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Artist name Roles Recordings
Chicago Symphony Orchestra performing orchestra Amériques, Arcana, Bluebeard's Castle, Sz. 48 (op. 11): Prologue - Opening Scene. "Megérkeztünk", Cantata Profana "The Enchanted Stags", Sz. 94: I. There Was Once an Old Man, Cantata Profana "The Enchanted Stags", Sz. 94: II. But Their Father Grew Impatient, Cantata Profana "The Enchanted Stags", Sz. 94: III. There Was Once an Old Man, Concerto for Orchestra, Sz. 116: I. Introduzione: Andante non troppo; Allegro vivace; Tempo I, Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie: Allegretto scherzando, Concerto for Orchestra, Sz. 116: III. Elegia: Andante, non troppo, Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto: Allegretto, Concerto for Orchestra, Sz. 116: V. Finale: Pesante; Presto, Dance Suite, Sz 77: I. Moderato, Dance Suite, Sz 77: II. Allegro molto, Dance Suite, Sz 77: III. Allegro vivace, Dance Suite, Sz 77: IV. Molto tranquillo, Dance Suite, Sz 77: V. Comodo, Dance Suite, Sz 77: VI. Finale: Allegro, Deux Images, Op 10, Sz 46: I. In Full Flower, Deux Images, Op 10, Sz 46: II. Village Dance, Divertimento, Sz 113: I. Allegro non troppo, Divertimento, Sz 113: II. Molto adagio, Divertimento, Sz 113: III. Allegro assai, Déserts, Feu d'artifice, Op. 4, Four Orchestral Pieces, op. 12, Sz. 51: 1. Preludio: Moderato, Four Orchestral Pieces, op. 12, Sz. 51: 2. Scherzo: Allegro, Four Orchestral Pieces, op. 12, Sz. 51: 3. Intermezzo: Moderato, Four Orchestral Pieces, op. 12, Sz. 51: 4. Marcia funebre: Maestoso, Hungarian Sketches, Sz 97: I. An Evening with the Szekely, Hungarian Sketches, Sz 97: II. Bear Dance, Hungarian Sketches, Sz 97: III. Melody, Hungarian Sketches, Sz 97: IV. Slightly Tipsy, Hungarian Sketches, Sz 97: V. Swineherd's Dance, Ionisation, L'oiseau de feu: I. Introduction, L'oiseau de feu: II. Premier tableau: 1. Le jardin enchanté de kachtcheï, L'oiseau de feu: II. Premier tableau: 10. Carillon féerique à apparition de l'oiseau de feu, L'oiseau de feu: II. Premier tableau: 11. Ddanse de la suite de kachtcheï, enchantée par l'oiseau de feu, L'oiseau de feu: II. Premier tableau: 12. Danse infernale de tous les sujets de kachtcheï, L'oiseau de feu: II. Premier tableau: 13. Berceuse - réveil de kachtcheï - mort de kachtcheï - profondes ténèbres, L'oiseau de feu: II. Premier tableau: 2. Apparition de l'oiseau de feu, poursuivi par ivan tsarévitch, L'oiseau de feu: II. Premier tableau: 3.Danse de l'oiseau de feu, L'oiseau de feu: II. Premier tableau: 4. Capture de l'oiseau de feu par ivan tsarévitch, L'oiseau de feu: II. Premier tableau: 5. Supplication de l'oiseau de feu - apparition des treize princesses enchantées, L'oiseau de feu: II. Premier tableau: 6. Jeu des princesses avec les pommes d'or (Scherzo), L'oiseau de feu: II. Premier tableau: 7. Brusque apparition de ivan tsarévitch, L'oiseau de feu: II. Premier tableau: 8. Khorovode (Ronde) des princesses, L'oiseau de feu: II. Premier tableau: 9. Lever du jour - ivan tsarevitch pénètre dans le palais de kachtcheï, L'oiseau de feu: III. Deuxième tableau: Disparition du palais à allégresse générale, Le Poème de l’extase, op. 54, Music for Strings, Percussion and Celesta, Sz 106: Adagio, Music for Strings, Percussion and Celesta, Sz 106: Allegro, Music for Strings, Percussion and Celesta, Sz 106: Allegro molto, Music for Strings, Percussion and Celesta, Sz 106: Andante tranquillo, Pelleas und Melisande, op. 5, Quatre Etudes pour orchestre: I. Danse, Quatre Etudes pour orchestre: II. Excentrique, Quatre Etudes pour orchestre: III. Cantique, Quatre Etudes pour orchestre: IV. Madrid, Symphony No. 1 in D major "Titan": I. Langsam. Schleppend. Wie ein Naturlaut - Immer sehr gemächlich, Symphony No. 1 in D major "Titan": II. Kräftig bewegt, doch nicht zu schnell - Trio: Recht gemächlich, Symphony No. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen, Symphony No. 1 in D major "Titan": IV. Stürmisch bewegt, Symphony No. 9: I. Andante comodo, Symphony No. 9: II. Im Tempo eines gemählichen Ländlers. Etwas täppisch und sehr derb, Symphony No. 9: III. Rondo-Burleske. Allegro assai. Sehr trotzig, Symphony No. 9: IV. Adagio. Sehr langsam und noch zurückhaltend, The Miraculous Mandarin, o. 19, Sz 73: Suddenly the Mandarin's head appears between the pillows and he looks longingly at the gio), The Miraculous Mandarin, op. 19, Sz 73: Beginning (Allegro), The Miraculous Mandarin, op. 19, Sz 73: First seduction game: the shabby old rake (Moderato), The Miraculous Mandarin, op. 19, Sz 73: Second seduction game, The Miraculous Mandarin, op. 19, Sz 73: She resists no longer; they embrace (Più mosso - Vivo), The Miraculous Mandarin, op. 19, Sz 73: The Mandarin enters and remains immobile in the doorway... (Maestoso), The Miraculous Mandarin, op. 19, Sz 73: The girl sinks down to embrace him... (Allegro), The Miraculous Mandarin, op. 19, Sz 73: The terrified tramps discuss how they are to get rid of the Mandarin at last. (Agitato), The Miraculous Mandarin, op. 19, Sz 73: The tramps leap out, seize the Mandarin and tear him away from the girl... (Sempre vivo, The Miraculous Mandarin, op. 19, Sz 73: Third seduction game (Sostenuto), The Wooden Prince, Sz. 60: 4th Dance: “Dance of the Princess with the Wooden Doll”, The Wooden Prince: Fifth Dance: The Princess Pulls And Tugs at The Wooden Prince, The Wooden Prince: First Dance: Dance of The Princess in The Forest, The Wooden Prince: Fourth Dance: Dance of The Princess With The Wooden Prince, The Wooden Prince: Introduction, The Wooden Prince: Second Dance: Dance of The Trees, The Wooden Prince: Seventh Dance: Dismayed, the Princess Attempts to Hurry After the Prince, but the Forest Bars Her Way, The Wooden Prince: Sixth Dance: She Tries to Attract The Real Prince With Her Seductive Dancing, The Wooden Prince: Third Dance: Dance of The Waves, Totenfeier: Funeral Rite, Variations for Orchestra, op. 31: I. Introduction, Variations for Orchestra, op. 31: II. Theme, Variations for Orchestra, op. 31: III. Variation I, Variations for Orchestra, op. 31: IV. Variation II, Variations for Orchestra, op. 31: IX. Variation VII, Variations for Orchestra, op. 31: V. Variation III, Variations for Orchestra, op. 31: VI. Variation IV, Variations for Orchestra, op. 31: VII. Variation V, Variations for Orchestra, op. 31: VIII. Variation VI, Variations for Orchestra, op. 31: X. Variation VIII, Variations for Orchestra, op. 31: XI. Variation IX, Variations for Orchestra, op. 31: XII. Finale
Pierre Boulez conductor Amériques, Arcana, Bluebeard's Castle, Sz. 48 (op. 11): Prologue - Opening Scene. "Megérkeztünk", Cantata Profana "The Enchanted Stags", Sz. 94: I. There Was Once an Old Man, Cantata Profana "The Enchanted Stags", Sz. 94: II. But Their Father Grew Impatient, Cantata Profana "The Enchanted Stags", Sz. 94: III. There Was Once an Old Man, Concerto for Orchestra, Sz. 116: I. Introduzione: Andante non troppo; Allegro vivace; Tempo I, Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie: Allegretto scherzando, Concerto for Orchestra, Sz. 116: III. Elegia: Andante, non troppo, Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto: Allegretto, Concerto for Orchestra, Sz. 116: V. Finale: Pesante; Presto, Dance Suite, Sz 77: I. Moderato, Dance Suite, Sz 77: II. Allegro molto, Dance Suite, Sz 77: III. Allegro vivace, Dance Suite, Sz 77: IV. Molto tranquillo, Dance Suite, Sz 77: V. Comodo, Dance Suite, Sz 77: VI. Finale: Allegro, Deux Images, Op 10, Sz 46: I. In Full Flower, Deux Images, Op 10, Sz 46: II. Village Dance, Divertimento, Sz 113: I. Allegro non troppo, Divertimento, Sz 113: II. Molto adagio, Divertimento, Sz 113: III. Allegro assai, Déserts, Feu d'artifice, Op. 4, Four Orchestral Pieces, op. 12, Sz. 51: 1. Preludio: Moderato, Four Orchestral Pieces, op. 12, Sz. 51: 2. Scherzo: Allegro, Four Orchestral Pieces, op. 12, Sz. 51: 3. Intermezzo: Moderato, Four Orchestral Pieces, op. 12, Sz. 51: 4. Marcia funebre: Maestoso, Hungarian Sketches, Sz 97: I. An Evening with the Szekely, Hungarian Sketches, Sz 97: II. Bear Dance, Hungarian Sketches, Sz 97: III. Melody, Hungarian Sketches, Sz 97: IV. Slightly Tipsy, Hungarian Sketches, Sz 97: V. Swineherd's Dance, Ionisation, L'oiseau de feu: I. Introduction, L'oiseau de feu: II. Premier tableau: 1. Le jardin enchanté de kachtcheï, L'oiseau de feu: II. Premier tableau: 10. Carillon féerique à apparition de l'oiseau de feu, L'oiseau de feu: II. Premier tableau: 11. Ddanse de la suite de kachtcheï, enchantée par l'oiseau de feu, L'oiseau de feu: II. Premier tableau: 12. Danse infernale de tous les sujets de kachtcheï, L'oiseau de feu: II. Premier tableau: 13. Berceuse - réveil de kachtcheï - mort de kachtcheï - profondes ténèbres, L'oiseau de feu: II. Premier tableau: 2. Apparition de l'oiseau de feu, poursuivi par ivan tsarévitch, L'oiseau de feu: II. Premier tableau: 3.Danse de l'oiseau de feu, L'oiseau de feu: II. Premier tableau: 4. Capture de l'oiseau de feu par ivan tsarévitch, L'oiseau de feu: II. Premier tableau: 5. Supplication de l'oiseau de feu - apparition des treize princesses enchantées, L'oiseau de feu: II. Premier tableau: 6. Jeu des princesses avec les pommes d'or (Scherzo), L'oiseau de feu: II. Premier tableau: 7. Brusque apparition de ivan tsarévitch, L'oiseau de feu: II. Premier tableau: 8. Khorovode (Ronde) des princesses, L'oiseau de feu: II. Premier tableau: 9. Lever du jour - ivan tsarevitch pénètre dans le palais de kachtcheï, L'oiseau de feu: III. Deuxième tableau: Disparition du palais à allégresse générale, Le Poème de l’extase, op. 54, Music for Strings, Percussion and Celesta, Sz 106: Adagio, Music for Strings, Percussion and Celesta, Sz 106: Allegro, Music for Strings, Percussion and Celesta, Sz 106: Allegro molto, Music for Strings, Percussion and Celesta, Sz 106: Andante tranquillo, Pelleas und Melisande, op. 5, Quatre Etudes pour orchestre: I. Danse, Quatre Etudes pour orchestre: II. Excentrique, Quatre Etudes pour orchestre: III. Cantique, Quatre Etudes pour orchestre: IV. Madrid, Symphony No. 1 in D major "Titan": I. Langsam. Schleppend. Wie ein Naturlaut - Immer sehr gemächlich, Symphony No. 1 in D major "Titan": II. Kräftig bewegt, doch nicht zu schnell - Trio: Recht gemächlich, Symphony No. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen, Symphony No. 1 in D major "Titan": IV. Stürmisch bewegt, Symphony No. 9: I. Andante comodo, Symphony No. 9: II. Im Tempo eines gemählichen Ländlers. Etwas täppisch und sehr derb, Symphony No. 9: III. Rondo-Burleske. Allegro assai. Sehr trotzig, Symphony No. 9: IV. Adagio. Sehr langsam und noch zurückhaltend, The Miraculous Mandarin, o. 19, Sz 73: Suddenly the Mandarin's head appears between the pillows and he looks longingly at the gio), The Miraculous Mandarin, op. 19, Sz 73: Beginning (Allegro), The Miraculous Mandarin, op. 19, Sz 73: First seduction game: the shabby old rake (Moderato), The Miraculous Mandarin, op. 19, Sz 73: Second seduction game, The Miraculous Mandarin, op. 19, Sz 73: She resists no longer; they embrace (Più mosso - Vivo), The Miraculous Mandarin, op. 19, Sz 73: The Mandarin enters and remains immobile in the doorway... (Maestoso), The Miraculous Mandarin, op. 19, Sz 73: The girl sinks down to embrace him... (Allegro), The Miraculous Mandarin, op. 19, Sz 73: The terrified tramps discuss how they are to get rid of the Mandarin at last. (Agitato), The Miraculous Mandarin, op. 19, Sz 73: The tramps leap out, seize the Mandarin and tear him away from the girl... (Sempre vivo, The Miraculous Mandarin, op. 19, Sz 73: Third seduction game (Sostenuto), The Wooden Prince, Sz. 60: 4th Dance: “Dance of the Princess with the Wooden Doll”, The Wooden Prince: Fifth Dance: The Princess Pulls And Tugs at The Wooden Prince, The Wooden Prince: First Dance: Dance of The Princess in The Forest, The Wooden Prince: Fourth Dance: Dance of The Princess With The Wooden Prince, The Wooden Prince: Introduction, The Wooden Prince: Second Dance: Dance of The Trees, The Wooden Prince: Seventh Dance: Dismayed, the Princess Attempts to Hurry After the Prince, but the Forest Bars Her Way, The Wooden Prince: Sixth Dance: She Tries to Attract The Real Prince With Her Seductive Dancing, The Wooden Prince: Third Dance: Dance of The Waves, Totenfeier: Funeral Rite, Variations for Orchestra, op. 31: I. Introduction, Variations for Orchestra, op. 31: II. Theme, Variations for Orchestra, op. 31: III. Variation I, Variations for Orchestra, op. 31: IV. Variation II, Variations for Orchestra, op. 31: IX. Variation VII, Variations for Orchestra, op. 31: V. Variation III, Variations for Orchestra, op. 31: VI. Variation IV, Variations for Orchestra, op. 31: VII. Variation V, Variations for Orchestra, op. 31: VIII. Variation VI, Variations for Orchestra, op. 31: X. Variation VIII, Variations for Orchestra, op. 31: XI. Variation IX, Variations for Orchestra, op. 31: XII. Finale
Karl-August Naegler producer Music for Strings, Percussion and Celesta, Sz 106: Adagio, Music for Strings, Percussion and Celesta, Sz 106: Allegro, Music for Strings, Percussion and Celesta, Sz 106: Allegro molto, Music for Strings, Percussion and Celesta, Sz 106: Andante tranquillo, The Miraculous Mandarin, o. 19, Sz 73: Suddenly the Mandarin's head appears between the pillows and he looks longingly at the gio), The Miraculous Mandarin, op. 19, Sz 73: Beginning (Allegro), The Miraculous Mandarin, op. 19, Sz 73: First seduction game: the shabby old rake (Moderato), The Miraculous Mandarin, op. 19, Sz 73: Second seduction game, The Miraculous Mandarin, op. 19, Sz 73: She resists no longer; they embrace (Più mosso - Vivo), The Miraculous Mandarin, op. 19, Sz 73: The Mandarin enters and remains immobile in the doorway... (Maestoso), The Miraculous Mandarin, op. 19, Sz 73: The girl sinks down to embrace him... (Allegro), The Miraculous Mandarin, op. 19, Sz 73: The terrified tramps discuss how they are to get rid of the Mandarin at last. (Agitato), The Miraculous Mandarin, op. 19, Sz 73: The tramps leap out, seize the Mandarin and tear him away from the girl... (Sempre vivo, The Miraculous Mandarin, op. 19, Sz 73: Third seduction game (Sostenuto)
Rainer Maillard balance Music for Strings, Percussion and Celesta, Sz 106: Adagio, Music for Strings, Percussion and Celesta, Sz 106: Allegro, Music for Strings, Percussion and Celesta, Sz 106: Allegro molto, Music for Strings, Percussion and Celesta, Sz 106: Andante tranquillo, The Miraculous Mandarin, o. 19, Sz 73: Suddenly the Mandarin's head appears between the pillows and he looks longingly at the gio), The Miraculous Mandarin, op. 19, Sz 73: Beginning (Allegro), The Miraculous Mandarin, op. 19, Sz 73: First seduction game: the shabby old rake (Moderato), The Miraculous Mandarin, op. 19, Sz 73: Second seduction game, The Miraculous Mandarin, op. 19, Sz 73: She resists no longer; they embrace (Più mosso - Vivo), The Miraculous Mandarin, op. 19, Sz 73: The Mandarin enters and remains immobile in the doorway... (Maestoso), The Miraculous Mandarin, op. 19, Sz 73: The girl sinks down to embrace him... (Allegro), The Miraculous Mandarin, op. 19, Sz 73: The terrified tramps discuss how they are to get rid of the Mandarin at last. (Agitato), The Miraculous Mandarin, op. 19, Sz 73: The tramps leap out, seize the Mandarin and tear him away from the girl... (Sempre vivo, The Miraculous Mandarin, op. 19, Sz 73: Third seduction game (Sostenuto)
Ulrich Vette balance Le Poème de l’extase, op. 54

Collaborators on this artist's recordings

Artist name Roles Recordings
Chicago Symphony Orchestra performing orchestra Amériques, Arcana, Bluebeard's Castle, Sz. 48 (op. 11): Prologue - Opening Scene. "Megérkeztünk", Cantata Profana "The Enchanted Stags", Sz. 94: I. There Was Once an Old Man, Cantata Profana "The Enchanted Stags", Sz. 94: II. But Their Father Grew Impatient, Cantata Profana "The Enchanted Stags", Sz. 94: III. There Was Once an Old Man, Concerto for Orchestra, Sz. 116: I. Introduzione: Andante non troppo; Allegro vivace; Tempo I, Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie: Allegretto scherzando, Concerto for Orchestra, Sz. 116: III. Elegia: Andante, non troppo, Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto: Allegretto, Concerto for Orchestra, Sz. 116: V. Finale: Pesante; Presto, Dance Suite, Sz 77: I. Moderato, Dance Suite, Sz 77: II. Allegro molto, Dance Suite, Sz 77: III. Allegro vivace, Dance Suite, Sz 77: IV. Molto tranquillo, Dance Suite, Sz 77: V. Comodo, Dance Suite, Sz 77: VI. Finale: Allegro, Deux Images, Op 10, Sz 46: I. In Full Flower, Deux Images, Op 10, Sz 46: II. Village Dance, Divertimento, Sz 113: I. Allegro non troppo, Divertimento, Sz 113: II. Molto adagio, Divertimento, Sz 113: III. Allegro assai, Déserts, Feu d'artifice, Op. 4, Four Orchestral Pieces, op. 12, Sz. 51: 1. Preludio: Moderato, Four Orchestral Pieces, op. 12, Sz. 51: 2. Scherzo: Allegro, Four Orchestral Pieces, op. 12, Sz. 51: 3. Intermezzo: Moderato, Four Orchestral Pieces, op. 12, Sz. 51: 4. Marcia funebre: Maestoso, Hungarian Sketches, Sz 97: I. An Evening with the Szekely, Hungarian Sketches, Sz 97: II. Bear Dance, Hungarian Sketches, Sz 97: III. Melody, Hungarian Sketches, Sz 97: IV. Slightly Tipsy, Hungarian Sketches, Sz 97: V. Swineherd's Dance, Ionisation, L'oiseau de feu: I. Introduction, L'oiseau de feu: II. Premier tableau: 1. Le jardin enchanté de kachtcheï, L'oiseau de feu: II. Premier tableau: 10. Carillon féerique à apparition de l'oiseau de feu, L'oiseau de feu: II. Premier tableau: 11. Ddanse de la suite de kachtcheï, enchantée par l'oiseau de feu, L'oiseau de feu: II. Premier tableau: 12. Danse infernale de tous les sujets de kachtcheï, L'oiseau de feu: II. Premier tableau: 13. Berceuse - réveil de kachtcheï - mort de kachtcheï - profondes ténèbres, L'oiseau de feu: II. Premier tableau: 2. Apparition de l'oiseau de feu, poursuivi par ivan tsarévitch, L'oiseau de feu: II. Premier tableau: 3.Danse de l'oiseau de feu, L'oiseau de feu: II. Premier tableau: 4. Capture de l'oiseau de feu par ivan tsarévitch, L'oiseau de feu: II. Premier tableau: 5. Supplication de l'oiseau de feu - apparition des treize princesses enchantées, L'oiseau de feu: II. Premier tableau: 6. Jeu des princesses avec les pommes d'or (Scherzo), L'oiseau de feu: II. Premier tableau: 7. Brusque apparition de ivan tsarévitch, L'oiseau de feu: II. Premier tableau: 8. Khorovode (Ronde) des princesses, L'oiseau de feu: II. Premier tableau: 9. Lever du jour - ivan tsarevitch pénètre dans le palais de kachtcheï, L'oiseau de feu: III. Deuxième tableau: Disparition du palais à allégresse générale, Le Poème de l’extase, op. 54, Music for Strings, Percussion and Celesta, Sz 106: Adagio, Music for Strings, Percussion and Celesta, Sz 106: Allegro, Music for Strings, Percussion and Celesta, Sz 106: Allegro molto, Music for Strings, Percussion and Celesta, Sz 106: Andante tranquillo, Pelleas und Melisande, op. 5, Quatre Etudes pour orchestre: I. Danse, Quatre Etudes pour orchestre: II. Excentrique, Quatre Etudes pour orchestre: III. Cantique, Quatre Etudes pour orchestre: IV. Madrid, Symphony No. 1 in D major "Titan": I. Langsam. Schleppend. Wie ein Naturlaut - Immer sehr gemächlich, Symphony No. 1 in D major "Titan": II. Kräftig bewegt, doch nicht zu schnell - Trio: Recht gemächlich, Symphony No. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen, Symphony No. 1 in D major "Titan": IV. Stürmisch bewegt, Symphony No. 9: I. Andante comodo, Symphony No. 9: II. Im Tempo eines gemählichen Ländlers. Etwas täppisch und sehr derb, Symphony No. 9: III. Rondo-Burleske. Allegro assai. Sehr trotzig, Symphony No. 9: IV. Adagio. Sehr langsam und noch zurückhaltend, The Miraculous Mandarin, o. 19, Sz 73: Suddenly the Mandarin's head appears between the pillows and he looks longingly at the gio), The Miraculous Mandarin, op. 19, Sz 73: Beginning (Allegro), The Miraculous Mandarin, op. 19, Sz 73: First seduction game: the shabby old rake (Moderato), The Miraculous Mandarin, op. 19, Sz 73: Second seduction game, The Miraculous Mandarin, op. 19, Sz 73: She resists no longer; they embrace (Più mosso - Vivo), The Miraculous Mandarin, op. 19, Sz 73: The Mandarin enters and remains immobile in the doorway... (Maestoso), The Miraculous Mandarin, op. 19, Sz 73: The girl sinks down to embrace him... (Allegro), The Miraculous Mandarin, op. 19, Sz 73: The terrified tramps discuss how they are to get rid of the Mandarin at last. (Agitato), The Miraculous Mandarin, op. 19, Sz 73: The tramps leap out, seize the Mandarin and tear him away from the girl... (Sempre vivo, The Miraculous Mandarin, op. 19, Sz 73: Third seduction game (Sostenuto), The Wooden Prince, Sz. 60: 4th Dance: “Dance of the Princess with the Wooden Doll”, The Wooden Prince: Fifth Dance: The Princess Pulls And Tugs at The Wooden Prince, The Wooden Prince: First Dance: Dance of The Princess in The Forest, The Wooden Prince: Fourth Dance: Dance of The Princess With The Wooden Prince, The Wooden Prince: Introduction, The Wooden Prince: Second Dance: Dance of The Trees, The Wooden Prince: Seventh Dance: Dismayed, the Princess Attempts to Hurry After the Prince, but the Forest Bars Her Way, The Wooden Prince: Sixth Dance: She Tries to Attract The Real Prince With Her Seductive Dancing, The Wooden Prince: Third Dance: Dance of The Waves, Totenfeier: Funeral Rite, Variations for Orchestra, op. 31: I. Introduction, Variations for Orchestra, op. 31: II. Theme, Variations for Orchestra, op. 31: III. Variation I, Variations for Orchestra, op. 31: IV. Variation II, Variations for Orchestra, op. 31: IX. Variation VII, Variations for Orchestra, op. 31: V. Variation III, Variations for Orchestra, op. 31: VI. Variation IV, Variations for Orchestra, op. 31: VII. Variation V, Variations for Orchestra, op. 31: VIII. Variation VI, Variations for Orchestra, op. 31: X. Variation VIII, Variations for Orchestra, op. 31: XI. Variation IX, Variations for Orchestra, op. 31: XII. Finale
Pierre Boulez conductor Amériques, Arcana, Bluebeard's Castle, Sz. 48 (op. 11): Prologue - Opening Scene. "Megérkeztünk", Cantata Profana "The Enchanted Stags", Sz. 94: I. There Was Once an Old Man, Cantata Profana "The Enchanted Stags", Sz. 94: II. But Their Father Grew Impatient, Cantata Profana "The Enchanted Stags", Sz. 94: III. There Was Once an Old Man, Concerto for Orchestra, Sz. 116: I. Introduzione: Andante non troppo; Allegro vivace; Tempo I, Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie: Allegretto scherzando, Concerto for Orchestra, Sz. 116: III. Elegia: Andante, non troppo, Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto: Allegretto, Concerto for Orchestra, Sz. 116: V. Finale: Pesante; Presto, Dance Suite, Sz 77: I. Moderato, Dance Suite, Sz 77: II. Allegro molto, Dance Suite, Sz 77: III. Allegro vivace, Dance Suite, Sz 77: IV. Molto tranquillo, Dance Suite, Sz 77: V. Comodo, Dance Suite, Sz 77: VI. Finale: Allegro, Deux Images, Op 10, Sz 46: I. In Full Flower, Deux Images, Op 10, Sz 46: II. Village Dance, Divertimento, Sz 113: I. Allegro non troppo, Divertimento, Sz 113: II. Molto adagio, Divertimento, Sz 113: III. Allegro assai, Déserts, Feu d'artifice, Op. 4, Four Orchestral Pieces, op. 12, Sz. 51: 1. Preludio: Moderato, Four Orchestral Pieces, op. 12, Sz. 51: 2. Scherzo: Allegro, Four Orchestral Pieces, op. 12, Sz. 51: 3. Intermezzo: Moderato, Four Orchestral Pieces, op. 12, Sz. 51: 4. Marcia funebre: Maestoso, Hungarian Sketches, Sz 97: I. An Evening with the Szekely, Hungarian Sketches, Sz 97: II. Bear Dance, Hungarian Sketches, Sz 97: III. Melody, Hungarian Sketches, Sz 97: IV. Slightly Tipsy, Hungarian Sketches, Sz 97: V. Swineherd's Dance, Ionisation, L'oiseau de feu: I. Introduction, L'oiseau de feu: II. Premier tableau: 1. Le jardin enchanté de kachtcheï, L'oiseau de feu: II. Premier tableau: 10. Carillon féerique à apparition de l'oiseau de feu, L'oiseau de feu: II. Premier tableau: 11. Ddanse de la suite de kachtcheï, enchantée par l'oiseau de feu, L'oiseau de feu: II. Premier tableau: 12. Danse infernale de tous les sujets de kachtcheï, L'oiseau de feu: II. Premier tableau: 13. Berceuse - réveil de kachtcheï - mort de kachtcheï - profondes ténèbres, L'oiseau de feu: II. Premier tableau: 2. Apparition de l'oiseau de feu, poursuivi par ivan tsarévitch, L'oiseau de feu: II. Premier tableau: 3.Danse de l'oiseau de feu, L'oiseau de feu: II. Premier tableau: 4. Capture de l'oiseau de feu par ivan tsarévitch, L'oiseau de feu: II. Premier tableau: 5. Supplication de l'oiseau de feu - apparition des treize princesses enchantées, L'oiseau de feu: II. Premier tableau: 6. Jeu des princesses avec les pommes d'or (Scherzo), L'oiseau de feu: II. Premier tableau: 7. Brusque apparition de ivan tsarévitch, L'oiseau de feu: II. Premier tableau: 8. Khorovode (Ronde) des princesses, L'oiseau de feu: II. Premier tableau: 9. Lever du jour - ivan tsarevitch pénètre dans le palais de kachtcheï, L'oiseau de feu: III. Deuxième tableau: Disparition du palais à allégresse générale, Le Poème de l’extase, op. 54, Music for Strings, Percussion and Celesta, Sz 106: Adagio, Music for Strings, Percussion and Celesta, Sz 106: Allegro, Music for Strings, Percussion and Celesta, Sz 106: Allegro molto, Music for Strings, Percussion and Celesta, Sz 106: Andante tranquillo, Pelleas und Melisande, op. 5, Quatre Etudes pour orchestre: I. Danse, Quatre Etudes pour orchestre: II. Excentrique, Quatre Etudes pour orchestre: III. Cantique, Quatre Etudes pour orchestre: IV. Madrid, Symphony No. 1 in D major "Titan": I. Langsam. Schleppend. Wie ein Naturlaut - Immer sehr gemächlich, Symphony No. 1 in D major "Titan": II. Kräftig bewegt, doch nicht zu schnell - Trio: Recht gemächlich, Symphony No. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen, Symphony No. 1 in D major "Titan": IV. Stürmisch bewegt, Symphony No. 9: I. Andante comodo, Symphony No. 9: II. Im Tempo eines gemählichen Ländlers. Etwas täppisch und sehr derb, Symphony No. 9: III. Rondo-Burleske. Allegro assai. Sehr trotzig, Symphony No. 9: IV. Adagio. Sehr langsam und noch zurückhaltend, The Miraculous Mandarin, o. 19, Sz 73: Suddenly the Mandarin's head appears between the pillows and he looks longingly at the gio), The Miraculous Mandarin, op. 19, Sz 73: Beginning (Allegro), The Miraculous Mandarin, op. 19, Sz 73: First seduction game: the shabby old rake (Moderato), The Miraculous Mandarin, op. 19, Sz 73: Second seduction game, The Miraculous Mandarin, op. 19, Sz 73: She resists no longer; they embrace (Più mosso - Vivo), The Miraculous Mandarin, op. 19, Sz 73: The Mandarin enters and remains immobile in the doorway... (Maestoso), The Miraculous Mandarin, op. 19, Sz 73: The girl sinks down to embrace him... (Allegro), The Miraculous Mandarin, op. 19, Sz 73: The terrified tramps discuss how they are to get rid of the Mandarin at last. (Agitato), The Miraculous Mandarin, op. 19, Sz 73: The tramps leap out, seize the Mandarin and tear him away from the girl... (Sempre vivo, The Miraculous Mandarin, op. 19, Sz 73: Third seduction game (Sostenuto), The Wooden Prince, Sz. 60: 4th Dance: “Dance of the Princess with the Wooden Doll”, The Wooden Prince: Fifth Dance: The Princess Pulls And Tugs at The Wooden Prince, The Wooden Prince: First Dance: Dance of The Princess in The Forest, The Wooden Prince: Fourth Dance: Dance of The Princess With The Wooden Prince, The Wooden Prince: Introduction, The Wooden Prince: Second Dance: Dance of The Trees, The Wooden Prince: Seventh Dance: Dismayed, the Princess Attempts to Hurry After the Prince, but the Forest Bars Her Way, The Wooden Prince: Sixth Dance: She Tries to Attract The Real Prince With Her Seductive Dancing, The Wooden Prince: Third Dance: Dance of The Waves, Totenfeier: Funeral Rite, Variations for Orchestra, op. 31: I. Introduction, Variations for Orchestra, op. 31: II. Theme, Variations for Orchestra, op. 31: III. Variation I, Variations for Orchestra, op. 31: IV. Variation II, Variations for Orchestra, op. 31: IX. Variation VII, Variations for Orchestra, op. 31: V. Variation III, Variations for Orchestra, op. 31: VI. Variation IV, Variations for Orchestra, op. 31: VII. Variation V, Variations for Orchestra, op. 31: VIII. Variation VI, Variations for Orchestra, op. 31: X. Variation VIII, Variations for Orchestra, op. 31: XI. Variation IX, Variations for Orchestra, op. 31: XII. Finale
Karl-August Naegler producer Music for Strings, Percussion and Celesta, Sz 106: Adagio, Music for Strings, Percussion and Celesta, Sz 106: Allegro, Music for Strings, Percussion and Celesta, Sz 106: Allegro molto, Music for Strings, Percussion and Celesta, Sz 106: Andante tranquillo, The Miraculous Mandarin, o. 19, Sz 73: Suddenly the Mandarin's head appears between the pillows and he looks longingly at the gio), The Miraculous Mandarin, op. 19, Sz 73: Beginning (Allegro), The Miraculous Mandarin, op. 19, Sz 73: First seduction game: the shabby old rake (Moderato), The Miraculous Mandarin, op. 19, Sz 73: Second seduction game, The Miraculous Mandarin, op. 19, Sz 73: She resists no longer; they embrace (Più mosso - Vivo), The Miraculous Mandarin, op. 19, Sz 73: The Mandarin enters and remains immobile in the doorway... (Maestoso), The Miraculous Mandarin, op. 19, Sz 73: The girl sinks down to embrace him... (Allegro), The Miraculous Mandarin, op. 19, Sz 73: The terrified tramps discuss how they are to get rid of the Mandarin at last. (Agitato), The Miraculous Mandarin, op. 19, Sz 73: The tramps leap out, seize the Mandarin and tear him away from the girl... (Sempre vivo, The Miraculous Mandarin, op. 19, Sz 73: Third seduction game (Sostenuto)
Rainer Maillard balance Music for Strings, Percussion and Celesta, Sz 106: Adagio, Music for Strings, Percussion and Celesta, Sz 106: Allegro, Music for Strings, Percussion and Celesta, Sz 106: Allegro molto, Music for Strings, Percussion and Celesta, Sz 106: Andante tranquillo, The Miraculous Mandarin, o. 19, Sz 73: Suddenly the Mandarin's head appears between the pillows and he looks longingly at the gio), The Miraculous Mandarin, op. 19, Sz 73: Beginning (Allegro), The Miraculous Mandarin, op. 19, Sz 73: First seduction game: the shabby old rake (Moderato), The Miraculous Mandarin, op. 19, Sz 73: Second seduction game, The Miraculous Mandarin, op. 19, Sz 73: She resists no longer; they embrace (Più mosso - Vivo), The Miraculous Mandarin, op. 19, Sz 73: The Mandarin enters and remains immobile in the doorway... (Maestoso), The Miraculous Mandarin, op. 19, Sz 73: The girl sinks down to embrace him... (Allegro), The Miraculous Mandarin, op. 19, Sz 73: The terrified tramps discuss how they are to get rid of the Mandarin at last. (Agitato), The Miraculous Mandarin, op. 19, Sz 73: The tramps leap out, seize the Mandarin and tear him away from the girl... (Sempre vivo, The Miraculous Mandarin, op. 19, Sz 73: Third seduction game (Sostenuto)
Ulrich Vette balance Le Poème de l’extase, op. 54