MUSICAL BACON
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Teddy Andreas
Mariss Jansons
Symphonieorchester des Bayerischen Rundfunks
Wilhelm Meister
Wolfgang Karreth
Elisabeth Panzer
Peter Urban
Wolfgang Sturm
John Fraser
Wolfgang Fahrner
Bernadette Seethalaer
Stefan Briegel
Chor des Bayerischen Rundfunks
Michael Volle
Michael Schade
Christiane Karg
Mihoko Fujimura
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Recordings
Mariss Jansons (Latvian conductor)
conductor
Beethovens Heiligenstädter Testament, symphonisches fragment für orchester, Bilder einer Ausstellung: Ballet des Poussins dans leurs Coques / Ballet of the Chicks in Their Shells, Bilder einer Ausstellung: Bydlo / The Oxcart, Bilder einer Ausstellung: Catacombae - Sepulchrum Romanum / The Catacombs - Roman Sepulchre, Bilder einer Ausstellung: Con Mortuis in Lingua Mortua / With the Dead in a dead Language, Bilder einer Ausstellung: Gnomus / The Gnome, Bilder einer Ausstellung: Il Vecchio Castello / The Old Castle, Bilder einer Ausstellung: La Cabane sur des Pattes de Poule / The Hut on Chicken's Legs, Bilder einer Ausstellung: La Grande Porte de Kiev / The Great Gate of Kiev, Bilder einer Ausstellung: Limoges. Le Marché / Limoges. The Market, Bilder einer Ausstellung: Promenade, Bilder einer Ausstellung: Samuel Goldenberg und Schmuyle, Bilder einer Ausstellung: Tuileries, Con brio, Konzertouvertüre für Orchester, Dixi, für gemischten Chor und Orchester, Fires: I. Misterioso, Fires: II. Con brio, Götterdämmerung: Siegfried's Rhine Journey, Karneval, Op. 92, Maniai, für Orchester, Nirai, intermezzo zu Beethovens Symphonien Nr. 2 und 6, Petruschka (1947): 1. Bild - Jahrmarket in der Fastnachtswoche / The Shrove-tide Fair (Vivace), Petruschka (1947): 1. Bild - Russischer Tanz / Russian Dance (Allegro giusto), Petruschka (1947): 2. Bild - Bei Petruschka / Petrushka (Impetuoso), Petruschka (1947): 3. Bild - Bei dem Mohren / The Blackamoor (L'istesso tempo), Petruschka (1947): 3. Bild - Walzer / Valse (Lento cantabile), Petruschka (1947): 4. Bild - Der Kampf: Der Mohr und Petruschka / The Scuffle: Blackamoor and Petrushka (Tempo di rigore), Petruschka (1947): 4. Bild - Die Maskierten / Masqueraders (L'istesso tempo, ma poco a poco agitato), Petruschka (1947): 4. Bild - Die Polizei und der Gaukler / Police and the Juggler (Più mosso - Lento), Petruschka (1947): 4. Bild - Die Zigeunerinnen und ein genusssüchtiger Kaufmann / Gypsies and a Rake Vendor (L'istesso tempo), Petruschka (1947): 4. Bild - Ein Bauer und der Bär / Peasant with Bear (Tempo giusto), Petruschka (1947): 4. Bild - Erscheinung von Petruschkas Geist / Apparition of Petrushka's Double (L'istesso tempo), Petruschka (1947): 4. Bild - Petruschkas Tod / Death of Petrushka (Lento, lamentoso), Petruschka (1947): 4. Bild - Tanz der Ammen / The Wet-nurses' Dance (Allegretto), Petruschka (1947): 4. Bild - Tanz der Kutscher / Dance of the Coachmen (Allegro moderato), Petruschka (1947): 4. Bild - Volksfest in der Fastnachtswoche gegen Abend / The Shrove-tide Fair Toward Evening (Tempo giusto), Serenáda für Streichorchester Es-Dur, Op. 6: Adagio, Serenáda für Streichorchester Es-Dur, Op. 6: Allegro giocoso, ma non troppo presto, Serenáda für Streichorchester Es-Dur, Op. 6: Allegro, ma non troppo e grazioso - Poco meno mosso, Serenáda für Streichorchester Es-Dur, Op. 6: Andante con moto, Symphonie Nr. 5 d-Moll, op. 47: I. Moderato - Allegro non troppo, Symphonie Nr. 5 d-Moll, op. 47: II. Allegretto, Symphonie Nr. 5 d-Moll, op. 47: III. Largo, Symphonie Nr. 5 d-Moll, op. 47: VI. Allegro non troppo, Symphonie Nr. 6, A-Dur: I. Maestoso, Symphonie Nr. 6, A-Dur: II. Adagio. Sehr feierlich, Symphonie Nr. 6, A-Dur: III. Scherzo. Nicht schnell - Trio. Langsam, Symphonie Nr. 6, A-Dur: IV. Finale. Bewegt, doch nicht zu schnell, Symphonie Nr. 7 E-dur: I. Allegro moderato, Symphonie Nr. 7 E-dur: II. Adagio (Sehr feierlich und sehr langsam), Symphonie Nr. 7 E-dur: III. Scherzo (Sehr schnell), Trio (Etwas langsamer), Symphonie Nr. 7 E-dur: IV. Finale (Bewegt, doch nicht zu schnell), Symphonie Nr. 8 G-Dur, Op. 88: Adagio, Symphonie Nr. 8 G-Dur, Op. 88: Allegretto grazioso, Symphonie Nr. 8 G-Dur, Op. 88: Allegro con brio, Symphonie Nr. 8 G-Dur, Op. 88: Allegro, ma non troppo, Symphonie no. 1 in C major, op. 21: I. Allegro con brio, Symphonie no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphonie no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace, Symphonie no. 1 in C major, op. 21: IV. Allegro molto e vivace, Symphonie no. 2 in D major, op. 36: I. Allegro con brio, Symphonie no. 2 in D major, op. 36: II. Larghetto, Symphonie no. 2 in D major, op. 36: III. Scherzo. Allegro, Symphonie no. 2 in D major, op. 36: IV. Allegro molto, Symphonie no. 3 in E-flat major, “Eroica”: I. Allegro con brio, Symphonie no. 3 in E-flat major, “Eroica”: II. Marcia funebre. Adagio assai, Symphonie no. 3 in E-flat major, “Eroica”: III. Allegro vivace - Trio. Un poco meno allegro, Symphonie no. 3 in E-flat major, “Eroica”: IV. Finale - Allegro molto, Symphonie no. 4 in B-flat major, op. 60: I. Adagio, Symphonie no. 4 in B-flat major, op. 60: II. Adagio, Symphonie no. 4 in B-flat major, op. 60: III. Menuetto: Allegro vivace, Symphonie no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo, Symphonie no. 5 in C minor, op. 67: I. Allegro con brio, Symphonie no. 5 in C minor, op. 67: II. Andante con moto, Symphonie no. 5 in C minor, op. 67: III. Allegro, Symphonie no. 5 in C minor, op. 67: IV. Allegro, Symphony No. 1 in C Major, Op. 21; I. Adagio molto – Allegro con brio, Symphony No. 1 in C Major, Op. 21; II. Andante cantabile con moto, Symphony No. 1 in C Major, Op. 21; III. Menuetto-Allegro molto e vivace, Symphony No. 1 in C Major, Op. 21; IV. Adagio – Allegro molto e vivace, Symphony No. 12 in D minor, Op. 112 "1917": I. Revolutionary Petrograd: Moderato - Allegro, Symphony No. 12 in D minor, Op. 112 "1917": II. Razliv: Allegro - Adagio, Symphony No. 12 in D minor, Op. 112 "1917": III. Aurora: L'istesse tempo - Allegro, Symphony No. 12 in D minor, Op. 112 "1917": IV. The Dawn of Humanity: L'istesso tempo - Allegretto, Symphony No. 2 in D Major, Op. 36; I. Adagio molto, Allegro con brio, Symphony No. 2 in D Major, Op. 36; II. Larghetto, Symphony No. 2 in D Major, Op. 36; III. Scherzo-Allegro, Symphony No. 2 in D Major, Op. 36; IV. Allegro molto, Symphony No. 3 in E-Flat Major, Op. 55, “Eroica”; I. Allegro con brio, Symphony No. 3 in E-Flat Major, Op. 55, “Eroica”; II. Marcia funebre, Adagio assai, Symphony No. 3 in E-Flat Major, Op. 55, “Eroica”; III. Scherzo-Allegro vivace, Symphony No. 3 in E-Flat Major, Op. 55, “Eroica”; IV. Finale-Allegro molto, Symphony No. 3 in E-flat major, Op. 20 "The First of May": I. Allegretto, Symphony No. 3 in E-flat major, Op. 20 "The First of May": II. Più Mosso, Symphony No. 3 in E-flat major, Op. 20 "The First of May": III. Allegro, Symphony No. 3 in E-flat major, Op. 20 "The First of May": IV. Andante, Symphony No. 3 in E-flat major, Op. 20 "The First of May": V. Allegro, Symphony No. 3 in E-flat major, Op. 20 "The First of May": VI. Andante, Symphony No. 4 in B-Flat Major, Op. 60; I. Adagio – Allegro vivace, Symphony No. 4 in B-Flat Major, Op. 60; II. Adagio, Symphony No. 4 in B-Flat Major, Op. 60; III. Menuetto-Allegro vivace, Symphony No. 4 in B-Flat Major, Op. 60; IV. Allegro ma non troppo, Symphony No. 4 in C minor, Op. 43: I. Allegretto poco moderato, Symphony No. 4 in C minor, Op. 43: II. Moderato con moto, Symphony No. 4 in C minor, Op. 43: III. Largo - Allegro, Symphony No. 5 in C Minor, Op. 67; I. Allegro con brio, Symphony No. 5 in C Minor, Op. 67; II. Andante con moto, Symphony No. 5 in C Minor, Op. 67; IIIA. Scherzo, Symphony No. 5 in C Minor, Op. 67; IIIB. Allegro, Symphony No. 5 in C Minor, Op. 67; IV. Allegro, Symphony No. 6 in F Major, Op. 68, “Pastoral”; I. Allegro ma non troppo, Symphony No. 6 in F Major, Op. 68, “Pastoral”; II. Andante molto mosso, Symphony No. 6 in F Major, Op. 68, “Pastoral”; III. Allegro, Symphony No. 6 in F Major, Op. 68, “Pastoral”; IV. Allegro, Symphony No. 6 in F Major, Op. 68, “Pastoral”; V. Allegretto, Symphony No. 7 in A Major, Op. 92; I. Poco sostenuto – Vivace, Symphony No. 7 in A Major, Op. 92; II. Allegretto, Symphony No. 7 in A Major, Op. 92; III. Presto – Assai meno presto (trio), Symphony No. 7 in A Major, Op. 92; IV. Allegro con brio, Symphony No. 8 in F Major, Op. 93; I. Allegro vivace e con brio, Symphony No. 8 in F Major, Op. 93; II. Allegretto scherzando, Symphony No. 8 in F Major, Op. 93; III. Tempo di Menuetto, Symphony No. 8 in F Major, Op. 93; IV. Allegro vivace, Symphony No. 9 in D Minor, Op. 125, “Choral”; I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D Minor, Op. 125, “Choral”; II. Scherzo, Molto vivace, Symphony No. 9 in D Minor, Op. 125, “Choral”; III. Adagio molto e cantabile, Symphony no. 4 in C minor, op. 43: I. Allegro poco moderato, Symphony no. 4 in C minor, op. 43: II. Moderato con moto, Symphony no. 4 in C minor, op. 43: III. Largo — Allegro, Symphony no. 6 in F major, op. 68 “Pastoral”: I. Allegro ma non troppo, Symphony no. 6 in F major, op. 68 “Pastoral”: II. Andante molto mosso, Symphony no. 6 in F major, op. 68 “Pastoral”: III. Allegro, Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Allegro, Symphony no. 6 in F major, op. 68 “Pastoral”: V. Allegretto, Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto, assai meno presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 8 in F major, op. 93: III. Tempo di menuetto, Symphony no. 8 in F major, op. 93: IV. Allegro vivace, Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace, Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile - Andante moderato, Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Presto - Allegro assai, Tannhäuser: Ouverture
Symphonieorchester des Bayerischen Rundfunks
performer, performing orchestra
Beethovens Heiligenstädter Testament, symphonisches fragment für orchester, Bilder einer Ausstellung: Ballet des Poussins dans leurs Coques / Ballet of the Chicks in Their Shells, Bilder einer Ausstellung: Bydlo / The Oxcart, Bilder einer Ausstellung: Catacombae - Sepulchrum Romanum / The Catacombs - Roman Sepulchre, Bilder einer Ausstellung: Con Mortuis in Lingua Mortua / With the Dead in a dead Language, Bilder einer Ausstellung: Gnomus / The Gnome, Bilder einer Ausstellung: Il Vecchio Castello / The Old Castle, Bilder einer Ausstellung: La Cabane sur des Pattes de Poule / The Hut on Chicken's Legs, Bilder einer Ausstellung: La Grande Porte de Kiev / The Great Gate of Kiev, Bilder einer Ausstellung: Limoges. Le Marché / Limoges. The Market, Bilder einer Ausstellung: Promenade, Bilder einer Ausstellung: Samuel Goldenberg und Schmuyle, Bilder einer Ausstellung: Tuileries, Con brio, Konzertouvertüre für Orchester, Dixi, für gemischten Chor und Orchester, Fires: I. Misterioso, Fires: II. Con brio, Götterdämmerung: Siegfried's Rhine Journey, Karneval, Op. 92, Maniai, für Orchester, Nirai, intermezzo zu Beethovens Symphonien Nr. 2 und 6, Petruschka (1947): 1. Bild - Jahrmarket in der Fastnachtswoche / The Shrove-tide Fair (Vivace), Petruschka (1947): 1. Bild - Russischer Tanz / Russian Dance (Allegro giusto), Petruschka (1947): 2. Bild - Bei Petruschka / Petrushka (Impetuoso), Petruschka (1947): 3. Bild - Bei dem Mohren / The Blackamoor (L'istesso tempo), Petruschka (1947): 3. Bild - Walzer / Valse (Lento cantabile), Petruschka (1947): 4. Bild - Der Kampf: Der Mohr und Petruschka / The Scuffle: Blackamoor and Petrushka (Tempo di rigore), Petruschka (1947): 4. Bild - Die Maskierten / Masqueraders (L'istesso tempo, ma poco a poco agitato), Petruschka (1947): 4. Bild - Die Polizei und der Gaukler / Police and the Juggler (Più mosso - Lento), Petruschka (1947): 4. Bild - Die Zigeunerinnen und ein genusssüchtiger Kaufmann / Gypsies and a Rake Vendor (L'istesso tempo), Petruschka (1947): 4. Bild - Ein Bauer und der Bär / Peasant with Bear (Tempo giusto), Petruschka (1947): 4. Bild - Erscheinung von Petruschkas Geist / Apparition of Petrushka's Double (L'istesso tempo), Petruschka (1947): 4. Bild - Petruschkas Tod / Death of Petrushka (Lento, lamentoso), Petruschka (1947): 4. Bild - Tanz der Ammen / The Wet-nurses' Dance (Allegretto), Petruschka (1947): 4. Bild - Tanz der Kutscher / Dance of the Coachmen (Allegro moderato), Petruschka (1947): 4. Bild - Volksfest in der Fastnachtswoche gegen Abend / The Shrove-tide Fair Toward Evening (Tempo giusto), Serenáda für Streichorchester Es-Dur, Op. 6: Adagio, Serenáda für Streichorchester Es-Dur, Op. 6: Allegro giocoso, ma non troppo presto, Serenáda für Streichorchester Es-Dur, Op. 6: Allegro, ma non troppo e grazioso - Poco meno mosso, Serenáda für Streichorchester Es-Dur, Op. 6: Andante con moto, Symphonie Nr. 5 d-Moll, op. 47: I. Moderato - Allegro non troppo, Symphonie Nr. 5 d-Moll, op. 47: II. Allegretto, Symphonie Nr. 5 d-Moll, op. 47: III. Largo, Symphonie Nr. 5 d-Moll, op. 47: VI. Allegro non troppo, Symphonie Nr. 6, A-Dur: I. Maestoso, Symphonie Nr. 6, A-Dur: II. Adagio. Sehr feierlich, Symphonie Nr. 6, A-Dur: III. Scherzo. Nicht schnell - Trio. Langsam, Symphonie Nr. 6, A-Dur: IV. Finale. Bewegt, doch nicht zu schnell, Symphonie Nr. 7 E-dur: I. Allegro moderato, Symphonie Nr. 7 E-dur: II. Adagio (Sehr feierlich und sehr langsam), Symphonie Nr. 7 E-dur: III. Scherzo (Sehr schnell), Trio (Etwas langsamer), Symphonie Nr. 7 E-dur: IV. Finale (Bewegt, doch nicht zu schnell), Symphonie Nr. 8 G-Dur, Op. 88: Adagio, Symphonie Nr. 8 G-Dur, Op. 88: Allegretto grazioso, Symphonie Nr. 8 G-Dur, Op. 88: Allegro con brio, Symphonie Nr. 8 G-Dur, Op. 88: Allegro, ma non troppo, Symphonie no. 1 in C major, op. 21: I. Allegro con brio, Symphonie no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphonie no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace, Symphonie no. 1 in C major, op. 21: IV. Allegro molto e vivace, Symphonie no. 2 in D major, op. 36: I. Allegro con brio, Symphonie no. 2 in D major, op. 36: II. Larghetto, Symphonie no. 2 in D major, op. 36: III. Scherzo. Allegro, Symphonie no. 2 in D major, op. 36: IV. Allegro molto, Symphonie no. 3 in E-flat major, “Eroica”: I. Allegro con brio, Symphonie no. 3 in E-flat major, “Eroica”: II. Marcia funebre. Adagio assai, Symphonie no. 3 in E-flat major, “Eroica”: III. Allegro vivace - Trio. Un poco meno allegro, Symphonie no. 3 in E-flat major, “Eroica”: IV. Finale - Allegro molto, Symphonie no. 4 in B-flat major, op. 60: I. Adagio, Symphonie no. 4 in B-flat major, op. 60: II. Adagio, Symphonie no. 4 in B-flat major, op. 60: III. Menuetto: Allegro vivace, Symphonie no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo, Symphonie no. 5 in C minor, op. 67: I. Allegro con brio, Symphonie no. 5 in C minor, op. 67: II. Andante con moto, Symphonie no. 5 in C minor, op. 67: III. Allegro, Symphonie no. 5 in C minor, op. 67: IV. Allegro, Symphony No. 1 in C Major, Op. 21; I. Adagio molto – Allegro con brio, Symphony No. 1 in C Major, Op. 21; II. Andante cantabile con moto, Symphony No. 1 in C Major, Op. 21; III. Menuetto-Allegro molto e vivace, Symphony No. 1 in C Major, Op. 21; IV. Adagio – Allegro molto e vivace, Symphony No. 12 in D minor, Op. 112 "1917": I. Revolutionary Petrograd: Moderato - Allegro, Symphony No. 12 in D minor, Op. 112 "1917": II. Razliv: Allegro - Adagio, Symphony No. 12 in D minor, Op. 112 "1917": III. Aurora: L'istesse tempo - Allegro, Symphony No. 12 in D minor, Op. 112 "1917": IV. The Dawn of Humanity: L'istesso tempo - Allegretto, Symphony No. 2 in D Major, Op. 36; I. Adagio molto, Allegro con brio, Symphony No. 2 in D Major, Op. 36; II. Larghetto, Symphony No. 2 in D Major, Op. 36; III. Scherzo-Allegro, Symphony No. 2 in D Major, Op. 36; IV. Allegro molto, Symphony No. 3 in E-Flat Major, Op. 55, “Eroica”; I. Allegro con brio, Symphony No. 3 in E-Flat Major, Op. 55, “Eroica”; II. Marcia funebre, Adagio assai, Symphony No. 3 in E-Flat Major, Op. 55, “Eroica”; III. Scherzo-Allegro vivace, Symphony No. 3 in E-Flat Major, Op. 55, “Eroica”; IV. Finale-Allegro molto, Symphony No. 3 in E-flat major, Op. 20 "The First of May": I. Allegretto, Symphony No. 3 in E-flat major, Op. 20 "The First of May": II. Più Mosso, Symphony No. 3 in E-flat major, Op. 20 "The First of May": III. Allegro, Symphony No. 3 in E-flat major, Op. 20 "The First of May": IV. Andante, Symphony No. 3 in E-flat major, Op. 20 "The First of May": V. Allegro, Symphony No. 3 in E-flat major, Op. 20 "The First of May": VI. Andante, Symphony No. 4 in B-Flat Major, Op. 60; I. Adagio – Allegro vivace, Symphony No. 4 in B-Flat Major, Op. 60; II. Adagio, Symphony No. 4 in B-Flat Major, Op. 60; III. Menuetto-Allegro vivace, Symphony No. 4 in B-Flat Major, Op. 60; IV. Allegro ma non troppo, Symphony No. 4 in C minor, Op. 43: I. Allegretto poco moderato, Symphony No. 4 in C minor, Op. 43: II. Moderato con moto, Symphony No. 4 in C minor, Op. 43: III. Largo - Allegro, Symphony No. 5 in C Minor, Op. 67; I. Allegro con brio, Symphony No. 5 in C Minor, Op. 67; II. Andante con moto, Symphony No. 5 in C Minor, Op. 67; IIIA. Scherzo, Symphony No. 5 in C Minor, Op. 67; IIIB. Allegro, Symphony No. 5 in C Minor, Op. 67; IV. Allegro, Symphony No. 6 in F Major, Op. 68, “Pastoral”; I. Allegro ma non troppo, Symphony No. 6 in F Major, Op. 68, “Pastoral”; II. Andante molto mosso, Symphony No. 6 in F Major, Op. 68, “Pastoral”; III. Allegro, Symphony No. 6 in F Major, Op. 68, “Pastoral”; IV. Allegro, Symphony No. 6 in F Major, Op. 68, “Pastoral”; V. Allegretto, Symphony No. 7 in A Major, Op. 92; I. Poco sostenuto – Vivace, Symphony No. 7 in A Major, Op. 92; II. Allegretto, Symphony No. 7 in A Major, Op. 92; III. Presto – Assai meno presto (trio), Symphony No. 7 in A Major, Op. 92; IV. Allegro con brio, Symphony No. 8 in F Major, Op. 93; I. Allegro vivace e con brio, Symphony No. 8 in F Major, Op. 93; II. Allegretto scherzando, Symphony No. 8 in F Major, Op. 93; III. Tempo di Menuetto, Symphony No. 8 in F Major, Op. 93; IV. Allegro vivace, Symphony No. 9 in D Minor, Op. 125, “Choral”; I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D Minor, Op. 125, “Choral”; II. Scherzo, Molto vivace, Symphony No. 9 in D Minor, Op. 125, “Choral”; III. Adagio molto e cantabile, Symphony no. 4 in C minor, op. 43: I. Allegro poco moderato, Symphony no. 4 in C minor, op. 43: II. Moderato con moto, Symphony no. 4 in C minor, op. 43: III. Largo — Allegro, Symphony no. 6 in F major, op. 68 “Pastoral”: I. Allegro ma non troppo, Symphony no. 6 in F major, op. 68 “Pastoral”: II. Andante molto mosso, Symphony no. 6 in F major, op. 68 “Pastoral”: III. Allegro, Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Allegro, Symphony no. 6 in F major, op. 68 “Pastoral”: V. Allegretto, Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto, assai meno presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 8 in F major, op. 93: III. Tempo di menuetto, Symphony no. 8 in F major, op. 93: IV. Allegro vivace, Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace, Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile - Andante moderato, Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Presto - Allegro assai, Tannhäuser: Ouverture
Wilhelm Meister (Tonmeister / Recording Producer)
producer, sound
Symphonie Nr. 6, A-Dur: I. Maestoso, Symphonie Nr. 6, A-Dur: II. Adagio. Sehr feierlich, Symphonie Nr. 6, A-Dur: III. Scherzo. Nicht schnell - Trio. Langsam, Symphonie Nr. 6, A-Dur: IV. Finale. Bewegt, doch nicht zu schnell, Symphonie Nr. 7 E-dur: I. Allegro moderato, Symphonie Nr. 7 E-dur: II. Adagio (Sehr feierlich und sehr langsam), Symphonie Nr. 7 E-dur: III. Scherzo (Sehr schnell), Trio (Etwas langsamer), Symphonie Nr. 7 E-dur: IV. Finale (Bewegt, doch nicht zu schnell), Symphony No. 12 in D minor, Op. 112 "1917": I. Revolutionary Petrograd: Moderato - Allegro, Symphony No. 12 in D minor, Op. 112 "1917": II. Razliv: Allegro - Adagio, Symphony No. 12 in D minor, Op. 112 "1917": III. Aurora: L'istesse tempo - Allegro, Symphony No. 12 in D minor, Op. 112 "1917": IV. The Dawn of Humanity: L'istesso tempo - Allegretto, Symphony No. 3 in E-flat major, Op. 20 "The First of May": I. Allegretto, Symphony No. 3 in E-flat major, Op. 20 "The First of May": II. Più Mosso, Symphony No. 3 in E-flat major, Op. 20 "The First of May": III. Allegro, Symphony No. 3 in E-flat major, Op. 20 "The First of May": IV. Andante, Symphony No. 3 in E-flat major, Op. 20 "The First of May": V. Allegro, Symphony No. 3 in E-flat major, Op. 20 "The First of May": VI. Andante, Symphony no. 4 in C minor, op. 43: I. Allegro poco moderato, Symphony no. 4 in C minor, op. 43: II. Moderato con moto, Symphony no. 4 in C minor, op. 43: III. Largo — Allegro
Wolfgang Karreth
balance
Symphony No. 12 in D minor, Op. 112 "1917": I. Revolutionary Petrograd: Moderato - Allegro, Symphony No. 12 in D minor, Op. 112 "1917": II. Razliv: Allegro - Adagio, Symphony No. 12 in D minor, Op. 112 "1917": III. Aurora: L'istesse tempo - Allegro, Symphony No. 12 in D minor, Op. 112 "1917": IV. The Dawn of Humanity: L'istesso tempo - Allegretto, Symphony No. 3 in E-flat major, Op. 20 "The First of May": I. Allegretto, Symphony No. 3 in E-flat major, Op. 20 "The First of May": II. Più Mosso, Symphony No. 3 in E-flat major, Op. 20 "The First of May": III. Allegro, Symphony No. 3 in E-flat major, Op. 20 "The First of May": IV. Andante, Symphony No. 3 in E-flat major, Op. 20 "The First of May": V. Allegro, Symphony No. 3 in E-flat major, Op. 20 "The First of May": VI. Andante
Elisabeth Panzer
editor
Symphony No. 12 in D minor, Op. 112 "1917": I. Revolutionary Petrograd: Moderato - Allegro, Symphony No. 12 in D minor, Op. 112 "1917": II. Razliv: Allegro - Adagio, Symphony No. 12 in D minor, Op. 112 "1917": III. Aurora: L'istesse tempo - Allegro, Symphony No. 12 in D minor, Op. 112 "1917": IV. The Dawn of Humanity: L'istesso tempo - Allegretto, Symphony No. 3 in E-flat major, Op. 20 "The First of May": I. Allegretto, Symphony No. 3 in E-flat major, Op. 20 "The First of May": II. Più Mosso, Symphony No. 3 in E-flat major, Op. 20 "The First of May": III. Allegro, Symphony No. 3 in E-flat major, Op. 20 "The First of May": IV. Andante, Symphony No. 3 in E-flat major, Op. 20 "The First of May": V. Allegro, Symphony No. 3 in E-flat major, Op. 20 "The First of May": VI. Andante
Collaborators on this artist's recordings
Artist name
Roles
Recordings
Mariss Jansons (Latvian conductor)
conductor
Beethovens Heiligenstädter Testament, symphonisches fragment für orchester, Bilder einer Ausstellung: Ballet des Poussins dans leurs Coques / Ballet of the Chicks in Their Shells, Bilder einer Ausstellung: Bydlo / The Oxcart, Bilder einer Ausstellung: Catacombae - Sepulchrum Romanum / The Catacombs - Roman Sepulchre, Bilder einer Ausstellung: Con Mortuis in Lingua Mortua / With the Dead in a dead Language, Bilder einer Ausstellung: Gnomus / The Gnome, Bilder einer Ausstellung: Il Vecchio Castello / The Old Castle, Bilder einer Ausstellung: La Cabane sur des Pattes de Poule / The Hut on Chicken's Legs, Bilder einer Ausstellung: La Grande Porte de Kiev / The Great Gate of Kiev, Bilder einer Ausstellung: Limoges. Le Marché / Limoges. The Market, Bilder einer Ausstellung: Promenade, Bilder einer Ausstellung: Samuel Goldenberg und Schmuyle, Bilder einer Ausstellung: Tuileries, Con brio, Konzertouvertüre für Orchester, Dixi, für gemischten Chor und Orchester, Fires: I. Misterioso, Fires: II. Con brio, Götterdämmerung: Siegfried's Rhine Journey, Karneval, Op. 92, Maniai, für Orchester, Nirai, intermezzo zu Beethovens Symphonien Nr. 2 und 6, Petruschka (1947): 1. Bild - Jahrmarket in der Fastnachtswoche / The Shrove-tide Fair (Vivace), Petruschka (1947): 1. Bild - Russischer Tanz / Russian Dance (Allegro giusto), Petruschka (1947): 2. Bild - Bei Petruschka / Petrushka (Impetuoso), Petruschka (1947): 3. Bild - Bei dem Mohren / The Blackamoor (L'istesso tempo), Petruschka (1947): 3. Bild - Walzer / Valse (Lento cantabile), Petruschka (1947): 4. Bild - Der Kampf: Der Mohr und Petruschka / The Scuffle: Blackamoor and Petrushka (Tempo di rigore), Petruschka (1947): 4. Bild - Die Maskierten / Masqueraders (L'istesso tempo, ma poco a poco agitato), Petruschka (1947): 4. Bild - Die Polizei und der Gaukler / Police and the Juggler (Più mosso - Lento), Petruschka (1947): 4. Bild - Die Zigeunerinnen und ein genusssüchtiger Kaufmann / Gypsies and a Rake Vendor (L'istesso tempo), Petruschka (1947): 4. Bild - Ein Bauer und der Bär / Peasant with Bear (Tempo giusto), Petruschka (1947): 4. Bild - Erscheinung von Petruschkas Geist / Apparition of Petrushka's Double (L'istesso tempo), Petruschka (1947): 4. Bild - Petruschkas Tod / Death of Petrushka (Lento, lamentoso), Petruschka (1947): 4. Bild - Tanz der Ammen / The Wet-nurses' Dance (Allegretto), Petruschka (1947): 4. Bild - Tanz der Kutscher / Dance of the Coachmen (Allegro moderato), Petruschka (1947): 4. Bild - Volksfest in der Fastnachtswoche gegen Abend / The Shrove-tide Fair Toward Evening (Tempo giusto), Serenáda für Streichorchester Es-Dur, Op. 6: Adagio, Serenáda für Streichorchester Es-Dur, Op. 6: Allegro giocoso, ma non troppo presto, Serenáda für Streichorchester Es-Dur, Op. 6: Allegro, ma non troppo e grazioso - Poco meno mosso, Serenáda für Streichorchester Es-Dur, Op. 6: Andante con moto, Symphonie Nr. 5 d-Moll, op. 47: I. Moderato - Allegro non troppo, Symphonie Nr. 5 d-Moll, op. 47: II. Allegretto, Symphonie Nr. 5 d-Moll, op. 47: III. Largo, Symphonie Nr. 5 d-Moll, op. 47: VI. Allegro non troppo, Symphonie Nr. 6, A-Dur: I. Maestoso, Symphonie Nr. 6, A-Dur: II. Adagio. Sehr feierlich, Symphonie Nr. 6, A-Dur: III. Scherzo. Nicht schnell - Trio. Langsam, Symphonie Nr. 6, A-Dur: IV. Finale. Bewegt, doch nicht zu schnell, Symphonie Nr. 7 E-dur: I. Allegro moderato, Symphonie Nr. 7 E-dur: II. Adagio (Sehr feierlich und sehr langsam), Symphonie Nr. 7 E-dur: III. Scherzo (Sehr schnell), Trio (Etwas langsamer), Symphonie Nr. 7 E-dur: IV. Finale (Bewegt, doch nicht zu schnell), Symphonie Nr. 8 G-Dur, Op. 88: Adagio, Symphonie Nr. 8 G-Dur, Op. 88: Allegretto grazioso, Symphonie Nr. 8 G-Dur, Op. 88: Allegro con brio, Symphonie Nr. 8 G-Dur, Op. 88: Allegro, ma non troppo, Symphonie no. 1 in C major, op. 21: I. Allegro con brio, Symphonie no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphonie no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace, Symphonie no. 1 in C major, op. 21: IV. Allegro molto e vivace, Symphonie no. 2 in D major, op. 36: I. Allegro con brio, Symphonie no. 2 in D major, op. 36: II. Larghetto, Symphonie no. 2 in D major, op. 36: III. Scherzo. Allegro, Symphonie no. 2 in D major, op. 36: IV. Allegro molto, Symphonie no. 3 in E-flat major, “Eroica”: I. Allegro con brio, Symphonie no. 3 in E-flat major, “Eroica”: II. Marcia funebre. Adagio assai, Symphonie no. 3 in E-flat major, “Eroica”: III. Allegro vivace - Trio. Un poco meno allegro, Symphonie no. 3 in E-flat major, “Eroica”: IV. Finale - Allegro molto, Symphonie no. 4 in B-flat major, op. 60: I. Adagio, Symphonie no. 4 in B-flat major, op. 60: II. Adagio, Symphonie no. 4 in B-flat major, op. 60: III. Menuetto: Allegro vivace, Symphonie no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo, Symphonie no. 5 in C minor, op. 67: I. Allegro con brio, Symphonie no. 5 in C minor, op. 67: II. Andante con moto, Symphonie no. 5 in C minor, op. 67: III. Allegro, Symphonie no. 5 in C minor, op. 67: IV. Allegro, Symphony No. 1 in C Major, Op. 21; I. Adagio molto – Allegro con brio, Symphony No. 1 in C Major, Op. 21; II. Andante cantabile con moto, Symphony No. 1 in C Major, Op. 21; III. Menuetto-Allegro molto e vivace, Symphony No. 1 in C Major, Op. 21; IV. Adagio – Allegro molto e vivace, Symphony No. 12 in D minor, Op. 112 "1917": I. Revolutionary Petrograd: Moderato - Allegro, Symphony No. 12 in D minor, Op. 112 "1917": II. Razliv: Allegro - Adagio, Symphony No. 12 in D minor, Op. 112 "1917": III. Aurora: L'istesse tempo - Allegro, Symphony No. 12 in D minor, Op. 112 "1917": IV. The Dawn of Humanity: L'istesso tempo - Allegretto, Symphony No. 2 in D Major, Op. 36; I. Adagio molto, Allegro con brio, Symphony No. 2 in D Major, Op. 36; II. Larghetto, Symphony No. 2 in D Major, Op. 36; III. Scherzo-Allegro, Symphony No. 2 in D Major, Op. 36; IV. Allegro molto, Symphony No. 3 in E-Flat Major, Op. 55, “Eroica”; I. Allegro con brio, Symphony No. 3 in E-Flat Major, Op. 55, “Eroica”; II. Marcia funebre, Adagio assai, Symphony No. 3 in E-Flat Major, Op. 55, “Eroica”; III. Scherzo-Allegro vivace, Symphony No. 3 in E-Flat Major, Op. 55, “Eroica”; IV. Finale-Allegro molto, Symphony No. 3 in E-flat major, Op. 20 "The First of May": I. Allegretto, Symphony No. 3 in E-flat major, Op. 20 "The First of May": II. Più Mosso, Symphony No. 3 in E-flat major, Op. 20 "The First of May": III. Allegro, Symphony No. 3 in E-flat major, Op. 20 "The First of May": IV. Andante, Symphony No. 3 in E-flat major, Op. 20 "The First of May": V. Allegro, Symphony No. 3 in E-flat major, Op. 20 "The First of May": VI. Andante, Symphony No. 4 in B-Flat Major, Op. 60; I. Adagio – Allegro vivace, Symphony No. 4 in B-Flat Major, Op. 60; II. Adagio, Symphony No. 4 in B-Flat Major, Op. 60; III. Menuetto-Allegro vivace, Symphony No. 4 in B-Flat Major, Op. 60; IV. Allegro ma non troppo, Symphony No. 4 in C minor, Op. 43: I. Allegretto poco moderato, Symphony No. 4 in C minor, Op. 43: II. Moderato con moto, Symphony No. 4 in C minor, Op. 43: III. Largo - Allegro, Symphony No. 5 in C Minor, Op. 67; I. Allegro con brio, Symphony No. 5 in C Minor, Op. 67; II. Andante con moto, Symphony No. 5 in C Minor, Op. 67; IIIA. Scherzo, Symphony No. 5 in C Minor, Op. 67; IIIB. Allegro, Symphony No. 5 in C Minor, Op. 67; IV. Allegro, Symphony No. 6 in F Major, Op. 68, “Pastoral”; I. Allegro ma non troppo, Symphony No. 6 in F Major, Op. 68, “Pastoral”; II. Andante molto mosso, Symphony No. 6 in F Major, Op. 68, “Pastoral”; III. Allegro, Symphony No. 6 in F Major, Op. 68, “Pastoral”; IV. Allegro, Symphony No. 6 in F Major, Op. 68, “Pastoral”; V. Allegretto, Symphony No. 7 in A Major, Op. 92; I. Poco sostenuto – Vivace, Symphony No. 7 in A Major, Op. 92; II. Allegretto, Symphony No. 7 in A Major, Op. 92; III. Presto – Assai meno presto (trio), Symphony No. 7 in A Major, Op. 92; IV. Allegro con brio, Symphony No. 8 in F Major, Op. 93; I. Allegro vivace e con brio, Symphony No. 8 in F Major, Op. 93; II. Allegretto scherzando, Symphony No. 8 in F Major, Op. 93; III. Tempo di Menuetto, Symphony No. 8 in F Major, Op. 93; IV. Allegro vivace, Symphony No. 9 in D Minor, Op. 125, “Choral”; I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D Minor, Op. 125, “Choral”; II. Scherzo, Molto vivace, Symphony No. 9 in D Minor, Op. 125, “Choral”; III. Adagio molto e cantabile, Symphony no. 4 in C minor, op. 43: I. Allegro poco moderato, Symphony no. 4 in C minor, op. 43: II. Moderato con moto, Symphony no. 4 in C minor, op. 43: III. Largo — Allegro, Symphony no. 6 in F major, op. 68 “Pastoral”: I. Allegro ma non troppo, Symphony no. 6 in F major, op. 68 “Pastoral”: II. Andante molto mosso, Symphony no. 6 in F major, op. 68 “Pastoral”: III. Allegro, Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Allegro, Symphony no. 6 in F major, op. 68 “Pastoral”: V. Allegretto, Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto, assai meno presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 8 in F major, op. 93: III. Tempo di menuetto, Symphony no. 8 in F major, op. 93: IV. Allegro vivace, Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace, Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile - Andante moderato, Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Presto - Allegro assai, Tannhäuser: Ouverture
Symphonieorchester des Bayerischen Rundfunks
performer, performing orchestra
Beethovens Heiligenstädter Testament, symphonisches fragment für orchester, Bilder einer Ausstellung: Ballet des Poussins dans leurs Coques / Ballet of the Chicks in Their Shells, Bilder einer Ausstellung: Bydlo / The Oxcart, Bilder einer Ausstellung: Catacombae - Sepulchrum Romanum / The Catacombs - Roman Sepulchre, Bilder einer Ausstellung: Con Mortuis in Lingua Mortua / With the Dead in a dead Language, Bilder einer Ausstellung: Gnomus / The Gnome, Bilder einer Ausstellung: Il Vecchio Castello / The Old Castle, Bilder einer Ausstellung: La Cabane sur des Pattes de Poule / The Hut on Chicken's Legs, Bilder einer Ausstellung: La Grande Porte de Kiev / The Great Gate of Kiev, Bilder einer Ausstellung: Limoges. Le Marché / Limoges. The Market, Bilder einer Ausstellung: Promenade, Bilder einer Ausstellung: Samuel Goldenberg und Schmuyle, Bilder einer Ausstellung: Tuileries, Con brio, Konzertouvertüre für Orchester, Dixi, für gemischten Chor und Orchester, Fires: I. Misterioso, Fires: II. Con brio, Götterdämmerung: Siegfried's Rhine Journey, Karneval, Op. 92, Maniai, für Orchester, Nirai, intermezzo zu Beethovens Symphonien Nr. 2 und 6, Petruschka (1947): 1. Bild - Jahrmarket in der Fastnachtswoche / The Shrove-tide Fair (Vivace), Petruschka (1947): 1. Bild - Russischer Tanz / Russian Dance (Allegro giusto), Petruschka (1947): 2. Bild - Bei Petruschka / Petrushka (Impetuoso), Petruschka (1947): 3. Bild - Bei dem Mohren / The Blackamoor (L'istesso tempo), Petruschka (1947): 3. Bild - Walzer / Valse (Lento cantabile), Petruschka (1947): 4. Bild - Der Kampf: Der Mohr und Petruschka / The Scuffle: Blackamoor and Petrushka (Tempo di rigore), Petruschka (1947): 4. Bild - Die Maskierten / Masqueraders (L'istesso tempo, ma poco a poco agitato), Petruschka (1947): 4. Bild - Die Polizei und der Gaukler / Police and the Juggler (Più mosso - Lento), Petruschka (1947): 4. Bild - Die Zigeunerinnen und ein genusssüchtiger Kaufmann / Gypsies and a Rake Vendor (L'istesso tempo), Petruschka (1947): 4. Bild - Ein Bauer und der Bär / Peasant with Bear (Tempo giusto), Petruschka (1947): 4. Bild - Erscheinung von Petruschkas Geist / Apparition of Petrushka's Double (L'istesso tempo), Petruschka (1947): 4. Bild - Petruschkas Tod / Death of Petrushka (Lento, lamentoso), Petruschka (1947): 4. Bild - Tanz der Ammen / The Wet-nurses' Dance (Allegretto), Petruschka (1947): 4. Bild - Tanz der Kutscher / Dance of the Coachmen (Allegro moderato), Petruschka (1947): 4. Bild - Volksfest in der Fastnachtswoche gegen Abend / The Shrove-tide Fair Toward Evening (Tempo giusto), Serenáda für Streichorchester Es-Dur, Op. 6: Adagio, Serenáda für Streichorchester Es-Dur, Op. 6: Allegro giocoso, ma non troppo presto, Serenáda für Streichorchester Es-Dur, Op. 6: Allegro, ma non troppo e grazioso - Poco meno mosso, Serenáda für Streichorchester Es-Dur, Op. 6: Andante con moto, Symphonie Nr. 5 d-Moll, op. 47: I. Moderato - Allegro non troppo, Symphonie Nr. 5 d-Moll, op. 47: II. Allegretto, Symphonie Nr. 5 d-Moll, op. 47: III. Largo, Symphonie Nr. 5 d-Moll, op. 47: VI. Allegro non troppo, Symphonie Nr. 6, A-Dur: I. Maestoso, Symphonie Nr. 6, A-Dur: II. Adagio. Sehr feierlich, Symphonie Nr. 6, A-Dur: III. Scherzo. Nicht schnell - Trio. Langsam, Symphonie Nr. 6, A-Dur: IV. Finale. Bewegt, doch nicht zu schnell, Symphonie Nr. 7 E-dur: I. Allegro moderato, Symphonie Nr. 7 E-dur: II. Adagio (Sehr feierlich und sehr langsam), Symphonie Nr. 7 E-dur: III. Scherzo (Sehr schnell), Trio (Etwas langsamer), Symphonie Nr. 7 E-dur: IV. Finale (Bewegt, doch nicht zu schnell), Symphonie Nr. 8 G-Dur, Op. 88: Adagio, Symphonie Nr. 8 G-Dur, Op. 88: Allegretto grazioso, Symphonie Nr. 8 G-Dur, Op. 88: Allegro con brio, Symphonie Nr. 8 G-Dur, Op. 88: Allegro, ma non troppo, Symphonie no. 1 in C major, op. 21: I. Allegro con brio, Symphonie no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphonie no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace, Symphonie no. 1 in C major, op. 21: IV. Allegro molto e vivace, Symphonie no. 2 in D major, op. 36: I. Allegro con brio, Symphonie no. 2 in D major, op. 36: II. Larghetto, Symphonie no. 2 in D major, op. 36: III. Scherzo. Allegro, Symphonie no. 2 in D major, op. 36: IV. Allegro molto, Symphonie no. 3 in E-flat major, “Eroica”: I. Allegro con brio, Symphonie no. 3 in E-flat major, “Eroica”: II. Marcia funebre. Adagio assai, Symphonie no. 3 in E-flat major, “Eroica”: III. Allegro vivace - Trio. Un poco meno allegro, Symphonie no. 3 in E-flat major, “Eroica”: IV. Finale - Allegro molto, Symphonie no. 4 in B-flat major, op. 60: I. Adagio, Symphonie no. 4 in B-flat major, op. 60: II. Adagio, Symphonie no. 4 in B-flat major, op. 60: III. Menuetto: Allegro vivace, Symphonie no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo, Symphonie no. 5 in C minor, op. 67: I. Allegro con brio, Symphonie no. 5 in C minor, op. 67: II. Andante con moto, Symphonie no. 5 in C minor, op. 67: III. Allegro, Symphonie no. 5 in C minor, op. 67: IV. Allegro, Symphony No. 1 in C Major, Op. 21; I. Adagio molto – Allegro con brio, Symphony No. 1 in C Major, Op. 21; II. Andante cantabile con moto, Symphony No. 1 in C Major, Op. 21; III. Menuetto-Allegro molto e vivace, Symphony No. 1 in C Major, Op. 21; IV. Adagio – Allegro molto e vivace, Symphony No. 12 in D minor, Op. 112 "1917": I. Revolutionary Petrograd: Moderato - Allegro, Symphony No. 12 in D minor, Op. 112 "1917": II. Razliv: Allegro - Adagio, Symphony No. 12 in D minor, Op. 112 "1917": III. Aurora: L'istesse tempo - Allegro, Symphony No. 12 in D minor, Op. 112 "1917": IV. The Dawn of Humanity: L'istesso tempo - Allegretto, Symphony No. 2 in D Major, Op. 36; I. Adagio molto, Allegro con brio, Symphony No. 2 in D Major, Op. 36; II. Larghetto, Symphony No. 2 in D Major, Op. 36; III. Scherzo-Allegro, Symphony No. 2 in D Major, Op. 36; IV. Allegro molto, Symphony No. 3 in E-Flat Major, Op. 55, “Eroica”; I. Allegro con brio, Symphony No. 3 in E-Flat Major, Op. 55, “Eroica”; II. Marcia funebre, Adagio assai, Symphony No. 3 in E-Flat Major, Op. 55, “Eroica”; III. Scherzo-Allegro vivace, Symphony No. 3 in E-Flat Major, Op. 55, “Eroica”; IV. Finale-Allegro molto, Symphony No. 3 in E-flat major, Op. 20 "The First of May": I. Allegretto, Symphony No. 3 in E-flat major, Op. 20 "The First of May": II. Più Mosso, Symphony No. 3 in E-flat major, Op. 20 "The First of May": III. Allegro, Symphony No. 3 in E-flat major, Op. 20 "The First of May": IV. Andante, Symphony No. 3 in E-flat major, Op. 20 "The First of May": V. Allegro, Symphony No. 3 in E-flat major, Op. 20 "The First of May": VI. Andante, Symphony No. 4 in B-Flat Major, Op. 60; I. Adagio – Allegro vivace, Symphony No. 4 in B-Flat Major, Op. 60; II. Adagio, Symphony No. 4 in B-Flat Major, Op. 60; III. Menuetto-Allegro vivace, Symphony No. 4 in B-Flat Major, Op. 60; IV. Allegro ma non troppo, Symphony No. 4 in C minor, Op. 43: I. Allegretto poco moderato, Symphony No. 4 in C minor, Op. 43: II. Moderato con moto, Symphony No. 4 in C minor, Op. 43: III. Largo - Allegro, Symphony No. 5 in C Minor, Op. 67; I. Allegro con brio, Symphony No. 5 in C Minor, Op. 67; II. Andante con moto, Symphony No. 5 in C Minor, Op. 67; IIIA. Scherzo, Symphony No. 5 in C Minor, Op. 67; IIIB. Allegro, Symphony No. 5 in C Minor, Op. 67; IV. Allegro, Symphony No. 6 in F Major, Op. 68, “Pastoral”; I. Allegro ma non troppo, Symphony No. 6 in F Major, Op. 68, “Pastoral”; II. Andante molto mosso, Symphony No. 6 in F Major, Op. 68, “Pastoral”; III. Allegro, Symphony No. 6 in F Major, Op. 68, “Pastoral”; IV. Allegro, Symphony No. 6 in F Major, Op. 68, “Pastoral”; V. Allegretto, Symphony No. 7 in A Major, Op. 92; I. Poco sostenuto – Vivace, Symphony No. 7 in A Major, Op. 92; II. Allegretto, Symphony No. 7 in A Major, Op. 92; III. Presto – Assai meno presto (trio), Symphony No. 7 in A Major, Op. 92; IV. Allegro con brio, Symphony No. 8 in F Major, Op. 93; I. Allegro vivace e con brio, Symphony No. 8 in F Major, Op. 93; II. Allegretto scherzando, Symphony No. 8 in F Major, Op. 93; III. Tempo di Menuetto, Symphony No. 8 in F Major, Op. 93; IV. Allegro vivace, Symphony No. 9 in D Minor, Op. 125, “Choral”; I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D Minor, Op. 125, “Choral”; II. Scherzo, Molto vivace, Symphony No. 9 in D Minor, Op. 125, “Choral”; III. Adagio molto e cantabile, Symphony no. 4 in C minor, op. 43: I. Allegro poco moderato, Symphony no. 4 in C minor, op. 43: II. Moderato con moto, Symphony no. 4 in C minor, op. 43: III. Largo — Allegro, Symphony no. 6 in F major, op. 68 “Pastoral”: I. Allegro ma non troppo, Symphony no. 6 in F major, op. 68 “Pastoral”: II. Andante molto mosso, Symphony no. 6 in F major, op. 68 “Pastoral”: III. Allegro, Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Allegro, Symphony no. 6 in F major, op. 68 “Pastoral”: V. Allegretto, Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto, assai meno presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 8 in F major, op. 93: III. Tempo di menuetto, Symphony no. 8 in F major, op. 93: IV. Allegro vivace, Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace, Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile - Andante moderato, Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Presto - Allegro assai, Tannhäuser: Ouverture
Wilhelm Meister (Tonmeister / Recording Producer)
producer, sound
Symphonie Nr. 6, A-Dur: I. Maestoso, Symphonie Nr. 6, A-Dur: II. Adagio. Sehr feierlich, Symphonie Nr. 6, A-Dur: III. Scherzo. Nicht schnell - Trio. Langsam, Symphonie Nr. 6, A-Dur: IV. Finale. Bewegt, doch nicht zu schnell, Symphonie Nr. 7 E-dur: I. Allegro moderato, Symphonie Nr. 7 E-dur: II. Adagio (Sehr feierlich und sehr langsam), Symphonie Nr. 7 E-dur: III. Scherzo (Sehr schnell), Trio (Etwas langsamer), Symphonie Nr. 7 E-dur: IV. Finale (Bewegt, doch nicht zu schnell), Symphony No. 12 in D minor, Op. 112 "1917": I. Revolutionary Petrograd: Moderato - Allegro, Symphony No. 12 in D minor, Op. 112 "1917": II. Razliv: Allegro - Adagio, Symphony No. 12 in D minor, Op. 112 "1917": III. Aurora: L'istesse tempo - Allegro, Symphony No. 12 in D minor, Op. 112 "1917": IV. The Dawn of Humanity: L'istesso tempo - Allegretto, Symphony No. 3 in E-flat major, Op. 20 "The First of May": I. Allegretto, Symphony No. 3 in E-flat major, Op. 20 "The First of May": II. Più Mosso, Symphony No. 3 in E-flat major, Op. 20 "The First of May": III. Allegro, Symphony No. 3 in E-flat major, Op. 20 "The First of May": IV. Andante, Symphony No. 3 in E-flat major, Op. 20 "The First of May": V. Allegro, Symphony No. 3 in E-flat major, Op. 20 "The First of May": VI. Andante, Symphony no. 4 in C minor, op. 43: I. Allegro poco moderato, Symphony no. 4 in C minor, op. 43: II. Moderato con moto, Symphony no. 4 in C minor, op. 43: III. Largo — Allegro
Wolfgang Karreth
balance
Symphony No. 12 in D minor, Op. 112 "1917": I. Revolutionary Petrograd: Moderato - Allegro, Symphony No. 12 in D minor, Op. 112 "1917": II. Razliv: Allegro - Adagio, Symphony No. 12 in D minor, Op. 112 "1917": III. Aurora: L'istesse tempo - Allegro, Symphony No. 12 in D minor, Op. 112 "1917": IV. The Dawn of Humanity: L'istesso tempo - Allegretto, Symphony No. 3 in E-flat major, Op. 20 "The First of May": I. Allegretto, Symphony No. 3 in E-flat major, Op. 20 "The First of May": II. Più Mosso, Symphony No. 3 in E-flat major, Op. 20 "The First of May": III. Allegro, Symphony No. 3 in E-flat major, Op. 20 "The First of May": IV. Andante, Symphony No. 3 in E-flat major, Op. 20 "The First of May": V. Allegro, Symphony No. 3 in E-flat major, Op. 20 "The First of May": VI. Andante
Elisabeth Panzer
editor
Symphony No. 12 in D minor, Op. 112 "1917": I. Revolutionary Petrograd: Moderato - Allegro, Symphony No. 12 in D minor, Op. 112 "1917": II. Razliv: Allegro - Adagio, Symphony No. 12 in D minor, Op. 112 "1917": III. Aurora: L'istesse tempo - Allegro, Symphony No. 12 in D minor, Op. 112 "1917": IV. The Dawn of Humanity: L'istesso tempo - Allegretto, Symphony No. 3 in E-flat major, Op. 20 "The First of May": I. Allegretto, Symphony No. 3 in E-flat major, Op. 20 "The First of May": II. Più Mosso, Symphony No. 3 in E-flat major, Op. 20 "The First of May": III. Allegro, Symphony No. 3 in E-flat major, Op. 20 "The First of May": IV. Andante, Symphony No. 3 in E-flat major, Op. 20 "The First of May": V. Allegro, Symphony No. 3 in E-flat major, Op. 20 "The First of May": VI. Andante
Peter Urban (sound engineer)
audio
Symphonie Nr. 5 d-Moll, op. 47: I. Moderato - Allegro non troppo, Symphonie Nr. 5 d-Moll, op. 47: II. Allegretto, Symphonie Nr. 5 d-Moll, op. 47: III. Largo, Symphonie Nr. 5 d-Moll, op. 47: VI. Allegro non troppo, Symphonie Nr. 6, A-Dur: I. Maestoso, Symphonie Nr. 6, A-Dur: II. Adagio. Sehr feierlich, Symphonie Nr. 6, A-Dur: III. Scherzo. Nicht schnell - Trio. Langsam, Symphonie Nr. 6, A-Dur: IV. Finale. Bewegt, doch nicht zu schnell
Wolfgang Sturm (Classical Music Producer)
producer
Symphonie Nr. 7 E-dur: I. Allegro moderato, Symphonie Nr. 7 E-dur: II. Adagio (Sehr feierlich und sehr langsam), Symphonie Nr. 7 E-dur: III. Scherzo (Sehr schnell), Trio (Etwas langsamer), Symphonie Nr. 7 E-dur: IV. Finale (Bewegt, doch nicht zu schnell)
John Fraser
producer
Symphony No. 12 in D minor, Op. 112 "1917": I. Revolutionary Petrograd: Moderato - Allegro, Symphony No. 12 in D minor, Op. 112 "1917": II. Razliv: Allegro - Adagio, Symphony No. 12 in D minor, Op. 112 "1917": III. Aurora: L'istesse tempo - Allegro, Symphony No. 12 in D minor, Op. 112 "1917": IV. The Dawn of Humanity: L'istesso tempo - Allegretto
Wolfgang Fahrner (Balance Engineer)
balance
Symphonie Nr. 7 E-dur: I. Allegro moderato, Symphonie Nr. 7 E-dur: II. Adagio (Sehr feierlich und sehr langsam), Symphonie Nr. 7 E-dur: III. Scherzo (Sehr schnell), Trio (Etwas langsamer), Symphonie Nr. 7 E-dur: IV. Finale (Bewegt, doch nicht zu schnell)
Bernadette Seethalaer
editor
Symphony no. 4 in C minor, op. 43: I. Allegro poco moderato, Symphony no. 4 in C minor, op. 43: II. Moderato con moto, Symphony no. 4 in C minor, op. 43: III. Largo — Allegro
Stefan Briegel
balance
Symphony no. 4 in C minor, op. 43: I. Allegro poco moderato, Symphony no. 4 in C minor, op. 43: II. Moderato con moto, Symphony no. 4 in C minor, op. 43: III. Largo — Allegro
Chor des Bayerischen Rundfunks
vocal
Dixi, für gemischten Chor und Orchester, Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Presto - Allegro assai
Michael Volle
vocal
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Presto - Allegro assai
Michael Schade
vocal
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Presto - Allegro assai
Christiane Karg
vocal
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Presto - Allegro assai
Mihoko Fujimura
vocal
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Presto - Allegro assai
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