MUSICAL BACON
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Esa-Pekka Salonen
Los Angeles Philharmonic
David Mottley
Richard King
Fred Vogler
Jen Wyler
Sid McLauchlan
Gerard McBurney
Todd Whitelock
Los Angeles Master Chorale
Christian Constantinov
Ryan McKinny
Todd Strange
Anna Larsson
Bruce Leek
Damien Chaney
Jordan Bisch
Eugene Brancoveanu
Yulia Van Doren
Michael Fabiano
Ronald Leonard
Pierre Hopf
Joseph Magee
Carolyn Hove
Abdiel Gonzalez
Only this artist's recordings
Top collaborators
Artist name
Roles
Recordings
Esa-Pekka Salonen
conductor, performing orchestra
Du cristal, En Saga, op. 9, Fahrenheit 451: Suite for Strings, Harps, and Percussion: Finale, Fahrenheit 451: Suite for Strings, Harps, and Percussion: Fire Engine, Fahrenheit 451: Suite for Strings, Harps, and Percussion: Flamethrower, Fahrenheit 451: Suite for Strings, Harps, and Percussion: Flowers of Fire, Fahrenheit 451: Suite for Strings, Harps, and Percussion: Prelude, Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Bedroom, Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Captain’s Death, Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Garden, Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Nightmare, Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Reading, Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Road, Fanfare for Los Angeles Philharmonic, Fantasy & Fugue in C minor, BWV 537: Fantasy, Fantasy & Fugue in C minor, BWV 537: Fugue, Fugue in G minor, BWV 678 "Little": Fugue, Fêtes, Gambit, for orchestra, Giro, for orchestra, Helix, Kullervo, op. 7: I. Introduction. Allegro moderato, Kullervo, op. 7: II. Kullervo's youth. Grave, Kullervo, op. 7: IV. Kullervo goes to battle. Alla marcia, LA Variations, La noche de los mayas: I. La noche de los mayas: Molto sostenuto, La noche de los mayas: II. La noche de jaranas: Scherzo, La noche de los mayas: III. La noche de Yucatán: Andante espressivo, La noche de los mayas: IV. La noche de encantamiento: Tema y variaciones, Le Martyre de Saint Sébastien: I. La Cour des lys. Prélude, Le Martyre de Saint Sébastien: II. Danse extatique et Final du 1er Acte, Le Martyre de Saint Sébastien: III. La Passion, Le Martyre de Saint Sébastien: IV. Le Bon Pasteur, Le Sacre Du Printemps: Le Sacrifice: Action rituelle des ancêtres, Le Sacre Du Printemps: Le Sacrifice: Cercles mystérieux des adolescentes, Le Sacre Du Printemps: Le Sacrifice: Danse sacrale (L'Élue), Le Sacre Du Printemps: Le Sacrifice: Evocation des ancêtres, Le Sacre Du Printemps: Le Sacrifice: Glorification de l'Élue, Le Sacre Du Printemps: Le Sacrifice: Introduction, Le Sacre du printemps: L'Adoration de la terre: Cortège du Sage – Adoration de la terre, Le Sacre du printemps: L'Adoration de la terre: Danse de la terre, Le Sacre du printemps: L'Adoration de la terre: Introduction, Le Sacre du printemps: L'Adoration de la terre: Jeu Du Rapt, Le Sacre du printemps: L'Adoration de la terre: Jeux des cités rivales, Le Sacre du printemps: L'Adoration de la terre: Le Sage, Le Sacre du printemps: L'Adoration de la terre: Les Augures printaniers – Danses des adolescentes, Le Sacre du printemps: L'Adoration de la terre: Rondes printanières, Lemminkäinen Legends, op. 22: I. Lemminkäinen and the Maidens of Saari, Lemminkäinen Legends, op. 22: II. Lemminkäinen in Tuonela, Lemminkäinen Legends, op. 22: III. The Swan of Tuonela, Lemminkäinen Legends, op. 22: IV. Lemminkäinen's Return, Les Espaces du sommeil (1975), Marnie: Suite: I. Prelude, Marnie: Suite: II. The Hunt, Mathis der maler: I. Engelkonzert. Ruhig bewegt, Mathis der maler: II. Grablegung. Sehr langsam, Mathis der maler: III. Versuchung des heiligen Antonius. Sehr langsam, frei im Zeitmaß - Sehr lebhaft, Naive and Sentimental Music: I. Naive and Sentimental Music, Naive and Sentimental Music: II. Mother of the Man, Naive and Sentimental Music: III. Chain to the Rhythm, Night On Bald Mountain (original version), Nocturnes: I. Nuages, Nocturnes: II. Fêtes, Nocturnes: III. Sirènes, North by Northwest: Overture, Orango: Prologue. "Dlina konečnostey i ugol licevoy", Orango: Prologue. "Dovol'nï l' vï našeyu programmoy?", Orango: Prologue. "Dušno mne, dušno, pod škuroy zverya dušno", Orango: Prologue. "Sleduyuščiy nomer našey programmï", Orango: Prologue. "Trud proklyat'em bil", Orango: Prologue. "Ya vam napomnyu", Orango: Prologue. "Zevni, Orango!", Orango: Prologue. Nastya dances, Orango: Prologue. Nastya dances a quick dance, with chorus line, Orango: Prologue. Nastya dances a slow dance, Orango: Prologue. Overture, Prelude & Fugue in E-flat major, BWV 522 "St. Anne": Fugue, Prelude & Fugue in E-flat major, BWV 522 "St. Anne": Prelude, Psycho: A Suite for Strings: Finale, Psycho: A Suite for Strings: Prelude, Psycho: A Suite for Strings: The Cellar, Psycho: A Suite for Strings: The City, Psycho: A Suite for Strings: The Knife, Psycho: A Suite for Strings: The Madhouse, Psycho: A Suite for Strings: The Murder, Psycho: A Suite for Strings: The Rainstorm, Psycho: A Suite for Strings: The Stairs, Psycho: A Suite for Strings: The Swamp, Psycho: A Suite for Strings: The Water, Sensemayá, Sinfonische metamorphosen: I. Allegro, Sinfonische metamorphosen: II. Turandot. Scherzo. Moderato - Lebhaft, Sinfonische metamorphosen: III. Andantino, Sinfonische metamorphosen: IV. Marsch, Suite For Organ, Harpsichord & Orchestra: Badinerie, Suite For Organ, Harpsichord & Orchestra: Gavotte II, Suite For Organ, Harpsichord & Orchestra: I. Ouverture, Suite For Organ, Harpsichord & Orchestra: II. Rondeau -, Suite For Organ, Harpsichord & Orchestra: III. Air, Suite For Organ, Harpsichord & Orchestra: IV. Gavotte I -, Symphony No. 4 "Los Angeles": I. Con sublimità, Symphony No. 4 "Los Angeles": II. Affannoso, Symphony No. 4 "Los Angeles": III. Deciso, Symphony nn. 3 in D minor: I. A tempo, Symphony no. 1: I. Allegro giusto, Symphony no. 1: II. Poco adagio, Symphony no. 1: III. Allegretto misterioso, Symphony no. 1: IV. Allegro vivace, Symphony no. 2 in D major, op. 43: I. Allegretto - Poco allegro - Tranquillo, ma poco a poco ravvivando il tempo al allegro, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato - Andante sostenuto, Symphony no. 2 in D major, op. 43: III. Vivacissimo - Lento e suave - Largamente, Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato, Symphony no. 2: I. Hésitant, Symphony no. 2: II. Direct, Symphony no. 3, Symphony no. 3 in D minor: I. Immer dasselbe Tempo (Marsch) Nicht eilen, Symphony no. 3 in D minor: I. Kräftig. Entschieden, Symphony no. 3 in D minor: I. Langsam. Schwer, Symphony no. 3 in D minor: I. Tempo I, Symphony no. 3 in D minor: I. Tempo primo. Wie zu Anfang, Symphony no. 3 in D minor: II. A tempo, Symphony no. 3 in D minor: II. Ganz plötzlich gemächlich. Tempo di Menuetto, Symphony no. 3 in D minor: II. Tempo di Menuetto. Sehr mässig, Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast., Symphony no. 3 in D minor: III. Sehr gemächlich, Symphony no. 3 in D minor: III. Tempo I, Symphony no. 3 in D minor: III. Wieder sehr gemächlich, beinahe langsam, Symphony no. 3 in D minor: III. Wieder sehr gemächlich, wie zu Anfang, Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso. Durchaus ppp, Symphony no. 3 in D minor: IV. Tempo I, Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck, Symphony no. 3 in D minor: VI. A tempo (Etwas bewegter), Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden., Symphony no. 3 in D minor: VI. Langsam. Tempo I, Symphony no. 3 in D minor: VI. Nicht mehr so breit, Symphony no. 3 in D minor: VI. Tempo I, Symphony no. 3 in D minor: VI. Tempo I. Ruhevoll!, Symphony no. 4, Symphony no. 4 "Los Angeles": I. Con sublimità, Symphony no. 4 "Los Angeles": II. Affannoso, Symphony no. 4 "Los Angeles": III. Deciso, Symphony no. 4 in C minor, op. 43: I. Allegretto, poco moderato - Presto, Symphony no. 4 in C minor, op. 43: II. Moderato con moto, Symphony no. 4 in C minor, op. 43: III. Largo - Allegro, Symphony no. 4 in E-flat major "Romantic": I. Bewegt, nicht zu schnell, Symphony no. 4 in E-flat major "Romantic": II. Andante quasi allegretto, Symphony no. 4 in E-flat major "Romantic": III. Scherzo. Bewegt - Trio. Nicht zu schnell. Keinesfalls schleppend, Symphony no. 4 in E-flat major "Romantic": IV. Finale. Bewegt, doch nicht zu schnell, Taxi Driver: A Night-Piece for Orchestra with Obbligato Alto Saxophone: Bloodbath, Taxi Driver: A Night-Piece for Orchestra with Obbligato Alto Saxophone: Blues, Taxi Driver: A Night-Piece for Orchestra with Obbligato Alto Saxophone: Finale, Taxi Driver: A Night-Piece for Orchestra with Obbligato Alto Saxophone: Night Prowl, Taxi Driver: A Night-Piece for Orchestra with Obbligato Alto Saxophone: Prelude, The Man Who Knew Too Much: Prelude, The Miraculous Mandarin (concert version), op. 19, Sz. 73, The Musical Offerning: BWV 1079: Ricercare no. 2, Toccata & Fugue in D minor, BWV 565: Fugue, Toccata & Fugue in D minor, BWV 565: Toccata, Torn Curtain: I. Prelude, Torn Curtain: II. Gromek, Torn Curtain: III. The Killing, Ventanas, Vertigo: Suite: I. Prelude, Vertigo: Suite: II. The Nightmare, Vertigo: Suite: III. Scene d’amour
Los Angeles Philharmonic
performing orchestra
Du cristal, En Saga, op. 9, Fahrenheit 451: Suite for Strings, Harps, and Percussion: Finale, Fahrenheit 451: Suite for Strings, Harps, and Percussion: Fire Engine, Fahrenheit 451: Suite for Strings, Harps, and Percussion: Flamethrower, Fahrenheit 451: Suite for Strings, Harps, and Percussion: Flowers of Fire, Fahrenheit 451: Suite for Strings, Harps, and Percussion: Prelude, Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Bedroom, Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Captain’s Death, Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Garden, Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Nightmare, Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Reading, Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Road, Fanfare for Los Angeles Philharmonic, Fantasy & Fugue in C minor, BWV 537: Fantasy, Fantasy & Fugue in C minor, BWV 537: Fugue, Fugue in G minor, BWV 678 "Little": Fugue, Fêtes, Gambit, for orchestra, Giro, for orchestra, Helix, Kullervo, op. 7: I. Introduction. Allegro moderato, Kullervo, op. 7: II. Kullervo's youth. Grave, Kullervo, op. 7: IV. Kullervo goes to battle. Alla marcia, LA Variations, La noche de los mayas: I. La noche de los mayas: Molto sostenuto, La noche de los mayas: II. La noche de jaranas: Scherzo, La noche de los mayas: III. La noche de Yucatán: Andante espressivo, La noche de los mayas: IV. La noche de encantamiento: Tema y variaciones, Le Martyre de Saint Sébastien: I. La Cour des lys. Prélude, Le Martyre de Saint Sébastien: II. Danse extatique et Final du 1er Acte, Le Martyre de Saint Sébastien: III. La Passion, Le Martyre de Saint Sébastien: IV. Le Bon Pasteur, Le Sacre Du Printemps: Le Sacrifice: Action rituelle des ancêtres, Le Sacre Du Printemps: Le Sacrifice: Cercles mystérieux des adolescentes, Le Sacre Du Printemps: Le Sacrifice: Danse sacrale (L'Élue), Le Sacre Du Printemps: Le Sacrifice: Evocation des ancêtres, Le Sacre Du Printemps: Le Sacrifice: Glorification de l'Élue, Le Sacre Du Printemps: Le Sacrifice: Introduction, Le Sacre du printemps: L'Adoration de la terre: Cortège du Sage – Adoration de la terre, Le Sacre du printemps: L'Adoration de la terre: Danse de la terre, Le Sacre du printemps: L'Adoration de la terre: Introduction, Le Sacre du printemps: L'Adoration de la terre: Jeu Du Rapt, Le Sacre du printemps: L'Adoration de la terre: Jeux des cités rivales, Le Sacre du printemps: L'Adoration de la terre: Le Sage, Le Sacre du printemps: L'Adoration de la terre: Les Augures printaniers – Danses des adolescentes, Le Sacre du printemps: L'Adoration de la terre: Rondes printanières, Lemminkäinen Legends, op. 22: I. Lemminkäinen and the Maidens of Saari, Lemminkäinen Legends, op. 22: II. Lemminkäinen in Tuonela, Lemminkäinen Legends, op. 22: III. The Swan of Tuonela, Lemminkäinen Legends, op. 22: IV. Lemminkäinen's Return, Les Espaces du sommeil (1975), Marnie: Suite: I. Prelude, Marnie: Suite: II. The Hunt, Mathis der maler: I. Engelkonzert. Ruhig bewegt, Mathis der maler: II. Grablegung. Sehr langsam, Mathis der maler: III. Versuchung des heiligen Antonius. Sehr langsam, frei im Zeitmaß - Sehr lebhaft, Naive and Sentimental Music: I. Naive and Sentimental Music, Naive and Sentimental Music: II. Mother of the Man, Naive and Sentimental Music: III. Chain to the Rhythm, Night On Bald Mountain (original version), Nocturnes: I. Nuages, Nocturnes: II. Fêtes, Nocturnes: III. Sirènes, North by Northwest: Overture, Orango: Prologue. "Dlina konečnostey i ugol licevoy", Orango: Prologue. "Dovol'nï l' vï našeyu programmoy?", Orango: Prologue. "Dušno mne, dušno, pod škuroy zverya dušno", Orango: Prologue. "Sleduyuščiy nomer našey programmï", Orango: Prologue. "Trud proklyat'em bil", Orango: Prologue. "Ya vam napomnyu", Orango: Prologue. "Zevni, Orango!", Orango: Prologue. Nastya dances, Orango: Prologue. Nastya dances a quick dance, with chorus line, Orango: Prologue. Nastya dances a slow dance, Orango: Prologue. Overture, Prelude & Fugue in E-flat major, BWV 522 "St. Anne": Fugue, Prelude & Fugue in E-flat major, BWV 522 "St. Anne": Prelude, Psycho: A Suite for Strings: Finale, Psycho: A Suite for Strings: Prelude, Psycho: A Suite for Strings: The Cellar, Psycho: A Suite for Strings: The City, Psycho: A Suite for Strings: The Knife, Psycho: A Suite for Strings: The Madhouse, Psycho: A Suite for Strings: The Murder, Psycho: A Suite for Strings: The Rainstorm, Psycho: A Suite for Strings: The Stairs, Psycho: A Suite for Strings: The Swamp, Psycho: A Suite for Strings: The Water, Sensemayá, Sinfonische metamorphosen: I. Allegro, Sinfonische metamorphosen: II. Turandot. Scherzo. Moderato - Lebhaft, Sinfonische metamorphosen: III. Andantino, Sinfonische metamorphosen: IV. Marsch, Suite For Organ, Harpsichord & Orchestra: Badinerie, Suite For Organ, Harpsichord & Orchestra: Gavotte II, Suite For Organ, Harpsichord & Orchestra: I. Ouverture, Suite For Organ, Harpsichord & Orchestra: II. Rondeau -, Suite For Organ, Harpsichord & Orchestra: III. Air, Suite For Organ, Harpsichord & Orchestra: IV. Gavotte I -, Symphony No. 4 "Los Angeles": I. Con sublimità, Symphony No. 4 "Los Angeles": II. Affannoso, Symphony No. 4 "Los Angeles": III. Deciso, Symphony nn. 3 in D minor: I. A tempo, Symphony no. 1: I. Allegro giusto, Symphony no. 1: II. Poco adagio, Symphony no. 1: III. Allegretto misterioso, Symphony no. 1: IV. Allegro vivace, Symphony no. 2 in D major, op. 43: I. Allegretto - Poco allegro - Tranquillo, ma poco a poco ravvivando il tempo al allegro, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato - Andante sostenuto, Symphony no. 2 in D major, op. 43: III. Vivacissimo - Lento e suave - Largamente, Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato, Symphony no. 2: I. Hésitant, Symphony no. 2: II. Direct, Symphony no. 3, Symphony no. 3 in D minor: I. Immer dasselbe Tempo (Marsch) Nicht eilen, Symphony no. 3 in D minor: I. Kräftig. Entschieden, Symphony no. 3 in D minor: I. Langsam. Schwer, Symphony no. 3 in D minor: I. Tempo I, Symphony no. 3 in D minor: I. Tempo primo. Wie zu Anfang, Symphony no. 3 in D minor: II. A tempo, Symphony no. 3 in D minor: II. Ganz plötzlich gemächlich. Tempo di Menuetto, Symphony no. 3 in D minor: II. Tempo di Menuetto. Sehr mässig, Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast., Symphony no. 3 in D minor: III. Sehr gemächlich, Symphony no. 3 in D minor: III. Tempo I, Symphony no. 3 in D minor: III. Wieder sehr gemächlich, beinahe langsam, Symphony no. 3 in D minor: III. Wieder sehr gemächlich, wie zu Anfang, Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso. Durchaus ppp, Symphony no. 3 in D minor: IV. Tempo I, Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck, Symphony no. 3 in D minor: VI. A tempo (Etwas bewegter), Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden., Symphony no. 3 in D minor: VI. Langsam. Tempo I, Symphony no. 3 in D minor: VI. Nicht mehr so breit, Symphony no. 3 in D minor: VI. Tempo I, Symphony no. 3 in D minor: VI. Tempo I. Ruhevoll!, Symphony no. 4, Symphony no. 4 "Los Angeles": I. Con sublimità, Symphony no. 4 "Los Angeles": II. Affannoso, Symphony no. 4 "Los Angeles": III. Deciso, Symphony no. 4 in C minor, op. 43: I. Allegretto, poco moderato - Presto, Symphony no. 4 in C minor, op. 43: II. Moderato con moto, Symphony no. 4 in C minor, op. 43: III. Largo - Allegro, Symphony no. 4 in E-flat major "Romantic": I. Bewegt, nicht zu schnell, Symphony no. 4 in E-flat major "Romantic": II. Andante quasi allegretto, Symphony no. 4 in E-flat major "Romantic": III. Scherzo. Bewegt - Trio. Nicht zu schnell. Keinesfalls schleppend, Symphony no. 4 in E-flat major "Romantic": IV. Finale. Bewegt, doch nicht zu schnell, Taxi Driver: A Night-Piece for Orchestra with Obbligato Alto Saxophone: Bloodbath, Taxi Driver: A Night-Piece for Orchestra with Obbligato Alto Saxophone: Blues, Taxi Driver: A Night-Piece for Orchestra with Obbligato Alto Saxophone: Finale, Taxi Driver: A Night-Piece for Orchestra with Obbligato Alto Saxophone: Night Prowl, Taxi Driver: A Night-Piece for Orchestra with Obbligato Alto Saxophone: Prelude, The Man Who Knew Too Much: Prelude, The Miraculous Mandarin (concert version), op. 19, Sz. 73, The Musical Offerning: BWV 1079: Ricercare no. 2, Toccata & Fugue in D minor, BWV 565: Fugue, Toccata & Fugue in D minor, BWV 565: Toccata, Torn Curtain: I. Prelude, Torn Curtain: II. Gromek, Torn Curtain: III. The Killing, Ventanas, Vertigo: Suite: I. Prelude, Vertigo: Suite: II. The Nightmare, Vertigo: Suite: III. Scene d’amour
David Mottley
producer
En Saga, op. 9, Fantasy & Fugue in C minor, BWV 537: Fantasy, Fantasy & Fugue in C minor, BWV 537: Fugue, Fugue in G minor, BWV 678 "Little": Fugue, La noche de los mayas: I. La noche de los mayas: Molto sostenuto, La noche de los mayas: II. La noche de jaranas: Scherzo, La noche de los mayas: III. La noche de Yucatán: Andante espressivo, La noche de los mayas: IV. La noche de encantamiento: Tema y variaciones, Lemminkäinen Legends, op. 22: I. Lemminkäinen and the Maidens of Saari, Lemminkäinen Legends, op. 22: II. Lemminkäinen in Tuonela, Lemminkäinen Legends, op. 22: III. The Swan of Tuonela, Lemminkäinen Legends, op. 22: IV. Lemminkäinen's Return, Prelude & Fugue in E-flat major, BWV 522 "St. Anne": Fugue, Prelude & Fugue in E-flat major, BWV 522 "St. Anne": Prelude, Sensemayá, Suite For Organ, Harpsichord & Orchestra: Badinerie, Suite For Organ, Harpsichord & Orchestra: Gavotte II, Suite For Organ, Harpsichord & Orchestra: I. Ouverture, Suite For Organ, Harpsichord & Orchestra: II. Rondeau -, Suite For Organ, Harpsichord & Orchestra: III. Air, Suite For Organ, Harpsichord & Orchestra: IV. Gavotte I -, The Musical Offerning: BWV 1079: Ricercare no. 2, Toccata & Fugue in D minor, BWV 565: Fugue, Toccata & Fugue in D minor, BWV 565: Toccata, Ventanas
Richard King (Engineer)
engineer
Fantasy & Fugue in C minor, BWV 537: Fantasy, Fantasy & Fugue in C minor, BWV 537: Fugue, Fugue in G minor, BWV 678 "Little": Fugue, La noche de los mayas: I. La noche de los mayas: Molto sostenuto, La noche de los mayas: II. La noche de jaranas: Scherzo, La noche de los mayas: III. La noche de Yucatán: Andante espressivo, La noche de los mayas: IV. La noche de encantamiento: Tema y variaciones, Prelude & Fugue in E-flat major, BWV 522 "St. Anne": Fugue, Prelude & Fugue in E-flat major, BWV 522 "St. Anne": Prelude, Sensemayá, Suite For Organ, Harpsichord & Orchestra: Badinerie, Suite For Organ, Harpsichord & Orchestra: Gavotte II, Suite For Organ, Harpsichord & Orchestra: I. Ouverture, Suite For Organ, Harpsichord & Orchestra: II. Rondeau -, Suite For Organ, Harpsichord & Orchestra: III. Air, Suite For Organ, Harpsichord & Orchestra: IV. Gavotte I -, The Musical Offerning: BWV 1079: Ricercare no. 2, Toccata & Fugue in D minor, BWV 565: Fugue, Toccata & Fugue in D minor, BWV 565: Toccata, Ventanas
Fred Vogler
balance, engineer, producer, recording
Du cristal, Orango: Prologue. "Dlina konečnostey i ugol licevoy", Orango: Prologue. "Dovol'nï l' vï našeyu programmoy?", Orango: Prologue. "Dušno mne, dušno, pod škuroy zverya dušno", Orango: Prologue. "Sleduyuščiy nomer našey programmï", Orango: Prologue. "Trud proklyat'em bil", Orango: Prologue. "Ya vam napomnyu", Orango: Prologue. "Zevni, Orango!", Orango: Prologue. Nastya dances, Orango: Prologue. Nastya dances a quick dance, with chorus line, Orango: Prologue. Nastya dances a slow dance, Orango: Prologue. Overture, Symphony no. 4 "Los Angeles": I. Con sublimità, Symphony no. 4 "Los Angeles": II. Affannoso, Symphony no. 4 "Los Angeles": III. Deciso, Symphony no. 4 in C minor, op. 43: I. Allegretto, poco moderato - Presto, Symphony no. 4 in C minor, op. 43: II. Moderato con moto, Symphony no. 4 in C minor, op. 43: III. Largo - Allegro
Collaborators on this artist's recordings
Artist name
Roles
Recordings
Esa-Pekka Salonen
conductor, performing orchestra
Du cristal, En Saga, op. 9, Fahrenheit 451: Suite for Strings, Harps, and Percussion: Finale, Fahrenheit 451: Suite for Strings, Harps, and Percussion: Fire Engine, Fahrenheit 451: Suite for Strings, Harps, and Percussion: Flamethrower, Fahrenheit 451: Suite for Strings, Harps, and Percussion: Flowers of Fire, Fahrenheit 451: Suite for Strings, Harps, and Percussion: Prelude, Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Bedroom, Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Captain’s Death, Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Garden, Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Nightmare, Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Reading, Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Road, Fanfare for Los Angeles Philharmonic, Fantasy & Fugue in C minor, BWV 537: Fantasy, Fantasy & Fugue in C minor, BWV 537: Fugue, Fugue in G minor, BWV 678 "Little": Fugue, Fêtes, Gambit, for orchestra, Giro, for orchestra, Helix, Kullervo, op. 7: I. Introduction. Allegro moderato, Kullervo, op. 7: II. Kullervo's youth. Grave, Kullervo, op. 7: IV. Kullervo goes to battle. Alla marcia, LA Variations, La noche de los mayas: I. La noche de los mayas: Molto sostenuto, La noche de los mayas: II. La noche de jaranas: Scherzo, La noche de los mayas: III. La noche de Yucatán: Andante espressivo, La noche de los mayas: IV. La noche de encantamiento: Tema y variaciones, Le Martyre de Saint Sébastien: I. La Cour des lys. Prélude, Le Martyre de Saint Sébastien: II. Danse extatique et Final du 1er Acte, Le Martyre de Saint Sébastien: III. La Passion, Le Martyre de Saint Sébastien: IV. Le Bon Pasteur, Le Sacre Du Printemps: Le Sacrifice: Action rituelle des ancêtres, Le Sacre Du Printemps: Le Sacrifice: Cercles mystérieux des adolescentes, Le Sacre Du Printemps: Le Sacrifice: Danse sacrale (L'Élue), Le Sacre Du Printemps: Le Sacrifice: Evocation des ancêtres, Le Sacre Du Printemps: Le Sacrifice: Glorification de l'Élue, Le Sacre Du Printemps: Le Sacrifice: Introduction, Le Sacre du printemps: L'Adoration de la terre: Cortège du Sage – Adoration de la terre, Le Sacre du printemps: L'Adoration de la terre: Danse de la terre, Le Sacre du printemps: L'Adoration de la terre: Introduction, Le Sacre du printemps: L'Adoration de la terre: Jeu Du Rapt, Le Sacre du printemps: L'Adoration de la terre: Jeux des cités rivales, Le Sacre du printemps: L'Adoration de la terre: Le Sage, Le Sacre du printemps: L'Adoration de la terre: Les Augures printaniers – Danses des adolescentes, Le Sacre du printemps: L'Adoration de la terre: Rondes printanières, Lemminkäinen Legends, op. 22: I. Lemminkäinen and the Maidens of Saari, Lemminkäinen Legends, op. 22: II. Lemminkäinen in Tuonela, Lemminkäinen Legends, op. 22: III. The Swan of Tuonela, Lemminkäinen Legends, op. 22: IV. Lemminkäinen's Return, Les Espaces du sommeil (1975), Marnie: Suite: I. Prelude, Marnie: Suite: II. The Hunt, Mathis der maler: I. Engelkonzert. Ruhig bewegt, Mathis der maler: II. Grablegung. Sehr langsam, Mathis der maler: III. Versuchung des heiligen Antonius. Sehr langsam, frei im Zeitmaß - Sehr lebhaft, Naive and Sentimental Music: I. Naive and Sentimental Music, Naive and Sentimental Music: II. Mother of the Man, Naive and Sentimental Music: III. Chain to the Rhythm, Night On Bald Mountain (original version), Nocturnes: I. Nuages, Nocturnes: II. Fêtes, Nocturnes: III. Sirènes, North by Northwest: Overture, Orango: Prologue. "Dlina konečnostey i ugol licevoy", Orango: Prologue. "Dovol'nï l' vï našeyu programmoy?", Orango: Prologue. "Dušno mne, dušno, pod škuroy zverya dušno", Orango: Prologue. "Sleduyuščiy nomer našey programmï", Orango: Prologue. "Trud proklyat'em bil", Orango: Prologue. "Ya vam napomnyu", Orango: Prologue. "Zevni, Orango!", Orango: Prologue. Nastya dances, Orango: Prologue. Nastya dances a quick dance, with chorus line, Orango: Prologue. Nastya dances a slow dance, Orango: Prologue. Overture, Prelude & Fugue in E-flat major, BWV 522 "St. Anne": Fugue, Prelude & Fugue in E-flat major, BWV 522 "St. Anne": Prelude, Psycho: A Suite for Strings: Finale, Psycho: A Suite for Strings: Prelude, Psycho: A Suite for Strings: The Cellar, Psycho: A Suite for Strings: The City, Psycho: A Suite for Strings: The Knife, Psycho: A Suite for Strings: The Madhouse, Psycho: A Suite for Strings: The Murder, Psycho: A Suite for Strings: The Rainstorm, Psycho: A Suite for Strings: The Stairs, Psycho: A Suite for Strings: The Swamp, Psycho: A Suite for Strings: The Water, Sensemayá, Sinfonische metamorphosen: I. Allegro, Sinfonische metamorphosen: II. Turandot. Scherzo. Moderato - Lebhaft, Sinfonische metamorphosen: III. Andantino, Sinfonische metamorphosen: IV. Marsch, Suite For Organ, Harpsichord & Orchestra: Badinerie, Suite For Organ, Harpsichord & Orchestra: Gavotte II, Suite For Organ, Harpsichord & Orchestra: I. Ouverture, Suite For Organ, Harpsichord & Orchestra: II. Rondeau -, Suite For Organ, Harpsichord & Orchestra: III. Air, Suite For Organ, Harpsichord & Orchestra: IV. Gavotte I -, Symphony No. 4 "Los Angeles": I. Con sublimità, Symphony No. 4 "Los Angeles": II. Affannoso, Symphony No. 4 "Los Angeles": III. Deciso, Symphony nn. 3 in D minor: I. A tempo, Symphony no. 1: I. Allegro giusto, Symphony no. 1: II. Poco adagio, Symphony no. 1: III. Allegretto misterioso, Symphony no. 1: IV. Allegro vivace, Symphony no. 2 in D major, op. 43: I. Allegretto - Poco allegro - Tranquillo, ma poco a poco ravvivando il tempo al allegro, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato - Andante sostenuto, Symphony no. 2 in D major, op. 43: III. Vivacissimo - Lento e suave - Largamente, Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato, Symphony no. 2: I. Hésitant, Symphony no. 2: II. Direct, Symphony no. 3, Symphony no. 3 in D minor: I. Immer dasselbe Tempo (Marsch) Nicht eilen, Symphony no. 3 in D minor: I. Kräftig. Entschieden, Symphony no. 3 in D minor: I. Langsam. Schwer, Symphony no. 3 in D minor: I. Tempo I, Symphony no. 3 in D minor: I. Tempo primo. Wie zu Anfang, Symphony no. 3 in D minor: II. A tempo, Symphony no. 3 in D minor: II. Ganz plötzlich gemächlich. Tempo di Menuetto, Symphony no. 3 in D minor: II. Tempo di Menuetto. Sehr mässig, Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast., Symphony no. 3 in D minor: III. Sehr gemächlich, Symphony no. 3 in D minor: III. Tempo I, Symphony no. 3 in D minor: III. Wieder sehr gemächlich, beinahe langsam, Symphony no. 3 in D minor: III. Wieder sehr gemächlich, wie zu Anfang, Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso. Durchaus ppp, Symphony no. 3 in D minor: IV. Tempo I, Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck, Symphony no. 3 in D minor: VI. A tempo (Etwas bewegter), Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden., Symphony no. 3 in D minor: VI. Langsam. Tempo I, Symphony no. 3 in D minor: VI. Nicht mehr so breit, Symphony no. 3 in D minor: VI. Tempo I, Symphony no. 3 in D minor: VI. Tempo I. Ruhevoll!, Symphony no. 4, Symphony no. 4 "Los Angeles": I. Con sublimità, Symphony no. 4 "Los Angeles": II. Affannoso, Symphony no. 4 "Los Angeles": III. Deciso, Symphony no. 4 in C minor, op. 43: I. Allegretto, poco moderato - Presto, Symphony no. 4 in C minor, op. 43: II. Moderato con moto, Symphony no. 4 in C minor, op. 43: III. Largo - Allegro, Symphony no. 4 in E-flat major "Romantic": I. Bewegt, nicht zu schnell, Symphony no. 4 in E-flat major "Romantic": II. Andante quasi allegretto, Symphony no. 4 in E-flat major "Romantic": III. Scherzo. Bewegt - Trio. Nicht zu schnell. Keinesfalls schleppend, Symphony no. 4 in E-flat major "Romantic": IV. Finale. Bewegt, doch nicht zu schnell, Taxi Driver: A Night-Piece for Orchestra with Obbligato Alto Saxophone: Bloodbath, Taxi Driver: A Night-Piece for Orchestra with Obbligato Alto Saxophone: Blues, Taxi Driver: A Night-Piece for Orchestra with Obbligato Alto Saxophone: Finale, Taxi Driver: A Night-Piece for Orchestra with Obbligato Alto Saxophone: Night Prowl, Taxi Driver: A Night-Piece for Orchestra with Obbligato Alto Saxophone: Prelude, The Man Who Knew Too Much: Prelude, The Miraculous Mandarin (concert version), op. 19, Sz. 73, The Musical Offerning: BWV 1079: Ricercare no. 2, Toccata & Fugue in D minor, BWV 565: Fugue, Toccata & Fugue in D minor, BWV 565: Toccata, Torn Curtain: I. Prelude, Torn Curtain: II. Gromek, Torn Curtain: III. The Killing, Ventanas, Vertigo: Suite: I. Prelude, Vertigo: Suite: II. The Nightmare, Vertigo: Suite: III. Scene d’amour
Los Angeles Philharmonic
performing orchestra
Du cristal, En Saga, op. 9, Fahrenheit 451: Suite for Strings, Harps, and Percussion: Finale, Fahrenheit 451: Suite for Strings, Harps, and Percussion: Fire Engine, Fahrenheit 451: Suite for Strings, Harps, and Percussion: Flamethrower, Fahrenheit 451: Suite for Strings, Harps, and Percussion: Flowers of Fire, Fahrenheit 451: Suite for Strings, Harps, and Percussion: Prelude, Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Bedroom, Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Captain’s Death, Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Garden, Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Nightmare, Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Reading, Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Road, Fanfare for Los Angeles Philharmonic, Fantasy & Fugue in C minor, BWV 537: Fantasy, Fantasy & Fugue in C minor, BWV 537: Fugue, Fugue in G minor, BWV 678 "Little": Fugue, Fêtes, Gambit, for orchestra, Giro, for orchestra, Helix, Kullervo, op. 7: I. Introduction. Allegro moderato, Kullervo, op. 7: II. Kullervo's youth. Grave, Kullervo, op. 7: IV. Kullervo goes to battle. Alla marcia, LA Variations, La noche de los mayas: I. La noche de los mayas: Molto sostenuto, La noche de los mayas: II. La noche de jaranas: Scherzo, La noche de los mayas: III. La noche de Yucatán: Andante espressivo, La noche de los mayas: IV. La noche de encantamiento: Tema y variaciones, Le Martyre de Saint Sébastien: I. La Cour des lys. Prélude, Le Martyre de Saint Sébastien: II. Danse extatique et Final du 1er Acte, Le Martyre de Saint Sébastien: III. La Passion, Le Martyre de Saint Sébastien: IV. Le Bon Pasteur, Le Sacre Du Printemps: Le Sacrifice: Action rituelle des ancêtres, Le Sacre Du Printemps: Le Sacrifice: Cercles mystérieux des adolescentes, Le Sacre Du Printemps: Le Sacrifice: Danse sacrale (L'Élue), Le Sacre Du Printemps: Le Sacrifice: Evocation des ancêtres, Le Sacre Du Printemps: Le Sacrifice: Glorification de l'Élue, Le Sacre Du Printemps: Le Sacrifice: Introduction, Le Sacre du printemps: L'Adoration de la terre: Cortège du Sage – Adoration de la terre, Le Sacre du printemps: L'Adoration de la terre: Danse de la terre, Le Sacre du printemps: L'Adoration de la terre: Introduction, Le Sacre du printemps: L'Adoration de la terre: Jeu Du Rapt, Le Sacre du printemps: L'Adoration de la terre: Jeux des cités rivales, Le Sacre du printemps: L'Adoration de la terre: Le Sage, Le Sacre du printemps: L'Adoration de la terre: Les Augures printaniers – Danses des adolescentes, Le Sacre du printemps: L'Adoration de la terre: Rondes printanières, Lemminkäinen Legends, op. 22: I. Lemminkäinen and the Maidens of Saari, Lemminkäinen Legends, op. 22: II. Lemminkäinen in Tuonela, Lemminkäinen Legends, op. 22: III. The Swan of Tuonela, Lemminkäinen Legends, op. 22: IV. Lemminkäinen's Return, Les Espaces du sommeil (1975), Marnie: Suite: I. Prelude, Marnie: Suite: II. The Hunt, Mathis der maler: I. Engelkonzert. Ruhig bewegt, Mathis der maler: II. Grablegung. Sehr langsam, Mathis der maler: III. Versuchung des heiligen Antonius. Sehr langsam, frei im Zeitmaß - Sehr lebhaft, Naive and Sentimental Music: I. Naive and Sentimental Music, Naive and Sentimental Music: II. Mother of the Man, Naive and Sentimental Music: III. Chain to the Rhythm, Night On Bald Mountain (original version), Nocturnes: I. Nuages, Nocturnes: II. Fêtes, Nocturnes: III. Sirènes, North by Northwest: Overture, Orango: Prologue. "Dlina konečnostey i ugol licevoy", Orango: Prologue. "Dovol'nï l' vï našeyu programmoy?", Orango: Prologue. "Dušno mne, dušno, pod škuroy zverya dušno", Orango: Prologue. "Sleduyuščiy nomer našey programmï", Orango: Prologue. "Trud proklyat'em bil", Orango: Prologue. "Ya vam napomnyu", Orango: Prologue. "Zevni, Orango!", Orango: Prologue. Nastya dances, Orango: Prologue. Nastya dances a quick dance, with chorus line, Orango: Prologue. Nastya dances a slow dance, Orango: Prologue. Overture, Prelude & Fugue in E-flat major, BWV 522 "St. Anne": Fugue, Prelude & Fugue in E-flat major, BWV 522 "St. Anne": Prelude, Psycho: A Suite for Strings: Finale, Psycho: A Suite for Strings: Prelude, Psycho: A Suite for Strings: The Cellar, Psycho: A Suite for Strings: The City, Psycho: A Suite for Strings: The Knife, Psycho: A Suite for Strings: The Madhouse, Psycho: A Suite for Strings: The Murder, Psycho: A Suite for Strings: The Rainstorm, Psycho: A Suite for Strings: The Stairs, Psycho: A Suite for Strings: The Swamp, Psycho: A Suite for Strings: The Water, Sensemayá, Sinfonische metamorphosen: I. Allegro, Sinfonische metamorphosen: II. Turandot. Scherzo. Moderato - Lebhaft, Sinfonische metamorphosen: III. Andantino, Sinfonische metamorphosen: IV. Marsch, Suite For Organ, Harpsichord & Orchestra: Badinerie, Suite For Organ, Harpsichord & Orchestra: Gavotte II, Suite For Organ, Harpsichord & Orchestra: I. Ouverture, Suite For Organ, Harpsichord & Orchestra: II. Rondeau -, Suite For Organ, Harpsichord & Orchestra: III. Air, Suite For Organ, Harpsichord & Orchestra: IV. Gavotte I -, Symphony No. 4 "Los Angeles": I. Con sublimità, Symphony No. 4 "Los Angeles": II. Affannoso, Symphony No. 4 "Los Angeles": III. Deciso, Symphony nn. 3 in D minor: I. A tempo, Symphony no. 1: I. Allegro giusto, Symphony no. 1: II. Poco adagio, Symphony no. 1: III. Allegretto misterioso, Symphony no. 1: IV. Allegro vivace, Symphony no. 2 in D major, op. 43: I. Allegretto - Poco allegro - Tranquillo, ma poco a poco ravvivando il tempo al allegro, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato - Andante sostenuto, Symphony no. 2 in D major, op. 43: III. Vivacissimo - Lento e suave - Largamente, Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato, Symphony no. 2: I. Hésitant, Symphony no. 2: II. Direct, Symphony no. 3, Symphony no. 3 in D minor: I. Immer dasselbe Tempo (Marsch) Nicht eilen, Symphony no. 3 in D minor: I. Kräftig. Entschieden, Symphony no. 3 in D minor: I. Langsam. Schwer, Symphony no. 3 in D minor: I. Tempo I, Symphony no. 3 in D minor: I. Tempo primo. Wie zu Anfang, Symphony no. 3 in D minor: II. A tempo, Symphony no. 3 in D minor: II. Ganz plötzlich gemächlich. Tempo di Menuetto, Symphony no. 3 in D minor: II. Tempo di Menuetto. Sehr mässig, Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast., Symphony no. 3 in D minor: III. Sehr gemächlich, Symphony no. 3 in D minor: III. Tempo I, Symphony no. 3 in D minor: III. Wieder sehr gemächlich, beinahe langsam, Symphony no. 3 in D minor: III. Wieder sehr gemächlich, wie zu Anfang, Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso. Durchaus ppp, Symphony no. 3 in D minor: IV. Tempo I, Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck, Symphony no. 3 in D minor: VI. A tempo (Etwas bewegter), Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden., Symphony no. 3 in D minor: VI. Langsam. Tempo I, Symphony no. 3 in D minor: VI. Nicht mehr so breit, Symphony no. 3 in D minor: VI. Tempo I, Symphony no. 3 in D minor: VI. Tempo I. Ruhevoll!, Symphony no. 4, Symphony no. 4 "Los Angeles": I. Con sublimità, Symphony no. 4 "Los Angeles": II. Affannoso, Symphony no. 4 "Los Angeles": III. Deciso, Symphony no. 4 in C minor, op. 43: I. Allegretto, poco moderato - Presto, Symphony no. 4 in C minor, op. 43: II. Moderato con moto, Symphony no. 4 in C minor, op. 43: III. Largo - Allegro, Symphony no. 4 in E-flat major "Romantic": I. Bewegt, nicht zu schnell, Symphony no. 4 in E-flat major "Romantic": II. Andante quasi allegretto, Symphony no. 4 in E-flat major "Romantic": III. Scherzo. Bewegt - Trio. Nicht zu schnell. Keinesfalls schleppend, Symphony no. 4 in E-flat major "Romantic": IV. Finale. Bewegt, doch nicht zu schnell, Taxi Driver: A Night-Piece for Orchestra with Obbligato Alto Saxophone: Bloodbath, Taxi Driver: A Night-Piece for Orchestra with Obbligato Alto Saxophone: Blues, Taxi Driver: A Night-Piece for Orchestra with Obbligato Alto Saxophone: Finale, Taxi Driver: A Night-Piece for Orchestra with Obbligato Alto Saxophone: Night Prowl, Taxi Driver: A Night-Piece for Orchestra with Obbligato Alto Saxophone: Prelude, The Man Who Knew Too Much: Prelude, The Miraculous Mandarin (concert version), op. 19, Sz. 73, The Musical Offerning: BWV 1079: Ricercare no. 2, Toccata & Fugue in D minor, BWV 565: Fugue, Toccata & Fugue in D minor, BWV 565: Toccata, Torn Curtain: I. Prelude, Torn Curtain: II. Gromek, Torn Curtain: III. The Killing, Ventanas, Vertigo: Suite: I. Prelude, Vertigo: Suite: II. The Nightmare, Vertigo: Suite: III. Scene d’amour
David Mottley
producer
En Saga, op. 9, Fantasy & Fugue in C minor, BWV 537: Fantasy, Fantasy & Fugue in C minor, BWV 537: Fugue, Fugue in G minor, BWV 678 "Little": Fugue, La noche de los mayas: I. La noche de los mayas: Molto sostenuto, La noche de los mayas: II. La noche de jaranas: Scherzo, La noche de los mayas: III. La noche de Yucatán: Andante espressivo, La noche de los mayas: IV. La noche de encantamiento: Tema y variaciones, Lemminkäinen Legends, op. 22: I. Lemminkäinen and the Maidens of Saari, Lemminkäinen Legends, op. 22: II. Lemminkäinen in Tuonela, Lemminkäinen Legends, op. 22: III. The Swan of Tuonela, Lemminkäinen Legends, op. 22: IV. Lemminkäinen's Return, Prelude & Fugue in E-flat major, BWV 522 "St. Anne": Fugue, Prelude & Fugue in E-flat major, BWV 522 "St. Anne": Prelude, Sensemayá, Suite For Organ, Harpsichord & Orchestra: Badinerie, Suite For Organ, Harpsichord & Orchestra: Gavotte II, Suite For Organ, Harpsichord & Orchestra: I. Ouverture, Suite For Organ, Harpsichord & Orchestra: II. Rondeau -, Suite For Organ, Harpsichord & Orchestra: III. Air, Suite For Organ, Harpsichord & Orchestra: IV. Gavotte I -, The Musical Offerning: BWV 1079: Ricercare no. 2, Toccata & Fugue in D minor, BWV 565: Fugue, Toccata & Fugue in D minor, BWV 565: Toccata, Ventanas
Richard King (Engineer)
engineer
Fantasy & Fugue in C minor, BWV 537: Fantasy, Fantasy & Fugue in C minor, BWV 537: Fugue, Fugue in G minor, BWV 678 "Little": Fugue, La noche de los mayas: I. La noche de los mayas: Molto sostenuto, La noche de los mayas: II. La noche de jaranas: Scherzo, La noche de los mayas: III. La noche de Yucatán: Andante espressivo, La noche de los mayas: IV. La noche de encantamiento: Tema y variaciones, Prelude & Fugue in E-flat major, BWV 522 "St. Anne": Fugue, Prelude & Fugue in E-flat major, BWV 522 "St. Anne": Prelude, Sensemayá, Suite For Organ, Harpsichord & Orchestra: Badinerie, Suite For Organ, Harpsichord & Orchestra: Gavotte II, Suite For Organ, Harpsichord & Orchestra: I. Ouverture, Suite For Organ, Harpsichord & Orchestra: II. Rondeau -, Suite For Organ, Harpsichord & Orchestra: III. Air, Suite For Organ, Harpsichord & Orchestra: IV. Gavotte I -, The Musical Offerning: BWV 1079: Ricercare no. 2, Toccata & Fugue in D minor, BWV 565: Fugue, Toccata & Fugue in D minor, BWV 565: Toccata, Ventanas
Fred Vogler
balance, engineer, producer, recording
Du cristal, Orango: Prologue. "Dlina konečnostey i ugol licevoy", Orango: Prologue. "Dovol'nï l' vï našeyu programmoy?", Orango: Prologue. "Dušno mne, dušno, pod škuroy zverya dušno", Orango: Prologue. "Sleduyuščiy nomer našey programmï", Orango: Prologue. "Trud proklyat'em bil", Orango: Prologue. "Ya vam napomnyu", Orango: Prologue. "Zevni, Orango!", Orango: Prologue. Nastya dances, Orango: Prologue. Nastya dances a quick dance, with chorus line, Orango: Prologue. Nastya dances a slow dance, Orango: Prologue. Overture, Symphony no. 4 "Los Angeles": I. Con sublimità, Symphony no. 4 "Los Angeles": II. Affannoso, Symphony no. 4 "Los Angeles": III. Deciso, Symphony no. 4 in C minor, op. 43: I. Allegretto, poco moderato - Presto, Symphony no. 4 in C minor, op. 43: II. Moderato con moto, Symphony no. 4 in C minor, op. 43: III. Largo - Allegro
Jen Wyler
engineer
Fantasy & Fugue in C minor, BWV 537: Fantasy, Fantasy & Fugue in C minor, BWV 537: Fugue, Fugue in G minor, BWV 678 "Little": Fugue, Prelude & Fugue in E-flat major, BWV 522 "St. Anne": Fugue, Prelude & Fugue in E-flat major, BWV 522 "St. Anne": Prelude, Suite For Organ, Harpsichord & Orchestra: Badinerie, Suite For Organ, Harpsichord & Orchestra: Gavotte II, Suite For Organ, Harpsichord & Orchestra: I. Ouverture, Suite For Organ, Harpsichord & Orchestra: II. Rondeau -, Suite For Organ, Harpsichord & Orchestra: III. Air, Suite For Organ, Harpsichord & Orchestra: IV. Gavotte I -, The Musical Offerning: BWV 1079: Ricercare no. 2, Toccata & Fugue in D minor, BWV 565: Fugue, Toccata & Fugue in D minor, BWV 565: Toccata
Sid McLauchlan
producer
Orango: Prologue. "Dlina konečnostey i ugol licevoy", Orango: Prologue. "Dovol'nï l' vï našeyu programmoy?", Orango: Prologue. "Dušno mne, dušno, pod škuroy zverya dušno", Orango: Prologue. "Sleduyuščiy nomer našey programmï", Orango: Prologue. "Trud proklyat'em bil", Orango: Prologue. "Ya vam napomnyu", Orango: Prologue. "Zevni, Orango!", Orango: Prologue. Nastya dances, Orango: Prologue. Nastya dances a quick dance, with chorus line, Orango: Prologue. Nastya dances a slow dance, Orango: Prologue. Overture, Symphony no. 4 in C minor, op. 43: I. Allegretto, poco moderato - Presto, Symphony no. 4 in C minor, op. 43: II. Moderato con moto, Symphony no. 4 in C minor, op. 43: III. Largo - Allegro
Gerard McBurney
orchestrator
Orango: Prologue. "Dlina konečnostey i ugol licevoy", Orango: Prologue. "Dovol'nï l' vï našeyu programmoy?", Orango: Prologue. "Dušno mne, dušno, pod škuroy zverya dušno", Orango: Prologue. "Sleduyuščiy nomer našey programmï", Orango: Prologue. "Trud proklyat'em bil", Orango: Prologue. "Ya vam napomnyu", Orango: Prologue. "Zevni, Orango!", Orango: Prologue. Nastya dances, Orango: Prologue. Nastya dances a quick dance, with chorus line, Orango: Prologue. Nastya dances a slow dance, Orango: Prologue. Overture
Todd Whitelock (engineer)
editor
La noche de los mayas: I. La noche de los mayas: Molto sostenuto, La noche de los mayas: II. La noche de jaranas: Scherzo, La noche de los mayas: III. La noche de Yucatán: Andante espressivo, La noche de los mayas: IV. La noche de encantamiento: Tema y variaciones, Sensemayá, Ventanas
Los Angeles Master Chorale
vocal
Orango: Prologue. "Dovol'nï l' vï našeyu programmoy?", Orango: Prologue. "Dušno mne, dušno, pod škuroy zverya dušno", Orango: Prologue. "Sleduyuščiy nomer našey programmï", Orango: Prologue. "Trud proklyat'em bil", Orango: Prologue. "Ya vam napomnyu", Orango: Prologue. "Zevni, Orango!"
Christian Constantinov
engineer
En Saga, op. 9, Lemminkäinen Legends, op. 22: I. Lemminkäinen and the Maidens of Saari, Lemminkäinen Legends, op. 22: II. Lemminkäinen in Tuonela, Lemminkäinen Legends, op. 22: III. The Swan of Tuonela, Lemminkäinen Legends, op. 22: IV. Lemminkäinen's Return
Ryan McKinny
vocal
Orango: Prologue. "Dovol'nï l' vï našeyu programmoy?", Orango: Prologue. "Dušno mne, dušno, pod škuroy zverya dušno", Orango: Prologue. "Sleduyuščiy nomer našey programmï", Orango: Prologue. "Ya vam napomnyu"
Todd Strange
vocal
Orango: Prologue. "Dovol'nï l' vï našeyu programmoy?", Orango: Prologue. "Sleduyuščiy nomer našey programmï", Orango: Prologue. "Zevni, Orango!"
Anna Larsson (opera singer (contralto))
vocal
Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso. Durchaus ppp, Symphony no. 3 in D minor: IV. Tempo I, Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck
Bruce Leek
producer
Symphony no. 4 "Los Angeles": I. Con sublimità, Symphony no. 4 "Los Angeles": II. Affannoso, Symphony no. 4 "Los Angeles": III. Deciso
Damien Chaney
vocal
Orango: Prologue. "Dovol'nï l' vï našeyu programmoy?", Orango: Prologue. "Sleduyuščiy nomer našey programmï", Orango: Prologue. "Zevni, Orango!"
Jordan Bisch
vocal
Orango: Prologue. "Dušno mne, dušno, pod škuroy zverya dušno", Orango: Prologue. "Trud proklyat'em bil"
Eugene Brancoveanu
vocal
Orango: Prologue. "Dušno mne, dušno, pod škuroy zverya dušno", Orango: Prologue. "Zevni, Orango!"
Yulia Van Doren
vocal
Orango: Prologue. "Dušno mne, dušno, pod škuroy zverya dušno", Orango: Prologue. "Zevni, Orango!"
Michael Fabiano
vocal
Orango: Prologue. "Dlina konečnostey i ugol licevoy", Orango: Prologue. "Zevni, Orango!"
Ronald Leonard
cello
Lemminkäinen Legends, op. 22: III. The Swan of Tuonela
Pierre Hopf
engineer
Du cristal
Joseph Magee
engineer, producer
Du cristal
Carolyn Hove
English horn
Lemminkäinen Legends, op. 22: III. The Swan of Tuonela
Abdiel Gonzalez
vocal
Orango: Prologue. "Ya vam napomnyu"
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