Antoni Wit

conductor

Top collaborators

Artist name Roles Recordings
Witold Lutosławski
No Critics
Krzysztof Penderecki
Patrice Normand
Self Deconstruction

Work on other artists' recordings

Artist name Roles Recordings
Witold Lutosławski conductor Angels to the Shepherds Came, Chain I, Chain No. 3, Chantefleurs et Chantefables for soprano and orchestre: I. La belle-de-nuit, Chantefleurs et Chantefables for soprano and orchestre: II. La sauterelle, Chantefleurs et Chantefables for soprano and orchestre: III. La véronique, Chantefleurs et Chantefables for soprano and orchestre: IV. L'églantine, l'aubépine et la glycine, Chantefleurs et Chantefables for soprano and orchestre: IX. Le papillon, Chantefleurs et Chantefables for soprano and orchestre: V. La tortue, Chantefleurs et Chantefables for soprano and orchestre: VI. La rose, Chantefleurs et Chantefables for soprano and orchestre: VII. L'alligator, Chantefleurs et Chantefables for soprano and orchestre: VIII. L'angélique, Concerto for Cello and Orchestra, Dance Preludes: I. Allegro molto, Dance Preludes: II. Andantino, Dance Preludes: III. Allegro giocoso, Dance Preludes: IV. Andante, Dance Preludes: V. Allegro molto, Double Concerto: I. Rapsodico, Double Concerto: II. Dolente, Double Concerto: III. Marziale e grotesco, Five Songs: I. "The Sea", Five Songs: II. "The Wind", Five Songs: III. "Winter", Five Songs: IV. "Knights", Five Songs: V. "Church Bells", God Is Born, Grave: Metamorphoses for Cello and String Orchestra, Hey La, Hey La, Shepherds There You Are, Hey! We Rejoice Now, Hey, Hey, Lovely Lady Mary, Hey, on This Day, Holy Lady Mary (Wandered Through the World Wide), Hurrying to Bethlehem, In a Manger, Infant so Tiny, Jeses There Is Lying, Jesus Lovely Flower, Jeux vénitiens, part I., Jeux vénitiens, part II., Jeux vénitiens, part III., Jeux vénitiens, part IV., Just After Midnight, Lacrimosa, Livre Pour Orchestre, Lullaby, Jesus, Novelette: I. Announcement, Novelette: II. First Event, Novelette: III. Second Event, Novelette: IV. Third Event, Novelette: V. Conclusion, Our Lovely Lady, Postludium I, Shepherds, Can You Tell?, Silesian Triptych: I. "Oj, mi się owiesek", Silesian Triptych: II. "Ich, w tej studni", Silesian Triptych: III. "Kukułeczka kuka", Six Children's Songs: I. Dance, Six Children's Songs: II. The Four Seasons, Six Children's Songs: III. Kitten, Six Children's Songs: IV. Grzes is going through the village, Six Children's Songs: V. A Brook, Six Children's Songs: VI. The Bird's Gossips, Symphony No. 1: I. Allegro giusto, Symphony No. 1: II. Poco adagio, Symphony No. 1: III. Allegretto misterioso, Symphony No. 1: IV. Allegro vivace, This Is Out Lord's Birthday, Two Children's Songs: I. The Belated Nightingale, Two Children's Songs: II. About Mr Tralalinski, We Are Shepherds, What To Do With This Child?, When the Christ Unto US Is Born
No Critics conductor Concerto for Orchestra: I. Intrada, Concerto for Orchestra: II. Capriccio notturno ed arioso, Concerto for Orchestra: III. Passacaglia toccata e corale, De Natura Sonoris II for Orchestra, Fluorescences for Orchestra, L'ascension: I. Majesté du Christ demandant sa gloire à son Père, L'ascension: II. Alléluias sereins d'une âme qui désire le ciel, L'ascension: III. Alléluia sur la tropmette, Alléluia sur la cymbale, L'ascension: IV. Prière du Christ montant vers son Père, Mi-Parti for Symphony Orchestra, Mort À Venise: Symphonie N°5:Adagietto, Orchestral Music Vol. 3: Symphony No. 2: V (opening), Overture for Strings, Prince Potemkin, op. 5, Symphony No. 3 in E-flat major, Op. 97 “Rhenish”: I. Lebhaft, Symphony No. 3 in E-flat major, Op. 97 “Rhenish”: II. Scherzo. Sehr mäßig, Symphony No. 3 in E-flat major, Op. 97 “Rhenish”: III. Nicht schnell, Symphony No. 3 in E-flat major, Op. 97 “Rhenish”: IV. Feierlich, Symphony No. 3 in E-flat major, Op. 97 “Rhenish”: V. Lebhaft, Symphony no. 1 in B-flat major, op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace, Symphony no. 1 in B-flat major, op. 38 "Spring": II. Larghetto, Symphony no. 1 in B-flat major, op. 38 "Spring": III. Scherzo: Molto vivace, Symphony no. 1 in B-flat major, op. 38 "Spring": IV. Allegro animato e grazioso, Symphony no. 10: Adagio, Symphony no. 2 in C major, op. 61: Scherzo: Allegro vivace, Symphony no. 2: Allegretto, Symphony no. 2: Lento, Symphony no. 2: Moderato, Symphony no. 2: Tempo I, Symphony no. 3: I. Andante con moto, Symphony no. 3: II. Allegro con brio, Symphony no. 3: III. Adagio, Symphony no. 3: IV. Passacaglia - Allegro moderato, Symphony no. 3: Part I: 1. Kräftig. Entschieden, Symphony no. 3: Part II: 2. Tempo di menuetto, Symphony no. 3: Part II: 3. Comodo. Scherzando, Symphony no. 3: Part II: 6. Langsam. Ruhevoll. Empfunden, Symphony no. 3: V. Vivace, Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft, Symphony no. 4 in D minor, op. 120: II. Romance: Ziemlich langsam, Symphony no. 4 in D minor, op. 120: III. Scherzo: Lebhaft, Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft, Symphony no. 4: Adagio, Symphony no. 4: Allegro, Symphony no. 4: Più animato, Symphony no. 4: Tempo I, Symphony no. 4: Tempo II, Symphony no. 5 in C-sharp minor: Adagietto, Symphony no. 5 in C-sharp minor: Rondo-Finale: Allegro, Symphony no. 5 in C-sharp minor: Scherzo, Symphony no. 5 in C-sharp minor: Stürmisch bewegt, mit größter Vehemenz, Symphony no. 5 in C-sharp minor: Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt, Symphony no. 6 in A minor "Tragic": I. Allegro energico, ma non Troppo. Heftig, aber markig, Symphony no. 6 in A minor "Tragic": II. Scherzo. Wuchtig, Symphony no. 6 in A minor "Tragic": III. Andante moderato, Symphony no. 6 in A minor "Tragic": IV. Finale. Allegro moderato - Allegro energico, The Water Goblin, op. 107, Threnody for the Victims of Hiroshima for 52 stringed instruments
Krzysztof Penderecki conductor Aus den Psalmen Davids: I. Psalm 28, Aus den Psalmen Davids: II. Psalm 30, Aus den Psalmen Davids: III. Psalm 43, Aus den Psalmen Davids: IV. Psalm 143, Cantata in honorem Almae Matris Universitatis Iagellonicae sescentos abhinc annos fundatae, Dies irae: I. Lamentatio, Dies irae: II. Apocalypsis, Dies irae: III. Apostheosis, Polish Requiem: Agnus Dei, Polish Requiem: Chaconne, Polish Requiem: Dies Irae, Polish Requiem: Ingemisco tanquam reus, Polish Requiem: Introitus, Polish Requiem: Kyrie, Polish Requiem: Lacrimosa, Polish Requiem: Libera animas, Polish Requiem: Libera me, Domine, Polish Requiem: Lux aeterna, Polish Requiem: Mora stupebit, Polish Requiem: Quid sum miser, Polish Requiem: Recordare Jesu pie, Polish Requiem: Rex tremendae, Polish Requiem: Sanctus, Polish Requiem: Tuba mirum, Polish Requiem: Święty Boże, Symphony No. 3: IV. Passacaglia - Allegro moderato, Symphony No. 8 "Lieder der Vergänglichkeit". "Bei einer Linde", Symphony No. 8 "Lieder der Vergänglichkeit". "Ende des Herbstes" (1. Strophe), Symphony No. 8 "Lieder der Vergänglichkeit". "Ende des Herbstes" (2. Strophe), Symphony No. 8 "Lieder der Vergänglichkeit". "Ende des Herbstes" (3. Strophe), Symphony No. 8 "Lieder der Vergänglichkeit". "Flieder", Symphony No. 8 "Lieder der Vergänglichkeit". "Frühlingsnacht", Symphony No. 8 "Lieder der Vergänglichkeit". "Herbsttag", Symphony No. 8 "Lieder der Vergänglichkeit". "Im Nebel", Symphony No. 8 "Lieder der Vergänglichkeit". "Nachts", Symphony No. 8 "Lieder der Vergänglichkeit". "O grüner Baum des Lebens", Symphony No. 8 "Lieder der Vergänglichkeit". "Sag' ich's euch, geliebte Bäume?", Symphony No. 8 "Lieder der Vergänglichkeit". "Vergänglichkeit", Symphony no. 1: I. Arche I, Symphony no. 1: II. Dynamis I, Symphony no. 1: III. Dynamis II, Symphony no. 1: IV. Arche II, Symphony no. 5, Utrenja: Part I. Zlożenie Chrystusa do grobu: I. Troparion, Utrenja: Part I. Zlożenie Chrystusa do grobu: II. Pieśni pochwalne, Utrenja: Part I. Zlożenie Chrystusa do grobu: III. Irmos, Utrenja: Part I. Zlożenie Chrystusa do grobu: IV. Kanon wielkiej soboty, pieśni 9, Utrenja: Part I. Zlożenie Chrystusa do grobu: V. Irmologion (Stichira), Utrenja: Part II. Zmartwychwstanie pańskie: I. Ewangelia, Utrenja: Part II. Zmartwychwstanie pańskie: II. Stichira, Utrenja: Part II. Zmartwychwstanie pańskie: III. Psalm z troparionem, Utrenja: Part II. Zmartwychwstanie pańskie: IV. Kanon Paschy, pieśni 1, 3, Utrenja: Part II. Zmartwychwstanie pańskie: V. Kanon Paschy, pieśń 8, Utrenja: Part II. Zmartwychwstanie pańskie: VI. Kontakion, Utrenja: Part II. Zmartwychwstanie pańskie: VII. Ikos, Utrenja: Part II. Zmartwychwstanie pańskie: VIII. Kanon Paschy, fragmenty
Patrice Normand conductor Andante and Finale, op. 79: I. Andante, Andante and Finale, op. 79: II. Allegro maestoso, Fantaisie de Concert in G major, op. 56: I. Quasi rondo, Fantaisie de Concert in G major, op. 56: II. Contrastes, Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito, Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice - Prestissimo - Tempo I, Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco, Piano Concerto no. 1 in F sharp minor, Op. 1: Allegro vivace - Andante ma non troppo - Tempo primo, Piano Concerto no. 1 in F sharp minor, Op. 1: Andante, Piano Concerto no. 1 in F sharp minor, Op. 1: Vivace, Piano Concerto no. 2 in C minor, op. 18: I. Moderato, Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto, Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando, Piano Concerto no. 2 in G major, op. 44: I. Allegro brillante, Piano Concerto no. 2 in G major, op. 44: II. Andante non troppo, Piano Concerto no. 2 in G major, op. 44: III. Allegro con fuoco, Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto, Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo: adagio, Piano Concerto no. 3 in D minor, op. 30: III. Finale: alla breve, Piano Concerto no. 3 in E-flat major, op. 75: Allegro brillante, Piano Concerto no. 4 in G minor, Op. 40: Allegro vivace, Piano Concerto no. 4 in G minor, Op. 40: Largo, Rhapsody on a Theme of Paganini, Op. 43: Introduction, Rhapsody on a Theme of Paganini, Op. 43: Theme, Rhapsody on a Theme of Paganini, Op. 43: Variation 1, Rhapsody on a Theme of Paganini, Op. 43: Variation 10, Rhapsody on a Theme of Paganini, Op. 43: Variation 11, Rhapsody on a Theme of Paganini, Op. 43: Variation 12, Rhapsody on a Theme of Paganini, Op. 43: Variation 13, Rhapsody on a Theme of Paganini, Op. 43: Variation 14, Rhapsody on a Theme of Paganini, Op. 43: Variation 15, Rhapsody on a Theme of Paganini, Op. 43: Variation 16, Rhapsody on a Theme of Paganini, Op. 43: Variation 17, Rhapsody on a Theme of Paganini, Op. 43: Variation 18, Rhapsody on a Theme of Paganini, Op. 43: Variation 19, Rhapsody on a Theme of Paganini, Op. 43: Variation 2, Rhapsody on a Theme of Paganini, Op. 43: Variation 20, Rhapsody on a Theme of Paganini, Op. 43: Variation 21, Rhapsody on a Theme of Paganini, Op. 43: Variation 22, Rhapsody on a Theme of Paganini, Op. 43: Variation 23, Rhapsody on a Theme of Paganini, Op. 43: Variation 24, Rhapsody on a Theme of Paganini, Op. 43: Variation 3, Rhapsody on a Theme of Paganini, Op. 43: Variation 4, Rhapsody on a Theme of Paganini, Op. 43: Variation 5, Rhapsody on a Theme of Paganini, Op. 43: Variation 6, Rhapsody on a Theme of Paganini, Op. 43: Variation 7, Rhapsody on a Theme of Paganini, Op. 43: Variation 8, Rhapsody on a Theme of Paganini, Op. 43: Variation 9
Self Deconstruction conductor An Alpine Symphony, op. 64: Apparition, An Alpine Symphony, op. 64: At the Waterfall, An Alpine Symphony, op. 64: Calm before the Storm, An Alpine Symphony, op. 64: Dangerous Moments, An Alpine Symphony, op. 64: Elegy, An Alpine Symphony, op. 64: Entry into the Wood, An Alpine Symphony, op. 64: Final Sounds, An Alpine Symphony, op. 64: I. Nacht, An Alpine Symphony, op. 64: II. Sonnenaufgang, An Alpine Symphony, op. 64: III. Der Anstieg, An Alpine Symphony, op. 64: IV. Eintritt in den Wald, An Alpine Symphony, op. 64: IX. Auf der Alm, An Alpine Symphony, op. 64: Mists Rise, An Alpine Symphony, op. 64: Night, An Alpine Symphony, op. 64: On Flowering Meadows, An Alpine Symphony, op. 64: On the Alpine Pasture, An Alpine Symphony, op. 64: On the Glacier, An Alpine Symphony, op. 64: On the Summit, An Alpine Symphony, op. 64: Straying through Thicket and Undergrowth, An Alpine Symphony, op. 64: Sunrise, An Alpine Symphony, op. 64: Sunset, An Alpine Symphony, op. 64: The Ascent, An Alpine Symphony, op. 64: The Sun Gradually Darkens, An Alpine Symphony, op. 64: Thunder and Storm, Descent, An Alpine Symphony, op. 64: V. Wanderung neben dem Bache, An Alpine Symphony, op. 64: VI. Am Wasserfall, An Alpine Symphony, op. 64: VII. Erscheinung, An Alpine Symphony, op. 64: VIII. Auf blumigen Wiesen, An Alpine Symphony, op. 64: Vision, An Alpine Symphony, op. 64: Wandering by the Stream, An Alpine Symphony, op. 64: X. Durch Dickicht und Gestrüpp auf Irrwegen, An Alpine Symphony, op. 64: XI. Auf dem Gletscher, An Alpine Symphony, op. 64: XII. Gefarhvolle Augenblicke, An Alpine Symphony, op. 64: XIII. Auf dem Gipfel, An Alpine Symphony, op. 64: XIV. Vision, An Alpine Symphony, op. 64: XIX. Gewitter und Sturm, Abstieg, An Alpine Symphony, op. 64: XV. Nebel steigen auf, An Alpine Symphony, op. 64: XVI. Die Sonne verdüstert sich allmählich, An Alpine Symphony, op. 64: XVII. Elegie, An Alpine Symphony, op. 64: XVIII. Stille vor der Sturm, An Alpine Symphony, op. 64: XX. Sonnenuntergang, An Alpine Symphony, op. 64: XXI. Ausklang, An Alpine Symphony, op. 64: XXII. Nacht
Matt Marin conductor 3 Olden Style Pieces: I., 3 Olden Style Pieces: II., 3 Utwory w dawnym stylu (3 Pieces in Old Style), No. 3, Beatus Vir, op. 38, Bram Stoker’s Dracula: The Brides, Francesca da Rimini, op. 32, Ma vlast. (II. ‘Vltava' - ‘The Moldau’) (Extract), Má Vlast: Blaník, Má Vlast: Tábor, Má Vlast: Vyšehrad, Má Vlast: Z českých luhů a hájů (From Bohemia's Woods and Fields), Má Vlast: Šárka, Má vlast: Vltava, Symphony no. 2 “Copernican”, op. 31: First Movement, Symphony no. 2 “Copernican”, op. 31: Second Movement, Symphony no. 3 in D major, op. 29 "Polish": I. Introduzione e Allegro, Symphony no. 3 in D major, op. 29 "Polish": II. Alla tedesca: Allegro moderato e semplice, Symphony no. 3 in D major, op. 29 "Polish": III. Andante elegiaco, Symphony no. 3 in D major, op. 29 "Polish": IV. Scherzo: Allegro vivo, Symphony no. 3 in D major, op. 29 "Polish": V. Finale: Allegro con fuoco, Symphony no. 4 in G major: Bedachtig, nicht eilen, Symphony no. 4 in G major: In gemächlicher Bewegung, ohne Hast, Symphony no. 4 in G major: Ruhevoll, poco adagio, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza, Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso - Allegro vivo, Symphony no. 5: Adagietto, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale: Adagio lamentoso - Andante, Symphony no. 6, op. 74 "Pathétique": III. Allegro molto vivace (excerpt), The Storm, Overture in E major, op. 76, The Tempest, op. 18
Gustav Mahler conductor Symphony No. 8 in E-flat major "Symphony of a Thousand", Part I: "Imple superna gratia", Symphony No. 8 in E-flat major "Symphony of a Thousand", Part I: "Veni, creator spiritus", Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony no. 2 in C minor "Resurrection": II. Andante moderato. Sehr gemächlich, Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung, Symphony no. 2 in C minor "Resurrection": IV. Sehr feierlich, aber schlicht, Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzo. Wild herausfahrend, Symphony no. 8 "Symphony of a Thousand": Part One: Hymnus: Veni, Creator Spiritus: I. Allegro impetuoso: "Veni Creator Spiritus", Symphony no. 8 "Symphony of a Thousand": Part One: Hymnus: Veni, Creator Spiritus: II. A tempo. Etwas (aber unmerklich) gemäßigter; immer sehr fließend: "Imple superna gratia", Symphony no. 8 "Symphony of a Thousand": Part One: Hymnus: Veni, Creator Spiritus: III. Etwas drängend - Noch einmal so langsam. (Nicht schleppend): "Infirma nostri corporis", Symphony no. 8 "Symphony of a Thousand": Part One: Hymnus: Veni, Creator Spiritus: IV. Tempo I (Allegro, etwas hastig), Symphony no. 8 "Symphony of a Thousand": Part One: Hymnus: Veni, Creator Spiritus: V. Sehr fließend - Noch einmal so langsam als vorher. Nicht schleppend: "Infirma nostri corporis", Symphony no. 8 "Symphony of a Thousand": Part One: Hymnus: Veni, Creator Spiritus: VI. Plötzlich sehr breit und leidenschaftlichen Ausdrucks - Mit plötzlichem Aufschwung: "Accende lumen sensibus", Symphony no. 8 "Symphony of a Thousand": Part One: Hymnus: Veni, Creator Spiritus: VII. "Veni Creator Spiritus", Symphony no. 8 "Symphony of a Thousand": Part One: Hymnus: Veni, Creator Spiritus: VIII. Wieder frisch: "Gloria sit Patri Domino", Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': I. Poco adagio, Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': II. Piu mosso (Allegro moderato), Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': III. Wieder langsam. Chor und Echo: "Waldung, sie schwankt heran", Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': IV. Moderator. Pater Ecstaticus: "Ewiger Wonnebrand", Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': IX: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: "Ich spür' soeben nebelnd um Felsenhöh". Doctor Marianus: "Hier ist die Aussicht frei". Chor Seligen Knaben: "Freudig empfangen wir", Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': V. Allegro (Allegro appassionato). Pater Profundus: "Wie Felsenabgrund mir zu Füßen", Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': VI. Allegro deciso (Im Anfang noch nicht eilen). Chor der Engel: "Gerettet ist das edle Glied der Geisterwelt vom Bösen. Chor seliger Knaben: "Hände verschlinget euch", Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': VII. Molto leggiero. Chor der jüngeren Engel: "Jene Rosen, aus den Händen", Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': VIII. Schon etwas langsamer und immer noch mäßiger - Wie die gleiche Stelle im I. Teil. Die vollendeteren Engel: "Uns bleibt ein Erdenrest", Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': X. Sempre l'istesso tempo. Doctor Marianus: "Höchste Herrscherin der Welt!", Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': XI. Außerst langsam. Adagissimo: "Dir, der Unberuhrbaren". Chor der Büßerinen und Una poenitentium: "Du schwebst zu Hohen der ewigen Reiche", Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': XII. Fließend. Magna Peccatrix: "Bei der Liebe, die den Füßen", Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': XIII. Mulier Samaritana: "Bei dem Bronn, zu dem schon weiland", Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': XIV. Maria Aegyptiaca: "Bei dem hochgeweihten Orte", Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': XV. Una poenitentium: "Neige, neige, du Ohnegleiche", Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': XVI. Unmerklich frischer werden. Selige Knaben: "Er uberwachst uns schon". Una poenitentium: "Vom edlen Geisterchor umgeben"
Offshore Orchestra conductor Bianca da Molena, Incidental Music, op. 6: Intermezzo, Bianca da Molena, Incidental Music, op. 6: Prologue, Civic Polonaise, Concert Polonaise, Funeral March for Antoni Orłowski, Halka: Act I: Mazurka, Halka: Act III: Tańce góralskie, Hrabina: Ballet Music: 1. Zefir goniący Florę, Hrabina: Ballet Music: 2. Neptun na Wiśle, Hrabina: Ballet Music: 3. Taniec Satyrów, Hrabina: Ballet Music: 4. Kotyljon, Jawnuta: Taniec cygański, Lachian Dances: I. Starodávný, Lachian Dances: II. Požehnaný, Lachian Dances: III. Dymák, Lachian Dances: IV. Starodávný, Lachian Dances: V. Celadenský, Lachian Dances: VI. Pilky, Leokadia Polka, Monte Christo: Mazurka, Straszny Dwór: Act IV: Mazurka, Symphony in E minor, op. 7 “Odrodzenie”: I. Andante - Allegro, Symphony in E minor, op. 7 “Odrodzenie”: II. Andante non troppo, Symphony in E minor, op. 7 “Odrodzenie”: III. Vivace – Molto meno mosso – Tempo I, Symphony in E minor, op. 7 “Odrodzenie”: IV. Allegro maestoso – Allegro ben moderato, Taras Bulba - Rhapsody: I. Smrt Andrijova - Moderato, quasi recitativo, Taras Bulba - Rhapsody: II. Smrt Ostapova - Moderato, Taras Bulba - Rhapsody: III. Proroctví a smrt Tarase Bulby - Con moto, The Merry Wives of Windsor: Ballet Music
Karol Szymanowski conductor Nocturne and Tarantella, Op. 28: Nocturne: Lento assai, Nocturne and Tarantella, Op. 28: Tarentella: Presto appassionato, Stabat Mater, Op. 53: I. Stabat Mater dolorosa, Stabat Mater, Op. 53: II. Quis est homo qui non fleret, Stabat Mater, Op. 53: III. Eia Mater, fons amoris, Stabat Mater, Op. 53: IV. Fac me tecum pie flere, Stabat Mater, Op. 53: V. Virgo virginum praeclare, Stabat Mater, Op. 53: VI. Christe, cum sit hinc exire, Violin Concerto No. 1, Op. 35: Poco meno - Allegretto, Violin Concerto No. 1, Op. 35: Tempo comodo - Andantino, Violin Concerto No. 1, Op. 35: Vivace (Tempo I), Violin Concerto No. 1, Op. 35: Vivace assai, Violin Concerto No. 1, Op. 35: Vivace scherzando, Violin Concerto No. 2, Op. 61: Allegramente - Molto energico, Violin Concerto No. 2, Op. 61: Andantino - Molto tranquillo, Violin Concerto No. 2, Op. 61: Andantino sostenuto, Violin Concerto No. 2, Op. 61: Molto tranquillo, Violin Concerto No.1, Op.35: I. Vivace assai (Warsaw Philharmonic Orchestra, feat. conductor: Antoni Wit), Violin Concerto No.1, Op.35: II. Tempo comodo - Andantino (Warsaw Philharmonic Orchestra, feat. conductor: Antoni Wit), Violin Concerto No.1, Op.35: III. Vivace scherzando (Warsaw Philharmonic Orchestra, feat. conductor: Antoni Wit), Violin Concerto No.1, Op.35: IV. Poco meno - Allegretto (Warsaw Philharmonic Orchestra, feat. conductor: Antoni Wit), Violin Concerto No.1, Op.35: V. Vivace (Tempo I) (Warsaw Philharmonic Orchestra, feat. conductor: Antoni Wit), Violin Concerto No.2, Op.61: I. Moderato - Molto tranquillo (Warsaw Philharmonic Orchestra, feat. conductor: Antoni Wit), Violin Concerto No.2, Op.61: II. Andantino sostenuto (Warsaw Philharmonic Orchestra, feat. conductor: Antoni Wit), Violin Concerto No.2, Op.61: III. Allegramente, molto energico (Warsaw Philharmonic Orchestra, feat. conductor: Antoni Wit), Violin Concerto No.2, Op.61: IV. Andantino, molto tranquillo (Warsaw Philharmonic Orchestra, feat. conductor: Antoni Wit)
Shaiva conductor Concert Overture, op. 12, Epizod na maskaradzie, op. 14, Mša glagolskaja, JW III/9: I. Úvod, Mša glagolskaja, JW III/9: VIII. Intrada, Rapsodia litewska, op. 11, Sinfonietta, JW VI/18: I. Allegretto, Sinfonietta, JW VI/18: II. Andante, Sinfonietta, JW VI/18: III. Moderato, Sinfonietta, JW VI/18: IV. Allegretto, Sinfonietta, JW VI/18: V. Andante con moto, Stanisław i Anna Oświecimowie, op. 12, Study in B-flat minor, op. 4 no. 3, Three Dances, op. 34: No. 1. Presto, marcatissimo, Three Dances, op. 34: No. 2. Andante cantabile - Tranquillo, Three Dances, op. 34: No. 3. Presto
潘麗麗 conductor Andante spianato and Grande Polonaise brillante, op. 22: Andante spianato, Andante spianato and Grande Polonaise brillante, op. 22: Grande Polonaise brillante, Piano Concerto no. 2 in F minor, op. 21: I. Maestoso, Piano Concerto no. 2 in F minor, op. 21: II. Larghetto, Piano Concerto no. 2 in F minor, op. 21: III. Allegretto vivace, Variations on "Là ci darem la mano" from Mozart's "Don Giovanni", op. 2: Alla polacca, Variations on "Là ci darem la mano" from Mozart's "Don Giovanni", op. 2: Introduction: Largo, Variations on "Là ci darem la mano" from Mozart's "Don Giovanni", op. 2: Theme: Allegretto, Variations on "Là ci darem la mano" from Mozart's "Don Giovanni", op. 2: Variation 1: Brillante, Variations on "Là ci darem la mano" from Mozart's "Don Giovanni", op. 2: Variation 2: Veloce, ma accuratamente, Variations on "Là ci darem la mano" from Mozart's "Don Giovanni", op. 2: Variation 3: Sempre sostenuto, Variations on "Là ci darem la mano" from Mozart's "Don Giovanni", op. 2: Variation 4: Con bravura, Variations on "Là ci darem la mano" from Mozart's "Don Giovanni", op. 2: Variation 5: Adagio
Zbigniew Preisner conductor Alexandre, Alexandre II, Concerto en Mi, Instrumentation contemporaine No. 2, L'Enfance, L'Enfance II, Solitude, Thème: 1re transcription, Thème: 2e transcription, Tu viendras, Van den Budenmayer Concerto en Mi mineur (version de 1798), Van den Budenmayer Concerto en Mi mineur (version de 1802), Véronique
George Reiff conductor Introduction and Allegro Appassionato, op. 92, Piano Concerto No. 1 in D minor, Op. 15: I. Maestoso, Piano Concerto No. 1 in D minor, Op. 15: II. Adagio, Piano Concerto No. 1 in D minor, Op. 15: III. Rondo: Allegro non troppo, Piano Concerto no. 1 in D minor, op. 15: I. Maestoso, Piano Concerto no. 1 in D minor, op. 15: II. Adagio, Piano Concerto no. 1 in D minor, op. 15: III. Rondo: Allegro non troppo, Piano Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo, Piano Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato, Piano Concerto no. 2 in B-flat major, op. 83: III. Andante, Piano Concerto no. 2 in B-flat major, op. 83: IV. Allegretto grazioso
Vince Loving conductor Piano Concerto "Resurrection" (rev. 2007): Adagio, Piano Concerto "Resurrection" (rev. 2007): Adagio -, Piano Concerto "Resurrection" (rev. 2007): Allegretto capriccioso -, Piano Concerto "Resurrection" (rev. 2007): Allegro moderato molto -, Piano Concerto "Resurrection" (rev. 2007): Allegro molto sostenuto (Tempo dell'inizio) -, Piano Concerto "Resurrection" (rev. 2007): Allegro molto sostenuto -, Piano Concerto "Resurrection" (rev. 2007): Allegro sostenuto molto -, Piano Concerto "Resurrection" (rev. 2007): Andante maestoso -, Piano Concerto "Resurrection" (rev. 2007): Grave -
Molly Jacman conductor Piano Concerto no. 1 in D-flat major, op. 10, Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro, Piano Concerto no. 3 in C major, op. 26: II. Tema con variazioni, Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo, Piano Concerto no. 4 in B-flat major, op. 53: I. Vivace, Piano Concerto no. 4 in B-flat major, op. 53: II. Andante, Piano Concerto no. 4 in B-flat major, op. 53: III. Moderato, Piano Concerto no. 4 in B-flat major, op. 53: IV. Vivace
Mary-Ann Parr conductor Fantasy on Polish Airs, op. 13: I. Introduction: Largo non troppo, Fantasy on Polish Airs, op. 13: II. Air, Juz Miesiac Zaszedl: Andantino, Fantasy on Polish Airs, op. 13: III. Theme de Charles Kurpinski: Allegretto, Fantasy on Polish Airs, op. 13: IV. Kujawiak: Vivace, Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso, Piano Concerto no. 1 in E minor, op. 11: II. Romanza: Larghetto, Piano Concerto no. 1 in E minor, op. 11: III. Rondo: Vivace, Rondo a la krakowiak, op. 14
Alex Foster conductor Cello Concerto no. 1 in E-flat major, op. 107: I. Allegretto, Cello Concerto no. 1 in E-flat major, op. 107: II. Moderato, Cello Concerto no. 1 in E-flat major, op. 107: III. Cadenza, Cello Concerto no. 1 in E-flat major, op. 107: IV. Allegro con moto, Cello Concerto no. 2 in G major, op. 126: I. Largo, Cello Concerto no. 2 in G major, op. 126: II. Allegretto, Cello Concerto no. 2 in G major, op. 126: III. Allegretto
Kayros conductor Fantaisie brillante on themes from Gounod's "Faust" for violin and orchestra, Violin Concerto no. 2 in D minor, op. 22: I. Allegro moderato, Violin Concerto no. 2 in D minor, op. 22: II. Romance: Andante non troppo, Violin Concerto no. 2 in D minor, op. 22: III. Allegro con fuoco - Allegro moderato, Violin concerto No. 1: I. Allegro moderato, Violin concerto No. 1: II. Preghiera: Larghetto, Violin concerto No. 1: III. Rondo: Allegro giocoso
Fryderyk Chopin conductor Piano Concerto No. 1 in E minor, Op. 11: I. Allegro maestoso, Piano Concerto No. 1 in E minor, Op. 11: II. Romance: Larghetto, Piano Concerto No. 1 in E minor, Op. 11: III. Rondo: Vivace, Piano Concerto No. 2 in F minor, Op. 21: I. Maestoso, Piano Concerto No. 2 in F minor, Op. 21: II. Larghetto, Piano Concerto No. 2 in F minor, Op. 21: III. Allegro vivace, Waltz in D-flat major, Op. 64 No. 1 "Minute Waltz"
Munch Ali conductor Caprice Andalous In G major, Op. 122, Morceau De Concert In G major, OP. 62, Romance In C Major, Op. 48, Romance in C major, op. 48, Violin Concerto No. 3 In B Minor, Op. 61: Allegro Non Troppo, Violin Concerto No. 3 In B Minor, Op. 61: Andantino Quasi Allegretto, Violin Concerto No. 3 In B Minor, Op. 61: Molto Moderato E Maestoso - Allegro Non Troppo
Amba Tremain conductor Piano Concerto no. 2 in C minor, op. 18: I. Moderato, Piano Concerto no. 2 in C minor, op. 18: II. Adagio Sostenuto, Piano Concerto no. 2 in C minor, op. 18: III. Allegro Scherzando, Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto, Piano Concerto no. 3 in D minor, op. 30: I. Finale: Alla breve, Piano Concerto no. 3 in D minor, op. 30: I. Intermezzo: Adagio
Tim Glemser conductor Concerto Grosso no. 1: I. Andante sostenuto, Concerto Grosso no. 1: II. Allegro con brio, Concerto Grosso no. 1: III. Allegretto giocoso, Concerto Grosso no. 1: IV. Meno mosso. Notturno. Adagio, Concerto Grosso no. 1: V. Allegro con brio, Concerto Grosso no. 1: VI. Adagio
Caribbean Cassanova conductor Harpsichord Concerto, op. 40: I. Allegro molto, Harpsichord Concerto, op. 40: II. Vivace marcatissimo, Małe requiem dla pewnej polki, op. 66: I. Tranquillo, Małe requiem dla pewnej polki, op. 66: II. Allegro impetuoso - Marcatissimo, Małe requiem dla pewnej polki, op. 66: III. Allegro - Deciso assai, Małe requiem dla pewnej polki, op. 66: IV. Adagio cantabile
Chelsea West conductor Odwieczne pieśni, op. 10: I. Pieśn o wiekuistej tęsknocie, Odwieczne pieśni, op. 10: II. Pieśn o miłości i śmierci, Odwieczne pieśni, op. 10: III. Pieśń o wszechbycie, Powracające fale, op. 9, Smutna opowieść, op.13
Happy Pie Wie conductor Concerto-Cantata, op. 65: I. Recitativo. Lento (quasi molto lento), Concerto-Cantata, op. 65: II. Arioso. Lento assai tranquillissimo - Cantabile - Dolce, Concerto-Cantata, op. 65: III. Concertino. Allegro, Concerto-Cantata, op. 65: IV. Arioso e corale. Lento - Tranquillo cantabile - Dolce
Rest in Haste conductor Violin Concerto no. 1 in A minor, op. 99: IV. Burlesque, Violin Concerto no. 1 in D major, op. 19: I. Andantino: Andante assai, Violin Concerto no. 1 in D major, op. 19: II. Scherzo: Vivacissimo, Violin Concerto no. 1 in D major, op. 19: III. Moderato - Allegro moderato - Moderato - Più tranquillo
Lagori conductor Three Poems by Henri Michaux: 1. Pensées, Three Poems by Henri Michaux: 2. Repos dans le malheur, Three Poems by Henri Michaux: 3. Le Grand Combat
Arip Barzah conductor Violin Concerto in D major, Op. 77: I. Allegro ma non troppo, Violin Concerto in D major, Op. 77: II. Adagio, Violin Concerto in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace
As Artifacts conductor Violin Concerto no. 2 in G minor, op. 63: I. Allegro moderato, Violin Concerto no. 2 in G minor, op. 63: II. Andante assai - Allegretto - Andante assai, Violin Concerto no. 2 in G minor, op. 63: III. Allegro, ben marcato
Kendra Logozar conductor Largo: I. Adagio molto sostenuto, Largo: II. Andante con moto, Largo: III. Adagio
ARUTA conductor St. Luke Passion: ‘Adhuc eo loquente’, St. Luke Passion: ‘Et surgens omnis’, St. Luke Passion: ‘Et viri, qui tenebant illum’
NoVA Infinite conductor Mša glagolskaja, JW III/9: V. Svet, Mša glagolskaja, JW III/9: VI. Agneče Božij
Rhonda Mackert conductor Sonata for Cello and Orchestra: I., Sonata for Cello and Orchestra: II.
Sari Schorr conductor Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': XVII. Sehr langsam. Mater Gloriosa: "Komm! Hebe dich zu hohern Spharen!". Hymnenartig (Ungefahr im selben Zeitmaß weiter). Doctor Marianus: "Blicket auf zum Retterblick, alle reuig Zarten", Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': XVIII: Sehr langsam beginnend. Chorus mysticum: "Alles Vergangliche ist nur ein Gleichnis"
Peter Conner conductor Grande Valse brillante in E-flat major, Op. 18, Waltz in C-sharp minor, Op. 64 No. 2
Viva Vivaldi conductor Violin Concerto no. 3 in B minor, op. 61: I. Allegro non troppo, Violin Concerto no. 3 in B minor, op. 61: III. Molto moderato e maestoso - Allegro on troppo
Sergio Avil conductor Introduction And Rondo Capriccioso In A minor, Op. 28
Asshole in a Wheelchair conductor Mša glagolskaja, JW III/9: II. Gospodi pomiluj
Three Masked Men conductor Mša glagolskaja, JW III/9: III. Slava
Robert Schumann conductor Introduction and Concert Allegro in D minor, Op. 134
Unicorn Parade conductor Mša glagolskaja, JW III/9: IV. Věruju
Don Brown conductor Harnasie, op. 55: Rural Scene (Excerpt)
Sparks conductor Symphony no. 3: Part II: 4. Sehr langsam. Misterioso
Doug Fetterman conductor Novelette Conclusion (excerpt) / Lisa (edit)
Javaska conductor Symphony no. 3: Part II: 5. Lustig im Tempo und keck im Ausdruck
Пётр Ильич Чайковский conductor Piano Concerto No. 1 in B-flat minor, Op. 23: opening
Сергей Рахманинов conductor Piano Concerto no. 3 in D minor, op. 30: Allegro (Shine)
Bedřich Smetana conductor Má Vlast: Vltava