A Quiet Day for Mellow Dreams

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Berliner Philharmoniker performing orchestra Bluebeard's Castle, Op. 11: Fifth Door - Bluebeard's Kingdom, Bluebeard's Castle, Op. 11: First Door - The Torture Chamber, Bluebeard's Castle, Op. 11: Fourth Door - The Secret Garden, Bluebeard's Castle, Op. 11: Prologue and Opening, Bluebeard's Castle, Op. 11: Second Door - The Armoury, Bluebeard's Castle, Op. 11: Seventh Door - Bluebeard's Former Wives, Bluebeard's Castle, Op. 11: Sixth Door - Tears, Bluebeard's Castle, Op. 11: Third Door - The Treasury, Le Sacre du printemps: Première partie. L’Adoration de la terre: I. Introduction, Le Sacre du printemps: Première partie. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes, Le Sacre du printemps: Première partie. L’Adoration de la terre: III. Jeu du rapt, Le Sacre du printemps: Première partie. L’Adoration de la terre: IV. Rondes printanières, Le Sacre du printemps: Première partie. L’Adoration de la terre: V. Jeux des cités rivales, Le Sacre du printemps: Première partie. L’Adoration de la terre: VI. Cortège du sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VII. Le sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VIII. Danse de la terre, Le Sacre du printemps: Seconde partie. Le Sacrifice: IX. Introduction, Le Sacre du printemps: Seconde partie. Le Sacrifice: X. Cercles mystérieux des adolescentes, Le Sacre du printemps: Seconde partie. Le Sacrifice: XI. Glorification de l’élue, Le Sacre du printemps: Seconde partie. Le Sacrifice: XII. Évocation des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIII. Action rituelle des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIV. Danse sacrale. l’élue, Scherzo à la russe, Symphony No. 5: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt - Plotzlich schneller. Leidenschaftlich. Wild, Symphony No. 5: II. Stürmisch bewegt. Mit größter Vehemenz - bedeutend langsamer - Tempo I subito, Symphony No. 5: III. Scherzo (Kräftig, nicht zu schnell), Symphony No. 5: IV. Adagietto (Sehr langsam), Symphony No. 5: V. Rondo - Finale (Allegro), Symphony no. 1 in D major: I. Langsam. Schleppend, Symphony no. 1 in D major: II. Kräftig bewegt, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 2 "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony no. 2 "Resurrection": III. In ruhig fließender Bewegung, Symphony no. 2 "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht, Symphony no. 2 "Resurrection": V. Etwas bewegter, Symphony no. 2 "Resurrection": V. Im tempo des Scherzo. Wild herausfahrend, Symphony no. 2 "Resurrection": V. Langsam. Misterioso, Symphony no. 2 "Resurrection": V. Maestoso, Symphony no. 2 "Resurrection": V. Sehr langsam und gedehnt, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, The Firebird: Introduction, The Firebird: Tableau I: Appearance of the Firebird, Pursued by Prince Ivan, The Firebird: Tableau I: Capture of the Firebird by Prince Ivan, The Firebird: Tableau I: Dance of Kastchei's Retinue, Enchanted by the Firebird, The Firebird: Tableau I: Dance of the Firebird, The Firebird: Tableau I: Daybreak, The Firebird: Tableau I: Infernal Dance of All Kastchei's Subjects, The Firebird: Tableau I: Khorovod (Round Dance) of the Princesses, The Firebird: Tableau I: Lullaby, The Firebird: Tableau I: Magic Carillon, Appearance of Kastchei's Monster Guardians, and Capture of Prince Ivan, The Firebird: Tableau I: Sudden Appearance of Prince Ivan, The Firebird: Tableau I: Supplication of the Firebird, The Firebird: Tableau I: The Enchanted Garden of Kastchei, The Firebird: Tableau I: The Princesses' Game with the Golden Apples, The Firebird: Tableau II, Disappearance of Kastchei's Palace and Magical Creations, Return to Life of the Petrified Knights, General Rejoicing
Bernard Haitink conductor Bluebeard's Castle, Op. 11: Fifth Door - Bluebeard's Kingdom, Bluebeard's Castle, Op. 11: First Door - The Torture Chamber, Bluebeard's Castle, Op. 11: Fourth Door - The Secret Garden, Bluebeard's Castle, Op. 11: Prologue and Opening, Bluebeard's Castle, Op. 11: Second Door - The Armoury, Bluebeard's Castle, Op. 11: Seventh Door - Bluebeard's Former Wives, Bluebeard's Castle, Op. 11: Sixth Door - Tears, Bluebeard's Castle, Op. 11: Third Door - The Treasury, Le Sacre du printemps: Première partie. L’Adoration de la terre: I. Introduction, Le Sacre du printemps: Première partie. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes, Le Sacre du printemps: Première partie. L’Adoration de la terre: III. Jeu du rapt, Le Sacre du printemps: Première partie. L’Adoration de la terre: IV. Rondes printanières, Le Sacre du printemps: Première partie. L’Adoration de la terre: V. Jeux des cités rivales, Le Sacre du printemps: Première partie. L’Adoration de la terre: VI. Cortège du sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VII. Le sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VIII. Danse de la terre, Le Sacre du printemps: Seconde partie. Le Sacrifice: IX. Introduction, Le Sacre du printemps: Seconde partie. Le Sacrifice: X. Cercles mystérieux des adolescentes, Le Sacre du printemps: Seconde partie. Le Sacrifice: XI. Glorification de l’élue, Le Sacre du printemps: Seconde partie. Le Sacrifice: XII. Évocation des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIII. Action rituelle des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIV. Danse sacrale. l’élue, Scherzo à la russe, Symphony No. 5: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt - Plotzlich schneller. Leidenschaftlich. Wild, Symphony No. 5: II. Stürmisch bewegt. Mit größter Vehemenz - bedeutend langsamer - Tempo I subito, Symphony No. 5: III. Scherzo (Kräftig, nicht zu schnell), Symphony No. 5: IV. Adagietto (Sehr langsam), Symphony No. 5: V. Rondo - Finale (Allegro), Symphony no. 1 in D major: I. Langsam. Schleppend, Symphony no. 1 in D major: II. Kräftig bewegt, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 2 "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony no. 2 "Resurrection": III. In ruhig fließender Bewegung, Symphony no. 2 "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht, Symphony no. 2 "Resurrection": V. Etwas bewegter, Symphony no. 2 "Resurrection": V. Im tempo des Scherzo. Wild herausfahrend, Symphony no. 2 "Resurrection": V. Langsam. Misterioso, Symphony no. 2 "Resurrection": V. Maestoso, Symphony no. 2 "Resurrection": V. Sehr langsam und gedehnt, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, The Firebird: Introduction, The Firebird: Tableau I: Appearance of the Firebird, Pursued by Prince Ivan, The Firebird: Tableau I: Capture of the Firebird by Prince Ivan, The Firebird: Tableau I: Dance of Kastchei's Retinue, Enchanted by the Firebird, The Firebird: Tableau I: Dance of the Firebird, The Firebird: Tableau I: Daybreak, The Firebird: Tableau I: Infernal Dance of All Kastchei's Subjects, The Firebird: Tableau I: Khorovod (Round Dance) of the Princesses, The Firebird: Tableau I: Lullaby, The Firebird: Tableau I: Magic Carillon, Appearance of Kastchei's Monster Guardians, and Capture of Prince Ivan, The Firebird: Tableau I: Sudden Appearance of Prince Ivan, The Firebird: Tableau I: Supplication of the Firebird, The Firebird: Tableau I: The Enchanted Garden of Kastchei, The Firebird: Tableau I: The Princesses' Game with the Golden Apples, The Firebird: Tableau II, Disappearance of Kastchei's Palace and Magical Creations, Return to Life of the Petrified Knights, General Rejoicing

Collaborators on this artist's recordings

Artist name Roles Recordings
Berliner Philharmoniker performing orchestra Bluebeard's Castle, Op. 11: Fifth Door - Bluebeard's Kingdom, Bluebeard's Castle, Op. 11: First Door - The Torture Chamber, Bluebeard's Castle, Op. 11: Fourth Door - The Secret Garden, Bluebeard's Castle, Op. 11: Prologue and Opening, Bluebeard's Castle, Op. 11: Second Door - The Armoury, Bluebeard's Castle, Op. 11: Seventh Door - Bluebeard's Former Wives, Bluebeard's Castle, Op. 11: Sixth Door - Tears, Bluebeard's Castle, Op. 11: Third Door - The Treasury, Le Sacre du printemps: Première partie. L’Adoration de la terre: I. Introduction, Le Sacre du printemps: Première partie. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes, Le Sacre du printemps: Première partie. L’Adoration de la terre: III. Jeu du rapt, Le Sacre du printemps: Première partie. L’Adoration de la terre: IV. Rondes printanières, Le Sacre du printemps: Première partie. L’Adoration de la terre: V. Jeux des cités rivales, Le Sacre du printemps: Première partie. L’Adoration de la terre: VI. Cortège du sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VII. Le sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VIII. Danse de la terre, Le Sacre du printemps: Seconde partie. Le Sacrifice: IX. Introduction, Le Sacre du printemps: Seconde partie. Le Sacrifice: X. Cercles mystérieux des adolescentes, Le Sacre du printemps: Seconde partie. Le Sacrifice: XI. Glorification de l’élue, Le Sacre du printemps: Seconde partie. Le Sacrifice: XII. Évocation des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIII. Action rituelle des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIV. Danse sacrale. l’élue, Scherzo à la russe, Symphony No. 5: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt - Plotzlich schneller. Leidenschaftlich. Wild, Symphony No. 5: II. Stürmisch bewegt. Mit größter Vehemenz - bedeutend langsamer - Tempo I subito, Symphony No. 5: III. Scherzo (Kräftig, nicht zu schnell), Symphony No. 5: IV. Adagietto (Sehr langsam), Symphony No. 5: V. Rondo - Finale (Allegro), Symphony no. 1 in D major: I. Langsam. Schleppend, Symphony no. 1 in D major: II. Kräftig bewegt, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 2 "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony no. 2 "Resurrection": III. In ruhig fließender Bewegung, Symphony no. 2 "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht, Symphony no. 2 "Resurrection": V. Etwas bewegter, Symphony no. 2 "Resurrection": V. Im tempo des Scherzo. Wild herausfahrend, Symphony no. 2 "Resurrection": V. Langsam. Misterioso, Symphony no. 2 "Resurrection": V. Maestoso, Symphony no. 2 "Resurrection": V. Sehr langsam und gedehnt, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, The Firebird: Introduction, The Firebird: Tableau I: Appearance of the Firebird, Pursued by Prince Ivan, The Firebird: Tableau I: Capture of the Firebird by Prince Ivan, The Firebird: Tableau I: Dance of Kastchei's Retinue, Enchanted by the Firebird, The Firebird: Tableau I: Dance of the Firebird, The Firebird: Tableau I: Daybreak, The Firebird: Tableau I: Infernal Dance of All Kastchei's Subjects, The Firebird: Tableau I: Khorovod (Round Dance) of the Princesses, The Firebird: Tableau I: Lullaby, The Firebird: Tableau I: Magic Carillon, Appearance of Kastchei's Monster Guardians, and Capture of Prince Ivan, The Firebird: Tableau I: Sudden Appearance of Prince Ivan, The Firebird: Tableau I: Supplication of the Firebird, The Firebird: Tableau I: The Enchanted Garden of Kastchei, The Firebird: Tableau I: The Princesses' Game with the Golden Apples, The Firebird: Tableau II, Disappearance of Kastchei's Palace and Magical Creations, Return to Life of the Petrified Knights, General Rejoicing
Bernard Haitink conductor Bluebeard's Castle, Op. 11: Fifth Door - Bluebeard's Kingdom, Bluebeard's Castle, Op. 11: First Door - The Torture Chamber, Bluebeard's Castle, Op. 11: Fourth Door - The Secret Garden, Bluebeard's Castle, Op. 11: Prologue and Opening, Bluebeard's Castle, Op. 11: Second Door - The Armoury, Bluebeard's Castle, Op. 11: Seventh Door - Bluebeard's Former Wives, Bluebeard's Castle, Op. 11: Sixth Door - Tears, Bluebeard's Castle, Op. 11: Third Door - The Treasury, Le Sacre du printemps: Première partie. L’Adoration de la terre: I. Introduction, Le Sacre du printemps: Première partie. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes, Le Sacre du printemps: Première partie. L’Adoration de la terre: III. Jeu du rapt, Le Sacre du printemps: Première partie. L’Adoration de la terre: IV. Rondes printanières, Le Sacre du printemps: Première partie. L’Adoration de la terre: V. Jeux des cités rivales, Le Sacre du printemps: Première partie. L’Adoration de la terre: VI. Cortège du sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VII. Le sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VIII. Danse de la terre, Le Sacre du printemps: Seconde partie. Le Sacrifice: IX. Introduction, Le Sacre du printemps: Seconde partie. Le Sacrifice: X. Cercles mystérieux des adolescentes, Le Sacre du printemps: Seconde partie. Le Sacrifice: XI. Glorification de l’élue, Le Sacre du printemps: Seconde partie. Le Sacrifice: XII. Évocation des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIII. Action rituelle des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIV. Danse sacrale. l’élue, Scherzo à la russe, Symphony No. 5: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt - Plotzlich schneller. Leidenschaftlich. Wild, Symphony No. 5: II. Stürmisch bewegt. Mit größter Vehemenz - bedeutend langsamer - Tempo I subito, Symphony No. 5: III. Scherzo (Kräftig, nicht zu schnell), Symphony No. 5: IV. Adagietto (Sehr langsam), Symphony No. 5: V. Rondo - Finale (Allegro), Symphony no. 1 in D major: I. Langsam. Schleppend, Symphony no. 1 in D major: II. Kräftig bewegt, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 2 "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony no. 2 "Resurrection": III. In ruhig fließender Bewegung, Symphony no. 2 "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht, Symphony no. 2 "Resurrection": V. Etwas bewegter, Symphony no. 2 "Resurrection": V. Im tempo des Scherzo. Wild herausfahrend, Symphony no. 2 "Resurrection": V. Langsam. Misterioso, Symphony no. 2 "Resurrection": V. Maestoso, Symphony no. 2 "Resurrection": V. Sehr langsam und gedehnt, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, The Firebird: Introduction, The Firebird: Tableau I: Appearance of the Firebird, Pursued by Prince Ivan, The Firebird: Tableau I: Capture of the Firebird by Prince Ivan, The Firebird: Tableau I: Dance of Kastchei's Retinue, Enchanted by the Firebird, The Firebird: Tableau I: Dance of the Firebird, The Firebird: Tableau I: Daybreak, The Firebird: Tableau I: Infernal Dance of All Kastchei's Subjects, The Firebird: Tableau I: Khorovod (Round Dance) of the Princesses, The Firebird: Tableau I: Lullaby, The Firebird: Tableau I: Magic Carillon, Appearance of Kastchei's Monster Guardians, and Capture of Prince Ivan, The Firebird: Tableau I: Sudden Appearance of Prince Ivan, The Firebird: Tableau I: Supplication of the Firebird, The Firebird: Tableau I: The Enchanted Garden of Kastchei, The Firebird: Tableau I: The Princesses' Game with the Golden Apples, The Firebird: Tableau II, Disappearance of Kastchei's Palace and Magical Creations, Return to Life of the Petrified Knights, General Rejoicing