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Michael Gielen
conductor
Central Park in the Dark, Die Weihe des Hauses: Overtüre C-dur, Op. 124, Entre Act 3, Five Orchestral Songs after Tests from Postcards, op. 4: II., Five Orchestral Songs after Texts from Postcards, op. 4: I., Five Orchestral Songs after Texts from Postcards, op. 4: III., Five Orchestral Songs after Texts from Postcards, op. 4: IV., Five Orchestral Songs after Texts from Postcards, op. 4: V., Four Pieces for Orchestra, op. 12: 1. Preludio. Moderato, Four Pieces for Orchestra, op. 12: 2. Scherzo. Allegro, Four Pieces for Orchestra, op. 12: 3. Intermezzo. Moderato, Four Pieces for Orchestra, op. 12: 4. Marcia funebre. Maestoso, Music for Strings, Percussions and Celesta: 1. Andante tranquillo, Music for Strings, Percussions and Celesta: 2. Allegro, Music for Strings, Percussions and Celesta: 3. Adagio, Music for Strings, Percussions and Celesta: 4. Allegro molto, Ouvertüre zur Oper "Fidelio", op. 72b: Allegro, Sinfonie Nr. 2 D-Dur, op. 36: I. Adagio molto - Allegro con brio, Sinfonie Nr. 2 D-Dur, op. 36: II. Larghetto, Sinfonie Nr. 2 D-Dur, op. 36: III. Scherzo. Allegro, Sinfonie Nr. 2 D-Dur, op. 36: IV. Allegro molto, Sinfonie Nr. 8 F-Dur, op. 93: I. Allegro vivace e con brio, Sinfonie Nr. 8 F-Dur, op. 93: II. Allegretto scherzando, Sinfonie Nr. 8 F-Dur, op. 93: III. Tempo di menuetto, Sinfonie Nr. 8 F-Dur, op. 93: IV. Allegro vivace, Symphony No. 10 in F-sharp major: Adagio, Symphony No. 2 in C minor "Resurrection": Part One: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony No. 2 in C minor "Resurrection": Part Two: II. Andante moderato. Sehr gemächlich. Nie eilen, Symphony No. 2 in C minor "Resurrection": Part Two: III. In ruhig fließender Bewegung, Symphony No. 2 in C minor "Resurrection": Part Two: IV. "Urlicht". Sehr feierlich aber schlicht, Symphony No. 2 in C minor "Resurrection": Part Two: V. Im Tempo des Scherzo's, wild herausfarend - Langsam. Misterioso, Symphony No. 3 in D minor: Part One: I. Kräftig. Entschieden, Symphony No. 3 in D minor: Part Two: II. Tempo di Menuetto. Sehr mabig, Symphony No. 3 in D minor: Part Two: III. Comodo. Scherzando. Ohne Hast, Symphony No. 3 in D minor: Part Two: IV. Sehr langsam. Misterioso. Durchaus ppp, Symphony No. 3 in D minor: Part Two: V. Lustig im Tempo und keck im Ausdruck, Symphony No. 3 in D minor: Part Two: VI. Langsam. Ruhevoll. Empfunden, Symphony No. 4 in G major: I. Bedächtig, Nicht eilen, Symphony No. 4 in G major: II. In gemächlicher Bewegung, ohne Hast, Symphony No. 4 in G major: III. Ruhevoll, Symphony No. 4 in G major: IV. Sehr behaglich, Aus des Knaben Wunderhorn, Symphony No. 5 in C-sharp minor: Part One: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt, Symphony No. 5 in C-sharp minor: Part One: II. Stürmisch bewegt. Mit größter Vehemenz, Symphony No. 5 in C-sharp minor: Part Three: IV. Adagietto. Sehr langsam, Symphony No. 5 in C-sharp minor: Part Three: V. Rondo-Finale. Allegro – Allegro giocoso. Frisch, Symphony No. 5 in C-sharp minor: Part Two: III. Scherzo. Kräftig, nicht zu schnell, Symphony No. 6 in A minor "Tragic": I. Allegro energico, ma non troppo, Symphony No. 6 in A minor "Tragic": II. Scherzo, Symphony No. 6 in A minor "Tragic": III. Andante moderato, Symphony No. 6 in A minor "Tragic": IV. Finale. Allegro moderato — Allegro energico, Symphony No. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo, Symphony No. 7 in E minor: II. Nachtmusik I. Allegro moderato, Symphony No. 7 in E minor: III. Scherzo. Schattenhaft, Symphony No. 7 in E minor: IV. Nachtmusik II. Andante amoroso, Symphony No. 7 in E minor: V. Rondo - Finale. Tempo I (tempo ordinario) Tempo II (Allegro moderato ma energico), Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: Ia. Veni, Creator spiritus, Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: Ib. Imple superna gratia, Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: Ic. Infirma nostri corporis, Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: Id. Accende lumen sensibus, Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: Ie. Tu septiformis munere, Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: If. Gloria Patri Domino, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIa. Waldung, sie schwankt heran, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIb. Ewiger Wonnebrand, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIc. Wie Felsenagrund mir zu Füßen, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IId. Gerettet ist das edle Glied, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIe. Uns bleibt ein Erdenrest, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIf. Hier ist die Aussicht frei, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIg. Dir, der unberührbaren, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIh. Bei der Liebe, die den Füßen, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIi. Neige, neige, du Ohnegleiche, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIj. Komm! Hebe dich zu höhern Sphären, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIk. Blicket auf zum Retterblick, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIm. Alles Vergängliche ist nur ein Gleichnis, Symphony No. 9 in D major: I. Andante comodo, Symphony No. 9 in D major: II. Im Tempo eines gemächlichen Ländlers, Symphony No. 9 in D major: III. Rondo. Burleske, Symphony No. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend, Symphony no. 1 in D major: I. Langsam. Schleppend - Immer sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 3 in F major, op. 90: I. Allegro con brio, Symphony no. 3 in F major, op. 90: II. Andante, Symphony no. 3 in F major, op. 90: III. Poco Allegretto, Symphony no. 3 in F major, op. 90: IV. Allegro, Symphony no. 4 in E minor, op. 98: I. Allegro non troppo, Symphony no. 4 in E minor, op. 98: II. Andante moderato, Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto, Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più allegro, The Unanswered Question, Three Pieces from the “Lyric Suite”: II. Andante amoroso, Three Pieces from the “Lyric Suite”: III. Allegro misterioso – Trio estatico, Three Pieces from the “Lyric Suite”: IV. Adagio appassionato
SWR Sinfonieorchester Baden-Baden und Freiburg
performing orchestra
Central Park in the Dark, Die Weihe des Hauses: Overtüre C-dur, Op. 124, Entre Act 3, Five Orchestral Songs after Tests from Postcards, op. 4: II., Five Orchestral Songs after Texts from Postcards, op. 4: I., Five Orchestral Songs after Texts from Postcards, op. 4: III., Five Orchestral Songs after Texts from Postcards, op. 4: IV., Five Orchestral Songs after Texts from Postcards, op. 4: V., Four Pieces for Orchestra, op. 12: 1. Preludio. Moderato, Four Pieces for Orchestra, op. 12: 2. Scherzo. Allegro, Four Pieces for Orchestra, op. 12: 3. Intermezzo. Moderato, Four Pieces for Orchestra, op. 12: 4. Marcia funebre. Maestoso, Music for Strings, Percussions and Celesta: 1. Andante tranquillo, Music for Strings, Percussions and Celesta: 2. Allegro, Music for Strings, Percussions and Celesta: 3. Adagio, Music for Strings, Percussions and Celesta: 4. Allegro molto, Ouvertüre zur Oper "Fidelio", op. 72b: Allegro, Sinfonie Nr. 2 D-Dur, op. 36: I. Adagio molto - Allegro con brio, Sinfonie Nr. 2 D-Dur, op. 36: II. Larghetto, Sinfonie Nr. 2 D-Dur, op. 36: III. Scherzo. Allegro, Sinfonie Nr. 2 D-Dur, op. 36: IV. Allegro molto, Sinfonie Nr. 8 F-Dur, op. 93: I. Allegro vivace e con brio, Sinfonie Nr. 8 F-Dur, op. 93: II. Allegretto scherzando, Sinfonie Nr. 8 F-Dur, op. 93: III. Tempo di menuetto, Sinfonie Nr. 8 F-Dur, op. 93: IV. Allegro vivace, Symphony No. 10 in F-sharp major: Adagio, Symphony No. 2 in C minor "Resurrection": Part One: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony No. 2 in C minor "Resurrection": Part Two: II. Andante moderato. Sehr gemächlich. Nie eilen, Symphony No. 2 in C minor "Resurrection": Part Two: III. In ruhig fließender Bewegung, Symphony No. 2 in C minor "Resurrection": Part Two: IV. "Urlicht". Sehr feierlich aber schlicht, Symphony No. 2 in C minor "Resurrection": Part Two: V. Im Tempo des Scherzo's, wild herausfarend - Langsam. Misterioso, Symphony No. 3 in D minor: Part One: I. Kräftig. Entschieden, Symphony No. 3 in D minor: Part Two: II. Tempo di Menuetto. Sehr mabig, Symphony No. 3 in D minor: Part Two: III. Comodo. Scherzando. Ohne Hast, Symphony No. 3 in D minor: Part Two: IV. Sehr langsam. Misterioso. Durchaus ppp, Symphony No. 3 in D minor: Part Two: V. Lustig im Tempo und keck im Ausdruck, Symphony No. 3 in D minor: Part Two: VI. Langsam. Ruhevoll. Empfunden, Symphony No. 4 in G major: I. Bedächtig, Nicht eilen, Symphony No. 4 in G major: II. In gemächlicher Bewegung, ohne Hast, Symphony No. 4 in G major: III. Ruhevoll, Symphony No. 4 in G major: IV. Sehr behaglich, Aus des Knaben Wunderhorn, Symphony No. 5 in C-sharp minor: Part One: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt, Symphony No. 5 in C-sharp minor: Part One: II. Stürmisch bewegt. Mit größter Vehemenz, Symphony No. 5 in C-sharp minor: Part Three: IV. Adagietto. Sehr langsam, Symphony No. 5 in C-sharp minor: Part Three: V. Rondo-Finale. Allegro – Allegro giocoso. Frisch, Symphony No. 5 in C-sharp minor: Part Two: III. Scherzo. Kräftig, nicht zu schnell, Symphony No. 6 in A minor "Tragic": I. Allegro energico, ma non troppo, Symphony No. 6 in A minor "Tragic": II. Scherzo, Symphony No. 6 in A minor "Tragic": III. Andante moderato, Symphony No. 6 in A minor "Tragic": IV. Finale. Allegro moderato — Allegro energico, Symphony No. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo, Symphony No. 7 in E minor: II. Nachtmusik I. Allegro moderato, Symphony No. 7 in E minor: III. Scherzo. Schattenhaft, Symphony No. 7 in E minor: IV. Nachtmusik II. Andante amoroso, Symphony No. 7 in E minor: V. Rondo - Finale. Tempo I (tempo ordinario) Tempo II (Allegro moderato ma energico), Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: Ia. Veni, Creator spiritus, Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: Ib. Imple superna gratia, Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: Ic. Infirma nostri corporis, Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: Id. Accende lumen sensibus, Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: Ie. Tu septiformis munere, Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: If. Gloria Patri Domino, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIa. Waldung, sie schwankt heran, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIb. Ewiger Wonnebrand, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIc. Wie Felsenagrund mir zu Füßen, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IId. Gerettet ist das edle Glied, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIe. Uns bleibt ein Erdenrest, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIf. Hier ist die Aussicht frei, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIg. Dir, der unberührbaren, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIh. Bei der Liebe, die den Füßen, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIi. Neige, neige, du Ohnegleiche, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIj. Komm! Hebe dich zu höhern Sphären, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIk. Blicket auf zum Retterblick, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIm. Alles Vergängliche ist nur ein Gleichnis, Symphony No. 9 in D major: I. Andante comodo, Symphony No. 9 in D major: II. Im Tempo eines gemächlichen Ländlers, Symphony No. 9 in D major: III. Rondo. Burleske, Symphony No. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend, Symphony no. 1 in D major: I. Langsam. Schleppend - Immer sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 3 in F major, op. 90: I. Allegro con brio, Symphony no. 3 in F major, op. 90: II. Andante, Symphony no. 3 in F major, op. 90: III. Poco Allegretto, Symphony no. 3 in F major, op. 90: IV. Allegro, Symphony no. 4 in E minor, op. 98: I. Allegro non troppo, Symphony no. 4 in E minor, op. 98: II. Andante moderato, Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto, Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più allegro, The Unanswered Question, Three Pieces from the “Lyric Suite”: II. Andante amoroso, Three Pieces from the “Lyric Suite”: III. Allegro misterioso – Trio estatico, Three Pieces from the “Lyric Suite”: IV. Adagio appassionato
Cornelia Kallisch
vocal
Symphony No. 2 in C minor "Resurrection": Part Two: V. Im Tempo des Scherzo's, wild herausfarend - Langsam. Misterioso
Juliane Banse
vocal
Symphony No. 2 in C minor "Resurrection": Part Two: V. Im Tempo des Scherzo's, wild herausfarend - Langsam. Misterioso
Collaborators on this artist's recordings
Artist name
Roles
Recordings
Michael Gielen
conductor
Central Park in the Dark, Die Weihe des Hauses: Overtüre C-dur, Op. 124, Entre Act 3, Five Orchestral Songs after Tests from Postcards, op. 4: II., Five Orchestral Songs after Texts from Postcards, op. 4: I., Five Orchestral Songs after Texts from Postcards, op. 4: III., Five Orchestral Songs after Texts from Postcards, op. 4: IV., Five Orchestral Songs after Texts from Postcards, op. 4: V., Four Pieces for Orchestra, op. 12: 1. Preludio. Moderato, Four Pieces for Orchestra, op. 12: 2. Scherzo. Allegro, Four Pieces for Orchestra, op. 12: 3. Intermezzo. Moderato, Four Pieces for Orchestra, op. 12: 4. Marcia funebre. Maestoso, Music for Strings, Percussions and Celesta: 1. Andante tranquillo, Music for Strings, Percussions and Celesta: 2. Allegro, Music for Strings, Percussions and Celesta: 3. Adagio, Music for Strings, Percussions and Celesta: 4. Allegro molto, Ouvertüre zur Oper "Fidelio", op. 72b: Allegro, Sinfonie Nr. 2 D-Dur, op. 36: I. Adagio molto - Allegro con brio, Sinfonie Nr. 2 D-Dur, op. 36: II. Larghetto, Sinfonie Nr. 2 D-Dur, op. 36: III. Scherzo. Allegro, Sinfonie Nr. 2 D-Dur, op. 36: IV. Allegro molto, Sinfonie Nr. 8 F-Dur, op. 93: I. Allegro vivace e con brio, Sinfonie Nr. 8 F-Dur, op. 93: II. Allegretto scherzando, Sinfonie Nr. 8 F-Dur, op. 93: III. Tempo di menuetto, Sinfonie Nr. 8 F-Dur, op. 93: IV. Allegro vivace, Symphony No. 10 in F-sharp major: Adagio, Symphony No. 2 in C minor "Resurrection": Part One: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony No. 2 in C minor "Resurrection": Part Two: II. Andante moderato. Sehr gemächlich. Nie eilen, Symphony No. 2 in C minor "Resurrection": Part Two: III. In ruhig fließender Bewegung, Symphony No. 2 in C minor "Resurrection": Part Two: IV. "Urlicht". Sehr feierlich aber schlicht, Symphony No. 2 in C minor "Resurrection": Part Two: V. Im Tempo des Scherzo's, wild herausfarend - Langsam. Misterioso, Symphony No. 3 in D minor: Part One: I. Kräftig. Entschieden, Symphony No. 3 in D minor: Part Two: II. Tempo di Menuetto. Sehr mabig, Symphony No. 3 in D minor: Part Two: III. Comodo. Scherzando. Ohne Hast, Symphony No. 3 in D minor: Part Two: IV. Sehr langsam. Misterioso. Durchaus ppp, Symphony No. 3 in D minor: Part Two: V. Lustig im Tempo und keck im Ausdruck, Symphony No. 3 in D minor: Part Two: VI. Langsam. Ruhevoll. Empfunden, Symphony No. 4 in G major: I. Bedächtig, Nicht eilen, Symphony No. 4 in G major: II. In gemächlicher Bewegung, ohne Hast, Symphony No. 4 in G major: III. Ruhevoll, Symphony No. 4 in G major: IV. Sehr behaglich, Aus des Knaben Wunderhorn, Symphony No. 5 in C-sharp minor: Part One: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt, Symphony No. 5 in C-sharp minor: Part One: II. Stürmisch bewegt. Mit größter Vehemenz, Symphony No. 5 in C-sharp minor: Part Three: IV. Adagietto. Sehr langsam, Symphony No. 5 in C-sharp minor: Part Three: V. Rondo-Finale. Allegro – Allegro giocoso. Frisch, Symphony No. 5 in C-sharp minor: Part Two: III. Scherzo. Kräftig, nicht zu schnell, Symphony No. 6 in A minor "Tragic": I. Allegro energico, ma non troppo, Symphony No. 6 in A minor "Tragic": II. Scherzo, Symphony No. 6 in A minor "Tragic": III. Andante moderato, Symphony No. 6 in A minor "Tragic": IV. Finale. Allegro moderato — Allegro energico, Symphony No. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo, Symphony No. 7 in E minor: II. Nachtmusik I. Allegro moderato, Symphony No. 7 in E minor: III. Scherzo. Schattenhaft, Symphony No. 7 in E minor: IV. Nachtmusik II. Andante amoroso, Symphony No. 7 in E minor: V. Rondo - Finale. Tempo I (tempo ordinario) Tempo II (Allegro moderato ma energico), Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: Ia. Veni, Creator spiritus, Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: Ib. Imple superna gratia, Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: Ic. Infirma nostri corporis, Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: Id. Accende lumen sensibus, Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: Ie. Tu septiformis munere, Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: If. Gloria Patri Domino, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIa. Waldung, sie schwankt heran, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIb. Ewiger Wonnebrand, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIc. Wie Felsenagrund mir zu Füßen, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IId. Gerettet ist das edle Glied, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIe. Uns bleibt ein Erdenrest, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIf. Hier ist die Aussicht frei, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIg. Dir, der unberührbaren, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIh. Bei der Liebe, die den Füßen, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIi. Neige, neige, du Ohnegleiche, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIj. Komm! Hebe dich zu höhern Sphären, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIk. Blicket auf zum Retterblick, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIm. Alles Vergängliche ist nur ein Gleichnis, Symphony No. 9 in D major: I. Andante comodo, Symphony No. 9 in D major: II. Im Tempo eines gemächlichen Ländlers, Symphony No. 9 in D major: III. Rondo. Burleske, Symphony No. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend, Symphony no. 1 in D major: I. Langsam. Schleppend - Immer sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 3 in F major, op. 90: I. Allegro con brio, Symphony no. 3 in F major, op. 90: II. Andante, Symphony no. 3 in F major, op. 90: III. Poco Allegretto, Symphony no. 3 in F major, op. 90: IV. Allegro, Symphony no. 4 in E minor, op. 98: I. Allegro non troppo, Symphony no. 4 in E minor, op. 98: II. Andante moderato, Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto, Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più allegro, The Unanswered Question, Three Pieces from the “Lyric Suite”: II. Andante amoroso, Three Pieces from the “Lyric Suite”: III. Allegro misterioso – Trio estatico, Three Pieces from the “Lyric Suite”: IV. Adagio appassionato
SWR Sinfonieorchester Baden-Baden und Freiburg
performing orchestra
Central Park in the Dark, Die Weihe des Hauses: Overtüre C-dur, Op. 124, Entre Act 3, Five Orchestral Songs after Tests from Postcards, op. 4: II., Five Orchestral Songs after Texts from Postcards, op. 4: I., Five Orchestral Songs after Texts from Postcards, op. 4: III., Five Orchestral Songs after Texts from Postcards, op. 4: IV., Five Orchestral Songs after Texts from Postcards, op. 4: V., Four Pieces for Orchestra, op. 12: 1. Preludio. Moderato, Four Pieces for Orchestra, op. 12: 2. Scherzo. Allegro, Four Pieces for Orchestra, op. 12: 3. Intermezzo. Moderato, Four Pieces for Orchestra, op. 12: 4. Marcia funebre. Maestoso, Music for Strings, Percussions and Celesta: 1. Andante tranquillo, Music for Strings, Percussions and Celesta: 2. Allegro, Music for Strings, Percussions and Celesta: 3. Adagio, Music for Strings, Percussions and Celesta: 4. Allegro molto, Ouvertüre zur Oper "Fidelio", op. 72b: Allegro, Sinfonie Nr. 2 D-Dur, op. 36: I. Adagio molto - Allegro con brio, Sinfonie Nr. 2 D-Dur, op. 36: II. Larghetto, Sinfonie Nr. 2 D-Dur, op. 36: III. Scherzo. Allegro, Sinfonie Nr. 2 D-Dur, op. 36: IV. Allegro molto, Sinfonie Nr. 8 F-Dur, op. 93: I. Allegro vivace e con brio, Sinfonie Nr. 8 F-Dur, op. 93: II. Allegretto scherzando, Sinfonie Nr. 8 F-Dur, op. 93: III. Tempo di menuetto, Sinfonie Nr. 8 F-Dur, op. 93: IV. Allegro vivace, Symphony No. 10 in F-sharp major: Adagio, Symphony No. 2 in C minor "Resurrection": Part One: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony No. 2 in C minor "Resurrection": Part Two: II. Andante moderato. Sehr gemächlich. Nie eilen, Symphony No. 2 in C minor "Resurrection": Part Two: III. In ruhig fließender Bewegung, Symphony No. 2 in C minor "Resurrection": Part Two: IV. "Urlicht". Sehr feierlich aber schlicht, Symphony No. 2 in C minor "Resurrection": Part Two: V. Im Tempo des Scherzo's, wild herausfarend - Langsam. Misterioso, Symphony No. 3 in D minor: Part One: I. Kräftig. Entschieden, Symphony No. 3 in D minor: Part Two: II. Tempo di Menuetto. Sehr mabig, Symphony No. 3 in D minor: Part Two: III. Comodo. Scherzando. Ohne Hast, Symphony No. 3 in D minor: Part Two: IV. Sehr langsam. Misterioso. Durchaus ppp, Symphony No. 3 in D minor: Part Two: V. Lustig im Tempo und keck im Ausdruck, Symphony No. 3 in D minor: Part Two: VI. Langsam. Ruhevoll. Empfunden, Symphony No. 4 in G major: I. Bedächtig, Nicht eilen, Symphony No. 4 in G major: II. In gemächlicher Bewegung, ohne Hast, Symphony No. 4 in G major: III. Ruhevoll, Symphony No. 4 in G major: IV. Sehr behaglich, Aus des Knaben Wunderhorn, Symphony No. 5 in C-sharp minor: Part One: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt, Symphony No. 5 in C-sharp minor: Part One: II. Stürmisch bewegt. Mit größter Vehemenz, Symphony No. 5 in C-sharp minor: Part Three: IV. Adagietto. Sehr langsam, Symphony No. 5 in C-sharp minor: Part Three: V. Rondo-Finale. Allegro – Allegro giocoso. Frisch, Symphony No. 5 in C-sharp minor: Part Two: III. Scherzo. Kräftig, nicht zu schnell, Symphony No. 6 in A minor "Tragic": I. Allegro energico, ma non troppo, Symphony No. 6 in A minor "Tragic": II. Scherzo, Symphony No. 6 in A minor "Tragic": III. Andante moderato, Symphony No. 6 in A minor "Tragic": IV. Finale. Allegro moderato — Allegro energico, Symphony No. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo, Symphony No. 7 in E minor: II. Nachtmusik I. Allegro moderato, Symphony No. 7 in E minor: III. Scherzo. Schattenhaft, Symphony No. 7 in E minor: IV. Nachtmusik II. Andante amoroso, Symphony No. 7 in E minor: V. Rondo - Finale. Tempo I (tempo ordinario) Tempo II (Allegro moderato ma energico), Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: Ia. Veni, Creator spiritus, Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: Ib. Imple superna gratia, Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: Ic. Infirma nostri corporis, Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: Id. Accende lumen sensibus, Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: Ie. Tu septiformis munere, Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: If. Gloria Patri Domino, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIa. Waldung, sie schwankt heran, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIb. Ewiger Wonnebrand, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIc. Wie Felsenagrund mir zu Füßen, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IId. Gerettet ist das edle Glied, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIe. Uns bleibt ein Erdenrest, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIf. Hier ist die Aussicht frei, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIg. Dir, der unberührbaren, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIh. Bei der Liebe, die den Füßen, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIi. Neige, neige, du Ohnegleiche, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIj. Komm! Hebe dich zu höhern Sphären, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIk. Blicket auf zum Retterblick, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIm. Alles Vergängliche ist nur ein Gleichnis, Symphony No. 9 in D major: I. Andante comodo, Symphony No. 9 in D major: II. Im Tempo eines gemächlichen Ländlers, Symphony No. 9 in D major: III. Rondo. Burleske, Symphony No. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend, Symphony no. 1 in D major: I. Langsam. Schleppend - Immer sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 3 in F major, op. 90: I. Allegro con brio, Symphony no. 3 in F major, op. 90: II. Andante, Symphony no. 3 in F major, op. 90: III. Poco Allegretto, Symphony no. 3 in F major, op. 90: IV. Allegro, Symphony no. 4 in E minor, op. 98: I. Allegro non troppo, Symphony no. 4 in E minor, op. 98: II. Andante moderato, Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto, Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più allegro, The Unanswered Question, Three Pieces from the “Lyric Suite”: II. Andante amoroso, Three Pieces from the “Lyric Suite”: III. Allegro misterioso – Trio estatico, Three Pieces from the “Lyric Suite”: IV. Adagio appassionato
Cornelia Kallisch
vocal
Symphony No. 2 in C minor "Resurrection": Part Two: V. Im Tempo des Scherzo's, wild herausfarend - Langsam. Misterioso
Juliane Banse
vocal
Symphony No. 2 in C minor "Resurrection": Part Two: V. Im Tempo des Scherzo's, wild herausfarend - Langsam. Misterioso
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