| András Schiff |
conductor, producer |
10 Variations "Unser dummer Pöbel meint", K. 455, 12 German Dances, D. 790, 12 Variations "Ah, vous dirai-je, Maman", K. 265/300e, 3 Klavierstücke, D. 946 no. 1 in E-flat minor (Allegro assai), 3 Klavierstücke, D. 946 no. 2 in E-flat major (Allegretto), 3 Klavierstücke, D. 946 no. 3 in C major (Allegro), 4 Impromptus op. 142, D. 935 no. 1 in F minor: Allegro moderato, 4 Impromptus op. 142, D. 935 no. 2 in A-flat major: Allegretto, 4 Impromptus op. 142, D. 935 no. 3 in B-flat major: Theme (Andante) with Variations, 4 Impromptus op. 142, D. 935 no. 4 in F minor: Allegro scherzando, 4 Impromptus, op. 90, D. 899 no. 1 in C minor (Allegro molto moderato), 4 Impromptus, op. 90, D. 899 no. 2 in E-flat major (Allegro), 4 Impromptus, op. 90, D. 899 no. 3 in G-flat major (Andante), 4 Impromptus, op. 90, D. 899 no. 4 in A-flat major (Allegretto), 6 Moments musicaux, op. 94, D. 780 no. 1 in C major (Moderato), 6 Moments musicaux, op. 94, D. 780 no. 2 in A-flat major (Andantino), 6 Moments musicaux, op. 94, D. 780 no. 3 in F minor (Allegro moderato), 6 Moments musicaux, op. 94, D. 780 no. 4 in C-sharp minor (Moderato), 6 Moments musicaux, op. 94, D. 780 no. 5 in F minor (Allegro vivace), 6 Moments musicaux, op. 94, D. 780 no. 6 in A-flat major (Allegretto), Adagio for Glass Harmonica in C major, K. 356/617a, Adagio for Piano in B minor, K. 540: Adagio, Allegretto in C minor, D. 915, French Overture "Partita" in B minor, BWV 831: I. Overture, French Overture "Partita" in B minor, BWV 831: II. Courante, French Overture "Partita" in B minor, BWV 831: III. Gavotte I/II, French Overture "Partita" in B minor, BWV 831: IV. Passepied I/II, French Overture "Partita" in B minor, BWV 831: V. Sarabande, French Overture "Partita" in B minor, BWV 831: VI. Bourrée I/II, French Overture "Partita" in B minor, BWV 831: VII. Echo, French Overture "Partita" in B minor, BWV 831: VII. Gigue, French Suite no. 1 in D minor, BWV 812: I. Allemande, French Suite no. 1 in D minor, BWV 812: II. Courante, French Suite no. 1 in D minor, BWV 812: III. Sarabande, French Suite no. 1 in D minor, BWV 812: IV. Menuet I, French Suite no. 1 in D minor, BWV 812: V. Menuet II, French Suite no. 1 in D minor, BWV 812: VI. Gigue, French Suite no. 2 in C minor, BWV 813: I. Allemande, French Suite no. 2 in C minor, BWV 813: II. Courante, French Suite no. 2 in C minor, BWV 813: III. Sarabande, French Suite no. 2 in C minor, BWV 813: IV. Air, French Suite no. 2 in C minor, BWV 813: V. Menuet I, French Suite no. 2 in C minor, BWV 813: VI. Menuet II, French Suite no. 2 in C minor, BWV 813: VII. Gigue, French Suite no. 3 in B minor, BWV 814: I. Allemande, French Suite no. 3 in B minor, BWV 814: II. Courante, French Suite no. 3 in B minor, BWV 814: III. Sarabande, French Suite no. 3 in B minor, BWV 814: IV. Anglaise, French Suite no. 3 in B minor, BWV 814: V. Trio, French Suite no. 3 in B minor, BWV 814: VI. Gigue, French Suite no. 4 in E-flat major, BWV 815: I. Allemande, French Suite no. 4 in E-flat major, BWV 815: II. Courante, French Suite no. 4 in E-flat major, BWV 815: III. Sarabande, French Suite no. 4 in E-flat major, BWV 815: IV. Gavotte, French Suite no. 4 in E-flat major, BWV 815: V. Air, French Suite no. 4 in E-flat major, BWV 815: VI. Menuet, French Suite no. 4 in E-flat major, BWV 815: VII. Gigue, French Suite no. 5 in G major, BWV 816: I. Allemande, French Suite no. 5 in G major, BWV 816: II. Courante, French Suite no. 5 in G major, BWV 816: III. Saraban, French Suite no. 5 in G major, BWV 816: IV. Gavotte, French Suite no. 5 in G major, BWV 816: V. Bourrée, French Suite no. 5 in G major, BWV 816: VI. Loure, French Suite no. 5 in G major, BWV 816: VII. Gigue, French Suite no. 6 in E major, BWV 817: I. Allemande, French Suite no. 6 in E major, BWV 817: II. Courante, French Suite no. 6 in E major, BWV 817: III. Saraban, French Suite no. 6 in E major, BWV 817: IV. Gavotte, French Suite no. 6 in E major, BWV 817: V. Polonaise, French Suite no. 6 in E major, BWV 817: VI. Menuet, French Suite no. 6 in E major, BWV 817: VII. Bourree, French Suite no. 6 in E major, BWV 817: VII. Gigue, Grazer Galopp, D. 925, Italian Concerto in F major, BWV 971: I. Allegro, Italian Concerto in F major, BWV 971: II. Andante, Italian Concerto in F major, BWV 971: III. Presto, Kleine Gigue in G, K. 574, Lieder ohne Wort, op. 102 no. 5: Kinderstuck, Lieder ohne Wort, op. 19 no. 1: Andante con moto, Lieder ohne Wort, op. 19 no. 2: Andante Espressivo, Lieder ohne Wort, op. 19 no. 6: Venezianisches Gondellied, Lieder ohne Wort, op. 30 no. 4: Agitato e con fuoco, Lieder ohne Wort, op. 30 no. 6: Venezianisches Gondellied, Lieder ohne Wort, op. 38 no. 2: Duetto, Lieder ohne Wort, op. 53 no. 1: Andante con moto, Lieder ohne Wort, op. 62 no. 1: Andante espressivo, Lieder ohne Wort, op. 62 no. 6: Fruhlingslied, Lieder ohne Wort, op. 67 no. 4: Spinnerlied, Lieder ohne Wort, op. 67 no. 6: Allegretto non troppo, Lieder ohne Wort, op. 85 no. 6: Allegretto con moto, Minuet in D, K. 355, Piano Sonata no. 13 in A major, D. 664: II. Andante, Six German Dances, D. 820 no. 1, Six German Dances, D. 820 no. 2, Six German Dances, D. 820 no. 3, Six German Dances, D. 820 no. 4, Six German Dances, D. 820 no. 5, Six German Dances, D. 820 no. 6, Ungarische Melodie, D. 817 |
| Arrigo Boito |
producer |
Al soave raggiar di primavera (Faust), Atto I - Perchè di là? (Coro), Atto II - scena 1 - Cavaliero illustre e saggio (Margherita), Ave Signor! (Mefistofele), Ave, Signor degli angeli e dei santi (Falangi Celesti), Che baccano! (Msfistofele), Dai campi, dai prati (Faust), Dimmi se credi, Enrico (Margherita), Dio clemente, nuova, ignara (Margherita), Mefistofele: Atto II, Scena II. "Ah! su! riddiamo, riddiamo" (Streghe, Stregoni), Mefistofele: Atto II, Scena II. "Ascolta!" (Mefistofele), Mefistofele: Atto II, Scena II. "Ecco il mondo" (Mefistofele), Mefistofele: Atto II, Scena II. "Folletto" (Faust), Mefistofele: Atto II, Scena II. "Popoli! E scettro e clamide" (Mefistofele), Mefistofele: Atto II, Scena II. "Su, cammina, cammina, cammina" (Mefistofele), Mefistofele: Atto III. "Dio di pietà! son essi!" (Margherita), Mefistofele: Atto III. "L'altra notte in fondo al mare" (Margherita), Mefistofele: Atto III. "Lontano, lontano, lontano" (Faust, Margherita), Mefistofele: Atto III. "Sorge il dì" (Mefistofele), Mefistofele: Atto III. "Spunta l'aurora pallida" (Mefistofele), Mefistofele: Atto IV. "Ah! Trionfi ad Elena" (Coretidi), Mefistofele: Atto IV. "Ecco la notte del classico Sabba" (Mefistofele), Mefistofele: Atto IV. "Forma ideal, purissima" (Faust), Mefistofele: Atto IV. "La luna immobile" (Elena), Mefistofele: Atto IV. "Notte cupa, truce" (Elena), Mefistofele: Atto IV. "O incantesimo! parla! parla!" (Elena), Mefistofele: Atto IV. Danza, Mefistofele: Epilogo "Ave Signor, Signor degli angeli" (Falangi Celesti), Mefistofele: Epilogo "Cammina, cammina..." (Mefistofele), Mefistofele: Epilogo "Giunto sul passo estremo" (Faust), Prologue - Preludio, Salve Regina! (Le Penitenti), Se tu me doni un'ora di riposo (Faust), Sediam sovra quel sasso (Faust), Siam nimbi volanti dai limbi (Cherubini), Sono lo spirito che nega (Mefistofele), T'è noto Faust? (Chorus Mysticus) |
| Giacomo Puccini |
producer |
Madama Butterfly: Act I. "... E soffitto e pareti", Madama Butterfly: Act I. "Bimba, bimba, non piangere", Madama Butterfly: Act I. "Cio-cio-san! Cio-cio-san!", Madama Butterfly: Act I. "Dovunque al mondo", Madama Butterfly: Act I. "Ecco. Son giunte al sommo del pendio", Madama Butterfly: Act I. "Gran ventura", Madama Butterfly: Act I. "L'imperial Commissario", Madama Butterfly: Act I. "O Kami! O Kami!", Madama Butterfly: Act I. "Sorride Vostro Onore?", Madama Butterfly: Act I. "Tutti zitti!", Madama Butterfly: Act I. "Vieni, amor mio!", Madama Butterfly: Act I. "leri son salita tutta sola in segreto alla Missione", Madama Butterfly: Act II, Scene I. "C'è. Entrate", Madama Butterfly: Act II, Scene I. "Che tua madre dovrà prenderti in braccio", Madama Butterfly: Act II, Scene I. "E Izaghi ed Izanami, Sarundasico e Kami", Madama Butterfly: Act II, Scene I. "E questo? E questo?", Madama Butterfly: Act II, Scene I. "Ebbene, che fareste, Madama Butterfly?", Madama Butterfly: Act II, Scene I. "Or vienmi ad adornar", Madama Butterfly: Act II, Scene I. "Ora a noi. Sedete qui", Madama Butterfly: Act II, Scene I. "Scuoti quella fronda di ciliegio", Madama Butterfly: Act II, Scene I. "Si sa che aprir la porta", Madama Butterfly: Act II, Scene I. "Udiste?", Madama Butterfly: Act II, Scene I. "Una nave da guerra...", Madama Butterfly: Act II, Scene I. "Vespa! Rospo maledetto!", Madama Butterfly: Act II, Scene II. "Addio fiorito asil", Madama Butterfly: Act II, Scene II. "Chi sia?", Madama Butterfly: Act II, Scene II. "Come una mosca prigioniera", Madama Butterfly: Act II, Scene II. "Con onor muore chi non può serbar vita con onore", Madama Butterfly: Act II, Scene II. "Già il sole!", Madama Butterfly: Act II, Scene II. "Non ve l'avevo detto?", Madama Butterfly: Act II, Scene II. "Suzuki? Suzuki? Dove sei?", Madama Butterfly: Act II, Scene II. "Tu, Suzuki, che sei tanto buona", Madama Butterfly: Act II, Scene II. "lo so che alle pene", Madama Butterfly: Act II, Scene II. (Fischi d'uccelli dal giardino), Madama Butterfly: Act II, Scene II. Intermezzo |
| Rob Lewis |
producer |
Le nozze di Figaro, K. 492: Act I, Scene I. No. 1 Duetto "Cinque… dieci… Venti… trenta…" (Figaro, Susanna) / Recitativo "Cosa stai misurando" (Figaro, Susanna), Le nozze di Figaro, K. 492: Act I, Scene I. No. 2 Duettino "Se a caso madama la notte ti chiama" (Figaro, Susanna) / Act I, Scene II. Recitativo "Or bene, ascolta e taci!" (Figaro, Susanna), Le nozze di Figaro, K. 492: Act I, Scene II. "Bravo, signor padrone" / No. 3 Cavatina "Se vuol ballare" (Figaro), Le nozze di Figaro, K. 492: Act I, Scene III. No. 4 Aria "La vendetta, oh, la vendetta" (Bartolo), Le nozze di Figaro, K. 492: Act I, Scene III. No. 4 Aria "La vendetta, oh, la vendetta" (Bartolo) / Act I, Scene IV. Recitativo "Tutto ancor non ho perso" (Marcellina, Susanna), Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino), Le nozze di Figaro, K. 492: Act I, Scene V. Recitativo "Va là, vecchia pedante" (Cherubino, Susanna), Le nozze di Figaro, K. 492: Act I, no. 3 "Se vuol ballare" (Figaro), Le nozze di Figaro, K. 492: Act II, Scene I. No. 11 Cavatina "Porgi, amor qualche ristoro" (La Contessa) / Act II, Scene I. Recitativo "Vieni, cara Susanna" (La Contessa, Susanna, Figaro), Le nozze di Figaro, K. 492: Act II, Scene II. No. 13 Aria "Venite… inginocchiatevi…" (Susanna), Le nozze di Figaro, K. 492: Act II, Scene III. No. 14 Terzetto "Susanna or via, sortite" (Il Conte, La Contessa, Susanna) / Recitativo "Dunque, voi non aprite?" (Il Conte, La Contessa), Le nozze di Figaro, K. 492: Act II, Scene III. Recitativo "Che novità!" (Il Conte, La Contessa), Le nozze di Figaro, K. 492: Act II, Scene IV. No. 15 Duettino "Aprite, presto, aprite" (Susanna, Cherubino) / Recitativo "Oh guarda il demonietto!" (Susanna), Le nozze di Figaro, K. 492: Act II, Scene IX. No. 16 Finale "Signori di fuori son già suonatori" (Il Conte, La Contessa, Susanna) / Act II, Scene X. No. 16 Finale "Ah signor... signor" (Il Conte, La Contessa, Susanna), Le nozze di Figaro, K. 492: Act II, Scene VII. No. 16 Finale "Esci, ormai, garzon malnato" (Il Conte, La Contessa, Susanna), Le nozze di Figaro, K. 492: Act II, Scene XI. No. 16 Finale "Voi signor che giusto siete" (Il Conte, La Contessa, Susanna), Le nozze di Figaro, K. 492: Act III, Scene II. No. 17 Duetto "Crudel! Perché finora farmi languir così?" (Il Conte, Susanna), Le nozze di Figaro, K. 492: Act III, Scene IV. No. 18 Recitativo "Hai già vinta la causa" (Il Conte) / No. 18 Aria "Vedrò, mentre io sospiro" (Il Conte), Le nozze di Figaro, K. 492: Act III, Scene V. No. 19 Sestetto "Riconosci in questo amplesso" (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro) / Act III, Scene VI. Recitativo "Eccovi, oh caro amico" (Marcellina, Bartolo, Figaro, Susanna), Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Recitativo "E Susanna non vien!" (La Contessa) / No. 20 Aria "Dove sono i bei momenti" (La Contessa), Le nozze di Figaro, K. 492: Act III, Scenes I-II. Recitativo "Che imbarazzo è mai questo!" (Il Conte, La Contessa, Susanna), Le nozze di Figaro, K. 492: Act III. "Cosa mi narri?...Che soave zeffiretto", Le nozze di Figaro, K. 492: Act III. "Riconosci in questo amplesso", Le nozze di Figaro, K. 492: Act IV, Scene I. No. 24 Aria "L'ho perduta... me meschina" (Marcellina) / Act IV, Scenes II-III. Recitativo "Barbarina, cos'hai?" (Figaro, Barbarina, Marcellina), Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Gente gente, all'armi all'armi!" (Il Conte, Tutti), Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Pian pianin le andrò più presso" (Il Conte, Tutti), Le nozze di Figaro, K. 492: Act IV, Scene VI. No. 25 Aria "Il capro e la capretta" (Basilio), Le nozze di Figaro, K. 492: Act IV, Scene VII. No. 26 Recitativo "In quegli anni in cui val poco" (Figaro), Le nozze di Figaro, K. 492: Act IV, Scene VIII. No. 27 Recitativo "Tutto è disposto" (Susanna), Le nozze di Figaro, K. 492: Act IV, Scene X. No. 28 Finale "Giunse alfin il momento" (Cherubino, La Contessa, Il Conte, Susanna, Figaro), Le nozze di Figaro, K. 492: Overture, Pomp and Circumstance March no. 1 in D, op. 39 no. 1 |
| Storstrøms Kammerensemble |
producer |
Die Zauberflöte, K. 620: Act I, Scene I. Introduction "Zu Hilfe! Zu Hilfe!" (Tamino), Die Zauberflöte, K. 620: Act I, Scene II. No. 1 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno), Die Zauberflöte, K. 620: Act I, Scene IV. No. 3 Aria "Dies Bildnis ist bezaubernd schön" (Tamino), Die Zauberflöte, K. 620: Act I, Scene VIII. No. 5 Quintet "Hm! Hm! Hm!" (Papageno, Tamino), Die Zauberflöte, K. 620: Act I, Scene XII. No. 6 Trio "Du feines Täubchen, nur herein" (Pamina, Tamino), Die Zauberflöte, K. 620: Act I, Scene XV. Recitativo "Die Weisheitslehre dieser Knaben" (Tamino), Die Zauberflöte, K. 620: Act II, Scene I. No. 9 Marsch der Priester, Die Zauberflöte, K. 620: Act II, Scene II. Dialogue "Eine schreckliche Nacht!" (Tamino, Papageno), Die Zauberflöte, K. 620: Act II, Scene V. No. 12 Quintet "Wie? Wie? Wie? Ihr an diesem Schreckensort?" (Papageno, Tamino), Die Zauberflöte, K. 620: Act II, Scene VII. No. 13 Aria "Alles fühlt der Liebe Freuden" (Monostatos), Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht), Die Zauberflöte, K. 620: Act II, Scene XII. No. 15 Aria "In diesen heil'gen Hallen kennt" (Sarastro), Die Zauberflöte, K. 620: Act II, Scene XIX. No. 17 Aria "Ach, ich fühl's, es ist verschwunden" (Pamina), Die Zauberflöte, K. 620: Act II, Scene XVI. No. 16 Trio "Seid uns zum zweiten Mal willkommen" (Knaben), Die Zauberflöte, K. 620: Act II, Scene XX. No. 18 Chorus "O Isis und Osiris, welche Wonne!" (Chor der Priester), Die Zauberflöte, K. 620: Act II, Scene XXII. No. 19 Trio "Soll ich dich, Teurer, nicht mehr sehn?" (Pamina, Sarastro, Tamino), Die Zauberflöte, K. 620: Act II, Scene XXIII. No. 20 Aria "Ein Mädchen oder Weibchen wünscht Papageno sich!" (Papageno), Die Zauberflöte, K. 620: Act II, Scene XXIX. "Papagena! Papagena!" (Papageno), Die Zauberflöte, K. 620: Act II, Scene XXVI. No. 21 Finale "Bald prangt, den Morgen zu verkünden" (Pamina), Die Zauberflöte, K. 620: Act II, Scene XXVIII. "Der, welcher wandelt diese Straße voll Beschwerden" (Zwei Geharnischten, Tamino, Pamina), Die Zauberflöte, K. 620: Act II, Scene XXX. "Die Strahlen der Sonne vertreiben die Nacht" (Sarastro), Die Zauberflöte, K. 620: Act II, Scene XXX. "Nur stille! Stille! Die Strahlen der Sonne" (Chor, Monostatos, Königin, Damen), Die Zauberflöte, K. 620: Ouverture, Du Also Bist Mein Bräutigam?, Wo Willst Du, Kühner Fremdling, Hin?, Zum Ziele Führt Dich Diese Bahn |
| Κωνσταντίνος Κατωμέρης |
producer |
12 Etudes, op. 10: No. 1 in C major, 12 Etudes, op. 10: No. 2 in A minor "chromatique", 12 Etudes, op. 10: No. 4 in C-sharp minor, 12 Etudes, op. 10: No. 8 in F major, 12 Etudes, op. 25: No. 10 in B minor, 12 Etudes, op. 25: No. 11 in A minor "Winter Wind", 12 Etudes, op. 25: No. 4 in A minor, 12 Etudes, op. 25: No. 5 in E minor, 12 Etudes, op. 25: No. 6 in G-sharp minor, 12 Etudes, op. 25: No. 7 in C-sharp minor, 12 Etudes, op. 25: No. 8 in D-flat major, Etude, Op. 10 No. 10 in A-flat major, Etude, Op. 10 No. 11 in F-flat major, Etude, Op. 10 No. 12 in C minor, Etude, Op. 10 No. 3 in E major, Etude, Op. 10 No. 5 in G-flat major, Etude, Op. 10 No. 6 in E-flat minor, Etude, Op. 10 No. 7 in C major, Etude, Op. 10 No. 9 in F minor, Etude, Op. 25 No. 1 in A-flat major, Etude, Op. 25 No. 12 in C minor, Etude, Op. 25 No. 2 in F minor, Etude, Op. 25 No. 3 in F major, Etude, Op. 25 No. 9 in G-flat major, Impromptu ("Nocturne"), 1872, Mephisto Waltz no. 1, S. 514 |
| Karl Münchinger |
producer |
Die Schöpfung, Hob. XX1:2: Teil I, No. 1. Orchestervorspiel Die Vorstellung der Chaos, Die Schöpfung, Hob. XX1:2: Teil I, No. 10. Rezitativ "Und die himmlischen Heerscharen verkündigten" (Uriel) / Teil I, No. 11. Chor "Stimmt an die Saiten" (Chor), Die Schöpfung, Hob. XX1:2: Teil I, No. 12. Rezitativ "Und Gott sprach: Es sei'n Lichter" (Uriel) / Teil I, No. 13. Rezitativ "In vollem Glanze steiget jetzt" (Uriel), Die Schöpfung, Hob. XX1:2: Teil I, No. 14. Terzett und Chor "Die Himmel erzählen die Ehre Gottes" (Chor, Gabriel, Uriel, Raphael), Die Schöpfung, Hob. XX1:2: Teil I, No. 2. Rezitativ und Chor "Im Anfange schuf Gott Himmel und Erde" (Raphael, Chor, Uriel), Die Schöpfung, Hob. XX1:2: Teil I, No. 3. Arie und Chor "Nun schwanden vor dem heiligen Strahle" (Uriel, Chor), Die Schöpfung, Hob. XX1:2: Teil I, No. 4. Rezitativ "Und Gott machte das Firmament" (Raphael) / Teil I, No. 5. Solo und Chor "Mit Staunen sieht das Wunderwerk" (Gabriel, Chor), Die Schöpfung, Hob. XX1:2: Teil I, No. 6. Rezitativ "Und Gott sprach" (Raphael) / Teil I, No. 7. Arie "Rollend in schäumenden Wellen" (Raphael), Die Schöpfung, Hob. XX1:2: Teil I, No. 8. Rezitativ "Und Gott sprach: Es bringe die Erde Gras hervor" (Gabriel) / Teil I, No. 9. Arie "Nun beut die Flur das frische Grün" (Gabriel), Die Schöpfung, Hob. XX1:2: Teil II, No. 15. Rezitativ "Und Gott sprach: Es bringe das Wasser" (Gabriel) / Teil II, No. 16. Arie "Auf starkem Fittiche schwinget sich der Adler stolz" (Gabriel), Die Schöpfung, Hob. XX1:2: Teil II, No. 17. Rezitativ "Und Gott schuf große Walfische" (Raphael), Die Schöpfung, Hob. XX1:2: Teil II, No. 18. Rezitativ "Und die Engel rührten ihr' unsterblichen Harfen" (Raphael) / Teil II, No. 19. Terzett und Chor "In holder Anmut steh'n" (Gabriel, Uriel, Raphael, Chor), Die Schöpfung, Hob. XX1:2: Teil II, No. 20. Rezitativ "Und Gott sprach: Es bringe die Erde" (Raphael) / Teil II, No. 21. Rezitativ "Gleich öffnet sich der Erde Schoß" (Raphael), Die Schöpfung, Hob. XX1:2: Teil II, No. 22. Arie "Nun scheint in vollem Glanze der Himmel" (Raphael), Die Schöpfung, Hob. XX1:2: Teil II, No. 23. Rezitativ "Und Gott schuf den Menschen" (Uriel) / Teil II, No. 24. Arie "Mit Würd' und Hoheit angetan" (Uriel), Die Schöpfung, Hob. XX1:2: Teil II, No. 25. Rezitativ "Und Gott sah jedes Ding" (Raphael) / Teil II, No. 26. Chor und Terzett "Vollendet ist das große Werk" (Chor, Gabriel, Uriel, Raphael), Die Schöpfung, Hob. XX1:2: Teil III, No. 27. Rezitativ "Aus Rosenwolken" (Uriel), Die Schöpfung, Hob. XX1:2: Teil III, No. 28. Duett und Chor "Von deiner Güt', o Herr und Gott" (Eva, Adam, Chor), Die Schöpfung, Hob. XX1:2: Teil III, No. 29. Rezitativ "Nun ist die erste Pflicht erfüllt" (Adam, Eva), Die Schöpfung, Hob. XX1:2: Teil III, No. 30. Duett "Holde Gattin, dir zur Seite" (Adam, Eva), Die Schöpfung, Hob. XX1:2: Teil III, No. 31. Rezitativ "O glücklich Paar, und glücklich immerfort" (Uriel) / Teil III, No. 32. Schlußchor (mit Soli) "Singt dem Herren, alle Stimmen!" (Chor, Solisten) |
| Zoltán Kodály |
producer |
The Peacock (Fölszállot a páva), for unaccompanied chorus, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": 1. Moderato (Theme), Variations on a Hungarian Folk Song for Orchestra, "The Peacock": 6. Finale: Vivace, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 10: Molto vivo, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 11: Andante espressivo, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 12: Adagio, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 13: Tempo de Marcia funebre, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 14: Andante, poco rubato, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 15: Allegro giocoso, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 16: Maestoso, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 2, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 3: Più mosso, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 4: Poco calmato, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 5: Appassionato, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 6: Tempo (calmato), Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 7: Vivo, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 8: Più vivo, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 9, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation. 1: Con brio |
| Harry Mordecai |
producer |
5 julsånger, op. 1 no. 1: Nu står jul vid snöig port, 5 julsånger, op. 1 no. 2: Nu så kommer julen!, 5 julsånger, op. 1 no. 3: Det mörknar ute, 5 julsånger, op. 1 no. 4: Giv mig ej glans, 5 julsånger, op. 1 no. 5: On hanget korkeat, nietokset, 7 laulua, op. 13 no. 1: Under strandens granar, 7 laulua, op. 13 no. 2: Kyssens hopp, 7 laulua, op. 13 no. 3: Hjärtats morgon, 7 laulua, op. 13 no. 4: Våren flyktar hastigt, 7 laulua, op. 13 no. 5: Drömmen, 7 laulua, op. 13 no. 6: Till Frigga, 7 laulua, op. 13 no. 7: Jägargossen, 7 laulua, op. 17 no. 2: Sov in!, 7 laulua, op. 17 no. 4: Vilse, 7 laulua, op. 17 no. 6: Illalle, 7 laulua, op. 17 no. 7: Lastu lainehilla, Arioso, op. 3, Fågellek, op. 17 no. 3, Serenad |
| Rogue D |
audio |
Ay, ay, ay, Because, Core ’ngrato, Dicitencello vuie, Lolita, Manhã de Carnaval, Maria, Marì, Parlami d’amore, Solamente una vez, Sous le ciel de Paris, Ständchen (Serenade), Ti voglio tanto bene, Torero quiero, Tu ca nun chiagne, You’ll Never Walk Alone, ’O sole mio, ’O surdato ’nnamurato |
| Alejandro Almenares |
producer |
Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": II. Andante, Concerto for Piano no. 23 in A major, K. 488: I. Allegro, Concerto for Piano no. 23 in A major, K. 488: III. Allegro, Concerto for Piano no. 27 in B-flat major, K. 595: I. Allegro, Concerto for Piano no. 27 in B-flat major, K. 595: III. Rondo. Allegro, Piano Concerto no. 17 In G, K. 453: 1. Allegro, Piano Concerto no. 17 In G, K. 453: 2. Andante, Piano Concerto no. 17 In G, K. 453: 3. Allegretto - Finale: Presto, Piano Concerto no. 20 in D minor, K. 466: II. Romance, Piano Concerto no. 26 in D major, K. 537 "Coronation": II. Larghetto, Piano Concerto no. 27 in B-flat major, K. 595: II. Larghetto, Piano concerto no. 5 in D, K. 175: I. Allegro, Piano concerto no. 5 in D, K. 175: II. Andante ma un poco adagio, Piano concerto no. 5 in D, K. 175: III. Allegro, Piano concerto no. 6 in B flat, K. 238: I. Allegro aperto, Piano concerto no. 6 in B flat, K. 238: II. Andante un poco adagio, Piano concerto no. 6 in B flat, K. 238: III. Rondeau (Allegro) |
| Luciano Pavarotti |
audio, producer |
Caruso, Granada, L'elisir d'amore: Una furtiva lagrima, La traviata: Act II, Scene I. “Lunge da lei … O mio rimorso!”, La traviata: Atto II, Scena I. “De’ miei bollenti spiriti” (Alfredo), La traviata: Atto II, Scena I. “Lunge da lei” (Alfredo), La traviata: Atto II, Scena I. “O mio rimorso!” (Alfredo), Lucia di Lammermoor: Atto III, Scena III. "Fra poco a me ricovero" (Edgardo), Lucia di Lammermoor: Atto III, Scena III. "Tombe degli avi miei" (Edgardo), Lucia di Lammermoor: Atto III. "Fra poco a me ricovero" (Edgardo), Nessun dorma, Recondita armonia, Rondine al nido, Torna a Surriento |
| MeCha |
producer |
Swan Lake, op. 20: Act 1. No. 1.. Scène (Allegro giusto), Swan Lake, op. 20: Act 1. No. 2. Valse (Corps de Ballet), Swan Lake, op. 20: Act 1. No. 8. Danse des coupes (Tempo di polacca), Swan Lake, op. 20: Act 2. No. 10. Scène (Moderato), Swan Lake, op. 20: Act 2. No. 11. Scène (Allegro moderato), Swan Lake, op. 20: Act 2. No. 13d. Danse des petits cygnes (Allegro moderato), Swan Lake, op. 20: Act 2. No. 13e. Danse des cygnes: Pas d'action: Odette et le prince / Deuxième danse de la reine des cygnes (Andante), Swan Lake, op. 20: Act 3. No. 20. Danse hongroise (Czárdás), Swan Lake, op. 20: Act 3. No. 24. Scène (Allegro - Valse - Allegro vivo), Swan Lake, op. 20: Act 3. No. 27. Danses des petits cygnes (Moderato), Swan Lake, op. 20: Act 3. No. 29. Scène finale (Andante), Swan Lake, op. 20: Act 3. Pas de deux, Swan Lake, op. 20: Introduction |
| Miles Robinson |
producer |
Requiem, op. 89: I. Requiem aeternam, Requiem, op. 89: II. Graduale, Requiem, op. 89: III. Dies irae, Requiem, op. 89: IV. Tuba mirum, Requiem, op. 89: IX. Offertorium, Requiem, op. 89: V. Quid sum miser, Requiem, op. 89: VI. Recordare, Requiem, op. 89: VII. Confutatis maledictis, Requiem, op. 89: VIII. Lacrimosa, Requiem, op. 89: X. Hostias, Requiem, op. 89: XI. Sanctus, Requiem, op. 89: XII. Pie Jesu, Requiem, op. 89: XIII. Agnus Dei |
| Сандали |
producer |
Die erste Walpurgisnacht (op.60) 1. Overture - Das schlechte Wetter - Der Ueb…, Die erste Walpurgisnacht (op.60) 2. Es lacht der Mai!, Die erste Walpurgisnacht (op.60) 3. Koennt ihr so verwegen handeln?, Die erste Walpurgisnacht (op.60) 4. Wer Opfer heut' zu bringen scheut, Die erste Walpurgisnacht (op.60) 5. Verteilt euch hier, Die erste Walpurgisnacht (op.60) 6. Diese Dumpfen Pfaffenchristen - Kommt Mit Zacken, Die erste Walpurgisnacht (op.60) 7. So Weit Gebracht - Hailf, Ach Hilf Mir…, Symphony №3 in A minor, op. 56 “Scottish”: I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima, Symphony №3 in A minor, op. 56 “Scottish”: II. Vivace non troppo, Symphony №3 in A minor, op. 56 “Scottish”: III. Adagio, Symphony №3 in A minor, op. 56 “Scottish”: IV. Allegro vivacissimo - Allegro maestoso assai |
| David Tamura |
producer |
Die Fledermaus-Quadrille, op. 363, Feuerfest, op. 269, Fächer:polonaise, op. 525, Jokey-Polka, op. 278, Kaiserwalzer, op. 437, Lagunen-Walzer (Lagoon Waltz), op. 411, Loreley-Rhein-Klänge, op. 154, Napoleon-Marsch, op. 156, Tausendundeine Nacht, op. 346, Wo die Zitronen blüh'n, op. 364 |
| Juice Normaali |
producer |
Peer Gynt, op. 23, Incidental Music: no. 21. Peer Gynt’s Homecoming. Stormy Evening on the Sea, Peer Gynt, op. 23: Act 1. Prelude, Peer Gynt, op.23: No. 12. The death of Ase, Peer Gynt, op.23: No. 13. Morning mood, Peer Gynt, op.23: No. 15. Arabian dance, Peer Gynt, op.23: No. 16. Anitra's dance, Peer Gynt, op.23: No. 19. Solveig's song, Peer Gynt, op.23: No. 4. Ingrid's Lament, Peer Gynt, op.23: No. 8. In the hall of the Mountain King, Peer Gynt, op.23: No. 9. Dance of the Mountain King's daughter |
| Jon Antonik |
producer |
Symphony No. 41 in C major, K. 551 `Jupiter`: I. Allegro vivace, Symphony No. 41 in C major, K. 551 `Jupiter`: II. Andante cantabile, Symphony No. 41 in C major, K. 551 `Jupiter`: III. Menuetto & Trio: Allegretto, Symphony No. 41 in C major, K. 551 `Jupiter`: IV. Molto allegro, Symphony no. 40 in G minor, K. 550: I. Molto allegro, Symphony no. 40 in G minor, K. 550: II. Andante, Symphony no. 40 in G minor, K. 550: III. Menuetto: Allegretto – Trio, Symphony no. 40 in G minor, K. 550: IV. Allegero assai |
| Giuseppe Verdi |
producer |
Agnus Dei, Dies Irae (Concl.), Dies Irae, Part 1, Libera Me, Lux Aeterna, Offertorio, Requiem, Sanctus |
| Kathryn Dean |
producer |
Symphony no. 101 in D major, Hob. I:101 "The Clock": I. Adagio - Presto, Symphony no. 101 in D major, Hob. I:101 "The Clock": II. Andante, Symphony no. 101 in D major, Hob. I:101 "The Clock": III. Menuet (Allegretto) - Trio, Symphony no. 101 in D major, Hob. I:101 "The Clock": IV. Finale (Vivace), Symphony no. 94 in G major, Hob. I:94 "Surprise": I. Adagio - Vivace assai, Symphony no. 94 in G major, Hob. I:94 "Surprise": II. Andante, Symphony no. 94 in G major, Hob. I:94 "Surprise": III. Menuet (Allegro molto), Symphony no. 94 in G major, Hob. I:94 "Surprise": IV. Finale (Allegro di molto) |
| Micah Adriano |
producer |
Il segreto di Susanna: "Ah! L'odore fatal", Il segreto di Susanna: "Chi è la?", Il segreto di Susanna: "Coglierla debbo - Coglierla!", Il segreto di Susanna: "Mantiglia griga, cappellino rosa", Il segreto di Susanna: "O, siete qui, mio Gil?", Il segreto di Susanna: "Sante col cioccolato", Il segreto di Susanna: "Ti colgo questa volta!", Il segreto di Susanna: "Via così non mi lasciate" |
| Dimitris Konstantakopoulos |
producer |
Antigono: Atto III. "Berenice, che fai?" (Berenice), Ezio: Atto III. "Misera, dove son! ... Ah! non son io che parlo" (Fulvia), Il Parnaso confuso: "Di questa cetra in seno" (Erato), La Semiramide riconosciuta: Atto I. "Ciascun siegua il suo stile ... Maggior follia" (Ircano), La clemenza di Tito: Atto II. "Ah, taci, barbaro ... Come potesti, oh Dio!" (Vitellia), La clemenza di Tito: Atto II. "Se mai senti spirarti sul volto" (Sesto), La corona: "Quel chiaro rio" (Atalanta) |
| José Carreras |
audio, producer |
Core 'ngrato, Granada, Il lamento di Federico, Io conosco un giardino, L'improvviso, T’estimo, Voce ’e notte! |
| Katy Cowan |
producer |
Piano Sonata in A major, D664: I. Allegro moderato, Piano Sonata in A major, D664: II. Andante, Piano Sonata in A major, D664: III. Allegro, Piano Sonata in B-flat major, D960: I. Molto moderato, Piano Sonata in B-flat major, D960: II. Andante sostenuto, Piano Sonata in B-flat major, D960: III. Scherzo: Allegro vivace con delicatezza, Piano Sonata in B-flat major, D960: IV. Allegro, ma non troppo |
| Alex Valentini |
producer |
Bön til natten, En gammal dansrytm, En svane, Fra Monte Pincio, Melodi, Sköldmön, Våren |
| Coyote |
producer |
Piano Concerto No. 2 in C minor, Op. 18: II. Adagio sostenuto, Piano Concerto No. 2 in C minor, Op. 18: III. Allegro scherzando, Piano Concerto No. 4 in G minor, Op. 40: I. Allegro vivace (Alla breve), Piano Concerto No. 4 in G minor, Op. 40: II. Largo, Piano Concerto No. 4 in G minor, Op. 40: III. Allegro vivace, Piano Concerto no. 2 in C minor, op. 18: I. Moderato |
| Summer Rayne |
producer |
Encore: 'O sole mio, Encore: Nessun dorma, Medley: Maria / Tonight / 'O paese d' 'o sole / Cielito lindo, Medley: Mattinata / Wien Wien nur du allein / Amapola / 'O sole mio, Medley: Memory / Ochi tchorniye / Caminito / La Vie en rose, Nessun dorma |
| Almoth Hodges |
producer |
Piano Concerto no. 1 in C major, op. 15: 1. Allegro con brio, Piano Concerto no. 1 in C major, op. 15: 2. Largo, Piano Concerto no. 1 in C major, op. 15: 3. Rondo (Allegro scherzando), Piano Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio, Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio, Piano Concerto no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro |
| Helis Oidekivi |
producer |
Violin Concerto in D major, op. 35: I. Allegro moderato, Violin Concerto in D major, op. 35: II. Canzonetta: Andante, Violin Concerto in D major, op. 35: III. Finale: Allegro vivacissimo, Violin Concerto in D minor, op. 47: I. Allegro moderato, Violin Concerto in D minor, op. 47: II. Adagio di molto, Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto |
| Plácido Domingo |
audio, producer |
Amor ti vieta, E lucevan le stelle, Mémoires de Danton, No puede ser, Quiero desterrar de tu pecho el temor, Ô paradis |
| Dennis DeMarchi |
producer |
Karelia Suite, op. 11: I. Intermezzo, Karelia Suite, op. 11: II. Ballade, Karelia Suite, op. 11: III. Alla marcia, Symphony no. 5: I. Tempo molto moderato, Symphony no. 5: II. Andante mosso, quasi allegretto, Symphony no. 5: III. Allegro molto |
| Wizard Union |
producer |
Violin Sonata no. 2 in A major, op. 12 no. 2: I. Allegro vivace, Violin Sonata no. 2 in A major, op. 12 no. 2: II. Andante più tosto allegretto, Violin Sonata no. 2 in A major, op. 12 no. 2: III. Allegro piacevole, Violin Sonata no. 9 in A major, op. 47 "Kreutzer": I. Adagio sostenuto — Presto — Adagio, Violin Sonata no. 9 in A major, op. 47 "Kreutzer": II. Andante con variazioni, Violin Sonata no. 9 in A major, op. 47 "Kreutzer": III. Finale. Presto |
| Sick Tapestry |
producer |
Violin Concerto in B minor, op. 61: I. Allegro, Violin Concerto in B minor, op. 61: II. Andante, Violin Concerto in B minor, op. 61: III. Allegro Molto, Violin Concerto no. 2: I. Allegro non troppo, Violin Concerto no. 2: II. Andante tranquillo, Violin Concerto no. 2: III. Allegro molto |
| Eric Stern |
producer |
Capriccio Espagnol, op. 34: 1. Alborada, Capriccio Espagnol, op. 34: 2. Variazioni, Capriccio Espagnol, op. 34: 3. Alborada, Capriccio Espagnol, op. 34: 4. Scena e canto gitano, Capriccio Espagnol, op. 34: 5. Fandango asturiano |
| Johannes Brahms |
producer |
Symphony no. 1 In C Minor, op. 68: I. Un poco sostenuto, Symphony no. 1 In C Minor, op. 68: II. Andante sostenuto, Symphony no. 1 In C Minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 In C Minor, op. 68: IV. Adagio - Più Andante - Allegro non troppo ma con brio - Più allegro, Variations on a Theme by Haydn, op. 56a |
| Conal McDonagh |
producer |
The Bells, op. 35: III. Presto (Alarm Bells), Three Russian Songs, op. 41: 1. Moderato, Three Russian Songs, op. 41: 2. Largo, Three Russian Songs, op. 41: 3. Allegro moderato |
| Dongsok Shin |
producer |
La traviata: Act III. “Parigi, o cara”, La traviata: Atto I. “Un dì felice, eterea” (Alfredo, Violetta), La traviata: Atto II, Scena II. “Alfredo! Voi!” – “Or tutti a me” – “Ogni suo aver” (Tutti, Alfredo, Violetta), La traviata: Atto III. “Parigi, o cara” – “Ah! Gran Dio! Morir sì giovine” (Alfredo, Violetta) |
| E.S.G |
producer |
Symphony no. 3 in D minor: I. Mehr langsam, misterioso, Symphony no. 3 in D minor: II. Adagio, bewegt, quasi Andante, Symphony no. 3 in D minor: III. Ziemlich schnell, Symphony no. 3 in D minor: IV. Allegro |
| Adolphe Samuel |
producer |
: Lucia di Lammermoor: Atto III. "Ah! Dalle stanze ove Lucia", Lucia di Lammermoor: Atto II, Scena I. "Se tradirmi tu potrai" (Enrico, Lucia), Lucia di Lammermoor: Atto II, Scena I. "Soffriva nel pianto" (Lucia, Enrico), Lucia di Lammermoor: Atto II. "Soffriva nel pianto" (Lucia, Enrico) |
| Joan Sutherland |
producer |
La traviata: Act I. “È strano! … Ah, fors’è lui … Sempre libera”, La traviata: Atto I. “Follie! follie! ... Sempre libera” (Violetta), La traviata: Atto I. “È strano! È strano! … Ah! fors’è lui” (Violetta), La traviata: Atto III. “Teneste la promessa … È tardi! … Addio, del passato” (Violetta) |
| Samsidi |
producer |
Lucia di Lammermoor: Atto I, Scena II. "Ancor non giunse" (Lucia, Alisa), Lucia di Lammermoor: Atto I, Scena II. "Quando rapito in estasi" (Lucia, Alisa), Lucia di Lammermoor: Atto I, Scena II. "Regnava nel silenzo" (Lucia, Alisa), Lucia di Lammermoor: Atto I. "Regnava nel silenzio" (Lucia, Alisa) |
| Marc Singer |
producer |
Lucia di Lammermoor: Atto II, Scena I. "Ah! cedi, cedi, o più sciagure" (Raimondo, Lucia), Lucia di Lammermoor: Atto II, Scena I. "Al ben de' tuoi qual vittima" (Raimondo, Lucia), Lucia di Lammermoor: Atto II, Scena I. "Ebben?... Di tua speranza" (Lucia, Raimondo), Lucia di Lammermoor: Atto III. "Ardon gli incensi" (Lucia, Raimondo) |
| [no artist] |
producer |
Canon, Pater Noster. Ecce Agnus, Prayer over the Gifts, Preface |
| 増永直子 |
producer |
Symphony no. 3 in C minor, op. 78 “Organ Symphony”: 1a. Adagio - Allegro Moderato -, Symphony no. 3 in C minor, op. 78 “Organ Symphony”: 1b. Poco Adagio, Symphony no. 3 in C minor, op. 78 “Organ Symphony”: 2a. Allegro Moderato - Presto - Allegro Moderato, Symphony no. 3 in C minor, op. 78 “Organ Symphony”: 2b. Maestoso - Piu Allegro - Molto Allegro |
| NEXENUS |
producer |
Messa da Requiem: Lacrimosa, Messa da Requiem: Requiem aeternam / Kyrie, Messa da Requiem: Rex tremendae |
| Joana Serrat |
producer |
Piano Concerto in A minor, Op. 54: II. Intermezzo. Andantino grazioso / III. Allegro vivace, Piano Concerto in A minor, op. 54: I. Allegro affettuoso, Piano Concerto in A minor, op. 54: II. Intermezzo. Andantino grazioso |
| 陳寶碩 |
producer |
Piano Concerto in F-sharp minor, op. 20: I. Allegro, Piano Concerto in F-sharp minor, op. 20: II. Andante, Piano Concerto in F-sharp minor, op. 20: III. Allegro moderato |
| スプレーspray |
producer |
Messa da Requiem: Libera me: Dies Irae, Messa da Requiem: Libera me: Libera me, Messa da Requiem: Libera me: Requiem aeternam |
| Serena Williams |
producer |
Concerto for 2 Pianos and Orchestra (No. 10) in E-flat, K. 365: I. Allegro, Concerto for 2 Pianos and Orchestra (No. 10) in E-flat, K. 365: II. Andante, Concerto for 2 Pianos and Orchestra (No. 10) in E-flat, K. 365: III. Rondeau (Allegro) |
| GDLO |
producer |
Quintet for Piano and Wind Quartet in E-flat, op. 16: 1. Grave - Allegro ma non troppo, Quintet for Piano and Wind Quartet in E-flat, op. 16: 2. Andante cantabile, Quintet for Piano and Wind Quartet in E-flat, op. 16: 3. Rondo (Allegro ma non troppo) |
| The Deep North |
producer |
Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": I. Allegro, Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": III. Allegro vivace assai, Piano Concerto no. 23 in A major, K. 488: II. Adagio |
| Derek Luke |
producer |
Concerto for 3 Pianos and Orchestra (No. 7) in F, K. 242 "Lodron": 1. Allegro, Concerto for 3 Pianos and Orchestra (No. 7) in F, K. 242 "Lodron": 2. Adagio, Concerto for 3 Pianos and Orchestra (No. 7) in F, K. 242 "Lodron": 3. Rondeau (Tempo di menuetto) |
| Character Defects |
producer |
Lucia di Lammermoor: Atto III, Scena III. "Oh! meschina!" (Coro, Edgardo, Raimondo), Lucia di Lammermoor: Atto III, Scena III. "Tu che a Dio spiegasti l'ali" (Edgardo, Raimondo, Coro), Lucia di Lammermoor: Atto III. Finale "Tu che a Dio spiegasti l'ali" (Edgardo, Raimondo, Coro) |
| Émile Mathieu |
producer |
Lucia di Lammermoor: Atto I, Scena II. "Qui di sposa eterna" / "Ah! Verrano a te sull'aure" (Edgardo, Lucia), Lucia di Lammermoor: Atto I, Scena II. "Sulla tomba" (Edgardo, Lucia), Lucia di Lammermoor: Atto I. "Sulla tomba" (Edgardo, Lucia) |
| Steel Tigers of Death! |
producer |
Lucia di Lammermoor: Atto III, Scena II. "Deh, cessate quel contento" (Raimondo, Coro), Lucia di Lammermoor: Atto III, Scena II. "Oh! qual funesto avvenimento!" (Coro, Raimondo) |
| Da Hood |
producer |
Symphony no. 8 in B minor, D. 759 "Unfinished": 1. Allegro moderato, Symphony no. 8 in B minor, D. 759 "Unfinished": 2. Andante con moto |
| Doina Rotaru |
producer |
Il segreto di Susanna: "Che palpiti, che palpiti!", Il segreto di Susanna: "Respiro, è andato" |
| Wally Rose |
producer |
7 laulua, op. 17 no. 1: Se’n har jag ej frågat mera, 7 laulua, op. 17 no. 5: En slända |
| Thomas Buffum |
producer |
"Parsifal", Prelude to Act I, Les Préludes, Symphonic Poem no. 3, S. 97 |
| The Dirge |
producer |
Messa da Requiem: Dies irae, Messa da Requiem: Offertorium: Hostias |
| S. Indrawan |
producer |
Lucia di Lammermoor: Atto III, Scena I. "Orrida è questa notte" / "Ashton!,, Si" (Edgardo, Enrico), Lucia di Lammermoor: Atto III, Scena I. "Qui del padre ancor respira" (Edgardo, Enrico) |
| Dante Zapata |
producer |
La traviata: Atto II, Scena I. “Di Provenza il mar, il suol” (Germont), La traviata: Atto II, Scena I. “No, non udrai rimproveri” (Germont) |
| Amries |
producer |
Lucia di Lammermoor: Atto I, Scena I. "Cruda, funesta smania" (Enrico, Normanno, Raimondo), Lucia di Lammermoor: Atto I, Scena I. "Tu sei turbato!" (Normanno, Enrico, Raimondo) |
| The Nielsens |
producer |
Messa da Requiem: Agnus Dei, Messa da Requiem: Sanctus |
| Adam Grant |
producer |
La traviata: Atto I. “Che è ciò?” – “Oh, qual pallor! … Voi qui!” (Coro, Violetta, Alfredo), La traviata: Atto I. “Dell’invito trascorsa” (Coro, Violetta, Alfredo) |
| Queen P.A.L. |
producer |
Piano Concerto no. 2 in F minor, op. 21: 1. Maestoso, Piano Concerto no. 2 in F minor, op. 21: 3. Allegro vivace |
| Homesick |
producer |
Lucia di Lammermoor: Atto II, Scena I. "Che fia" (Lucia), Lucia di Lammermoor: Atto III, Scena II. "Oh giusto cielo!... Il dolce suono" (Coro, Lucia) |
| Benjamín Gutiérrez |
producer |
Messa da Requiem: Confutatis, Messa da Requiem: Tuba mirum |
| Janice B |
producer |
Piano Concerto in A minor, op. 54: I. Allegro affettuoso, Piano Concerto in A minor, op. 54: II. Intermezzo: Andantino grazioso |
| Gary Ronald Charlesworth |
producer |
Hymn of Jesus |
| Louis Kufferath |
producer |
Lucia di Lammermoor: Atto II. Sestetto "Chi mi frena in tal momento?" (Edgardo, Enrico, Lucia, Raimondo, Alisa, Arturo, Coro) |
| Luiz Costa |
producer |
Serenade no. 12 in C minor, K. 384a/388 "Nacht musique": II. Andante |
| Lengser |
producer |
Lucia di Lammermoor: Atto II, Scena II. "Per te d'immenso giubilo" / "Per poco fra le tenebre" (Coro, Arturo) |
| Martin Groenendijk |
producer |
The Bells, op. 35: I. Allegro ma non tanto (Silver Bells) |
| Le Santo Combattre |
producer |
La traviata: Atto II, Scena I. “Pura siccome un angelo” (Germont, Violetta) |
| Justin Bird |
producer |
Lucia di Lammermoor: Atto II, Scena II. "Dov'è Lucia? " (Arturo, Enrico, Coro) / "Ecco il tuo sposo" (Enrico, Lucia, Arturo, Raimondo, Coro) |
| Jules Massenet |
producer |
Air de Nina from Chérubim, Act I |
| Johann Strauss |
producer |
Geschichten aus dem Wienerwald |
| Nafloyd Scott |
producer |
Madama Butterfly: Act I. Vogliatemi bene (Love Duet) |
| Necrophilic Autopsy |
producer |
Madama Butterfly: Act I. "Viene la sera" |
| Onassis |
producer |
La traviata: Atto II, Scena I. “Dammi tu forza, o cielo!” – “Amami, Alfredo” (Violetta, Annina, Alfredo) |
| Pelt |
producer |
Lucia di Lammermoor: Atto I, Scena I. "La pietade in suo favore" (Enrico, Coro, Raimondo) |
| Permit |
producer |
The Bells, op. 35: IV. Lento lugubre (Iron Bell) |
| Internet User |
producer |
Messa da Requiem: Lux Aeterna |
| Hexstar |
producer |
La traviata: Atto II, Scena II. “Di sprezzo degno” (Germont, Alfredo, Violetta, tutti) |
| Rain Pryor |
producer |
La traviata: Act 1. Prelude |
| Rebecca Blaylock |
producer |
Promethée - Le Poème du Feu, op. 60 |
| Heike Aumüller |
producer |
La traviata: Atto III. Baccanale: “Largo al quadrupede” (Coro di maschere) |
| Roger Dangerfield |
producer |
Lucia di Lammermoor: Atto II, Scena II. Sestetto con coro "Chi mi frena in tal momento?" (Edgardo, Enrico, Lucia, Raimondo, Edgardo, Alisa, Coro) |
| Hate Beast |
producer |
Lucia di Lammermoor: Atto II, Scena II. "T'allontana, sciagurato" / "Maledetto sia l'istante" (Arturo, Enrico, Coro, Raimondo, Edgardo, Lucia) |
| Rudolf Friml |
producer |
Indian Love Call |
| Runaway Kids |
producer |
Messa da Requiem: Liber scriptus |
| Harold Fraser-Simson |
producer |
Love Will Find a Way |
| SADWRIST |
producer |
Messa da Requiem: Quid sum miser |
| Sally Simpson |
producer |
The Bells, op. 35: II. Lento (Golden Bells) |
| Habanero Posse |
producer |
Die Zauberflöte, K. 620: Act I, Scene II. No. 1 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno) |
| Samson Silitonga |
producer |
Lucia di Lammermoor: Atto I, Scena II. "Egli s'avanza" (Alisa, Edgardo, Lucia) |
| Sani Udin |
producer |
Lucia di Lammermoor: Atto II, Scena I. "Appressati, Lucia" / "Il pallor, funesto, orrendo" (Enrico, Lucia) |
| Gawurra |
producer |
La traviata: Atto I. Brindisi: “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) |
| Logan Chapman |
producer |
La traviata: Atto III. “Annina?” – “Comandate?” (Violetta, Annina, Dottore) |
| Gaetano Donizetti |
producer |
La fille du régiment: Overture |
| Fredi Olster |
producer |
Lucia di Lammermoor: Atto III, Scena II. "Ohimè! sorge il tremendo fantasma" (Lucia, Normanno, Raimondo, Coro) |
| Finger of Knowledge |
producer |
Madama Butterfly: Act II. "Un bel dì, vedremo" |
| Telamon |
producer |
Messa da Requiem: Recordare |
| Emo Suarez |
producer |
Lucia di Lammermoor: Atto III, Scena II. "Spargi d'amaro pianto" (Lucia, Enrico, Raimondo, Coro) |
| Edward German |
producer |
For Tonight (Waltz Song) from the opera Tom Jones |
| Delly Boi |
producer |
Piano Concerto in A minor, op. 54: III. Allegro vivace |
| The Pawns |
producer |
Lucia di Lammermoor: Atto III, Scena II. "Si tragga altrove" (Enrico, Raimondo, Normanno) |
| The Three Tenors |
producer |
Nessun dorma |
| Theresa Ambat |
producer |
Il segreto di Susanna: Overture |
| Danny Vash and Nite Wolf |
producer |
La clemenza di Tito: Atto II. "Tremo fra' dubbi miei" (Vitellia) |
| Thundercore |
producer |
La traviata: Atto II, Scena I. “Ah! Dite alla giovine” – “Morrò! La mia memoria” (Violetta, Germont) |
| VB Artist |
producer |
La traviata: Atto III. “Signora!” – “Che t’accade?” (Annina, Violetta, Alfredo) |
| Dangerkid |
producer |
La traviata: Atto III. “Ah, Violetta!” – “Se una pudica vergine” (Germont, Violetta, Alfredo, Annina, Dottore) |
| Wayne Styles |
producer |
La traviata: Atto II, Scena II. “Avrem lieta di maschere la notte” – “Noi siamo zingarelle” (Flora, Marchese, Dottore, tutti) |
| Whoreanus |
producer |
Madama Butterfly: Act I. "Ier l'altro il Consolato" |
| Wizard |
producer |
Minuet & Trio (Divertimento in D major, K. 334) |
| DJ Last One |
producer |
La traviata: Act I. “Un dì felice” |
| Zablas |
producer |
Lucia di Lammermoor: Atto I. "Cruda, funesta smania" / "La pietade in suo favore" (Enrico, Normanno, Raimondo) |
| Colu |
producer |
Concerto for Strings and Continuo in G, R.151 Concerto alla Rustica |
| Clem Bennett |
producer |
Lucia di Lammermoor: Atto I, Scena I. Preludio e coro "Percorrete le spiaggie vicine" (Normanno, Coro)) |
| Claudine Magbag |
producer |
Il segreto di Susanna: "Evitiam che un domestic allora, questo odor" |
| Chorus of the Royal Opera House, Covent Garden |
producer |
Lucia di Lammermoor: Atto III, Scena II. "D'immenso giubilo" (Coro) |
| Buy Jupiter |
producer |
Lucia di Lammermoor: Atto II, Scena I. "Lucia fra poco a te verrà" (Normanno, Enrico) |
| 「yedgar」 |
producer |
Messa da Requiem: Offertorium: Domine Jesu Christe |
| キララ |
producer |
Danse (Tarantelle styrienne) |
| BLØSH |
producer |
Lucia di Lammermoor: Atto III, Scena II. "S'avanza Enrico!" (Raimondo, Enrico, Coro, Lucia) |
| Anthony Carrington |
producer |
Madama Butterfly: Act II. Aria "Un bel dì vedremo" (Butterfly) |
| Anal Milk |
producer |
Madama Butterfly: Act I. "America for ever" |
| 高慶“CO-K”卓史 |
producer |
Messa da Requiem: Ingemisco |