Jeff Borgeson

Top collaborators

Artist name Roles Recordings
The King's Consort performing orchestra Cantata No. 169, "Gott soll allein mein Herze haben," BWV 169 (BC A143), VI. "Stirb in mir, Welt und alle deine Liebe", Aria for alto, Come Tread the Paths of Pensive Pangs, song for voice & lute, Deborah, oratorio, HWV 51, Act II, "Impious mortal, cease to brave us!", Air (Barak), Esther, oratorio, HWV 50b, Act I, "Tune your harps to cheerful strains", Air (Femme israelite), Now does the glorious day appear (Ode for Queen Mary's Birthday), for soloists, chorus, violins & continuo, Z. 332, No. 7a, "By beauteous softness" (alto), Now that the sun hath veiled his light, sacred song for soprano & continuo ("An Evening Hymn"), Z. 193, O magnum mysterium, motet for 8 voices, O solitude, my sweetest choice, song, Z. 406, Occasional Oratorio, HWV 62, Act III, "Thou shalt bring them in", Air for soprano, Ode for the Birthday of Queen Anne (Eternal Source of Light Divine), HWV 74, I. Largo: Eternal source of light divine!, On the brow of Richmond Hill, song, Z. 405, Première Leçon de Ténèbres, for treble voice & continuo,VII. Jerusalem, convertere, Rinaldo, opera, HWV 7, Act 3. Scene 9. Aria. Or la tromba in suon festante mi richiama a trionfar, Since First I Saw Your Face, song for 4 voices & instruments, Solomon, oratorio, HWV 67, Act I, "Almighty pow'r! who rul'st the earth and skies", Recitative (Solomon), Solomon, oratorio, HWV 67, Act I, "Welcome as the dawn of day to the pilgrim on his way", Duet (Reine, Solomon), Sono liete, fortunate, duet for soprano, alto & continuo, HWV 194, II. "Crudelta ne lontananza", Duet for soprano & alto, St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b), No. 39, "Erbarme dich, meine Gott", Aria for alto ["Have mercy, Lord"], Te Deum and Jubilate Deo in D major, for soloists, chorus & instruments, Z. 232, No. 1, "Te Deum laudamus" (The Song of St. Ambroise): k, "Vouchsafe, O Lord, to keep us this day" (alto), The Choice of Hercules, oratorio, HWV 69, No. 15, "Yet, can I hear that dulcet lay", Air (Hercules), Why, why are all the muses mute? (Welcome Song for James II), for soloists, chorus & instruments, Z. 343, No. 5a, "Britain, thou now art great" (alto)
James Bowman (UK operatic countertenor) vocal Cantata No. 169, "Gott soll allein mein Herze haben," BWV 169 (BC A143), VI. "Stirb in mir, Welt und alle deine Liebe", Aria for alto, Come Tread the Paths of Pensive Pangs, song for voice & lute, Deborah, oratorio, HWV 51, Act II, "Impious mortal, cease to brave us!", Air (Barak), Esther, oratorio, HWV 50b, Act I, "Tune your harps to cheerful strains", Air (Femme israelite), Now does the glorious day appear (Ode for Queen Mary's Birthday), for soloists, chorus, violins & continuo, Z. 332, No. 7a, "By beauteous softness" (alto), Now that the sun hath veiled his light, sacred song for soprano & continuo ("An Evening Hymn"), Z. 193, O magnum mysterium, motet for 8 voices, O solitude, my sweetest choice, song, Z. 406, Occasional Oratorio, HWV 62, Act III, "Thou shalt bring them in", Air for soprano, Ode for the Birthday of Queen Anne (Eternal Source of Light Divine), HWV 74, I. Largo: Eternal source of light divine!, On the brow of Richmond Hill, song, Z. 405, Première Leçon de Ténèbres, for treble voice & continuo,VII. Jerusalem, convertere, Rinaldo, opera, HWV 7, Act 3. Scene 9. Aria. Or la tromba in suon festante mi richiama a trionfar, Since First I Saw Your Face, song for 4 voices & instruments, Solomon, oratorio, HWV 67, Act I, "Almighty pow'r! who rul'st the earth and skies", Recitative (Solomon), Solomon, oratorio, HWV 67, Act I, "Welcome as the dawn of day to the pilgrim on his way", Duet (Reine, Solomon), Sono liete, fortunate, duet for soprano, alto & continuo, HWV 194, II. "Crudelta ne lontananza", Duet for soprano & alto, St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b), No. 39, "Erbarme dich, meine Gott", Aria for alto ["Have mercy, Lord"], Te Deum and Jubilate Deo in D major, for soloists, chorus & instruments, Z. 232, No. 1, "Te Deum laudamus" (The Song of St. Ambroise): k, "Vouchsafe, O Lord, to keep us this day" (alto), The Choice of Hercules, oratorio, HWV 69, No. 15, "Yet, can I hear that dulcet lay", Air (Hercules), Why, why are all the muses mute? (Welcome Song for James II), for soloists, chorus & instruments, Z. 343, No. 5a, "Britain, thou now art great" (alto)
Robert King (conductor) conductor, chamber organ Cantata No. 169, "Gott soll allein mein Herze haben," BWV 169 (BC A143), VI. "Stirb in mir, Welt und alle deine Liebe", Aria for alto, Come Tread the Paths of Pensive Pangs, song for voice & lute, Deborah, oratorio, HWV 51, Act II, "Impious mortal, cease to brave us!", Air (Barak), Esther, oratorio, HWV 50b, Act I, "Tune your harps to cheerful strains", Air (Femme israelite), Now does the glorious day appear (Ode for Queen Mary's Birthday), for soloists, chorus, violins & continuo, Z. 332, No. 7a, "By beauteous softness" (alto), Now that the sun hath veiled his light, sacred song for soprano & continuo ("An Evening Hymn"), Z. 193, O magnum mysterium, motet for 8 voices, O solitude, my sweetest choice, song, Z. 406, Occasional Oratorio, HWV 62, Act III, "Thou shalt bring them in", Air for soprano, Ode for the Birthday of Queen Anne (Eternal Source of Light Divine), HWV 74, I. Largo: Eternal source of light divine!, On the brow of Richmond Hill, song, Z. 405, Première Leçon de Ténèbres, for treble voice & continuo,VII. Jerusalem, convertere, Rinaldo, opera, HWV 7, Act 3. Scene 9. Aria. Or la tromba in suon festante mi richiama a trionfar, Since First I Saw Your Face, song for 4 voices & instruments, Solomon, oratorio, HWV 67, Act I, "Almighty pow'r! who rul'st the earth and skies", Recitative (Solomon), Solomon, oratorio, HWV 67, Act I, "Welcome as the dawn of day to the pilgrim on his way", Duet (Reine, Solomon), Sono liete, fortunate, duet for soprano, alto & continuo, HWV 194, II. "Crudelta ne lontananza", Duet for soprano & alto, St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b), No. 39, "Erbarme dich, meine Gott", Aria for alto ["Have mercy, Lord"], Te Deum and Jubilate Deo in D major, for soloists, chorus & instruments, Z. 232, No. 1, "Te Deum laudamus" (The Song of St. Ambroise): k, "Vouchsafe, O Lord, to keep us this day" (alto), The Choice of Hercules, oratorio, HWV 69, No. 15, "Yet, can I hear that dulcet lay", Air (Hercules), Why, why are all the muses mute? (Welcome Song for James II), for soloists, chorus & instruments, Z. 343, No. 5a, "Britain, thou now art great" (alto)
Mark Caudle viola da gamba On the brow of Richmond Hill, song, Z. 405, Première Leçon de Ténèbres, for treble voice & continuo,VII. Jerusalem, convertere
Evelyn Tubb vocal O magnum mysterium, motet for 8 voices

Collaborators on this artist's recordings

Artist name Roles Recordings
The King's Consort performing orchestra Cantata No. 169, "Gott soll allein mein Herze haben," BWV 169 (BC A143), VI. "Stirb in mir, Welt und alle deine Liebe", Aria for alto, Come Tread the Paths of Pensive Pangs, song for voice & lute, Deborah, oratorio, HWV 51, Act II, "Impious mortal, cease to brave us!", Air (Barak), Esther, oratorio, HWV 50b, Act I, "Tune your harps to cheerful strains", Air (Femme israelite), Now does the glorious day appear (Ode for Queen Mary's Birthday), for soloists, chorus, violins & continuo, Z. 332, No. 7a, "By beauteous softness" (alto), Now that the sun hath veiled his light, sacred song for soprano & continuo ("An Evening Hymn"), Z. 193, O magnum mysterium, motet for 8 voices, O solitude, my sweetest choice, song, Z. 406, Occasional Oratorio, HWV 62, Act III, "Thou shalt bring them in", Air for soprano, Ode for the Birthday of Queen Anne (Eternal Source of Light Divine), HWV 74, I. Largo: Eternal source of light divine!, On the brow of Richmond Hill, song, Z. 405, Première Leçon de Ténèbres, for treble voice & continuo,VII. Jerusalem, convertere, Rinaldo, opera, HWV 7, Act 3. Scene 9. Aria. Or la tromba in suon festante mi richiama a trionfar, Since First I Saw Your Face, song for 4 voices & instruments, Solomon, oratorio, HWV 67, Act I, "Almighty pow'r! who rul'st the earth and skies", Recitative (Solomon), Solomon, oratorio, HWV 67, Act I, "Welcome as the dawn of day to the pilgrim on his way", Duet (Reine, Solomon), Sono liete, fortunate, duet for soprano, alto & continuo, HWV 194, II. "Crudelta ne lontananza", Duet for soprano & alto, St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b), No. 39, "Erbarme dich, meine Gott", Aria for alto ["Have mercy, Lord"], Te Deum and Jubilate Deo in D major, for soloists, chorus & instruments, Z. 232, No. 1, "Te Deum laudamus" (The Song of St. Ambroise): k, "Vouchsafe, O Lord, to keep us this day" (alto), The Choice of Hercules, oratorio, HWV 69, No. 15, "Yet, can I hear that dulcet lay", Air (Hercules), Why, why are all the muses mute? (Welcome Song for James II), for soloists, chorus & instruments, Z. 343, No. 5a, "Britain, thou now art great" (alto)
James Bowman (UK operatic countertenor) vocal Cantata No. 169, "Gott soll allein mein Herze haben," BWV 169 (BC A143), VI. "Stirb in mir, Welt und alle deine Liebe", Aria for alto, Come Tread the Paths of Pensive Pangs, song for voice & lute, Deborah, oratorio, HWV 51, Act II, "Impious mortal, cease to brave us!", Air (Barak), Esther, oratorio, HWV 50b, Act I, "Tune your harps to cheerful strains", Air (Femme israelite), Now does the glorious day appear (Ode for Queen Mary's Birthday), for soloists, chorus, violins & continuo, Z. 332, No. 7a, "By beauteous softness" (alto), Now that the sun hath veiled his light, sacred song for soprano & continuo ("An Evening Hymn"), Z. 193, O magnum mysterium, motet for 8 voices, O solitude, my sweetest choice, song, Z. 406, Occasional Oratorio, HWV 62, Act III, "Thou shalt bring them in", Air for soprano, Ode for the Birthday of Queen Anne (Eternal Source of Light Divine), HWV 74, I. Largo: Eternal source of light divine!, On the brow of Richmond Hill, song, Z. 405, Première Leçon de Ténèbres, for treble voice & continuo,VII. Jerusalem, convertere, Rinaldo, opera, HWV 7, Act 3. Scene 9. Aria. Or la tromba in suon festante mi richiama a trionfar, Since First I Saw Your Face, song for 4 voices & instruments, Solomon, oratorio, HWV 67, Act I, "Almighty pow'r! who rul'st the earth and skies", Recitative (Solomon), Solomon, oratorio, HWV 67, Act I, "Welcome as the dawn of day to the pilgrim on his way", Duet (Reine, Solomon), Sono liete, fortunate, duet for soprano, alto & continuo, HWV 194, II. "Crudelta ne lontananza", Duet for soprano & alto, St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b), No. 39, "Erbarme dich, meine Gott", Aria for alto ["Have mercy, Lord"], Te Deum and Jubilate Deo in D major, for soloists, chorus & instruments, Z. 232, No. 1, "Te Deum laudamus" (The Song of St. Ambroise): k, "Vouchsafe, O Lord, to keep us this day" (alto), The Choice of Hercules, oratorio, HWV 69, No. 15, "Yet, can I hear that dulcet lay", Air (Hercules), Why, why are all the muses mute? (Welcome Song for James II), for soloists, chorus & instruments, Z. 343, No. 5a, "Britain, thou now art great" (alto)
Robert King (conductor) conductor, chamber organ Cantata No. 169, "Gott soll allein mein Herze haben," BWV 169 (BC A143), VI. "Stirb in mir, Welt und alle deine Liebe", Aria for alto, Come Tread the Paths of Pensive Pangs, song for voice & lute, Deborah, oratorio, HWV 51, Act II, "Impious mortal, cease to brave us!", Air (Barak), Esther, oratorio, HWV 50b, Act I, "Tune your harps to cheerful strains", Air (Femme israelite), Now does the glorious day appear (Ode for Queen Mary's Birthday), for soloists, chorus, violins & continuo, Z. 332, No. 7a, "By beauteous softness" (alto), Now that the sun hath veiled his light, sacred song for soprano & continuo ("An Evening Hymn"), Z. 193, O magnum mysterium, motet for 8 voices, O solitude, my sweetest choice, song, Z. 406, Occasional Oratorio, HWV 62, Act III, "Thou shalt bring them in", Air for soprano, Ode for the Birthday of Queen Anne (Eternal Source of Light Divine), HWV 74, I. Largo: Eternal source of light divine!, On the brow of Richmond Hill, song, Z. 405, Première Leçon de Ténèbres, for treble voice & continuo,VII. Jerusalem, convertere, Rinaldo, opera, HWV 7, Act 3. Scene 9. Aria. Or la tromba in suon festante mi richiama a trionfar, Since First I Saw Your Face, song for 4 voices & instruments, Solomon, oratorio, HWV 67, Act I, "Almighty pow'r! who rul'st the earth and skies", Recitative (Solomon), Solomon, oratorio, HWV 67, Act I, "Welcome as the dawn of day to the pilgrim on his way", Duet (Reine, Solomon), Sono liete, fortunate, duet for soprano, alto & continuo, HWV 194, II. "Crudelta ne lontananza", Duet for soprano & alto, St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b), No. 39, "Erbarme dich, meine Gott", Aria for alto ["Have mercy, Lord"], Te Deum and Jubilate Deo in D major, for soloists, chorus & instruments, Z. 232, No. 1, "Te Deum laudamus" (The Song of St. Ambroise): k, "Vouchsafe, O Lord, to keep us this day" (alto), The Choice of Hercules, oratorio, HWV 69, No. 15, "Yet, can I hear that dulcet lay", Air (Hercules), Why, why are all the muses mute? (Welcome Song for James II), for soloists, chorus & instruments, Z. 343, No. 5a, "Britain, thou now art great" (alto)
Mark Caudle viola da gamba On the brow of Richmond Hill, song, Z. 405, Première Leçon de Ténèbres, for treble voice & continuo,VII. Jerusalem, convertere
Evelyn Tubb vocal O magnum mysterium, motet for 8 voices
Gillian Fisher vocal Sono liete, fortunate, duet for soprano, alto & continuo, HWV 194, II. "Crudelta ne lontananza", Duet for soprano & alto
Charles Pott vocal O magnum mysterium, motet for 8 voices
Crispian Steele-Perkins baroque trumpet Ode for the Birthday of Queen Anne (Eternal Source of Light Divine), HWV 74, I. Largo: Eternal source of light divine!
Katharina Spreckelsen (Oboist) oboe Esther, oratorio, HWV 50b, Act I, "Tune your harps to cheerful strains", Air (Femme israelite)
David Miller (UK period lutist / guitarist) lute Since First I Saw Your Face, song for 4 voices & instruments
Mark Padmore vocal O magnum mysterium, motet for 8 voices
David Woodcock (violinist) violin St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b), No. 39, "Erbarme dich, meine Gott", Aria for alto ["Have mercy, Lord"]
Susan Gritton vocal Solomon, oratorio, HWV 67, Act I, "Welcome as the dawn of day to the pilgrim on his way", Duet (Reine, Solomon)
Jonathan Peter Kenny vocal O magnum mysterium, motet for 8 voices