MUSICAL BACON
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Hardkore & Ame
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Artist name
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Recordings
Cédric Tiberghien
piano
12 Études, op. 33: Allegro molto (con brio, burlesco), 12 Études, op. 33: Andante espressivo, 12 Études, op. 33: Andante soave, 12 Études, op. 33: Andantino soave, 12 Études, op. 33: Animato (capriccioso e fantastico), 12 Études, op. 33: Lento assai mesto (espressivo), 12 Études, op. 33: Presto, 12 Études, op. 33: Presto (delicamente), 12 Études, op. 33: Presto (energico), 12 Études, op. 33: Presto tempestoso (molto agitato), 12 Études, op. 33: Vivace (agitato e marcato, vigoroso), 12 Études, op. 33: Vivace assai (agitato), 4 Études, op. 4: No. 1 in E-flat minor. Allegro moderato, 4 Études, op. 4: No. 2 in G-flat major. Allegro molto (leggiero e veloce), 4 Études, op. 4: No. 3 in B-flat minor. Andante in modo d’una canzone (con dolore), 4 Études, op. 4: No. 4 in C major. Allegro (ma non troppo, affettuoso e rubato), Ballade No. 1, Op. 23 en Sol mineur: Largo moderato, Ballade No. 2, Op. 38 en Fa Majeur: Andantino, Ballade No. 3, Op. 47 en La bémol Majeur: Allegretto, Ballade No. 4, Op. 52 en Fa mineur: Andante con moto, Fifteen Hungarian Peasant Songs, Sz 71 (BB 79): Ballad (Theme with variations). Andante, Fifteen Hungarian Peasant Songs, Sz 71 (BB 79): Four Old Tunes. Andante, Fifteen Hungarian Peasant Songs, Sz 71 (BB 79): Four Old Tunes. Poco rubato, Fifteen Hungarian Peasant Songs, Sz 71 (BB 79): Four Old Tunes. Rubato, Fifteen Hungarian Peasant Songs, Sz 71 (BB 79): Old Dance Tunes. Allegretto, Fifteen Hungarian Peasant Songs, Sz 71 (BB 79): Old Dance Tunes. Allegro, Fifteen Hungarian Peasant Songs, Sz 71 (BB 79): Old Dance Tunes. Assai moderato, Fifteen Hungarian Peasant Songs, Sz 71 (BB 79): Old Dance Tunes. L'istesso tempo, Fifteen Hungarian Peasant Songs, Sz 71 (BB 79): Old Dance Tunes. Poco più vivo - Allegretto, Fifteen Hungarian Peasant Songs, Sz 71 (BB 79): Scherzo. Allegro, Hungarian Dances WoO 1: II. Allegro non assai, Hungarian Dances WoO 1: III. Allegretto, Hungarian Dances WoO 1: IV. Poco sostenuto, Hungarian Dances WoO 1: IX. Allegro, Hungarian Dances WoO 1: V. Allegro, Hungarian Dances WoO 1: VI. Vivace, Hungarian Dances WoO 1: VII. Allegretto vivace, Hungarian Dances WoO 1: VIII. Presto, Hungarian Dances WoO 1: X. Presto, Hungarian Dances Woo 1: I. Allegro, Klavierstücke op.76: I. Capriccio. Un poco agitato, Klavierstücke op.76: II. Capriccio. Allegretto non troppo, Klavierstücke op.76: III. Intermezzo. Grazioso, Klavierstücke op.76: IV. Intermezzo. Allegretto grazioso, Klavierstücke op.76: V. Capriccio. Agitato, ma non sempre presto, Klavierstücke op.76: VI. Intermezzo. Andante con moto, Klavierstücke op.76: VII. Intermezzo. Moderato semplice, Klavierstücke op.76: VIII. Capriccio. Grazioso ed un poco vivace, Masques, op. 34: La Sérénade de Don Juan, Masques, op. 34: Shéhérazade, Masques, op. 34: Tantris le Bouffon, Mikrokosmos, Sz 107 (BB 105), Book 6: Chromatic Invention IIIa: Allegro, Mikrokosmos, Sz 107 (BB 105), Book 6: Chromatic Invention IIIb: Allegro, Mikrokosmos, Sz 107 (BB 105), Book 6: Chromatic Invention IIIc: Allegro, Mikrokosmos, Sz 107 (BB 105), Book 6: Divided Arpeggios: Andante, Mikrokosmos, Sz 107 (BB 105), Book 6: Free variations: Allegro molto, Mikrokosmos, Sz 107 (BB 105), Book 6: From the Diary of a Fly: Allegro, Mikrokosmos, Sz 107 (BB 105), Book 6: March: Allegro, Mikrokosmos, Sz 107 (BB 105), Book 6: Minor Seconds, Major Sevenths: Molto adagio, mesto, Mikrokosmos, Sz 107 (BB 105), Book 6: Ostinato: Vivacissimo, Mikrokosmos, Sz 107 (BB 105), Book 6: Six Dances in Bulgarian Rhythm: Dotted quarter note tied to dotted quarter note tied to quarter note = 56, Mikrokosmos, Sz 107 (BB 105), Book 6: Six Dances in Bulgarian Rhythm: Dotted quarter note tied to quarter note = 80, Mikrokosmos, Sz 107 (BB 105), Book 6: Six Dances in Bulgarian Rhythm: Dotted quarter note tied to quarter note tied to Dotted quarter note = 50, Mikrokosmos, Sz 107 (BB 105), Book 6: Six Dances in Bulgarian Rhythm: Eighth note = 350, Mikrokosmos, Sz 107 (BB 105), Book 6: Six Dances in Bulgarian Rhythm: Half note tied to dotted quarter note = 60, Mikrokosmos, Sz 107 (BB 105), Book 6: Six Dances in Bulgarian Rhythm: Whole note tied to eighth note = 40, Mikrokosmos, Sz 107 (BB 105), Book 6: Subject and Reflection: Allegro, Métopes, trois poèmes, op. 29: Calypso, Métopes, trois poèmes, op. 29: L’Île des Sirènes, Métopes, trois poèmes, op. 29: Nausicaa, Out of Doors, Sz 81 (BB 89): Barcarolla, Out of Doors, Sz 81 (BB 89): Musettes, Out of Doors, Sz 81 (BB 89): The chase, Out of Doors, Sz 81 (BB 89): The night's music, Out of Doors, Sz 81 (BB 89): With drums and pipes, Partita no. 2 in C minor, BWV 826: I. Sinfonia, Partita no. 2 in C minor, BWV 826: II. Allemande, Partita no. 2 in C minor, BWV 826: III. Courante, Partita no. 2 in C minor, BWV 826: IV. Sarabande, Partita no. 2 in C minor, BWV 826: V. Rondeaux, Partita no. 2 in C minor, BWV 826: VI. Capriccio, Partita no. 3 in A minor, BWV 827: I. Fantaisie, Partita no. 3 in A minor, BWV 827: II. Allemande, Partita no. 3 in A minor, BWV 827: III. Courante, Partita no. 3 in A minor, BWV 827: IV. Sarabande, Partita no. 3 in A minor, BWV 827: V. Burlesca, Partita no. 3 in A minor, BWV 827: VI. Scherzo, Partita no. 3 in A minor, BWV 827: VII. Gigue, Partita no. 4 in D major, BWV 828: I. Overture, Partita no. 4 in D major, BWV 828: II. Allemande, Partita no. 4 in D major, BWV 828: III. Courante, Partita no. 4 in D major, BWV 828: IV. Aria, Partita no. 4 in D major, BWV 828: V. Sarabande, Partita no. 4 in D major, BWV 828: VI. Menuet, Partita no. 4 in D major, BWV 828: VII. Gigue, Suite, Sz 62 (op. 14, BB 70): Allegretto, Suite, Sz 62 (op. 14, BB 70): Allegro molto, Suite, Sz 62 (op. 14, BB 70): Scherzo, Suite, Sz 62 (op. 14, BB 70): Sostenuto, Three Burlesques, Sz 47 (op. 8c, BB 55): A Bit Drunk: Allegretto, Three Burlesques, Sz 47 (op. 8c, BB 55): Molto vivo, capriccioso, Three Burlesques, Sz 47 (op. 8c, BB 55): Quarrel: Presto, Walzer op.39: I. Tempo giusto, Walzer op.39: II., Walzer op.39: III., Walzer op.39: IV. Poco sostenuto, Walzer op.39: IX., Walzer op.39: V. Grazioso, Walzer op.39: VI. Vivace, Walzer op.39: VII. Poco più Andante, Walzer op.39: VIII., Walzer op.39: X., Walzer op.39: XI., Walzer op.39: XII., Walzer op.39: XIII., Walzer op.39: XIV., Walzer op.39: XV., Walzer op.39: XVI.
Andrew Keener (engineer/editor/producer)
producer
12 Études, op. 33: Allegro molto (con brio, burlesco), 12 Études, op. 33: Andante espressivo, 12 Études, op. 33: Andante soave, 12 Études, op. 33: Andantino soave, 12 Études, op. 33: Animato (capriccioso e fantastico), 12 Études, op. 33: Lento assai mesto (espressivo), 12 Études, op. 33: Presto, 12 Études, op. 33: Presto (delicamente), 12 Études, op. 33: Presto (energico), 12 Études, op. 33: Presto tempestoso (molto agitato), 12 Études, op. 33: Vivace (agitato e marcato, vigoroso), 12 Études, op. 33: Vivace assai (agitato), 4 Études, op. 4: No. 1 in E-flat minor. Allegro moderato, 4 Études, op. 4: No. 2 in G-flat major. Allegro molto (leggiero e veloce), 4 Études, op. 4: No. 3 in B-flat minor. Andante in modo d’una canzone (con dolore), 4 Études, op. 4: No. 4 in C major. Allegro (ma non troppo, affettuoso e rubato), Masques, op. 34: La Sérénade de Don Juan, Masques, op. 34: Shéhérazade, Masques, op. 34: Tantris le Bouffon, Métopes, trois poèmes, op. 29: Calypso, Métopes, trois poèmes, op. 29: L’Île des Sirènes, Métopes, trois poèmes, op. 29: Nausicaa
Ben Connellan
editor
12 Études, op. 33: Allegro molto (con brio, burlesco), 12 Études, op. 33: Andante espressivo, 12 Études, op. 33: Andante soave, 12 Études, op. 33: Andantino soave, 12 Études, op. 33: Animato (capriccioso e fantastico), 12 Études, op. 33: Lento assai mesto (espressivo), 12 Études, op. 33: Presto, 12 Études, op. 33: Presto (delicamente), 12 Études, op. 33: Presto (energico), 12 Études, op. 33: Presto tempestoso (molto agitato), 12 Études, op. 33: Vivace (agitato e marcato, vigoroso), 12 Études, op. 33: Vivace assai (agitato), 4 Études, op. 4: No. 1 in E-flat minor. Allegro moderato, 4 Études, op. 4: No. 2 in G-flat major. Allegro molto (leggiero e veloce), 4 Études, op. 4: No. 3 in B-flat minor. Andante in modo d’una canzone (con dolore), 4 Études, op. 4: No. 4 in C major. Allegro (ma non troppo, affettuoso e rubato), Masques, op. 34: La Sérénade de Don Juan, Masques, op. 34: Shéhérazade, Masques, op. 34: Tantris le Bouffon, Métopes, trois poèmes, op. 29: Calypso, Métopes, trois poèmes, op. 29: L’Île des Sirènes, Métopes, trois poèmes, op. 29: Nausicaa
David Hinitt
recording
12 Études, op. 33: Allegro molto (con brio, burlesco), 12 Études, op. 33: Andante espressivo, 12 Études, op. 33: Andante soave, 12 Études, op. 33: Andantino soave, 12 Études, op. 33: Animato (capriccioso e fantastico), 12 Études, op. 33: Lento assai mesto (espressivo), 12 Études, op. 33: Presto, 12 Études, op. 33: Presto (delicamente), 12 Études, op. 33: Presto (energico), 12 Études, op. 33: Presto tempestoso (molto agitato), 12 Études, op. 33: Vivace (agitato e marcato, vigoroso), 12 Études, op. 33: Vivace assai (agitato), 4 Études, op. 4: No. 1 in E-flat minor. Allegro moderato, 4 Études, op. 4: No. 2 in G-flat major. Allegro molto (leggiero e veloce), 4 Études, op. 4: No. 3 in B-flat minor. Andante in modo d’una canzone (con dolore), 4 Études, op. 4: No. 4 in C major. Allegro (ma non troppo, affettuoso e rubato), Masques, op. 34: La Sérénade de Don Juan, Masques, op. 34: Shéhérazade, Masques, op. 34: Tantris le Bouffon, Métopes, trois poèmes, op. 29: Calypso, Métopes, trois poèmes, op. 29: L’Île des Sirènes, Métopes, trois poèmes, op. 29: Nausicaa
Michael Spring (producer)
producer
12 Études, op. 33: Allegro molto (con brio, burlesco), 12 Études, op. 33: Andante espressivo, 12 Études, op. 33: Andante soave, 12 Études, op. 33: Andantino soave, 12 Études, op. 33: Animato (capriccioso e fantastico), 12 Études, op. 33: Lento assai mesto (espressivo), 12 Études, op. 33: Presto, 12 Études, op. 33: Presto (delicamente), 12 Études, op. 33: Presto (energico), 12 Études, op. 33: Presto tempestoso (molto agitato), 12 Études, op. 33: Vivace (agitato e marcato, vigoroso), 12 Études, op. 33: Vivace assai (agitato), 4 Études, op. 4: No. 1 in E-flat minor. Allegro moderato, 4 Études, op. 4: No. 2 in G-flat major. Allegro molto (leggiero e veloce), 4 Études, op. 4: No. 3 in B-flat minor. Andante in modo d’una canzone (con dolore), 4 Études, op. 4: No. 4 in C major. Allegro (ma non troppo, affettuoso e rubato), Masques, op. 34: La Sérénade de Don Juan, Masques, op. 34: Shéhérazade, Masques, op. 34: Tantris le Bouffon, Métopes, trois poèmes, op. 29: Calypso, Métopes, trois poèmes, op. 29: L’Île des Sirènes, Métopes, trois poèmes, op. 29: Nausicaa
Collaborators on this artist's recordings
Artist name
Roles
Recordings
Cédric Tiberghien
piano
12 Études, op. 33: Allegro molto (con brio, burlesco), 12 Études, op. 33: Andante espressivo, 12 Études, op. 33: Andante soave, 12 Études, op. 33: Andantino soave, 12 Études, op. 33: Animato (capriccioso e fantastico), 12 Études, op. 33: Lento assai mesto (espressivo), 12 Études, op. 33: Presto, 12 Études, op. 33: Presto (delicamente), 12 Études, op. 33: Presto (energico), 12 Études, op. 33: Presto tempestoso (molto agitato), 12 Études, op. 33: Vivace (agitato e marcato, vigoroso), 12 Études, op. 33: Vivace assai (agitato), 4 Études, op. 4: No. 1 in E-flat minor. Allegro moderato, 4 Études, op. 4: No. 2 in G-flat major. Allegro molto (leggiero e veloce), 4 Études, op. 4: No. 3 in B-flat minor. Andante in modo d’una canzone (con dolore), 4 Études, op. 4: No. 4 in C major. Allegro (ma non troppo, affettuoso e rubato), Ballade No. 1, Op. 23 en Sol mineur: Largo moderato, Ballade No. 2, Op. 38 en Fa Majeur: Andantino, Ballade No. 3, Op. 47 en La bémol Majeur: Allegretto, Ballade No. 4, Op. 52 en Fa mineur: Andante con moto, Fifteen Hungarian Peasant Songs, Sz 71 (BB 79): Ballad (Theme with variations). Andante, Fifteen Hungarian Peasant Songs, Sz 71 (BB 79): Four Old Tunes. Andante, Fifteen Hungarian Peasant Songs, Sz 71 (BB 79): Four Old Tunes. Poco rubato, Fifteen Hungarian Peasant Songs, Sz 71 (BB 79): Four Old Tunes. Rubato, Fifteen Hungarian Peasant Songs, Sz 71 (BB 79): Old Dance Tunes. Allegretto, Fifteen Hungarian Peasant Songs, Sz 71 (BB 79): Old Dance Tunes. Allegro, Fifteen Hungarian Peasant Songs, Sz 71 (BB 79): Old Dance Tunes. Assai moderato, Fifteen Hungarian Peasant Songs, Sz 71 (BB 79): Old Dance Tunes. L'istesso tempo, Fifteen Hungarian Peasant Songs, Sz 71 (BB 79): Old Dance Tunes. Poco più vivo - Allegretto, Fifteen Hungarian Peasant Songs, Sz 71 (BB 79): Scherzo. Allegro, Hungarian Dances WoO 1: II. Allegro non assai, Hungarian Dances WoO 1: III. Allegretto, Hungarian Dances WoO 1: IV. Poco sostenuto, Hungarian Dances WoO 1: IX. Allegro, Hungarian Dances WoO 1: V. Allegro, Hungarian Dances WoO 1: VI. Vivace, Hungarian Dances WoO 1: VII. Allegretto vivace, Hungarian Dances WoO 1: VIII. Presto, Hungarian Dances WoO 1: X. Presto, Hungarian Dances Woo 1: I. Allegro, Klavierstücke op.76: I. Capriccio. Un poco agitato, Klavierstücke op.76: II. Capriccio. Allegretto non troppo, Klavierstücke op.76: III. Intermezzo. Grazioso, Klavierstücke op.76: IV. Intermezzo. Allegretto grazioso, Klavierstücke op.76: V. Capriccio. Agitato, ma non sempre presto, Klavierstücke op.76: VI. Intermezzo. Andante con moto, Klavierstücke op.76: VII. Intermezzo. Moderato semplice, Klavierstücke op.76: VIII. Capriccio. Grazioso ed un poco vivace, Masques, op. 34: La Sérénade de Don Juan, Masques, op. 34: Shéhérazade, Masques, op. 34: Tantris le Bouffon, Mikrokosmos, Sz 107 (BB 105), Book 6: Chromatic Invention IIIa: Allegro, Mikrokosmos, Sz 107 (BB 105), Book 6: Chromatic Invention IIIb: Allegro, Mikrokosmos, Sz 107 (BB 105), Book 6: Chromatic Invention IIIc: Allegro, Mikrokosmos, Sz 107 (BB 105), Book 6: Divided Arpeggios: Andante, Mikrokosmos, Sz 107 (BB 105), Book 6: Free variations: Allegro molto, Mikrokosmos, Sz 107 (BB 105), Book 6: From the Diary of a Fly: Allegro, Mikrokosmos, Sz 107 (BB 105), Book 6: March: Allegro, Mikrokosmos, Sz 107 (BB 105), Book 6: Minor Seconds, Major Sevenths: Molto adagio, mesto, Mikrokosmos, Sz 107 (BB 105), Book 6: Ostinato: Vivacissimo, Mikrokosmos, Sz 107 (BB 105), Book 6: Six Dances in Bulgarian Rhythm: Dotted quarter note tied to dotted quarter note tied to quarter note = 56, Mikrokosmos, Sz 107 (BB 105), Book 6: Six Dances in Bulgarian Rhythm: Dotted quarter note tied to quarter note = 80, Mikrokosmos, Sz 107 (BB 105), Book 6: Six Dances in Bulgarian Rhythm: Dotted quarter note tied to quarter note tied to Dotted quarter note = 50, Mikrokosmos, Sz 107 (BB 105), Book 6: Six Dances in Bulgarian Rhythm: Eighth note = 350, Mikrokosmos, Sz 107 (BB 105), Book 6: Six Dances in Bulgarian Rhythm: Half note tied to dotted quarter note = 60, Mikrokosmos, Sz 107 (BB 105), Book 6: Six Dances in Bulgarian Rhythm: Whole note tied to eighth note = 40, Mikrokosmos, Sz 107 (BB 105), Book 6: Subject and Reflection: Allegro, Métopes, trois poèmes, op. 29: Calypso, Métopes, trois poèmes, op. 29: L’Île des Sirènes, Métopes, trois poèmes, op. 29: Nausicaa, Out of Doors, Sz 81 (BB 89): Barcarolla, Out of Doors, Sz 81 (BB 89): Musettes, Out of Doors, Sz 81 (BB 89): The chase, Out of Doors, Sz 81 (BB 89): The night's music, Out of Doors, Sz 81 (BB 89): With drums and pipes, Partita no. 2 in C minor, BWV 826: I. Sinfonia, Partita no. 2 in C minor, BWV 826: II. Allemande, Partita no. 2 in C minor, BWV 826: III. Courante, Partita no. 2 in C minor, BWV 826: IV. Sarabande, Partita no. 2 in C minor, BWV 826: V. Rondeaux, Partita no. 2 in C minor, BWV 826: VI. Capriccio, Partita no. 3 in A minor, BWV 827: I. Fantaisie, Partita no. 3 in A minor, BWV 827: II. Allemande, Partita no. 3 in A minor, BWV 827: III. Courante, Partita no. 3 in A minor, BWV 827: IV. Sarabande, Partita no. 3 in A minor, BWV 827: V. Burlesca, Partita no. 3 in A minor, BWV 827: VI. Scherzo, Partita no. 3 in A minor, BWV 827: VII. Gigue, Partita no. 4 in D major, BWV 828: I. Overture, Partita no. 4 in D major, BWV 828: II. Allemande, Partita no. 4 in D major, BWV 828: III. Courante, Partita no. 4 in D major, BWV 828: IV. Aria, Partita no. 4 in D major, BWV 828: V. Sarabande, Partita no. 4 in D major, BWV 828: VI. Menuet, Partita no. 4 in D major, BWV 828: VII. Gigue, Suite, Sz 62 (op. 14, BB 70): Allegretto, Suite, Sz 62 (op. 14, BB 70): Allegro molto, Suite, Sz 62 (op. 14, BB 70): Scherzo, Suite, Sz 62 (op. 14, BB 70): Sostenuto, Three Burlesques, Sz 47 (op. 8c, BB 55): A Bit Drunk: Allegretto, Three Burlesques, Sz 47 (op. 8c, BB 55): Molto vivo, capriccioso, Three Burlesques, Sz 47 (op. 8c, BB 55): Quarrel: Presto, Walzer op.39: I. Tempo giusto, Walzer op.39: II., Walzer op.39: III., Walzer op.39: IV. Poco sostenuto, Walzer op.39: IX., Walzer op.39: V. Grazioso, Walzer op.39: VI. Vivace, Walzer op.39: VII. Poco più Andante, Walzer op.39: VIII., Walzer op.39: X., Walzer op.39: XI., Walzer op.39: XII., Walzer op.39: XIII., Walzer op.39: XIV., Walzer op.39: XV., Walzer op.39: XVI.
Andrew Keener (engineer/editor/producer)
producer
12 Études, op. 33: Allegro molto (con brio, burlesco), 12 Études, op. 33: Andante espressivo, 12 Études, op. 33: Andante soave, 12 Études, op. 33: Andantino soave, 12 Études, op. 33: Animato (capriccioso e fantastico), 12 Études, op. 33: Lento assai mesto (espressivo), 12 Études, op. 33: Presto, 12 Études, op. 33: Presto (delicamente), 12 Études, op. 33: Presto (energico), 12 Études, op. 33: Presto tempestoso (molto agitato), 12 Études, op. 33: Vivace (agitato e marcato, vigoroso), 12 Études, op. 33: Vivace assai (agitato), 4 Études, op. 4: No. 1 in E-flat minor. Allegro moderato, 4 Études, op. 4: No. 2 in G-flat major. Allegro molto (leggiero e veloce), 4 Études, op. 4: No. 3 in B-flat minor. Andante in modo d’una canzone (con dolore), 4 Études, op. 4: No. 4 in C major. Allegro (ma non troppo, affettuoso e rubato), Masques, op. 34: La Sérénade de Don Juan, Masques, op. 34: Shéhérazade, Masques, op. 34: Tantris le Bouffon, Métopes, trois poèmes, op. 29: Calypso, Métopes, trois poèmes, op. 29: L’Île des Sirènes, Métopes, trois poèmes, op. 29: Nausicaa
Ben Connellan
editor
12 Études, op. 33: Allegro molto (con brio, burlesco), 12 Études, op. 33: Andante espressivo, 12 Études, op. 33: Andante soave, 12 Études, op. 33: Andantino soave, 12 Études, op. 33: Animato (capriccioso e fantastico), 12 Études, op. 33: Lento assai mesto (espressivo), 12 Études, op. 33: Presto, 12 Études, op. 33: Presto (delicamente), 12 Études, op. 33: Presto (energico), 12 Études, op. 33: Presto tempestoso (molto agitato), 12 Études, op. 33: Vivace (agitato e marcato, vigoroso), 12 Études, op. 33: Vivace assai (agitato), 4 Études, op. 4: No. 1 in E-flat minor. Allegro moderato, 4 Études, op. 4: No. 2 in G-flat major. Allegro molto (leggiero e veloce), 4 Études, op. 4: No. 3 in B-flat minor. Andante in modo d’una canzone (con dolore), 4 Études, op. 4: No. 4 in C major. Allegro (ma non troppo, affettuoso e rubato), Masques, op. 34: La Sérénade de Don Juan, Masques, op. 34: Shéhérazade, Masques, op. 34: Tantris le Bouffon, Métopes, trois poèmes, op. 29: Calypso, Métopes, trois poèmes, op. 29: L’Île des Sirènes, Métopes, trois poèmes, op. 29: Nausicaa
David Hinitt
recording
12 Études, op. 33: Allegro molto (con brio, burlesco), 12 Études, op. 33: Andante espressivo, 12 Études, op. 33: Andante soave, 12 Études, op. 33: Andantino soave, 12 Études, op. 33: Animato (capriccioso e fantastico), 12 Études, op. 33: Lento assai mesto (espressivo), 12 Études, op. 33: Presto, 12 Études, op. 33: Presto (delicamente), 12 Études, op. 33: Presto (energico), 12 Études, op. 33: Presto tempestoso (molto agitato), 12 Études, op. 33: Vivace (agitato e marcato, vigoroso), 12 Études, op. 33: Vivace assai (agitato), 4 Études, op. 4: No. 1 in E-flat minor. Allegro moderato, 4 Études, op. 4: No. 2 in G-flat major. Allegro molto (leggiero e veloce), 4 Études, op. 4: No. 3 in B-flat minor. Andante in modo d’una canzone (con dolore), 4 Études, op. 4: No. 4 in C major. Allegro (ma non troppo, affettuoso e rubato), Masques, op. 34: La Sérénade de Don Juan, Masques, op. 34: Shéhérazade, Masques, op. 34: Tantris le Bouffon, Métopes, trois poèmes, op. 29: Calypso, Métopes, trois poèmes, op. 29: L’Île des Sirènes, Métopes, trois poèmes, op. 29: Nausicaa
Michael Spring (producer)
producer
12 Études, op. 33: Allegro molto (con brio, burlesco), 12 Études, op. 33: Andante espressivo, 12 Études, op. 33: Andante soave, 12 Études, op. 33: Andantino soave, 12 Études, op. 33: Animato (capriccioso e fantastico), 12 Études, op. 33: Lento assai mesto (espressivo), 12 Études, op. 33: Presto, 12 Études, op. 33: Presto (delicamente), 12 Études, op. 33: Presto (energico), 12 Études, op. 33: Presto tempestoso (molto agitato), 12 Études, op. 33: Vivace (agitato e marcato, vigoroso), 12 Études, op. 33: Vivace assai (agitato), 4 Études, op. 4: No. 1 in E-flat minor. Allegro moderato, 4 Études, op. 4: No. 2 in G-flat major. Allegro molto (leggiero e veloce), 4 Études, op. 4: No. 3 in B-flat minor. Andante in modo d’una canzone (con dolore), 4 Études, op. 4: No. 4 in C major. Allegro (ma non troppo, affettuoso e rubato), Masques, op. 34: La Sérénade de Don Juan, Masques, op. 34: Shéhérazade, Masques, op. 34: Tantris le Bouffon, Métopes, trois poèmes, op. 29: Calypso, Métopes, trois poèmes, op. 29: L’Île des Sirènes, Métopes, trois poèmes, op. 29: Nausicaa
Simon Perry (classical music producer)
producer
12 Études, op. 33: Allegro molto (con brio, burlesco), 12 Études, op. 33: Andante espressivo, 12 Études, op. 33: Andante soave, 12 Études, op. 33: Andantino soave, 12 Études, op. 33: Animato (capriccioso e fantastico), 12 Études, op. 33: Lento assai mesto (espressivo), 12 Études, op. 33: Presto, 12 Études, op. 33: Presto (delicamente), 12 Études, op. 33: Presto (energico), 12 Études, op. 33: Presto tempestoso (molto agitato), 12 Études, op. 33: Vivace (agitato e marcato, vigoroso), 12 Études, op. 33: Vivace assai (agitato), 4 Études, op. 4: No. 1 in E-flat minor. Allegro moderato, 4 Études, op. 4: No. 2 in G-flat major. Allegro molto (leggiero e veloce), 4 Études, op. 4: No. 3 in B-flat minor. Andante in modo d’una canzone (con dolore), 4 Études, op. 4: No. 4 in C major. Allegro (ma non troppo, affettuoso e rubato), Masques, op. 34: La Sérénade de Don Juan, Masques, op. 34: Shéhérazade, Masques, op. 34: Tantris le Bouffon, Métopes, trois poèmes, op. 29: Calypso, Métopes, trois poèmes, op. 29: L’Île des Sirènes, Métopes, trois poèmes, op. 29: Nausicaa
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