Voiron

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Artist name Roles Recordings
Friedrich Gulda piano 12 Variations On "Ein Mädchen Oder Weibchen" For Cello And Piano, Op. 66 - Variation VIII, 12 Variations On "See The Conquering Hero Comes" For Cello And Piano, Woo 45 - Variation VIII, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Thema. Allegretto, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation I, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation II, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation III, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation IV, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation IX, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation V, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation VI, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation VII, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation X. Adagio, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation XI. Poco Adagio, quasi Andante, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation XII. Allegro, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Thema. Allegretto, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation I, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation II, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation III, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation IV, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation IX, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation V, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation VI, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation VII, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation X. Allegro, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation XI. Adagio, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation XII. Allegro, 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Theme. Andante, 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation I, 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation II, 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation III, 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation IV, 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation V. Si prenda il tempo un poco più vivace, 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation VI. Adagio, 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation VII. Allegro, ma non troppo, Sonata for Cello and Piano no. 1 in F, op. 5 no. 1: I. Adagio sostenuto - Allegro, Sonata for Cello and Piano no. 1 in F, op. 5 no. 1: II. Rondo (Allegro vivace), Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto ed espressivo/ Allegro molto più tosto presto, Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: II. Rondo (Allegro), Sonata for Cello and Piano no. 3 in A, op. 69: I. Allegro ma non tanto, Sonata for Cello and Piano no. 3 in A, op. 69: II. Scherzo (Allegro molto), Sonata for Cello and Piano no. 3 in A, op. 69: III. Adagio cantabile - Allegro vivace, Sonata for Cello and Piano no. 4 in C, op. 102 no. 1: I. Andante - Allegro vivace, Sonata for Cello and Piano no. 4 in C, op. 102 no. 1: II. Adagio - Tempo d'andante - Allegro vivace, Sonata for Cello and Piano no. 5 in D op. 102 no. 2: I. Allegro con brio, Sonata for Cello and Piano no. 5 in D op. 102 no. 2: II. Adagio con molto sentimento d'affetto, Sonata for Cello and Piano no. 5 in D op. 102 no. 2: III. Allegro - Allegro fugato
Pierre Fournier cello 12 Variations On "Ein Mädchen Oder Weibchen" For Cello And Piano, Op. 66 - Variation VIII, 12 Variations On "See The Conquering Hero Comes" For Cello And Piano, Woo 45 - Variation VIII, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Thema. Allegretto, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation I, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation II, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation III, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation IV, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation IX, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation V, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation VI, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation VII, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation X. Adagio, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation XI. Poco Adagio, quasi Andante, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation XII. Allegro, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Thema. Allegretto, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation I, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation II, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation III, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation IV, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation IX, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation V, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation VI, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation VII, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation X. Allegro, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation XI. Adagio, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation XII. Allegro, 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Theme. Andante, 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation I, 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation II, 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation III, 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation IV, 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation V. Si prenda il tempo un poco più vivace, 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation VI. Adagio, 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation VII. Allegro, ma non troppo, Sonata for Cello and Piano no. 1 in F, op. 5 no. 1: I. Adagio sostenuto - Allegro, Sonata for Cello and Piano no. 1 in F, op. 5 no. 1: II. Rondo (Allegro vivace), Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto ed espressivo/ Allegro molto più tosto presto, Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: II. Rondo (Allegro), Sonata for Cello and Piano no. 3 in A, op. 69: I. Allegro ma non tanto, Sonata for Cello and Piano no. 3 in A, op. 69: II. Scherzo (Allegro molto), Sonata for Cello and Piano no. 3 in A, op. 69: III. Adagio cantabile - Allegro vivace, Sonata for Cello and Piano no. 4 in C, op. 102 no. 1: I. Andante - Allegro vivace, Sonata for Cello and Piano no. 4 in C, op. 102 no. 1: II. Adagio - Tempo d'andante - Allegro vivace, Sonata for Cello and Piano no. 5 in D op. 102 no. 2: I. Allegro con brio, Sonata for Cello and Piano no. 5 in D op. 102 no. 2: II. Adagio con molto sentimento d'affetto, Sonata for Cello and Piano no. 5 in D op. 102 no. 2: III. Allegro - Allegro fugato

Collaborators on this artist's recordings

Artist name Roles Recordings
Friedrich Gulda piano 12 Variations On "Ein Mädchen Oder Weibchen" For Cello And Piano, Op. 66 - Variation VIII, 12 Variations On "See The Conquering Hero Comes" For Cello And Piano, Woo 45 - Variation VIII, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Thema. Allegretto, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation I, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation II, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation III, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation IV, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation IX, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation V, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation VI, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation VII, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation X. Adagio, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation XI. Poco Adagio, quasi Andante, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation XII. Allegro, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Thema. Allegretto, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation I, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation II, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation III, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation IV, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation IX, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation V, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation VI, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation VII, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation X. Allegro, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation XI. Adagio, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation XII. Allegro, 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Theme. Andante, 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation I, 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation II, 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation III, 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation IV, 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation V. Si prenda il tempo un poco più vivace, 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation VI. Adagio, 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation VII. Allegro, ma non troppo, Sonata for Cello and Piano no. 1 in F, op. 5 no. 1: I. Adagio sostenuto - Allegro, Sonata for Cello and Piano no. 1 in F, op. 5 no. 1: II. Rondo (Allegro vivace), Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto ed espressivo/ Allegro molto più tosto presto, Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: II. Rondo (Allegro), Sonata for Cello and Piano no. 3 in A, op. 69: I. Allegro ma non tanto, Sonata for Cello and Piano no. 3 in A, op. 69: II. Scherzo (Allegro molto), Sonata for Cello and Piano no. 3 in A, op. 69: III. Adagio cantabile - Allegro vivace, Sonata for Cello and Piano no. 4 in C, op. 102 no. 1: I. Andante - Allegro vivace, Sonata for Cello and Piano no. 4 in C, op. 102 no. 1: II. Adagio - Tempo d'andante - Allegro vivace, Sonata for Cello and Piano no. 5 in D op. 102 no. 2: I. Allegro con brio, Sonata for Cello and Piano no. 5 in D op. 102 no. 2: II. Adagio con molto sentimento d'affetto, Sonata for Cello and Piano no. 5 in D op. 102 no. 2: III. Allegro - Allegro fugato
Pierre Fournier cello 12 Variations On "Ein Mädchen Oder Weibchen" For Cello And Piano, Op. 66 - Variation VIII, 12 Variations On "See The Conquering Hero Comes" For Cello And Piano, Woo 45 - Variation VIII, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Thema. Allegretto, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation I, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation II, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation III, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation IV, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation IX, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation V, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation VI, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation VII, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation X. Adagio, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation XI. Poco Adagio, quasi Andante, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66 - Variation XII. Allegro, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Thema. Allegretto, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation I, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation II, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation III, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation IV, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation IX, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation V, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation VI, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation VII, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation X. Allegro, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation XI. Adagio, 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45 - Variation XII. Allegro, 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Theme. Andante, 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation I, 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation II, 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation III, 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation IV, 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation V. Si prenda il tempo un poco più vivace, 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation VI. Adagio, 7 Variations on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Variation VII. Allegro, ma non troppo, Sonata for Cello and Piano no. 1 in F, op. 5 no. 1: I. Adagio sostenuto - Allegro, Sonata for Cello and Piano no. 1 in F, op. 5 no. 1: II. Rondo (Allegro vivace), Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto ed espressivo/ Allegro molto più tosto presto, Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: II. Rondo (Allegro), Sonata for Cello and Piano no. 3 in A, op. 69: I. Allegro ma non tanto, Sonata for Cello and Piano no. 3 in A, op. 69: II. Scherzo (Allegro molto), Sonata for Cello and Piano no. 3 in A, op. 69: III. Adagio cantabile - Allegro vivace, Sonata for Cello and Piano no. 4 in C, op. 102 no. 1: I. Andante - Allegro vivace, Sonata for Cello and Piano no. 4 in C, op. 102 no. 1: II. Adagio - Tempo d'andante - Allegro vivace, Sonata for Cello and Piano no. 5 in D op. 102 no. 2: I. Allegro con brio, Sonata for Cello and Piano no. 5 in D op. 102 no. 2: II. Adagio con molto sentimento d'affetto, Sonata for Cello and Piano no. 5 in D op. 102 no. 2: III. Allegro - Allegro fugato