Kevin Norton (drums) |
drums, percussion |
26, After You've Gone, Alfred - take 2, Beatrice, Black Monday, Black Orpheus, Blue Is Green, C Bop, Countdown, Crazy Rhythm, Desafinado, Dolphin Dance, Everything I Love, Giant Steps, Griots, I Can't Get Started, I'll Be Easy to Find, III Wind, It's a Raggy Waltz, Ju-Ju, Lo Joe - take 3, McNeil Island, New Arrival, No Doubt - take 2, Off Minor, Only the Lonely, Pumpkin - take 2, Recorda Me, Round Midnite, Tangerine, Three to Get Ready, Virgo, Why Shouldn't I |
Kevin O'Neil (guitar) |
guitar |
26, After You've Gone, Alfred - take 2, Beatrice, Black Monday, Black Orpheus, Blue Is Green, C Bop, Countdown, Crazy Rhythm, Desafinado, Dolphin Dance, Everything I Love, Giant Steps, Griots, I Can't Get Started, I'll Be Easy to Find, III Wind, It's a Raggy Waltz, Ju-Ju, Lo Joe - take 3, McNeil Island, New Arrival, No Doubt - take 2, Off Minor, Only the Lonely, Pumpkin - take 2, Recorda Me, Round Midnite, Tangerine, Three to Get Ready, Virgo, Why Shouldn't I |
Andy Eulau |
bass |
26, After You've Gone, Alfred - take 2, Beatrice, Black Monday, Black Orpheus, Blue Is Green, C Bop, Countdown, Crazy Rhythm, Desafinado, Dolphin Dance, Everything I Love, Giant Steps, Griots, I Can't Get Started, I'll Be Easy to Find, III Wind, It's a Raggy Waltz, Ju-Ju, Lo Joe - take 3, McNeil Island, New Arrival, No Doubt - take 2, Off Minor, Only the Lonely, Pumpkin - take 2, Recorda Me, Round Midnite, Tangerine, Three to Get Ready, Virgo, Why Shouldn't I |
Marilyn Crispell |
piano |
Comp. 110 A (+ 108 B), Comp. 110 C, Comp. 110 D, Comp. 114 (+ 108 A), Comp. 115, Comp. 116, Comp. 159 + (30 + 108a) / Comp. 40 (o) / Comp. 69f / Comp. 173 / Comp. 69 (o) / Comp. 52, Comp. 172 / Comp. 161 / Comp. 69m / Comp. 23c / Comp. 124 + (108c + 147), Composition 45, Composition 51, Composition 55, Composition 58, Composition 59, Language Improvisations, No. 101, No. 107B (+ 96), No. 140 (+ 147 + 139 + 135), No. 158 (+ 96) + 40L, No. 159, No. 160 (+ 5) + 40J, No. 161, No. 20 + 86, No. 23C + 32 + 105B (+ 30), No. 23G (+ 147 + 30), No. 23M (+ 10), No. 34A, No. 40A, No. 40B, No. 40M, No. 67 (+ 147 + 96), No. 69 (O) + 135, No. 69B |
Mark Dresser |
bass |
Comp. 159 + (30 + 108a) / Comp. 40 (o) / Comp. 69f / Comp. 173 / Comp. 69 (o) / Comp. 52, Comp. 172 / Comp. 161 / Comp. 69m / Comp. 23c / Comp. 124 + (108c + 147), Composition - No. 122 (+ 108 + 96), Composition - No. 124 (+ 108D + 96), Composition - No. 131, Composition - No. 131 (+ 31 + 86 + 30), Composition - No. 88 (+ 108C), No. 101, No. 107B (+ 96), No. 140 (+ 147 + 139 + 135), No. 158 (+ 96) + 40L, No. 159, No. 160 (+ 5) + 40J, No. 161, No. 20 + 86, No. 23C + 32 + 105B (+ 30), No. 23G (+ 147 + 30), No. 23M (+ 10), No. 34A, No. 40A, No. 40B, No. 40M, No. 67 (+ 147 + 96), No. 69 (O) + 135, No. 69B |
Dave Holland (British jazz bassist and composer) |
bass, cello, double bass |
All the Things You Are, Composition -1, Composition 23E, Composition 40 (O), Composition 40 B, Composition 40 F / Composition 23 J, Composition 6 C, Composition 6 P I, Composition 6 P II Dedicated to Jeanne Lee, Composition 6 n Dedicated to Jerome Cooper / Composition 6 (o) Dedicated to Frederic Rzewski, Four Winds, Piece Five, Piece Four, Piece One, Piece Six, Piece Three, Piece Two, Side One, Cut One, Side One, Cut Three, Side One, Cut Two, Side Two, Cut Three |
Kenny Wheeler |
flugelhorn, trumpet |
Composition -2, Composition 23E, Composition 45, Composition 51, Composition 55, Composition 58, Composition 59, Language Improvisations, Piece Five, Piece Four, Piece One, Piece Six, Piece Three, Piece Two, Side One, Cut One, Side One, Cut Three, Side One, Cut Two, Side Two, Cut Three |
Gerry Hemingway |
drums, percussion |
Comp. 110 A (+ 108 B), Comp. 110 C, Comp. 110 D, Comp. 114 (+ 108 A), Comp. 115, Comp. 116, Comp. 159 + (30 + 108a) / Comp. 40 (o) / Comp. 69f / Comp. 173 / Comp. 69 (o) / Comp. 52, Comp. 172 / Comp. 161 / Comp. 69m / Comp. 23c / Comp. 124 + (108c + 147), Composition - No. 122 (+ 108 + 96), Composition - No. 124 (+ 108D + 96), Composition - No. 131, Composition - No. 131 (+ 31 + 86 + 30), Composition - No. 88 (+ 108C) |
Ari Brown (US avant-garde jazz musician) |
saxophone |
A Night in Tunisia, An Oscar for Treadwell, Bebop, Bongo Bop, Dewey Square, Hot House, Klactoveesedstene, Koko, Mohawk, Passport, Scrapple From the Apple, Sippin' at Bells, Yardbird Suite |
Misha Mengelberg |
piano |
A Night in Tunisia, An Oscar for Treadwell, Bebop, Bongo Bop, Dewey Square, Hot House, Klactoveesedstene, Koko, Mohawk, Passport, Scrapple From the Apple, Sippin' at Bells, Yardbird Suite |
Joe Fonda |
double bass |
A Night in Tunisia, An Oscar for Treadwell, Bebop, Bongo Bop, Dewey Square, Hot House, Klactoveesedstene, Koko, Mohawk, Passport, Scrapple From the Apple, Sippin' at Bells, Yardbird Suite |
Cecil McBee |
bass |
317E 32nd Street, April, Baby, Dreams, How Deep is the Ocean, Lennie Bird, Lennies Pennies, Sax of a Kind, Time On My Hands, Two Not One, Victory Ball, Victory Ball (take 2) |
John Raskin |
baritone saxophone |
317E 32nd Street, April, Baby, Dreams, How Deep is the Ocean, Lennie Bird, Lennies Pennies, Sax of a Kind, Time On My Hands, Two Not One, Victory Ball, Victory Ball (take 2) |
Wadada Leo Smith |
conductor, trumpet |
Composition 45, Composition 51, Composition 55, Composition 58, Composition 59, Language Improvisations, Piece Five, Piece Four, Piece One, Piece Six, Piece Three, Piece Two |
Dred Scott (piano) |
piano |
317E 32nd Street, April, Baby, Dreams, How Deep is the Ocean, Lennie Bird, Lennies Pennies, Sax of a Kind, Time On My Hands, Two Not One, Victory Ball, Victory Ball (take 2) |
Andrew Cyrille |
drums |
317E 32nd Street, April, Baby, Dreams, How Deep is the Ocean, Lennie Bird, Lennies Pennies, Sax of a Kind, Time On My Hands, Two Not One, Victory Ball, Victory Ball (take 2) |
George Lewis (Chicago-born trombonist) |
trombone |
Composition 40 (O), Composition 40 B, Composition 40 F / Composition 23 J, Composition 6 C, Four Winds, Piece Five, Piece Four, Piece One, Piece Six, Piece Three, Piece Two |
Leo Feigin |
producer |
Composition 105B (+5+32+96), Composition 110A (+96+108B), Composition 23J, Composition 367b, Composition 60 (+96+108C), Composition 69H (+31+96), Composition 69M (+10+33+96), Composition 85 (+30+108D), Composition 87 (+108C), Encore, Encore: Composition 40 (o) |
Pheeroan akLaff |
drums |
A Night in Tunisia, Bebop, Bongo Bop, Klactoveesedstene, Koko, Mohawk, Passport, Scrapple From the Apple, Sippin' at Bells, Yardbird Suite |
Barry Altschul |
bells, chimes, drums, gong, percussion, snare drum |
Composition 23E, Composition 40 (O), Composition 40 B, Composition 40 F / Composition 23 J, Composition 6 C, Four Winds, Piece Four, Piece Three, Piece Two |
Michael Gerzon |
recording |
Composition 105B (+5+32+96), Composition 110A (+96+108B), Composition 23J, Composition 60 (+96+108C), Composition 69H (+31+96), Composition 69M (+10+33+96), Composition 85 (+30+108D), Composition 87 (+108C), Encore: Composition 40 (o) |
Albert “Tootie” Heath |
drums |
Body and Soul, Donna Lee, Duet, Half Nelson, Marshmallow, My Funny Valentine, What's New? |
Tete Montoliu |
piano |
Body and Soul, Donna Lee, Duet, Half Nelson, Marshmallow, My Funny Valentine, What's New? |
Niels-Henning Ørsted Pedersen (Danish jazz upright bassist) |
bass |
Body and Soul, Donna Lee, Duet, Half Nelson, Marshmallow, My Funny Valentine, What's New? |
Mal Waldron |
piano |
Ask Me Now, Brilliant Corners, Four In One, Played Twice, Reflections, Skippy |
Rob Howard |
trumpet |
Composition 45, Composition 51, Composition 55, Composition 58, Composition 59, Language Improvisations |
Garrett List |
trombone |
Piece Five, Piece Four, Piece One, Piece Six, Piece Three, Piece Two |
Bill Osborne |
drums |
Ask Me Now, Brilliant Corners, Four In One, Played Twice, Reflections, Skippy |
Birgit Taubhorn |
accordion |
Composition 45, Composition 51, Composition 55, Composition 58, Composition 59, Language Improvisations |
Michael Philip Mossman |
trumpet |
Composition 45, Composition 51, Composition 55, Composition 58, Composition 59, Language Improvisations |
Bob Ostertag |
synthesizer |
Composition 45, Composition 51, Composition 55, Composition 58, Composition 59, Language Improvisations |
James Emery |
electric guitar |
Composition 45, Composition 51, Composition 55, Composition 58, Composition 59, Language Improvisations |
Bobby Naughton |
vibraphone |
Composition 45, Composition 51, Composition 55, Composition 58, Composition 59, Language Improvisations |
Brian Smith (bass) |
bass |
Composition 45, Composition 51, Composition 55, Composition 58, Composition 59, Language Improvisations |
Bruce Johnstone |
baritone saxophone, bass clarinet |
Piece Five, Piece Four, Piece One, Piece Six, Piece Three, Piece Two |
John Lindberg |
bass |
Comp. 110 A (+ 108 B), Comp. 110 C, Comp. 110 D, Comp. 114 (+ 108 A), Comp. 115, Comp. 116 |
Buell Neidlinger |
bass |
Ask Me Now, Brilliant Corners, Four In One, Played Twice, Reflections, Skippy |
Jon Faddis |
piccolo trumpet, trumpet |
Piece Five, Piece Four, Piece One, Piece Six, Piece Three, Piece Two |
Jonathan Dorn |
tuba |
Piece Five, Piece Four, Piece One, Piece Six, Piece Three, Piece Two |
Cecil Bridgewater |
trumpet |
Piece Five, Piece Four, Piece One, Piece Six, Piece Three, Piece Two |
Seldon Powell |
alto saxophone, clarinet, flute |
Piece Five, Piece Four, Piece One, Piece Six, Piece Three, Piece Two |
Ronald Bridgewater |
clarinet, tenor saxophone |
Piece Five, Piece Four, Piece One, Piece Six, Piece Three, Piece Two |
Thurman Barker |
percussion |
Composition 45, Composition 51, Composition 55, Composition 58, Composition 59, Language Improvisations |
Muhal Richard Abrams |
conductor, piano |
Piece Five, Piece Four, Piece One, Piece Six, Piece Two |
Oliver Johnson |
drums |
60666 C -66M (Composition 23K), Donna Lee, H-204 3=He/G (Composition 23L), You Go to My Head (Part 1), You Go to My Head (Part 2) |
Michael Smith (piano) |
piano |
60666 C -66M (Composition 23K), Donna Lee, H-204 3=He/G (Composition 23L), You Go to My Head (Part 1), You Go to My Head (Part 2) |
Han Bennink |
drums |
A Night in Tunisia, An Oscar for Treadwell, Dewey Square, Hot House, Klactoveesedstene |
Peter Warren |
double bass |
60666 C -66M (Composition 23K), Donna Lee, H-204 3=He/G (Composition 23L), You Go to My Head (Part 1), You Go to My Head (Part 2) |
David Rosenboom |
piano |
Composition - No. 122 (+ 108 + 96), Composition - No. 124 (+ 108D + 96), Composition - No. 131, Composition - No. 131 (+ 31 + 86 + 30), Composition - No. 88 (+ 108C) |
Warren Smith (jazz percussionist) |
bass drum, drums, snare drum |
Piece Five, Piece One, Piece Three, Piece Two |
Jack Jeffers |
bass trombone |
Piece Five, Piece Four, Piece Three, Piece Two |
Roscoe Mitchell |
alto saxophone, bass saxophone, flute, soprano saxophone |
Piece Four, Piece Six, Piece Three, Piece Two |
John Sadler |
recording |
All the Things You Are, Composition 6 P I, Composition 6 P II Dedicated to Jeanne Lee, Composition 6 n Dedicated to Jerome Cooper / Composition 6 (o) Dedicated to Frederic Rzewski |
Jerome Cooper |
drums, percussion |
Side One, Cut One, Side One, Cut Three, Side One, Cut Two, Side Two, Cut Three |
Katsuhiko Naito |
editor |
Composition No. 185, Composition No. 186, Composition No. 186 (Continued) |
Karl Berger |
glockenspiel, vibraphone, xylophone |
Piece Five, Piece Four, Piece Three |
Velibor Pedevski |
producer |
Composition No. 185, Composition No. 186, Composition No. 186 (Continued) |
Frederic Rzewski |
bass drum, piano |
Piece Four, Piece Three, Piece Two |
Philip Wilson |
cymbals, percussion |
Piece Four, Piece Three, Piece Two |
Jeanne Lee |
vocal |
Composition 6 P I, Composition 6 P II Dedicated to Jeanne Lee |
Phillip Wilson (drummer) |
drums |
All the Things You Are, Composition 6 n Dedicated to Jerome Cooper / Composition 6 (o) Dedicated to Frederic Rzewski |
Larry Blood |
producer |
Comp. 159 + (30 + 108a) / Comp. 40 (o) / Comp. 69f / Comp. 173 / Comp. 69 (o) / Comp. 52, Comp. 172 / Comp. 161 / Comp. 69m / Comp. 23c / Comp. 124 + (108c + 147) |
Richard Teitelbaum |
synthesizer |
Piece Two, Side Two, Cut One |
Earl McIntyre |
bass trombone |
Piece One, Piece Six |
Alexey Lapin |
mix, recording |
Composition 367b, Encore |
Antoine Duhamel |
piano |
Composition -2 |
François Méchali |
double bass |
Composition -2 |
Hamiet Bluiett |
baritone saxophone |
Side Two, Cut Two |
University of Illinois Creative Music Orchestra |
performing orchestra |
Composition No. 165 |
Oliver Lake |
tenor saxophone |
Side Two, Cut Two |
Julius Hemphill |
alto saxophone |
Side Two, Cut Two |
Leroy Jenkins |
violin |
Side Two, Cut Three |