Spooky Hertz

Top collaborators

Artist name Roles Recordings
Anthony Rooley chorus master, conductor, producer, lute A Dio, Florida bella, Altri canti d'Amor: Sinfonia - Altri canti d'Amor, Altri canti d'Amor: Tu Cui tessuta han di Cesare alloro, Altri canti d'amor, tenero arciero, Altri canti di Marte: Altri canti di Marte, Altri canti di Marte: Due begli occhi fur l'armi, Ardo e scoprir, Ardo, ardo, avvampo, Armato il cor, Auserlesene Paduanen und Galliarden: Susanna Fair, for consort (Galliard), B.M. Add. 10444 c1610: Almain a 2, for consort duo, B.M. Add. 10444 c1610: Mrs Nichols Almain a 2, for consort duo, Batto, qui pianse, Cambridge manuscript part books c1699: Dowland's First Galliard (from Cambridge manuscript part books, c. 1600), Cambridge manuscript part books c1699: Fortune My Foe, song arranged for lute, P62, Cambridge manuscript part books c1699: Round Battle Galliard P39, Cambridge manuscript part books c1699: Tarleton's Jig (?Dowland) P81, Cambridge manuscript part books c1699: The Most Sacred Queen Elizabeth, her Galliard (Katherine Darcy's Galliard) P41, Chi vol haver felice, Dolcissimo uscignolo, First Booke of Consort Lessons 1599: Can she excuse Galliard (after Dowland), First Booke of Consort Lessons 1599: Captain Piper's Pavan and Galliard (after Dowland), First Booke of Consort Lessons 1599: Lachrimae Pavan (after Dowland), First Booke of Consort Lessons 1599: The Frog Galliard (after Dowland), Gira il nemico insidioso, Hor che'l ciel: Così sol d'una chiara fonte viva, Hor che'l ciel: Hor che'l ciel, e la terra, e'l vento tace, Il Combattimento di Tancredi e Clorinda: Amico, hai vinto: io ti perdon... perdona, Il Combattimento di Tancredi e Clorinda: Non schivar, non parar, non pur ritrarsi, Il Combattimento di Tancredi e Clorinda: Tancredi, che Clorinda un homo stima, Il Combattimento di Tancredi e Clorinda: Torna l'ira nei cori, e li trasporta, Il Combattimento di Tancredi e Clorinda: Tre volte il cavalier la donna stringe, Lachrimae 1604: Captaine Digorie Piper his Galiard, Lachrimae 1604: Lachrimae Amantis, Lachrimae 1604: Lachrimae Antiquae, Lachrimae 1604: Lachrimae Antiquae Novae, Lachrimae 1604: Lachrimae Coactae, Lachrimae 1604: Lachrimae Gementes, Lachrimae 1604: Lachrimae Tristes, Lachrimae 1604: Lachrimae Verae, Lachrimae 1604: M. Buctons Galiard, Lachrimae 1604: M. George Whithead his Almand, Lachrimae 1604: M. Giles Hobies Galiard, Lachrimae 1604: M. Henry Noel his Galiard, Lachrimae 1604: M. John Langton's Pavan, Lachrimae 1604: M. Nicolas Gryffith his Galiard, Lachrimae 1604: M. Thomas Collier his Galiard, Lachrimae 1604: Mrs. Nichols Almand, Lachrimae 1604: Semper Dowland semper dolens, Lachrimae 1604: Sir Henry Upton's Funeral, Lachrimae 1604: Sir John Souch, his Galiard, Lachrimae 1604: The Earl of Essex Galiard, Lachrimae 1604: The King of Denmark's Galiard, Lamento d'Arianna, Lamento della ninfa: Amor, dicea, il ciel, Lamento della ninfa: Non havea Febo ancora, Mentre vaga Angioletta, Misero Alceo, Ninfa, che scalza il piede, Non partir ritrosetta, O sia tranquillo il mare, Ogni amante è guerrier: Io che nell'otio naqui e d'otio vissi, Ogni amante è guerrier: Ma per quel ampio Egeo spieghi le vele, Ogni amante è guerrier: Ogni amante è guerrier, Ohimè il bel viso, Opusculum: La mia Barbara Pavan and Galliard (after Dowland), Opusculum: Lachrimae Antiquae Novae Pavan and Galliard (after Dowland), Opusculum: Mr John Langton Pavan and Galliard (after Dowland), Perchè t'en fuggi, o Fillide, Presso un fiume tranquillo, Qui rise, o Tirsi, Rest von polnischen und anderen Tänzen: Mrs Nichols Almand (Mistress Nichols Almand), for 5 viols/violins & lute (from "Lachrimae"), Se vittorie si belle, Sestina: Lagrima d'amante al sepolcro dell'amata, Su, su, su, pastorelli vezzosi, Taffel-Consort 1621: Lady if you so spite me, for voice, Taffel-Consort 1621: Pavan à 4, Taffel-Consort 1621: Volta, Taffel-Consort 1621: Were every thought an eye, Una donna fra l'altre, Vago augelletto, Volgendo il ciel, Zefiro torna
The Consort of Musicke instrument, performer, performing orchestra, vocal A Dio, Florida bella, Altri canti d'Amor: Sinfonia - Altri canti d'Amor, Altri canti d'Amor: Tu Cui tessuta han di Cesare alloro, Altri canti d'amor, tenero arciero, Altri canti di Marte: Altri canti di Marte, Altri canti di Marte: Due begli occhi fur l'armi, Ardo e scoprir, Ardo, ardo, avvampo, Armato il cor, Auserlesene Paduanen und Galliarden: Susanna Fair, for consort (Galliard), B.M. Add. 10444 c1610: Almain a 2, for consort duo, B.M. Add. 10444 c1610: Mrs Nichols Almain a 2, for consort duo, Batto, qui pianse, Cambridge manuscript part books c1699: Dowland's First Galliard (from Cambridge manuscript part books, c. 1600), Cambridge manuscript part books c1699: Fortune My Foe, song arranged for lute, P62, Cambridge manuscript part books c1699: Round Battle Galliard P39, Cambridge manuscript part books c1699: Tarleton's Jig (?Dowland) P81, Cambridge manuscript part books c1699: The Most Sacred Queen Elizabeth, her Galliard (Katherine Darcy's Galliard) P41, Chi vol haver felice, Dolcissimo uscignolo, First Booke of Consort Lessons 1599: Can she excuse Galliard (after Dowland), First Booke of Consort Lessons 1599: Captain Piper's Pavan and Galliard (after Dowland), First Booke of Consort Lessons 1599: Lachrimae Pavan (after Dowland), First Booke of Consort Lessons 1599: The Frog Galliard (after Dowland), Gira il nemico insidioso, Hor che'l ciel: Così sol d'una chiara fonte viva, Hor che'l ciel: Hor che'l ciel, e la terra, e'l vento tace, Il Combattimento di Tancredi e Clorinda: Amico, hai vinto: io ti perdon... perdona, Il Combattimento di Tancredi e Clorinda: Non schivar, non parar, non pur ritrarsi, Il Combattimento di Tancredi e Clorinda: Tancredi, che Clorinda un homo stima, Il Combattimento di Tancredi e Clorinda: Torna l'ira nei cori, e li trasporta, Il Combattimento di Tancredi e Clorinda: Tre volte il cavalier la donna stringe, Lachrimae 1604: Captaine Digorie Piper his Galiard, Lachrimae 1604: Lachrimae Amantis, Lachrimae 1604: Lachrimae Antiquae, Lachrimae 1604: Lachrimae Antiquae Novae, Lachrimae 1604: Lachrimae Coactae, Lachrimae 1604: Lachrimae Gementes, Lachrimae 1604: Lachrimae Tristes, Lachrimae 1604: Lachrimae Verae, Lachrimae 1604: M. Buctons Galiard, Lachrimae 1604: M. George Whithead his Almand, Lachrimae 1604: M. Giles Hobies Galiard, Lachrimae 1604: M. Henry Noel his Galiard, Lachrimae 1604: M. John Langton's Pavan, Lachrimae 1604: M. Nicolas Gryffith his Galiard, Lachrimae 1604: M. Thomas Collier his Galiard, Lachrimae 1604: Mrs. Nichols Almand, Lachrimae 1604: Semper Dowland semper dolens, Lachrimae 1604: Sir Henry Upton's Funeral, Lachrimae 1604: Sir John Souch, his Galiard, Lachrimae 1604: The Earl of Essex Galiard, Lachrimae 1604: The King of Denmark's Galiard, Lamento d'Arianna, Lamento della ninfa: Amor, dicea, il ciel, Lamento della ninfa: Non havea Febo ancora, Mentre vaga Angioletta, Misero Alceo, Ninfa, che scalza il piede, Non partir ritrosetta, O sia tranquillo il mare, Ogni amante è guerrier: Io che nell'otio naqui e d'otio vissi, Ogni amante è guerrier: Ma per quel ampio Egeo spieghi le vele, Ogni amante è guerrier: Ogni amante è guerrier, Ohimè il bel viso, Opusculum: La mia Barbara Pavan and Galliard (after Dowland), Opusculum: Lachrimae Antiquae Novae Pavan and Galliard (after Dowland), Opusculum: Mr John Langton Pavan and Galliard (after Dowland), Perchè t'en fuggi, o Fillide, Presso un fiume tranquillo, Qui rise, o Tirsi, Rest von polnischen und anderen Tänzen: Mrs Nichols Almand (Mistress Nichols Almand), for 5 viols/violins & lute (from "Lachrimae"), Se vittorie si belle, Sestina: Lagrima d'amante al sepolcro dell'amata, Su, su, su, pastorelli vezzosi, Taffel-Consort 1621: Lady if you so spite me, for voice, Taffel-Consort 1621: Pavan à 4, Taffel-Consort 1621: Volta, Taffel-Consort 1621: Were every thought an eye, Una donna fra l'altre, Vago augelletto, Volgendo il ciel, Zefiro torna
Catherine Mackintosh (violinist) viola da gamba, violin Auserlesene Paduanen und Galliarden: Susanna Fair, for consort (Galliard), B.M. Add. 10444 c1610: Almain a 2, for consort duo, B.M. Add. 10444 c1610: Mrs Nichols Almain a 2, for consort duo, Cambridge manuscript part books c1699: Dowland's First Galliard (from Cambridge manuscript part books, c. 1600), Cambridge manuscript part books c1699: Fortune My Foe, song arranged for lute, P62, Cambridge manuscript part books c1699: Round Battle Galliard P39, Cambridge manuscript part books c1699: Tarleton's Jig (?Dowland) P81, Cambridge manuscript part books c1699: The Most Sacred Queen Elizabeth, her Galliard (Katherine Darcy's Galliard) P41, First Booke of Consort Lessons 1599: Can she excuse Galliard (after Dowland), First Booke of Consort Lessons 1599: Captain Piper's Pavan and Galliard (after Dowland), First Booke of Consort Lessons 1599: Lachrimae Pavan (after Dowland), First Booke of Consort Lessons 1599: The Frog Galliard (after Dowland), Lachrimae 1604: Captaine Digorie Piper his Galiard, Lachrimae 1604: Lachrimae Amantis, Lachrimae 1604: Lachrimae Antiquae, Lachrimae 1604: Lachrimae Antiquae Novae, Lachrimae 1604: Lachrimae Coactae, Lachrimae 1604: Lachrimae Gementes, Lachrimae 1604: Lachrimae Tristes, Lachrimae 1604: Lachrimae Verae, Lachrimae 1604: M. Buctons Galiard, Lachrimae 1604: M. George Whithead his Almand, Lachrimae 1604: M. Giles Hobies Galiard, Lachrimae 1604: M. Henry Noel his Galiard, Lachrimae 1604: M. John Langton's Pavan, Lachrimae 1604: M. Nicolas Gryffith his Galiard, Lachrimae 1604: M. Thomas Collier his Galiard, Lachrimae 1604: Mrs. Nichols Almand, Lachrimae 1604: Semper Dowland semper dolens, Lachrimae 1604: Sir Henry Upton's Funeral, Lachrimae 1604: Sir John Souch, his Galiard, Lachrimae 1604: The Earl of Essex Galiard, Lachrimae 1604: The King of Denmark's Galiard, Opusculum: La mia Barbara Pavan and Galliard (after Dowland), Opusculum: Lachrimae Antiquae Novae Pavan and Galliard (after Dowland), Opusculum: Mr John Langton Pavan and Galliard (after Dowland), Rest von polnischen und anderen Tänzen: Mrs Nichols Almand (Mistress Nichols Almand), for 5 viols/violins & lute (from "Lachrimae"), Taffel-Consort 1621: Lady if you so spite me, for voice, Taffel-Consort 1621: Pavan à 4, Taffel-Consort 1621: Volta, Taffel-Consort 1621: Were every thought an eye
Antony Howell (Engineer) balance Altri canti d'Amor: Sinfonia - Altri canti d'Amor, Altri canti d'Amor: Tu Cui tessuta han di Cesare alloro, Altri canti di Marte: Altri canti di Marte, Altri canti di Marte: Due begli occhi fur l'armi, Ardo e scoprir, Ardo, ardo, avvampo, Armato il cor, Chi vol haver felice, Dolcissimo uscignolo, Gira il nemico insidioso, Hor che'l ciel: Così sol d'una chiara fonte viva, Hor che'l ciel: Hor che'l ciel, e la terra, e'l vento tace, Lamento della ninfa: Amor, dicea, il ciel, Lamento della ninfa: Non havea Febo ancora, Mentre vaga Angioletta, Ninfa, che scalza il piede, Non partir ritrosetta, O sia tranquillo il mare, Ogni amante è guerrier: Io che nell'otio naqui e d'otio vissi, Ogni amante è guerrier: Ma per quel ampio Egeo spieghi le vele, Ogni amante è guerrier: Ogni amante è guerrier, Perchè t'en fuggi, o Fillide, Se vittorie si belle, Su, su, su, pastorelli vezzosi, Vago augelletto
Julian Creme cittern, lute Cambridge manuscript part books c1699: Dowland's First Galliard (from Cambridge manuscript part books, c. 1600), Cambridge manuscript part books c1699: Fortune My Foe, song arranged for lute, P62, Cambridge manuscript part books c1699: Round Battle Galliard P39, Cambridge manuscript part books c1699: Tarleton's Jig (?Dowland) P81, Cambridge manuscript part books c1699: The Most Sacred Queen Elizabeth, her Galliard (Katherine Darcy's Galliard) P41, First Booke of Consort Lessons 1599: Can she excuse Galliard (after Dowland), First Booke of Consort Lessons 1599: Captain Piper's Pavan and Galliard (after Dowland), First Booke of Consort Lessons 1599: Lachrimae Pavan (after Dowland), First Booke of Consort Lessons 1599: The Frog Galliard (after Dowland), Lachrimae 1604: Lachrimae Amantis, Lachrimae 1604: Lachrimae Antiquae, Lachrimae 1604: Lachrimae Antiquae Novae, Lachrimae 1604: Lachrimae Coactae, Lachrimae 1604: Lachrimae Gementes, Lachrimae 1604: Lachrimae Tristes, Lachrimae 1604: Lachrimae Verae

Collaborators on this artist's recordings

Artist name Roles Recordings
Anthony Rooley chorus master, conductor, producer, lute A Dio, Florida bella, Altri canti d'Amor: Sinfonia - Altri canti d'Amor, Altri canti d'Amor: Tu Cui tessuta han di Cesare alloro, Altri canti d'amor, tenero arciero, Altri canti di Marte: Altri canti di Marte, Altri canti di Marte: Due begli occhi fur l'armi, Ardo e scoprir, Ardo, ardo, avvampo, Armato il cor, Auserlesene Paduanen und Galliarden: Susanna Fair, for consort (Galliard), B.M. Add. 10444 c1610: Almain a 2, for consort duo, B.M. Add. 10444 c1610: Mrs Nichols Almain a 2, for consort duo, Batto, qui pianse, Cambridge manuscript part books c1699: Dowland's First Galliard (from Cambridge manuscript part books, c. 1600), Cambridge manuscript part books c1699: Fortune My Foe, song arranged for lute, P62, Cambridge manuscript part books c1699: Round Battle Galliard P39, Cambridge manuscript part books c1699: Tarleton's Jig (?Dowland) P81, Cambridge manuscript part books c1699: The Most Sacred Queen Elizabeth, her Galliard (Katherine Darcy's Galliard) P41, Chi vol haver felice, Dolcissimo uscignolo, First Booke of Consort Lessons 1599: Can she excuse Galliard (after Dowland), First Booke of Consort Lessons 1599: Captain Piper's Pavan and Galliard (after Dowland), First Booke of Consort Lessons 1599: Lachrimae Pavan (after Dowland), First Booke of Consort Lessons 1599: The Frog Galliard (after Dowland), Gira il nemico insidioso, Hor che'l ciel: Così sol d'una chiara fonte viva, Hor che'l ciel: Hor che'l ciel, e la terra, e'l vento tace, Il Combattimento di Tancredi e Clorinda: Amico, hai vinto: io ti perdon... perdona, Il Combattimento di Tancredi e Clorinda: Non schivar, non parar, non pur ritrarsi, Il Combattimento di Tancredi e Clorinda: Tancredi, che Clorinda un homo stima, Il Combattimento di Tancredi e Clorinda: Torna l'ira nei cori, e li trasporta, Il Combattimento di Tancredi e Clorinda: Tre volte il cavalier la donna stringe, Lachrimae 1604: Captaine Digorie Piper his Galiard, Lachrimae 1604: Lachrimae Amantis, Lachrimae 1604: Lachrimae Antiquae, Lachrimae 1604: Lachrimae Antiquae Novae, Lachrimae 1604: Lachrimae Coactae, Lachrimae 1604: Lachrimae Gementes, Lachrimae 1604: Lachrimae Tristes, Lachrimae 1604: Lachrimae Verae, Lachrimae 1604: M. Buctons Galiard, Lachrimae 1604: M. George Whithead his Almand, Lachrimae 1604: M. Giles Hobies Galiard, Lachrimae 1604: M. Henry Noel his Galiard, Lachrimae 1604: M. John Langton's Pavan, Lachrimae 1604: M. Nicolas Gryffith his Galiard, Lachrimae 1604: M. Thomas Collier his Galiard, Lachrimae 1604: Mrs. Nichols Almand, Lachrimae 1604: Semper Dowland semper dolens, Lachrimae 1604: Sir Henry Upton's Funeral, Lachrimae 1604: Sir John Souch, his Galiard, Lachrimae 1604: The Earl of Essex Galiard, Lachrimae 1604: The King of Denmark's Galiard, Lamento d'Arianna, Lamento della ninfa: Amor, dicea, il ciel, Lamento della ninfa: Non havea Febo ancora, Mentre vaga Angioletta, Misero Alceo, Ninfa, che scalza il piede, Non partir ritrosetta, O sia tranquillo il mare, Ogni amante è guerrier: Io che nell'otio naqui e d'otio vissi, Ogni amante è guerrier: Ma per quel ampio Egeo spieghi le vele, Ogni amante è guerrier: Ogni amante è guerrier, Ohimè il bel viso, Opusculum: La mia Barbara Pavan and Galliard (after Dowland), Opusculum: Lachrimae Antiquae Novae Pavan and Galliard (after Dowland), Opusculum: Mr John Langton Pavan and Galliard (after Dowland), Perchè t'en fuggi, o Fillide, Presso un fiume tranquillo, Qui rise, o Tirsi, Rest von polnischen und anderen Tänzen: Mrs Nichols Almand (Mistress Nichols Almand), for 5 viols/violins & lute (from "Lachrimae"), Se vittorie si belle, Sestina: Lagrima d'amante al sepolcro dell'amata, Su, su, su, pastorelli vezzosi, Taffel-Consort 1621: Lady if you so spite me, for voice, Taffel-Consort 1621: Pavan à 4, Taffel-Consort 1621: Volta, Taffel-Consort 1621: Were every thought an eye, Una donna fra l'altre, Vago augelletto, Volgendo il ciel, Zefiro torna
The Consort of Musicke instrument, performer, performing orchestra, vocal A Dio, Florida bella, Altri canti d'Amor: Sinfonia - Altri canti d'Amor, Altri canti d'Amor: Tu Cui tessuta han di Cesare alloro, Altri canti d'amor, tenero arciero, Altri canti di Marte: Altri canti di Marte, Altri canti di Marte: Due begli occhi fur l'armi, Ardo e scoprir, Ardo, ardo, avvampo, Armato il cor, Auserlesene Paduanen und Galliarden: Susanna Fair, for consort (Galliard), B.M. Add. 10444 c1610: Almain a 2, for consort duo, B.M. Add. 10444 c1610: Mrs Nichols Almain a 2, for consort duo, Batto, qui pianse, Cambridge manuscript part books c1699: Dowland's First Galliard (from Cambridge manuscript part books, c. 1600), Cambridge manuscript part books c1699: Fortune My Foe, song arranged for lute, P62, Cambridge manuscript part books c1699: Round Battle Galliard P39, Cambridge manuscript part books c1699: Tarleton's Jig (?Dowland) P81, Cambridge manuscript part books c1699: The Most Sacred Queen Elizabeth, her Galliard (Katherine Darcy's Galliard) P41, Chi vol haver felice, Dolcissimo uscignolo, First Booke of Consort Lessons 1599: Can she excuse Galliard (after Dowland), First Booke of Consort Lessons 1599: Captain Piper's Pavan and Galliard (after Dowland), First Booke of Consort Lessons 1599: Lachrimae Pavan (after Dowland), First Booke of Consort Lessons 1599: The Frog Galliard (after Dowland), Gira il nemico insidioso, Hor che'l ciel: Così sol d'una chiara fonte viva, Hor che'l ciel: Hor che'l ciel, e la terra, e'l vento tace, Il Combattimento di Tancredi e Clorinda: Amico, hai vinto: io ti perdon... perdona, Il Combattimento di Tancredi e Clorinda: Non schivar, non parar, non pur ritrarsi, Il Combattimento di Tancredi e Clorinda: Tancredi, che Clorinda un homo stima, Il Combattimento di Tancredi e Clorinda: Torna l'ira nei cori, e li trasporta, Il Combattimento di Tancredi e Clorinda: Tre volte il cavalier la donna stringe, Lachrimae 1604: Captaine Digorie Piper his Galiard, Lachrimae 1604: Lachrimae Amantis, Lachrimae 1604: Lachrimae Antiquae, Lachrimae 1604: Lachrimae Antiquae Novae, Lachrimae 1604: Lachrimae Coactae, Lachrimae 1604: Lachrimae Gementes, Lachrimae 1604: Lachrimae Tristes, Lachrimae 1604: Lachrimae Verae, Lachrimae 1604: M. Buctons Galiard, Lachrimae 1604: M. George Whithead his Almand, Lachrimae 1604: M. Giles Hobies Galiard, Lachrimae 1604: M. Henry Noel his Galiard, Lachrimae 1604: M. John Langton's Pavan, Lachrimae 1604: M. Nicolas Gryffith his Galiard, Lachrimae 1604: M. Thomas Collier his Galiard, Lachrimae 1604: Mrs. Nichols Almand, Lachrimae 1604: Semper Dowland semper dolens, Lachrimae 1604: Sir Henry Upton's Funeral, Lachrimae 1604: Sir John Souch, his Galiard, Lachrimae 1604: The Earl of Essex Galiard, Lachrimae 1604: The King of Denmark's Galiard, Lamento d'Arianna, Lamento della ninfa: Amor, dicea, il ciel, Lamento della ninfa: Non havea Febo ancora, Mentre vaga Angioletta, Misero Alceo, Ninfa, che scalza il piede, Non partir ritrosetta, O sia tranquillo il mare, Ogni amante è guerrier: Io che nell'otio naqui e d'otio vissi, Ogni amante è guerrier: Ma per quel ampio Egeo spieghi le vele, Ogni amante è guerrier: Ogni amante è guerrier, Ohimè il bel viso, Opusculum: La mia Barbara Pavan and Galliard (after Dowland), Opusculum: Lachrimae Antiquae Novae Pavan and Galliard (after Dowland), Opusculum: Mr John Langton Pavan and Galliard (after Dowland), Perchè t'en fuggi, o Fillide, Presso un fiume tranquillo, Qui rise, o Tirsi, Rest von polnischen und anderen Tänzen: Mrs Nichols Almand (Mistress Nichols Almand), for 5 viols/violins & lute (from "Lachrimae"), Se vittorie si belle, Sestina: Lagrima d'amante al sepolcro dell'amata, Su, su, su, pastorelli vezzosi, Taffel-Consort 1621: Lady if you so spite me, for voice, Taffel-Consort 1621: Pavan à 4, Taffel-Consort 1621: Volta, Taffel-Consort 1621: Were every thought an eye, Una donna fra l'altre, Vago augelletto, Volgendo il ciel, Zefiro torna
Catherine Mackintosh (violinist) viola da gamba, violin Auserlesene Paduanen und Galliarden: Susanna Fair, for consort (Galliard), B.M. Add. 10444 c1610: Almain a 2, for consort duo, B.M. Add. 10444 c1610: Mrs Nichols Almain a 2, for consort duo, Cambridge manuscript part books c1699: Dowland's First Galliard (from Cambridge manuscript part books, c. 1600), Cambridge manuscript part books c1699: Fortune My Foe, song arranged for lute, P62, Cambridge manuscript part books c1699: Round Battle Galliard P39, Cambridge manuscript part books c1699: Tarleton's Jig (?Dowland) P81, Cambridge manuscript part books c1699: The Most Sacred Queen Elizabeth, her Galliard (Katherine Darcy's Galliard) P41, First Booke of Consort Lessons 1599: Can she excuse Galliard (after Dowland), First Booke of Consort Lessons 1599: Captain Piper's Pavan and Galliard (after Dowland), First Booke of Consort Lessons 1599: Lachrimae Pavan (after Dowland), First Booke of Consort Lessons 1599: The Frog Galliard (after Dowland), Lachrimae 1604: Captaine Digorie Piper his Galiard, Lachrimae 1604: Lachrimae Amantis, Lachrimae 1604: Lachrimae Antiquae, Lachrimae 1604: Lachrimae Antiquae Novae, Lachrimae 1604: Lachrimae Coactae, Lachrimae 1604: Lachrimae Gementes, Lachrimae 1604: Lachrimae Tristes, Lachrimae 1604: Lachrimae Verae, Lachrimae 1604: M. Buctons Galiard, Lachrimae 1604: M. George Whithead his Almand, Lachrimae 1604: M. Giles Hobies Galiard, Lachrimae 1604: M. Henry Noel his Galiard, Lachrimae 1604: M. John Langton's Pavan, Lachrimae 1604: M. Nicolas Gryffith his Galiard, Lachrimae 1604: M. Thomas Collier his Galiard, Lachrimae 1604: Mrs. Nichols Almand, Lachrimae 1604: Semper Dowland semper dolens, Lachrimae 1604: Sir Henry Upton's Funeral, Lachrimae 1604: Sir John Souch, his Galiard, Lachrimae 1604: The Earl of Essex Galiard, Lachrimae 1604: The King of Denmark's Galiard, Opusculum: La mia Barbara Pavan and Galliard (after Dowland), Opusculum: Lachrimae Antiquae Novae Pavan and Galliard (after Dowland), Opusculum: Mr John Langton Pavan and Galliard (after Dowland), Rest von polnischen und anderen Tänzen: Mrs Nichols Almand (Mistress Nichols Almand), for 5 viols/violins & lute (from "Lachrimae"), Taffel-Consort 1621: Lady if you so spite me, for voice, Taffel-Consort 1621: Pavan à 4, Taffel-Consort 1621: Volta, Taffel-Consort 1621: Were every thought an eye
Antony Howell (Engineer) balance Altri canti d'Amor: Sinfonia - Altri canti d'Amor, Altri canti d'Amor: Tu Cui tessuta han di Cesare alloro, Altri canti di Marte: Altri canti di Marte, Altri canti di Marte: Due begli occhi fur l'armi, Ardo e scoprir, Ardo, ardo, avvampo, Armato il cor, Chi vol haver felice, Dolcissimo uscignolo, Gira il nemico insidioso, Hor che'l ciel: Così sol d'una chiara fonte viva, Hor che'l ciel: Hor che'l ciel, e la terra, e'l vento tace, Lamento della ninfa: Amor, dicea, il ciel, Lamento della ninfa: Non havea Febo ancora, Mentre vaga Angioletta, Ninfa, che scalza il piede, Non partir ritrosetta, O sia tranquillo il mare, Ogni amante è guerrier: Io che nell'otio naqui e d'otio vissi, Ogni amante è guerrier: Ma per quel ampio Egeo spieghi le vele, Ogni amante è guerrier: Ogni amante è guerrier, Perchè t'en fuggi, o Fillide, Se vittorie si belle, Su, su, su, pastorelli vezzosi, Vago augelletto
Julian Creme cittern, lute Cambridge manuscript part books c1699: Dowland's First Galliard (from Cambridge manuscript part books, c. 1600), Cambridge manuscript part books c1699: Fortune My Foe, song arranged for lute, P62, Cambridge manuscript part books c1699: Round Battle Galliard P39, Cambridge manuscript part books c1699: Tarleton's Jig (?Dowland) P81, Cambridge manuscript part books c1699: The Most Sacred Queen Elizabeth, her Galliard (Katherine Darcy's Galliard) P41, First Booke of Consort Lessons 1599: Can she excuse Galliard (after Dowland), First Booke of Consort Lessons 1599: Captain Piper's Pavan and Galliard (after Dowland), First Booke of Consort Lessons 1599: Lachrimae Pavan (after Dowland), First Booke of Consort Lessons 1599: The Frog Galliard (after Dowland), Lachrimae 1604: Lachrimae Amantis, Lachrimae 1604: Lachrimae Antiquae, Lachrimae 1604: Lachrimae Antiquae Novae, Lachrimae 1604: Lachrimae Coactae, Lachrimae 1604: Lachrimae Gementes, Lachrimae 1604: Lachrimae Tristes, Lachrimae 1604: Lachrimae Verae
Alan Wilson (composer of church worship works (etc.) and a keyboard player) organ, virginal Auserlesene Paduanen und Galliarden: Susanna Fair, for consort (Galliard), B.M. Add. 10444 c1610: Almain a 2, for consort duo, B.M. Add. 10444 c1610: Mrs Nichols Almain a 2, for consort duo, Lachrimae 1604: Mrs. Nichols Almand, Opusculum: La mia Barbara Pavan and Galliard (after Dowland), Opusculum: Lachrimae Antiquae Novae Pavan and Galliard (after Dowland), Opusculum: Mr John Langton Pavan and Galliard (after Dowland), Rest von polnischen und anderen Tänzen: Mrs Nichols Almand (Mistress Nichols Almand), for 5 viols/violins & lute (from "Lachrimae"), Taffel-Consort 1621: Lady if you so spite me, for voice, Taffel-Consort 1621: Pavan à 4, Taffel-Consort 1621: Volta, Taffel-Consort 1621: Were every thought an eye
Bernard Thomas (conductor) flute, recorder Cambridge manuscript part books c1699: Dowland's First Galliard (from Cambridge manuscript part books, c. 1600), Cambridge manuscript part books c1699: Fortune My Foe, song arranged for lute, P62, Cambridge manuscript part books c1699: Round Battle Galliard P39, Cambridge manuscript part books c1699: Tarleton's Jig (?Dowland) P81, Cambridge manuscript part books c1699: The Most Sacred Queen Elizabeth, her Galliard (Katherine Darcy's Galliard) P41, First Booke of Consort Lessons 1599: Can she excuse Galliard (after Dowland), First Booke of Consort Lessons 1599: Captain Piper's Pavan and Galliard (after Dowland), First Booke of Consort Lessons 1599: Lachrimae Pavan (after Dowland), First Booke of Consort Lessons 1599: The Frog Galliard (after Dowland)
Jakob Lindberg (lutenist) bandora Cambridge manuscript part books c1699: Dowland's First Galliard (from Cambridge manuscript part books, c. 1600), Cambridge manuscript part books c1699: Fortune My Foe, song arranged for lute, P62, Cambridge manuscript part books c1699: Round Battle Galliard P39, Cambridge manuscript part books c1699: Tarleton's Jig (?Dowland) P81, Cambridge manuscript part books c1699: The Most Sacred Queen Elizabeth, her Galliard (Katherine Darcy's Galliard) P41, First Booke of Consort Lessons 1599: Can she excuse Galliard (after Dowland), First Booke of Consort Lessons 1599: Captain Piper's Pavan and Galliard (after Dowland), First Booke of Consort Lessons 1599: Lachrimae Pavan (after Dowland), First Booke of Consort Lessons 1599: The Frog Galliard (after Dowland)
Thomas Simpson (17th century composer) instrument arranger Lachrimae 1604: Mrs. Nichols Almand, Opusculum: La mia Barbara Pavan and Galliard (after Dowland), Opusculum: Lachrimae Antiquae Novae Pavan and Galliard (after Dowland), Opusculum: Mr John Langton Pavan and Galliard (after Dowland), Taffel-Consort 1621: Lady if you so spite me, for voice, Taffel-Consort 1621: Pavan à 4, Taffel-Consort 1621: Volta, Taffel-Consort 1621: Were every thought an eye
Tim Handley (engineer/editor/producer) balance Il Combattimento di Tancredi e Clorinda: Amico, hai vinto: io ti perdon... perdona, Il Combattimento di Tancredi e Clorinda: Non schivar, non parar, non pur ritrarsi, Il Combattimento di Tancredi e Clorinda: Tancredi, che Clorinda un homo stima, Il Combattimento di Tancredi e Clorinda: Torna l'ira nei cori, e li trasporta, Il Combattimento di Tancredi e Clorinda: Tre volte il cavalier la donna stringe, Volgendo il ciel
Polly Waterfield violin Lachrimae 1604: Mrs. Nichols Almand, Taffel-Consort 1621: Lady if you so spite me, for voice, Taffel-Consort 1621: Pavan à 4, Taffel-Consort 1621: Volta, Taffel-Consort 1621: Were every thought an eye
Trevor Jones (British violist, ex. Salomon Quartet) viola Lachrimae 1604: Mrs. Nichols Almand, Taffel-Consort 1621: Lady if you so spite me, for voice, Taffel-Consort 1621: Pavan à 4, Taffel-Consort 1621: Volta, Taffel-Consort 1621: Were every thought an eye
Thomas Morley (composer) instrument arranger First Booke of Consort Lessons 1599: Can she excuse Galliard (after Dowland), First Booke of Consort Lessons 1599: Captain Piper's Pavan and Galliard (after Dowland), First Booke of Consort Lessons 1599: Lachrimae Pavan (after Dowland), First Booke of Consort Lessons 1599: The Frog Galliard (after Dowland)
Christian Hildebrand arranger Auserlesene Paduanen und Galliarden: Susanna Fair, for consort (Galliard)
Valentin Haussmann arranger Rest von polnischen und anderen Tänzen: Mrs Nichols Almand (Mistress Nichols Almand), for 5 viols/violins & lute (from "Lachrimae")
Zacharias Füllsack arranger Auserlesene Paduanen und Galliarden: Susanna Fair, for consort (Galliard)