Ben Connellan

sound, engineer, editor, recording, producer

Top collaborators

Artist name Roles Recordings
Κωνσταντίνος Κατωμέρης
Jonathan Plowright
Bobby Champs
The Riviaires (60's Mississippi garage rock band)
Manuel Haefliger

Work on other artists' recordings

Artist name Roles Recordings
Κωνσταντίνος Κατωμέρης editor, engineer, recording, sound 2 Pièces, op. 57: I. Désir, 2 Pièces, op. 57: II. Caresse dansée, 2 Poèmes, op. 63: I. Masque (Allegretto, Avec une douceur cachée), 2 Poèmes, op. 63: II. Étrangeté (Gracieux, délicat), 2 Poèmes, op. 69: I. Allegretto. Tendre, délicat, 2 Poèmes, op. 69: II. Allegretto. Aigu, capricieux, 2 Poèmes, op. 71: I. Fantastique, 2 Poèmes, op. 71: II. En rêvant, avec une grande douceur, 3 Morceaux, op. 45: I. Feuillet d'album (Andante piacevole), 3 Morceaux, op. 45: II. Poème fantastique (Presto), 3 Morceaux, op. 45: III. Prélude (Andante), 3 Morceaux, op. 52: I. Poème (Lento - Più vivo - Tempo I), 3 Morceaux, op. 52: II. Énigme (Ètrange, capricieusement), 3 Morceaux, op. 52: III. Poème languide (Pas vite), 3 Pièces, op. 2: I. Étude: Andante (C-sharp minor), 4 Préludes, op. 22: I. Andante, 4 Préludes, op. 22: II. Andante, 4 Préludes, op. 22: III. Allegretto, 4 Préludes, op. 22: IV. Andantino, 5 Préludes, op. 74: I. Douloureux, déchirant, 5 Préludes, op. 74: II. Très lent, contemplatif, 5 Préludes, op. 74: III. Allegro drammatico, 5 Préludes, op. 74: IV. Lent, vague, indécis, 5 Préludes, op. 74: V. Fier, belliqueux, 8 Études, op. 42: I. Presto, 8 Études, op. 42: II. ♩ = 112, 8 Études, op. 42: III. Prestissimo, 8 Études, op. 42: IV. Andante, 8 Études, op. 42: V. Affannato, 8 Études, op. 42: VI. Esaltato, 8 Études, op. 42: VII. Agitato, 8 Études, op. 42: VIII. Allegro, Canon in E minor, Feuillet d'album, op. 58: Con delicatezza, Four Pieces (originally numbered op. 1): Gavotte in D major, Four Pieces (originally numbered op. 1): Mélodie in E major, Four Pieces (originally numbered op. 1): Prélude in E-flat minor, Four Pieces (originally numbered op. 1): Romance in F-sharp minor, Fughetta in F major, Fugue in D minor (ed. V. Antipov), Mazurkas, op. 3: VI. Scherzando, Mazurkas, op. 3: VII. Con passione, Mazurkas, op. 3: X. Sotto voce, Morceau de fantaisie ("Delmo"), Morceaux de salon, op. 10: Barcarolle in G minor, Morceaux de salon, op. 10: Humoreske in G major, Morceaux de salon, op. 10: Mazurka in D-flat major, Morceaux de salon, op. 10: Mélodie in E minor, Morceaux de salon, op. 10: Nocturne in A minor, Morceaux de salon, op. 10: Romanze in F minor, Morceaux de salon, op. 10: Valse in A major, Nunc dimittis from All-Night Vigil, op. 37 (arr. S. Rachmaninov), Oriental Sketch, Piano Piece in A-flat major (ed. S Davie), Prélude in F major, Prélude, op. 3 no. 1, Quasi-valse, op. 47, Sad is the night... (Noch' pechal'na), op. 26 no. 12 (arr. V. Ashkenazy), Song without Words in D minor, Three Nocturnes (ed. I. Belza): C minor, Three Nocturnes (ed. I. Belza): F major, Three Nocturnes (ed. I. Belza): F-sharp minor, Vers la flamme, op. 72: Poème. Allegro moderato, Études, op. 8: V. Brioso, Études, op. 8: VII. Presto tenebroso agitato, Études, op. 8: X. Allegro, Études, op. 8: XI. Andante, Études, op. 8: XII. Patetico
Jonathan Plowright editor, recording, sound Contes de jeunesse, op. 46: No. 2. Hommage à Chopin, Dix-huit Morceaux, op. 72: No. 15. Un poco di Chopin, Hommage à Chopin, op. 111 Nno. 1, Hommage à Chopin: Movement 1: Nocturne, Hommage à Chopin: Movement 2: Ballade, Impromptu on the themes of two Preludes by Chopin, Lanterne magique, op. 66: No. 2. Hommage à Chopin, Notturno "La réminiscence de Chopin", op. 48 no. 1, Piano Sonata no. 3 in F minor, op. 5: I. Allegro maestoso, Piano Sonata no. 3 in F minor, op. 5: II. Andante espressivo, Piano Sonata no. 3 in F minor, op. 5: III. Scherzo. Allegro energico, Piano Sonata no. 3 in F minor, op. 5: IV. Intermezzo (Rückblick). Andante molto, Piano Sonata no. 3 in F minor, op. 5: V. Finale. Allegro moderato ma rubato, Souvenir de Chopin, Studie "Hommage à Chopin", op. 73 no. 5, Ten Variations on a Prelude of Chopin in C minor, BV 213a, Three Mazurkas, op. 32 no. 1: No. 1. Allegro, Three Mazurkas, op. 32 no. 1: No. 2. Allegretto, Three Mazurkas, op. 32 no. 1: No. 3. Allegro, Variations and Fugue on a Theme by Handel, op. 24: Aria, Variations and Fugue on a Theme by Handel, op. 24: Fuga, Variations and Fugue on a Theme by Handel, op. 24: Variation I, Variations and Fugue on a Theme by Handel, op. 24: Variation II. Animato, Variations and Fugue on a Theme by Handel, op. 24: Variation III, Variations and Fugue on a Theme by Handel, op. 24: Variation IV. Vivace, Variations and Fugue on a Theme by Handel, op. 24: Variation IX. Poco più sostenuto, Variations and Fugue on a Theme by Handel, op. 24: Variation V, Variations and Fugue on a Theme by Handel, op. 24: Variation VI, Variations and Fugue on a Theme by Handel, op. 24: Variation VII. Molto vivace, Variations and Fugue on a Theme by Handel, op. 24: Variation VIII, Variations and Fugue on a Theme by Handel, op. 24: Variation X. Vivace, Variations and Fugue on a Theme by Handel, op. 24: Variation XI, Variations and Fugue on a Theme by Handel, op. 24: Variation XII. Più moto, Variations and Fugue on a Theme by Handel, op. 24: Variation XIII. Un poco largamente, Variations and Fugue on a Theme by Handel, op. 24: Variation XIV. Vivace, Variations and Fugue on a Theme by Handel, op. 24: Variation XIX. Molto vivace e leggiero, Variations and Fugue on a Theme by Handel, op. 24: Variation XV, Variations and Fugue on a Theme by Handel, op. 24: Variation XVI, Variations and Fugue on a Theme by Handel, op. 24: Variation XVII, Variations and Fugue on a Theme by Handel, op. 24: Variation XVIII, Variations and Fugue on a Theme by Handel, op. 24: Variation XX, Variations and Fugue on a Theme by Handel, op. 24: Variation XXI, Variations and Fugue on a Theme by Handel, op. 24: Variation XXII, Variations and Fugue on a Theme by Handel, op. 24: Variation XXIII. Molto vivace, Variations and Fugue on a Theme by Handel, op. 24: Variation XXIV, Variations and Fugue on a Theme by Handel, op. 24: Variation XXV, Variations sur un thème de Chopin: No. 1. Theme. Andantino, Variations sur un thème de Chopin: No. 10. Variation IX. Valse, Variations sur un thème de Chopin: No. 11. Variation X. Évocation, Variations sur un thème de Chopin: No. 12. Variation XI. Lento dolce e legato, Variations sur un thème de Chopin: No. 13. Variation XII. Galope y epílogo, Variations sur un thème de Chopin: No. 14. Lento, Variations sur un thème de Chopin: No. 2. Variation I. Tranquillo, Variations sur un thème de Chopin: No. 3. Variation II. Gracioso, Variations sur un thème de Chopin: No. 4. Variation III. Lento, Variations sur un thème de Chopin: No. 5. Variation IV. Espressivo, Variations sur un thème de Chopin: No. 6. Variation V. Tempo di Mazurka, Variations sur un thème de Chopin: No. 7. Variation VI. Recitativo, Variations sur un thème de Chopin: No. 8. Variation VII. Allegro leggiero, Variations sur un thème de Chopin: No. 9. Variation VIII. Andante dolce e espressivo, Walzermasken: No. 7. Profil "Chopin"
Bobby Champs engineer Partita I in D minor: I. Adagio - Presto - Adagio -, Partita I in D minor: II. Allamande, Partita I in D minor: III. Gigue, Partita I in D minor: IV. Aria, Partita I in D minor: V. Sarabande -, Partita I in D minor: VI. Finale. Presto, Partita II in B minor: I. Praeludium, Partita II in B minor: II. Allamande -, Partita II in B minor: III. Balletto. Allegro, Partita II in B minor: IV. Aria. Presto, Partita II in B minor: V. Gigue. Presto, Partita III in A major: I. Praeludium. Allegro, Partita III in A major: II. Allamande, Partita III in A major: III. Amener. Presto, Partita III in A major: IV. Balletto, Partita III in A major: V. Gigue, Partita III in A major: VI. Ciacona. Canon in unisono, Partita IV in E-flat major: I. Adagio - Allegro - Adagio, Partita IV in E-flat major: II. Allamanda, Partita IV in E-flat major: III. Trezza. Presto, Partita IV in E-flat major: IV. Aria, Partita IV in E-flat major: V. Canario, Partita IV in E-flat major: VI. Gigue. Presto, Partita IV in E-flat major: VII. Polcinello. Presto, Partita V in G minor: I. Intrada. Alla breve, Partita V in G minor: II. Aria. Adagio -, Partita V in G minor: III. Balletto. Presto -, Partita V in G minor: IV. Gigue, Partita V in G minor: V. Passacaglia, Partita VI in D major: I. Praeludium. Adagio - Allegro, Partita VI in D major: II. Aria con variatio, Partita VI in D major: III. Finale. Adagio - Allegro, Partita VII in C minor: I. Praeludium. Grave - Presto, Partita VII in C minor: II. Allamande, Partita VII in C minor: III. Sarabande, Partita VII in C minor: IV. Gigue. Presto, Partita VII in C minor: V. Aria, Partita VII in C minor: VI. Trezza, Partita VII in C minor: VII. Arietta
The Riviaires recording Four Piano Pieces, op. 2: No. 1. Scherzo: Allegro, Four Piano Pieces, op. 2: No. 2. Intermezzo: Vivace, Four Piano Pieces, op. 2: No. 3. Intermezzo: Sostenuto, Con Espressione, Four Piano Pieces, op. 2: No. 4. Capriccio: Presto, Agitato, Four Rhapsodies, op. 11: No. 1 in G minor: Allegro non troppo, ma agitato, Four Rhapsodies, op. 11: No. 2 in F-sharp minor: Adagio capriccioso, Four Rhapsodies, op. 11: No. 3 in C major: Vivace, Four Rhapsodies, op. 11: No. 4 in E-flat minor: Andante lugubre, Humoresques in the Form of a Suite, op. 17: I. March: Allegro Moderato, Humoresques in the Form of a Suite, op. 17: II. Toccata: Allegro Molto, Humoresques in the Form of a Suite, op. 17: III. Pavane From the 16th Century With Variations, Humoresques in the Form of a Suite, op. 17: IV. Pastorale: Andante Con Moto, Humoresques in the Form of a Suite, op. 17: V. Introduction & Fugue: Allegro, Pastorale "Hungarian Christmas Song", Three Singular Pieces, op. 44: No. 1. Burletta: Allegro, Three Singular Pieces, op. 44: No. 2. Nocturne, "Cats On The Roof": Andante, Three Singular Pieces, op. 44: No. 3. Perpetuum Mobile: Presto, Valses Nobles, Variations and Fugue on a theme of EG, op. 4: Fugue, Variations and Fugue on a theme of EG, op. 4: Theme: Tempo Di Minuetto; Variations 1-13, Waltz From Delibes' Coppélia, Winterreigen, op. 13 "Ten Bagatelles" : No. 1. Widmung, Winterreigen, op. 13 "Ten Bagatelles" : No. 10. Postludium, Winterreigen, op. 13 "Ten Bagatelles" : No. 2. Marsch der lustigen Brüder, Winterreigen, op. 13 "Ten Bagatelles" : No. 3. An Ada, Winterreigen, op. 13 "Ten Bagatelles" : No. 4. Freund Viktor's Mazurka, Winterreigen, op. 13 "Ten Bagatelles" : No. 5. Sphärenmusik, Winterreigen, op. 13 "Ten Bagatelles" : No. 6. Valse aimable, Winterreigen, op. 13 "Ten Bagatelles" : No. 7. Um Mitternacht, Winterreigen, op. 13 "Ten Bagatelles" : No. 8. Tolle Gesellschaft, Winterreigen, op. 13 "Ten Bagatelles" : No. 9. Morgengrauen
Manuel Haefliger engineer, sound Jeu de cartes: Deuxième donne. Coda. Più mosso, Jeu de cartes: Deuxième donne. Ensemble. Con moto, Jeu de cartes: Deuxième donne. Introduction. Alla breve, Jeu de cartes: Deuxième donne. March. Marcia, Jeu de cartes: Deuxième donne. Reprise of March. Marcia, Jeu de cartes: Deuxième donne. Variation V. Pas de quatre. Sostenuto e pesante, Jeu de cartes: Deuxième donne. Variations I–IV. Allegretto, Jeu de cartes: Première donne. Dance Variation. Moderato assai, Jeu de cartes: Première donne. Dance of the Joker. Stringendo, Jeu de cartes: Première donne. Introduction. Alla breve, Jeu de cartes: Première donne. Pas d’action. Meno mosso, Jeu de cartes: Première donne. Waltz-Coda. Tranquillo, Jeu de cartes: Troisième donne. Battle between Spades and Hearts. Presto, Jeu de cartes: Troisième donne. Final Dance – Coda. Tempo del principio, Jeu de cartes: Troisième donne. Introduction. Alla breve, Jeu de cartes: Troisième donne. Waltz, Orpheus: Scene 1. Air de danse. Andante con moto, Orpheus: Scene 1. Dance of the Angel of Death. L’istesso tempo, Orpheus: Scene 1. Interlude, Orpheus: Scene 1. Orpheus weeps for Eurydice. Lento sostenuto, Orpheus: Scene 2. Air de danse (Conclusion). L’istesso tempo, Orpheus: Scene 2. Air de danse. Grave – Un poco meno mosso, Orpheus: Scene 2. Interlude. L’istesso tempo, Orpheus: Scene 2. Interlude. Moderato assai, Orpheus: Scene 2. Pas de deux. Andante sostenuto, Orpheus: Scene 2. Pas des Furies. Agitato in piano – Sempre alla breve ma meno mosso, Orpheus: Scene 2. Pas d’action. Andantino leggiadro, Orpheus: Scene 2. Pas d’action. Vivace, Orpheus: Scene 3. Orpheus’s apotheosis. Lento sostenuto, Variations and Fugue on a Theme of Johann Adam Hiller, op. 100: IV. Poco vivace
Brodsky Quartet editor Alt-Wien, Beau soir, Blues, Chanson de matin, op. 15 no. 2, Chanson de nuit, op. 15 no. 1, Hoe-Down, Humoresque, op. 101 no. 7, La capricieuse, op. 17, Lullaby, March, Nana, On Wings of Song, op. 34 no. 2, Playera, op. 23 no. 1, Polo, Prelude, Regret, Sehr langsam, op. 68 no. 30, String Quartet, op. 11: I. Molto allegro e appassionato - Più mosso - Più largo - Tempo I, String Quartet, op. 11: II. Molto adagio - [ ] - Tempo I -, String Quartet, op. 11: III. Molto allegro (come prima) - Poco più mosso - Più tranquillo - Presto, String Quartet, op. 96 "The American": I. Allegro ma non troppo, String Quartet, op. 96 "The American": II. Lento, String Quartet, op. 96 "The American": III. Molto vivace - Poco meno mosso - Da Capo al Fine, String Quartet, op. 96 "The American": IV Finale. Vivace ma non troppo - Meno mosso - Più mosso. Tempo I - Meno mosso, Two Pieces: I. Lento molto. Tranquillo legato - [ ] - Tempo I, Two Pieces: II. Rondino. Allegro moderato - Poco meno mosso - Moderato -, Waltz no. 6, Zapateado op. 23 no. 2
Kavon Salyer engineer Sospiri, op. 70, Sursum corda, op. 11, The Kingdom, op. 51: Jerusalem. Prelude. Allegro maestoso –, The Kingdom, op. 51: Part I “In the Upper Room”. Chorus: “O ye priests!”, The Kingdom, op. 51: Part I “In the Upper Room”. Peter, John, and the Disciples: “Thou, Lord, Which knowest the hearts of all men” –, The Kingdom, op. 51: Part I “In the Upper Room”. Peter: “He took bread, and blessed it” –, The Kingdom, op. 51: Part I “In the Upper Room”. Peter: “Where two or three are gathered together in My Name’ –, The Kingdom, op. 51: Part I “In the Upper Room”. Peter:“Men and brethren” –, The Kingdom, op. 51: Part I “In the Upper Room”. Recitative. Chorus: “They gave forth their lots” –, The Kingdom, op. 51: Part I “In the Upper Room”. The Disciples and the Holy Women: “Seek first the Kingdom of God” –, The Kingdom, op. 51: Part II “At the Beautiful Gate”: The Morn of Pentecost 9 Mary and Mary Magdalene: “The singers are before the altar”, The Kingdom, op. 51: Part III “Pentecost”: Peter: “Repent, and be baptised every one of you”, The Kingdom, op. 51: Part III “Pentecost”: Peter: “Ye men of Judæa” –, The Kingdom, op. 51: Part III “Pentecost”: Recitative. Mezzo-soprano: “And suddenly there came from heaven a sound...” –, The Kingdom, op. 51: Part III “Pentecost”: Recitative. Tenor: “And when the day of Pentecost was fully come” –, The Kingdom, op. 51: Part III “Pentecost”: The Disciples: “When the great Lord will” –, The Kingdom, op. 51: Part III “Pentecost”: The People: “Behold, are not all these which speak, Galilæans?” –, The Kingdom, op. 51: Part IV “The Sign of Healing”: John: “Unto you that fear His Name...” –, The Kingdom, op. 51: Part IV “The Sign of Healing”: Mary: “The sun goeth down”, The Kingdom, op. 51: Part IV “The Sign of Healing”: Mezzo-soprano: “The man that was lame” –, The Kingdom, op. 51: Part IV “The Sign of Healing”: Recitative. Mezzo-soprano: “And as they spake” –, The Kingdom, op. 51: Part IV “The Sign of Healing”: Recitative. Mezzo-soprano: “Then they that gladly received his word were baptised”’ –, The Kingdom, op. 51: Part V “The Upper Room”: All: “Our Father, Which art in Heaven” –, The Kingdom, op. 51: Part V “The Upper Room”: John: “Ye have received the Spirit of adoption”, The Kingdom, op. 51: Part V “The Upper Room”: The Disciples and the Holy Women: “Lord, Thou didst make the heaven” –, The Kingdom, op. 51: Part V “The Upper Room”: The Disciples and the Holy Women: “The voice of joy is in the dwelling of the righteous” –, The Kingdom, op. 51: Part V “The Upper Room”: The Disciples and the Holy Women: “Thou, Almighty Lord, hast given food and drink to mankind” –
Gregory Dargent editor, sound Concerto for Strings in A major, op. 7 no. 7: I. [Allegro] -, Concerto for Strings in A major, op. 7 no. 7: II. Adagio -, Concerto for Strings in A major, op. 7 no. 7: III. Allegro, Concerto for Strings in B-flat major, op. 7 no. 10: I. Allegro -, Concerto for Strings in B-flat major, op. 7 no. 10: II. Adagio -, Concerto for Strings in B-flat major, op. 7 no. 10: III. Allegro, Concerto for Strings in D major, op. 9 no. 7: I. Allegro -, Concerto for Strings in D major, op. 9 no. 7: II. Andante e sempre piano, Concerto for Strings in D major, op. 9 no. 7: III. Allegro, Concerto for Strings in F major, op. 9 no. 10: I. Allegro, Concerto for Strings in F major, op. 9 no. 10: II. Adagio, Concerto for Strings in F major, op. 9 no. 10: III. Allegro, Concerto for Strings, op. 7 no. 1 in D major: I. Allegro — Adaggio e staccato —, Concerto for Strings, op. 7 no. 1 in D major: II. Allegro assai, Concerto for Strings, op. 7 no. 4 in G major: I. Allegro, Concerto for Strings, op. 7 no. 4 in G major: II. Adagio, Concerto for Strings, op. 7 no. 4 in G major: III. Allegro, Concerto for Strings, op. 9 no. 1 in B-flat major: I. Allegro, Concerto for Strings, op. 9 no. 1 in B-flat major: II. Adagio, Concerto for Strings, op. 9 no. 1 in B-flat major: III. Allegro, Concerto for Strings, op. 9 no. 4 in A major: I. Allegro, Concerto for Strings, op. 9 no. 4 in A major: II. Adagio, Concerto for Strings, op. 9 no. 4 in A major: III. Allegro, Sinfonia for Strings in G minor: I. Allegro —, Sinfonia for Strings in G minor: II. Larghetto e sempre piano —, Sinfonia for Strings in G minor: III. Allegro
Fabiana Trani engineer Ballade in E-flat minor, op. 3 no. 2, Ballade in G minor, op. 3 no. 1, Capriccio in A minor, op. 12, Drei Klavierstücke, op. 8: Meditation, Drei Klavierstücke, op. 8: Moment musical, Drei Klavierstücke, op. 8: The flight of the swallow, Memories of Childhood, op. 11: A peasant wedding, Memories of Childhood, op. 11: In the Steppes, Memories of Childhood, op. 11: Marionettes, Memories of Childhood, op. 11: Once in autumn, Memories of Childhood, op. 11: The bumblebee, Memories of Childhood, op. 11: The lonely brook in the forest, Moment triste, Prelude exotique, op. 10 no. 2, Russian Dance, op. 7, Skazka (Fairy Tale), op. 6, Souvenir russe, op. 9, Ten Preludes, op. 2: No. 1 in C major: Andante, Ten Preludes, op. 2: No. 10 in G minor: Allegretto, Ten Preludes, op. 2: No. 2 in C minor: Andante, Ten Preludes, op. 2: No. 4 in B minor: Allegretto, Ten Preludes, op. 2: No. 6 in F minor: Allegretto, Ten Preludes, op. 2: No. 7 in F minor: Allegro vivace, Ten Preludes, op. 2: No. 8 in E-flat major: Andante, Toccata in fourths, op. 10 no. 1, Warum?
Circuit Howl engineer Chant du pêcheur in B minor, Fantasiestück in D-flat major, Nocturne in G-sharp minor, Nocturne no. 1 in B-flat minor, Nocturne no. 2 in B minor, Nocturne no. 3 in D minor, Sonata in B-flat minor, op. 3: I. Allegro feroce, Sonata in B-flat minor, op. 3: II. Mazurka, Sonata in B-flat minor, op. 3: III. Andante, Sonata in B-flat minor, op. 3: IV. Finale: Allegro grazioso, Sonata in B-flat minor, op. 3: V. Epilogue: Fuga, Sonata in B-flat minor, op. 5: I. Andante - Allegro assai, feroce, Sonata in B-flat minor, op. 5: II. Mazurka: Tempo di mazurka, Sonata in B-flat minor, op. 5: III. Andante, Sonata in B-flat minor: I. Andantino, Sonata in B-flat minor: II. Mazurka: Moderato, Sonata in B-flat minor: III. Intermezzo: Larghetto, Sonata in B-flat minor: IV. Finale: Allegro non troppo, ma con fuoco, Waltz no. 1 in G major (Valse di bravura), Waltz no. 2 in F minor (Valse mélancolique), Waltz no. 3 in D major (Valse-impromptu), Waltz no. 4 in B-flat major (Valse de concert), Waltz no. 5 in D-flat major, Waltz no. 6 in F-sharp minor, Waltz no. 7 in G-sharp minor
Wundabunta Straszenpunk sound Concerto for Oboe in B-flat major, op. 7 no. 3: I. Allegro, Concerto for Oboe in B-flat major, op. 7 no. 3: II. Adagio, Concerto for Oboe in B-flat major, op. 7 no. 3: III. Allegro, Concerto for Oboe in B-flat major, op. 9 no. 11: I. Allegro, Concerto for Oboe in B-flat major, op. 9 no. 11: II. Adagio (non troppo), Concerto for Oboe in B-flat major, op. 9 no. 11: III. Allegro, Concerto for Oboe in C major, op. 7 no. 12: I. Allegro e non presto, Concerto for Oboe in C major, op. 7 no. 12: II. Adagio, Concerto for Oboe in C major, op. 7 no. 12: III. Allegro, Concerto for Oboe in C major, op. 9 no. 5: I. Allegro, Concerto for Oboe in C major, op. 9 no. 5: II. Adagio (non troppo), Concerto for Oboe in C major, op. 9 no. 5: III. Allegro, Concerto for Oboe in D major, op. 7 no. 6: I. Allegro, Concerto for Oboe in D major, op. 7 no. 6: II. Adagio, Concerto for Oboe in D major, op. 7 no. 6: III. Allegro, Concerto for Oboe in D minor, op. 9 no. 2: I. Allegro, Concerto for Oboe in D minor, op. 9 no. 2: II. Adagio, Concerto for Oboe in D minor, op. 9 no. 2: III. Allegro, Concerto for Oboe in F major, op. 7 no. 9: I. Allegro, Concerto for Oboe in F major, op. 7 no. 9: II. Adagio, Concerto for Oboe in F major, op. 7 no. 9: III. Allegro, Concerto for Oboe in G minor, op. 9 no. 8: I. Allegro, Concerto for Oboe in G minor, op. 9 no. 8: II. Adagio, Concerto for Oboe in G minor, op. 9 no. 8: III. Allegro
S.A.D. editor, sound Concerto With Two Oboes, op. 7 no. 2 in C major: I. Allegro, Concerto With Two Oboes, op. 7 no. 2 in C major: II. Adagio, Concerto With Two Oboes, op. 7 no. 2 in C major: III. Allegro, Concerto With Two Oboes, op. 7 no. 5 in C major: I. Allegro, Concerto With Two Oboes, op. 7 no. 5 in C major: II. Adagio, Concerto With Two Oboes, op. 7 no. 5 in C major: III. Allegro, Concerto With Two Oboes, op. 9 no. 3 in F major: I. Allegro, Concerto With Two Oboes, op. 9 no. 3 in F major: II. Adagio, Concerto With Two Oboes, op. 9 no. 3 in F major: III. Allegro, Concerto With Two Oboes, op. 9 no. 6 in G major: I. Allegro, Concerto With Two Oboes, op. 9 no. 6 in G major: II. Adagio, Concerto with Two Oboes in C major, op. 7 no. 11: I. Allegro, Concerto with Two Oboes in C major, op. 7 no. 11: II. Adagio -, Concerto with Two Oboes in C major, op. 7 no. 11: III. Allegro, Concerto with Two Oboes in C major, op. 9 no. 9: I. Allegro, Concerto with Two Oboes in C major, op. 9 no. 9: II. Adagio -, Concerto with Two Oboes in C major, op. 9 no. 9: III. Allegro, Concerto with Two Oboes in D major, op. 7 no. 8: I. [Allegro] -, Concerto with Two Oboes in D major, op. 7 no. 8: II. Largo -, Concerto with Two Oboes in D major, op. 7 no. 8: III. Allegro, Concerto with Two Oboes in D major, op. 9 no. 12: I. Allegro, Concerto with Two Oboes in D major, op. 9 no. 12: II. Adagio -, Concerto with Two Oboes in D major, op. 9 no. 12: III. Allegro
Hardkore & Ame editor 12 Études, op. 33: Allegro molto (con brio, burlesco), 12 Études, op. 33: Andante espressivo, 12 Études, op. 33: Andante soave, 12 Études, op. 33: Andantino soave, 12 Études, op. 33: Animato (capriccioso e fantastico), 12 Études, op. 33: Lento assai mesto (espressivo), 12 Études, op. 33: Presto, 12 Études, op. 33: Presto (delicamente), 12 Études, op. 33: Presto (energico), 12 Études, op. 33: Presto tempestoso (molto agitato), 12 Études, op. 33: Vivace (agitato e marcato, vigoroso), 12 Études, op. 33: Vivace assai (agitato), 4 Études, op. 4: No. 1 in E-flat minor. Allegro moderato, 4 Études, op. 4: No. 2 in G-flat major. Allegro molto (leggiero e veloce), 4 Études, op. 4: No. 3 in B-flat minor. Andante in modo d’una canzone (con dolore), 4 Études, op. 4: No. 4 in C major. Allegro (ma non troppo, affettuoso e rubato), Masques, op. 34: La Sérénade de Don Juan, Masques, op. 34: Shéhérazade, Masques, op. 34: Tantris le Bouffon, Métopes, trois poèmes, op. 29: Calypso, Métopes, trois poèmes, op. 29: L’Île des Sirènes, Métopes, trois poèmes, op. 29: Nausicaa
Claire Jéquier recording 2nd ariette oubliée, Andaluza (Danzas Españolas), Après un rêve, Asturiana, Beau Soir, Danse Espagnole (“La vida breve”), Intermezzo (“Goyescas”), Kaddish (Deux mélodies Hebraïques), Nana, Orientale (Danzas Españolas), Pièce en forme de Habanera, Ritual Fire Dance (“El amor brujo”), Romance, Rêverie, Sicilienne, op. 78, Élégie, op. 24
Kim Storm editor, sound Concerto for String Orchestra: I. Allegro, assai vivace, Concerto for String Orchestra: II. Quasi lento: teneramente, Concerto for String Orchestra: III. Allegro vivo: ritmico e giocoso, Elegy for Solo Viola, String Quartet and String Orchestra, Lento, Serenade for Strings, Serenade for Strings: I. Barcarolle, Serenade for Strings: II. Romance, Serenade for Strings: III. Elegy, Suite for String Orchestra: I. Allegro deciso, Suite for String Orchestra: II. Siciliano Elegiaco. Con moto, ma tenerezza, Suite for String Orchestra: III. Alla Menuetto. Allegro moderato, Suite for String Orchestra: IV. Rondo. Allegro assai: brioso, Three Spring Miniatures: I. Gossamer (A little waltz), Three Spring Miniatures: II. Willow Song (A lament), Three Spring Miniatures: III. Tree Tops (A toccatina)
Poul Bjerager producer, recording Concertstück in E minor, Piano Concerto in C minor, op. 45: I. Allegro maestoso, Piano Concerto in C minor, op. 45: II. Andante pastorale - Allegro - Tempo I, Piano Concerto in C minor, op. 45: III. Allegro con spirito, Piano Concerto in D minor, op. 73: I. Allegro non troppo, Piano Concerto in D minor, op. 73: II. Andante, Piano Concerto in D minor, op. 73: III. Presto spirituoso, Piano Concerto in E-flat major, op. 89: I. Allegro moderato, Piano Concerto in E-flat major, op. 89: II. Andante, Piano Concerto in E-flat major, op. 89: III. Rondo brillante. Allegro con spirito, Piano Concerto no. 1 in E major, op. 18: I. Allegro vivace, Piano Concerto no. 1 in E major, op. 18: II. Andante con moto, Piano Concerto no. 1 in E major, op. 18: III. Allegro molto vivace, Piano Concerto no. 2 in A major, op. 189: I. Andante cantabile - Allegro marcato, Piano Concerto no. 2 in A major, op. 189: II. Andantino, Piano Concerto no. 2 in A major, op. 189: III. Allegro vivace e leggiero
Dewayne Petty editor, sound Années de pèlerinage, deuxième année : Italie : Après une lecture du Dante, Années de pèlerinage, deuxième année : Italie : Canzonetta del Salvator Rosa, Années de pèlerinage, deuxième année : Italie : II Penseroso, Années de pèlerinage, deuxième année : Italie : Sonetto 104 del Petrarca, Années de pèlerinage, deuxième année : Italie : Sonetto 123 del Petrarca, Années de pèlerinage, deuxième année : Italie : Sonetto 47 del Petrarca, Années de pèlerinage, deuxième année : Italie : Sposalizio, Piano Sonata no. 28 in A major, op. 101: I. Allegretto ma non troppo -, Piano Sonata no. 28 in A major, op. 101: II. Vivace alla marcia -, Piano Sonata no. 28 in A major, op. 101: III. Adagio ma non troppo, con affetto - Tempo del primo pezzo - Presto -, Piano Sonata no. 28 in A major, op. 101: IV. Allegro, Piano Sonata no. 29 in B-flat major, op. 106 ”Hammerklavier”: I. Allegro, Piano Sonata no. 29 in B-flat major, op. 106 ”Hammerklavier”: II. Scherzo: assai vivace - Presto: - Tempo I, Piano Sonata no. 29 in B-flat major, op. 106 ”Hammerklavier”: III. Adagio sostenuto - Appassionato e con molto sentimento, Piano Sonata no. 29 in B-flat major, op. 106 ”Hammerklavier”: IV. Largo - Allegro risoluto
Dante Quartet recording String Quartet in D minor, op. 56 "Voces intimae": I. Andante - Allegro molto moderato, String Quartet in D minor, op. 56 "Voces intimae": II. Vivace, String Quartet in D minor, op. 56 "Voces intimae": III. Adagio di molto, String Quartet in D minor, op. 56 "Voces intimae": IV. Allegretto (ma pesante), String Quartet in D minor, op. 56 "Voces intimae": V. Allegro, String Quartet no. 1 in E minor "Z mého z v ivota": I. Allegro vivo appassionato, String Quartet no. 1 in E minor "Z mého z v ivota": II. Allegro moderato alla polka, String Quartet no. 1 in E minor "Z mého z v ivota": III. Largo sostenuto, String Quartet no. 1 in E minor "Z mého z v ivota": IV. Vivace, String Quartet no. 2 in D minor: I. Allegro, String Quartet no. 2 in D minor: II. Allegro moderato, String Quartet no. 2 in D minor: III. Allegro non più moderato, ma agitato e con fuoco, String Quartet no. 2 in D minor: IV. Presto
Catena sound Alternative ending for Part II of Rhapsody no. 1: Agitato, Andante in A major, BB 26b, Rhapsody No. 1 for Violin and Piano, Sz. 86, BB 94a: I. “lassú”. Moderato, Rhapsody No. 1 for Violin and Piano, Sz. 86, BB 94a: II. (alternate ending) Accelerando, a tempo, Rhapsody No. 1 for Violin and Piano, Sz. 86, BB 94a: II. Agitato, Rhapsody No. 1 for Violin and Piano, Sz. 86, BB 94a: II. “friss”. Allegretto moderato, Rhapsody No. 2 for Violin and Piano, Sz. 89, BB 96a: I. “lassú”. Moderato, Rhapsody No. 2 for Violin and Piano, Sz. 89, BB 96a: II. “friss”. Allegretto moderato, Sonata No. 1 for Violin and Piano, Op. 21, Sz. 75, BB 84: I. Allegro appassionato, Sonata No. 1 for Violin and Piano, Op. 21, Sz. 75, BB 84: II. Adagio, Sonata No. 1 for Violin and Piano, Op. 21, Sz. 75, BB 84: III. Allegro, Sonata No. 2 for Violin and Piano, Sz. 76, BB 85: I. Molto moderato, Sonata No. 2 for Violin and Piano, Sz. 76, BB 85: II. Allegretto
Wende Wen sound Stimmen... Verstummen: I, Stimmen... Verstummen: II, Stimmen... Verstummen: III, Stimmen... Verstummen: IV, Stimmen... Verstummen: IX, Stimmen... Verstummen: V, Stimmen... Verstummen: VI, Stimmen... Verstummen: VII, Stimmen... Verstummen: VIII, Stimmen... Verstummen: X, Stimmen... Verstummen: XI, Stimmen... Verstummen: XII, Stufen
Viola Thönniß producer Concerto for Pedal Piano in E-flat major: I. Allegro moderato, Concerto for Pedal Piano in E-flat major: II. Scherzo, Concerto for Pedal Piano in E-flat major: III. Adagio ma non troppo, Concerto for Pedal Piano in E-flat major: IV. Allegretto marziale (pomposo), Danse roumaine, Fantaisie sur l'hymne national russe, Suite Concertante in A major: I. Entrée de fête: Moderato maestoso, Suite Concertante in A major: II. Chasse: Allegro con fuoco, Suite Concertante in A major: III. Romance: Andante cantabile, Suite Concertante in A major: IV. Tarentelle: Vivace
윤조 producer Introduction and Allegro, op. 49: Allegro, Introduction and Allegro, op. 49: Lento, Piano Concerto no. 1 in A minor, op. 31: Allegro ma non troppo (Vivace), Piano Concerto no. 1 in A minor, op. 31: Andante - Allegro vivace, Piano Concerto no. 1 in A minor, op. 31: Andante quasi adagio, Piano Concerto no. 1 in A minor, op. 31: Scherzo: Allegretto non troppo, Piano Concerto no. 2 in G minor, op. 148: Andante -, Piano Concerto no. 2 in G minor, op. 148: Andante maestoso - Moderato, Piano Concerto no. 2 in G minor, op. 148: Con moto - Allegro - Moderato, Piano Concerto no. 2 in G minor, op. 148: Scherzo: Allegretto
Hyper[borea] engineer Ivan the Terrible, Concert Scenario: I. Overture, Ivan the Terrible, Concert Scenario: III. Wedding: i. Allegro fastoso, Ivan the Terrible, Concert Scenario: III. Wedding: ii. Andante, Ivan the Terrible, Concert Scenario: III. Wedding: iii. Allegro fastoso, Ivan the Terrible, Concert Scenario: V. Tartars and Cannoneers: ii. Moderato energico, Ivan the Terrible, Concert Scenario: VI. The Storming of Kazan, Ivan the Terrible, Concert Scenario: VII. Ivan's Sickness: ii. Andante sostenuto, Ivan the Terrible, Concert Scenario: XII. Murder in the Cathedral
Smak engineer, sound Symphony no. 1 in G minor, op. 7, FS 16: I. Allegro orgoglioso, Symphony no. 1 in G minor, op. 7, FS 16: II. Andante, Symphony no. 1 in G minor, op. 7, FS 16: III. Allegro comodo - Andante sostenuto - Tempo I, Symphony no. 1 in G minor, op. 7, FS 16: IV. Finale: Allegro con fuoco, Symphony no. 4, op. 29, FS 76 "The Inextinguishable": I. Allegro, Symphony no. 4, op. 29, FS 76 "The Inextinguishable": II. Poco allegretto, Symphony no. 4, op. 29, FS 76 "The Inextinguishable": III. Poco adagio quasi andante, Symphony no. 4, op. 29, FS 76 "The Inextinguishable": IV. Allegro - Glorioso - Tempo giusto
Brandon Estelle engineer Ivan the Terrible, Concert Scenario: IV. Fire, Ivan the Terrible, Concert Scenario: IX. Anastasia, Ivan the Terrible, Concert Scenario: V. Tartars and Cannoneers: i. Allegro moderato, Ivan the Terrible, Concert Scenario: VII. Ivan's Sickness: i. Adagio, Ivan the Terrible, Concert Scenario: VIII. At the Polish Court, Ivan the Terrible, Concert Scenario: XI. The Banquet: i. Allegro ben ritmato, feroce, Ivan the Terrible, Concert Scenario: XI. The Banquet: iii. Allegro ben ritmato
Gretel Scarlett editor, sound Six Songs, op. 68: No. 1. An die Nacht, Six Songs, op. 68: No. 2. Ich wollt’ ein Sträußlein binden, Six Songs, op. 68: No. 3. Säusle, liebe Myrthe, Six Songs, op. 68: No. 4. Als mir dein Lied erklang, Six Songs, op. 68: No. 5. Amor, Six Songs, op. 68: No. 6. Lied der Frauen
Steel Storm engineer Piano Concerto no. 2 in C minor, op. 50: I. Toccata: Allegro risoluto, Piano Concerto no. 2 in C minor, op. 50: II. Romanza: Andante con moto, Piano Concerto no. 2 in C minor, op. 50: III. Divertimento: Allegro risoluto e molto vivace, Piano Concerto no. 3 in E minor, op. 60 "Ballade": I. Con moto largamento - Allegretto con moto, Piano Concerto no. 3 in E minor, op. 60 "Ballade": II. Interludium: Allegro, molto sostenuto, misterioso, Piano Concerto no. 3 in E minor, op. 60 "Ballade": III. Finale: Allegro molto, Svegliando, eroico - Andante con moto tranquillo - Allegro molto - Coda
Michał Pepol sound Love Divine, All Loves Excelling, Mass: 'Princeps pacis': I. Kyrie, Mass: 'Princeps pacis': II. Gloria, Mass: 'Princeps pacis': III. Sanctus, Mass: 'Princeps pacis': IV. Benedictus, Mass: 'Princeps pacis': V. Agnus Dei
Francisco editor, engineer Violin Concerto in C major, Op. 48: II. Andantino cantabile, Violin Concerto in C major, op. 48: I. Allegro molto e con brio, Violin Concerto in C major, op. 48: III. Vivace giocoso, Violin Concerto in D minor: I. Allegro con fermezza, Violin Concerto in D minor: II. Andante sostenuto, Violin Concerto in D minor: III. Allegro vivace
Aux Field editor Praeludium for Brass, Bells and Percussion, Symphony no. 3: Part 1. Allegro non troppo e pesante -, Symphony no. 3: Part 1. Lento, Symphony no. 3: Part 2. Allegro molto -
Imelda Roland engineer Concerto no. 1 for Piano and Orchestra in B-flat minor: I. Molto moderato e maestoso - Sostenuto e tranquillo - Animato, Concerto no. 1 for Piano and Orchestra in B-flat minor: II. Scherzo (Vivacissimo), Concerto no. 1 for Piano and Orchestra in B-flat minor: III. Andante, Concerto no. 1 for Piano and Orchestra in B-flat minor: IV. Allegro commodo
Tim O'Brien recording Suite para violoncello solo: I. Preludio fantasia, Suite para violoncello solo: II. Sardana (Danza), Suite para violoncello solo: III. Intermezzo e danza finale
Harouna Dembélé engineer, producer A Hand of Bridge, op. 35, Mutations from Bach, Third Essay for Orchestra, op. 47
Brian Sagrafena editor, sound String Quartet no. 2, op. 10: I. Mäßig (Moderato), String Quartet no. 2, op. 10: II. Sehr Rasch, Verklärte Nacht, op. 4
Bobby Mahoney & the Seventh Son engineer Capricorn Concerto, op. 21: I. Allegro ma non troppo, Capricorn Concerto, op. 21: II. Allegretto, Capricorn Concerto, op. 21: III. Allegro con brio
Marek Czech sound Aurora, Invocation
Tamara Mumford engineer A Child of Our Time: Part II: 19. Burn Down Their Houses!, A Child of Our Time: Part II: 24. The Dark Forces Rise Like a Flood
Disha & Bhakta engineer Ivan the Terrible, Concert Scenario: II. Russian Sea, Ivan the Terrible, Concert Scenario: X. Song of the Beaver (Ephrosynia's Lullaby)
Odyssey engineer Ivan the Terrible, Concert Scenario: XI. The Banquet: ii. Allegro moderato
Sophie Schwödiauer engineer Ballade in A minor
Eduardo Garbagnatti editor, sound Concerto With Two Oboes, op. 9 no. 6 in G major: III. Allegro
Arturo Klauft engineer Fragment from Symphony no. 3 (Revised by Tommy B. Andersson)