The Twilight Sad

producer, arranger

Sample recordings

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Top collaborators

Artist name Roles Recordings
Andy MacFarlane (guitarist, composer and producer for The Twilight Sad) producer, guitar And She Would Darken the Memory (live), Cold Days From the Birdhouse (live), Drown So I Can Watch, Half a Person, I Could Give You All That You Don’t Want, I Was Hoping the Winter Was Over, In Nowheres, It Never Was the Same, Last January, Leave the House, Modern Romance, Nobody Wants to Be Here and Nobody Wants to Leave, Pills I Swallow, Sometimes I Wished I Could Fall Asleep, That Summer, at Home I Had Become the Invisible Boy (live), The Weath-er Is Bad, There’s a Girl in the Corner, Twenty Four Hours, Untitled #27, Untitled #28, Walking for Two Hours (live)
Peter Katis mix, recording And She Would Darken the Memory, Cold Days From the Birdhouse, Drown So I Can Watch, Fourteen Autumns and Fifteen Winters, I Could Give You All That You Don’t Want, I Was Hoping the Winter Was Over, In Nowheres, It Never Was the Same, I’m Taking the Train Home, Last January, Last Year’s Rain Didn’t Fall Quite So Hard, Leave the House, Mapped by What Surrounded Them, Nobody Wants to Be Here and Nobody Wants to Leave, Pills I Swallow, Sometimes I Wished I Could Fall Asleep, Talking With Fireworks / Here, It Never Snowed, That Summer, at Home I Had Become the Invisible Boy, There’s a Girl in the Corner, Walking for Two Hours
Andrew Bush engineer, mix, recording Drown So I Can Watch, I Could Give You All That You Don’t Want, I Couldn’t Say It to Your Face, In Nowheres, It Never Was the Same, Last January, Leave the House, Nobody Wants to Be Here and Nobody Wants to Leave, Pills I Swallow, Sometimes I Wished I Could Fall Asleep, The Airport, There’s a Girl in the Corner
Craig Orzel bass And She Would Darken the Memory (live), Cold Days From the Birdhouse (live), Half a Person, I Was Hoping the Winter Was Over, Modern Romance, That Summer, at Home I Had Become the Invisible Boy (live), The Weath-er Is Bad, Twenty Four Hours, Untitled #27, Untitled #28, Walking for Two Hours (live)
Mark Devine drums And She Would Darken the Memory (live), Cold Days From the Birdhouse (live), Half a Person, I Was Hoping the Winter Was Over, Modern Romance, That Summer, at Home I Had Become the Invisible Boy (live), The Weath-er Is Bad, Twenty Four Hours, Untitled #27, Untitled #28, Walking for Two Hours (live)

Collaborators on this artist's recordings

Artist name Roles Recordings
Andy MacFarlane (guitarist, composer and producer for The Twilight Sad) producer, guitar And She Would Darken the Memory (live), Cold Days From the Birdhouse (live), Drown So I Can Watch, Half a Person, I Could Give You All That You Don’t Want, I Was Hoping the Winter Was Over, In Nowheres, It Never Was the Same, Last January, Leave the House, Modern Romance, Nobody Wants to Be Here and Nobody Wants to Leave, Pills I Swallow, Sometimes I Wished I Could Fall Asleep, That Summer, at Home I Had Become the Invisible Boy (live), The Weath-er Is Bad, There’s a Girl in the Corner, Twenty Four Hours, Untitled #27, Untitled #28, Walking for Two Hours (live)
Peter Katis mix, recording And She Would Darken the Memory, Cold Days From the Birdhouse, Drown So I Can Watch, Fourteen Autumns and Fifteen Winters, I Could Give You All That You Don’t Want, I Was Hoping the Winter Was Over, In Nowheres, It Never Was the Same, I’m Taking the Train Home, Last January, Last Year’s Rain Didn’t Fall Quite So Hard, Leave the House, Mapped by What Surrounded Them, Nobody Wants to Be Here and Nobody Wants to Leave, Pills I Swallow, Sometimes I Wished I Could Fall Asleep, Talking With Fireworks / Here, It Never Snowed, That Summer, at Home I Had Become the Invisible Boy, There’s a Girl in the Corner, Walking for Two Hours
Andrew Bush engineer, mix, recording Drown So I Can Watch, I Could Give You All That You Don’t Want, I Couldn’t Say It to Your Face, In Nowheres, It Never Was the Same, Last January, Leave the House, Nobody Wants to Be Here and Nobody Wants to Leave, Pills I Swallow, Sometimes I Wished I Could Fall Asleep, The Airport, There’s a Girl in the Corner
Craig Orzel bass And She Would Darken the Memory (live), Cold Days From the Birdhouse (live), Half a Person, I Was Hoping the Winter Was Over, Modern Romance, That Summer, at Home I Had Become the Invisible Boy (live), The Weath-er Is Bad, Twenty Four Hours, Untitled #27, Untitled #28, Walking for Two Hours (live)
Mark Devine drums And She Would Darken the Memory (live), Cold Days From the Birdhouse (live), Half a Person, I Was Hoping the Winter Was Over, Modern Romance, That Summer, at Home I Had Become the Invisible Boy (live), The Weath-er Is Bad, Twenty Four Hours, Untitled #27, Untitled #28, Walking for Two Hours (live)
Paul Savage engineer Cold Days From the Birdhouse, Fourteen Autumns and Fifteen Winters, I’m Taking the Train Home, Mapped by What Surrounded Them, Talking With Fireworks / Here, It Never Snowed, Walking for Two Hours
Andreas Jonsson (engineer) recording And She Would Darken the Memory (live), Cold Days From the Birdhouse (live), That Summer, at Home I Had Become the Invisible Boy (live), Twenty Four Hours, Untitled #28, Walking for Two Hours (live)
Martin "Dok" Doherty keyboard And She Would Darken the Memory (live), Cold Days From the Birdhouse (live), That Summer, at Home I Had Become the Invisible Boy (live), Twenty Four Hours, Untitled #28, Walking for Two Hours (live)
David Patterson (Engineer) engineer And She Would Darken the Memory, Last Year’s Rain Didn’t Fall Quite So Hard, That Summer, at Home I Had Become the Invisible Boy
Mike Truscott cornet Nobody Wants to Be Here and Nobody Wants to Leave
Breton remixer Nil (bretonLABS remix)