Todd Rupp

vocal

Top collaborators

Artist name Roles Recordings
Atlanta Symphony Orchestra performing orchestra "Agnus Dei" from Requiem, "Cum Sancto Spiritu" from Gloria, "Gloria all'Egitto" from Aida, "In taberna quando sumus" from Carmina Burana, "Kyrie" from Mass No. 2 in G major, "Laudamus Te" from Gloria, "Magnificat anima mea" from Magnificat, "Osanna in excelsis" from Mass in B minor, "Selig sind die Toten" from Ein deutsches Requiem, "Sing to God" from The Creation, "Te Deum" from Four Sacred Pieces, "Tui Nati vulnerati" from Stabat Mater, Acis and Galatea: "Happy We!", Carmina Burana: Introduction, Carmina Burana: On the Lawn: Dance, Christ on the Mount of Olives, op. 85: "Hallelujah", Christmas Oratorio: Jesus Shepherd My Beginning, Christus am Ölberge (Christ on the Mount of Olives), oratorio, Op. 85: Hallelujah, Die Schöpfung (The Creation), oratorio, H. 21/2: The heavens are telling, Ein deutsches Requiem (German Requiem), for soprano, baritone, chorus & orchestra, Op. 45: Wie lieblich sind deine Wohnungen, Ein deutsches Requiem, op. 45: I. Selig sind, die da Leid tragen, Ein deutsches Requiem, op. 45: II. Denn alles Fleisch, Ein deutsches Requiem, op. 45: IV. Wie lieblich sind deine Wohnungen, Ein deutsches Requiem, op. 45: VII. Selig sind die Toten, Elias (Elijah), oratorio, Op. 70: He Watching Over Israel, Elias (Elijah), oratorio, Op. 70: Lift Thine Eyes to the Mountains, Gesang der Parzen, op. 89, II. Psalm 23 - Psalm 2:1-4 from Chichester Psalms, L'Enfance du Christ: The Shepherd's Farewell, Mass in B Minor: Kyrie Eleison, Mass in B minor, BWV 232: II. Symbolum Nicenum, Mass in B minor, BWV 232: III. Sanctus, Mass in B minor, BWV 232: IV. Osanna In Excelsis, Mass in C minor, K. 427 (417a) "Great": I. Kyrie, Mass in C minor, K. 427 (417a) "Great": II. Gloria, Mass in C minor, K. 427 (417a) "Great": III. Credo, Mass in C minor, K. 427 (417a) "Great": IV. Sanctus, Mass in C minor, K. 427 (417a) "Great": V. Benedictus, Matthäuspassion (St. Matthew Passion), BWV 244: Passion Chorale, Messiah, oratorio, HWV 56: Hallelujah, Messiah, oratorio, HWV 56: Worthy is the Lamb, Missa solemnis in D major, op. 123: I. Kyrie, Missa solemnis in D major, op. 123: II. Gloria, Missa solemnis in D major, op. 123: III. Credo, Missa solemnis in D major, op. 123: IV. Sanctus, Missa solemnis in D major, op. 123: V. Agnus Dei, Motet for Chorus, Strings & Organ in D major, K. 618: "Ave verum corpus", Music from Prince Igor: Polovtsian Dances (with chorus), Nänie, op. 82, Requiem (Grande Messe des morts), for tenor, chorus, & orchestra, H. 75 (Op. 5): Rex tremendae, Requiem for soprano, baritone, chorus, organ, & orchestra, Op. 9: Sanctus, Requiem, op. 9: I. Introit, Requiem, op. 9: II. Kyrie, Requiem, op. 9: III. Domine Jesu Christe, Requiem, op. 9: IV. Sanctus, Requiem, op. 9: IX. In Paradisum, Requiem, op. 9: V. Pie Jesu, Requiem, op. 9: VI. Agnus Dei, Requiem, op. 9: VII. Lux aeterna, Requiem, op. 9: VIII. Libera me, Schicksalslied, op. 54, Vespers (All-Night Vigil), for alto, tenor, & chorus, Op. 37: Bogoroditse Devo, When Lilacs Last in the Dooryard Bloom'd: IX. Death Carol. Come, Lovely and Soothing Death, When Lilacs Last in the Dooryard Bloom'd: VII. Introduction and Fugue. Lo! Body and Soul
Robert Shaw (conductor) conductor "Agnus Dei" from Requiem, "Cum Sancto Spiritu" from Gloria, "Gloria all'Egitto" from Aida, "In taberna quando sumus" from Carmina Burana, "Kyrie" from Mass No. 2 in G major, "Laudamus Te" from Gloria, "Magnificat anima mea" from Magnificat, "Osanna in excelsis" from Mass in B minor, "Selig sind die Toten" from Ein deutsches Requiem, "Sing to God" from The Creation, "Te Deum" from Four Sacred Pieces, "Tui Nati vulnerati" from Stabat Mater, Acis and Galatea: "Happy We!", Carmina Burana: Introduction, Carmina Burana: On the Lawn: Dance, Christ on the Mount of Olives, op. 85: "Hallelujah", Christmas Oratorio: Jesus Shepherd My Beginning, Christus am Ölberge (Christ on the Mount of Olives), oratorio, Op. 85: Hallelujah, Die Schöpfung (The Creation), oratorio, H. 21/2: The heavens are telling, Ein deutsches Requiem (German Requiem), for soprano, baritone, chorus & orchestra, Op. 45: Wie lieblich sind deine Wohnungen, Ein deutsches Requiem, op. 45: I. Selig sind, die da Leid tragen, Ein deutsches Requiem, op. 45: II. Denn alles Fleisch, Ein deutsches Requiem, op. 45: IV. Wie lieblich sind deine Wohnungen, Ein deutsches Requiem, op. 45: VII. Selig sind die Toten, Elias (Elijah), oratorio, Op. 70: He Watching Over Israel, Elias (Elijah), oratorio, Op. 70: Lift Thine Eyes to the Mountains, Gesang der Parzen, op. 89, II. Psalm 23 - Psalm 2:1-4 from Chichester Psalms, L'Enfance du Christ: The Shepherd's Farewell, Mass in B Minor: Kyrie Eleison, Mass in B minor, BWV 232: II. Symbolum Nicenum, Mass in B minor, BWV 232: III. Sanctus, Mass in B minor, BWV 232: IV. Osanna In Excelsis, Mass in C minor, K. 427 (417a) "Great": I. Kyrie, Mass in C minor, K. 427 (417a) "Great": II. Gloria, Mass in C minor, K. 427 (417a) "Great": III. Credo, Mass in C minor, K. 427 (417a) "Great": IV. Sanctus, Mass in C minor, K. 427 (417a) "Great": V. Benedictus, Matthäuspassion (St. Matthew Passion), BWV 244: Passion Chorale, Messiah, oratorio, HWV 56: Hallelujah, Messiah, oratorio, HWV 56: Worthy is the Lamb, Missa solemnis in D major, op. 123: I. Kyrie, Missa solemnis in D major, op. 123: II. Gloria, Missa solemnis in D major, op. 123: III. Credo, Missa solemnis in D major, op. 123: IV. Sanctus, Missa solemnis in D major, op. 123: V. Agnus Dei, Motet for Chorus, Strings & Organ in D major, K. 618: "Ave verum corpus", Music from Prince Igor: Polovtsian Dances (with chorus), Nänie, op. 82, Requiem (Grande Messe des morts), for tenor, chorus, & orchestra, H. 75 (Op. 5): Rex tremendae, Requiem for soprano, baritone, chorus, organ, & orchestra, Op. 9: Sanctus, Requiem, op. 9: I. Introit, Requiem, op. 9: II. Kyrie, Requiem, op. 9: III. Domine Jesu Christe, Requiem, op. 9: IV. Sanctus, Requiem, op. 9: IX. In Paradisum, Requiem, op. 9: V. Pie Jesu, Requiem, op. 9: VI. Agnus Dei, Requiem, op. 9: VII. Lux aeterna, Requiem, op. 9: VIII. Libera me, Schicksalslied, op. 54, Vespers (All-Night Vigil), for alto, tenor, & chorus, Op. 37: Bogoroditse Devo, When Lilacs Last in the Dooryard Bloom'd: IX. Death Carol. Come, Lovely and Soothing Death, When Lilacs Last in the Dooryard Bloom'd: VII. Introduction and Fugue. Lo! Body and Soul
Atlanta Symphony Orchestra Chorus vocal "Agnus Dei" from Requiem, "Cum Sancto Spiritu" from Gloria, "Gloria all'Egitto" from Aida, "In taberna quando sumus" from Carmina Burana, "Kyrie" from Mass No. 2 in G major, "Laudamus Te" from Gloria, "Magnificat anima mea" from Magnificat, "Osanna in excelsis" from Mass in B minor, "Selig sind die Toten" from Ein deutsches Requiem, "Sing to God" from The Creation, "Te Deum" from Four Sacred Pieces, "Tui Nati vulnerati" from Stabat Mater, Acis and Galatea: "Happy We!", Carmina Burana: Introduction, Carmina Burana: On the Lawn: Dance, Christ on the Mount of Olives, op. 85: "Hallelujah", Christmas Oratorio: Jesus Shepherd My Beginning, Christus am Ölberge (Christ on the Mount of Olives), oratorio, Op. 85: Hallelujah, Die Schöpfung (The Creation), oratorio, H. 21/2: The heavens are telling, Ein deutsches Requiem (German Requiem), for soprano, baritone, chorus & orchestra, Op. 45: Wie lieblich sind deine Wohnungen, Ein deutsches Requiem, op. 45: I. Selig sind, die da Leid tragen, Ein deutsches Requiem, op. 45: II. Denn alles Fleisch, Ein deutsches Requiem, op. 45: IV. Wie lieblich sind deine Wohnungen, Ein deutsches Requiem, op. 45: VII. Selig sind die Toten, Elias (Elijah), oratorio, Op. 70: He Watching Over Israel, Elias (Elijah), oratorio, Op. 70: Lift Thine Eyes to the Mountains, Gesang der Parzen, op. 89, II. Psalm 23 - Psalm 2:1-4 from Chichester Psalms, L'Enfance du Christ: The Shepherd's Farewell, Mass in B Minor: Kyrie Eleison, Mass in C minor, K. 427 (417a) "Great": I. Kyrie, Mass in C minor, K. 427 (417a) "Great": II. Gloria, Mass in C minor, K. 427 (417a) "Great": III. Credo, Mass in C minor, K. 427 (417a) "Great": IV. Sanctus, Mass in C minor, K. 427 (417a) "Great": V. Benedictus, Matthäuspassion (St. Matthew Passion), BWV 244: Passion Chorale, Messiah, oratorio, HWV 56: Hallelujah, Messiah, oratorio, HWV 56: Worthy is the Lamb, Missa solemnis in D major, op. 123: I. Kyrie, Missa solemnis in D major, op. 123: II. Gloria, Missa solemnis in D major, op. 123: III. Credo, Missa solemnis in D major, op. 123: IV. Sanctus, Missa solemnis in D major, op. 123: V. Agnus Dei, Motet for Chorus, Strings & Organ in D major, K. 618: "Ave verum corpus", Music from Prince Igor: Polovtsian Dances (with chorus), Nänie, op. 82, Requiem (Grande Messe des morts), for tenor, chorus, & orchestra, H. 75 (Op. 5): Rex tremendae, Requiem for soprano, baritone, chorus, organ, & orchestra, Op. 9: Sanctus, Requiem, op. 9: I. Introit, Requiem, op. 9: II. Kyrie, Requiem, op. 9: III. Domine Jesu Christe, Requiem, op. 9: IV. Sanctus, Requiem, op. 9: IX. In Paradisum, Requiem, op. 9: V. Pie Jesu, Requiem, op. 9: VI. Agnus Dei, Requiem, op. 9: VII. Lux aeterna, Requiem, op. 9: VIII. Libera me, Schicksalslied, op. 54, Vespers (All-Night Vigil), for alto, tenor, & chorus, Op. 37: Bogoroditse Devo, When Lilacs Last in the Dooryard Bloom'd: IX. Death Carol. Come, Lovely and Soothing Death, When Lilacs Last in the Dooryard Bloom'd: VII. Introduction and Fugue. Lo! Body and Soul
Jack Renner (engineer for Telarc) engineer, recording Carmina Burana: On the Lawn: Dance, Mass in C minor, K. 427 (417a) "Great": I. Kyrie, Mass in C minor, K. 427 (417a) "Great": II. Gloria, Mass in C minor, K. 427 (417a) "Great": III. Credo, Mass in C minor, K. 427 (417a) "Great": IV. Sanctus, Mass in C minor, K. 427 (417a) "Great": V. Benedictus, Missa solemnis in D major, op. 123: I. Kyrie, Missa solemnis in D major, op. 123: II. Gloria, Missa solemnis in D major, op. 123: III. Credo, Missa solemnis in D major, op. 123: IV. Sanctus, Missa solemnis in D major, op. 123: V. Agnus Dei
Robert Woods (classical producer) producer Carmina Burana: On the Lawn: Dance, Mass in C minor, K. 427 (417a) "Great": I. Kyrie, Mass in C minor, K. 427 (417a) "Great": II. Gloria, Mass in C minor, K. 427 (417a) "Great": III. Credo, Mass in C minor, K. 427 (417a) "Great": IV. Sanctus, Mass in C minor, K. 427 (417a) "Great": V. Benedictus, Missa solemnis in D major, op. 123: I. Kyrie, Missa solemnis in D major, op. 123: II. Gloria, Missa solemnis in D major, op. 123: III. Credo, Missa solemnis in D major, op. 123: IV. Sanctus, Missa solemnis in D major, op. 123: V. Agnus Dei

Collaborators on this artist's recordings

Artist name Roles Recordings
Atlanta Symphony Orchestra performing orchestra "Agnus Dei" from Requiem, "Cum Sancto Spiritu" from Gloria, "Gloria all'Egitto" from Aida, "In taberna quando sumus" from Carmina Burana, "Kyrie" from Mass No. 2 in G major, "Laudamus Te" from Gloria, "Magnificat anima mea" from Magnificat, "Osanna in excelsis" from Mass in B minor, "Selig sind die Toten" from Ein deutsches Requiem, "Sing to God" from The Creation, "Te Deum" from Four Sacred Pieces, "Tui Nati vulnerati" from Stabat Mater, Acis and Galatea: "Happy We!", Carmina Burana: Introduction, Carmina Burana: On the Lawn: Dance, Christ on the Mount of Olives, op. 85: "Hallelujah", Christmas Oratorio: Jesus Shepherd My Beginning, Christus am Ölberge (Christ on the Mount of Olives), oratorio, Op. 85: Hallelujah, Die Schöpfung (The Creation), oratorio, H. 21/2: The heavens are telling, Ein deutsches Requiem (German Requiem), for soprano, baritone, chorus & orchestra, Op. 45: Wie lieblich sind deine Wohnungen, Ein deutsches Requiem, op. 45: I. Selig sind, die da Leid tragen, Ein deutsches Requiem, op. 45: II. Denn alles Fleisch, Ein deutsches Requiem, op. 45: IV. Wie lieblich sind deine Wohnungen, Ein deutsches Requiem, op. 45: VII. Selig sind die Toten, Elias (Elijah), oratorio, Op. 70: He Watching Over Israel, Elias (Elijah), oratorio, Op. 70: Lift Thine Eyes to the Mountains, Gesang der Parzen, op. 89, II. Psalm 23 - Psalm 2:1-4 from Chichester Psalms, L'Enfance du Christ: The Shepherd's Farewell, Mass in B Minor: Kyrie Eleison, Mass in B minor, BWV 232: II. Symbolum Nicenum, Mass in B minor, BWV 232: III. Sanctus, Mass in B minor, BWV 232: IV. Osanna In Excelsis, Mass in C minor, K. 427 (417a) "Great": I. Kyrie, Mass in C minor, K. 427 (417a) "Great": II. Gloria, Mass in C minor, K. 427 (417a) "Great": III. Credo, Mass in C minor, K. 427 (417a) "Great": IV. Sanctus, Mass in C minor, K. 427 (417a) "Great": V. Benedictus, Matthäuspassion (St. Matthew Passion), BWV 244: Passion Chorale, Messiah, oratorio, HWV 56: Hallelujah, Messiah, oratorio, HWV 56: Worthy is the Lamb, Missa solemnis in D major, op. 123: I. Kyrie, Missa solemnis in D major, op. 123: II. Gloria, Missa solemnis in D major, op. 123: III. Credo, Missa solemnis in D major, op. 123: IV. Sanctus, Missa solemnis in D major, op. 123: V. Agnus Dei, Motet for Chorus, Strings & Organ in D major, K. 618: "Ave verum corpus", Music from Prince Igor: Polovtsian Dances (with chorus), Nänie, op. 82, Requiem (Grande Messe des morts), for tenor, chorus, & orchestra, H. 75 (Op. 5): Rex tremendae, Requiem for soprano, baritone, chorus, organ, & orchestra, Op. 9: Sanctus, Requiem, op. 9: I. Introit, Requiem, op. 9: II. Kyrie, Requiem, op. 9: III. Domine Jesu Christe, Requiem, op. 9: IV. Sanctus, Requiem, op. 9: IX. In Paradisum, Requiem, op. 9: V. Pie Jesu, Requiem, op. 9: VI. Agnus Dei, Requiem, op. 9: VII. Lux aeterna, Requiem, op. 9: VIII. Libera me, Schicksalslied, op. 54, Vespers (All-Night Vigil), for alto, tenor, & chorus, Op. 37: Bogoroditse Devo, When Lilacs Last in the Dooryard Bloom'd: IX. Death Carol. Come, Lovely and Soothing Death, When Lilacs Last in the Dooryard Bloom'd: VII. Introduction and Fugue. Lo! Body and Soul
Robert Shaw (conductor) conductor "Agnus Dei" from Requiem, "Cum Sancto Spiritu" from Gloria, "Gloria all'Egitto" from Aida, "In taberna quando sumus" from Carmina Burana, "Kyrie" from Mass No. 2 in G major, "Laudamus Te" from Gloria, "Magnificat anima mea" from Magnificat, "Osanna in excelsis" from Mass in B minor, "Selig sind die Toten" from Ein deutsches Requiem, "Sing to God" from The Creation, "Te Deum" from Four Sacred Pieces, "Tui Nati vulnerati" from Stabat Mater, Acis and Galatea: "Happy We!", Carmina Burana: Introduction, Carmina Burana: On the Lawn: Dance, Christ on the Mount of Olives, op. 85: "Hallelujah", Christmas Oratorio: Jesus Shepherd My Beginning, Christus am Ölberge (Christ on the Mount of Olives), oratorio, Op. 85: Hallelujah, Die Schöpfung (The Creation), oratorio, H. 21/2: The heavens are telling, Ein deutsches Requiem (German Requiem), for soprano, baritone, chorus & orchestra, Op. 45: Wie lieblich sind deine Wohnungen, Ein deutsches Requiem, op. 45: I. Selig sind, die da Leid tragen, Ein deutsches Requiem, op. 45: II. Denn alles Fleisch, Ein deutsches Requiem, op. 45: IV. Wie lieblich sind deine Wohnungen, Ein deutsches Requiem, op. 45: VII. Selig sind die Toten, Elias (Elijah), oratorio, Op. 70: He Watching Over Israel, Elias (Elijah), oratorio, Op. 70: Lift Thine Eyes to the Mountains, Gesang der Parzen, op. 89, II. Psalm 23 - Psalm 2:1-4 from Chichester Psalms, L'Enfance du Christ: The Shepherd's Farewell, Mass in B Minor: Kyrie Eleison, Mass in B minor, BWV 232: II. Symbolum Nicenum, Mass in B minor, BWV 232: III. Sanctus, Mass in B minor, BWV 232: IV. Osanna In Excelsis, Mass in C minor, K. 427 (417a) "Great": I. Kyrie, Mass in C minor, K. 427 (417a) "Great": II. Gloria, Mass in C minor, K. 427 (417a) "Great": III. Credo, Mass in C minor, K. 427 (417a) "Great": IV. Sanctus, Mass in C minor, K. 427 (417a) "Great": V. Benedictus, Matthäuspassion (St. Matthew Passion), BWV 244: Passion Chorale, Messiah, oratorio, HWV 56: Hallelujah, Messiah, oratorio, HWV 56: Worthy is the Lamb, Missa solemnis in D major, op. 123: I. Kyrie, Missa solemnis in D major, op. 123: II. Gloria, Missa solemnis in D major, op. 123: III. Credo, Missa solemnis in D major, op. 123: IV. Sanctus, Missa solemnis in D major, op. 123: V. Agnus Dei, Motet for Chorus, Strings & Organ in D major, K. 618: "Ave verum corpus", Music from Prince Igor: Polovtsian Dances (with chorus), Nänie, op. 82, Requiem (Grande Messe des morts), for tenor, chorus, & orchestra, H. 75 (Op. 5): Rex tremendae, Requiem for soprano, baritone, chorus, organ, & orchestra, Op. 9: Sanctus, Requiem, op. 9: I. Introit, Requiem, op. 9: II. Kyrie, Requiem, op. 9: III. Domine Jesu Christe, Requiem, op. 9: IV. Sanctus, Requiem, op. 9: IX. In Paradisum, Requiem, op. 9: V. Pie Jesu, Requiem, op. 9: VI. Agnus Dei, Requiem, op. 9: VII. Lux aeterna, Requiem, op. 9: VIII. Libera me, Schicksalslied, op. 54, Vespers (All-Night Vigil), for alto, tenor, & chorus, Op. 37: Bogoroditse Devo, When Lilacs Last in the Dooryard Bloom'd: IX. Death Carol. Come, Lovely and Soothing Death, When Lilacs Last in the Dooryard Bloom'd: VII. Introduction and Fugue. Lo! Body and Soul
Atlanta Symphony Orchestra Chorus vocal "Agnus Dei" from Requiem, "Cum Sancto Spiritu" from Gloria, "Gloria all'Egitto" from Aida, "In taberna quando sumus" from Carmina Burana, "Kyrie" from Mass No. 2 in G major, "Laudamus Te" from Gloria, "Magnificat anima mea" from Magnificat, "Osanna in excelsis" from Mass in B minor, "Selig sind die Toten" from Ein deutsches Requiem, "Sing to God" from The Creation, "Te Deum" from Four Sacred Pieces, "Tui Nati vulnerati" from Stabat Mater, Acis and Galatea: "Happy We!", Carmina Burana: Introduction, Carmina Burana: On the Lawn: Dance, Christ on the Mount of Olives, op. 85: "Hallelujah", Christmas Oratorio: Jesus Shepherd My Beginning, Christus am Ölberge (Christ on the Mount of Olives), oratorio, Op. 85: Hallelujah, Die Schöpfung (The Creation), oratorio, H. 21/2: The heavens are telling, Ein deutsches Requiem (German Requiem), for soprano, baritone, chorus & orchestra, Op. 45: Wie lieblich sind deine Wohnungen, Ein deutsches Requiem, op. 45: I. Selig sind, die da Leid tragen, Ein deutsches Requiem, op. 45: II. Denn alles Fleisch, Ein deutsches Requiem, op. 45: IV. Wie lieblich sind deine Wohnungen, Ein deutsches Requiem, op. 45: VII. Selig sind die Toten, Elias (Elijah), oratorio, Op. 70: He Watching Over Israel, Elias (Elijah), oratorio, Op. 70: Lift Thine Eyes to the Mountains, Gesang der Parzen, op. 89, II. Psalm 23 - Psalm 2:1-4 from Chichester Psalms, L'Enfance du Christ: The Shepherd's Farewell, Mass in B Minor: Kyrie Eleison, Mass in C minor, K. 427 (417a) "Great": I. Kyrie, Mass in C minor, K. 427 (417a) "Great": II. Gloria, Mass in C minor, K. 427 (417a) "Great": III. Credo, Mass in C minor, K. 427 (417a) "Great": IV. Sanctus, Mass in C minor, K. 427 (417a) "Great": V. Benedictus, Matthäuspassion (St. Matthew Passion), BWV 244: Passion Chorale, Messiah, oratorio, HWV 56: Hallelujah, Messiah, oratorio, HWV 56: Worthy is the Lamb, Missa solemnis in D major, op. 123: I. Kyrie, Missa solemnis in D major, op. 123: II. Gloria, Missa solemnis in D major, op. 123: III. Credo, Missa solemnis in D major, op. 123: IV. Sanctus, Missa solemnis in D major, op. 123: V. Agnus Dei, Motet for Chorus, Strings & Organ in D major, K. 618: "Ave verum corpus", Music from Prince Igor: Polovtsian Dances (with chorus), Nänie, op. 82, Requiem (Grande Messe des morts), for tenor, chorus, & orchestra, H. 75 (Op. 5): Rex tremendae, Requiem for soprano, baritone, chorus, organ, & orchestra, Op. 9: Sanctus, Requiem, op. 9: I. Introit, Requiem, op. 9: II. Kyrie, Requiem, op. 9: III. Domine Jesu Christe, Requiem, op. 9: IV. Sanctus, Requiem, op. 9: IX. In Paradisum, Requiem, op. 9: V. Pie Jesu, Requiem, op. 9: VI. Agnus Dei, Requiem, op. 9: VII. Lux aeterna, Requiem, op. 9: VIII. Libera me, Schicksalslied, op. 54, Vespers (All-Night Vigil), for alto, tenor, & chorus, Op. 37: Bogoroditse Devo, When Lilacs Last in the Dooryard Bloom'd: IX. Death Carol. Come, Lovely and Soothing Death, When Lilacs Last in the Dooryard Bloom'd: VII. Introduction and Fugue. Lo! Body and Soul
Jack Renner (engineer for Telarc) engineer, recording Carmina Burana: On the Lawn: Dance, Mass in C minor, K. 427 (417a) "Great": I. Kyrie, Mass in C minor, K. 427 (417a) "Great": II. Gloria, Mass in C minor, K. 427 (417a) "Great": III. Credo, Mass in C minor, K. 427 (417a) "Great": IV. Sanctus, Mass in C minor, K. 427 (417a) "Great": V. Benedictus, Missa solemnis in D major, op. 123: I. Kyrie, Missa solemnis in D major, op. 123: II. Gloria, Missa solemnis in D major, op. 123: III. Credo, Missa solemnis in D major, op. 123: IV. Sanctus, Missa solemnis in D major, op. 123: V. Agnus Dei
Robert Woods (classical producer) producer Carmina Burana: On the Lawn: Dance, Mass in C minor, K. 427 (417a) "Great": I. Kyrie, Mass in C minor, K. 427 (417a) "Great": II. Gloria, Mass in C minor, K. 427 (417a) "Great": III. Credo, Mass in C minor, K. 427 (417a) "Great": IV. Sanctus, Mass in C minor, K. 427 (417a) "Great": V. Benedictus, Missa solemnis in D major, op. 123: I. Kyrie, Missa solemnis in D major, op. 123: II. Gloria, Missa solemnis in D major, op. 123: III. Credo, Missa solemnis in D major, op. 123: IV. Sanctus, Missa solemnis in D major, op. 123: V. Agnus Dei
Atlanta Symphony Orchestra Chamber Chorus vocal Mass in B minor, BWV 232: II. Symbolum Nicenum, Mass in B minor, BWV 232: III. Sanctus, Mass in B minor, BWV 232: IV. Osanna In Excelsis
Elaine Martone (engineer) producer Carmina Burana: On the Lawn: Dance
Sylvia McNair vocal Mass in B minor, BWV 232: II. Symbolum Nicenum
William Stone vocal Mass in B minor, BWV 232: II. Symbolum Nicenum

Work on other artists' recordings

Artist name Roles Recordings
Hightide Hotel vocal Naturally