Selmar Janson

Herbert von KarajanLeontyne PriceWiener PhilharmonikerCarlo SabatiniGordon ParryJohn CulshawJames BrownOnly this artist's recordings

Top collaborators

Artist name Roles Recordings
Herbert von Karajan conductor Ave Maria, Ave Maria: Arr. from Bach’s Prelude no. 1, BWV 846, Ellens Gesang III ("Ave Maria"), It came upon a Midnight clear, Motet for Soprano & Orchestra in F major, K. 158a/165 (Milano version): IV. "Alleluja", O Holy Night, Silent Night, Sweet li'l Jesus, Tosca: Act II. Aria "Vissi d'arte, vissi d'amore" (Tosca), Tosca: Act III. "Come è lunga l'attesa!" (Tosca)
Leontyne Price (soprano) vocal Ave Maria, Ave Maria: Arr. from Bach’s Prelude no. 1, BWV 846, Ellens Gesang III ("Ave Maria"), It came upon a Midnight clear, Motet for Soprano & Orchestra in F major, K. 158a/165 (Milano version): IV. "Alleluja", O Holy Night, Silent Night, Sweet li'l Jesus, Tosca: Act II. Aria "Vissi d'arte, vissi d'amore" (Tosca), Tosca: Act III. "Come è lunga l'attesa!" (Tosca)
Wiener Philharmoniker performing orchestra Ave Maria, Ave Maria: Arr. from Bach’s Prelude no. 1, BWV 846, Ellens Gesang III ("Ave Maria"), It came upon a Midnight clear, Motet for Soprano & Orchestra in F major, K. 158a/165 (Milano version): IV. "Alleluja", O Holy Night, Silent Night, Sweet li'l Jesus, Tosca: Act II. Aria "Vissi d'arte, vissi d'amore" (Tosca), Tosca: Act III. "Come è lunga l'attesa!" (Tosca)
Carlo Sabatini arranger Ave Maria, Ave Maria: Arr. from Bach’s Prelude no. 1, BWV 846
Gordon Parry (engineer) balance, engineer Motet for Soprano & Orchestra in F major, K. 158a/165 (Milano version): IV. "Alleluja", Tosca: Act III. "Come è lunga l'attesa!" (Tosca)

Collaborators on this artist's recordings

Artist name Roles Recordings
Herbert von Karajan conductor Ave Maria, Ave Maria: Arr. from Bach’s Prelude no. 1, BWV 846, Ellens Gesang III ("Ave Maria"), It came upon a Midnight clear, Motet for Soprano & Orchestra in F major, K. 158a/165 (Milano version): IV. "Alleluja", O Holy Night, Silent Night, Sweet li'l Jesus, Tosca: Act II. Aria "Vissi d'arte, vissi d'amore" (Tosca), Tosca: Act III. "Come è lunga l'attesa!" (Tosca)
Leontyne Price (soprano) vocal Ave Maria, Ave Maria: Arr. from Bach’s Prelude no. 1, BWV 846, Ellens Gesang III ("Ave Maria"), It came upon a Midnight clear, Motet for Soprano & Orchestra in F major, K. 158a/165 (Milano version): IV. "Alleluja", O Holy Night, Silent Night, Sweet li'l Jesus, Tosca: Act II. Aria "Vissi d'arte, vissi d'amore" (Tosca), Tosca: Act III. "Come è lunga l'attesa!" (Tosca)
Wiener Philharmoniker performing orchestra Ave Maria, Ave Maria: Arr. from Bach’s Prelude no. 1, BWV 846, Ellens Gesang III ("Ave Maria"), It came upon a Midnight clear, Motet for Soprano & Orchestra in F major, K. 158a/165 (Milano version): IV. "Alleluja", O Holy Night, Silent Night, Sweet li'l Jesus, Tosca: Act II. Aria "Vissi d'arte, vissi d'amore" (Tosca), Tosca: Act III. "Come è lunga l'attesa!" (Tosca)
Carlo Sabatini arranger Ave Maria, Ave Maria: Arr. from Bach’s Prelude no. 1, BWV 846
Gordon Parry (engineer) balance, engineer Motet for Soprano & Orchestra in F major, K. 158a/165 (Milano version): IV. "Alleluja", Tosca: Act III. "Come è lunga l'attesa!" (Tosca)
John Culshaw producer Motet for Soprano & Orchestra in F major, K. 158a/165 (Milano version): IV. "Alleluja", Tosca: Act III. "Come è lunga l'attesa!" (Tosca)
James Brown (Decca engineer, 1960s) engineer Tosca: Act III. "Come è lunga l'attesa!" (Tosca)