatissimo – Poco trattenuto – Più mosso, quasi presto – Ancora più
Dave Porter producer The Danube, JW IX/7: 1. Andante - Un poco più mosso - Con moto, The Danube, JW IX/7: 2. [ ] - Un poco più mosso - Meno mosso - Presto - [ ] - Adagio -, The Danube, JW IX/7: 3. Allegro - Meno - Più mosso - Più mosso - Meno mosso - Tempo I, The Danube, JW IX/7: 4. [Allegretto] - [Waltz] - Più mosso - [Poco tranquillo] - Presto
Paolo Seu producer Symphony no. 3: I. Allegro, Symphony no. 3: II. Adagio con moto – Poco più mosso – Calmando – Tempo I, Symphony no. 3: III. Scherzo. Allegretto mosso – Trio – Con anima – [Scherzo. Allegretto mosso], Symphony no. 3: IV. Vivace con spirito
ياسر أنور producer The Mystic Trumpeter, op. 18, H. 71: "Blow again, trumpeter!". Moderato – Poco allegro – Più allegro – Andante – Adagio – "O, how the immortal phantoms crowd around me!". Moderato ma agitato – Affrettando – Moderato – Allegro moderato – Presto – Prestissimo – Allegro agitato –, The Mystic Trumpeter, op. 18, H. 71: "Blow again, trumpeter". Allegro – "O trumpeter!". Andante – Poco animato – Molto sostenuto – Andante maestoso –, The Mystic Trumpeter, op. 18, H. 71: Allegro moderato – "Now, trumpeter, for thy close’. Andante – "O glad, exulting, culminating song!". Maestoso – Pochettino animato – Poco animato – Più mosso – Andante maestoso – Adagio – Andante, The Mystic Trumpeter, op. 18, H. 71: Molto sostenuto – Allegro agitato – "Hark! some wild trumpeter’. Moderato – Lento – "Blow, trumpeter, free and clear". Poco allegro – Meno mosso – Adagio – Allegretto – Andante – Più lento – Molto adagio –
Michael Buchmiller producer Concerto for Violin and Orchestra, op. 24: I. Allegro non troppo ma passionato. - Poco animato -, Concerto for Violin and Orchestra, op. 24: II. Lento cantabile - Poco animato - Tempo I - Poco animato - Più largamente -, Concerto for Violin and Orchestra, op. 24: III. Allegro vivace - Tempo I - Poco meno allegro - Meno mosso, Variations on a Hungarian Peasant Song, op. 4
BiggTrill producer Divertimento concertante: I. Allegro. Allegro maestoso – Poco sostenuto – Più sostenuto – Calmo – Tempo I – Cadenza – Animato, Divertimento concertante: II. Marcia. Alla marcia, allegramente, Divertimento concertante: III. Aria. Andante – A tempo, molto calmo, Divertimento concertante: IV. Finale. Allegro marcato – Meno mosso, con ampiezza – Tempo I – Cadenza – Vivacissimo
Totems producer Symphony for Cello and Orchestra, op. 68: I. Allegro maestoso, Symphony for Cello and Orchestra, op. 68: II. Presto inquieto, Symphony for Cello and Orchestra, op. 68: III. Adagio – Cadenza ad lib, Symphony for Cello and Orchestra, op. 68: IV. Passacaglia. Andante allegro
Murder One Gangster producer The Fiddler’s Child, JW VI/14: Allegro - Maestoso, The Fiddler’s Child, JW VI/14: Con moto - Vivo - Adagio - Allegro - Tempo Vivo - Tempo I - Meno mosso - Allegro -, The Fiddler’s Child, JW VI/14: Larghetto - Poco mosso - Tempo I - Con moto -
Claus Jacobi producer Fossegrimen, op. 21: I. Fossegrimen. Allegro moderato, Fossegrimen, op. 21: III. Bruremarsch. Allegretto marciale, Fossegrimen, op. 21: V. Fanitullen. Allegro con fuoco
Ruggero Pasquarelli producer Concerto for Cello and Orchestra in D major, op. 7: Allegro –, Concerto for Cello and Orchestra in D major, op. 7: Andante –, Concerto for Cello and Orchestra in D major, op. 7: Tempo I
石井真 producer Viola Concerto "Ghosts of the Dance": First Dance. Moderato – Presto – Meno mosso –, Viola Concerto "Ghosts of the Dance": Second Dance. Lento, quasi tango, Viola Concerto "Ghosts of the Dance": Third Dance. Vivo – Più mosso – Tempo I – Più mosso – Tempo I – Più mosso – Moderato – Meno mosso
Stefano Galeano producer Phantasy for Viola and Orchestra: Allegro vivace – Un poco più lento – Tempo I – Allegro moderato – Allegro vivace – Tempo più lento – Allegro – Più mosso – Poco largamente – Largamente molto, Phantasy for Viola and Orchestra: Lento semplice – Tempo I – Più mosso (Allegro moderato), Phantasy for Viola and Orchestra: Poco lento. Largamente – Un pochettino più mosso – Allegro moderato molto ritmico – Tempo poco più tenuto – Agitato – Poco più lento – Meno mosso – Poco più mosso – Animato – Tempo I – Tempo of Introduction – Broadly
Waft producer Appalachia: [Song.] L’istesso tempo – Misterioso lento – Lento – Più mosso, The Song of the High Hills: In ruhigem fließendem Tempo – Tranquillo. Very quietly but not dragging – With vigour – Not too slow – Rather quicker – Slower. Maestoso (not hurried). With exultation –, The Song of the High Hills: Tempo I – Più mosso ma tranquillo – With exultation (not hurried). Maestoso – Tempo I – Very slow
Chill producer Symphony no. 4, op. 60 "Symphonie concertante": I. Moderato, Symphony no. 4, op. 60 "Symphonie concertante": II. Andante molto sostenuto, Symphony no. 4, op. 60 "Symphonie concertante": III. Allegro non troppo, ma agitato ed ansioso
German Pops Orchestra producer Cello Concerto: I. Con moto – Più mosso – Più mosso – Meno mosso –, Cello Concerto: II. Lento e calmo – Più mosso – A tempo I – Meno mosso, Cello Concerto: III. Vivo – Meno mosso – Lento – Meno mosso – Più mosso – Meno mosso
Touchstone producer Lacrymae, op. 48a, Two Portraits: I. D. Layton, Two Portraits: II. E.B.B.
Laura Ugarte producer Cello Concerto: I. Moderato – Allegro non troppo – Poco animato – Più mosso – 12:04 Più lento – Allegro e inquieto – Più vivo – Meno mosso – Allegro marziale – Più lento – Animato – Tempo I – Vivo, Cello Concerto: II. Lento con granole espressione – Poco largamente – Tempo I – 9:51 Poco più largamente – Tempo I e sempre tranquillo, Cello Concerto: III. Allegro vivo – Meno mosso, ma sempre con movimento – Poco più mosso – Più mosso (Tempo I) – Molto ritmico – Più lento e misterioso – Poco più tranquillo – Più mosso – Più mosso – Vivo e marcato – Marcatissimo
Cool Heat producer Concerto for Violin and Orchestra, op. 47: I. Allegro moderato - [Cadenza] - Tempo I - Molto moderato e tranquillo - Largamente - Allegro molto - Moderato assai - [Cadenza] - Allegro moderato - Allegro molto vivace, Concerto for Violin and Orchestra, op. 47: II. Adagio di molto, Concerto for Violin and Orchestra, op. 47: III. Allegro, ma non tanto
The Skates producer Meeresstille und glücklich Fahrt, op. 27: I. Meeresstille
True Temper producer The Shining One
Nasty Bulletz producer Passacaglia, op. 20 no. 2
Crust producer The Song of the High Hills: Very slow (The wide far distance – The great solitude) – Slow and solemnly – Very quietly – Slow and very legato –
Julia Brennan producer Violin Concerto "The Wandering of a Little Soul", JW IX/10
Jose Gaspar Perez producer Sunday Morning
Foxtrot producer Symphonic Suite from "Gloriana", op. 53a: II. The Lute Song