| Pete Gleadall |
engineer, mix, programming, recording, vocal, keyboard |
A Different Point of View, A Red Letter Day, A Red Letter Day (PSB extended edit), Always, Beautiful People, Betrayed, Birthday Boy, Boy Strange, Building a Wall, Burn, Can You Forgive Her?, Casanova in Hell, Closer to Heaven, Did You See Me Coming?, Discoteca, Discoteca (new version), Dreaming of the Queen, E-Mail, Electricity, Flamboyant, For Your Own Good, Friendly Fire, Go West, Go West / Postscript, God Willing, Groovy, Happiness, Happiness Is an Option, Here, Here (PSB new extended mix), Home and Dry, Home and Dry (Ambient mix), Home and Dry (Blank & Jones remix), How I Learned to Hate Rock ’n’ Roll, I Don't Know What You Want but I Can't Give It Any More, I Don’t Know What You Want but I Can’t Give It Any More, I Get Along, I Made My Excuses and Left, I Wouldn’t Normally Do This Kind of Thing, I'm With Stupid (Pet Shop Boys maxi-mix), If Looks Could Kill, In Bits, Indefinite Leave to Remain, Inner Sanctum, Integral, Integral (Perfect Immaculate mix), Into Thin Air, I’m With Stupid, King of Rome, Legacy, Liberation, Lies, London (Genuine Piano mix), Love Is a Bourgeois Construct, Love Is a Catastrophe, Luna Park, Minimal, Nightlife, Numb, One and One Make Five, One in a Million, One-Hit Wonder, Pandemonium, Pazzo!, Positive Role Model, Psychological, Radiophonic, Sad Robot World, Sail Away, Saturday Night Forever, Say It to Me, Screaming, Se a vida é (That’s the Way Life Is), Sexy Northerner, Sexy Northerner (Superchumbo mix), Silver Age, Single, Single-Bilingual, Somebody Else's Business, The Dictator Decides, The Last to Die, The Night I Fell in Love, The Pop Kids, The Pop Kids (PSB deep dub), The Pop Kids (The Full Story), The Pop Kids (radio edit), The Resurrectionist, The Samurai in Autumn, The Sodom and Gomorrah Show, The Survivors, The Theatre, This Used to Be the Future, Time on My Hands, To Speak Is a Sin, To Step Aside, Try It (I'm in Love With a Married Man), Twentieth Century, Twenty-Something, Undertow, Up Against It, Vocal, Vulnerable, Yesterday, When I Was Mad, You Choose, Young Offender |
| Stephen Hague |
mix, producer, remixer, keyboard |
A Different Point of View, Can You Forgive Her?, DJ Culture (seven-inch mix), Dreaming of the Queen, Go West, Go West / Postscript, I Want a Lover, I Wouldn’t Normally Do This Kind of Thing, It’s a Sin, King’s Cross, Later Tonight, Liberation, Love Comes Quickly, Love Comes Quickly (Stephen Hague dance mix), One and One Make Five, One in a Million, Opportunities (Let’s Make Lots of Money), Opportunities (reprise), Rent, Suburbia, The Theatre, To Speak Is a Sin, Tonight Is Forever, Two Divided by Zero, Violence, West End Girls, Why Don’t We Live Together?, Yesterday, When I Was Mad, Young Offender |
| Julian Mendelsohn (Australian record producer) |
engineer, mix, producer, remixer |
Always on My Mind (dub mix), Always on My Mind (extended dance mix), Being Boring, Being Boring (extended mix), DJ Culture, Heart, Hit Music, How Can You Expect to Be Taken Seriously?, It’s a Sin, It’s a Sin (disco mix), Jealousy, My October Symphony, Nervously, One More Chance, One More Chance (7″ mix), Only the Wind, Rent, Rent (7″ mix), Shopping, So Hard, So Hard (extended dance mix), Suburbia (The Full Horror), The End of the World, This Must Be the Place I Waited Years to Leave, To Face the Truth, Where the Streets Have No Name (I Can't Take My Eyes Off You), Yesterday, When I Was Mad |
| Bob Kraushaar |
engineer, mix, recording |
A Red Letter Day, A Red Letter Day (PSB extended edit), Being Boring, Being Boring (extended mix), Bet She's Not Your Girlfriend, Betrayed, Can You Forgive Her?, Discoteca, Electricity, Go West, How Can You Expect to Be Taken Seriously?, How I Learned to Hate Rock ’n’ Roll, I Wouldn’t Normally Do This Kind of Thing, If Looks Could Kill, Jealousy, Liberation, My October Symphony, Single, Single-Bilingual, So Hard, Somewhere, The Calm Before the Storm, Time on My Hands, To Step Aside, Up Against It, We All Feel Better in the Dark, Yesterday, When I Was Mad |
| Stuart David Price |
engineer, mix, producer, programming, vocal, keyboard |
Axis, Bolshy, Burn, Fluorescent, Groovy, Happiness, In Bits, Inner Sanctum, Inside a Dream, Into Thin Air, Love Is a Bourgeois Construct, Pazzo!, Sad Robot World, Say It to Me, Shouting in the Evening, The Dictator Decides, The Last to Die, The Pop Kids, The Pop Kids (PSB deep dub), The Pop Kids (The Full Story), The Pop Kids (radio edit), Twenty-Something, Undertow, Vocal |
| Tim Young (mastering engineer) |
mastering |
Being Boring, Casanova in Hell, God Willing, How Can You Expect to Be Taken Seriously?, I Made My Excuses and Left, Indefinite Leave to Remain, Integral, I’m With Stupid, Jealousy, Luna Park, Minimal, My October Symphony, Nervously, Numb, Only the Wind, Psychological, So Hard, The End of the World, The Sodom and Gomorrah Show, This Must Be the Place I Waited Years to Leave, To Face the Truth, Twentieth Century |
| David Jacob |
engineer, mix, producer, remixer |
I Want a Lover, It Couldn’t Happen Here, It’s a Sin, King’s Cross, Later Tonight, Love Comes Quickly, Opportunities (Let’s Make Lots of Money), Opportunities (reprise), Paninaro, Paninaro (Italian remix), Suburbia, Tonight Is Forever, Two Divided by Zero, Violence, We All Feel Better in the Dark, We All Feel Better in the Dark (extended mix), West End Girls, Why Don’t We Live Together? |
| Mike ‘Spike’ Drake |
engineer, mix |
A Different Point of View, A Red Letter Day (PSB extended edit), Can You Forgive Her?, Dreaming of the Queen, Go West, Go West / Postscript, I Wouldn’t Normally Do This Kind of Thing, Liberation, One and One Make Five, One in a Million, The Theatre, To Speak Is a Sin, Yesterday, When I Was Mad, Young Offender |
| Johnny Marr (UK guitarist; founding member of The Smiths) |
guitar, harmonica |
Beautiful People, Birthday Boy, Building a Wall, Did You See Me Coming?, E-Mail, Home and Dry, I Get Along, Love Is a Catastrophe, My October Symphony, Pandemonium, The Night I Fell in Love, This Must Be the Place I Waited Years to Leave, Up Against It, You Choose |
| Trevor Horn |
producer, bass, guitar |
Casanova in Hell, God Willing, I Made My Excuses and Left, Indefinite Leave to Remain, Integral, I’m With Stupid, Left to My Own Devices (Frankie Knuckles Royal Piano version), Luna Park, Minimal, Numb, Psychological, The Sodom and Gomorrah Show, Twentieth Century |
| Tony Cousins (mastering engineer) |
mastering |
Casanova in Hell, God Willing, I Made My Excuses and Left, Indefinite Leave to Remain, Integral, I’m With Stupid, Luna Park, Minimal, Numb, Psychological, The Sodom and Gomorrah Show, Twentieth Century |
| Robert Orton |
engineer |
Casanova in Hell, God Willing, I Made My Excuses and Left, Indefinite Leave to Remain, Integral, I’m With Stupid, Luna Park, Minimal, Numb, Psychological, The Sodom and Gomorrah Show, Twentieth Century |
| Tim Weidner |
engineer |
Casanova in Hell, God Willing, I Made My Excuses and Left, Indefinite Leave to Remain, Integral, I’m With Stupid, Luna Park, Minimal, Numb, Psychological, The Sodom and Gomorrah Show, Twentieth Century |
| Tim Powell |
keyboard |
All Over the World, Beautiful People, Building a Wall, Did You See Me Coming?, King of Rome, Legacy, Love etc., More Than a Dream, Pandemonium, The Way It Used to Be, Vulnerable |
| Goetz |
engineer, mix |
Absolutely Fabulous (Rollo Our Tribe Tongue-in-Cheek mix), Absolutely Fabulous (Rollo Our Tribe Tongue-in-Cheek mix) (snippet), Happiness Is an Option, I Don't Know What You Want but I Can't Give It Any More, I Don’t Know What You Want but I Can’t Give It Any More, In Denial, Lies, New York City Boy, Screaming, You Only Tell Me You Love Me When You're Drunk, You Only Tell Me You Love Me When You’re Drunk |
| Sabine Grüner |
cello |
After All (The Odessa Staircase), Drama in the Harbour, For Freedom, No Time for Tears, Nyet, Odessa, The Squadron, To the Battleship, To the Shore, ‘Comrades!’ |
| Tilmann Baubkus (German violist) |
violin |
After All (The Odessa Staircase), Drama in the Harbour, For Freedom, No Time for Tears, Nyet, Odessa, The Squadron, To the Battleship, To the Shore, ‘Comrades!’ |
| Robert Hartung |
viola |
After All (The Odessa Staircase), Drama in the Harbour, For Freedom, No Time for Tears, Nyet, Odessa, The Squadron, To the Battleship, To the Shore, ‘Comrades!’ |
| Florian Mayer (violin) |
violin |
After All (The Odessa Staircase), Drama in the Harbour, For Freedom, No Time for Tears, Nyet, Odessa, The Squadron, To the Battleship, To the Shore, ‘Comrades!’ |
| Tom Bruhn |
double bass |
After All (The Odessa Staircase), Drama in the Harbour, For Freedom, No Time for Tears, Nyet, Odessa, The Squadron, To the Battleship, To the Shore, ‘Comrades!’ |
| David Morales |
producer, remixer |
I Don't Know What You Want but I Can't Give It Any More, I Don't Know What You Want but I Can't Give It Any More (The Morales remix), I Don’t Know What You Want but I Can’t Give It Any More, New York City Boy, Nightlife, Seriously (David Morales Ragga Zone mix), So Hard (D. Morales Red Zone mix), So Hard (David Morales Red Zone mix), So Hard (David Morales mix), Where the Streets Have No Name (I Can't Take My Eyes Off You) (David Morales remix) |
| Meta Hüper |
violin |
After All (The Odessa Staircase), Drama in the Harbour, For Freedom, No Time for Tears, Nyet, Odessa, The Squadron, To the Battleship, To the Shore, ‘Comrades!’ |
| Franziska Weiß |
viola |
After All (The Odessa Staircase), Drama in the Harbour, For Freedom, No Time for Tears, Nyet, Odessa, The Squadron, To the Battleship, To the Shore, ‘Comrades!’ |
| Annegret Mattheis |
viola |
After All (The Odessa Staircase), Drama in the Harbour, For Freedom, No Time for Tears, Nyet, Odessa, The Squadron, To the Battleship, To the Shore, ‘Comrades!’ |
| Antje Löhr (violinist) |
violin |
After All (The Odessa Staircase), Drama in the Harbour, For Freedom, No Time for Tears, Nyet, Odessa, The Squadron, To the Battleship, To the Shore, ‘Comrades!’ |
| Mathias Morche |
double bass |
After All (The Odessa Staircase), Drama in the Harbour, For Freedom, No Time for Tears, Nyet, Odessa, The Squadron, To the Battleship, To the Shore, ‘Comrades!’ |
| Dresdner Sinfoniker |
performing orchestra |
After All (The Odessa Staircase), Drama in the Harbour, For Freedom, No Time for Tears, Nyet, Odessa, The Squadron, To the Battleship, To the Shore, ‘Comrades!’ |
| Kirstin Maria Pientka |
viola |
After All (The Odessa Staircase), Drama in the Harbour, For Freedom, No Time for Tears, Nyet, Odessa, The Squadron, To the Battleship, To the Shore, ‘Comrades!’ |
| Katrin Meingast |
cello |
After All (The Odessa Staircase), Drama in the Harbour, For Freedom, No Time for Tears, Nyet, Odessa, The Squadron, To the Battleship, To the Shore, ‘Comrades!’ |
| Benjamin Schwartz |
cello |
After All (The Odessa Staircase), Drama in the Harbour, For Freedom, No Time for Tears, Nyet, Odessa, The Squadron, To the Battleship, To the Shore, ‘Comrades!’ |
| Christiane Thiele (violinist) |
violin |
After All (The Odessa Staircase), Drama in the Harbour, For Freedom, No Time for Tears, Nyet, Odessa, The Squadron, To the Battleship, To the Shore, ‘Comrades!’ |
| Katrin Kösler (violinist) |
violin |
After All (The Odessa Staircase), Drama in the Harbour, For Freedom, No Time for Tears, Nyet, Odessa, The Squadron, To the Battleship, To the Shore, ‘Comrades!’ |
| Jonathan Stockhammer |
conductor |
After All (The Odessa Staircase), Drama in the Harbour, For Freedom, No Time for Tears, Nyet, Odessa, The Squadron, To the Battleship, To the Shore, ‘Comrades!’ |
| Juliane Heinze (violinist) |
violin |
After All (The Odessa Staircase), Drama in the Harbour, For Freedom, No Time for Tears, Nyet, Odessa, The Squadron, To the Battleship, To the Shore, ‘Comrades!’ |
| Branislaw Blatny (violinist) |
violin |
After All (The Odessa Staircase), Drama in the Harbour, For Freedom, No Time for Tears, Nyet, Odessa, The Squadron, To the Battleship, To the Shore, ‘Comrades!’ |
| Eva Oppl |
viola |
After All (The Odessa Staircase), Drama in the Harbour, For Freedom, No Time for Tears, Nyet, Odessa, The Squadron, To the Battleship, To the Shore, ‘Comrades!’ |
| Tom Götze |
double bass |
After All (The Odessa Staircase), Drama in the Harbour, For Freedom, No Time for Tears, Nyet, Odessa, The Squadron, To the Battleship, To the Shore, ‘Comrades!’ |
| Johannes Keltsch |
cello |
After All (The Odessa Staircase), Drama in the Harbour, For Freedom, No Time for Tears, Nyet, Odessa, The Squadron, To the Battleship, To the Shore, ‘Comrades!’ |
| Christian Küstermann (violinist) |
violin |
After All (The Odessa Staircase), Drama in the Harbour, For Freedom, No Time for Tears, Nyet, Odessa, The Squadron, To the Battleship, To the Shore, ‘Comrades!’ |
| Jamie Muhoberac |
keyboard |
I Made My Excuses and Left, Indefinite Leave to Remain, Integral, I’m With Stupid, Luna Park, Minimal, Numb, Psychological, The Sodom and Gomorrah Show, Twentieth Century |
| Steffen Gaitzsch (violinist) |
violin |
After All (The Odessa Staircase), Drama in the Harbour, For Freedom, No Time for Tears, Nyet, Odessa, The Squadron, To the Battleship, To the Shore, ‘Comrades!’ |
| Halina Deutschmann-Hütt (violinist) |
violin |
After All (The Odessa Staircase), Drama in the Harbour, For Freedom, No Time for Tears, Nyet, Odessa, The Squadron, To the Battleship, To the Shore, ‘Comrades!’ |
| Marian Krae (violin) |
violin |
After All (The Odessa Staircase), Drama in the Harbour, For Freedom, No Time for Tears, Nyet, Odessa, The Squadron, To the Battleship, To the Shore, ‘Comrades!’ |
| Harold Faltermeyer |
producer |
Being Boring, Being Boring (extended mix), Being Boring (extended version), How Can You Expect to Be Taken Seriously? (classical reprise), How Can You Expect to Be Taken Seriously? (extended version), Jealousy, So Hard, So Hard (The KLF vs. Pet Shop Boys), So Hard (extended dance mix) |
| Tessa Niles |
vocal |
Casanova in Hell, Footsteps, Integral, I’m With Stupid, The Sodom and Gomorrah Show, Vampires, Where the Streets Have No Name (I Can't Take My Eyes Off You), Where the Streets Have No Name (I Can't Take My Eyes Off You) (David Morales remix), Young Offender |
| Blank & Jones (German electronic music duo) |
producer, remixer |
Home and Dry (Blank & Jones dub remix), Home and Dry (Blank & Jones mix), Home and Dry (Blank & Jones radio edit), Home and Dry (Blank & Jones remix), Home and Dry (Blank and Jones dub remix), Home and Dry (Blank and Jones radio edit), Home and Dry (Blank and Jones remix), Love Comes Quickly, Love Comes Quickly (Blank and Jones mix) |
| Craig Armstrong |
arranger, producer |
Closer to Heaven, Footsteps, Friendly Fire, In Denial, The Only One, Vampires, You Only Tell Me You Love Me When You're Drunk, You Only Tell Me You Love Me When You’re Drunk |
| Matt Gray (UK techno DJ/producer, former video game composer) |
keyboard |
All Over the World, Beautiful People, Building a Wall, King of Rome, Legacy, Love etc., More Than a Dream, The Way It Used to Be |
| Jody Linscott |
percussion |
Birthday Boy, E-Mail, Here, Home and Dry, I Get Along, Love Is a Catastrophe, The Night I Fell in Love, You Choose |
| J.J. Belle |
guitar |
Being Boring, Go West / Postscript, Liberation, Se a vida é (That’s the Way Life Is), Violence (Haçienda version), Where the Streets Have No Name (I Can't Take My Eyes Off You), Where the Streets Have No Name (I Can't Take My Eyes Off You) (David Morales remix) |
| Stephen Hilton |
programming |
Closer to Heaven, Footsteps, In Denial, The Only One, Vampires, You Only Tell Me You Love Me When You're Drunk, You Only Tell Me You Love Me When You’re Drunk |
| Danny Tenaglia |
programming, remixer |
Before, Before (D.T.'s After mix), Before (D.T.'s Twilo dub), Before (Tenaglia's bonus Beats), Before (Tenaglia's bonus dub), Before (Tenaglia's underground mix), The Boy Who Couldn't Keep His Clothes On (international club mix) |
| Phil Palmer |
guitar |
Casanova in Hell, Indefinite Leave to Remain, I’m With Stupid, Luna Park, Minimal, The Sodom and Gomorrah Show, Twentieth Century |
| Xenomania |
remixer |
All Over the World (This Is a dub), Love etc. (Beautiful dub), More Than a Dream (Magical dub), Pandemonium (The Stars and the Sun dub), The Way It Used to Be (Left of Love dub), Vulnerable (Public Eye dub) |
| Brothers in Rhythm |
producer, remixer |
Go West, Go West (Kevin Saunderson Tribe mix), Go West / Postscript, How Can You Expect to Be Taken Seriously? (classical reprise), How Can You Expect to Be Taken Seriously? (extended version), We All Feel Better in the Dark (Brothers in Rhythm Ambient mix) |
| Geoff Foster (sound engineer) |
recording |
Footsteps, In Denial, The Only One, Vampires, You Only Tell Me You Love Me When You're Drunk, You Only Tell Me You Love Me When You’re Drunk |
| Rollo (Rollo Armstrong of Faithless) |
mix, producer, remixer |
Boy Strange, Can You Forgive Her? (Rollo dub), Can You Forgive Her? (Rollo remix edit), Can You Forgive Her? (Rollo remix), For Your Own Good, Radiophonic |
| Sylvia Mason-James (British singer) |
performer, vocal |
Go West / Postscript, Happiness Is an Option, Metamorphosis, One and One Make Five, One in a Million, The Theatre |
| Frank Ricotti |
percussion |
Casanova in Hell, Dreaming of the Queen, Integral, Luna Park, The Sodom and Gomorrah Show, Twentieth Century |
| The London Session Orchestra |
performing orchestra |
Closer to Heaven, Footsteps, In Denial, Vampires, You Only Tell Me You Love Me When You're Drunk, You Only Tell Me You Love Me When You’re Drunk |
| Skaila Kanga |
harp |
Casanova in Hell, God Willing, I Made My Excuses and Left, Luna Park, Minimal, Psychological |
| Shep Pettibone |
mix, producer, remixer |
I Want to Wake Up, Love Comes Quickly, Was That What It Was?, West End Girls, What Have I Done to Deserve This? (Shep Pettibone mix), You Know Where You Went Wrong |
| Paul Wright (UK recording engineer) |
engineer, mix, producer, remixer |
DJ Culture, How Can You Expect to Be Taken Seriously? (classical reprise), How Can You Expect to Be Taken Seriously? (extended version), Was It Worth It?, We All Feel Better in the Dark, We All Feel Better in the Dark (Brothers in Rhythm Ambient mix) |
| Owen Parker |
guitar, keyboard |
All Over the World, Beautiful People, Did You See Me Coming?, Love etc., Pandemonium, The Way It Used to Be |
| Chris Zippel |
engineer, producer, programming, vocal, keyboard |
E-Mail, London, London (Genuine Piano mix), London (Thee Radikal Blaklite edit), Positive Role Model, Somebody Else's Business |
| Steven Barkan |
engineer, mix |
I Don’t Know What You Want but I Can’t Give It Any More, Nightlife, Paris City Boy, Se a vida é (That's the Way Life Is) (Deep Dish Dub), Se a vida é (That's the Way Life Is) (Deep Dish Liquid remix) |
| Pete Schwier |
engineer, mix |
Bet She's Not Your Girlfriend, Discoteca (new version), It Must Be Obvious, It’s Alright, Sail Away |
| Anne Dudley |
arranger, conductor |
Dreaming of the Queen, Indefinite Leave to Remain, Liberation, The Sodom and Gomorrah Show, The Theatre |
| Mark 'Spike' Stent (producer, engineer) |
mix, remixer |
Closer to Heaven, Footsteps, Go West (Mark Stent 7"), The Only One, Vampires |
| Brian Higgins (British producer and song writer) |
vocal, keyboard |
All Over the World, Did You See Me Coming?, Love etc., More Than a Dream, Vulnerable |
| Brian Reeves |
engineer |
Being Boring, Being Boring (extended mix), Jealousy, So Hard, So Hard (extended dance mix) |
| Chris Porter (engineer) |
mix, producer, recording |
It Always Comes as a Surprise, Se a vida é (That's the Way Life Is) (Pink Noise mix), Se a vida é (That’s the Way Life Is), The Survivors |
| Andy Richards (Strawbs keyboard player/record producer) |
producer, programming, sampler, synthesizer |
Always on My Mind / In My House, Heart, It’s a Sin, Suburbia (The Full Horror) |
| Carol Kenyon |
vocal |
Footsteps, To Speak Is a Sin, Vampires, Young Offender |
| Tom Stephan |
mix-DJ, producer, vocal, keyboard |
Integral (Perfect Immaculate mix), Screaming, Sexy Northerner (Superchumbo mix), Yes (megamix) |
| Stephen Lipson |
engineer, producer, guitar |
Integral, Left to My Own Devices, Left to My Own Devices (Frankie Knuckles Royal Piano version), The Sodom and Gomorrah Show |
| Jay Henry |
vocal |
Footsteps, My October Symphony, The Only One, Vampires |
| Lol Creme |
guitar |
Integral, I’m With Stupid, The Sodom and Gomorrah Show, Twentieth Century |
| Trouser Enthusiasts |
producer, remixer |
A Red Letter Day (Trouser Enthusiasts Autoerotic Decapitation mix), A Red Letter Day (Trouser Enthusiasts Congo Dongo Dubstramental), Discoteca (Trouser Enthusiasts Adventure Beyond the Stellar Empire mix), Discoteca (Trouser Enthusiasts' Adventures Beyond the Stellar Empire mix) |
| Richard T. Norris |
programming |
Closer to Heaven, Footsteps, Vampires |
| Ren Swan |
engineer |
Where the Streets Have No Name (I Can't Take My Eyes Off You), Where the Streets Have No Name (I Can't Take My Eyes Off You) (David Morales remix), Where the Streets Have No Name (I Can’t Take My Eyes Off You) |
| Blue Weaver |
producer, programming, keyboard |
I Want a Lover, I’m Not Scared, Opportunities |
| Love to Infinity |
remixer |
Before (Classic Paradise mix - Love to Infinity), Before (Classic Paradise mix), Before (Danny Tenaglia Classic Paradise mix) |
| Jam & Spoon |
remixer |
Yesterday, When I Was Mad, Yesterday, When I Was Mad (Jam & Spoon mix), Young Offender (Jam and Spoon Trip-o-matic Fairy Tale mix) |
| Helena Springs |
vocal |
Violence, West End Girls, You Know Where You Went Wrong |
| Andy Hamilton (saxophonist) |
brass, saxophone |
It Always Comes as a Surprise, Se a vida é (That’s the Way Life Is), The Survivors |
| Richard Niles |
conductor, instrument arranger, orchestrator |
E-Mail, Left to My Own Devices, Somewhere |
| Bobby Orlando |
producer, remixer |
One More Chance, Pet Shop Boys, West End Girls |
| Andy Bradfield |
engineer |
Friendly Fire, You Only Tell Me You Love Me When You're Drunk, You Only Tell Me You Love Me When You’re Drunk |
| Ron Dean Miller |
producer, recording, remixer |
Opportunities, Opportunities (Let’s Make Lots of Money), Why Don’t We Live Together? |
| Sacha Collisson |
guitar, keyboard |
Love etc., More Than a Dream, The Way It Used to Be |
| Frankie Knuckles |
mix, producer, remixer |
I Want a Dog, Left to My Own Devices (Frankie Knuckles Royal Piano mix), Left to My Own Devices (Frankie Knuckles Royal Piano version) |
| DJ Pierre (US House DJ/producer Nathaniel Pierre Jones) |
remixer |
I Wouldn't Normally Do This Kind of Thing (DJ Pierre Wild Pitch dub), I Wouldn't Normally Do This Kind of Thing (DJ Pierre Wild Pitch mix), I Wouldn't Normally Do This Kind of Thing (DJ Pierre club mix) |
| The London Metropolitan Orchestra |
brass, strings |
All Over the World, Beautiful People, Legacy |
| Motiv8 |
producer, remixer |
A Red Letter Day (Motiv 8 12" master mix), A Red Letter Day (PSB extended edit) |
| Deep Dish |
remixer |
Se a vida é (That's the Way Life Is) (Deep Dish Dub), Se a vida é (That's the Way Life Is) (Deep Dish Liquid remix) |
| Our Tribe |
remixer |
Absolutely Fabulous (Rollo Our Tribe Tongue-in-Cheek mix), Absolutely Fabulous (Rollo Our Tribe Tongue-in-Cheek mix) (snippet) |
| Owen Pallett |
arranger |
Beautiful People, Legacy |
| Kurd Maverick |
remixer |
Love etc. (Kurd Maverick dub), Love etc. (Kurd Maverick mix) |
| Fred Falke |
keyboard |
Love etc., Vulnerable |
| Peter Rauhofer |
producer, remixer |
Break 4 Love (UK radio mix), I Don’t Know What You Want but I Can’t Give It Any More (Peter Rauhoffer New York mix) |
| Peter Schwartz |
instrument arranger, programming |
I Don't Know What You Want but I Can't Give It Any More, I Don’t Know What You Want but I Can’t Give It Any More |
| Phil Harding |
engineer, producer, remixer |
Always on My Mind (dub mix), In the Night |
| Razormaid |
remixer |
So Hard (Razormaid remix), West End Girls (Razormaid remix) |
| Joey Negro |
remixer |
Before (Joey Negro's Before dub), Before (Joey Negro's Hed Boys mix) |
| Richard Morel |
producer, remixer |
Se A Vida É (Pink Noise mix), Se a vida é (That's the Way Life Is) (Pink Noise mix) |
| Latin Rascals |
editor, remixer |
Opportunities, Why Don't We Live Together (original New York mix) |
| Joey Moskowitz |
programming |
New York City Boy, Nightlife |
| Rob Dougan |
keyboard |
Can You Forgive Her? (Rollo dub), Can You Forgive Her? (Rollo remix edit) |
| Rob Rives |
engineer |
Before, Saturday Night Forever |
| Katie Kissoon |
vocal |
It Always Comes as a Surprise, Young Offender |
| Robin Jones (Brazilian percussion) |
percussion |
Discoteca, It Always Comes as a Surprise |
| Arthur Baker |
remixer |
In the Night, In the Night (Arthur Baker remix) |
| Sam Taylor-Wood |
vocal |
Integral (Perfect Immaculate mix), Je T'aime... Moi Non Plus |
| Adrien Cook |
programming, keyboard, synthesizer |
Paninaro, You Know Where You Went Wrong |
| Frankmusik |
remixer |
Love etc. (Frankmusik Star & Garter dub), Love etc. (Frankmusik Star and Garter dub) |
| J.J. Jeczalik |
producer |
Opportunities, Opportunities (Let’s Make Lots of Money) |
| Steve Fitzmaurice |
engineer, vocal |
Where the Streets Have No Name (I Can't Take My Eyes Off You), Where the Streets Have No Name (I Can't Take My Eyes Off You) (David Morales remix) |
| Angelo Badalamenti |
conductor |
Only the Wind, This Must Be the Place I Waited Years to Leave |
| Superchumbo |
remixer |
New York City Boy (Superchumbo's Uptown mix), Sexy Northerner (Superchumbo mix) |
| The Beatmasters (British producer trio) |
remixer |
I Wouldn't Normally Do This Kind of Thing (Beatmasters Extended Nude mix), I Wouldn’t Normally Do This Kind of Thing |
| The KLF |
remixer |
It Must Be Obvious (UFO mix), So Hard (The KLF vs. The Pet Shop Boys) |
| Audrey Wheeler |
vocal |
I Don't Know What You Want but I Can't Give It Any More, I Don’t Know What You Want but I Can’t Give It Any More |
| Dave Meegan |
engineer |
I Want to Wake Up, You Know Where You Went Wrong |
| Felix da Housecat (Felix Stallings, Jr.) |
producer, remixer |
I Don't Know What You Want but I Can't Give It Any More (Thee Maddkatt Courtship 80 Witness mix), London (Thee Radikal Blaklite edit) |
| Eric Prydz |
remixer |
Miracles (Eric Prydz mix), Miracles (Eric Prydz remix) |
| Nicholas Froome |
producer |
Opportunities, Opportunities (Let’s Make Lots of Money) |
| Chris Lowe (1/2 of Pet Shop Boys) |
vocal |
Paninaro |
| Luke Halls |
vocal |
Love Is a Bourgeois Construct |
| MK (Marc Kinchen) |
producer, remixer |
Can You Forgive Her? (MK remix edit) |
| Chris Cameron |
keyboard |
It Always Comes as a Surprise |
| Dana Vlcek |
engineer, mix |
Before |
| Mark Bates (member of the band Dusted) |
piano |
Screaming |
| Armin van Buuren |
mix-DJ |
Vocal (Stuart Price remix) |
| Heller & Farley |
remixer |
Go West (Farley & Heller mix) |
| Hugh Burns |
guitar |
It Always Comes as a Surprise |
| Miguel Mateo-Garcia |
vocal |
Integral (Perfect Immaculate mix) |
| Mike Innes |
brass |
Se a vida é (That’s the Way Life Is) |
| Hugo Dwyer |
recording |
I Don't Know What You Want but I Can't Give It Any More |
| Ivan Pavlin |
mix-DJ, producer |
Can You Forgive Her? |
| Ewan Pearson |
remixer |
Psychological (Ewan Pearson mix) |
| Nayanna Holley |
vocal |
Burn |
| Fayyaz Virji |
brass |
Metamorphosis |
| Noel Langley |
brass |
Se a vida é (That’s the Way Life Is) |
| Felix Gauder |
remixer |
Flamboyant |
| Bălănescu Quartet |
strings |
My October Symphony |
| Andy Mackay |
saxophone |
Love Comes Quickly |
| Paul Roberts (house producer & DJ) |
producer |
Metamorphosis |
| Andy Kaufhold |
producer |
Home and Dry (Blank & Jones remix) |
| Pauline Taylor |
vocal |
For Your Own Good |
| Jason Howells |
engineer |
Screaming |
| Pete Lockett |
recording |
Closer to Heaven |
| Jaspa Jones |
producer |
Home and Dry (Blank & Jones remix) |
| Dave Spoon |
remixer |
Integral (Dave Spoon mix) |
| Jessica Rae Freedman |
vocal |
Undertow |
| Bud Beadle |
brass |
Metamorphosis |
| Phil Oakey |
vocal |
This Used to Be the Future |
| Phil Pagano |
programming |
Before |
| Andy Crookston |
vocal |
Love Is a Bourgeois Construct |
| Piet Blank |
producer |
Home and Dry (Blank & Jones remix) |
| Pink Noise (aka Richard Morel) |
remixer |
Se a vida é (That's the Way Life Is) (Pink Noise mix) |
| Premier (Eurodance duo Gino Olivieri & Ivan Pavlin) |
engineer |
Can You Forgive Her? |
| Radio Slave |
remixer |
Minimal (Radio Slave remix) |
| DMC (Rapper Darryl McDaniels) |
remixer |
Heart (Dmc remix) |
| Doug DeAngelis |
engineer, mix |
Saturday Night Forever |
| Richard Lowe (UK producer/engineer) |
engineer |
Saturday Night Forever |
| Brutal Bill Marquez |
remixer |
To Step Aside (Brutal Bill mix) |
| John Pillin |
remixer |
West End Girls (remix) |
| Richard Sidwell |
brass |
Se a vida é (That’s the Way Life Is) |
| Danton Supple |
editor |
So Hard (extended dance mix) |
| Richard X |
producer |
Fugitive (Richard X extended mix) |
| Richie Birkett |
keyboard |
Metamorphosis |
| E-Smoove |
remixer |
Liberation (E Smoove 12″ mix) |
| Joseph de Jesus |
vocal |
Discoteca |
| Craig J. Snider |
keyboard |
Se a vida é (That's the Way Life Is) (Mark Picchiott's Deep and Dark Vocal) |
| Andrew Anthony Williams (producer) |
producer |
Metamorphosis |
| Emotiquon |
remixer |
Shopping (Emotiquon remix) |
| Almighty (remix team, no releases) |
remixer |
New York City Boy (The Almighty Definitive mix) |
| Junior Vasquez |
remixer |
Yesterday, When I Was Mad (Junior Vasquez Factory dub) |
| Rufus Wainwright |
vocal |
Casanova in Hell |
| Alexander Bălănescu |
instrument arranger |
My October Symphony |
| Karen Finley |
samples from artist |
Screaming |
| Sally Bradshaw |
vocal |
Left to My Own Devices |
| Gary Barnacle |
saxophone |
Suburbia (The Full Horror) |
| Sasha (UK DJ and Producer Alexander Paul Coe) |
remixer |
West End Girls (Sasha mix) |
| SheBoom |
drums, percussion |
Se a vida é (That’s the Way Life Is) |
| Gary Maughan |
programming |
Always on My Mind / In My House |
| Simon Cotsworth |
engineer, programming |
Metamorphosis |
| Adam Blake |
handclaps |
Inside a Dream |
| Basement Jaxx |
remixer |
A Red Letter Day (Basement Jaxx vocal mix) |
| Kevin Robinson (Redskins trumpet player) |
brass |
Metamorphosis |
| Kevin Saunderson |
remixer |
Go West (Kevin Saunderson Tribe mix) |
| Sterling Void |
remixer |
It's Alright (The Sterling Void mix) |
| Khris Kallis |
keyboard |
Opportunities |
| Coconut 1 (producer mixer/PSB remix track) |
remixer |
Yesterday, When I Was Mad (Coconut 1 12″ mix) |
| Kornél Kovács |
mix |
Twenty-Something (Kornél Kovács remix) |
| Gino Olivieri |
mix-DJ, producer |
Can You Forgive Her? |
| Kylie Minogue |
vocal |
In Denial |
| Lange |
remixer |
New York City Boy (Lange mix) |
| Davide Giovannini |
vocal |
Discoteca |
| Thunderpuss |
remixer |
New York City Boy (Thunderpuss 2000 club mix) |
| Lino G. Rocha |
vocal |
Discoteca |
| Little Boots |
remixer |
Love Is a Bourgeois Construct (Little Boots Discothèque edit) |
| Gui Boratto |
remixer |
Love etc. (Gui Boratto mix) |
| Tomcraft |
remixer |
Flamboyant |
| Tony Phillips (engineer, mix, remix credits) |
engineer |
Heart |
| Trevor Healy |
keyboard |
Metamorphosis |
| Louie "Balo" Guzman |
programming |
Before |
| Tyree (US acid house DJ Tyree Cooper) |
remixer |
It's Alright (The Tyree mix) |
| Weston Foster |
vocal |
Discoteca |
| Moby (electronic musician Richard Melville Hall) |
remixer |
Miserablism (Moby Electro mix) |