Musical Bacon: 今井晶規

Artist name	Roles	Recordings
Česká filharmonie (Czech Philharmonic)	performing orchestra	Carnival, op. 92 (B 169), In Nature's Realm,op. 91 (B 168), My Country (Má Vlast) Cycle of Symphonic Poems: I. Vyšehrad, My Country (Má Vlast) Cycle of Symphonic Poems: II. Vltava (Moldau), My Country (Má Vlast) Cycle of Symphonic Poems: III. Šárka, My Country (Má Vlast) Cycle of Symphonic Poems: IV. From Bohemia's Woods and Fields, My Country (Má Vlast) Cycle of Symphonic Poems: V. Tábor, My Country (Má Vlast) Cycle of Symphonic Poems: VI. Blaník, Má vlast: Blaník, Má vlast: Tábor, Má vlast: Vltava, Má vlast: Vyšehrad, Má vlast: Z českých luhů a hájů, Má vlast: Šárka, Othello, op. 93 (B 174), Overture, Op. 92 "Carnival", Scherzo capriccioso, op. 66, B. 131, Sinfonietta: I. Allegretto, Sinfonietta: II. Andante, Sinfonietta: III. Moderato, Sinfonietta: IV. Allegretto, Sinfonietta: V. Andante con moto - Allegretto, Slavonic Dances, Op. 46: No. 1 in C major - Furiant: Presto, Slavonic Dances, Op. 46: No. 2 in E minor - Dumka: Allegretto scherzando, Slavonic Dances, Op. 46: No. 3 in A-flat major - Polka: Poco allegro, Slavonic Dances, Op. 46: No. 4 in F major - Sousedská: Tempo di minuetto, Slavonic Dances, Op. 46: No. 5 in A major - Skočná: Allegro vivace, Slavonic Dances, Op. 46: No. 6 in D major - Sousedská: Allegretto scherzando, Slavonic Dances, Op. 46: No. 7 in C minor - Skočná: Allegro assai, Slavonic Dances, Op. 46: No. 8 in G minor - Furiant: Presto, Slavonic Dances, Op. 72: No. 1 in B major - Odzemek: Molto vivace, Slavonic Dances, Op. 72: No. 2 in E minor - Starodávný: Allegretto grazioso, Slavonic Dances, Op. 72: No. 3 in F major - Skočná: Allegro, Slavonic Dances, Op. 72: No. 4 in D-flat major - Dumka: Allegretto grazioso, Slavonic Dances, Op. 72: No. 5 in B-flat minor - Špacírka: Poco adagio, Slavonic Dances, Op. 72: No. 6 in B-flat major - Starodávný: Moderato, quasi minuetto, Slavonic Dances, Op. 72: No. 7 in C major - Srbské Kolo: Allegro vivace, Slavonic Dances, Op. 72: No. 8 in A-flat major - Sousedská: Lento grazioso, quasi tempo di valse, Slavonic Dances, op. 72: No. 10 in E minor (Starodávny), Slavonic Dances, op. 72: No. 11 in F major (Skočná), Slavonic Dances, op. 72: No. 12 in D-flat major (Dumka), Slavonic Dances, op. 72: No. 13 in B-flat minor (Špacírka), Slavonic Dances, op. 72: No. 14 in B-flat major (Starodávný), Slavonic Dances, op. 72: No. 15 in C major (Kolo), Slavonic Dances, op. 72: No. 16 in A-flat major (Sousedská), Slavonic Dances, op. 72: No. 9 in B major (Odzemek), Slavonic Rhapsody in D major, op. 45 no. 1, Symphonic Variations for Large Orchestra, op. 78 (B 70), Symphony No. 1 in D major: I. Langsam. Schleppend. Wie ein Naturlaut, Symphony No. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony No. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony No. 1 in D major: IV. Stürmisch bewegt, Symphony No. 10 in F-sharp major: I. Adagio, Symphony No. 1: I. Moderato, Symphony No. 1: II. Allegro. Poco moderato. Allegro come prima, Symphony No. 1: III. Largo, Symphony No. 1: IV. Allegro non troppo, Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony No. 2 in C minor "Resurrection": II. Andante moderato. Sehre gemächlich. Nicht eilen, Symphony No. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung, Symphony No. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht, Symphony No. 2 in C minor "Resurrection": V. In Tempo des Scherzo. Wild herausfahrend, Symphony No. 2: I. Allegro moderato, Symphony No. 2: II. Andante Moderato, Symphony No. 2: III. Poco allegro, Symphony No. 2: IV. Allegro, Symphony No. 3 in D minor: I. Kräftig, Entschieden,, Symphony No. 3 in D minor: II. Tempo di menuetto,, Symphony No. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony No. 3 in D minor: IV. Sehr langsam. Misterioso. ‘O Mensch! Gib acht’ (Wds. Friedrich Nietzsche),, Symphony No. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck, ‘Es sungen drei Engel’ (Wds. from ‘Des Knaben Wunderhorn’),, Symphony No. 3 in D minor: VI. Langsam. Ruhevoll,, Symphony No. 3: I. Allegro poco moderato, Symphony No. 3: II. Largo, Symphony No. 3: III. Allegro, Symphony No. 4 in G major: I. Bedächtig. Nicht eilen, Symphony No. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony No. 4 in G major: III. Ruhevoll (Poco adagio), Symphony No. 4 in G major: IV. Sehr behaglich, Symphony No. 4: I. Poco moderato. Poco allegro, Symphony No. 4: II. Allegro vivo. Moderato (Trio). Allegro vivo, Symphony No. 4: III. Largo, Symphony No. 4: IV. Poco allegro, Symphony No. 5 in C-sharp minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt, Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz, Symphony No. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell, Symphony No. 5 in C-sharp minor: IV. Adagietto. Sehr langsam, Symphony No. 5 in C-sharp minor: V. Rondo-Finale. Allegro, Symphony No. 5: I. Adagio, Symphony No. 5: II. Larghetto, Symphony No. 5: III. Lento. Allegro, Symphony No. 6 (Symphonic Phantasies): I. Lento. Allegro. Lento, Symphony No. 6 (Symphonic Phantasies): II. Poco allegro, Symphony No. 6 (Symphonic Phantasies): III. Lento, Symphony No. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony No. 6 in A minor: II. Scherzo. Wuchtig, Symphony No. 6 in A minor: III. Andante moderato, Symphony No. 6 in A minor: IV. Finale. Sostenuto, Symphony No. 7 in D minor, Op. 70: I. Allegro maestoso, Symphony No. 7 in D minor, Op. 70: II. Poco adagio, Symphony No. 7 in D minor, Op. 70: III. Scherzo. Vivace, Symphony No. 7 in D minor, Op. 70: IV. Finale. Allegro, Symphony No. 7 in E minor: I. Adagio – Allegro risoluto ma non troppo,, Symphony No. 7 in E minor: II. Nachtmusik. Allegro moderato,, Symphony No. 7 in E minor: III. Scherzo. Schattenhaft. Fließend, aber nicht schnell,, Symphony No. 7 in E minor: IV. Nachtmusik. Andante amoroso,, Symphony No. 7 in E minor: V. Rondo – Finale,, Symphony No. 8 in E flat major “Symphony of Thousand”: Part I. Hymnus “Veni creator spiritus”. Allegro impetuoso,, Symphony No. 8 in E flat major “Symphony of Thousand”: Part II. Schlußszene aus “Faust”. Poco adagio,, Symphony No. 8 in G major, Op. 88: I. Allegro con brio, Symphony No. 8 in G major, Op. 88: II. Adagio, Symphony No. 8 in G major, Op. 88: III. Allegretto grazioso, Symphony No. 8 in G major, Op. 88: IV. Allegro ma non troppo, Symphony No. 9 in D major: I. Andante comodo, Symphony No. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb, Symphony No. 9 in D major: III. Rondo. Burleske. Allegro assai. Sehr trotzig, Symphony No. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend, Symphony in C minor "Asrael", op. 27: I. Andante sostenuto, Symphony in C minor "Asrael", op. 27: II. Andante, Symphony in C minor "Asrael", op. 27: III. Vivace, Symphony in C minor "Asrael", op. 27: IV. Adagio, Symphony in C minor "Asrael", op. 27: V. Adagio e maestoso, Symphony no. 1: I. Maestoso; Allegro, Symphony no. 1: II. Adagio di molto, Symphony no. 1: III. Allegretto, Symphony no. 1: IV. Finale. Allegro animato, Symphony no. 2: I. Allegro con moto, Symphony no. 2: II. Poco adagio, Symphony no. 2: III. Scherzo. Allegro con brio, Symphony no. 2: IV. Finale. Allegro con fuoco, Symphony no. 3: I. Allegro moderato, Symphony no. 3: II. Adagio molto, tempo di marcia, Symphony no. 3: III. Finale. Allegro vivace, Symphony no. 4: I. Allegro, Symphony no. 4: II. Andante sostenuto e molto cantabile, Symphony no. 4: III. Scherzo. Allegro feroce, Symphony no. 4: IV. Finale. Allegro con brio, Symphony no. 5: I. Allegro ma non troppo, Symphony no. 5: II. Andante con moto (attacca), Symphony no. 5: III. Andante con moto, quasi l'istesso Tempo; Allegro scherzando, Symphony no. 5: IV. Allegro molto, Symphony no. 6: I. Allegro non tanto, Symphony no. 6: II. Adagio, Symphony no. 6: III. Scherzo (Furiant). Presto, Symphony no. 6: IV. Finale. Allegro con spirito, Symphony no. 7: I. Allegro maestoso, Symphony no. 7: II. Poco adagio, Symphony no. 7: III. Scherzo. Vivace, Symphony no. 7: IV. Finale. Allegro, Symphony no. 8: I. Allegro con brio, Symphony no. 8: II. Adagio, Symphony no. 8: III. Allegretto grazioso, Symphony no. 8: IV. Allegro ma non troppo, Symphony no. 9: I. Adagio - Allegro molto, Symphony no. 9: I. Adagio. Allegro molto, Symphony no. 9: II. Largo, Symphony no. 9: III. Molto vivace, Symphony no. 9: III. Scherzo. Molto vivace, Symphony no. 9: IV. Allegro con fuoco, Taras Bulba: I. Death of Andrey, Taras Bulba: II. Death of Ostap, Taras Bulba: III. Prophecy and Death of Taras Bulba, The Golden Spinning Wheel, The Noon Witch, The Water Goblin, The Wild Dove, Vltava
Václav Neumann	conductor	Carnival, op. 92 (B 169), In Nature's Realm,op. 91 (B 168), My Country (Má Vlast) Cycle of Symphonic Poems: I. Vyšehrad, My Country (Má Vlast) Cycle of Symphonic Poems: II. Vltava (Moldau), My Country (Má Vlast) Cycle of Symphonic Poems: III. Šárka, My Country (Má Vlast) Cycle of Symphonic Poems: IV. From Bohemia's Woods and Fields, My Country (Má Vlast) Cycle of Symphonic Poems: V. Tábor, My Country (Má Vlast) Cycle of Symphonic Poems: VI. Blaník, Má vlast: Blaník, Má vlast: Tábor, Má vlast: Vltava, Má vlast: Vyšehrad, Má vlast: Z českých luhů a hájů, Má vlast: Šárka, Othello, op. 93 (B 174), Overture, Op. 92 "Carnival", Scherzo capriccioso, op. 66, B. 131, Sinfonietta: I. Allegretto, Sinfonietta: II. Andante, Sinfonietta: III. Moderato, Sinfonietta: IV. Allegretto, Sinfonietta: V. Andante con moto - Allegretto, Slavonic Dances, Op. 46: No. 1 in C major - Furiant: Presto, Slavonic Dances, Op. 46: No. 2 in E minor - Dumka: Allegretto scherzando, Slavonic Dances, Op. 46: No. 3 in A-flat major - Polka: Poco allegro, Slavonic Dances, Op. 46: No. 4 in F major - Sousedská: Tempo di minuetto, Slavonic Dances, Op. 46: No. 5 in A major - Skočná: Allegro vivace, Slavonic Dances, Op. 46: No. 6 in D major - Sousedská: Allegretto scherzando, Slavonic Dances, Op. 46: No. 7 in C minor - Skočná: Allegro assai, Slavonic Dances, Op. 46: No. 8 in G minor - Furiant: Presto, Slavonic Dances, Op. 72: No. 1 in B major - Odzemek: Molto vivace, Slavonic Dances, Op. 72: No. 2 in E minor - Starodávný: Allegretto grazioso, Slavonic Dances, Op. 72: No. 3 in F major - Skočná: Allegro, Slavonic Dances, Op. 72: No. 4 in D-flat major - Dumka: Allegretto grazioso, Slavonic Dances, Op. 72: No. 5 in B-flat minor - Špacírka: Poco adagio, Slavonic Dances, Op. 72: No. 6 in B-flat major - Starodávný: Moderato, quasi minuetto, Slavonic Dances, Op. 72: No. 7 in C major - Srbské Kolo: Allegro vivace, Slavonic Dances, Op. 72: No. 8 in A-flat major - Sousedská: Lento grazioso, quasi tempo di valse, Slavonic Dances, op. 72: No. 10 in E minor (Starodávny), Slavonic Dances, op. 72: No. 11 in F major (Skočná), Slavonic Dances, op. 72: No. 12 in D-flat major (Dumka), Slavonic Dances, op. 72: No. 13 in B-flat minor (Špacírka), Slavonic Dances, op. 72: No. 14 in B-flat major (Starodávný), Slavonic Dances, op. 72: No. 15 in C major (Kolo), Slavonic Dances, op. 72: No. 16 in A-flat major (Sousedská), Slavonic Dances, op. 72: No. 9 in B major (Odzemek), Slavonic Rhapsody in D major, op. 45 no. 1, Symphonic Variations for Large Orchestra, op. 78 (B 70), Symphony No. 1 in D major: I. Langsam. Schleppend. Wie ein Naturlaut, Symphony No. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony No. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony No. 1 in D major: IV. Stürmisch bewegt, Symphony No. 10 in F-sharp major: I. Adagio, Symphony No. 1: I. Moderato, Symphony No. 1: II. Allegro. Poco moderato. Allegro come prima, Symphony No. 1: III. Largo, Symphony No. 1: IV. Allegro non troppo, Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony No. 2 in C minor "Resurrection": II. Andante moderato. Sehre gemächlich. Nicht eilen, Symphony No. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung, Symphony No. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht, Symphony No. 2 in C minor "Resurrection": V. In Tempo des Scherzo. Wild herausfahrend, Symphony No. 2: I. Allegro moderato, Symphony No. 2: II. Andante Moderato, Symphony No. 2: III. Poco allegro, Symphony No. 2: IV. Allegro, Symphony No. 3 in D minor: I. Kräftig, Entschieden,, Symphony No. 3 in D minor: II. Tempo di menuetto,, Symphony No. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony No. 3 in D minor: IV. Sehr langsam. Misterioso. ‘O Mensch! Gib acht’ (Wds. Friedrich Nietzsche),, Symphony No. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck, ‘Es sungen drei Engel’ (Wds. from ‘Des Knaben Wunderhorn’),, Symphony No. 3 in D minor: VI. Langsam. Ruhevoll,, Symphony No. 3: I. Allegro poco moderato, Symphony No. 3: II. Largo, Symphony No. 3: III. Allegro, Symphony No. 4 in G major: I. Bedächtig. Nicht eilen, Symphony No. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony No. 4 in G major: III. Ruhevoll (Poco adagio), Symphony No. 4 in G major: IV. Sehr behaglich, Symphony No. 4: I. Poco moderato. Poco allegro, Symphony No. 4: II. Allegro vivo. Moderato (Trio). Allegro vivo, Symphony No. 4: III. Largo, Symphony No. 4: IV. Poco allegro, Symphony No. 5 in C-sharp minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt, Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz, Symphony No. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell, Symphony No. 5 in C-sharp minor: IV. Adagietto. Sehr langsam, Symphony No. 5 in C-sharp minor: V. Rondo-Finale. Allegro, Symphony No. 5: I. Adagio, Symphony No. 5: II. Larghetto, Symphony No. 5: III. Lento. Allegro, Symphony No. 6 (Symphonic Phantasies): I. Lento. Allegro. Lento, Symphony No. 6 (Symphonic Phantasies): II. Poco allegro, Symphony No. 6 (Symphonic Phantasies): III. Lento, Symphony No. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony No. 6 in A minor: II. Scherzo. Wuchtig, Symphony No. 6 in A minor: III. Andante moderato, Symphony No. 6 in A minor: IV. Finale. Sostenuto, Symphony No. 7 in D minor, Op. 70: I. Allegro maestoso, Symphony No. 7 in D minor, Op. 70: II. Poco adagio, Symphony No. 7 in D minor, Op. 70: III. Scherzo. Vivace, Symphony No. 7 in D minor, Op. 70: IV. Finale. Allegro, Symphony No. 7 in E minor: I. Adagio – Allegro risoluto ma non troppo,, Symphony No. 7 in E minor: II. Nachtmusik. Allegro moderato,, Symphony No. 7 in E minor: III. Scherzo. Schattenhaft. Fließend, aber nicht schnell,, Symphony No. 7 in E minor: IV. Nachtmusik. Andante amoroso,, Symphony No. 7 in E minor: V. Rondo – Finale,, Symphony No. 8 in E flat major “Symphony of Thousand”: Part I. Hymnus “Veni creator spiritus”. Allegro impetuoso,, Symphony No. 8 in E flat major “Symphony of Thousand”: Part II. Schlußszene aus “Faust”. Poco adagio,, Symphony No. 8 in G major, Op. 88: I. Allegro con brio, Symphony No. 8 in G major, Op. 88: II. Adagio, Symphony No. 8 in G major, Op. 88: III. Allegretto grazioso, Symphony No. 8 in G major, Op. 88: IV. Allegro ma non troppo, Symphony No. 9 in D major: I. Andante comodo, Symphony No. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb, Symphony No. 9 in D major: III. Rondo. Burleske. Allegro assai. Sehr trotzig, Symphony No. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend, Symphony in C minor "Asrael", op. 27: I. Andante sostenuto, Symphony in C minor "Asrael", op. 27: II. Andante, Symphony in C minor "Asrael", op. 27: III. Vivace, Symphony in C minor "Asrael", op. 27: IV. Adagio, Symphony in C minor "Asrael", op. 27: V. Adagio e maestoso, Symphony no. 1: I. Maestoso; Allegro, Symphony no. 1: II. Adagio di molto, Symphony no. 1: III. Allegretto, Symphony no. 1: IV. Finale. Allegro animato, Symphony no. 2: I. Allegro con moto, Symphony no. 2: II. Poco adagio, Symphony no. 2: III. Scherzo. Allegro con brio, Symphony no. 2: IV. Finale. Allegro con fuoco, Symphony no. 3: I. Allegro moderato, Symphony no. 3: II. Adagio molto, tempo di marcia, Symphony no. 3: III. Finale. Allegro vivace, Symphony no. 4: I. Allegro, Symphony no. 4: II. Andante sostenuto e molto cantabile, Symphony no. 4: III. Scherzo. Allegro feroce, Symphony no. 4: IV. Finale. Allegro con brio, Symphony no. 5: I. Allegro ma non troppo, Symphony no. 5: II. Andante con moto (attacca), Symphony no. 5: III. Andante con moto, quasi l'istesso Tempo; Allegro scherzando, Symphony no. 5: IV. Allegro molto, Symphony no. 6: I. Allegro non tanto, Symphony no. 6: II. Adagio, Symphony no. 6: III. Scherzo (Furiant). Presto, Symphony no. 6: IV. Finale. Allegro con spirito, Symphony no. 7: I. Allegro maestoso, Symphony no. 7: II. Poco adagio, Symphony no. 7: III. Scherzo. Vivace, Symphony no. 7: IV. Finale. Allegro, Symphony no. 8: I. Allegro con brio, Symphony no. 8: II. Adagio, Symphony no. 8: III. Allegretto grazioso, Symphony no. 8: IV. Allegro ma non troppo, Symphony no. 9: I. Adagio - Allegro molto, Symphony no. 9: I. Adagio. Allegro molto, Symphony no. 9: II. Largo, Symphony no. 9: III. Molto vivace, Symphony no. 9: III. Scherzo. Molto vivace, Symphony no. 9: IV. Allegro con fuoco, Taras Bulba: I. Death of Andrey, Taras Bulba: II. Death of Ostap, Taras Bulba: III. Prophecy and Death of Taras Bulba, The Golden Spinning Wheel, The Noon Witch, The Water Goblin, The Wild Dove, Vltava
Milan Slavický	producer	Symphony No. 7 in D minor, Op. 70: I. Allegro maestoso, Symphony No. 7 in D minor, Op. 70: II. Poco adagio, Symphony No. 7 in D minor, Op. 70: III. Scherzo. Vivace, Symphony No. 7 in D minor, Op. 70: IV. Finale. Allegro, Symphony No. 8 in G major, Op. 88: I. Allegro con brio, Symphony No. 8 in G major, Op. 88: II. Adagio, Symphony No. 8 in G major, Op. 88: III. Allegretto grazioso, Symphony No. 8 in G major, Op. 88: IV. Allegro ma non troppo, Symphony no. 9: I. Adagio - Allegro molto, Symphony no. 9: II. Largo, Symphony no. 9: III. Scherzo. Molto vivace, Symphony no. 9: IV. Allegro con fuoco
Jana Smékalová (Czech editor and producer)	editor	Symphony No. 7 in D minor, Op. 70: I. Allegro maestoso, Symphony No. 7 in D minor, Op. 70: II. Poco adagio, Symphony No. 7 in D minor, Op. 70: III. Scherzo. Vivace, Symphony No. 7 in D minor, Op. 70: IV. Finale. Allegro, Symphony No. 8 in G major, Op. 88: I. Allegro con brio, Symphony No. 8 in G major, Op. 88: II. Adagio, Symphony No. 8 in G major, Op. 88: III. Allegretto grazioso, Symphony No. 8 in G major, Op. 88: IV. Allegro ma non troppo
Stanislav Sýkora	recording	Symphony No. 7 in D minor, Op. 70: I. Allegro maestoso, Symphony No. 7 in D minor, Op. 70: II. Poco adagio, Symphony No. 7 in D minor, Op. 70: III. Scherzo. Vivace, Symphony No. 7 in D minor, Op. 70: IV. Finale. Allegro, Symphony no. 9: I. Adagio - Allegro molto, Symphony no. 9: II. Largo, Symphony no. 9: III. Scherzo. Molto vivace, Symphony no. 9: IV. Allegro con fuoco
Pražský filharmonický sbor (Prague Philharmonic Choir)	vocal	Symphony No. 2 in C minor "Resurrection": V. In Tempo des Scherzo. Wild herausfahrend, Symphony No. 3 in D minor: IV. Sehr langsam. Misterioso. ‘O Mensch! Gib acht’ (Wds. Friedrich Nietzsche),, Symphony No. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck, ‘Es sungen drei Engel’ (Wds. from ‘Des Knaben Wunderhorn’),, Symphony No. 3 in D minor: VI. Langsam. Ruhevoll,, Symphony No. 8 in E flat major “Symphony of Thousand”: Part I. Hymnus “Veni creator spiritus”. Allegro impetuoso,, Symphony No. 8 in E flat major “Symphony of Thousand”: Part II. Schlußszene aus “Faust”. Poco adagio,
Kühnův dětský sbor (Prague Philharmonic Children's Choir)	vocal	Symphony No. 3 in D minor: IV. Sehr langsam. Misterioso. ‘O Mensch! Gib acht’ (Wds. Friedrich Nietzsche),, Symphony No. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck, ‘Es sungen drei Engel’ (Wds. from ‘Des Knaben Wunderhorn’),, Symphony No. 3 in D minor: VI. Langsam. Ruhevoll,, Symphony No. 8 in E flat major “Symphony of Thousand”: Part I. Hymnus “Veni creator spiritus”. Allegro impetuoso,, Symphony No. 8 in E flat major “Symphony of Thousand”: Part II. Schlußszene aus “Faust”. Poco adagio,
Václav Roubal	recording	Symphony No. 8 in G major, Op. 88: I. Allegro con brio, Symphony No. 8 in G major, Op. 88: II. Adagio, Symphony No. 8 in G major, Op. 88: III. Allegretto grazioso, Symphony No. 8 in G major, Op. 88: IV. Allegro ma non troppo
Milan Novotný (Czech musical editor and dramaturge)	editor	Symphony no. 9: I. Adagio - Allegro molto, Symphony no. 9: II. Largo, Symphony no. 9: III. Scherzo. Molto vivace, Symphony no. 9: IV. Allegro con fuoco
Gabriela Beňačková	vocal	Symphony No. 2 in C minor "Resurrection": V. In Tempo des Scherzo. Wild herausfahrend, Symphony No. 8 in E flat major “Symphony of Thousand”: Part I. Hymnus “Veni creator spiritus”. Allegro impetuoso,, Symphony No. 8 in E flat major “Symphony of Thousand”: Part II. Schlußszene aus “Faust”. Poco adagio,
Christa Ludwig (mezzo-soprano)	vocal	Symphony No. 3 in D minor: IV. Sehr langsam. Misterioso. ‘O Mensch! Gib acht’ (Wds. Friedrich Nietzsche),, Symphony No. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck, ‘Es sungen drei Engel’ (Wds. from ‘Des Knaben Wunderhorn’),, Symphony No. 3 in D minor: VI. Langsam. Ruhevoll,
Daniela Šounová-Brouková	vocal	Symphony No. 8 in E flat major “Symphony of Thousand”: Part I. Hymnus “Veni creator spiritus”. Allegro impetuoso,, Symphony No. 8 in E flat major “Symphony of Thousand”: Part II. Schlußszene aus “Faust”. Poco adagio,
Inga Nielsen	vocal	Symphony No. 8 in E flat major “Symphony of Thousand”: Part I. Hymnus “Veni creator spiritus”. Allegro impetuoso,, Symphony No. 8 in E flat major “Symphony of Thousand”: Part II. Schlußszene aus “Faust”. Poco adagio,
Richard Novák	vocal	Symphony No. 8 in E flat major “Symphony of Thousand”: Part I. Hymnus “Veni creator spiritus”. Allegro impetuoso,, Symphony No. 8 in E flat major “Symphony of Thousand”: Part II. Schlußszene aus “Faust”. Poco adagio,
Wolfgang Schöne	vocal	Symphony No. 8 in E flat major “Symphony of Thousand”: Part I. Hymnus “Veni creator spiritus”. Allegro impetuoso,, Symphony No. 8 in E flat major “Symphony of Thousand”: Part II. Schlußszene aus “Faust”. Poco adagio,
Miroslav Kejmar	flugelhorn	Symphony No. 3 in D minor: IV. Sehr langsam. Misterioso. ‘O Mensch! Gib acht’ (Wds. Friedrich Nietzsche),, Symphony No. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck, ‘Es sungen drei Engel’ (Wds. from ‘Des Knaben Wunderhorn’),
Eva Randová	vocal	Symphony No. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht, Symphony No. 2 in C minor "Resurrection": V. In Tempo des Scherzo. Wild herausfahrend
Libuše Márová	vocal	Symphony No. 8 in E flat major “Symphony of Thousand”: Part I. Hymnus “Veni creator spiritus”. Allegro impetuoso,, Symphony No. 8 in E flat major “Symphony of Thousand”: Part II. Schlußszene aus “Faust”. Poco adagio,
Věra Soukupová	vocal	Symphony No. 8 in E flat major “Symphony of Thousand”: Part I. Hymnus “Veni creator spiritus”. Allegro impetuoso,, Symphony No. 8 in E flat major “Symphony of Thousand”: Part II. Schlußszene aus “Faust”. Poco adagio,
Thomas Moser	vocal	Symphony No. 8 in E flat major “Symphony of Thousand”: Part I. Hymnus “Veni creator spiritus”. Allegro impetuoso,, Symphony No. 8 in E flat major “Symphony of Thousand”: Part II. Schlußszene aus “Faust”. Poco adagio,
Magdaléna Hajóssyová	vocal	Symphony No. 4 in G major: IV. Sehr behaglich

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