Stephan Kraemer |
engineer, recording |
A Delà du Fleuve, A Feet Maniac, A Fragile Peace, A Permit to Return, A Sandy Shore, A Secret Burning, A Wood Stove, According to the Real, Al, Alef, And Bring You Back, And Bring you Back, And Growth Can Be Heard, As Hay in the Sun, As Ifs, As Music in the Trees, Au fond, la mer, Au-delà du fleuve, Awol, Bewildering Din, Birds for the Mind, Bold Forgetting, Ce bruit, Circular Breathing, Close Cover, Collateral Damage, Comme en Dormant, Comme en dormant, Compass Strokes, Darpa, Das Unstatthafte, Der Des Ders, Eine Kugelrunde Null, Et pourtant, Evenhandedly, Face À Main, Fair Warnings, Finding a People, For Quietness, From Out of Which, Further Hunting, Geräusch, Gimel, Gist, Hedgehog's Skin, Hors-nature, Houfnice, Hufhuf, Humility, Humvee, I Come as I Am, I Saw You Come, In 3 or 4 Days, In and for Itself, In.Zones, Indexed by the Arche-Fossil, Inhale Deeply, Iris, I’ve Been Dreaming, Jaat, Jod, Kaf, Kanaries, Kanaries-Night Creature, Kerf Width, Kof, La Fin de la Visite, La brume, La femme de nulle part, La fin de la visite, Le noir, Le vide, Leverage, Man-In-Person, Mem, Mienneté, Multiple 12, My Confession, My Rosary, Navigare Necesse Est, Neither Do I Too, Newcomers, No More, Not Me, Not at Home (reprise), Oeuvrer, Often a Bird, Out of the Dust, Passend, Passend (reprise), Pierced Heart, Pitched in Pairs, Positively Imperative, Remaining So and as Such, Rest Meines Ichs, Retranchement, Rival Sameness, Send, Si loin du centre, Sich Polieren, Sideman, Sidemen, Song 6, Songes, Sonsings, Struggle for Pleasure, Swirling Backwards, Sänger Ohne Stimme, Ta tête, Tactility, The Belly of an Architect, The Biggest Fable of All, The Child, The Date, The Determinant of the Last Instance, The Fossil Argument, The Good News, The Great Outdoors, The Land Beyond the Sunset, The Line, The Paths Not Taken, The Real of the Cut, The Rhythm, The Ruler, The Same, The Scene, The Sense, The Way, The Way Down, The Way Up, To Obey, To Obey (reprise), Tout es Visible, Tout est illuminé, Tout est visible, Tout ça, c’est fini, Unwitnessed Ancestral Phenomena, Venturing Into Colony, Voilet, Von Ganz Unten, Voo Outro, Weiter Und Weiter, What It Is Like to Be From Belgium, What That One Does, Wia, With All Its Might, Working the Ploughs, Wound to Wound, Yes, I Never Did, Z's Rival, Zing'Up, Zoet'Kemiesch, Zusammensetzen, Zutzig |
Werner Pensaert |
engineer, recording |
A Visiting Card, Circles, Condemnatio, Confutatio, Cross-Hold (Venerandam, Part 6), Educes Me, Exitium, Feline-Leisure (Venerandam, Part 2), Fore-Hatch (Venerandam, Part 1), Gerekt Geding (Mein Leib ist muede, Part 6), Geschuifel (Mein Leib ist muede, Part 1), Katachtig op hun gemak (Mein Leib ist muede, Part 3), Kronkelen de Armen (Mein Leib ist muede, Part 4), Kruislings (Mein Leib ist muede, Part 5), Lenige Spieren (Mein Leib ist muede, Part 2), Limes, Lir, Lithe Sinews (Venerandam, Part 4), Maximizing the Audience, Mimicry, No Plans No Projects, No Testament, Non Datur, Pad-Foot (Venerandam, Part 3), Paying for Love, Pernicies, Pranzo, Sea-Foam (Venerandam, Part 7), So That:, The Fosse, The Personell Changes, The Ship, The Whole, Tiresias, Twsited Arms (Venerandam, Part 5), Watch!, Whisper Me, Words on the Page |
Eric Mertens |
producer, flute, piccolo |
A Fragile Peace, A Permit to Return, A Sandy Shore, A Wood Stove, Al, As Music in the Trees, Birds for the Mind, Ce qui a lieu, Ce qui arrive, Ce qui se produit, Close Cover, I Come as I Am, I Saw You Come, In and for Itself, Inhale Deeply, I’ve Been Dreaming, Multiple 12, My Confession, My Rosary, Newcomers, No More, Often a Bird, Plus Grandes les Parts de Mort, Plus Grandes les Parts de Vie, Struggle for Pleasure, The Good News, To Obey, Trouver le repos, With All Its Might, Yes, I Never Did |
Dirk Descheemaeker |
bass clarinet, clarinet, soprano saxophone |
A Visiting Card, Ce qui a lieu, Ce qui arrive, Ce qui se produit, Circles, Condemnatio, Confutatio, Exitium, It Serves You Right, Le souffle du destin: La mesure, Le souffle du destin: Le cas, Le souffle du destin: Le héros, Le souffle du destin: Le propos, Le souffle du destin: Le vrai, Letter of Intent, Maximizing the Audience, Mimicry, Non Datur, Pernicies, Plus Grandes les Parts de Mort, Plus Grandes les Parts de Vie, Pranzo, Quotable Lines, Salernes, Trouver le repos, What’s Mine Is Yours, When the Line Grows Thick |
Marc François |
engineer, recording |
2 and 3 = 1, 4 Mains, Bresque, Circular Breathing, Close Cover, C·ntentu Melodiae, Gentleman of Leisure, Gleaner, Inergys, Inergys (reprise), Limes, Mildly Skeeming, Multiple 12, Salernes, So That:, Struggle for Pleasure, The Ship, Tiresias, Tourtour, Tsjueh, Wording, ’t Klopt |
Wim Mertens Ensemble |
performer |
A Fragile Peace, A Permit to Return, A Sandy Shore, A Wood Stove, As Music in the Trees, I Come as I Am, I Saw You Come, Inhale Deeply, I’ve Been Dreaming, My Confession, My Rosary, Newcomers, No More, The Good News |
Ton Van Draenen |
recording |
Circular Breathing, Close Cover, Humility, Iris, Kanaries-Night Creature, La femme de nulle part, Multiple 12, The Belly of an Architect, The Land Beyond the Sunset, Voo Outro |
The Flemish Radio Orchestra |
performing orchestra |
Al, Birds for the Mind, Close Cover, In and for Itself, Multiple 12, Often a Bird, Struggle for Pleasure, To Obey, With All Its Might, Yes, I Never Did |
Grégory Beaufays (Sound engineer) |
engineer |
Al, Birds for the Mind, Close Cover, In and for Itself, Multiple 12, Often a Bird, Struggle for Pleasure, To Obey, With All Its Might, Yes, I Never Did |
Manuel Mohino (engineer/producer) |
recording |
Al, Birds for the Mind, Close Cover, In and for Itself, Multiple 12, Often a Bird, Struggle for Pleasure, To Obey, With All Its Might, Yes, I Never Did |
Dante Anzolini |
conductor |
Al, Birds for the Mind, Close Cover, In and for Itself, Multiple 12, Often a Bird, Struggle for Pleasure, To Obey, With All Its Might, Yes, I Never Did |
Eddy Verdonck |
bass trombone |
Ce qui a lieu, Ce qui arrive, Ce qui se produit, How About It?, How About What?, Now You See It, Now You Don’t, Trouver le repos |
Gilles Martin |
engineer, recording |
At Home, Coloured by Turning, Dense Points, Not at Home, That M, That Strange Attractor |
Pascal Smets |
double bass |
Der Des Ders, In.Zones, Indexed by the Arche-Fossil, Navigare Necesse Est, Tactility |
Otto Derolez |
violin |
Der Des Ders, In.Zones, Indexed by the Arche-Fossil, Navigare Necesse Est, Tactility |
Jeroen Robbrecht (violist) |
viola |
Der Des Ders, In.Zones, Indexed by the Arche-Fossil, Navigare Necesse Est, Tactility |
London Sinfonietta |
performing orchestra |
Close Cover, Struggle for Pleasure, The Aural Trick, Time Passing, Tourtour |
Manu Mellaerts |
trumpet |
Der Des Ders, In.Zones, Indexed by the Arche-Fossil, Navigare Necesse Est, Tactility |
Luc Verdonck |
bassoon |
Ce qui a lieu, Ce qui arrive, Ce qui se produit, Plus Grandes les Parts de Mort, Plus Grandes les Parts de Vie |
Paul Daniel (conductor) |
conductor |
Close Cover, Struggle for Pleasure, The Aural Trick, Time Passing, Tourtour |
Hugo Matthijssen (tuba) |
tuba |
Ce qui a lieu, Ce qui arrive, Ce qui se produit, Trouver le repos |
Anne Van Den Troost |
harp |
Bresque, Educes Me, Salernes, Tourtour |
Luk Schollaert |
soprano saxophone |
Bresque, Salernes, Struggle for Pleasure, Tourtour |
Hans François |
electric piano, piano |
Gentleman of Leisure, Maximizing the Audience, Salernes, Struggle for Pleasure |
Jo Tavernier |
recording |
For Soothsay, Stretti, To Keep Them From Falling |
Etienne Siebens |
bass |
Ce qui a lieu, Ce qui arrive, Ce qui se produit |
Lieven Vandewalle |
cello |
Ce qui a lieu, Ce qui arrive, Ce qui se produit |
Marc Grauwels |
bass flute, flute, piccolo |
A Visiting Card, Salernes |
Anne Crabbe |
vocal |
Usura, When the Line Grows Thick |
Chris Nieuwenhuysen |
vocal |
Usura, When the Line Grows Thick |
Fons Adriaensen |
engineer |
Usura, When the Line Grows Thick |
Pieter Vereertbrugghen |
bass, bass synthesizer, synthesizer |
Close Cover, Struggle for Pleasure |
Rika Joris |
vocal |
Usura, When the Line Grows Thick |
Aranis (Belgian progressive rock group) |
performer |
Gentlemen of leisure, Salernes |
Jeroen van Veen (Dutch pianist) |
piano |
4 mains (Wim Mertens), Struggle for Pleasure |
Eric Robberecht |
violin |
Plus Grandes les Parts de Mort, Plus Grandes les Parts de Vie |
John Ruocco |
clarinet, saxophone |
Circular Breathing, Gentleman of Leisure |
Malufi Singers |
vocal |
The Fosse |
Ine van den Bergh |
vocal |
Maximizing the Audience |
Jan Nicholaers |
trombone |
Oeuvrer |
Marc Bonne |
percussion |
Maximizing the Audience |
Bernd Van Echelpoel |
tuba |
Oeuvrer |
Geert De Vos |
bass trombone |
Oeuvrer |
Marilyn Maingart |
flute, piccolo |
Gentleman of Leisure |
Minne Pauwels |
vocal |
The Fosse |
Monique Laperre |
cello |
Whisper Me |
Nick Ost |
euphonium |
Oeuvrer |
Geoffrey Maingart |
violin |
Maximizing the Audience |
Eliz Erkalp |
French horn |
Oeuvrer |
André Van Driessche |
French horn |
Whisper Me |
Keiko Kusaka |
harp |
A Visiting Card |
Kris Van Severen |
viola |
Whisper Me |
Sandra van Veen |
piano |
4 mains (Wim Mertens) |
Gyde Knebusch |
harp |
Circular Breathing |
Tatiana Samouil |
violin |
Oeuvrer |
Hanna Grociak |
harp |
Oeuvrer |
Anne Mertens |
vocal |
A Visiting Card |
Valerie Koolemans-Beijnen |
vocal |
Maximizing the Audience |
Ward Hoornaert |
trumpet |
Trouver le repos |
Bart Watté |
clarinet |
Oeuvrer |
Karla Van Loo |
alto saxophone |
Trouver le repos |