Gabriela Beňačková

vocal

Top collaborators

Artist name Roles Recordings
Antonín Dvořák
今井晶規
Cult of Sorrow
Damn City! (positive hardcore)
IGIT

Work on other artists' recordings

Artist name Roles Recordings
Antonín Dvořák vocal Requiem in B-flat minor, op. 89, B. 165: Section I: I. Introitus: Requiem aeternam, Requiem in B-flat minor, op. 89, B. 165: Section I: II. Graduale: Requiem aeternam, Requiem in B-flat minor, op. 89, B. 165: Section I: III. Sequentia: Lacrimosa, Requiem in B-flat minor, op. 89, B. 165: Section I: III. Sequentia: Quid sum miser, Requiem in B-flat minor, op. 89, B. 165: Section I: III. Sequentia: Recordare, Requiem in B-flat minor, op. 89, B. 165: Section II: IV. Offertorium, Requiem in B-flat minor, op. 89, B. 165: Section II: IV. Offertorium: Hostias, Requiem in B-flat minor, op. 89, B. 165: Section II: V. Pie Jesu, Requiem in B-flat minor, op. 89, B. 165: Section II: V. Sanctus, Requiem in B-flat minor, op. 89, B. 165: Section II: VI. Agnus Dei, Rusalka, Op. 114: Song to the Moon, Song to the Moon (Excerpt from the Opera "Rusalka")
今井晶規 vocal Symphony No. 2 in C minor "Resurrection": V. In Tempo des Scherzo. Wild herausfahrend, Symphony No. 8 in E flat major “Symphony of Thousand”: Part I. Hymnus “Veni creator spiritus”. Allegro impetuoso,, Symphony No. 8 in E flat major “Symphony of Thousand”: Part II. Schlußszene aus “Faust”. Poco adagio,
Cult of Sorrow vocal Te Deum: 1. Allegro moderato, maestoso (att.)
Damn City! vocal Symphonie No. 9 d-Moll, Op. 125: IV. Presto "Oh Freunde, nicht diese Töne!" - Allegro assai (Schlusschor über Schillers Ode "An die Freude")
IGIT vocal Te Deum: 4. Lento