Dave Bailey |
drums |
Ain’t It the Truth, Apple Core, Bags' Groove, Bernie's Tune, Blue Boy, Blue at the Roots, Broadway, Capricious, Crazy Day, Disc Jockey Jump, Elevation, Everything Happens to Me, Festival Minor, Four and One Moore, Get Out of Town, Good Bait, Here I'll Stay, Igloo, In the Wee Small Hours of the Morning, Inside Impromptu, La Plus Que Lente 1, La Plus Que Lente 2, Lollypop, Lonely Town, Mainstream, Makin' Whoopee, May-Reh, Morning of the Carnival From Black Orpheus, Mud Bug, Night Lights (1963 version), Nights of the Turntable, Prelude in E Minor, Revelation, Sextet, Sweet and Lovely, Tell Me When, The Lady Is a Tramp, The Preacher, Turnstile, Venus de Milo, Westwood Walk, You've Come Home |
Zoot Sims (US jazz saxophonist) |
saxophone, tenor saxophone |
Ain’t It the Truth, Apple Core, Bernie's Tune, Blue at the Roots, Broadway, Crazy Day, Disc Jockey Jump, Elevation, Everything Happens to Me, Four and One Moore, Igloo, La Plus Que Lente 1, La Plus Que Lente 2, Lollypop, Mainstream, Makin' Whoopee, Mud Bug, Nights of the Turntable, Revelation, Sextet, Sweet and Lovely, The Lady Is a Tramp, Turnstile, Venus de Milo, Westwood Walk |
Bob Brookmeyer |
trombone, valve trombone |
Ain’t It the Truth, Apple Core, Bernie's Tune, Blue at the Roots, Broadway, Elevation, Everything Happens to Me, Festival Minor, Igloo, In the Wee Small Hours of the Morning, La Plus Que Lente 1, La Plus Que Lente 2, Lollypop, Mainstream, Makin' Whoopee, Morning of the Carnival From Black Orpheus, Mud Bug, Night Lights (1963 version), Nights of the Turntable, Prelude in E Minor, Sweet and Lovely, Tell Me When, The Lady Is a Tramp, Westwood Walk |
Jon Eardley |
trumpet |
A Bark for Barksdale, Ain’t It the Truth, Apple Core, Bernie's Tune, Blues Going Up, Blues for Tiny, Broadway, Darn That Dream, Everything Happens to Me, La Plus Que Lente 1, Little Girl Blue, Mainstream, Making Whoopee, Mud Bug, Nights of the Turntable, Ontet, Piano Blues, Soft Shoe, Sweet and Lovely, The Lady Is a Tramp, Westwood Walk, Yardbird Suite |
Bill Crow |
bass |
Ain’t It the Truth, Blue at the Roots, Elevation, Festival Minor, Igloo, In the Wee Small Hours of the Morning, La Plus Que Lente 1, La Plus Que Lente 2, Lollypop, Mainstream, Makin' Whoopee, Morning of the Carnival From Black Orpheus, Night Lights (1963 version), Prelude in E Minor, Tell Me When, Westwood Walk |
Jay Leonhart |
bass |
42nd & Broadway, Across the Track Blues, Angelica, Do You Know What I See?, For an Unfinished Woman, Ghosts, Gone, I'm Getting Sentimental Over You, I've Just Seen Her, Noblesse, Port of Baltimore Blues, Soft Lights and Sweet Music, Song for Strayhorn, Walk on the Water |
Paul Desmond |
performer |
All the Things You Are (feat. Paul Desmond) |
Allen Eager |
saxophone, tenor saxophone |
Bweebida Bobbida, Crazy Day, Disc Jockey Jump, Four and One Moore, Funhouse, Ide's Side, Kaper, Mullenium, Mulligan's Too, Revelation, Roundhouse, Sextet, Turnstile, Venus de Milo |
Chico Hamilton |
drums |
A Ballad, A Bark for Barksdale, Blues Going Up, Blues for Tiny, Darn That Dream, Little Girl Blue, Making Whoopee, Ontet, Piano Blues, Rocker, Soft Shoe, Westwood Walk, Yardbird Suite |
Red Mitchell |
bass |
A Bark for Barksdale, Blues Going Up, Blues for Tiny, Darn That Dream, Little Girl Blue, Making Whoopee, Ontet, Piano Blues, Soft Shoe, Yardbird Suite |
Chet Baker |
trumpet |
A Ballad, Rocker, Simbah, Taking a Chance on Love, Westwood Walk |
John "Peck" Morrison (Jazz bass player from the 60s) |
bass |
Apple Core, Bernie's Tune, Broadway, Everything Happens to Me, Mud Bug, Nights of the Turntable, Sweet and Lovely, The Lady Is a Tramp |
Scott Hamilton (jazz tenor saxophonist) |
performer, tenor saxophone |
Do You Know What I See?, Ghosts, Gone, Gone (feat. Scott Hamilton), I've Just Seen Her, Noblesse, Port of Baltimore Blues, Soft Lights and Sweet Music |
Grady Tate |
drums |
Do You Know What I See?, Ghosts, Gone, I've Just Seen Her, Noblesse, Port of Baltimore Blues, Soft Lights and Sweet Music |
Rudy van Gelder |
recording |
Bweebida Bobbida, Funhouse, Ide's Side, Kaper, Mullenium, Mulligan's Too, Roundhouse |
Keith O'Quinn (a trombonist player) |
trombone |
42nd & Broadway, Across the Track Blues, Angelica, For an Unfinished Woman, I'm Getting Sentimental Over You, Song for Strayhorn, Walk on the Water |
Al Cohn |
saxophone |
Crazy Day, Disc Jockey Jump, Four and One Moore, Revelation, Sextet, Turnstile, Venus de Milo |
Alan Raph |
trombone |
42nd & Broadway, Across the Track Blues, Angelica, For an Unfinished Woman, I'm Getting Sentimental Over You, Song for Strayhorn, Walk on the Water |
Laurie Frink |
trumpet |
42nd & Broadway, Across the Track Blues, Angelica, For an Unfinished Woman, I'm Getting Sentimental Over You, Song for Strayhorn, Walk on the Water |
Mitchel Forman |
piano |
42nd & Broadway, Across the Track Blues, Angelica, For an Unfinished Woman, I'm Getting Sentimental Over You, Song for Strayhorn, Walk on the Water |
Ben Tucker |
bass |
Blue Boy, Capricious, Get Out of Town, Here I'll Stay, Inside Impromptu, Lonely Town, You've Come Home |
Tom Harrell |
trumpet |
42nd & Broadway, Across the Track Blues, Angelica, For an Unfinished Woman, I'm Getting Sentimental Over You, Song for Strayhorn, Walk on the Water |
Tommy Flanagan |
piano |
Blue Boy, Capricious, Get Out of Town, Here I'll Stay, Inside Impromptu, Lonely Town, You've Come Home |
Phil Leshin |
bass |
Bweebida Bobbida, Funhouse, Ide's Side, Kaper, Mullenium, Mulligan's Too, Roundhouse |
Bob Weinstock |
producer |
Bweebida Bobbida, Funhouse, Ide's Side, Kaper, Mullenium, Mulligan's Too, Roundhouse |
Mike Renzi |
piano |
Do You Know What I See?, Ghosts, Gone, I've Just Seen Her, Noblesse, Port of Baltimore Blues, Soft Lights and Sweet Music |
Henry Grimes |
bass |
Crazy Day, Disc Jockey Jump, Four and One Moore, Revelation, Sextet, Turnstile, Venus de Milo |
Danny Hayes (Trumpet player) |
trumpet |
42nd & Broadway, Across the Track Blues, Angelica, For an Unfinished Woman, I'm Getting Sentimental Over You, Song for Strayhorn, Walk on the Water |
Lee Konitz |
alto saxophone |
Crazy Day, Disc Jockey Jump, Four and One Moore, Revelation, Sextet, Turnstile, Venus de Milo |
Freddie Green |
guitar |
Crazy Day, Disc Jockey Jump, Four and One Moore, Revelation, Sextet, Turnstile, Venus de Milo |
George Wallington |
piano |
Bweebida Bobbida, Funhouse, Ide's Side, Kaper, Mullenium, Mulligan's Too, Roundhouse |
Gerry Niewood |
saxophone |
42nd & Broadway, Across the Track Blues, Angelica, For an Unfinished Woman, I'm Getting Sentimental Over You, Song for Strayhorn, Walk on the Water |
Nick Travis |
trumpet |
Bweebida Bobbida, Funhouse, Ide's Side, Kaper, Mullenium, Roundhouse |
Jim Hall (US jazz guitarist, composer & arranger) |
guitar |
Festival Minor, In the Wee Small Hours of the Morning, Morning of the Carnival From Black Orpheus, Night Lights (1963 version), Prelude in E Minor, Tell Me When |
Ollie Wilson |
trombone |
Bweebida Bobbida, Funhouse, Ide's Side, Kaper, Mullenium, Roundhouse |
Art Farmer |
trumpet |
Festival Minor, In the Wee Small Hours of the Morning, Morning of the Carnival From Black Orpheus, Night Lights (1963 version), Prelude in E Minor, Tell Me When |
John Graas |
flugelhorn |
A Ballad, Rocker, Simbah, Taking a Chance on Love, Westwood Walk |
Shorty Rogers |
trumpet |
A Ballad, Rocker, Simbah, Taking a Chance on Love, Westwood Walk |
Claude Williamson |
piano |
18 Carrots for Rabbit, Back Beat, Shady Side, What It All About?, What's the Rush |
Ray Siegel |
trombone |
A Ballad, Rocker, Simbah, Taking a Chance on Love, Westwood Walk |
Don Davidson |
baritone saxophone |
A Ballad, Rocker, Simbah, Taking a Chance on Love, Westwood Walk |
Pete Candoli |
trumpet |
A Ballad, Rocker, Simbah, Taking a Chance on Love, Westwood Walk |
Joe Mondragon |
bass |
A Ballad, Rocker, Simbah, Taking a Chance on Love, Westwood Walk |
Gene Englund |
trombone |
A Ballad, Rocker, Simbah, Taking a Chance on Love, Westwood Walk |
Johnny Hodges |
alto saxophone |
18 Carrots for Rabbit, Back Beat, Shady Side, What It All About?, What's the Rush |
Bob Enevoldsen |
trombone |
A Ballad, Rocker, Simbah, Taking a Chance on Love, Westwood Walk |
Buddy Clark (US jazz bassist) |
bass |
18 Carrots for Rabbit, Back Beat, Shady Side, What It All About?, What's the Rush |
Bud Shank |
alto saxophone |
A Ballad, Rocker, Simbah, Taking a Chance on Love, Westwood Walk |
Mel Lewis |
drums |
18 Carrots for Rabbit, Back Beat, Shady Side, What It All About?, What's the Rush |
Calo Scott |
cello |
Bags' Groove, Good Bait, May-Reh, The Preacher |
Vinnie Burke |
bass |
Bags' Groove, Good Bait, May-Reh, The Preacher |
Billy Wilson (jazz drummer) |
drums |
Medley: I Cover the Waterfront / I'm in the Mood for Love, Tiny's Blues |
Larry Bunker |
drums |
Simbah, Taking a Chance on Love |
Jimmy Bond |
bass |
Night Lights (1965 version) |
Gary Mulligan |
baritone saxophone, piano |
Night Lights (1963 version) |
Pete Jolly |
piano |
Night Lights (1965 version) |
Bill Charlap |
piano |
Rain, Rain, Go Away |
Josiah Gluck |
editor, mix, recording |
Rain, Rain, Go Away |
Richard DeRosa (drummer, Director of Jazz Composition/Arranging Studies) |
drums |
Rain, Rain, Go Away |
Dean Johnson (jazz bassist) |
bass |
Rain, Rain, Go Away |
Stan Wallace |
recording |
Rain, Rain, Go Away |
Hal Blaine |
drums |
Night Lights (1965 version) |