Miles Davis (jazz trumpeter, bandleader, songwriter) |
performer, trumpet |
'Round Midnight, 52nd Street II, 52nd Street Theme, A Night In Tunisia, A Night in Tunisia, All The Things You Are, All the Things You Are, Alone Together, Anthropology, April In Paris, Bemsha Swing, Birth of the Cool Theme, Bitty Ditty, Body and Soul, Boplicity, Budo, Casbah, Chance It, Changes, Chasin' The Bird, Compulsion, Conception, Conception / Deception, Confirmation, Darn That Dream, Dig, Don't Blame Me, Donna, Down, Dr. Jackle, Embraceable You, Eronel / 52nd Street I, Farewell Blues, Focus, Godchild, Good Baid, Good Bait, Hackensack, Half Nelson, Hallucinations, Hot House, How Deep Is the Ocean, How High The Moon, How High the Moon, I Got Rhythm, In Your Own Sweet Way, Infinity Promenade, Introduction By Duke Ellington, It Could Happen To You, It Never Entered My Mind, Jumpin' With Symphony Sid, Jumpin' with Symphony, Jumping With Symphony Sid, Just You, Just Me, Lady Bird, Max Is Making Wax, Max is making Wax, Miles, Moon Dreams, Move, Nice Work If You Can Get It, Night In Tunisia, No Line, Now's The Time, On The Sunny Side Of The Street, Ornithology, Our Delight, Out Of The Blue (Evance), Out of the Blue, Ow!, Perdido, Ray's Idea, Rifftide, Round About Midnight, S'Il Vous Plait, S'il vous plaît, Serpents Tooth (take 1), Serpents Tooth (take 2), Sid's Delight, Swing Spring, Tempus Fugit, Tenderly, The Bluest Blues, The Chase, The Man I Love, The Squirrel, Tune Up, Unknown Ballad, Vierd Blues, Wee, Wee Dot, Well You Needn't, What's New, Why Do I Love You, Why Do I Love You?, Woody'n You, Would'n You, Yesterdays, You Go To My Head, ’round Midnight |
Max Roach |
drums |
'Round Midnight, 52nd Street Theme, Birth of the Cool Theme, Budo, Chasin' The Bird, Darn That Dream, Farewell Blues, Godchild, Half Nelson, Hallucinations, Hot House, Infinity Promenade, Moon Dreams, Move, Night In Tunisia, Ornithology, S'Il Vous Plait, S'il vous plaît, Why Do I Love You, Why Do I Love You?, You Go To My Head |
Art Blakey |
drums |
Conception, Conception / Deception, Down, Embraceable You, Eronel / 52nd Street I, Half Nelson, Hot House, Lady Bird, Max is making Wax, Move, Out Of The Blue (Evance), Ow!, Ray's Idea, Tempus Fugit, The Squirrel, Wee, Woody'n You |
Jackie McLean |
alto saxophone |
Bemsha Swing, Bitty Ditty, Chance It, Changes, Donna, Dr. Jackle, How Deep Is the Ocean, It Could Happen To You, Out Of The Blue (Evance), Swing Spring, The Chase, The Man I Love, Wee Dot, Would'n You, Yesterdays, ’round Midnight |
Gerry Mulligan |
baritone saxophone |
Birth of the Cool Theme, Budo, Darn That Dream, Godchild, Hackensack, Hallucinations, Introduction By Duke Ellington, Moon Dreams, Move, Now's The Time, Round About Midnight, S'Il Vous Plait, S'il vous plaît, Why Do I Love You, Why Do I Love You? |
John Lewis (pianist, member of Modern Jazz Quartet) |
piano |
52nd Street Theme, Birth of the Cool Theme, Budo, Chasin' The Bird, Darn That Dream, Godchild, Half Nelson, Hallucinations, Moon Dreams, Move, S'Il Vous Plait, S'il vous plaît, Why Do I Love You, Why Do I Love You?, You Go To My Head |
Percy Heath |
bass |
'Round Midnight, Bemsha Swing, Bitty Ditty, Changes, Compulsion, Dr. Jackle, Hackensack, Introduction By Duke Ellington, Now's The Time, Round About Midnight, Serpents Tooth (take 1), Serpents Tooth (take 2), Swing Spring, The Man I Love |
Connie Kay |
drums |
All the Things You Are, Confirmation, Hackensack, Introduction By Duke Ellington, It Could Happen To You, Now's The Time, Out Of The Blue (Evance), Out of the Blue, Rifftide, Round About Midnight, The Chase, The Squirrel, Wee Dot |
Jimmy Zitano |
drums |
A Night In Tunisia, A Night in Tunisia, Alone Together, Darn That Dream, Dig, Jumpin' With Symphony Sid, Jumpin' with Symphony, Jumping With Symphony Sid, Nice Work If You Can Get It, Ray's Idea, Tune Up, Wee Dot, Well You Needn't |
Jimmy Woode |
bass |
A Night In Tunisia, A Night in Tunisia, Alone Together, Darn That Dream, Dig, Jumpin' With Symphony Sid, Jumpin' with Symphony, Jumping With Symphony Sid, Nice Work If You Can Get It, Ray's Idea, Tune Up, Wee Dot, Well You Needn't |
Jay Migliori |
tenor saxophone |
A Night In Tunisia, A Night in Tunisia, Alone Together, Darn That Dream, Dig, Jumpin' With Symphony Sid, Jumpin' with Symphony, Jumping With Symphony Sid, Nice Work If You Can Get It, Ray's Idea, Tune Up, Wee Dot, Well You Needn't |
Junior Collins |
French horn |
Birth of the Cool Theme, Budo, Darn That Dream, Godchild, Hallucinations, Moon Dreams, Move, S'Il Vous Plait, S'il vous plaît, Why Do I Love You, Why Do I Love You? |
Mike Zwerin |
trombone |
Birth of the Cool Theme, Budo, Darn That Dream, Godchild, Hallucinations, Moon Dreams, Move, S'Il Vous Plait, S'il vous plaît, Why Do I Love You, Why Do I Love You? |
Bill Barber (Jazz tuba player) |
tuba |
Birth of the Cool Theme, Budo, Darn That Dream, Godchild, Hallucinations, Moon Dreams, Move, S'Il Vous Plait, S'il vous plaît, Why Do I Love You, Why Do I Love You? |
Al McKibbon |
bass |
Birth of the Cool Theme, Budo, Darn That Dream, Godchild, Hallucinations, Moon Dreams, Move, S'Il Vous Plait, S'il vous plaît, Why Do I Love You, Why Do I Love You? |
Al Walcott |
piano |
Alone Together, Darn That Dream, Dig, Jumpin' With Symphony Sid, Jumpin' with Symphony, Jumping With Symphony Sid, Nice Work If You Can Get It, Ray's Idea, Tune Up, Wee Dot, Well You Needn't |
Lee Konitz |
alto saxophone |
Birth of the Cool Theme, Budo, Darn That Dream, Godchild, Hallucinations, Moon Dreams, Move, S'Il Vous Plait, S'il vous plaît, Why Do I Love You, Why Do I Love You? |
Jimmy Forrest |
tenor saxophone |
A Night In Tunisia, All The Things You Are, Lady Bird, Our Delight, Ow!, Perdido, Ray's Idea, Wee Dot, What's New |
John Coltrane |
tenor saxophone |
Bemsha Swing, Bitty Ditty, Changes, Dr. Jackle, It Never Entered My Mind, Max Is Making Wax, Swing Spring, The Man I Love, ’round Midnight |
Gil Coggins |
piano |
Chance It, Donna, How Deep Is the Ocean, It Could Happen To You, Out Of The Blue (Evance), The Chase, Wee Dot, Would'n You, Yesterdays |
John Mixon |
bass |
A Night In Tunisia, All The Things You Are, Lady Bird, Our Delight, Ow!, Perdido, Ray's Idea, Wee Dot, What's New |
Oscar Pettiford |
bass |
Anthropology, Body and Soul, Chance It, Donna, How Deep Is the Ocean, How High the Moon, The Squirrel, Would'n You, Yesterdays |
Charles Fox |
piano |
A Night In Tunisia, All The Things You Are, Lady Bird, Our Delight, Ow!, Perdido, Ray's Idea, Wee Dot, What's New |
Al Jones (drummer with Dizzy Gillespie) |
drums |
A Night In Tunisia, Dig, I Got Rhythm, Move, On The Sunny Side Of The Street, Tenderly, The Bluest Blues |
Wade Legge |
piano |
A Night In Tunisia, Dig, I Got Rhythm, Move, On The Sunny Side Of The Street, Tenderly, The Bluest Blues |
Sonny Rollins |
tenor saxophone |
'Round Midnight, Compulsion, In Your Own Sweet Way, No Line, Serpents Tooth (take 1), Serpents Tooth (take 2), Vierd Blues |
Paul Chambers (US jazz bassist) |
bass, double bass |
In Your Own Sweet Way, It Never Entered My Mind, Max Is Making Wax, No Line, Someday My Prince Will Come, Vierd Blues, ’round Midnight |
Lou Hackney |
bass |
A Night In Tunisia, Dig, I Got Rhythm, Move, On The Sunny Side Of The Street, Tenderly, The Bluest Blues |
Sahib Shihab |
baritone saxophone |
A Night In Tunisia, Dig, I Got Rhythm, Move, On The Sunny Side Of The Street, Tenderly, The Bluest Blues |
Rudy van Gelder |
recording |
'Round Midnight, Compulsion, In Your Own Sweet Way, No Line, Serpents Tooth (take 1), Serpents Tooth (take 2), Vierd Blues |
Thelonious Monk |
piano |
Bemsha Swing, Hackensack, Introduction By Duke Ellington, Now's The Time, Round About Midnight, Swing Spring, The Man I Love |
Milt Jackson |
vibraphone |
Bemsha Swing, Bitty Ditty, Changes, Dr. Jackle, Swing Spring, The Man I Love, ’round Midnight |
Charlie Parker (aka "Bird", jazz alto saxophonist) |
alto saxophone, tenor saxophone |
'Round Midnight, Compulsion, On The Sunny Side Of The Street, Serpents Tooth (take 1), Serpents Tooth (take 2), The Bluest Blues |
Philly Joe Jones (US jazz drummer) |
drums |
'Round Midnight, Compulsion, It Never Entered My Mind, Max Is Making Wax, Serpents Tooth (take 1), Serpents Tooth (take 2) |
J.J. Johnson (Jazz/bop trombonist/session leader) |
trombone |
Chance It, Donna, How Deep Is the Ocean, Would'n You, Yesterdays |
Kenny Clarke |
drums |
Chance It, Donna, How Deep Is the Ocean, Would'n You, Yesterdays |
Kai Winding |
trombone |
Anthropology, Body and Soul, How High the Moon, The Squirrel |
Walter Bishop, Jr. (american jazz pianist) |
piano |
'Round Midnight, Compulsion, Serpents Tooth (take 1), Serpents Tooth (take 2) |
Shelly Manne |
drums |
Anthropology, Body and Soul, How High the Moon, The Squirrel |
Al Haig |
piano |
Anthropology, Body and Soul, How High the Moon, The Squirrel |
Charlie Ventura |
saxophone |
Anthropology, Body and Soul, How High the Moon, The Squirrel |
Lucky Thompson |
tenor saxophone |
Anthropology, Body and Soul, How High the Moon, The Squirrel |
Buddy DeFranco |
clarinet |
Anthropology, Body and Soul, How High the Moon, The Squirrel |
Zoot Sims (US jazz saxophonist) |
tenor saxophone |
Hackensack, Introduction By Duke Ellington, Now's The Time, Round About Midnight |
Ray Bryant |
piano |
Bitty Ditty, Changes, Dr. Jackle |
Art Taylor |
drums |
In Your Own Sweet Way, No Line, Vierd Blues |
Lorraine Geller |
piano |
'Round Midnight, Infinity Promenade, Night In Tunisia |
Howard Rumsey (American jazz double-bassist) |
bass |
'Round Midnight, Infinity Promenade, Night In Tunisia |
Bob Cooper (US jazz saxophonist) |
tenor saxophone |
'Round Midnight, Infinity Promenade, Night In Tunisia |
Red Garland |
piano |
It Never Entered My Mind, Max Is Making Wax, ’round Midnight |
Tommy Flanagan |
piano |
In Your Own Sweet Way, No Line, Vierd Blues |
Bud Shank |
saxophone |
'Round Midnight, Infinity Promenade, Night In Tunisia |
Don Elliott |
mellophone |
Confirmation, The Squirrel |
Rolf Ericson |
trumpet |
Infinity Promenade, Night In Tunisia |
Dizzy Gillespie |
trumpet |
On The Sunny Side Of The Street, The Bluest Blues |
Teddy Wilson Trio |
performer |
Fine and Dandy |