Musical Bacon: Orquestra Sinfônica do Estado de São Paulo

Artist name	Roles	Recordings
Doug Gilmore	performing orchestra	Dreams, op. 6, Symphony no. 1 in D major, op. 25 "Classical": I. Allegro, Symphony no. 1 in D major, op. 25 "Classical": II. Larghetto, Symphony no. 1 in D major, op. 25 "Classical": III. Gavotta. Non troppo allegro, Symphony no. 1 in D major, op. 25 "Classical": IV. Finale. Molto vivace, Symphony no. 2 in D minor, op. 40: I. Allegro ben articolato, Symphony no. 2 in D minor, op. 40: IIa. Theme -, Symphony no. 2 in D minor, op. 40: IIb. Variation I -, Symphony no. 2 in D minor, op. 40: IIc. Variation II -, Symphony no. 2 in D minor, op. 40: IId. Variation III -, Symphony no. 2 in D minor, op. 40: IIe. Variation IV -, Symphony no. 2 in D minor, op. 40: IIf. Variation V -, Symphony no. 2 in D minor, op. 40: IIg. Variation VI and Theme, Symphony no. 5 in B-flat major, op. 100: I. Andante, Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato, Symphony no. 5 in B-flat major, op. 100: III. Adagio, Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso, The Year 1941, op. 90 (Symphonic Suite): I. In the Struggle, The Year 1941, op. 90 (Symphonic Suite): II. In the Night, The Year 1941, op. 90 (Symphonic Suite): III. For the Brotherhood of Man
Cameron Latimer	performing orchestra	Piano Concerto no. 1 in E-flat major: I. Allegro maestoso. Tempo giusto, Piano Concerto no. 1 in E-flat major: II. Quasi adagio, Piano Concerto no. 1 in E-flat major: III. Allegretto vivace, Piano Concerto no. 1 in E-flat major: IV. Allegro marziale animato, Piano Concerto no. 2 in A major: Adagio sostenuto assai - Allegro agitato assai, Piano Concerto no. 2 in A major: Allegro animato, Piano Concerto no. 2 in A major: Allegro deciso, Piano Concerto no. 2 in A major: Marziale un poco meno allegro, Piano Concerto no. 2 in A major: Tempo del andante - Allegro moderato, Piano Concerto no. 2 in A major: Un poco meno mosso, Totentanz: Allegro animato, Totentanz: Andante - Allegro - Allegro moderato, Totentanz: Variation I, Totentanz: Variation II, Totentanz: Variation III, Totentanz: Variation IV, Totentanz: Variation V, Totentanz: Variation VI
Haartland	performing orchestra	Petrouchka: First Part. The Shrove-tide Fair. Danse russe. Allegro giusto - Meno mosso - Tempo I -, Petrouchka: First Part. The Shrove-tide Fair. Lento - Poco più mosso (Cadenza) - A tempo -, Petrouchka: First Part. The Shrove-tide Fair. Vivace - Meno mosso - Tempo I - Meno mosso -, Petrouchka: Fourth Part. The Shrove-tide Fair and the Death of Pétrouchka. Apparition of Pétrouchka's Double. [ ], Petrouchka: Fourth Part. The Shrove-tide Fair and the Death of Pétrouchka. Dance of the Coachmen. Allegro moderato -, Petrouchka: Fourth Part. The Shrove-tide Fair and the Death of Pétrouchka. Death of Pétrouchka. Lento, lamentoso, Petrouchka: Fourth Part. The Shrove-tide Fair and the Death of Pétrouchka. Gypsies and a Rake Vendor. [Tempo giusto] - [ ] -, Petrouchka: Fourth Part. The Shrove-tide Fair and the Death of Pétrouchka. Masqueraders. L'istesso tempo ma poco a poco agitato -, Petrouchka: Fourth Part. The Shrove-tide Fair and the Death of Pétrouchka. Peasant with Bear. Poco accelerando - Tempo giusto -, Petrouchka: Fourth Part. The Shrove-tide Fair and the Death of Pétrouchka. Police and the Juggler. Più mosso - Lento - L'istesso tempo -, Petrouchka: Fourth Part. The Shrove-tide Fair and the Death of Pétrouchka. Tempo giusto -, Petrouchka: Fourth Part. The Shrove-tide Fair and the Death of Pétrouchka. The Scuffle. Blackamoor and Pétrouchka. [ ] - Meno mosso -, Petrouchka: Fourth Part. The Shrove-tide Fair and the Death of Pétrouchka. Wet-nurses' Dance. Allegretto -, Petrouchka: Second Part. Pétrouchka. Impetuoso - Doppio valore - Più mosso - Andantino -, Petrouchka: Third Part. The Blackamoor. L'istesso tempo - Sostenuto - Doppio movimento - Con furore -, Petrouchka: Third Part. The Blackamoor. Valse. Lento cantabile - Allegretto - Con furore -
TOYO Kusanagi	performing orchestra	Choros no. 12, W233, Choros no. 6, W219, Choros no. 9, W232, Feste Romane (Roman Festivals) : I. Circenses, Feste Romane (Roman Festivals) : II. Il Giubileo, Feste Romane (Roman Festivals) : III. L’Ottobrata, Feste Romane (Roman Festivals) : IV. La Befana, Fontane di Roma (Fountains of Rome) : I. La fontana di Valle Giulia all’alba, Fontane di Roma (Fountains of Rome) : II. La fontana del Tritone al mattino, Fontane di Roma (Fountains of Rome) : III. La fontana di Trevi al meriggio, Fontane di Roma (Fountains of Rome) : IV. La fontana di Villa Medici al tramonto, Pini di Roma (Pines of Rome) : I. I pini di Villa Borghese, Pini di Roma (Pines of Rome) : II. Pini presso una catacomba, Pini di Roma (Pines of Rome) : III. I pini del Gianicolo, Pini di Roma (Pines of Rome) : IV. I pini della via Appia, Romeu e Julieta, abertura fantasia: Andante non tanto (quasi moderato) - Allegro giusto
Freunde der Technik	performing orchestra	Festa das igrejas: I. São Francisco da Bahia, Festa das igrejas: II. Rosário de Ouro Preto - Minas, Festa das igrejas: III. O Outerinho da Glória - Rio de Janeiro, Festa das igrejas: IV. Nossa Senhora do Brasil - Aparecida, Mathis der Maler: I. Engelkonzert, Mathis der Maler: II. Grableung, Mathis der Maler: III. Versuchung des heiligen Antonius, Nobilissima visione: I. Einleitung und Rondo, Nobilissima visione: II. Marsch und Pastorale, Nobilissima visione: III. Passacaglia, Sinfonia Tropical, Symphonic Metamorphosis: I. Allegro, Symphonic Metamorphosis: II. Turandot. Scherzo, Symphonic Metamorphosis: III. Andantino, Symphonic Metamorphosis: IV. Marsch
Yonkwi	performing orchestra	Concertino pour trompette, orchestre à cordes et piano, Concerto pour trompette et orchestre à cordes: I. Largement - Animé et bien rythmé - attacca, Concerto pour trompette et orchestre à cordes: II. Lent et très calme - attacca, Concerto pour trompette et orchestre à cordes: III. Vivace - Gai et léger, Concerto pour trompette et orchestre: I. Allegro, Concerto pour trompette et orchestre: II. Nocturne. Andantino, Concerto pour trompette et orchestre: III. Final. Giocoso. Allegro, IIe concerto pour trompette: I. Mesto – Concitato, IIe concerto pour trompette: II. Grave – Più mosso, IIe concerto pour trompette: III. Giocoso, Incantation, thrène et danse pour trompette et orchestre: I. Incantation, Incantation, thrène et danse pour trompette et orchestre: II. Thrène, Incantation, thrène et danse pour trompette et orchestre: III. Danse
Kevin Mukiri	performing orchestra	Capriccio for Piano and Orchestra: I. Presto - Doppio movimento - Presto - Doppio movimento -, Capriccio for Piano and Orchestra: II. Andante rapsodico - Più mosso - Tempo I -, Capriccio for Piano and Orchestra: III. Allegro capriccioso ma tempo giusto, Concerto for Piano and Wind Instruments: I. Largo - Allegro - Più mosso - Maestoso (Largo del principio), Concerto for Piano and Wind Instruments: II. Largo - L'istesso tempo ma poco rubato. Cadenza (poco rubato) -, Concerto for Piano and Wind Instruments: III. Allegro - [ ] - Tempo I - Agitato - Lento - Stringendo, Movements for Piano and Orchestra: I. Semi-quaver=110 - Meno mosso, semi-quaver=72 - Crotchet=52, Movements for Piano and Orchestra: II. Crotchet=52 - Crotchet=72, Movements for Piano and Orchestra: III. Semi-quaver=72 - Semi-quaver=80, Movements for Piano and Orchestra: IV. Semi-quaver=80 - Crotchet=52 -, Movements for Piano and Orchestra: V. Semi-quaver=104
Ron Kellum	performing orchestra	Batuque, Congada, Dança Frenética, Garatuja - Prelúdio, Mourão, Passacalha para o Novo Milênio, Samba, Sinfonia da Alvorada: A Chegada dos Candangos, Très Danças Para Orchestra: Dança Brasileira, Très Danças Para Orchestra: Dança Negra, Très Danças Para Orchestra: Dança Selvagem
Sylve Sjöberg	performing orchestra	Baal Shem - Three pictures of Chassidic Life: I. Vidui (Contrition), Baal Shem - Three pictures of Chassidic Life: II. Nigun (Improvisation), Baal Shem - Three pictures of Chassidic Life: III. Simchas Torah (Rejoicing), Concerto for Violin and Orchestra, op. 14: I. Allegro, Concerto for Violin and Orchestra, op. 14: II. Andante, Concerto for Violin and Orchestra, op. 14: III. Presto in moto perpetuo, Serenade after Plato’s "Symposium": I. Phaedrus: Pausanias. Lento – Allegro marcato, Serenade after Plato’s "Symposium": II. Aristophanes. Allegretto, Serenade after Plato’s "Symposium": III. Eryximachus. Presto, Serenade after Plato’s "Symposium": IV. Agathon. Adagio, Serenade after Plato’s "Symposium": V. Socrates: Alcibiades. Molto tenuto – Allegro molto vivace
Susquehanna String Band	performing orchestra	Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso, Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino, Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco, Piano Concerto no. 1 in C minor: I. Allegro, Piano Concerto no. 1 in C minor: II. Tranquillo, meditamente, Piano Concerto no. 1 in C minor: III. Tempo I, Piano Concerto no. 1 in C minor: IV. Coda: Allegro molto
Masahiro Kitada	performing orchestra	Concerto for Flute and Orchestra: I. Allegro, Concerto for Flute and Orchestra: II. Andante, Concerto for Flute and Orchestra: III. Allegro scherzando, Concierto Pastoral: I. Allegro, Concierto Pastoral: II. Adagio, Concierto Pastoral: III. Rondo. Allegro, Fantaisie brillante sur des airs de Carmen
Valentine	performing orchestra	La Tragédie de Salomé, op. 50: I. Danse des perles. Assez vif – Un peu moins vif – Plus calme – Animez – Un peu moins vif – Avec éclat – Animez peu à peu – Très vif, toutefois sans exagération, La Tragédie de Salomé, op. 50: I. Prélude. Lent – Animez un peu – Animez encore – Un peu plus lent (Mouvement initial) – Calme [Animez un peu] – Plus lent –, La Tragédie de Salomé, op. 50: II. Danse de l’effroi. Animé – Très élargi – Accélérez graduellement jusqu’à la fin, La Tragédie de Salomé, op. 50: II. Danse des éclairs. Animé, sans exagération – Avec frénésie – Lent – Animé – Lent – Animé – Lent –, La Tragédie de Salomé, op. 50: II. Lent – Les Enchantements sur la mer. Un peu moins lent (Mouvement du Prélude) – Animez un peu – Cédez un peu – Un peu plus lent – Plus lent – Animez peu à peu – Animez toujours –, Le Palais hanté, op. 49
Пётр Ильич Чайковский	performing orchestra	Sinfonia no. 1 em sol menor, op. 13 "Sonhos de inverno": I. Sonhos de um dia de inverno (Allegro tranquillo), Sinfonia no. 1 em sol menor, op. 13 "Sonhos de inverno": II. Terra lúgubre, terra brumosa (Adagio cantabile ma non tanto), Sinfonia no. 1 em sol menor, op. 13 "Sonhos de inverno": III. Scherzo: Allegro scherzando giocoso, Sinfonia no. 1 em sol menor, op. 13 "Sonhos de inverno": IV. Finale: Andante lugubre - Allegro moderato
Mercan Özkan	performing orchestra	Psaume XLVII, op. 38: Animé. ‘Gloire au Seigneur!’ – Même mouvement. ‘Frappez des mains!’ – Large. ‘Parce que le Seigneur est très élevé…’ – Premier Mouvement. ‘Gloire au Seigneur!’ –, Psaume XLVII, op. 38: Même mouvement. ‘Dieu est monté au milieu des chants de joie!’ – Mouvement initial (Animé). ‘Nations, frappez des mains!’ – Même mouvement. ‘Parce que le Seigneur est très élevé…’, Psaume XLVII, op. 38: Un peu moins vite. ‘Parce que le Seigneur est très élevé…’ – Un peu plus animé. ‘Frappez des mains toutes ensemble!’ – Large, mais sans emphase. ‘Il nous a assujetti les peuples…’ – Même mouvement. ‘Gloire au Seigneur!’ –
Sardini Moupsi	performing orchestra	Psaume XLVII, op. 38: Calme. ‘Il a choisi dans son héritage la beauté de Jacob…’ – Large. ‘La beauté de Jacob!’ –

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