Musical Bacon: Preecha Kungo

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Artist name	Roles	Recordings
Paul McCreesh	conductor	A Spotless Rose, Antiphona I: Sacerdos in aeternum Christus, Antiphona II: Miserator Dominus, Antiphona III: Calicem salutaris accipiam, Antiphona IV: Sicut novellae olivarum, Antiphona V: Qui pacem ponit fines Ecclesiae, Antiphona ad Magnificat: O quam suavis est, Domine, Antiphona ad Magnificat: O quam suavis est, Domine a 6, Benedicamus Domino, Benedicamus Domino / Deo dicamus gratias / Sanctissimae Trinitati, Canzoni et Sonate: Canzon XIV à 10, C 207, Canzoni et Sonate: Canzon XIX à 15, C 212, Canzoni et Sonate: Canzon XVIII à 14, C 211, Canzoni et Sonate: Canzon XX à 22, C 213, Cançión Regina caeli laetare / Ressurrexi a 5, Cançión a 5, Cançión a 6, Deus in adjutorum / Domine ad adjuvandum, Dominus vobiscum ... Deus, qui populo tuo, Dominus vobiscum ... Sequentia sancti Evangelii secundum Matthaeum, Dominus vobiscum / Deus qui nobis sub sacramento mirabili, Dominus vobiscum... Ut nobis, Domine, Easter Oratorio, BWV 249: I. Sinfonia, Easter Oratorio, BWV 249: II. Adagio, Easter Oratorio, BWV 249: III. Chorus "Kommt, eilet und laufet", Easter Oratorio, BWV 249: IV. Recitative (alto, soprano, tenor, bass) "O kalter Manner Sinn", Easter Oratorio, BWV 249: IX. Aria (alto) "Saget, saget mir geschwinde", Easter Oratorio, BWV 249: V. Aria (soprano) "Seele, deine Spezereien", Easter Oratorio, BWV 249: VI. Recitative (tenor, bass, alto) "Hier ist die Gruft", Easter Oratorio, BWV 249: VII. Aria (tenor) "Sanfte soll mein Todeskummer", Easter Oratorio, BWV 249: VIII. Recitative (soprano, alto) "Indessen seufzen wir", Easter Oratorio, BWV 249: X. Recitative (bass) "Wir sind erfreut", Easter Oratorio, BWV 249: XI. Chorus "Preis und Dank", Ego flos campi a 4, Fidelis servus et prudens, Fratres, ego enim accepi, Haec est domus / Bene fundata est / Deus, qui inivisibiliter omnia contines, Hodie Christus natus est, Hymnus: Pange lingua gloriosi / Guerrero: Nobis datus / Guerrero: Verbum caro / Gaudi: Nobis datus a 6, In medio ecclesiae aperuit os eius, Introit "Puer natus est", Ite, missa est... Deo gratias, Magnificat in D major, BWV 243: I. Chorus: "Magnificat", Magnificat in D major, BWV 243: II. Aria (soprano II) "Et exsultavit spiritus meus", Magnificat in D major, BWV 243: III. "Quia respexit humilitatem", Magnificat in D major, BWV 243: IV. "Omes generationes", Magnificat in D major, BWV 243: IX. "Esurientes implevit bonis", Magnificat in D major, BWV 243: V. "Quia fecit mihi magna", Magnificat in D major, BWV 243: VI. "Et misericordia", Magnificat in D major, BWV 243: VII. "Fecit potentiam", Magnificat in D major, BWV 243: VIII "Deposuit potentes", Magnificat in D major, BWV 243: X. "Suscepit Israel", Magnificat in D major, BWV 243: XI "Sicut locutus est", Magnificat in D major, BWV 243: XII. "Gloria Patri", Missa "Hodie Christus Natus Est": I. Kyrie, Missa "Hodie Christus Natus Est": II. Gloria, Missa "Hodie Christus Natus Est": III. Credo, Missa "Hodie Christus Natus Est": IV. Sanctus, Missa "Hodie Christus Natus Est": V. Agnus Dei, Mon seul a 7, Ora pro nobis / Ut digni efficiamur / Deus, qui meriti beatissimi, Ora pro nobis / Ut digni efficiamur / Omnipotens sempiterne Deus, Panem de caelo / Omen delectamentum, Pange lingua a 5, Per omnia saecula saeculorum... Pater noster..., Per omnia saecula saeculorum... Vere dignum et iustum est..., Psalmus I: Dixit Dominus a 16, Psalmus II: Confitebor tibi / Alternatim fabordones tono II, Psalmus III: Credidi / Alternatim fabordones a 5, tono III, Psalmus IV: Beati omnes / Alternatim fabordones, tono IV, Psalmus V: Lauda, Jerusalem / Alternatim fabordones a 6 / a 4, tono VIII, Salve Regina a 8, Sonata No. 21 con tre violini, C 224, St. Matthew Passion, BWV 244: Teil I, No. 1. Chorus "Kommt, ihr Töchter, helft mir klagen" - Choral "O Lamm Gottes, unschuldig", St. Matthew Passion, BWV 244: Teil I, No. 10. Choral "Ich bin's, ich sollte büßen", St. Matthew Passion, BWV 244: Teil I, No. 14. "Und da sie den Lobgesang gesprochen hatten" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 15. Choral "Erkenne mich, mein Hüter", St. Matthew Passion, BWV 244: Teil I, No. 17. Choral "Ich will hier bei dir stehen", St. Matthew Passion, BWV 244: Teil I, No. 19. Recitativo (Tenor I) "O Schmerz! Hier zittert das gequälte Herz", St. Matthew Passion, BWV 244: Teil I, No. 20. Aria (Tenor I) "Ich will bei meinem Jesu wachen", St. Matthew Passion, BWV 244: Teil I, No. 27a. Aria (Soprano I, Alto I) "So ist mein Jesus nun gefangen" - Chorus "Sind Blitze, sind Donner in Wolken verschwunden?", St. Matthew Passion, BWV 244: Teil I, No. 29. Choral "O Mensch, bewein dein Sünde groß", St. Matthew Passion, BWV 244: Teil I, No. 3. Choral "Herzliebster Jesu, was hast du verbrochen", St. Matthew Passion, BWV 244: Teil I, No. 4. "Da versammleten sich die Hohenpriester" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 9. "Aber am ersten Tage der süßen Brot" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 30. Aria (Alto I) "Ach, nun ist mein Jesus hin!", St. Matthew Passion, BWV 244: Teil II, No. 32. Choral "Mir hat die Welt trüglich gericht'", St. Matthew Passion, BWV 244: Teil II, No. 33. "Und wiewohl viel falsche Zeugen herzutraten" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 35. Aria (Tenor II) "Geduld! Wenn mich falsche Zungen stechen", St. Matthew Passion, BWV 244: Teil II, No. 36. "Und der Hohepriester antwortete" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 37. Choral "Wer hat dich so geschlagen", St. Matthew Passion, BWV 244: Teil II, No. 38. "Petrus aber saß draußen im Palast" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 40. Choral "Bin ich gleich von dir gewichen", St. Matthew Passion, BWV 244: Teil II, No. 41. "Des Morgens aber hielten alle Hohepriester" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 44. Choral "Befiehl du deine Wege", St. Matthew Passion, BWV 244: Teil II, No. 45. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 46. Choral "Wie wunderbarlich ist doch diese Strafe!", St. Matthew Passion, BWV 244: Teil II, No. 50. "Sie schrieen aber noch mehr" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 53. "Da nahmen die Kriegsknechte" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 54. Choral "O Haupt voll Blut und Wunden", St. Matthew Passion, BWV 244: Teil II, No. 58. "Und da sie an die Stätte kamen" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 63. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 66. "Und Joseph nahm den Leib" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 67. Recitativo (Soprano I, Alto I, Tenor, Bass I) "Nun ist der Herr zur Ruh gebracht", The Creation: Part One. The First Day: Aria "Now vanish before the holy beams" (Uriel) - Chorus "Despairing, cursing rage", The Creation: Part One. The First Day: Introduction. The Representation of Chaos, The Creation: Part One. The First Day: Recitative "In the beginning God created the heaven and the earth" (Raphael, Uriel) - Chorus "And the spirit of God", The Creation: Part One. The Fourth Day: Accompanied recitative "In brightest splendour rises now the sun" (Uriel), The Creation: Part One. The Fourth Day: Recitative "And God said: Let there be lights in the firmament of heaven" (Uriel), The Creation: Part One. The Fourth Day: Trio and Chorus "The heavens are telling the glory of God" (Gabriel, Uriel, Raphael), The Creation: Part One. The Second Day: Accompanied recitative "And God made the firmament" (Raphael), The Creation: Part One. The Second Day: Solo with Chorus "The glorious heav'nly hierarchy" (Gabriel), The Creation: Part One. The Third Day: Aria "Rolling in foaming billows" (Raphael), The Creation: Part One. The Third Day: Aria "With verdure clad the fields appear" (Gabriel), The Creation: Part One. The Third Day: Chorus "Awake the harp, the lyre awake", The Creation: Part One. The Third Day: Recitative "And God said: Let the earth bring forth grass" (Gabriel), The Creation: Part One. The Third Day: Recitative "And God said: Let the waters under the heaven be gathered together" (Raphael), The Creation: Part One. The Third Day: Recitative "And the heavenly host the third day proclaimed" (Uriel), The Creation: Part Three. Accompanied recitative "In rosy mantle now appears" (Uriel), The Creation: Part Three. Chorus "Praise the Lord, uplift your voices", The Creation: Part Three. Duet "Graceful consort!" (Adam, Eve), The Creation: Part Three. Duet with Chorus "By thee with bliss, o bounteous Lord" (Eve, Adam), The Creation: Part Three. Recitative "O happy pair" (Uriel), The Creation: Part Three. Recitative "Our duty have we now perform'd" (Adam, Eve), The Creation: Part Two. The Fifth Day: Accompanied recitative "And God created great whales" (Raphael), The Creation: Part Two. The Fifth Day: Aria "On mighty pens uplifted soars the eagle" (Gabriel), The Creation: Part Two. The Fifth Day: Recitative "And God said: Let the waters bring forth abundantly" (Gabriel), The Creation: Part Two. The Fifth Day: Recitative "And the angels struck their immortal harps" (Raphael), The Creation: Part Two. The Fifth Day: Trio "Most beautiful appear, with verdure young adorn'd" (Gabriel, Uriel, Raphael) - Chorus "The Lord is great", The Creation: Part Two. The Sixth Day: Accompanied recitative "Straight opening her fertile womb" (Raphael), The Creation: Part Two. The Sixth Day: Aria "In native worth and honour clad" (Uriel), The Creation: Part Two. The Sixth Day: Aria "Now heaven in fullest glory shines" (Raphael), The Creation: Part Two. The Sixth Day: Chorus and Trio "Achieved is the glorious work" (Gabriel, Uriel, Raphael), The Creation: Part Two. The Sixth Day: Recitative "And God created man" (Uriel), The Creation: Part Two. The Sixth Day: Recitative "And God said: Let the earth bring forth the living creature" (Raphael), The Creation: Part Two. The Sixth Day: Recitative "And God saw everything that he had made" (Raphael), Tiento para arpa. Fabordón, glosado en el tiple, tono I, Tu es Petrus a 6, Vespro della Beata Vergine, SV 206: IV. Psalmus II "Laudate pueri Dominum", Victoria: Magnificat a 12, tono VI / Cabezón: Versos para órganos 1, 2, 4, 6, 7: tono VI
Gabrieli Consort & Players	performer, performing orchestra, vocal	A Spotless Rose, Antiphona I: Sacerdos in aeternum Christus, Antiphona II: Miserator Dominus, Antiphona III: Calicem salutaris accipiam, Antiphona IV: Sicut novellae olivarum, Antiphona V: Qui pacem ponit fines Ecclesiae, Antiphona ad Magnificat: O quam suavis est, Domine, Antiphona ad Magnificat: O quam suavis est, Domine a 6, Benedicamus Domino, Benedicamus Domino / Deo dicamus gratias / Sanctissimae Trinitati, Canzoni et Sonate: Canzon XIV à 10, C 207, Canzoni et Sonate: Canzon XIX à 15, C 212, Canzoni et Sonate: Canzon XVIII à 14, C 211, Canzoni et Sonate: Canzon XX à 22, C 213, Cançión Regina caeli laetare / Ressurrexi a 5, Cançión a 5, Cançión a 6, Deus in adjutorum / Domine ad adjuvandum, Dominus vobiscum ... Deus, qui populo tuo, Dominus vobiscum ... Sequentia sancti Evangelii secundum Matthaeum, Dominus vobiscum / Deus qui nobis sub sacramento mirabili, Dominus vobiscum... Ut nobis, Domine, Easter Oratorio, BWV 249: I. Sinfonia, Easter Oratorio, BWV 249: II. Adagio, Easter Oratorio, BWV 249: III. Chorus "Kommt, eilet und laufet", Easter Oratorio, BWV 249: IV. Recitative (alto, soprano, tenor, bass) "O kalter Manner Sinn", Easter Oratorio, BWV 249: IX. Aria (alto) "Saget, saget mir geschwinde", Easter Oratorio, BWV 249: V. Aria (soprano) "Seele, deine Spezereien", Easter Oratorio, BWV 249: VI. Recitative (tenor, bass, alto) "Hier ist die Gruft", Easter Oratorio, BWV 249: VII. Aria (tenor) "Sanfte soll mein Todeskummer", Easter Oratorio, BWV 249: VIII. Recitative (soprano, alto) "Indessen seufzen wir", Easter Oratorio, BWV 249: X. Recitative (bass) "Wir sind erfreut", Easter Oratorio, BWV 249: XI. Chorus "Preis und Dank", Ego flos campi a 4, Fidelis servus et prudens, Fratres, ego enim accepi, Haec est domus / Bene fundata est / Deus, qui inivisibiliter omnia contines, Hodie Christus natus est, Hymnus: Pange lingua gloriosi / Guerrero: Nobis datus / Guerrero: Verbum caro / Gaudi: Nobis datus a 6, In medio ecclesiae aperuit os eius, Introit "Puer natus est", Ite, missa est... Deo gratias, Magnificat in D major, BWV 243: I. Chorus: "Magnificat", Magnificat in D major, BWV 243: II. Aria (soprano II) "Et exsultavit spiritus meus", Magnificat in D major, BWV 243: III. "Quia respexit humilitatem", Magnificat in D major, BWV 243: IV. "Omes generationes", Magnificat in D major, BWV 243: IX. "Esurientes implevit bonis", Magnificat in D major, BWV 243: V. "Quia fecit mihi magna", Magnificat in D major, BWV 243: VI. "Et misericordia", Magnificat in D major, BWV 243: VII. "Fecit potentiam", Magnificat in D major, BWV 243: VIII "Deposuit potentes", Magnificat in D major, BWV 243: X. "Suscepit Israel", Magnificat in D major, BWV 243: XI "Sicut locutus est", Magnificat in D major, BWV 243: XII. "Gloria Patri", Missa "Hodie Christus Natus Est": I. Kyrie, Missa "Hodie Christus Natus Est": II. Gloria, Missa "Hodie Christus Natus Est": III. Credo, Missa "Hodie Christus Natus Est": IV. Sanctus, Missa "Hodie Christus Natus Est": V. Agnus Dei, Mon seul a 7, Ora pro nobis / Ut digni efficiamur / Deus, qui meriti beatissimi, Ora pro nobis / Ut digni efficiamur / Omnipotens sempiterne Deus, Panem de caelo / Omen delectamentum, Pange lingua a 5, Per omnia saecula saeculorum... Pater noster..., Per omnia saecula saeculorum... Vere dignum et iustum est..., Psalmus I: Dixit Dominus a 16, Psalmus II: Confitebor tibi / Alternatim fabordones tono II, Psalmus III: Credidi / Alternatim fabordones a 5, tono III, Psalmus IV: Beati omnes / Alternatim fabordones, tono IV, Psalmus V: Lauda, Jerusalem / Alternatim fabordones a 6 / a 4, tono VIII, Salve Regina a 8, Sonata No. 21 con tre violini, C 224, St. Matthew Passion, BWV 244: Teil I, No. 1. Chorus "Kommt, ihr Töchter, helft mir klagen" - Choral "O Lamm Gottes, unschuldig", St. Matthew Passion, BWV 244: Teil I, No. 10. Choral "Ich bin's, ich sollte büßen", St. Matthew Passion, BWV 244: Teil I, No. 14. "Und da sie den Lobgesang gesprochen hatten" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 15. Choral "Erkenne mich, mein Hüter", St. Matthew Passion, BWV 244: Teil I, No. 17. Choral "Ich will hier bei dir stehen", St. Matthew Passion, BWV 244: Teil I, No. 19. Recitativo (Tenor I) "O Schmerz! Hier zittert das gequälte Herz", St. Matthew Passion, BWV 244: Teil I, No. 20. Aria (Tenor I) "Ich will bei meinem Jesu wachen", St. Matthew Passion, BWV 244: Teil I, No. 27a. Aria (Soprano I, Alto I) "So ist mein Jesus nun gefangen" - Chorus "Sind Blitze, sind Donner in Wolken verschwunden?", St. Matthew Passion, BWV 244: Teil I, No. 29. Choral "O Mensch, bewein dein Sünde groß", St. Matthew Passion, BWV 244: Teil I, No. 3. Choral "Herzliebster Jesu, was hast du verbrochen", St. Matthew Passion, BWV 244: Teil I, No. 4. "Da versammleten sich die Hohenpriester" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 9. "Aber am ersten Tage der süßen Brot" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 30. Aria (Alto I) "Ach, nun ist mein Jesus hin!", St. Matthew Passion, BWV 244: Teil II, No. 32. Choral "Mir hat die Welt trüglich gericht'", St. Matthew Passion, BWV 244: Teil II, No. 33. "Und wiewohl viel falsche Zeugen herzutraten" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 35. Aria (Tenor II) "Geduld! Wenn mich falsche Zungen stechen", St. Matthew Passion, BWV 244: Teil II, No. 36. "Und der Hohepriester antwortete" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 37. Choral "Wer hat dich so geschlagen", St. Matthew Passion, BWV 244: Teil II, No. 38. "Petrus aber saß draußen im Palast" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 40. Choral "Bin ich gleich von dir gewichen", St. Matthew Passion, BWV 244: Teil II, No. 41. "Des Morgens aber hielten alle Hohepriester" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 44. Choral "Befiehl du deine Wege", St. Matthew Passion, BWV 244: Teil II, No. 45. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 46. Choral "Wie wunderbarlich ist doch diese Strafe!", St. Matthew Passion, BWV 244: Teil II, No. 50. "Sie schrieen aber noch mehr" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 53. "Da nahmen die Kriegsknechte" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 54. Choral "O Haupt voll Blut und Wunden", St. Matthew Passion, BWV 244: Teil II, No. 58. "Und da sie an die Stätte kamen" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 63. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 66. "Und Joseph nahm den Leib" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 67. Recitativo (Soprano I, Alto I, Tenor, Bass I) "Nun ist der Herr zur Ruh gebracht", The Creation: Part One. The First Day: Aria "Now vanish before the holy beams" (Uriel) - Chorus "Despairing, cursing rage", The Creation: Part One. The First Day: Introduction. The Representation of Chaos, The Creation: Part One. The First Day: Recitative "In the beginning God created the heaven and the earth" (Raphael, Uriel) - Chorus "And the spirit of God", The Creation: Part One. The Fourth Day: Accompanied recitative "In brightest splendour rises now the sun" (Uriel), The Creation: Part One. The Fourth Day: Recitative "And God said: Let there be lights in the firmament of heaven" (Uriel), The Creation: Part One. The Fourth Day: Trio and Chorus "The heavens are telling the glory of God" (Gabriel, Uriel, Raphael), The Creation: Part One. The Second Day: Accompanied recitative "And God made the firmament" (Raphael), The Creation: Part One. The Second Day: Solo with Chorus "The glorious heav'nly hierarchy" (Gabriel), The Creation: Part One. The Third Day: Aria "Rolling in foaming billows" (Raphael), The Creation: Part One. The Third Day: Aria "With verdure clad the fields appear" (Gabriel), The Creation: Part One. The Third Day: Chorus "Awake the harp, the lyre awake", The Creation: Part One. The Third Day: Recitative "And God said: Let the earth bring forth grass" (Gabriel), The Creation: Part One. The Third Day: Recitative "And God said: Let the waters under the heaven be gathered together" (Raphael), The Creation: Part One. The Third Day: Recitative "And the heavenly host the third day proclaimed" (Uriel), The Creation: Part Three. Accompanied recitative "In rosy mantle now appears" (Uriel), The Creation: Part Three. Chorus "Praise the Lord, uplift your voices", The Creation: Part Three. Duet "Graceful consort!" (Adam, Eve), The Creation: Part Three. Duet with Chorus "By thee with bliss, o bounteous Lord" (Eve, Adam), The Creation: Part Three. Recitative "O happy pair" (Uriel), The Creation: Part Three. Recitative "Our duty have we now perform'd" (Adam, Eve), The Creation: Part Two. The Fifth Day: Accompanied recitative "And God created great whales" (Raphael), The Creation: Part Two. The Fifth Day: Aria "On mighty pens uplifted soars the eagle" (Gabriel), The Creation: Part Two. The Fifth Day: Recitative "And God said: Let the waters bring forth abundantly" (Gabriel), The Creation: Part Two. The Fifth Day: Recitative "And the angels struck their immortal harps" (Raphael), The Creation: Part Two. The Fifth Day: Trio "Most beautiful appear, with verdure young adorn'd" (Gabriel, Uriel, Raphael) - Chorus "The Lord is great", The Creation: Part Two. The Sixth Day: Accompanied recitative "Straight opening her fertile womb" (Raphael), The Creation: Part Two. The Sixth Day: Aria "In native worth and honour clad" (Uriel), The Creation: Part Two. The Sixth Day: Aria "Now heaven in fullest glory shines" (Raphael), The Creation: Part Two. The Sixth Day: Chorus and Trio "Achieved is the glorious work" (Gabriel, Uriel, Raphael), The Creation: Part Two. The Sixth Day: Recitative "And God created man" (Uriel), The Creation: Part Two. The Sixth Day: Recitative "And God said: Let the earth bring forth the living creature" (Raphael), The Creation: Part Two. The Sixth Day: Recitative "And God saw everything that he had made" (Raphael), Tiento para arpa. Fabordón, glosado en el tiple, tono I, Tu es Petrus a 6, Vespro della Beata Vergine, SV 206: IV. Psalmus II "Laudate pueri Dominum", Victoria: Magnificat a 12, tono VI / Cabezón: Versos para órganos 1, 2, 4, 6, 7: tono VI
Jenni Whiteside	editor	Antiphona I: Sacerdos in aeternum Christus, Antiphona II: Miserator Dominus, Antiphona III: Calicem salutaris accipiam, Antiphona IV: Sicut novellae olivarum, Antiphona V: Qui pacem ponit fines Ecclesiae, Antiphona ad Magnificat: O quam suavis est, Domine, Antiphona ad Magnificat: O quam suavis est, Domine a 6, Benedicamus Domino, Benedicamus Domino / Deo dicamus gratias / Sanctissimae Trinitati, Cançión Regina caeli laetare / Ressurrexi a 5, Cançión a 5, Cançión a 6, Deus in adjutorum / Domine ad adjuvandum, Dominus vobiscum / Deus qui nobis sub sacramento mirabili, Ego flos campi a 4, Fratres, ego enim accepi, Haec est domus / Bene fundata est / Deus, qui inivisibiliter omnia contines, Hymnus: Pange lingua gloriosi / Guerrero: Nobis datus / Guerrero: Verbum caro / Gaudi: Nobis datus a 6, Mon seul a 7, Ora pro nobis / Ut digni efficiamur / Deus, qui meriti beatissimi, Ora pro nobis / Ut digni efficiamur / Omnipotens sempiterne Deus, Panem de caelo / Omen delectamentum, Pange lingua a 5, Psalmus I: Dixit Dominus a 16, Psalmus II: Confitebor tibi / Alternatim fabordones tono II, Psalmus III: Credidi / Alternatim fabordones a 5, tono III, Psalmus IV: Beati omnes / Alternatim fabordones, tono IV, Psalmus V: Lauda, Jerusalem / Alternatim fabordones a 6 / a 4, tono VIII, Salve Regina a 8, St. Matthew Passion, BWV 244: Teil I, No. 1. Chorus "Kommt, ihr Töchter, helft mir klagen" - Choral "O Lamm Gottes, unschuldig", St. Matthew Passion, BWV 244: Teil I, No. 10. Choral "Ich bin's, ich sollte büßen", St. Matthew Passion, BWV 244: Teil I, No. 14. "Und da sie den Lobgesang gesprochen hatten" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 15. Choral "Erkenne mich, mein Hüter", St. Matthew Passion, BWV 244: Teil I, No. 17. Choral "Ich will hier bei dir stehen", St. Matthew Passion, BWV 244: Teil I, No. 19. Recitativo (Tenor I) "O Schmerz! Hier zittert das gequälte Herz", St. Matthew Passion, BWV 244: Teil I, No. 20. Aria (Tenor I) "Ich will bei meinem Jesu wachen", St. Matthew Passion, BWV 244: Teil I, No. 27a. Aria (Soprano I, Alto I) "So ist mein Jesus nun gefangen" - Chorus "Sind Blitze, sind Donner in Wolken verschwunden?", St. Matthew Passion, BWV 244: Teil I, No. 29. Choral "O Mensch, bewein dein Sünde groß", St. Matthew Passion, BWV 244: Teil I, No. 3. Choral "Herzliebster Jesu, was hast du verbrochen", St. Matthew Passion, BWV 244: Teil I, No. 4. "Da versammleten sich die Hohenpriester" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 9. "Aber am ersten Tage der süßen Brot" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 30. Aria (Alto I) "Ach, nun ist mein Jesus hin!", St. Matthew Passion, BWV 244: Teil II, No. 32. Choral "Mir hat die Welt trüglich gericht'", St. Matthew Passion, BWV 244: Teil II, No. 33. "Und wiewohl viel falsche Zeugen herzutraten" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 35. Aria (Tenor II) "Geduld! Wenn mich falsche Zungen stechen", St. Matthew Passion, BWV 244: Teil II, No. 36. "Und der Hohepriester antwortete" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 37. Choral "Wer hat dich so geschlagen", St. Matthew Passion, BWV 244: Teil II, No. 38. "Petrus aber saß draußen im Palast" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 40. Choral "Bin ich gleich von dir gewichen", St. Matthew Passion, BWV 244: Teil II, No. 41. "Des Morgens aber hielten alle Hohepriester" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 44. Choral "Befiehl du deine Wege", St. Matthew Passion, BWV 244: Teil II, No. 45. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 46. Choral "Wie wunderbarlich ist doch diese Strafe!", St. Matthew Passion, BWV 244: Teil II, No. 50. "Sie schrieen aber noch mehr" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 53. "Da nahmen die Kriegsknechte" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 54. Choral "O Haupt voll Blut und Wunden", St. Matthew Passion, BWV 244: Teil II, No. 58. "Und da sie an die Stätte kamen" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 63. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 66. "Und Joseph nahm den Leib" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 67. Recitativo (Soprano I, Alto I, Tenor, Bass I) "Nun ist der Herr zur Ruh gebracht", Tiento para arpa. Fabordón, glosado en el tiple, tono I, Tu es Petrus a 6, Victoria: Magnificat a 12, tono VI / Cabezón: Versos para órganos 1, 2, 4, 6, 7: tono VI
Neil Hutchinson	balance, engineer	Antiphona I: Sacerdos in aeternum Christus, Antiphona II: Miserator Dominus, Antiphona III: Calicem salutaris accipiam, Antiphona IV: Sicut novellae olivarum, Antiphona V: Qui pacem ponit fines Ecclesiae, Antiphona ad Magnificat: O quam suavis est, Domine, Antiphona ad Magnificat: O quam suavis est, Domine a 6, Benedicamus Domino, Benedicamus Domino / Deo dicamus gratias / Sanctissimae Trinitati, Cançión Regina caeli laetare / Ressurrexi a 5, Cançión a 5, Cançión a 6, Deus in adjutorum / Domine ad adjuvandum, Dominus vobiscum / Deus qui nobis sub sacramento mirabili, Ego flos campi a 4, Fratres, ego enim accepi, Haec est domus / Bene fundata est / Deus, qui inivisibiliter omnia contines, Hymnus: Pange lingua gloriosi / Guerrero: Nobis datus / Guerrero: Verbum caro / Gaudi: Nobis datus a 6, Mon seul a 7, Ora pro nobis / Ut digni efficiamur / Deus, qui meriti beatissimi, Ora pro nobis / Ut digni efficiamur / Omnipotens sempiterne Deus, Panem de caelo / Omen delectamentum, Pange lingua a 5, Psalmus I: Dixit Dominus a 16, Psalmus II: Confitebor tibi / Alternatim fabordones tono II, Psalmus III: Credidi / Alternatim fabordones a 5, tono III, Psalmus IV: Beati omnes / Alternatim fabordones, tono IV, Psalmus V: Lauda, Jerusalem / Alternatim fabordones a 6 / a 4, tono VIII, Salve Regina a 8, St. Matthew Passion, BWV 244: Teil I, No. 1. Chorus "Kommt, ihr Töchter, helft mir klagen" - Choral "O Lamm Gottes, unschuldig", St. Matthew Passion, BWV 244: Teil I, No. 10. Choral "Ich bin's, ich sollte büßen", St. Matthew Passion, BWV 244: Teil I, No. 14. "Und da sie den Lobgesang gesprochen hatten" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 15. Choral "Erkenne mich, mein Hüter", St. Matthew Passion, BWV 244: Teil I, No. 17. Choral "Ich will hier bei dir stehen", St. Matthew Passion, BWV 244: Teil I, No. 19. Recitativo (Tenor I) "O Schmerz! Hier zittert das gequälte Herz", St. Matthew Passion, BWV 244: Teil I, No. 20. Aria (Tenor I) "Ich will bei meinem Jesu wachen", St. Matthew Passion, BWV 244: Teil I, No. 27a. Aria (Soprano I, Alto I) "So ist mein Jesus nun gefangen" - Chorus "Sind Blitze, sind Donner in Wolken verschwunden?", St. Matthew Passion, BWV 244: Teil I, No. 29. Choral "O Mensch, bewein dein Sünde groß", St. Matthew Passion, BWV 244: Teil I, No. 3. Choral "Herzliebster Jesu, was hast du verbrochen", St. Matthew Passion, BWV 244: Teil I, No. 4. "Da versammleten sich die Hohenpriester" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 9. "Aber am ersten Tage der süßen Brot" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 30. Aria (Alto I) "Ach, nun ist mein Jesus hin!", St. Matthew Passion, BWV 244: Teil II, No. 32. Choral "Mir hat die Welt trüglich gericht'", St. Matthew Passion, BWV 244: Teil II, No. 33. "Und wiewohl viel falsche Zeugen herzutraten" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 35. Aria (Tenor II) "Geduld! Wenn mich falsche Zungen stechen", St. Matthew Passion, BWV 244: Teil II, No. 36. "Und der Hohepriester antwortete" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 37. Choral "Wer hat dich so geschlagen", St. Matthew Passion, BWV 244: Teil II, No. 38. "Petrus aber saß draußen im Palast" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 40. Choral "Bin ich gleich von dir gewichen", St. Matthew Passion, BWV 244: Teil II, No. 41. "Des Morgens aber hielten alle Hohepriester" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 44. Choral "Befiehl du deine Wege", St. Matthew Passion, BWV 244: Teil II, No. 45. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 46. Choral "Wie wunderbarlich ist doch diese Strafe!", St. Matthew Passion, BWV 244: Teil II, No. 50. "Sie schrieen aber noch mehr" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 53. "Da nahmen die Kriegsknechte" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 54. Choral "O Haupt voll Blut und Wunden", St. Matthew Passion, BWV 244: Teil II, No. 58. "Und da sie an die Stätte kamen" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 63. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 66. "Und Joseph nahm den Leib" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 67. Recitativo (Soprano I, Alto I, Tenor, Bass I) "Nun ist der Herr zur Ruh gebracht", Tiento para arpa. Fabordón, glosado en el tiple, tono I, Tu es Petrus a 6, Victoria: Magnificat a 12, tono VI / Cabezón: Versos para órganos 1, 2, 4, 6, 7: tono VI
Christopher Alder (editor/engineer/producer)	producer	Antiphona I: Sacerdos in aeternum Christus, Antiphona II: Miserator Dominus, Antiphona III: Calicem salutaris accipiam, Antiphona IV: Sicut novellae olivarum, Antiphona V: Qui pacem ponit fines Ecclesiae, Antiphona ad Magnificat: O quam suavis est, Domine, Antiphona ad Magnificat: O quam suavis est, Domine a 6, Benedicamus Domino, Benedicamus Domino / Deo dicamus gratias / Sanctissimae Trinitati, Cançión Regina caeli laetare / Ressurrexi a 5, Cançión a 5, Cançión a 6, Deus in adjutorum / Domine ad adjuvandum, Dominus vobiscum / Deus qui nobis sub sacramento mirabili, Ego flos campi a 4, Fratres, ego enim accepi, Haec est domus / Bene fundata est / Deus, qui inivisibiliter omnia contines, Hymnus: Pange lingua gloriosi / Guerrero: Nobis datus / Guerrero: Verbum caro / Gaudi: Nobis datus a 6, Mon seul a 7, Ora pro nobis / Ut digni efficiamur / Deus, qui meriti beatissimi, Ora pro nobis / Ut digni efficiamur / Omnipotens sempiterne Deus, Panem de caelo / Omen delectamentum, Pange lingua a 5, Psalmus I: Dixit Dominus a 16, Psalmus II: Confitebor tibi / Alternatim fabordones tono II, Psalmus III: Credidi / Alternatim fabordones a 5, tono III, Psalmus IV: Beati omnes / Alternatim fabordones, tono IV, Psalmus V: Lauda, Jerusalem / Alternatim fabordones a 6 / a 4, tono VIII, Salve Regina a 8, St. Matthew Passion, BWV 244: Teil I, No. 1. Chorus "Kommt, ihr Töchter, helft mir klagen" - Choral "O Lamm Gottes, unschuldig", St. Matthew Passion, BWV 244: Teil I, No. 10. Choral "Ich bin's, ich sollte büßen", St. Matthew Passion, BWV 244: Teil I, No. 14. "Und da sie den Lobgesang gesprochen hatten" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 15. Choral "Erkenne mich, mein Hüter", St. Matthew Passion, BWV 244: Teil I, No. 17. Choral "Ich will hier bei dir stehen", St. Matthew Passion, BWV 244: Teil I, No. 19. Recitativo (Tenor I) "O Schmerz! Hier zittert das gequälte Herz", St. Matthew Passion, BWV 244: Teil I, No. 20. Aria (Tenor I) "Ich will bei meinem Jesu wachen", St. Matthew Passion, BWV 244: Teil I, No. 27a. Aria (Soprano I, Alto I) "So ist mein Jesus nun gefangen" - Chorus "Sind Blitze, sind Donner in Wolken verschwunden?", St. Matthew Passion, BWV 244: Teil I, No. 29. Choral "O Mensch, bewein dein Sünde groß", St. Matthew Passion, BWV 244: Teil I, No. 3. Choral "Herzliebster Jesu, was hast du verbrochen", St. Matthew Passion, BWV 244: Teil I, No. 4. "Da versammleten sich die Hohenpriester" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 9. "Aber am ersten Tage der süßen Brot" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 30. Aria (Alto I) "Ach, nun ist mein Jesus hin!", St. Matthew Passion, BWV 244: Teil II, No. 32. Choral "Mir hat die Welt trüglich gericht'", St. Matthew Passion, BWV 244: Teil II, No. 33. "Und wiewohl viel falsche Zeugen herzutraten" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 35. Aria (Tenor II) "Geduld! Wenn mich falsche Zungen stechen", St. Matthew Passion, BWV 244: Teil II, No. 36. "Und der Hohepriester antwortete" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 37. Choral "Wer hat dich so geschlagen", St. Matthew Passion, BWV 244: Teil II, No. 38. "Petrus aber saß draußen im Palast" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 40. Choral "Bin ich gleich von dir gewichen", St. Matthew Passion, BWV 244: Teil II, No. 41. "Des Morgens aber hielten alle Hohepriester" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 44. Choral "Befiehl du deine Wege", St. Matthew Passion, BWV 244: Teil II, No. 45. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 46. Choral "Wie wunderbarlich ist doch diese Strafe!", St. Matthew Passion, BWV 244: Teil II, No. 50. "Sie schrieen aber noch mehr" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 53. "Da nahmen die Kriegsknechte" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 54. Choral "O Haupt voll Blut und Wunden", St. Matthew Passion, BWV 244: Teil II, No. 58. "Und da sie an die Stätte kamen" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 63. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 66. "Und Joseph nahm den Leib" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 67. Recitativo (Soprano I, Alto I, Tenor, Bass I) "Nun ist der Herr zur Ruh gebracht", Tiento para arpa. Fabordón, glosado en el tiple, tono I, Tu es Petrus a 6, Victoria: Magnificat a 12, tono VI / Cabezón: Versos para órganos 1, 2, 4, 6, 7: tono VI

Collaborators on this artist's recordings

Artist name	Roles	Recordings
Paul McCreesh	conductor	A Spotless Rose, Antiphona I: Sacerdos in aeternum Christus, Antiphona II: Miserator Dominus, Antiphona III: Calicem salutaris accipiam, Antiphona IV: Sicut novellae olivarum, Antiphona V: Qui pacem ponit fines Ecclesiae, Antiphona ad Magnificat: O quam suavis est, Domine, Antiphona ad Magnificat: O quam suavis est, Domine a 6, Benedicamus Domino, Benedicamus Domino / Deo dicamus gratias / Sanctissimae Trinitati, Canzoni et Sonate: Canzon XIV à 10, C 207, Canzoni et Sonate: Canzon XIX à 15, C 212, Canzoni et Sonate: Canzon XVIII à 14, C 211, Canzoni et Sonate: Canzon XX à 22, C 213, Cançión Regina caeli laetare / Ressurrexi a 5, Cançión a 5, Cançión a 6, Deus in adjutorum / Domine ad adjuvandum, Dominus vobiscum ... Deus, qui populo tuo, Dominus vobiscum ... Sequentia sancti Evangelii secundum Matthaeum, Dominus vobiscum / Deus qui nobis sub sacramento mirabili, Dominus vobiscum... Ut nobis, Domine, Easter Oratorio, BWV 249: I. Sinfonia, Easter Oratorio, BWV 249: II. Adagio, Easter Oratorio, BWV 249: III. Chorus "Kommt, eilet und laufet", Easter Oratorio, BWV 249: IV. Recitative (alto, soprano, tenor, bass) "O kalter Manner Sinn", Easter Oratorio, BWV 249: IX. Aria (alto) "Saget, saget mir geschwinde", Easter Oratorio, BWV 249: V. Aria (soprano) "Seele, deine Spezereien", Easter Oratorio, BWV 249: VI. Recitative (tenor, bass, alto) "Hier ist die Gruft", Easter Oratorio, BWV 249: VII. Aria (tenor) "Sanfte soll mein Todeskummer", Easter Oratorio, BWV 249: VIII. Recitative (soprano, alto) "Indessen seufzen wir", Easter Oratorio, BWV 249: X. Recitative (bass) "Wir sind erfreut", Easter Oratorio, BWV 249: XI. Chorus "Preis und Dank", Ego flos campi a 4, Fidelis servus et prudens, Fratres, ego enim accepi, Haec est domus / Bene fundata est / Deus, qui inivisibiliter omnia contines, Hodie Christus natus est, Hymnus: Pange lingua gloriosi / Guerrero: Nobis datus / Guerrero: Verbum caro / Gaudi: Nobis datus a 6, In medio ecclesiae aperuit os eius, Introit "Puer natus est", Ite, missa est... Deo gratias, Magnificat in D major, BWV 243: I. Chorus: "Magnificat", Magnificat in D major, BWV 243: II. Aria (soprano II) "Et exsultavit spiritus meus", Magnificat in D major, BWV 243: III. "Quia respexit humilitatem", Magnificat in D major, BWV 243: IV. "Omes generationes", Magnificat in D major, BWV 243: IX. "Esurientes implevit bonis", Magnificat in D major, BWV 243: V. "Quia fecit mihi magna", Magnificat in D major, BWV 243: VI. "Et misericordia", Magnificat in D major, BWV 243: VII. "Fecit potentiam", Magnificat in D major, BWV 243: VIII "Deposuit potentes", Magnificat in D major, BWV 243: X. "Suscepit Israel", Magnificat in D major, BWV 243: XI "Sicut locutus est", Magnificat in D major, BWV 243: XII. "Gloria Patri", Missa "Hodie Christus Natus Est": I. Kyrie, Missa "Hodie Christus Natus Est": II. Gloria, Missa "Hodie Christus Natus Est": III. Credo, Missa "Hodie Christus Natus Est": IV. Sanctus, Missa "Hodie Christus Natus Est": V. Agnus Dei, Mon seul a 7, Ora pro nobis / Ut digni efficiamur / Deus, qui meriti beatissimi, Ora pro nobis / Ut digni efficiamur / Omnipotens sempiterne Deus, Panem de caelo / Omen delectamentum, Pange lingua a 5, Per omnia saecula saeculorum... Pater noster..., Per omnia saecula saeculorum... Vere dignum et iustum est..., Psalmus I: Dixit Dominus a 16, Psalmus II: Confitebor tibi / Alternatim fabordones tono II, Psalmus III: Credidi / Alternatim fabordones a 5, tono III, Psalmus IV: Beati omnes / Alternatim fabordones, tono IV, Psalmus V: Lauda, Jerusalem / Alternatim fabordones a 6 / a 4, tono VIII, Salve Regina a 8, Sonata No. 21 con tre violini, C 224, St. Matthew Passion, BWV 244: Teil I, No. 1. Chorus "Kommt, ihr Töchter, helft mir klagen" - Choral "O Lamm Gottes, unschuldig", St. Matthew Passion, BWV 244: Teil I, No. 10. Choral "Ich bin's, ich sollte büßen", St. Matthew Passion, BWV 244: Teil I, No. 14. "Und da sie den Lobgesang gesprochen hatten" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 15. Choral "Erkenne mich, mein Hüter", St. Matthew Passion, BWV 244: Teil I, No. 17. Choral "Ich will hier bei dir stehen", St. Matthew Passion, BWV 244: Teil I, No. 19. Recitativo (Tenor I) "O Schmerz! Hier zittert das gequälte Herz", St. Matthew Passion, BWV 244: Teil I, No. 20. Aria (Tenor I) "Ich will bei meinem Jesu wachen", St. Matthew Passion, BWV 244: Teil I, No. 27a. Aria (Soprano I, Alto I) "So ist mein Jesus nun gefangen" - Chorus "Sind Blitze, sind Donner in Wolken verschwunden?", St. Matthew Passion, BWV 244: Teil I, No. 29. Choral "O Mensch, bewein dein Sünde groß", St. Matthew Passion, BWV 244: Teil I, No. 3. Choral "Herzliebster Jesu, was hast du verbrochen", St. Matthew Passion, BWV 244: Teil I, No. 4. "Da versammleten sich die Hohenpriester" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 9. "Aber am ersten Tage der süßen Brot" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 30. Aria (Alto I) "Ach, nun ist mein Jesus hin!", St. Matthew Passion, BWV 244: Teil II, No. 32. Choral "Mir hat die Welt trüglich gericht'", St. Matthew Passion, BWV 244: Teil II, No. 33. "Und wiewohl viel falsche Zeugen herzutraten" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 35. Aria (Tenor II) "Geduld! Wenn mich falsche Zungen stechen", St. Matthew Passion, BWV 244: Teil II, No. 36. "Und der Hohepriester antwortete" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 37. Choral "Wer hat dich so geschlagen", St. Matthew Passion, BWV 244: Teil II, No. 38. "Petrus aber saß draußen im Palast" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 40. Choral "Bin ich gleich von dir gewichen", St. Matthew Passion, BWV 244: Teil II, No. 41. "Des Morgens aber hielten alle Hohepriester" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 44. Choral "Befiehl du deine Wege", St. Matthew Passion, BWV 244: Teil II, No. 45. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 46. Choral "Wie wunderbarlich ist doch diese Strafe!", St. Matthew Passion, BWV 244: Teil II, No. 50. "Sie schrieen aber noch mehr" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 53. "Da nahmen die Kriegsknechte" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 54. Choral "O Haupt voll Blut und Wunden", St. Matthew Passion, BWV 244: Teil II, No. 58. "Und da sie an die Stätte kamen" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 63. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 66. "Und Joseph nahm den Leib" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 67. Recitativo (Soprano I, Alto I, Tenor, Bass I) "Nun ist der Herr zur Ruh gebracht", The Creation: Part One. The First Day: Aria "Now vanish before the holy beams" (Uriel) - Chorus "Despairing, cursing rage", The Creation: Part One. The First Day: Introduction. The Representation of Chaos, The Creation: Part One. The First Day: Recitative "In the beginning God created the heaven and the earth" (Raphael, Uriel) - Chorus "And the spirit of God", The Creation: Part One. The Fourth Day: Accompanied recitative "In brightest splendour rises now the sun" (Uriel), The Creation: Part One. The Fourth Day: Recitative "And God said: Let there be lights in the firmament of heaven" (Uriel), The Creation: Part One. The Fourth Day: Trio and Chorus "The heavens are telling the glory of God" (Gabriel, Uriel, Raphael), The Creation: Part One. The Second Day: Accompanied recitative "And God made the firmament" (Raphael), The Creation: Part One. The Second Day: Solo with Chorus "The glorious heav'nly hierarchy" (Gabriel), The Creation: Part One. The Third Day: Aria "Rolling in foaming billows" (Raphael), The Creation: Part One. The Third Day: Aria "With verdure clad the fields appear" (Gabriel), The Creation: Part One. The Third Day: Chorus "Awake the harp, the lyre awake", The Creation: Part One. The Third Day: Recitative "And God said: Let the earth bring forth grass" (Gabriel), The Creation: Part One. The Third Day: Recitative "And God said: Let the waters under the heaven be gathered together" (Raphael), The Creation: Part One. The Third Day: Recitative "And the heavenly host the third day proclaimed" (Uriel), The Creation: Part Three. Accompanied recitative "In rosy mantle now appears" (Uriel), The Creation: Part Three. Chorus "Praise the Lord, uplift your voices", The Creation: Part Three. Duet "Graceful consort!" (Adam, Eve), The Creation: Part Three. Duet with Chorus "By thee with bliss, o bounteous Lord" (Eve, Adam), The Creation: Part Three. Recitative "O happy pair" (Uriel), The Creation: Part Three. Recitative "Our duty have we now perform'd" (Adam, Eve), The Creation: Part Two. The Fifth Day: Accompanied recitative "And God created great whales" (Raphael), The Creation: Part Two. The Fifth Day: Aria "On mighty pens uplifted soars the eagle" (Gabriel), The Creation: Part Two. The Fifth Day: Recitative "And God said: Let the waters bring forth abundantly" (Gabriel), The Creation: Part Two. The Fifth Day: Recitative "And the angels struck their immortal harps" (Raphael), The Creation: Part Two. The Fifth Day: Trio "Most beautiful appear, with verdure young adorn'd" (Gabriel, Uriel, Raphael) - Chorus "The Lord is great", The Creation: Part Two. The Sixth Day: Accompanied recitative "Straight opening her fertile womb" (Raphael), The Creation: Part Two. The Sixth Day: Aria "In native worth and honour clad" (Uriel), The Creation: Part Two. The Sixth Day: Aria "Now heaven in fullest glory shines" (Raphael), The Creation: Part Two. The Sixth Day: Chorus and Trio "Achieved is the glorious work" (Gabriel, Uriel, Raphael), The Creation: Part Two. The Sixth Day: Recitative "And God created man" (Uriel), The Creation: Part Two. The Sixth Day: Recitative "And God said: Let the earth bring forth the living creature" (Raphael), The Creation: Part Two. The Sixth Day: Recitative "And God saw everything that he had made" (Raphael), Tiento para arpa. Fabordón, glosado en el tiple, tono I, Tu es Petrus a 6, Vespro della Beata Vergine, SV 206: IV. Psalmus II "Laudate pueri Dominum", Victoria: Magnificat a 12, tono VI / Cabezón: Versos para órganos 1, 2, 4, 6, 7: tono VI
Gabrieli Consort & Players	performer, performing orchestra, vocal	A Spotless Rose, Antiphona I: Sacerdos in aeternum Christus, Antiphona II: Miserator Dominus, Antiphona III: Calicem salutaris accipiam, Antiphona IV: Sicut novellae olivarum, Antiphona V: Qui pacem ponit fines Ecclesiae, Antiphona ad Magnificat: O quam suavis est, Domine, Antiphona ad Magnificat: O quam suavis est, Domine a 6, Benedicamus Domino, Benedicamus Domino / Deo dicamus gratias / Sanctissimae Trinitati, Canzoni et Sonate: Canzon XIV à 10, C 207, Canzoni et Sonate: Canzon XIX à 15, C 212, Canzoni et Sonate: Canzon XVIII à 14, C 211, Canzoni et Sonate: Canzon XX à 22, C 213, Cançión Regina caeli laetare / Ressurrexi a 5, Cançión a 5, Cançión a 6, Deus in adjutorum / Domine ad adjuvandum, Dominus vobiscum ... Deus, qui populo tuo, Dominus vobiscum ... Sequentia sancti Evangelii secundum Matthaeum, Dominus vobiscum / Deus qui nobis sub sacramento mirabili, Dominus vobiscum... Ut nobis, Domine, Easter Oratorio, BWV 249: I. Sinfonia, Easter Oratorio, BWV 249: II. Adagio, Easter Oratorio, BWV 249: III. Chorus "Kommt, eilet und laufet", Easter Oratorio, BWV 249: IV. Recitative (alto, soprano, tenor, bass) "O kalter Manner Sinn", Easter Oratorio, BWV 249: IX. Aria (alto) "Saget, saget mir geschwinde", Easter Oratorio, BWV 249: V. Aria (soprano) "Seele, deine Spezereien", Easter Oratorio, BWV 249: VI. Recitative (tenor, bass, alto) "Hier ist die Gruft", Easter Oratorio, BWV 249: VII. Aria (tenor) "Sanfte soll mein Todeskummer", Easter Oratorio, BWV 249: VIII. Recitative (soprano, alto) "Indessen seufzen wir", Easter Oratorio, BWV 249: X. Recitative (bass) "Wir sind erfreut", Easter Oratorio, BWV 249: XI. Chorus "Preis und Dank", Ego flos campi a 4, Fidelis servus et prudens, Fratres, ego enim accepi, Haec est domus / Bene fundata est / Deus, qui inivisibiliter omnia contines, Hodie Christus natus est, Hymnus: Pange lingua gloriosi / Guerrero: Nobis datus / Guerrero: Verbum caro / Gaudi: Nobis datus a 6, In medio ecclesiae aperuit os eius, Introit "Puer natus est", Ite, missa est... Deo gratias, Magnificat in D major, BWV 243: I. Chorus: "Magnificat", Magnificat in D major, BWV 243: II. Aria (soprano II) "Et exsultavit spiritus meus", Magnificat in D major, BWV 243: III. "Quia respexit humilitatem", Magnificat in D major, BWV 243: IV. "Omes generationes", Magnificat in D major, BWV 243: IX. "Esurientes implevit bonis", Magnificat in D major, BWV 243: V. "Quia fecit mihi magna", Magnificat in D major, BWV 243: VI. "Et misericordia", Magnificat in D major, BWV 243: VII. "Fecit potentiam", Magnificat in D major, BWV 243: VIII "Deposuit potentes", Magnificat in D major, BWV 243: X. "Suscepit Israel", Magnificat in D major, BWV 243: XI "Sicut locutus est", Magnificat in D major, BWV 243: XII. "Gloria Patri", Missa "Hodie Christus Natus Est": I. Kyrie, Missa "Hodie Christus Natus Est": II. Gloria, Missa "Hodie Christus Natus Est": III. Credo, Missa "Hodie Christus Natus Est": IV. Sanctus, Missa "Hodie Christus Natus Est": V. Agnus Dei, Mon seul a 7, Ora pro nobis / Ut digni efficiamur / Deus, qui meriti beatissimi, Ora pro nobis / Ut digni efficiamur / Omnipotens sempiterne Deus, Panem de caelo / Omen delectamentum, Pange lingua a 5, Per omnia saecula saeculorum... Pater noster..., Per omnia saecula saeculorum... Vere dignum et iustum est..., Psalmus I: Dixit Dominus a 16, Psalmus II: Confitebor tibi / Alternatim fabordones tono II, Psalmus III: Credidi / Alternatim fabordones a 5, tono III, Psalmus IV: Beati omnes / Alternatim fabordones, tono IV, Psalmus V: Lauda, Jerusalem / Alternatim fabordones a 6 / a 4, tono VIII, Salve Regina a 8, Sonata No. 21 con tre violini, C 224, St. Matthew Passion, BWV 244: Teil I, No. 1. Chorus "Kommt, ihr Töchter, helft mir klagen" - Choral "O Lamm Gottes, unschuldig", St. Matthew Passion, BWV 244: Teil I, No. 10. Choral "Ich bin's, ich sollte büßen", St. Matthew Passion, BWV 244: Teil I, No. 14. "Und da sie den Lobgesang gesprochen hatten" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 15. Choral "Erkenne mich, mein Hüter", St. Matthew Passion, BWV 244: Teil I, No. 17. Choral "Ich will hier bei dir stehen", St. Matthew Passion, BWV 244: Teil I, No. 19. Recitativo (Tenor I) "O Schmerz! Hier zittert das gequälte Herz", St. Matthew Passion, BWV 244: Teil I, No. 20. Aria (Tenor I) "Ich will bei meinem Jesu wachen", St. Matthew Passion, BWV 244: Teil I, No. 27a. Aria (Soprano I, Alto I) "So ist mein Jesus nun gefangen" - Chorus "Sind Blitze, sind Donner in Wolken verschwunden?", St. Matthew Passion, BWV 244: Teil I, No. 29. Choral "O Mensch, bewein dein Sünde groß", St. Matthew Passion, BWV 244: Teil I, No. 3. Choral "Herzliebster Jesu, was hast du verbrochen", St. Matthew Passion, BWV 244: Teil I, No. 4. "Da versammleten sich die Hohenpriester" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 9. "Aber am ersten Tage der süßen Brot" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 30. Aria (Alto I) "Ach, nun ist mein Jesus hin!", St. Matthew Passion, BWV 244: Teil II, No. 32. Choral "Mir hat die Welt trüglich gericht'", St. Matthew Passion, BWV 244: Teil II, No. 33. "Und wiewohl viel falsche Zeugen herzutraten" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 35. Aria (Tenor II) "Geduld! Wenn mich falsche Zungen stechen", St. Matthew Passion, BWV 244: Teil II, No. 36. "Und der Hohepriester antwortete" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 37. Choral "Wer hat dich so geschlagen", St. Matthew Passion, BWV 244: Teil II, No. 38. "Petrus aber saß draußen im Palast" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 40. Choral "Bin ich gleich von dir gewichen", St. Matthew Passion, BWV 244: Teil II, No. 41. "Des Morgens aber hielten alle Hohepriester" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 44. Choral "Befiehl du deine Wege", St. Matthew Passion, BWV 244: Teil II, No. 45. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 46. Choral "Wie wunderbarlich ist doch diese Strafe!", St. Matthew Passion, BWV 244: Teil II, No. 50. "Sie schrieen aber noch mehr" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 53. "Da nahmen die Kriegsknechte" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 54. Choral "O Haupt voll Blut und Wunden", St. Matthew Passion, BWV 244: Teil II, No. 58. "Und da sie an die Stätte kamen" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 63. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 66. "Und Joseph nahm den Leib" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 67. Recitativo (Soprano I, Alto I, Tenor, Bass I) "Nun ist der Herr zur Ruh gebracht", The Creation: Part One. The First Day: Aria "Now vanish before the holy beams" (Uriel) - Chorus "Despairing, cursing rage", The Creation: Part One. The First Day: Introduction. The Representation of Chaos, The Creation: Part One. The First Day: Recitative "In the beginning God created the heaven and the earth" (Raphael, Uriel) - Chorus "And the spirit of God", The Creation: Part One. The Fourth Day: Accompanied recitative "In brightest splendour rises now the sun" (Uriel), The Creation: Part One. The Fourth Day: Recitative "And God said: Let there be lights in the firmament of heaven" (Uriel), The Creation: Part One. The Fourth Day: Trio and Chorus "The heavens are telling the glory of God" (Gabriel, Uriel, Raphael), The Creation: Part One. The Second Day: Accompanied recitative "And God made the firmament" (Raphael), The Creation: Part One. The Second Day: Solo with Chorus "The glorious heav'nly hierarchy" (Gabriel), The Creation: Part One. The Third Day: Aria "Rolling in foaming billows" (Raphael), The Creation: Part One. The Third Day: Aria "With verdure clad the fields appear" (Gabriel), The Creation: Part One. The Third Day: Chorus "Awake the harp, the lyre awake", The Creation: Part One. The Third Day: Recitative "And God said: Let the earth bring forth grass" (Gabriel), The Creation: Part One. The Third Day: Recitative "And God said: Let the waters under the heaven be gathered together" (Raphael), The Creation: Part One. The Third Day: Recitative "And the heavenly host the third day proclaimed" (Uriel), The Creation: Part Three. Accompanied recitative "In rosy mantle now appears" (Uriel), The Creation: Part Three. Chorus "Praise the Lord, uplift your voices", The Creation: Part Three. Duet "Graceful consort!" (Adam, Eve), The Creation: Part Three. Duet with Chorus "By thee with bliss, o bounteous Lord" (Eve, Adam), The Creation: Part Three. Recitative "O happy pair" (Uriel), The Creation: Part Three. Recitative "Our duty have we now perform'd" (Adam, Eve), The Creation: Part Two. The Fifth Day: Accompanied recitative "And God created great whales" (Raphael), The Creation: Part Two. The Fifth Day: Aria "On mighty pens uplifted soars the eagle" (Gabriel), The Creation: Part Two. The Fifth Day: Recitative "And God said: Let the waters bring forth abundantly" (Gabriel), The Creation: Part Two. The Fifth Day: Recitative "And the angels struck their immortal harps" (Raphael), The Creation: Part Two. The Fifth Day: Trio "Most beautiful appear, with verdure young adorn'd" (Gabriel, Uriel, Raphael) - Chorus "The Lord is great", The Creation: Part Two. The Sixth Day: Accompanied recitative "Straight opening her fertile womb" (Raphael), The Creation: Part Two. The Sixth Day: Aria "In native worth and honour clad" (Uriel), The Creation: Part Two. The Sixth Day: Aria "Now heaven in fullest glory shines" (Raphael), The Creation: Part Two. The Sixth Day: Chorus and Trio "Achieved is the glorious work" (Gabriel, Uriel, Raphael), The Creation: Part Two. The Sixth Day: Recitative "And God created man" (Uriel), The Creation: Part Two. The Sixth Day: Recitative "And God said: Let the earth bring forth the living creature" (Raphael), The Creation: Part Two. The Sixth Day: Recitative "And God saw everything that he had made" (Raphael), Tiento para arpa. Fabordón, glosado en el tiple, tono I, Tu es Petrus a 6, Vespro della Beata Vergine, SV 206: IV. Psalmus II "Laudate pueri Dominum", Victoria: Magnificat a 12, tono VI / Cabezón: Versos para órganos 1, 2, 4, 6, 7: tono VI
Jenni Whiteside	editor	Antiphona I: Sacerdos in aeternum Christus, Antiphona II: Miserator Dominus, Antiphona III: Calicem salutaris accipiam, Antiphona IV: Sicut novellae olivarum, Antiphona V: Qui pacem ponit fines Ecclesiae, Antiphona ad Magnificat: O quam suavis est, Domine, Antiphona ad Magnificat: O quam suavis est, Domine a 6, Benedicamus Domino, Benedicamus Domino / Deo dicamus gratias / Sanctissimae Trinitati, Cançión Regina caeli laetare / Ressurrexi a 5, Cançión a 5, Cançión a 6, Deus in adjutorum / Domine ad adjuvandum, Dominus vobiscum / Deus qui nobis sub sacramento mirabili, Ego flos campi a 4, Fratres, ego enim accepi, Haec est domus / Bene fundata est / Deus, qui inivisibiliter omnia contines, Hymnus: Pange lingua gloriosi / Guerrero: Nobis datus / Guerrero: Verbum caro / Gaudi: Nobis datus a 6, Mon seul a 7, Ora pro nobis / Ut digni efficiamur / Deus, qui meriti beatissimi, Ora pro nobis / Ut digni efficiamur / Omnipotens sempiterne Deus, Panem de caelo / Omen delectamentum, Pange lingua a 5, Psalmus I: Dixit Dominus a 16, Psalmus II: Confitebor tibi / Alternatim fabordones tono II, Psalmus III: Credidi / Alternatim fabordones a 5, tono III, Psalmus IV: Beati omnes / Alternatim fabordones, tono IV, Psalmus V: Lauda, Jerusalem / Alternatim fabordones a 6 / a 4, tono VIII, Salve Regina a 8, St. Matthew Passion, BWV 244: Teil I, No. 1. Chorus "Kommt, ihr Töchter, helft mir klagen" - Choral "O Lamm Gottes, unschuldig", St. Matthew Passion, BWV 244: Teil I, No. 10. Choral "Ich bin's, ich sollte büßen", St. Matthew Passion, BWV 244: Teil I, No. 14. "Und da sie den Lobgesang gesprochen hatten" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 15. Choral "Erkenne mich, mein Hüter", St. Matthew Passion, BWV 244: Teil I, No. 17. Choral "Ich will hier bei dir stehen", St. Matthew Passion, BWV 244: Teil I, No. 19. Recitativo (Tenor I) "O Schmerz! Hier zittert das gequälte Herz", St. Matthew Passion, BWV 244: Teil I, No. 20. Aria (Tenor I) "Ich will bei meinem Jesu wachen", St. Matthew Passion, BWV 244: Teil I, No. 27a. Aria (Soprano I, Alto I) "So ist mein Jesus nun gefangen" - Chorus "Sind Blitze, sind Donner in Wolken verschwunden?", St. Matthew Passion, BWV 244: Teil I, No. 29. Choral "O Mensch, bewein dein Sünde groß", St. Matthew Passion, BWV 244: Teil I, No. 3. Choral "Herzliebster Jesu, was hast du verbrochen", St. Matthew Passion, BWV 244: Teil I, No. 4. "Da versammleten sich die Hohenpriester" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 9. "Aber am ersten Tage der süßen Brot" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 30. Aria (Alto I) "Ach, nun ist mein Jesus hin!", St. Matthew Passion, BWV 244: Teil II, No. 32. Choral "Mir hat die Welt trüglich gericht'", St. Matthew Passion, BWV 244: Teil II, No. 33. "Und wiewohl viel falsche Zeugen herzutraten" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 35. Aria (Tenor II) "Geduld! Wenn mich falsche Zungen stechen", St. Matthew Passion, BWV 244: Teil II, No. 36. "Und der Hohepriester antwortete" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 37. Choral "Wer hat dich so geschlagen", St. Matthew Passion, BWV 244: Teil II, No. 38. "Petrus aber saß draußen im Palast" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 40. Choral "Bin ich gleich von dir gewichen", St. Matthew Passion, BWV 244: Teil II, No. 41. "Des Morgens aber hielten alle Hohepriester" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 44. Choral "Befiehl du deine Wege", St. Matthew Passion, BWV 244: Teil II, No. 45. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 46. Choral "Wie wunderbarlich ist doch diese Strafe!", St. Matthew Passion, BWV 244: Teil II, No. 50. "Sie schrieen aber noch mehr" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 53. "Da nahmen die Kriegsknechte" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 54. Choral "O Haupt voll Blut und Wunden", St. Matthew Passion, BWV 244: Teil II, No. 58. "Und da sie an die Stätte kamen" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 63. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 66. "Und Joseph nahm den Leib" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 67. Recitativo (Soprano I, Alto I, Tenor, Bass I) "Nun ist der Herr zur Ruh gebracht", Tiento para arpa. Fabordón, glosado en el tiple, tono I, Tu es Petrus a 6, Victoria: Magnificat a 12, tono VI / Cabezón: Versos para órganos 1, 2, 4, 6, 7: tono VI
Neil Hutchinson	balance, engineer	Antiphona I: Sacerdos in aeternum Christus, Antiphona II: Miserator Dominus, Antiphona III: Calicem salutaris accipiam, Antiphona IV: Sicut novellae olivarum, Antiphona V: Qui pacem ponit fines Ecclesiae, Antiphona ad Magnificat: O quam suavis est, Domine, Antiphona ad Magnificat: O quam suavis est, Domine a 6, Benedicamus Domino, Benedicamus Domino / Deo dicamus gratias / Sanctissimae Trinitati, Cançión Regina caeli laetare / Ressurrexi a 5, Cançión a 5, Cançión a 6, Deus in adjutorum / Domine ad adjuvandum, Dominus vobiscum / Deus qui nobis sub sacramento mirabili, Ego flos campi a 4, Fratres, ego enim accepi, Haec est domus / Bene fundata est / Deus, qui inivisibiliter omnia contines, Hymnus: Pange lingua gloriosi / Guerrero: Nobis datus / Guerrero: Verbum caro / Gaudi: Nobis datus a 6, Mon seul a 7, Ora pro nobis / Ut digni efficiamur / Deus, qui meriti beatissimi, Ora pro nobis / Ut digni efficiamur / Omnipotens sempiterne Deus, Panem de caelo / Omen delectamentum, Pange lingua a 5, Psalmus I: Dixit Dominus a 16, Psalmus II: Confitebor tibi / Alternatim fabordones tono II, Psalmus III: Credidi / Alternatim fabordones a 5, tono III, Psalmus IV: Beati omnes / Alternatim fabordones, tono IV, Psalmus V: Lauda, Jerusalem / Alternatim fabordones a 6 / a 4, tono VIII, Salve Regina a 8, St. Matthew Passion, BWV 244: Teil I, No. 1. Chorus "Kommt, ihr Töchter, helft mir klagen" - Choral "O Lamm Gottes, unschuldig", St. Matthew Passion, BWV 244: Teil I, No. 10. Choral "Ich bin's, ich sollte büßen", St. Matthew Passion, BWV 244: Teil I, No. 14. "Und da sie den Lobgesang gesprochen hatten" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 15. Choral "Erkenne mich, mein Hüter", St. Matthew Passion, BWV 244: Teil I, No. 17. Choral "Ich will hier bei dir stehen", St. Matthew Passion, BWV 244: Teil I, No. 19. Recitativo (Tenor I) "O Schmerz! Hier zittert das gequälte Herz", St. Matthew Passion, BWV 244: Teil I, No. 20. Aria (Tenor I) "Ich will bei meinem Jesu wachen", St. Matthew Passion, BWV 244: Teil I, No. 27a. Aria (Soprano I, Alto I) "So ist mein Jesus nun gefangen" - Chorus "Sind Blitze, sind Donner in Wolken verschwunden?", St. Matthew Passion, BWV 244: Teil I, No. 29. Choral "O Mensch, bewein dein Sünde groß", St. Matthew Passion, BWV 244: Teil I, No. 3. Choral "Herzliebster Jesu, was hast du verbrochen", St. Matthew Passion, BWV 244: Teil I, No. 4. "Da versammleten sich die Hohenpriester" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 9. "Aber am ersten Tage der süßen Brot" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 30. Aria (Alto I) "Ach, nun ist mein Jesus hin!", St. Matthew Passion, BWV 244: Teil II, No. 32. Choral "Mir hat die Welt trüglich gericht'", St. Matthew Passion, BWV 244: Teil II, No. 33. "Und wiewohl viel falsche Zeugen herzutraten" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 35. Aria (Tenor II) "Geduld! Wenn mich falsche Zungen stechen", St. Matthew Passion, BWV 244: Teil II, No. 36. "Und der Hohepriester antwortete" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 37. Choral "Wer hat dich so geschlagen", St. Matthew Passion, BWV 244: Teil II, No. 38. "Petrus aber saß draußen im Palast" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 40. Choral "Bin ich gleich von dir gewichen", St. Matthew Passion, BWV 244: Teil II, No. 41. "Des Morgens aber hielten alle Hohepriester" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 44. Choral "Befiehl du deine Wege", St. Matthew Passion, BWV 244: Teil II, No. 45. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 46. Choral "Wie wunderbarlich ist doch diese Strafe!", St. Matthew Passion, BWV 244: Teil II, No. 50. "Sie schrieen aber noch mehr" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 53. "Da nahmen die Kriegsknechte" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 54. Choral "O Haupt voll Blut und Wunden", St. Matthew Passion, BWV 244: Teil II, No. 58. "Und da sie an die Stätte kamen" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 63. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 66. "Und Joseph nahm den Leib" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 67. Recitativo (Soprano I, Alto I, Tenor, Bass I) "Nun ist der Herr zur Ruh gebracht", Tiento para arpa. Fabordón, glosado en el tiple, tono I, Tu es Petrus a 6, Victoria: Magnificat a 12, tono VI / Cabezón: Versos para órganos 1, 2, 4, 6, 7: tono VI
Christopher Alder (editor/engineer/producer)	producer	Antiphona I: Sacerdos in aeternum Christus, Antiphona II: Miserator Dominus, Antiphona III: Calicem salutaris accipiam, Antiphona IV: Sicut novellae olivarum, Antiphona V: Qui pacem ponit fines Ecclesiae, Antiphona ad Magnificat: O quam suavis est, Domine, Antiphona ad Magnificat: O quam suavis est, Domine a 6, Benedicamus Domino, Benedicamus Domino / Deo dicamus gratias / Sanctissimae Trinitati, Cançión Regina caeli laetare / Ressurrexi a 5, Cançión a 5, Cançión a 6, Deus in adjutorum / Domine ad adjuvandum, Dominus vobiscum / Deus qui nobis sub sacramento mirabili, Ego flos campi a 4, Fratres, ego enim accepi, Haec est domus / Bene fundata est / Deus, qui inivisibiliter omnia contines, Hymnus: Pange lingua gloriosi / Guerrero: Nobis datus / Guerrero: Verbum caro / Gaudi: Nobis datus a 6, Mon seul a 7, Ora pro nobis / Ut digni efficiamur / Deus, qui meriti beatissimi, Ora pro nobis / Ut digni efficiamur / Omnipotens sempiterne Deus, Panem de caelo / Omen delectamentum, Pange lingua a 5, Psalmus I: Dixit Dominus a 16, Psalmus II: Confitebor tibi / Alternatim fabordones tono II, Psalmus III: Credidi / Alternatim fabordones a 5, tono III, Psalmus IV: Beati omnes / Alternatim fabordones, tono IV, Psalmus V: Lauda, Jerusalem / Alternatim fabordones a 6 / a 4, tono VIII, Salve Regina a 8, St. Matthew Passion, BWV 244: Teil I, No. 1. Chorus "Kommt, ihr Töchter, helft mir klagen" - Choral "O Lamm Gottes, unschuldig", St. Matthew Passion, BWV 244: Teil I, No. 10. Choral "Ich bin's, ich sollte büßen", St. Matthew Passion, BWV 244: Teil I, No. 14. "Und da sie den Lobgesang gesprochen hatten" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 15. Choral "Erkenne mich, mein Hüter", St. Matthew Passion, BWV 244: Teil I, No. 17. Choral "Ich will hier bei dir stehen", St. Matthew Passion, BWV 244: Teil I, No. 19. Recitativo (Tenor I) "O Schmerz! Hier zittert das gequälte Herz", St. Matthew Passion, BWV 244: Teil I, No. 20. Aria (Tenor I) "Ich will bei meinem Jesu wachen", St. Matthew Passion, BWV 244: Teil I, No. 27a. Aria (Soprano I, Alto I) "So ist mein Jesus nun gefangen" - Chorus "Sind Blitze, sind Donner in Wolken verschwunden?", St. Matthew Passion, BWV 244: Teil I, No. 29. Choral "O Mensch, bewein dein Sünde groß", St. Matthew Passion, BWV 244: Teil I, No. 3. Choral "Herzliebster Jesu, was hast du verbrochen", St. Matthew Passion, BWV 244: Teil I, No. 4. "Da versammleten sich die Hohenpriester" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 9. "Aber am ersten Tage der süßen Brot" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 30. Aria (Alto I) "Ach, nun ist mein Jesus hin!", St. Matthew Passion, BWV 244: Teil II, No. 32. Choral "Mir hat die Welt trüglich gericht'", St. Matthew Passion, BWV 244: Teil II, No. 33. "Und wiewohl viel falsche Zeugen herzutraten" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 35. Aria (Tenor II) "Geduld! Wenn mich falsche Zungen stechen", St. Matthew Passion, BWV 244: Teil II, No. 36. "Und der Hohepriester antwortete" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 37. Choral "Wer hat dich so geschlagen", St. Matthew Passion, BWV 244: Teil II, No. 38. "Petrus aber saß draußen im Palast" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 40. Choral "Bin ich gleich von dir gewichen", St. Matthew Passion, BWV 244: Teil II, No. 41. "Des Morgens aber hielten alle Hohepriester" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 44. Choral "Befiehl du deine Wege", St. Matthew Passion, BWV 244: Teil II, No. 45. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 46. Choral "Wie wunderbarlich ist doch diese Strafe!", St. Matthew Passion, BWV 244: Teil II, No. 50. "Sie schrieen aber noch mehr" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 53. "Da nahmen die Kriegsknechte" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 54. Choral "O Haupt voll Blut und Wunden", St. Matthew Passion, BWV 244: Teil II, No. 58. "Und da sie an die Stätte kamen" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 63. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 66. "Und Joseph nahm den Leib" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 67. Recitativo (Soprano I, Alto I, Tenor, Bass I) "Nun ist der Herr zur Ruh gebracht", Tiento para arpa. Fabordón, glosado en el tiple, tono I, Tu es Petrus a 6, Victoria: Magnificat a 12, tono VI / Cabezón: Versos para órganos 1, 2, 4, 6, 7: tono VI
Graham Meek	recording	Antiphona I: Sacerdos in aeternum Christus, Antiphona II: Miserator Dominus, Antiphona III: Calicem salutaris accipiam, Antiphona IV: Sicut novellae olivarum, Antiphona V: Qui pacem ponit fines Ecclesiae, Antiphona ad Magnificat: O quam suavis est, Domine, Antiphona ad Magnificat: O quam suavis est, Domine a 6, Benedicamus Domino, Benedicamus Domino / Deo dicamus gratias / Sanctissimae Trinitati, Cançión Regina caeli laetare / Ressurrexi a 5, Cançión a 5, Cançión a 6, Deus in adjutorum / Domine ad adjuvandum, Dominus vobiscum / Deus qui nobis sub sacramento mirabili, Ego flos campi a 4, Fratres, ego enim accepi, Haec est domus / Bene fundata est / Deus, qui inivisibiliter omnia contines, Hymnus: Pange lingua gloriosi / Guerrero: Nobis datus / Guerrero: Verbum caro / Gaudi: Nobis datus a 6, Mon seul a 7, Ora pro nobis / Ut digni efficiamur / Deus, qui meriti beatissimi, Ora pro nobis / Ut digni efficiamur / Omnipotens sempiterne Deus, Panem de caelo / Omen delectamentum, Pange lingua a 5, Psalmus I: Dixit Dominus a 16, Psalmus II: Confitebor tibi / Alternatim fabordones tono II, Psalmus III: Credidi / Alternatim fabordones a 5, tono III, Psalmus IV: Beati omnes / Alternatim fabordones, tono IV, Psalmus V: Lauda, Jerusalem / Alternatim fabordones a 6 / a 4, tono VIII, Salve Regina a 8, St. Matthew Passion, BWV 244: Teil I, No. 1. Chorus "Kommt, ihr Töchter, helft mir klagen" - Choral "O Lamm Gottes, unschuldig", St. Matthew Passion, BWV 244: Teil I, No. 10. Choral "Ich bin's, ich sollte büßen", St. Matthew Passion, BWV 244: Teil I, No. 14. "Und da sie den Lobgesang gesprochen hatten" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 15. Choral "Erkenne mich, mein Hüter", St. Matthew Passion, BWV 244: Teil I, No. 17. Choral "Ich will hier bei dir stehen", St. Matthew Passion, BWV 244: Teil I, No. 19. Recitativo (Tenor I) "O Schmerz! Hier zittert das gequälte Herz", St. Matthew Passion, BWV 244: Teil I, No. 20. Aria (Tenor I) "Ich will bei meinem Jesu wachen", St. Matthew Passion, BWV 244: Teil I, No. 27a. Aria (Soprano I, Alto I) "So ist mein Jesus nun gefangen" - Chorus "Sind Blitze, sind Donner in Wolken verschwunden?", St. Matthew Passion, BWV 244: Teil I, No. 29. Choral "O Mensch, bewein dein Sünde groß", St. Matthew Passion, BWV 244: Teil I, No. 3. Choral "Herzliebster Jesu, was hast du verbrochen", St. Matthew Passion, BWV 244: Teil I, No. 4. "Da versammleten sich die Hohenpriester" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 9. "Aber am ersten Tage der süßen Brot" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 30. Aria (Alto I) "Ach, nun ist mein Jesus hin!", St. Matthew Passion, BWV 244: Teil II, No. 32. Choral "Mir hat die Welt trüglich gericht'", St. Matthew Passion, BWV 244: Teil II, No. 33. "Und wiewohl viel falsche Zeugen herzutraten" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 35. Aria (Tenor II) "Geduld! Wenn mich falsche Zungen stechen", St. Matthew Passion, BWV 244: Teil II, No. 36. "Und der Hohepriester antwortete" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 37. Choral "Wer hat dich so geschlagen", St. Matthew Passion, BWV 244: Teil II, No. 38. "Petrus aber saß draußen im Palast" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 40. Choral "Bin ich gleich von dir gewichen", St. Matthew Passion, BWV 244: Teil II, No. 41. "Des Morgens aber hielten alle Hohepriester" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 44. Choral "Befiehl du deine Wege", St. Matthew Passion, BWV 244: Teil II, No. 45. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 46. Choral "Wie wunderbarlich ist doch diese Strafe!", St. Matthew Passion, BWV 244: Teil II, No. 50. "Sie schrieen aber noch mehr" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 53. "Da nahmen die Kriegsknechte" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 54. Choral "O Haupt voll Blut und Wunden", St. Matthew Passion, BWV 244: Teil II, No. 58. "Und da sie an die Stätte kamen" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 63. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 66. "Und Joseph nahm den Leib" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 67. Recitativo (Soprano I, Alto I, Tenor, Bass I) "Nun ist der Herr zur Ruh gebracht", Tiento para arpa. Fabordón, glosado en el tiple, tono I, Tu es Petrus a 6, Victoria: Magnificat a 12, tono VI / Cabezón: Versos para órganos 1, 2, 4, 6, 7: tono VI
Ian Watson (Editor)	editor	Antiphona I: Sacerdos in aeternum Christus, Antiphona II: Miserator Dominus, Antiphona III: Calicem salutaris accipiam, Antiphona IV: Sicut novellae olivarum, Antiphona V: Qui pacem ponit fines Ecclesiae, Antiphona ad Magnificat: O quam suavis est, Domine, Antiphona ad Magnificat: O quam suavis est, Domine a 6, Benedicamus Domino, Benedicamus Domino / Deo dicamus gratias / Sanctissimae Trinitati, Cançión Regina caeli laetare / Ressurrexi a 5, Cançión a 5, Cançión a 6, Deus in adjutorum / Domine ad adjuvandum, Dominus vobiscum / Deus qui nobis sub sacramento mirabili, Ego flos campi a 4, Fratres, ego enim accepi, Haec est domus / Bene fundata est / Deus, qui inivisibiliter omnia contines, Hymnus: Pange lingua gloriosi / Guerrero: Nobis datus / Guerrero: Verbum caro / Gaudi: Nobis datus a 6, Mon seul a 7, Ora pro nobis / Ut digni efficiamur / Deus, qui meriti beatissimi, Ora pro nobis / Ut digni efficiamur / Omnipotens sempiterne Deus, Panem de caelo / Omen delectamentum, Pange lingua a 5, Psalmus I: Dixit Dominus a 16, Psalmus II: Confitebor tibi / Alternatim fabordones tono II, Psalmus III: Credidi / Alternatim fabordones a 5, tono III, Psalmus IV: Beati omnes / Alternatim fabordones, tono IV, Psalmus V: Lauda, Jerusalem / Alternatim fabordones a 6 / a 4, tono VIII, Salve Regina a 8, St. Matthew Passion, BWV 244: Teil I, No. 1. Chorus "Kommt, ihr Töchter, helft mir klagen" - Choral "O Lamm Gottes, unschuldig", St. Matthew Passion, BWV 244: Teil I, No. 10. Choral "Ich bin's, ich sollte büßen", St. Matthew Passion, BWV 244: Teil I, No. 14. "Und da sie den Lobgesang gesprochen hatten" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 15. Choral "Erkenne mich, mein Hüter", St. Matthew Passion, BWV 244: Teil I, No. 17. Choral "Ich will hier bei dir stehen", St. Matthew Passion, BWV 244: Teil I, No. 19. Recitativo (Tenor I) "O Schmerz! Hier zittert das gequälte Herz", St. Matthew Passion, BWV 244: Teil I, No. 20. Aria (Tenor I) "Ich will bei meinem Jesu wachen", St. Matthew Passion, BWV 244: Teil I, No. 27a. Aria (Soprano I, Alto I) "So ist mein Jesus nun gefangen" - Chorus "Sind Blitze, sind Donner in Wolken verschwunden?", St. Matthew Passion, BWV 244: Teil I, No. 29. Choral "O Mensch, bewein dein Sünde groß", St. Matthew Passion, BWV 244: Teil I, No. 3. Choral "Herzliebster Jesu, was hast du verbrochen", St. Matthew Passion, BWV 244: Teil I, No. 4. "Da versammleten sich die Hohenpriester" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 9. "Aber am ersten Tage der süßen Brot" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 30. Aria (Alto I) "Ach, nun ist mein Jesus hin!", St. Matthew Passion, BWV 244: Teil II, No. 32. Choral "Mir hat die Welt trüglich gericht'", St. Matthew Passion, BWV 244: Teil II, No. 33. "Und wiewohl viel falsche Zeugen herzutraten" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 35. Aria (Tenor II) "Geduld! Wenn mich falsche Zungen stechen", St. Matthew Passion, BWV 244: Teil II, No. 36. "Und der Hohepriester antwortete" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 37. Choral "Wer hat dich so geschlagen", St. Matthew Passion, BWV 244: Teil II, No. 38. "Petrus aber saß draußen im Palast" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 40. Choral "Bin ich gleich von dir gewichen", St. Matthew Passion, BWV 244: Teil II, No. 41. "Des Morgens aber hielten alle Hohepriester" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 44. Choral "Befiehl du deine Wege", St. Matthew Passion, BWV 244: Teil II, No. 45. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 46. Choral "Wie wunderbarlich ist doch diese Strafe!", St. Matthew Passion, BWV 244: Teil II, No. 50. "Sie schrieen aber noch mehr" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 53. "Da nahmen die Kriegsknechte" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 54. Choral "O Haupt voll Blut und Wunden", St. Matthew Passion, BWV 244: Teil II, No. 58. "Und da sie an die Stätte kamen" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 63. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 66. "Und Joseph nahm den Leib" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 67. Recitativo (Soprano I, Alto I, Tenor, Bass I) "Nun ist der Herr zur Ruh gebracht", Tiento para arpa. Fabordón, glosado en el tiple, tono I, Tu es Petrus a 6, Victoria: Magnificat a 12, tono VI / Cabezón: Versos para órganos 1, 2, 4, 6, 7: tono VI
Mark Padmore	vocal	St. Matthew Passion, BWV 244: Teil I, No. 1. Chorus "Kommt, ihr Töchter, helft mir klagen" - Choral "O Lamm Gottes, unschuldig", St. Matthew Passion, BWV 244: Teil I, No. 10. Choral "Ich bin's, ich sollte büßen", St. Matthew Passion, BWV 244: Teil I, No. 14. "Und da sie den Lobgesang gesprochen hatten" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 15. Choral "Erkenne mich, mein Hüter", St. Matthew Passion, BWV 244: Teil I, No. 17. Choral "Ich will hier bei dir stehen", St. Matthew Passion, BWV 244: Teil I, No. 19. Recitativo (Tenor I) "O Schmerz! Hier zittert das gequälte Herz", St. Matthew Passion, BWV 244: Teil I, No. 20. Aria (Tenor I) "Ich will bei meinem Jesu wachen", St. Matthew Passion, BWV 244: Teil I, No. 27a. Aria (Soprano I, Alto I) "So ist mein Jesus nun gefangen" - Chorus "Sind Blitze, sind Donner in Wolken verschwunden?", St. Matthew Passion, BWV 244: Teil I, No. 29. Choral "O Mensch, bewein dein Sünde groß", St. Matthew Passion, BWV 244: Teil I, No. 3. Choral "Herzliebster Jesu, was hast du verbrochen", St. Matthew Passion, BWV 244: Teil I, No. 4. "Da versammleten sich die Hohenpriester" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 9. "Aber am ersten Tage der süßen Brot" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 32. Choral "Mir hat die Welt trüglich gericht'", St. Matthew Passion, BWV 244: Teil II, No. 33. "Und wiewohl viel falsche Zeugen herzutraten" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 36. "Und der Hohepriester antwortete" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 37. Choral "Wer hat dich so geschlagen", St. Matthew Passion, BWV 244: Teil II, No. 38. "Petrus aber saß draußen im Palast" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 40. Choral "Bin ich gleich von dir gewichen", St. Matthew Passion, BWV 244: Teil II, No. 41. "Des Morgens aber hielten alle Hohepriester" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 44. Choral "Befiehl du deine Wege", St. Matthew Passion, BWV 244: Teil II, No. 45. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 46. Choral "Wie wunderbarlich ist doch diese Strafe!", St. Matthew Passion, BWV 244: Teil II, No. 50. "Sie schrieen aber noch mehr" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 53. "Da nahmen die Kriegsknechte" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 54. Choral "O Haupt voll Blut und Wunden", St. Matthew Passion, BWV 244: Teil II, No. 58. "Und da sie an die Stätte kamen" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 63. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 66. "Und Joseph nahm den Leib" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 67. Recitativo (Soprano I, Alto I, Tenor, Bass I) "Nun ist der Herr zur Ruh gebracht", The Creation: Part One. The First Day: Aria "Now vanish before the holy beams" (Uriel) - Chorus "Despairing, cursing rage", The Creation: Part One. The First Day: Recitative "In the beginning God created the heaven and the earth" (Raphael, Uriel) - Chorus "And the spirit of God", The Creation: Part One. The Fourth Day: Accompanied recitative "In brightest splendour rises now the sun" (Uriel), The Creation: Part One. The Fourth Day: Recitative "And God said: Let there be lights in the firmament of heaven" (Uriel), The Creation: Part One. The Fourth Day: Trio and Chorus "The heavens are telling the glory of God" (Gabriel, Uriel, Raphael), The Creation: Part One. The Third Day: Recitative "And the heavenly host the third day proclaimed" (Uriel), The Creation: Part Three. Accompanied recitative "In rosy mantle now appears" (Uriel), The Creation: Part Three. Recitative "O happy pair" (Uriel), The Creation: Part Two. The Fifth Day: Trio "Most beautiful appear, with verdure young adorn'd" (Gabriel, Uriel, Raphael) - Chorus "The Lord is great", The Creation: Part Two. The Sixth Day: Aria "In native worth and honour clad" (Uriel), The Creation: Part Two. The Sixth Day: Chorus and Trio "Achieved is the glorious work" (Gabriel, Uriel, Raphael), The Creation: Part Two. The Sixth Day: Recitative "And God created man" (Uriel)
James Gilchrist	vocal	St. Matthew Passion, BWV 244: Teil I, No. 1. Chorus "Kommt, ihr Töchter, helft mir klagen" - Choral "O Lamm Gottes, unschuldig", St. Matthew Passion, BWV 244: Teil I, No. 10. Choral "Ich bin's, ich sollte büßen", St. Matthew Passion, BWV 244: Teil I, No. 15. Choral "Erkenne mich, mein Hüter", St. Matthew Passion, BWV 244: Teil I, No. 17. Choral "Ich will hier bei dir stehen", St. Matthew Passion, BWV 244: Teil I, No. 19. Recitativo (Tenor I) "O Schmerz! Hier zittert das gequälte Herz", St. Matthew Passion, BWV 244: Teil I, No. 20. Aria (Tenor I) "Ich will bei meinem Jesu wachen", St. Matthew Passion, BWV 244: Teil I, No. 27a. Aria (Soprano I, Alto I) "So ist mein Jesus nun gefangen" - Chorus "Sind Blitze, sind Donner in Wolken verschwunden?", St. Matthew Passion, BWV 244: Teil I, No. 29. Choral "O Mensch, bewein dein Sünde groß", St. Matthew Passion, BWV 244: Teil I, No. 3. Choral "Herzliebster Jesu, was hast du verbrochen", St. Matthew Passion, BWV 244: Teil I, No. 4. "Da versammleten sich die Hohenpriester" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 30. Aria (Alto I) "Ach, nun ist mein Jesus hin!", St. Matthew Passion, BWV 244: Teil II, No. 32. Choral "Mir hat die Welt trüglich gericht'", St. Matthew Passion, BWV 244: Teil II, No. 33. "Und wiewohl viel falsche Zeugen herzutraten" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 35. Aria (Tenor II) "Geduld! Wenn mich falsche Zungen stechen", St. Matthew Passion, BWV 244: Teil II, No. 36. "Und der Hohepriester antwortete" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 37. Choral "Wer hat dich so geschlagen", St. Matthew Passion, BWV 244: Teil II, No. 38. "Petrus aber saß draußen im Palast" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 40. Choral "Bin ich gleich von dir gewichen", St. Matthew Passion, BWV 244: Teil II, No. 41. "Des Morgens aber hielten alle Hohepriester" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 44. Choral "Befiehl du deine Wege", St. Matthew Passion, BWV 244: Teil II, No. 45. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 46. Choral "Wie wunderbarlich ist doch diese Strafe!", St. Matthew Passion, BWV 244: Teil II, No. 50. "Sie schrieen aber noch mehr" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 53. "Da nahmen die Kriegsknechte" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 54. Choral "O Haupt voll Blut und Wunden", St. Matthew Passion, BWV 244: Teil II, No. 58. "Und da sie an die Stätte kamen" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 63. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 66. "Und Joseph nahm den Leib" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 67. Recitativo (Soprano I, Alto I, Tenor, Bass I) "Nun ist der Herr zur Ruh gebracht"
Julia Gooding	vocal	Magnificat in D major, BWV 243: II. Aria (soprano II) "Et exsultavit spiritus meus", Magnificat in D major, BWV 243: X. "Suscepit Israel", St. Matthew Passion, BWV 244: Teil I, No. 1. Chorus "Kommt, ihr Töchter, helft mir klagen" - Choral "O Lamm Gottes, unschuldig", St. Matthew Passion, BWV 244: Teil I, No. 10. Choral "Ich bin's, ich sollte büßen", St. Matthew Passion, BWV 244: Teil I, No. 15. Choral "Erkenne mich, mein Hüter", St. Matthew Passion, BWV 244: Teil I, No. 17. Choral "Ich will hier bei dir stehen", St. Matthew Passion, BWV 244: Teil I, No. 19. Recitativo (Tenor I) "O Schmerz! Hier zittert das gequälte Herz", St. Matthew Passion, BWV 244: Teil I, No. 20. Aria (Tenor I) "Ich will bei meinem Jesu wachen", St. Matthew Passion, BWV 244: Teil I, No. 27a. Aria (Soprano I, Alto I) "So ist mein Jesus nun gefangen" - Chorus "Sind Blitze, sind Donner in Wolken verschwunden?", St. Matthew Passion, BWV 244: Teil I, No. 29. Choral "O Mensch, bewein dein Sünde groß", St. Matthew Passion, BWV 244: Teil I, No. 3. Choral "Herzliebster Jesu, was hast du verbrochen", St. Matthew Passion, BWV 244: Teil I, No. 4. "Da versammleten sich die Hohenpriester" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 30. Aria (Alto I) "Ach, nun ist mein Jesus hin!", St. Matthew Passion, BWV 244: Teil II, No. 32. Choral "Mir hat die Welt trüglich gericht'", St. Matthew Passion, BWV 244: Teil II, No. 36. "Und der Hohepriester antwortete" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 37. Choral "Wer hat dich so geschlagen", St. Matthew Passion, BWV 244: Teil II, No. 38. "Petrus aber saß draußen im Palast" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 40. Choral "Bin ich gleich von dir gewichen", St. Matthew Passion, BWV 244: Teil II, No. 41. "Des Morgens aber hielten alle Hohepriester" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 44. Choral "Befiehl du deine Wege", St. Matthew Passion, BWV 244: Teil II, No. 45. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 46. Choral "Wie wunderbarlich ist doch diese Strafe!", St. Matthew Passion, BWV 244: Teil II, No. 50. "Sie schrieen aber noch mehr" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 53. "Da nahmen die Kriegsknechte" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 54. Choral "O Haupt voll Blut und Wunden", St. Matthew Passion, BWV 244: Teil II, No. 58. "Und da sie an die Stätte kamen" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 63. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 66. "Und Joseph nahm den Leib" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 67. Recitativo (Soprano I, Alto I, Tenor, Bass I) "Nun ist der Herr zur Ruh gebracht"
Stephan Loges	vocal	St. Matthew Passion, BWV 244: Teil I, No. 1. Chorus "Kommt, ihr Töchter, helft mir klagen" - Choral "O Lamm Gottes, unschuldig", St. Matthew Passion, BWV 244: Teil I, No. 10. Choral "Ich bin's, ich sollte büßen", St. Matthew Passion, BWV 244: Teil I, No. 15. Choral "Erkenne mich, mein Hüter", St. Matthew Passion, BWV 244: Teil I, No. 17. Choral "Ich will hier bei dir stehen", St. Matthew Passion, BWV 244: Teil I, No. 19. Recitativo (Tenor I) "O Schmerz! Hier zittert das gequälte Herz", St. Matthew Passion, BWV 244: Teil I, No. 20. Aria (Tenor I) "Ich will bei meinem Jesu wachen", St. Matthew Passion, BWV 244: Teil I, No. 27a. Aria (Soprano I, Alto I) "So ist mein Jesus nun gefangen" - Chorus "Sind Blitze, sind Donner in Wolken verschwunden?", St. Matthew Passion, BWV 244: Teil I, No. 29. Choral "O Mensch, bewein dein Sünde groß", St. Matthew Passion, BWV 244: Teil I, No. 3. Choral "Herzliebster Jesu, was hast du verbrochen", St. Matthew Passion, BWV 244: Teil I, No. 4. "Da versammleten sich die Hohenpriester" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 30. Aria (Alto I) "Ach, nun ist mein Jesus hin!", St. Matthew Passion, BWV 244: Teil II, No. 32. Choral "Mir hat die Welt trüglich gericht'", St. Matthew Passion, BWV 244: Teil II, No. 33. "Und wiewohl viel falsche Zeugen herzutraten" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 36. "Und der Hohepriester antwortete" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 37. Choral "Wer hat dich so geschlagen", St. Matthew Passion, BWV 244: Teil II, No. 38. "Petrus aber saß draußen im Palast" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 40. Choral "Bin ich gleich von dir gewichen", St. Matthew Passion, BWV 244: Teil II, No. 41. "Des Morgens aber hielten alle Hohepriester" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 44. Choral "Befiehl du deine Wege", St. Matthew Passion, BWV 244: Teil II, No. 45. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 46. Choral "Wie wunderbarlich ist doch diese Strafe!", St. Matthew Passion, BWV 244: Teil II, No. 50. "Sie schrieen aber noch mehr" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 53. "Da nahmen die Kriegsknechte" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 54. Choral "O Haupt voll Blut und Wunden", St. Matthew Passion, BWV 244: Teil II, No. 58. "Und da sie an die Stätte kamen" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 63. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 66. "Und Joseph nahm den Leib" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 67. Recitativo (Soprano I, Alto I, Tenor, Bass I) "Nun ist der Herr zur Ruh gebracht"
Peter Harvey (bass-baritone)	vocal	St. Matthew Passion, BWV 244: Teil I, No. 1. Chorus "Kommt, ihr Töchter, helft mir klagen" - Choral "O Lamm Gottes, unschuldig", St. Matthew Passion, BWV 244: Teil I, No. 10. Choral "Ich bin's, ich sollte büßen", St. Matthew Passion, BWV 244: Teil I, No. 14. "Und da sie den Lobgesang gesprochen hatten" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 15. Choral "Erkenne mich, mein Hüter", St. Matthew Passion, BWV 244: Teil I, No. 17. Choral "Ich will hier bei dir stehen", St. Matthew Passion, BWV 244: Teil I, No. 29. Choral "O Mensch, bewein dein Sünde groß", St. Matthew Passion, BWV 244: Teil I, No. 3. Choral "Herzliebster Jesu, was hast du verbrochen", St. Matthew Passion, BWV 244: Teil I, No. 4. "Da versammleten sich die Hohenpriester" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 9. "Aber am ersten Tage der süßen Brot" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 32. Choral "Mir hat die Welt trüglich gericht'", St. Matthew Passion, BWV 244: Teil II, No. 33. "Und wiewohl viel falsche Zeugen herzutraten" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 36. "Und der Hohepriester antwortete" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 37. Choral "Wer hat dich so geschlagen", St. Matthew Passion, BWV 244: Teil II, No. 40. Choral "Bin ich gleich von dir gewichen", St. Matthew Passion, BWV 244: Teil II, No. 41. "Des Morgens aber hielten alle Hohepriester" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 44. Choral "Befiehl du deine Wege", St. Matthew Passion, BWV 244: Teil II, No. 45. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 46. Choral "Wie wunderbarlich ist doch diese Strafe!", St. Matthew Passion, BWV 244: Teil II, No. 50. "Sie schrieen aber noch mehr" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 53. "Da nahmen die Kriegsknechte" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 54. Choral "O Haupt voll Blut und Wunden", St. Matthew Passion, BWV 244: Teil II, No. 58. "Und da sie an die Stätte kamen" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 63. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 66. "Und Joseph nahm den Leib" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 67. Recitativo (Soprano I, Alto I, Tenor, Bass I) "Nun ist der Herr zur Ruh gebracht", The Creation: Part Three. Duet "Graceful consort!" (Adam, Eve), The Creation: Part Three. Duet with Chorus "By thee with bliss, o bounteous Lord" (Eve, Adam), The Creation: Part Three. Recitative "Our duty have we now perform'd" (Adam, Eve)
Susan Bickley	vocal	St. Matthew Passion, BWV 244: Teil I, No. 1. Chorus "Kommt, ihr Töchter, helft mir klagen" - Choral "O Lamm Gottes, unschuldig", St. Matthew Passion, BWV 244: Teil I, No. 10. Choral "Ich bin's, ich sollte büßen", St. Matthew Passion, BWV 244: Teil I, No. 15. Choral "Erkenne mich, mein Hüter", St. Matthew Passion, BWV 244: Teil I, No. 17. Choral "Ich will hier bei dir stehen", St. Matthew Passion, BWV 244: Teil I, No. 19. Recitativo (Tenor I) "O Schmerz! Hier zittert das gequälte Herz", St. Matthew Passion, BWV 244: Teil I, No. 20. Aria (Tenor I) "Ich will bei meinem Jesu wachen", St. Matthew Passion, BWV 244: Teil I, No. 27a. Aria (Soprano I, Alto I) "So ist mein Jesus nun gefangen" - Chorus "Sind Blitze, sind Donner in Wolken verschwunden?", St. Matthew Passion, BWV 244: Teil I, No. 29. Choral "O Mensch, bewein dein Sünde groß", St. Matthew Passion, BWV 244: Teil I, No. 3. Choral "Herzliebster Jesu, was hast du verbrochen", St. Matthew Passion, BWV 244: Teil I, No. 4. "Da versammleten sich die Hohenpriester" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 30. Aria (Alto I) "Ach, nun ist mein Jesus hin!", St. Matthew Passion, BWV 244: Teil II, No. 32. Choral "Mir hat die Welt trüglich gericht'", St. Matthew Passion, BWV 244: Teil II, No. 36. "Und der Hohepriester antwortete" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 37. Choral "Wer hat dich so geschlagen", St. Matthew Passion, BWV 244: Teil II, No. 38. "Petrus aber saß draußen im Palast" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 40. Choral "Bin ich gleich von dir gewichen", St. Matthew Passion, BWV 244: Teil II, No. 41. "Des Morgens aber hielten alle Hohepriester" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 44. Choral "Befiehl du deine Wege", St. Matthew Passion, BWV 244: Teil II, No. 45. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 46. Choral "Wie wunderbarlich ist doch diese Strafe!", St. Matthew Passion, BWV 244: Teil II, No. 50. "Sie schrieen aber noch mehr" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 53. "Da nahmen die Kriegsknechte" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 54. Choral "O Haupt voll Blut und Wunden", St. Matthew Passion, BWV 244: Teil II, No. 58. "Und da sie an die Stätte kamen" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 63. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 66. "Und Joseph nahm den Leib" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 67. Recitativo (Soprano I, Alto I, Tenor, Bass I) "Nun ist der Herr zur Ruh gebracht"
Magdalena Kožená	vocal	St. Matthew Passion, BWV 244: Teil I, No. 1. Chorus "Kommt, ihr Töchter, helft mir klagen" - Choral "O Lamm Gottes, unschuldig", St. Matthew Passion, BWV 244: Teil I, No. 10. Choral "Ich bin's, ich sollte büßen", St. Matthew Passion, BWV 244: Teil I, No. 15. Choral "Erkenne mich, mein Hüter", St. Matthew Passion, BWV 244: Teil I, No. 17. Choral "Ich will hier bei dir stehen", St. Matthew Passion, BWV 244: Teil I, No. 27a. Aria (Soprano I, Alto I) "So ist mein Jesus nun gefangen" - Chorus "Sind Blitze, sind Donner in Wolken verschwunden?", St. Matthew Passion, BWV 244: Teil I, No. 29. Choral "O Mensch, bewein dein Sünde groß", St. Matthew Passion, BWV 244: Teil I, No. 3. Choral "Herzliebster Jesu, was hast du verbrochen", St. Matthew Passion, BWV 244: Teil I, No. 4. "Da versammleten sich die Hohenpriester" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 9. "Aber am ersten Tage der süßen Brot" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 30. Aria (Alto I) "Ach, nun ist mein Jesus hin!", St. Matthew Passion, BWV 244: Teil II, No. 32. Choral "Mir hat die Welt trüglich gericht'", St. Matthew Passion, BWV 244: Teil II, No. 36. "Und der Hohepriester antwortete" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 37. Choral "Wer hat dich so geschlagen", St. Matthew Passion, BWV 244: Teil II, No. 40. Choral "Bin ich gleich von dir gewichen", St. Matthew Passion, BWV 244: Teil II, No. 41. "Des Morgens aber hielten alle Hohepriester" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 44. Choral "Befiehl du deine Wege", St. Matthew Passion, BWV 244: Teil II, No. 45. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 46. Choral "Wie wunderbarlich ist doch diese Strafe!", St. Matthew Passion, BWV 244: Teil II, No. 50. "Sie schrieen aber noch mehr" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 53. "Da nahmen die Kriegsknechte" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 54. Choral "O Haupt voll Blut und Wunden", St. Matthew Passion, BWV 244: Teil II, No. 58. "Und da sie an die Stätte kamen" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 63. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 66. "Und Joseph nahm den Leib" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 67. Recitativo (Soprano I, Alto I, Tenor, Bass I) "Nun ist der Herr zur Ruh gebracht"
Deborah York	vocal	St. Matthew Passion, BWV 244: Teil I, No. 1. Chorus "Kommt, ihr Töchter, helft mir klagen" - Choral "O Lamm Gottes, unschuldig", St. Matthew Passion, BWV 244: Teil I, No. 10. Choral "Ich bin's, ich sollte büßen", St. Matthew Passion, BWV 244: Teil I, No. 15. Choral "Erkenne mich, mein Hüter", St. Matthew Passion, BWV 244: Teil I, No. 17. Choral "Ich will hier bei dir stehen", St. Matthew Passion, BWV 244: Teil I, No. 27a. Aria (Soprano I, Alto I) "So ist mein Jesus nun gefangen" - Chorus "Sind Blitze, sind Donner in Wolken verschwunden?", St. Matthew Passion, BWV 244: Teil I, No. 29. Choral "O Mensch, bewein dein Sünde groß", St. Matthew Passion, BWV 244: Teil I, No. 3. Choral "Herzliebster Jesu, was hast du verbrochen", St. Matthew Passion, BWV 244: Teil I, No. 4. "Da versammleten sich die Hohenpriester" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 9. "Aber am ersten Tage der süßen Brot" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 32. Choral "Mir hat die Welt trüglich gericht'", St. Matthew Passion, BWV 244: Teil II, No. 36. "Und der Hohepriester antwortete" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 37. Choral "Wer hat dich so geschlagen", St. Matthew Passion, BWV 244: Teil II, No. 38. "Petrus aber saß draußen im Palast" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 40. Choral "Bin ich gleich von dir gewichen", St. Matthew Passion, BWV 244: Teil II, No. 41. "Des Morgens aber hielten alle Hohepriester" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 44. Choral "Befiehl du deine Wege", St. Matthew Passion, BWV 244: Teil II, No. 45. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 46. Choral "Wie wunderbarlich ist doch diese Strafe!", St. Matthew Passion, BWV 244: Teil II, No. 50. "Sie schrieen aber noch mehr" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 53. "Da nahmen die Kriegsknechte" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 54. Choral "O Haupt voll Blut und Wunden", St. Matthew Passion, BWV 244: Teil II, No. 58. "Und da sie an die Stätte kamen" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 63. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 66. "Und Joseph nahm den Leib" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 67. Recitativo (Soprano I, Alto I, Tenor, Bass I) "Nun ist der Herr zur Ruh gebracht"
Neal Davies (bass)	vocal	Easter Oratorio, BWV 249: III. Chorus "Kommt, eilet und laufet", Easter Oratorio, BWV 249: IV. Recitative (alto, soprano, tenor, bass) "O kalter Manner Sinn", Easter Oratorio, BWV 249: VI. Recitative (tenor, bass, alto) "Hier ist die Gruft", Easter Oratorio, BWV 249: X. Recitative (bass) "Wir sind erfreut", Easter Oratorio, BWV 249: XI. Chorus "Preis und Dank", Magnificat in D major, BWV 243: V. "Quia fecit mihi magna", The Creation: Part One. The First Day: Recitative "In the beginning God created the heaven and the earth" (Raphael, Uriel) - Chorus "And the spirit of God", The Creation: Part One. The Fourth Day: Trio and Chorus "The heavens are telling the glory of God" (Gabriel, Uriel, Raphael), The Creation: Part One. The Second Day: Accompanied recitative "And God made the firmament" (Raphael), The Creation: Part One. The Third Day: Aria "Rolling in foaming billows" (Raphael), The Creation: Part One. The Third Day: Recitative "And God said: Let the waters under the heaven be gathered together" (Raphael), The Creation: Part Two. The Fifth Day: Accompanied recitative "And God created great whales" (Raphael), The Creation: Part Two. The Fifth Day: Recitative "And the angels struck their immortal harps" (Raphael), The Creation: Part Two. The Fifth Day: Trio "Most beautiful appear, with verdure young adorn'd" (Gabriel, Uriel, Raphael) - Chorus "The Lord is great", The Creation: Part Two. The Sixth Day: Accompanied recitative "Straight opening her fertile womb" (Raphael), The Creation: Part Two. The Sixth Day: Aria "Now heaven in fullest glory shines" (Raphael), The Creation: Part Two. The Sixth Day: Chorus and Trio "Achieved is the glorious work" (Gabriel, Uriel, Raphael), The Creation: Part Two. The Sixth Day: Recitative "And God said: Let the earth bring forth the living creature" (Raphael), The Creation: Part Two. The Sixth Day: Recitative "And God saw everything that he had made" (Raphael)
Sid McLauchlan	producer	Canzoni et Sonate: Canzon XIV à 10, C 207, Canzoni et Sonate: Canzon XIX à 15, C 212, Canzoni et Sonate: Canzon XVIII à 14, C 211, Canzoni et Sonate: Canzon XX à 22, C 213, Dominus vobiscum ... Deus, qui populo tuo, Dominus vobiscum ... Sequentia sancti Evangelii secundum Matthaeum, Dominus vobiscum... Ut nobis, Domine, Fidelis servus et prudens, In medio ecclesiae aperuit os eius, Ite, missa est... Deo gratias, Per omnia saecula saeculorum... Pater noster..., Per omnia saecula saeculorum... Vere dignum et iustum est..., Sonata No. 21 con tre violini, C 224
Andrew Wedman (producer and engineer)	balance, editor	Canzoni et Sonate: Canzon XIV à 10, C 207, Canzoni et Sonate: Canzon XIX à 15, C 212, Canzoni et Sonate: Canzon XVIII à 14, C 211, Canzoni et Sonate: Canzon XX à 22, C 213, Dominus vobiscum ... Deus, qui populo tuo, Dominus vobiscum ... Sequentia sancti Evangelii secundum Matthaeum, Dominus vobiscum... Ut nobis, Domine, Fidelis servus et prudens, In medio ecclesiae aperuit os eius, Ite, missa est... Deo gratias, Per omnia saecula saeculorum... Pater noster..., Per omnia saecula saeculorum... Vere dignum et iustum est..., Sonata No. 21 con tre violini, C 224
Gabrieli Players	performing orchestra	Easter Oratorio, BWV 249: I. Sinfonia, Easter Oratorio, BWV 249: II. Adagio, Easter Oratorio, BWV 249: III. Chorus "Kommt, eilet und laufet", Easter Oratorio, BWV 249: IV. Recitative (alto, soprano, tenor, bass) "O kalter Manner Sinn", Easter Oratorio, BWV 249: IX. Aria (alto) "Saget, saget mir geschwinde", Easter Oratorio, BWV 249: V. Aria (soprano) "Seele, deine Spezereien", Easter Oratorio, BWV 249: VI. Recitative (tenor, bass, alto) "Hier ist die Gruft", Easter Oratorio, BWV 249: VII. Aria (tenor) "Sanfte soll mein Todeskummer", Easter Oratorio, BWV 249: VIII. Recitative (soprano, alto) "Indessen seufzen wir", Easter Oratorio, BWV 249: X. Recitative (bass) "Wir sind erfreut", Easter Oratorio, BWV 249: XI. Chorus "Preis und Dank"
Chetham's Chamber Choir	vocal	The Creation: Part One. The First Day: Aria "Now vanish before the holy beams" (Uriel) - Chorus "Despairing, cursing rage", The Creation: Part One. The First Day: Recitative "In the beginning God created the heaven and the earth" (Raphael, Uriel) - Chorus "And the spirit of God", The Creation: Part One. The Fourth Day: Trio and Chorus "The heavens are telling the glory of God" (Gabriel, Uriel, Raphael), The Creation: Part One. The Second Day: Solo with Chorus "The glorious heav'nly hierarchy" (Gabriel), The Creation: Part One. The Third Day: Chorus "Awake the harp, the lyre awake", The Creation: Part Three. Duet "Graceful consort!" (Adam, Eve), The Creation: Part Three. Duet with Chorus "By thee with bliss, o bounteous Lord" (Eve, Adam), The Creation: Part Three. Recitative "Our duty have we now perform'd" (Adam, Eve), The Creation: Part Two. The Fifth Day: Trio "Most beautiful appear, with verdure young adorn'd" (Gabriel, Uriel, Raphael) - Chorus "The Lord is great", The Creation: Part Two. The Sixth Day: Chorus and Trio "Achieved is the glorious work" (Gabriel, Uriel, Raphael)
Robin Blaze	vocal	Easter Oratorio, BWV 249: III. Chorus "Kommt, eilet und laufet", Easter Oratorio, BWV 249: IV. Recitative (alto, soprano, tenor, bass) "O kalter Manner Sinn", Easter Oratorio, BWV 249: IX. Aria (alto) "Saget, saget mir geschwinde", Easter Oratorio, BWV 249: VI. Recitative (tenor, bass, alto) "Hier ist die Gruft", Easter Oratorio, BWV 249: VIII. Recitative (soprano, alto) "Indessen seufzen wir", Easter Oratorio, BWV 249: XI. Chorus "Preis und Dank", Magnificat in D major, BWV 243: IX. "Esurientes implevit bonis", Magnificat in D major, BWV 243: VI. "Et misericordia", Magnificat in D major, BWV 243: X. "Suscepit Israel"
Sandrine Piau	vocal	The Creation: Part One. The Fourth Day: Trio and Chorus "The heavens are telling the glory of God" (Gabriel, Uriel, Raphael), The Creation: Part One. The Second Day: Solo with Chorus "The glorious heav'nly hierarchy" (Gabriel), The Creation: Part One. The Third Day: Aria "With verdure clad the fields appear" (Gabriel), The Creation: Part One. The Third Day: Recitative "And God said: Let the earth bring forth grass" (Gabriel), The Creation: Part Two. The Fifth Day: Aria "On mighty pens uplifted soars the eagle" (Gabriel), The Creation: Part Two. The Fifth Day: Recitative "And God said: Let the waters bring forth abundantly" (Gabriel), The Creation: Part Two. The Fifth Day: Trio "Most beautiful appear, with verdure young adorn'd" (Gabriel, Uriel, Raphael) - Chorus "The Lord is great", The Creation: Part Two. The Sixth Day: Chorus and Trio "Achieved is the glorious work" (Gabriel, Uriel, Raphael)
Simon Grant (Bass-Baritone)	vocal	Dominus vobiscum ... Deus, qui populo tuo, Dominus vobiscum... Ut nobis, Domine, Per omnia saecula saeculorum... Pater noster..., Per omnia saecula saeculorum... Vere dignum et iustum est..., Salve Regina a 8, Tu es Petrus a 6, Victoria: Magnificat a 12, tono VI / Cabezón: Versos para órganos 1, 2, 4, 6, 7: tono VI
Paul Agnew	vocal	Easter Oratorio, BWV 249: III. Chorus "Kommt, eilet und laufet", Easter Oratorio, BWV 249: IV. Recitative (alto, soprano, tenor, bass) "O kalter Manner Sinn", Easter Oratorio, BWV 249: VI. Recitative (tenor, bass, alto) "Hier ist die Gruft", Easter Oratorio, BWV 249: VII. Aria (tenor) "Sanfte soll mein Todeskummer", Easter Oratorio, BWV 249: XI. Chorus "Preis und Dank", Magnificat in D major, BWV 243: VI. "Et misericordia", Magnificat in D major, BWV 243: VIII "Deposuit potentes"
William Lyons	dulcian	Dominus vobiscum ... Deus, qui populo tuo, Dominus vobiscum ... Sequentia sancti Evangelii secundum Matthaeum, Dominus vobiscum... Ut nobis, Domine, Fidelis servus et prudens, Ite, missa est... Deo gratias, Per omnia saecula saeculorum... Pater noster..., Per omnia saecula saeculorum... Vere dignum et iustum est...
Kimberly McCord (American soprano)	vocal	Easter Oratorio, BWV 249: III. Chorus "Kommt, eilet und laufet", Easter Oratorio, BWV 249: IV. Recitative (alto, soprano, tenor, bass) "O kalter Manner Sinn", Easter Oratorio, BWV 249: V. Aria (soprano) "Seele, deine Spezereien", Easter Oratorio, BWV 249: VIII. Recitative (soprano, alto) "Indessen seufzen wir", Easter Oratorio, BWV 249: XI. Chorus "Preis und Dank", Magnificat in D major, BWV 243: III. "Quia respexit humilitatem", Magnificat in D major, BWV 243: X. "Suscepit Israel"
Stephan Flock	recording	Canzoni et Sonate: Canzon XIV à 10, C 207, Canzoni et Sonate: Canzon XIX à 15, C 212, Canzoni et Sonate: Canzon XVIII à 14, C 211, Canzoni et Sonate: Canzon XX à 22, C 213, Sonata No. 21 con tre violini, C 224
Steven Harrold (tenor)	vocal	Antiphona ad Magnificat: O quam suavis est, Domine a 6, Psalmus I: Dixit Dominus a 16, Salve Regina a 8, Tu es Petrus a 6, Victoria: Magnificat a 12, tono VI / Cabezón: Versos para órganos 1, 2, 4, 6, 7: tono VI
Jürgen Bulgrin	recording	Canzoni et Sonate: Canzon XIV à 10, C 207, Canzoni et Sonate: Canzon XIX à 15, C 212, Canzoni et Sonate: Canzon XVIII à 14, C 211, Canzoni et Sonate: Canzon XX à 22, C 213, Sonata No. 21 con tre violini, C 224
Robert Evans (Baritone)	vocal	Psalmus I: Dixit Dominus a 16, Salve Regina a 8, Tu es Petrus a 6, Victoria: Magnificat a 12, tono VI / Cabezón: Versos para órganos 1, 2, 4, 6, 7: tono VI
Robert Harre-Jones	vocal	Antiphona ad Magnificat: O quam suavis est, Domine a 6, Psalmus I: Dixit Dominus a 16, Salve Regina a 8, Victoria: Magnificat a 12, tono VI / Cabezón: Versos para órganos 1, 2, 4, 6, 7: tono VI
James Johnstone (classical organist)	organ	Psalmus I: Dixit Dominus a 16, Psalmus II: Confitebor tibi / Alternatim fabordones tono II, Salve Regina a 8, Victoria: Magnificat a 12, tono VI / Cabezón: Versos para órganos 1, 2, 4, 6, 7: tono VI
Charles Humphries	vocal	Psalmus I: Dixit Dominus a 16, Salve Regina a 8, Tu es Petrus a 6, Victoria: Magnificat a 12, tono VI / Cabezón: Versos para órganos 1, 2, 4, 6, 7: tono VI
Charles Pott	vocal	Antiphona ad Magnificat: O quam suavis est, Domine a 6, Psalmus I: Dixit Dominus a 16, Tu es Petrus a 6, Victoria: Magnificat a 12, tono VI / Cabezón: Versos para órganos 1, 2, 4, 6, 7: tono VI
Timothy Roberts (conductor and keyboardist)	organ	Psalmus I: Dixit Dominus a 16, Psalmus II: Confitebor tibi / Alternatim fabordones tono II, Salve Regina a 8, Victoria: Magnificat a 12, tono VI / Cabezón: Versos para órganos 1, 2, 4, 6, 7: tono VI
William Towers	vocal	Antiphona ad Magnificat: O quam suavis est, Domine a 6, Psalmus I: Dixit Dominus a 16, Salve Regina a 8, Victoria: Magnificat a 12, tono VI / Cabezón: Versos para órganos 1, 2, 4, 6, 7: tono VI
Warren Trevelyan-Jones	vocal	Antiphona ad Magnificat: O quam suavis est, Domine a 6, Psalmus I: Dixit Dominus a 16, Victoria: Magnificat a 12, tono VI / Cabezón: Versos para órganos 1, 2, 4, 6, 7: tono VI
Angus Smith	vocal	Psalmus I: Dixit Dominus a 16, Salve Regina a 8, Victoria: Magnificat a 12, tono VI / Cabezón: Versos para órganos 1, 2, 4, 6, 7: tono VI
Miah Persson	vocal	The Creation: Part Three. Duet "Graceful consort!" (Adam, Eve), The Creation: Part Three. Duet with Chorus "By thee with bliss, o bounteous Lord" (Eve, Adam), The Creation: Part Three. Recitative "Our duty have we now perform'd" (Adam, Eve)
Robert Macdonald (bass-baritone)	vocal	Psalmus I: Dixit Dominus a 16, Victoria: Magnificat a 12, tono VI / Cabezón: Versos para órganos 1, 2, 4, 6, 7: tono VI
Richard Savage (bass-baritone)	vocal	Psalmus I: Dixit Dominus a 16, Victoria: Magnificat a 12, tono VI / Cabezón: Versos para órganos 1, 2, 4, 6, 7: tono VI
Angus Davidson (Countertenor)	vocal	Tu es Petrus a 6, Victoria: Magnificat a 12, tono VI / Cabezón: Versos para órganos 1, 2, 4, 6, 7: tono VI
Francis Steele	vocal	Antiphona ad Magnificat: O quam suavis est, Domine a 6, Salve Regina a 8
Ulla Munch	vocal	St. Matthew Passion, BWV 244: Teil I, No. 1. Chorus "Kommt, ihr Töchter, helft mir klagen" - Choral "O Lamm Gottes, unschuldig", St. Matthew Passion, BWV 244: Teil I, No. 29. Choral "O Mensch, bewein dein Sünde groß"
Julian Clarkson	vocal	Dominus vobiscum ... Sequentia sancti Evangelii secundum Matthaeum