Sylve Sjöberg

balance, recording, audio

Top collaborators

Artist name Roles Recordings
John Neschling conductor Baal Shem - Three pictures of Chassidic Life: I. Vidui (Contrition), Baal Shem - Three pictures of Chassidic Life: II. Nigun (Improvisation), Baal Shem - Three pictures of Chassidic Life: III. Simchas Torah (Rejoicing), Concerto for Violin and Orchestra, op. 14: I. Allegro, Concerto for Violin and Orchestra, op. 14: II. Andante, Concerto for Violin and Orchestra, op. 14: III. Presto in moto perpetuo, Serenade after Plato’s "Symposium": I. Phaedrus: Pausanias. Lento – Allegro marcato, Serenade after Plato’s "Symposium": II. Aristophanes. Allegretto, Serenade after Plato’s "Symposium": III. Eryximachus. Presto, Serenade after Plato’s "Symposium": IV. Agathon. Adagio, Serenade after Plato’s "Symposium": V. Socrates: Alcibiades. Molto tenuto – Allegro molto vivace
Orquestra Sinfônica do Estado de São Paulo performing orchestra Baal Shem - Three pictures of Chassidic Life: I. Vidui (Contrition), Baal Shem - Three pictures of Chassidic Life: II. Nigun (Improvisation), Baal Shem - Three pictures of Chassidic Life: III. Simchas Torah (Rejoicing), Concerto for Violin and Orchestra, op. 14: I. Allegro, Concerto for Violin and Orchestra, op. 14: II. Andante, Concerto for Violin and Orchestra, op. 14: III. Presto in moto perpetuo, Serenade after Plato’s "Symposium": I. Phaedrus: Pausanias. Lento – Allegro marcato, Serenade after Plato’s "Symposium": II. Aristophanes. Allegretto, Serenade after Plato’s "Symposium": III. Eryximachus. Presto, Serenade after Plato’s "Symposium": IV. Agathon. Adagio, Serenade after Plato’s "Symposium": V. Socrates: Alcibiades. Molto tenuto – Allegro molto vivace
Vadim Gluzman violin Baal Shem - Three pictures of Chassidic Life: I. Vidui (Contrition), Baal Shem - Three pictures of Chassidic Life: II. Nigun (Improvisation), Baal Shem - Three pictures of Chassidic Life: III. Simchas Torah (Rejoicing), Concerto for Violin and Orchestra, op. 14: I. Allegro, Concerto for Violin and Orchestra, op. 14: II. Andante, Concerto for Violin and Orchestra, op. 14: III. Presto in moto perpetuo, Serenade after Plato’s "Symposium": I. Phaedrus: Pausanias. Lento – Allegro marcato, Serenade after Plato’s "Symposium": II. Aristophanes. Allegretto, Serenade after Plato’s "Symposium": III. Eryximachus. Presto, Serenade after Plato’s "Symposium": IV. Agathon. Adagio, Serenade after Plato’s "Symposium": V. Socrates: Alcibiades. Molto tenuto – Allegro molto vivace
My Dear
大久保伸隆

Collaborators on this artist's recordings

Artist name Roles Recordings
John Neschling conductor Baal Shem - Three pictures of Chassidic Life: I. Vidui (Contrition), Baal Shem - Three pictures of Chassidic Life: II. Nigun (Improvisation), Baal Shem - Three pictures of Chassidic Life: III. Simchas Torah (Rejoicing), Concerto for Violin and Orchestra, op. 14: I. Allegro, Concerto for Violin and Orchestra, op. 14: II. Andante, Concerto for Violin and Orchestra, op. 14: III. Presto in moto perpetuo, Serenade after Plato’s "Symposium": I. Phaedrus: Pausanias. Lento – Allegro marcato, Serenade after Plato’s "Symposium": II. Aristophanes. Allegretto, Serenade after Plato’s "Symposium": III. Eryximachus. Presto, Serenade after Plato’s "Symposium": IV. Agathon. Adagio, Serenade after Plato’s "Symposium": V. Socrates: Alcibiades. Molto tenuto – Allegro molto vivace
Orquestra Sinfônica do Estado de São Paulo performing orchestra Baal Shem - Three pictures of Chassidic Life: I. Vidui (Contrition), Baal Shem - Three pictures of Chassidic Life: II. Nigun (Improvisation), Baal Shem - Three pictures of Chassidic Life: III. Simchas Torah (Rejoicing), Concerto for Violin and Orchestra, op. 14: I. Allegro, Concerto for Violin and Orchestra, op. 14: II. Andante, Concerto for Violin and Orchestra, op. 14: III. Presto in moto perpetuo, Serenade after Plato’s "Symposium": I. Phaedrus: Pausanias. Lento – Allegro marcato, Serenade after Plato’s "Symposium": II. Aristophanes. Allegretto, Serenade after Plato’s "Symposium": III. Eryximachus. Presto, Serenade after Plato’s "Symposium": IV. Agathon. Adagio, Serenade after Plato’s "Symposium": V. Socrates: Alcibiades. Molto tenuto – Allegro molto vivace
Vadim Gluzman violin Baal Shem - Three pictures of Chassidic Life: I. Vidui (Contrition), Baal Shem - Three pictures of Chassidic Life: II. Nigun (Improvisation), Baal Shem - Three pictures of Chassidic Life: III. Simchas Torah (Rejoicing), Concerto for Violin and Orchestra, op. 14: I. Allegro, Concerto for Violin and Orchestra, op. 14: II. Andante, Concerto for Violin and Orchestra, op. 14: III. Presto in moto perpetuo, Serenade after Plato’s "Symposium": I. Phaedrus: Pausanias. Lento – Allegro marcato, Serenade after Plato’s "Symposium": II. Aristophanes. Allegretto, Serenade after Plato’s "Symposium": III. Eryximachus. Presto, Serenade after Plato’s "Symposium": IV. Agathon. Adagio, Serenade after Plato’s "Symposium": V. Socrates: Alcibiades. Molto tenuto – Allegro molto vivace

Work on other artists' recordings

Artist name Roles Recordings
My Dear recording Piano Concerto in B-flat minor, op. 37: I. Pesante allegro, Piano Concerto in B-flat minor, op. 37: II. Andante, Piano Concerto in B-flat minor, op. 37: III. Furioso
大久保伸隆 recording Violin Concerto in E minor, op. 7: I. Moderato, Violin Concerto in E minor, op. 7: II. Adagio camabile, Violin Concerto in E minor, op. 7: III. Allegro molto